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Thank you very much, indeed. Hello, I'm Alexander Armstrong. | 0:00:23 | 0:00:26 | |
A very warm welcome to this special musicals edition of Pointless Celebrities. | 0:00:26 | 0:00:30 | |
The show where the aim of the game is to score | 0:00:30 | 0:00:32 | |
as few points as you can and you do that by coming up with the answers | 0:00:32 | 0:00:35 | |
no-one else can think of. Let's meet today's Pointless celebrities. | 0:00:35 | 0:00:38 | |
And couple number one. | 0:00:42 | 0:00:44 | |
Don Black, songwriter. | 0:00:44 | 0:00:46 | |
Tim Rice, songwriter. | 0:00:46 | 0:00:47 | |
-Couple number two. -I'm Phill Jupitus, | 0:00:51 | 0:00:53 | |
currently appearing in the UK tour of Chitty Chitty Bang Bang | 0:00:53 | 0:00:56 | |
with one of the other contestants. | 0:00:56 | 0:00:57 | |
I'm Cory English. | 0:00:58 | 0:01:00 | |
I've been doing Broadway and West End musicals for 25 years now. | 0:01:00 | 0:01:03 | |
Couple number three. | 0:01:06 | 0:01:08 | |
Hello, I'm Nigel Planer and, in fact, | 0:01:08 | 0:01:11 | |
Sir Tim over there gave me my first job in musicals. | 0:01:11 | 0:01:15 | |
A long time ago I was the David Essex understudy in the musical Evita. | 0:01:15 | 0:01:20 | |
I'm Claire Sweeney and I am playing Phill's long-suffering wife | 0:01:21 | 0:01:26 | |
in Chitty Chitty Bang Bang in the UK. | 0:01:26 | 0:01:28 | |
And, finally, couple number four. | 0:01:31 | 0:01:34 | |
My name's Siobhan Dillon. | 0:01:34 | 0:01:35 | |
I'm currently starring in Sunset Boulevard | 0:01:35 | 0:01:38 | |
at London Coliseum with the beautiful Glenn Close. | 0:01:38 | 0:01:41 | |
I'm Connie Fisher. | 0:01:41 | 0:01:43 | |
I'm best known for playing Maria in The Sound Of Music. | 0:01:43 | 0:01:45 | |
I present BBC One's Songs Of Praise and work as a TV producer. | 0:01:45 | 0:01:48 | |
Thank you very much, all of you. A very warm welcome to Pointless. | 0:01:51 | 0:01:54 | |
It's lovely to have you all here. | 0:01:54 | 0:01:55 | |
We'll get to chat to each of you during the show as it goes along, | 0:01:55 | 0:01:58 | |
of course. So that just leaves one more person for me to introduce. | 0:01:58 | 0:02:01 | |
It's not all about me, me, me, it's about him, him, him as well. | 0:02:01 | 0:02:04 | |
It's my Pointless friend, it's Richard. | 0:02:04 | 0:02:06 | |
Hiya. Evening, everybody. | 0:02:06 | 0:02:10 | |
Good evening, Xander. | 0:02:10 | 0:02:12 | |
-Good evening. -Now, what a line-up. | 0:02:12 | 0:02:14 | |
-How lovely. -I know. -This is going to be a joy. | 0:02:14 | 0:02:17 | |
I wonder... Listen, I love everybody, don't get me wrong, | 0:02:17 | 0:02:19 | |
but have we ever had a more distinguished podium one than we have this evening? | 0:02:19 | 0:02:23 | |
-Never. -Goodness me. | 0:02:23 | 0:02:25 | |
That's classy. Also, their introductions, so classy. | 0:02:25 | 0:02:29 | |
Right. If I was one of the other pairs - and you're all welcome, you know that - | 0:02:29 | 0:02:32 | |
I would feel very guilty at knocking them out at any point of the show. | 0:02:32 | 0:02:36 | |
-Yeah. -Would be my opinion. | 0:02:36 | 0:02:38 | |
Also, the two of them probably very able to employ the other six | 0:02:38 | 0:02:41 | |
-at any time, as well. -Yes. | 0:02:41 | 0:02:44 | |
-Yes. -And you, as well, to be fair. | 0:02:44 | 0:02:46 | |
-Don't think that's escaped my notice. -Given I can't sing, | 0:02:46 | 0:02:48 | |
I'm the only person here who doesn't have to impress you at any time. | 0:02:48 | 0:02:51 | |
That's the good news. | 0:02:51 | 0:02:53 | |
-Although, you know, I can... -You certainly can. | 0:02:53 | 0:02:55 | |
Yeah, I've got a mezzo soprano hidden away somewhere. | 0:02:55 | 0:02:58 | |
-Yes, I met her. -Yeah. | 0:02:58 | 0:03:00 | |
I should... Really should let her out. | 0:03:00 | 0:03:03 | |
Again, I don't wish to favour podium one, | 0:03:03 | 0:03:05 | |
but Round One is the sort of round you should be very good at if you | 0:03:05 | 0:03:07 | |
are two of the country's greatest ever lyricists, I would say. | 0:03:07 | 0:03:12 | |
Thank you very much indeed, Richard. | 0:03:12 | 0:03:15 | |
So, as usual, all of today's questions have been put to 100 people before the show. | 0:03:15 | 0:03:18 | |
Our contestants here are looking for those all-important pointless | 0:03:18 | 0:03:21 | |
answers. These being answers that none of our 100 people gave. | 0:03:21 | 0:03:23 | |
Find one of those, we will add 250 quid to the jackpot. | 0:03:23 | 0:03:26 | |
Now, as today's show's a celebrity special and each of our wonderful | 0:03:26 | 0:03:29 | |
celebrities here is playing for a nominated charity, | 0:03:29 | 0:03:32 | |
we're going to start off with a jackpot of £2,500. There we are. | 0:03:32 | 0:03:35 | |
Right, if everyone's ready, let's play Pointless. | 0:03:38 | 0:03:41 | |
So, all you have to remember is this. | 0:03:45 | 0:03:47 | |
The pair with the highest score at the end of each round | 0:03:47 | 0:03:50 | |
will be eliminated. That is it. | 0:03:50 | 0:03:52 | |
No conferring till we get to the head-to-head round. | 0:03:52 | 0:03:54 | |
Best of luck to all four pairs. | 0:03:54 | 0:03:56 | |
Our first category today is... | 0:03:56 | 0:03:58 | |
Words. It's... | 0:04:00 | 0:04:02 | |
ALEXANDER LAUGHS | 0:04:02 | 0:04:03 | |
..a words round, podium one. | 0:04:03 | 0:04:05 | |
Can you all decide in your pairs who's going to go first, | 0:04:05 | 0:04:07 | |
who's going to go second. | 0:04:07 | 0:04:08 | |
And whoever's going first, please step up to the podium. | 0:04:08 | 0:04:11 | |
OK, let's find out what the question is. Here it comes. | 0:04:15 | 0:04:17 | |
We gave 100 people 100 seconds to name as many words ending | 0:04:17 | 0:04:23 | |
in O-O-T as they could. | 0:04:23 | 0:04:25 | |
Words ending in O-O-T. | 0:04:25 | 0:04:28 | |
Yeah, were looking for any word which has its own entry | 0:04:28 | 0:04:31 | |
in the British and world English section of | 0:04:31 | 0:04:33 | |
the Oxforddictionaries.com, please, that ends O-O-T. | 0:04:33 | 0:04:36 | |
As always, no proper nouns, no hyphenated words. | 0:04:36 | 0:04:38 | |
I'm going to predict what you're going to say, but | 0:04:38 | 0:04:41 | |
it's quite tricky on this one. I've got it wrong three times in a row. | 0:04:41 | 0:04:43 | |
I know. Normally, your... | 0:04:43 | 0:04:45 | |
It's almost like we're drifting apart, somehow. | 0:04:45 | 0:04:47 | |
That's fine. Every relationship goes through its rocky patches. | 0:04:47 | 0:04:49 | |
Yes, it does, it does. Let's see if we can bring it back | 0:04:49 | 0:04:52 | |
-on course today. -Let's do exactly that. | 0:04:52 | 0:04:54 | |
Come on. Come on, big guy. | 0:04:55 | 0:04:57 | |
Thanks, Rich. | 0:04:57 | 0:04:59 | |
Tim, welcome back to Pointless. | 0:04:59 | 0:05:03 | |
It's lovely to have you here, as ever. | 0:05:03 | 0:05:04 | |
Now, Tim, you are on the Hollywood Walk Of Fame. | 0:05:04 | 0:05:08 | |
-Yeah. -Now that's... I don't think we've had... We've never had | 0:05:08 | 0:05:10 | |
anyone on the Hollywood Walk Of Fame on Pointless before. | 0:05:10 | 0:05:13 | |
-Chico. -We've had Chico. | 0:05:13 | 0:05:14 | |
Tim, how does that happen? | 0:05:16 | 0:05:17 | |
How do they tell you about it, to start with? | 0:05:17 | 0:05:19 | |
Well, you basically pay for it. | 0:05:19 | 0:05:22 | |
-Really? -I think you have to be nominated. | 0:05:22 | 0:05:25 | |
I got a letter, and that was great. | 0:05:25 | 0:05:27 | |
Does the letter come in a big gold envelope? | 0:05:27 | 0:05:29 | |
I can't remember. But it's obviously a very nice thing to have. | 0:05:29 | 0:05:34 | |
I was last there before I was so honoured to see my heroes | 0:05:34 | 0:05:38 | |
The Everly Brothers. I went to visit their gold star | 0:05:38 | 0:05:41 | |
and they were outside a rather dubious shop. | 0:05:41 | 0:05:45 | |
But actually, it was rather good because as people came out of | 0:05:45 | 0:05:47 | |
that shop, they were looking down, | 0:05:47 | 0:05:49 | |
so The Everly Brothers are probably seen more than most people. | 0:05:49 | 0:05:53 | |
LAUGHTER | 0:05:53 | 0:05:54 | |
-I bet they are. -But, no, it was great. | 0:05:54 | 0:05:57 | |
It was a nice thing to have happen. | 0:05:57 | 0:05:59 | |
Wonderful. Tim, we're looking for any word that ends O-O-T. | 0:05:59 | 0:06:03 | |
Well, I can think of a few risky ones, | 0:06:03 | 0:06:05 | |
but I'm going to be boring and play safe and go for scoot. | 0:06:05 | 0:06:08 | |
-Scoot... -Scoot. | 0:06:08 | 0:06:10 | |
..says Tim. Let's see how many of our 100 people said scoot. | 0:06:10 | 0:06:14 | |
25 for scoot. | 0:06:21 | 0:06:23 | |
APPLAUSE | 0:06:23 | 0:06:25 | |
To leave somewhere quickly. To scoot. | 0:06:27 | 0:06:30 | |
-I've got one. -Have you got one? | 0:06:30 | 0:06:32 | |
I've written down what I think you have, but... | 0:06:32 | 0:06:35 | |
-If you know what I mean. -I do. | 0:06:35 | 0:06:37 | |
Cory, a very warm welcome to you. | 0:06:37 | 0:06:39 | |
Now, you've been on Broadway, you've been on the West End, | 0:06:39 | 0:06:42 | |
you have a very, very long experience of both. | 0:06:42 | 0:06:45 | |
What's the difference between American audiences | 0:06:45 | 0:06:47 | |
-and British audiences, do you think? -Yeah, good question. | 0:06:47 | 0:06:52 | |
Well, the Broadway audiences do have Times Square | 0:06:52 | 0:06:55 | |
and that energy of New York City. | 0:06:55 | 0:06:57 | |
All the shows start at eight o'clock | 0:06:57 | 0:06:59 | |
and everybody running late to the theatre, | 0:06:59 | 0:07:01 | |
-and there is that buzz of Broadway, that helps. -Yeah. | 0:07:01 | 0:07:05 | |
Here, everybody's on time. | 0:07:05 | 0:07:07 | |
You know, they get to the theatre on time, it's at 7:30, 7:45 | 0:07:07 | 0:07:11 | |
is the start, so it's nice and calm. | 0:07:11 | 0:07:14 | |
It sometimes just lacks a little bit of the buzz, | 0:07:14 | 0:07:17 | |
-but once they're in the theatre, it's the same. -There we are. | 0:07:17 | 0:07:21 | |
Now, Cory, we're looking for any word that ends O-O-T. | 0:07:21 | 0:07:24 | |
All right. Let's go with... | 0:07:24 | 0:07:27 | |
-loot. -Ah, loot. | 0:07:27 | 0:07:30 | |
Also the name of a Tim Rice musical, actually, in a different spelling, | 0:07:30 | 0:07:34 | |
but there we are. Loot, says Cory. | 0:07:34 | 0:07:36 | |
Let's see if that's right, let's see how many of our 100 people said it. | 0:07:36 | 0:07:39 | |
AUDIENCE GROAN | 0:07:43 | 0:07:44 | |
-Whoa! Look at that! -Nelly Furtado! | 0:07:44 | 0:07:47 | |
Look at that, Cory. | 0:07:47 | 0:07:49 | |
That really is... That's quite a score, isn't it? | 0:07:50 | 0:07:54 | |
-Yeah. -Yeah, to loot, to steal, or what you steal is also loot. | 0:07:54 | 0:07:58 | |
Thanks very much, Richard. | 0:07:58 | 0:08:00 | |
Now then, Nigel, welcome back to Pointless. | 0:08:00 | 0:08:04 | |
-Yes. -Tell me about Doctor Who live. This is extraordinary. | 0:08:04 | 0:08:07 | |
You've been doing a live show of Doctor Who playing a villain. | 0:08:07 | 0:08:09 | |
Yes, with the live orchestra on stage, playing Murray Gold's music. | 0:08:09 | 0:08:15 | |
-Yeah. -Yes, I was the only human being in the show. | 0:08:15 | 0:08:20 | |
The rest were all what's known as skin workers, people who put on... | 0:08:20 | 0:08:24 | |
Monster players. | 0:08:24 | 0:08:26 | |
-Wow! -And they had to be all the different monsters. | 0:08:26 | 0:08:29 | |
And there was me and, Matt Smith was in it, but he was on a big screen. | 0:08:29 | 0:08:33 | |
He'd pre-recorded all his scenes... | 0:08:33 | 0:08:34 | |
-Oh, that's lazy. -..so I had to time my lines to his pre-record | 0:08:34 | 0:08:38 | |
and it looked like we were having dialogue. | 0:08:38 | 0:08:40 | |
-Yeah. -And I caught him in a little booth. | 0:08:40 | 0:08:44 | |
A sort of hologram booth, and I captured him cos I was a baddie, | 0:08:44 | 0:08:48 | |
and at the end of the first half I managed to say, | 0:08:48 | 0:08:52 | |
"Welcome to my experiment, Doctor." | 0:08:52 | 0:08:55 | |
-Which was great. -Amazing. | 0:08:55 | 0:08:57 | |
Nigel, words ending O-O-T. | 0:08:57 | 0:09:00 | |
Well, I'm going to take a cos I'm not even sure if it is a word, | 0:09:00 | 0:09:05 | |
but if it is, I think it won't have been chosen by many people, | 0:09:05 | 0:09:08 | |
so I may completely blow this. I'm going say moot. | 0:09:08 | 0:09:11 | |
-M-O-O-T. -Moot? Moot, says Nigel. | 0:09:11 | 0:09:14 | |
Well, let's see. How many of our 100 people said moot? | 0:09:14 | 0:09:16 | |
It's absolutely right. | 0:09:19 | 0:09:20 | |
86 our high score and you pass that very comfortably. | 0:09:20 | 0:09:23 | |
Oh. 54 for moot. | 0:09:23 | 0:09:25 | |
I'm surprised. | 0:09:25 | 0:09:27 | |
Oh, I thought we were going to get a really obscure one there. | 0:09:28 | 0:09:31 | |
A moot is what surrounds a castle for Geordies. | 0:09:31 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:37 | |
Thanks very much, indeed. | 0:09:39 | 0:09:41 | |
Connie, welcome back to Pointless. Great to have you here again. | 0:09:41 | 0:09:44 | |
-Thank you. -When you did How Do You Solve A Problem Like Maria?, | 0:09:44 | 0:09:47 | |
did they approach you? Did they come to you and say or do they go around | 0:09:47 | 0:09:50 | |
various drama schools and say, "Would anybody be interested?" | 0:09:50 | 0:09:53 | |
-Or did you audition? -They didn't, actually. | 0:09:53 | 0:09:55 | |
I was working in telesales | 0:09:55 | 0:09:56 | |
and I was auditioning for a lot of Sir Tim Rice's shows at the time. | 0:09:56 | 0:10:00 | |
I wasn't getting them. So my friend in telesales said, | 0:10:00 | 0:10:04 | |
"Have you listened to Front Row?" And so I was listening to Front Row | 0:10:04 | 0:10:07 | |
and I heard Lloyd-Webber say he was looking for a girl. | 0:10:07 | 0:10:10 | |
But even though I'd got a degree in musical theatre, | 0:10:10 | 0:10:13 | |
a piece of paper when you're performing isn't very handy, so... | 0:10:13 | 0:10:16 | |
-No. -But, yeah, I turned up and I won it. | 0:10:16 | 0:10:18 | |
-I couldn't believe it. -Very good. Now then, Connie, | 0:10:18 | 0:10:21 | |
what would you like to go for? We've had a range of scores. | 0:10:21 | 0:10:24 | |
Oh, I've got lots of words running through my head. | 0:10:24 | 0:10:28 | |
They're probably not words. | 0:10:28 | 0:10:31 | |
I'm going to go - it's probably not a word - cahoot. | 0:10:31 | 0:10:34 | |
-Ooh. -Yeah, good one. -Very good. -Is it? | 0:10:34 | 0:10:37 | |
Does it exist in the singular? | 0:10:37 | 0:10:38 | |
How many of our 100 people said cahoot? | 0:10:38 | 0:10:41 | |
Oh, no. Oh, no! | 0:10:44 | 0:10:46 | |
Oh, no, that's so unfair, because you were taking a risk. | 0:10:46 | 0:10:49 | |
And I might say the first person to have done so. | 0:10:49 | 0:10:52 | |
-But cahoot, I'm afraid... -Boot would've been 100, so... | 0:10:52 | 0:10:54 | |
It scores you 100. But, listen, Cory is just literally | 0:10:54 | 0:10:57 | |
-beside you in the scoring, so don't worry. -Just the plural, I'm afraid. | 0:10:57 | 0:11:01 | |
Cahoots but no cahoot. | 0:11:01 | 0:11:03 | |
But, as I say, you know what, there's some big scores out there, | 0:11:03 | 0:11:05 | |
-so you may still go through. -I should think so. | 0:11:05 | 0:11:08 | |
We're halfway through the round. Let's take a look at those scores. | 0:11:08 | 0:11:10 | |
25, Sir Tim. 25, the best score of that pass, | 0:11:10 | 0:11:13 | |
putting you and Don at the top the table. | 0:11:13 | 0:11:16 | |
Then up to 54, where we find Nigel and Claire, | 0:11:16 | 0:11:18 | |
then up to 86, where we find Cory and Phill, | 0:11:18 | 0:11:20 | |
and then up to 100, where we find Connie and Siobhan. | 0:11:20 | 0:11:22 | |
So, Siobhan, you're not that far ahead, | 0:11:22 | 0:11:24 | |
but far enough ahead for you to need a low-scoring answer, | 0:11:24 | 0:11:27 | |
so very good luck with that when we come back down the line, | 0:11:27 | 0:11:30 | |
which we're just about to do. | 0:11:30 | 0:11:31 | |
Will the second players please step up to the podium? | 0:11:31 | 0:11:34 | |
OK, Siobhan, so remember, it's words ending O-O-T. | 0:11:36 | 0:11:40 | |
Siobhan, what was your route into musical theatre? | 0:11:40 | 0:11:43 | |
The reality TV show How Do You Solve A Problem Like Maria? | 0:11:43 | 0:11:46 | |
-I was at fashion college at the time. -You just heard about | 0:11:46 | 0:11:49 | |
-it and applied? -Heard about it. Friend of mine pulled open | 0:11:49 | 0:11:52 | |
the Stage newspaper and said, "I'm going to go to this, | 0:11:52 | 0:11:54 | |
"do you want to come?" And I was like, "Yeah, great, | 0:11:54 | 0:11:56 | |
"come and see me in London, we'll do it together." And the day before, | 0:11:56 | 0:11:59 | |
she pulled out, so I went with my housemate, instead. | 0:11:59 | 0:12:02 | |
Ah, well, that's nice. | 0:12:02 | 0:12:03 | |
-How is Glenn Close? -Beautiful. She's amazing. | 0:12:03 | 0:12:06 | |
She's talented and she's humble and she's a team player. | 0:12:06 | 0:12:09 | |
She's really, really brilliant. | 0:12:09 | 0:12:10 | |
Wonderful. Now, Siobhan, words ending O-O-T. | 0:12:10 | 0:12:14 | |
We really need a low scoring one. | 0:12:14 | 0:12:16 | |
We haven't... Quite often, we get some pointless words in | 0:12:16 | 0:12:18 | |
-these words rounds. -Pressure. -So, no pressure, then? | 0:12:18 | 0:12:22 | |
I'm not going to lie, there is a little bit of pressure | 0:12:22 | 0:12:24 | |
-involved here. Yeah. -I'd like to go with beetroot. | 0:12:24 | 0:12:27 | |
Ah, you see! | 0:12:27 | 0:12:30 | |
What about that? Music to my ears and my taste buds. | 0:12:30 | 0:12:33 | |
Extremely good for you, the beetroot. | 0:12:33 | 0:12:35 | |
Let's see how many of our 100 people said beetroot. | 0:12:35 | 0:12:37 | |
No red line for you, as you're the high scorers. | 0:12:37 | 0:12:41 | |
It's right. Our lowest score is 25. | 0:12:41 | 0:12:45 | |
I rather fancy this might go below it, and it does. | 0:12:45 | 0:12:49 | |
Six. | 0:12:49 | 0:12:51 | |
You see, Siobhan. Very well done, indeed. | 0:12:51 | 0:12:54 | |
106 is your total. I think you might have done enough. | 0:12:54 | 0:12:57 | |
That's more like it, isn't it? A great answer, yeah, beetroot. | 0:12:57 | 0:13:00 | |
I'm not a fan of beetroot. You sound like maybe you like it. | 0:13:00 | 0:13:04 | |
I used to hate... You know how some of the things you come to love more | 0:13:04 | 0:13:07 | |
and more when you're a bit older? | 0:13:07 | 0:13:08 | |
Quite often, they're things you hated when you were younger. | 0:13:08 | 0:13:11 | |
-I hated beetroot. Love them now. -Really? | 0:13:11 | 0:13:13 | |
-Beetroot, whisky. -Beetroot and whisky. | 0:13:13 | 0:13:16 | |
-Beetroot, whisky, anchovies. -I know what I'm getting you for Christmas. | 0:13:16 | 0:13:19 | |
Lovely big beetroot. | 0:13:19 | 0:13:20 | |
Thank you very much, Richard. | 0:13:23 | 0:13:24 | |
Claire, now, my goodness. | 0:13:24 | 0:13:26 | |
You, uniquely amongst our eight contestants, | 0:13:26 | 0:13:29 | |
have acted alongside Patrick Swayze. | 0:13:29 | 0:13:31 | |
Yes. Yeah, God rest his soul. | 0:13:31 | 0:13:33 | |
-How was that? -Oh, he was gorgeous. | 0:13:33 | 0:13:36 | |
Abso... I couldn't believe every night I was getting paid | 0:13:36 | 0:13:38 | |
to kiss him. | 0:13:38 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:41 | |
It was fabulous. | 0:13:41 | 0:13:42 | |
And this is the Donmar Guys And Dolls, wasn't it? | 0:13:42 | 0:13:44 | |
-It was, yeah, which Cory did, as well, didn't you? -It was brilliant. | 0:13:44 | 0:13:47 | |
I went in just after Cory. | 0:13:47 | 0:13:49 | |
Such a great... And Douglas Hodge was in it, as well. | 0:13:49 | 0:13:51 | |
-Doug Hodge, yeah. -It was an amazing cast. | 0:13:51 | 0:13:54 | |
Now, you've got a young child. | 0:13:54 | 0:13:56 | |
-I have, an 18-month-old boy. -Yeah. | 0:13:56 | 0:13:57 | |
How do you find that works around the sort of eight shows a week? | 0:13:57 | 0:14:01 | |
He comes everywhere with me and I have a wonderful nanny | 0:14:01 | 0:14:05 | |
-who looks after him when I'm on stage. -Yeah. -But it's so good | 0:14:05 | 0:14:08 | |
for him, cos he's surrounded by happy faces, music, dancing. | 0:14:08 | 0:14:11 | |
-Yeah. -He comes to warm up with me. He's great. -Very good. | 0:14:11 | 0:14:15 | |
-Now then, Clare, you are on 54. -Oh, my goodness. | 0:14:15 | 0:14:17 | |
The high scorers behind you are Siobhan and Connie on 106. | 0:14:17 | 0:14:22 | |
So, 51 or less gets you through. | 0:14:22 | 0:14:23 | |
See, there's words going through my mind, | 0:14:25 | 0:14:26 | |
but I'm not sure if they're actually words, | 0:14:26 | 0:14:29 | |
so go for one of those and get 100, or play safe and... | 0:14:29 | 0:14:33 | |
I'm going to play safe. I'm sorry, Nigel. | 0:14:35 | 0:14:38 | |
I'm going to go for foot. | 0:14:38 | 0:14:40 | |
-Foot. Foot. Foot. There's your red line. -That's fine, isn't it? O-O-T. | 0:14:40 | 0:14:44 | |
If you can get... I think it is. Let's see how many of our 100 people said foot. | 0:14:44 | 0:14:48 | |
AUDIENCE GROANS | 0:14:51 | 0:14:53 | |
-85. -I'm sorry. -Well, listen... | 0:14:53 | 0:14:55 | |
it's one better than loot. Takes your total up to 139. | 0:14:55 | 0:14:59 | |
That was my original choice, so... | 0:14:59 | 0:15:02 | |
I think this might be the highest scoring words round we've ever had. | 0:15:02 | 0:15:05 | |
-I believe so. -I think. -Yes, yes. I'm now so pleased with my one. | 0:15:05 | 0:15:09 | |
-A lot of pressure taken off you now. -Yeah. | 0:15:09 | 0:15:12 | |
Phill, now, you have sort of set up home in musical theatre. | 0:15:12 | 0:15:15 | |
-What was the first one you did? -I did Hairspray. | 0:15:15 | 0:15:18 | |
I'm not entirely sure... | 0:15:18 | 0:15:21 | |
why I was asked. To be honest, there is a lovely man called James Orange | 0:15:21 | 0:15:25 | |
and a man called David Grindrod, who are casting directors. | 0:15:25 | 0:15:27 | |
They got me in and said, "We'd like a chat with you about musicals." | 0:15:27 | 0:15:30 | |
And I'm like, "Why?" And they went, "You know that bit on Buzzcocks | 0:15:30 | 0:15:33 | |
"where you do the beginning of songs? We can see that you can | 0:15:33 | 0:15:35 | |
"hold a tune." And I thought, well, the bar's quite low | 0:15:35 | 0:15:38 | |
in musical theatre if me going... | 0:15:38 | 0:15:40 | |
"Doof doo doo-doo doof doof" | 0:15:40 | 0:15:42 | |
..ends up with me dressed as a woman in the West End for money, | 0:15:42 | 0:15:45 | |
which is probably where my career was going to end, anyway, so! | 0:15:45 | 0:15:49 | |
And then you went from that. You've been in Spamalot, | 0:15:49 | 0:15:52 | |
-you've been in The Producers. -Yeah. -You're in Chitty Bang Bang. | 0:15:52 | 0:15:55 | |
Yes, yes, Chitty Chitty Bang Bang, with Claire. | 0:15:55 | 0:15:58 | |
And if you think that she's delighted she was paid | 0:15:58 | 0:16:01 | |
to kiss Swayze... | 0:16:01 | 0:16:02 | |
LAUGHTER | 0:16:02 | 0:16:04 | |
..now is when she morally pays back. | 0:16:04 | 0:16:06 | |
Kissing me for less money. | 0:16:07 | 0:16:09 | |
-Now, you're on 86, Phill. -Yes. | 0:16:11 | 0:16:13 | |
The highest scorers are in front of you, | 0:16:13 | 0:16:15 | |
Claire and Nigel on 139. | 0:16:15 | 0:16:17 | |
So 52 or less brings you home. | 0:16:17 | 0:16:19 | |
-Yeah. -Come on, Phill. Come on, Phill! | 0:16:20 | 0:16:23 | |
-Loot. What were you thinking? -Carry me! | 0:16:23 | 0:16:27 | |
-Carry me. -Good lord. | 0:16:27 | 0:16:28 | |
I'm going to go with cheroot. | 0:16:28 | 0:16:30 | |
-ALL: -Ooh! -Very good, very good. | 0:16:30 | 0:16:34 | |
Cheroot, says Phill. | 0:16:34 | 0:16:36 | |
Now, here is your red line, just over halfway up the column. | 0:16:36 | 0:16:40 | |
Cheroot. Let's see how many of our 100 people went for that. | 0:16:40 | 0:16:43 | |
It's right. And surely... | 0:16:48 | 0:16:50 | |
And it does get you through. | 0:16:50 | 0:16:52 | |
Nine. | 0:16:53 | 0:16:54 | |
Nine. I mean, it's no beetroot, but still, it's good enough. | 0:16:56 | 0:17:00 | |
Takes your total up to 95. | 0:17:00 | 0:17:02 | |
Well played, Phill. Yes, a cigar with both ends open. | 0:17:02 | 0:17:06 | |
I saw Phill in Hairspray. He was brilliant. | 0:17:06 | 0:17:08 | |
Thanks very much indeed, Richard. | 0:17:08 | 0:17:10 | |
-And Don. -Yes. | 0:17:10 | 0:17:12 | |
Don, what a great pleasure to have you here. | 0:17:12 | 0:17:15 | |
Think of all the collaborations you've had. | 0:17:15 | 0:17:17 | |
I mean, you have worked with incredible composers, | 0:17:17 | 0:17:20 | |
you've worked with amazing singers. | 0:17:20 | 0:17:22 | |
Quincy Jones, Michael Jackson, you've worked with. | 0:17:22 | 0:17:25 | |
I mean, extraordinary, extraordinary range of people. | 0:17:25 | 0:17:28 | |
When you're writing songs, do you have a notebook on you at all times, | 0:17:28 | 0:17:33 | |
and a pencil? | 0:17:33 | 0:17:34 | |
More or less. Yeah, it's always good to write. | 0:17:34 | 0:17:38 | |
If anyone says anything... If I was in a restaurant, | 0:17:38 | 0:17:41 | |
and I heard at the next table somebody said, | 0:17:41 | 0:17:44 | |
"You've lost that loving feeling," I'd write it down right away. | 0:17:44 | 0:17:47 | |
Someone has done that already. | 0:17:47 | 0:17:49 | |
-It wasn't you, was it? -No, no. -Oh, phew. | 0:17:50 | 0:17:53 | |
Wouldn't that be awkward? | 0:17:53 | 0:17:55 | |
Well, Don, listen, the great news is you're through to the next round. | 0:17:55 | 0:17:58 | |
It doesn't matter what you say, but I'm pretty sure | 0:17:58 | 0:18:00 | |
you'll have a brilliant answer. | 0:18:00 | 0:18:01 | |
I've always been a great lover of Western movies. | 0:18:01 | 0:18:05 | |
Cowboys and Indians. | 0:18:05 | 0:18:06 | |
And the word tenderfoot comes up a lot. | 0:18:06 | 0:18:09 | |
Tender... Now that, that's either going to hit one or the other end | 0:18:09 | 0:18:13 | |
-of the column... -That's right, exactly. -..I reckon. | 0:18:13 | 0:18:16 | |
Tenderfoot. There's no red line for you, Don, | 0:18:16 | 0:18:18 | |
for the lovely reason that you're already through, | 0:18:18 | 0:18:20 | |
but let's see how many of our 100 said tenderfoot. | 0:18:20 | 0:18:24 | |
It is right. | 0:18:24 | 0:18:25 | |
I think we might be hearing the ding of a pointless here. | 0:18:25 | 0:18:28 | |
Look at that! CHEERING | 0:18:31 | 0:18:33 | |
Very well done, indeed, Don. Beautifully done. | 0:18:33 | 0:18:36 | |
That's a pointless answer and adds £250 to today's jackpot, takes | 0:18:36 | 0:18:39 | |
the total up to £2,750. | 0:18:39 | 0:18:40 | |
It scores you nothing. It leaves your total at 25, | 0:18:40 | 0:18:43 | |
which is by a margin the lowest score of the whole round. | 0:18:43 | 0:18:46 | |
That's a terrific answer, Don. Very well played. | 0:18:46 | 0:18:49 | |
Yeah, it means a newcomer, or novice. | 0:18:49 | 0:18:50 | |
As you say, often used in those old westerns | 0:18:50 | 0:18:52 | |
and in the old western books, as well. | 0:18:52 | 0:18:54 | |
Lots and lots of pointless answers. | 0:18:54 | 0:18:56 | |
-ALEXANDER COUGHS -I haven't forgotten you. | 0:18:56 | 0:18:58 | |
-OK, OK. -He's very needy sometimes. | 0:18:58 | 0:19:01 | |
LAUGHTER | 0:19:01 | 0:19:03 | |
Go on, then. No, go on. | 0:19:03 | 0:19:05 | |
-Arrowroot. -You know what, that was my second choice for you. | 0:19:05 | 0:19:08 | |
-I'm annoyed, now. -Was it? -Yeah. -Oh, no. | 0:19:08 | 0:19:10 | |
I went for... I thought you would say bandicoot. | 0:19:10 | 0:19:12 | |
Oh, no, I did think bandicoot, as well. | 0:19:12 | 0:19:14 | |
I'm so annoyed. Arrowroot would've scored two. | 0:19:14 | 0:19:18 | |
-What was bandicoot? -Bandicoot was three. So you did better than me. | 0:19:18 | 0:19:21 | |
-Oh, phew. OK. There we are. -So that's good. | 0:19:21 | 0:19:23 | |
There's lots of good pointless answers though. | 0:19:23 | 0:19:25 | |
Let's take a look at some of them. | 0:19:25 | 0:19:26 | |
A coralroot is an orchid. Crapshoot is a pointless answer. | 0:19:26 | 0:19:30 | |
Flatfoot, also a pointless answer, | 0:19:30 | 0:19:32 | |
often used as a name for a police officer. | 0:19:32 | 0:19:34 | |
Outroot. Overboot, something you put over your boot. | 0:19:34 | 0:19:38 | |
Pussyfoot. See, when you hear them, they're kind of obvious. | 0:19:38 | 0:19:42 | |
To troubleshoot. Underfoot. | 0:19:42 | 0:19:44 | |
Unroot. You could have had pinkfoot, you could have had outshoot, | 0:19:44 | 0:19:47 | |
goosefoot, forefoot. You could've had jackboot. | 0:19:47 | 0:19:49 | |
There's all sorts of good pointless answers up there. | 0:19:49 | 0:19:52 | |
Let's take a look at the top three scorers. | 0:19:52 | 0:19:54 | |
Normally, this is, "Let's have a laugh at the biggest scorers," | 0:19:54 | 0:19:56 | |
but some of these will be familiar. | 0:19:56 | 0:19:58 | |
LAUGHTER | 0:19:58 | 0:20:01 | |
Foot would've scored you 85. | 0:20:01 | 0:20:03 | |
Look at that, Cory, loot with 86. | 0:20:04 | 0:20:06 | |
And boot, which would have scored you 90. | 0:20:06 | 0:20:09 | |
There we are, thanks very much indeed, Richard. | 0:20:09 | 0:20:11 | |
So, and the end of our first round, I'm so sorry. | 0:20:11 | 0:20:14 | |
Claire and Nigel, two returners we have to send away, | 0:20:14 | 0:20:16 | |
with a high score of 139. | 0:20:16 | 0:20:18 | |
It's been lovely having you here. | 0:20:18 | 0:20:19 | |
Thank you so much for coming to play. Far too soon to be | 0:20:19 | 0:20:21 | |
sending you away, but thank you, Claire and Nigel. | 0:20:21 | 0:20:25 | |
APPLAUSE | 0:20:25 | 0:20:26 | |
But for the remaining three pairs, it's now time for Round Two. | 0:20:27 | 0:20:31 | |
And so three pairs remain. | 0:20:35 | 0:20:36 | |
At the end of this round, we will have to say goodbye to another pair. | 0:20:36 | 0:20:40 | |
Best of luck to all three pairs. | 0:20:40 | 0:20:41 | |
Our category for Round Two this evening is... | 0:20:41 | 0:20:45 | |
-Yes! -Pop Music, something many of you are familiar with. | 0:20:47 | 0:20:50 | |
Can you all decide in your pairs who's going to go first, | 0:20:50 | 0:20:52 | |
who's going to go second. And whoever's going first, | 0:20:52 | 0:20:54 | |
please step up to the podium. | 0:20:54 | 0:20:56 | |
OK. And the question concerns... | 0:20:58 | 0:21:00 | |
Young chart stars, Richard. | 0:21:04 | 0:21:05 | |
On each board, we're going to show you the names of six UK | 0:21:05 | 0:21:08 | |
top 40 singles, all of which became hits when the act who released them | 0:21:08 | 0:21:11 | |
was under 20 years old. Just need to name those acts, please. | 0:21:11 | 0:21:14 | |
Six on the first board, six on the second, | 0:21:14 | 0:21:16 | |
12 in all to have a go at home. Very best of luck. | 0:21:16 | 0:21:19 | |
OK, so we're looking for the name of the artists who had hits | 0:21:19 | 0:21:21 | |
with these songs. | 0:21:21 | 0:21:24 | |
Here's our first board. | 0:21:24 | 0:21:25 | |
We have... | 0:21:25 | 0:21:27 | |
I shall read those all again. | 0:21:42 | 0:21:43 | |
Tim. | 0:21:57 | 0:21:58 | |
Xander, I know... | 0:21:58 | 0:22:02 | |
I think I know four of them. | 0:22:02 | 0:22:05 | |
And, being an old codger, I'm going back into the past. | 0:22:05 | 0:22:10 | |
I'll go for Musical Youth, Pass The Dutchie. | 0:22:10 | 0:22:12 | |
Musical Youth, says Tim. | 0:22:12 | 0:22:14 | |
Let's see how many of our 100 people went for Musical Youth. | 0:22:14 | 0:22:17 | |
Not bad. 34 for Musical Youth. | 0:22:24 | 0:22:25 | |
APPLAUSE | 0:22:25 | 0:22:27 | |
That is a solid start. Yeah, sold over four million | 0:22:29 | 0:22:32 | |
copies worldwide, Pass The Dutchie. | 0:22:32 | 0:22:34 | |
Not bad at all. | 0:22:35 | 0:22:36 | |
Now then, Cory. | 0:22:36 | 0:22:38 | |
Doomed. | 0:22:38 | 0:22:39 | |
Puppy Love. | 0:22:42 | 0:22:43 | |
Oh, gosh. | 0:22:43 | 0:22:44 | |
Stitches. | 0:22:47 | 0:22:48 | |
Well, I've just got to make... | 0:22:49 | 0:22:52 | |
an uneducated guess. | 0:22:52 | 0:22:54 | |
-Yes. -And say Depeche Mode, Uptight. | 0:22:55 | 0:22:58 | |
-Argh! -We got it. This is it. No, no, no, think positive, Phill. | 0:22:58 | 0:23:01 | |
OK. | 0:23:01 | 0:23:04 | |
S... | 0:23:04 | 0:23:06 | |
They weren't even born in '66! | 0:23:06 | 0:23:07 | |
-Oh, God! -LAUGHTER | 0:23:08 | 0:23:10 | |
SW. | 0:23:12 | 0:23:14 | |
Depeche Mode, says Cory. LAUGHTER | 0:23:14 | 0:23:17 | |
Let's see how many of our 100 people... | 0:23:17 | 0:23:19 | |
..said that. | 0:23:21 | 0:23:23 | |
Let it be there, let it be there. | 0:23:23 | 0:23:26 | |
There we are. I'm afraid... | 0:23:27 | 0:23:30 | |
APPLAUSE | 0:23:30 | 0:23:31 | |
I'm sorry, Corey. An incorrect answer, as it turns out. | 0:23:31 | 0:23:34 | |
Scores you 100 points. | 0:23:34 | 0:23:36 | |
Yeah, although they were originally called Sepeche Wode. | 0:23:36 | 0:23:38 | |
-LAUGHTER -So it's not a bad answer. -Yeah. | 0:23:38 | 0:23:41 | |
Thank you very much indeed. | 0:23:41 | 0:23:43 | |
Now, Siobhan, this board's all yours. | 0:23:43 | 0:23:45 | |
Would you like to go through it and fill in all our blanks for us? | 0:23:45 | 0:23:48 | |
I'm really struggling, I'm not going to lie. | 0:23:48 | 0:23:50 | |
Do you want to go through them and do some thinking aloud? | 0:23:50 | 0:23:52 | |
No, absolutely not. That would just be embarrassing. | 0:23:52 | 0:23:55 | |
Let's just put it out there. Puppy Love, Donny Osmond? | 0:23:55 | 0:23:59 | |
-Yeah, yeah. -Donny Osmond. CHEERING | 0:23:59 | 0:24:01 | |
Is that the answer you want to go for? | 0:24:01 | 0:24:03 | |
-That's the answer. -"Of course," says Cory! | 0:24:03 | 0:24:05 | |
Sepeche Wode. | 0:24:05 | 0:24:08 | |
Let's see how many of our 100 people went for Donny Osmond | 0:24:08 | 0:24:11 | |
for Puppy Love. Let's see how many people. | 0:24:11 | 0:24:14 | |
-Well, 100 was our high score and you've passed that. -Yay! | 0:24:14 | 0:24:16 | |
71 is where you end up with Donny Osmond. | 0:24:16 | 0:24:18 | |
-Not bad. -Yeah, a cover of a Paul Anka song, that was. | 0:24:20 | 0:24:24 | |
Now, let's fill these in, shall we? | 0:24:24 | 0:24:27 | |
All Kinds Of Everything, D. | 0:24:27 | 0:24:29 | |
-Dana. -Dana, yeah. Absolutely. That would have scored 38. | 0:24:29 | 0:24:32 | |
Now, No No No. It's Destiny's Child. | 0:24:32 | 0:24:35 | |
-CONNIE: -We should have gone for that! -Stitches, which is | 0:24:35 | 0:24:38 | |
the most recent one on the board, is Shawn Mendes, | 0:24:38 | 0:24:40 | |
who came to fame on Vine and now sells millions of records. | 0:24:40 | 0:24:43 | |
Would have scored you six points. | 0:24:43 | 0:24:45 | |
-And Uptight (Everything's Alright). -Stevie Wonder. -Stevie Wonder, | 0:24:45 | 0:24:48 | |
of course it is. 21 points for that. | 0:24:48 | 0:24:49 | |
So Destiny's Child the best answer on the board. | 0:24:49 | 0:24:52 | |
-Well done if you said that. -Thanks very much indeed. | 0:24:52 | 0:24:54 | |
Well, let's see where we find ourselves halfway through the round. | 0:24:54 | 0:24:57 | |
34, the best score, Tim and Don. | 0:24:57 | 0:24:59 | |
Once again looking very strong at this stage for the head-to-head. | 0:24:59 | 0:25:02 | |
Then up to 71, quite a leap up there, | 0:25:02 | 0:25:04 | |
where we find Siobhan and Connie. | 0:25:04 | 0:25:05 | |
And then it's up to 100, Cory and Phill. | 0:25:05 | 0:25:08 | |
However, if one was thinking of there's a sort of handicap race, | 0:25:08 | 0:25:10 | |
I would say that that's probably about right, | 0:25:10 | 0:25:13 | |
cos, Phill, got a bit of a mountain to climb, | 0:25:13 | 0:25:15 | |
but you knew all of that. He's going to be fine. | 0:25:15 | 0:25:17 | |
You're going to be fine. Best of luck with that. | 0:25:17 | 0:25:19 | |
We're going to come back down the line now. | 0:25:19 | 0:25:21 | |
Can the second players please step up to the podium. | 0:25:21 | 0:25:25 | |
OK, we're going to put six more clues up on the board, | 0:25:25 | 0:25:28 | |
six more songs, and here they are. | 0:25:28 | 0:25:30 | |
We've got... | 0:25:32 | 0:25:33 | |
I'll say all those again. | 0:25:52 | 0:25:54 | |
Now then, Connie, if you could possibly score 28 | 0:26:12 | 0:26:16 | |
-or less, you'd be definitely... -We won't. -..in the next round. | 0:26:16 | 0:26:20 | |
Clearly, I'm not going to go for the third one, | 0:26:20 | 0:26:22 | |
because everyone's going to get that. | 0:26:22 | 0:26:25 | |
HS. Who could it be? | 0:26:25 | 0:26:26 | |
Oh, hang on, HS! | 0:26:26 | 0:26:28 | |
Don't laugh. It's not Harry Secombe, is it? | 0:26:30 | 0:26:33 | |
LAUGHTER | 0:26:33 | 0:26:35 | |
-Would it be Harry Secombe? -OK, Harry Secombe. | 0:26:35 | 0:26:38 | |
Let's see how many of our 100 people said Harry Secombe. | 0:26:38 | 0:26:41 | |
-There's your red line. -There it is, there it is. | 0:26:41 | 0:26:44 | |
-Just leave us waiting. -Oh! | 0:26:49 | 0:26:52 | |
Oh, I'm sorry. I'm sorry, not Harry... | 0:26:52 | 0:26:55 | |
-Was it Harry Styles? -Not Harry Secombe! | 0:26:55 | 0:26:57 | |
LAUGHTER | 0:26:57 | 0:26:58 | |
Scores you 100 points, takes your total up to 171. | 0:26:58 | 0:27:01 | |
-You're still in the game. -Absolutely. You know what, | 0:27:01 | 0:27:03 | |
not a terrible answer. You got the initials right. | 0:27:03 | 0:27:05 | |
At least you didn't say Depeche Mode. | 0:27:05 | 0:27:07 | |
-There we are. -That's right! -Thank you very much. Phill. -Hello. | 0:27:09 | 0:27:12 | |
Now, listen, if you could score 70 or less, you're in the head-to-head. | 0:27:12 | 0:27:16 | |
OK. All right, all right! | 0:27:16 | 0:27:19 | |
Well, I want to go out burning, | 0:27:20 | 0:27:24 | |
I want to go flaming into the ground. | 0:27:24 | 0:27:27 | |
Let's do it. | 0:27:27 | 0:27:28 | |
Don't Treat Me Like A Child, Helen Shapiro. | 0:27:28 | 0:27:31 | |
Helen Shapiro. | 0:27:31 | 0:27:32 | |
AUDIENCE OOHS Oh, listen to that. | 0:27:32 | 0:27:34 | |
Appreciative buzz from our audience there. | 0:27:34 | 0:27:37 | |
Here is your red line. Nice and high. | 0:27:37 | 0:27:38 | |
Get below that with Helen Shapiro, you're into the head-to-head. | 0:27:38 | 0:27:41 | |
-How many people said Helen Shapiro? -Come on, Phill Jupitus. | 0:27:41 | 0:27:44 | |
It is Helen Shapiro. | 0:27:44 | 0:27:46 | |
You are in the head-to-head. | 0:27:46 | 0:27:48 | |
Good. | 0:27:50 | 0:27:51 | |
18. | 0:27:52 | 0:27:53 | |
-118 is your total. -I should not be here! | 0:27:55 | 0:27:57 | |
18, incidentally, the lowest score of the round so far. | 0:27:57 | 0:28:00 | |
She was 14 years old when she released that song, | 0:28:00 | 0:28:02 | |
and then moved to Basildon in the '80s and formed a synthesiser group | 0:28:02 | 0:28:05 | |
called Depeche Mode. That was her band. | 0:28:05 | 0:28:08 | |
-Thank you very much indeed. Now, Don. -Yes. | 0:28:10 | 0:28:13 | |
I've great news. You're through, it doesn't matter what you score. | 0:28:13 | 0:28:16 | |
-Right. -What are you going to go for on this board? | 0:28:16 | 0:28:19 | |
-I'll talk you through the first one. -Yes. -Because I know that. | 0:28:19 | 0:28:22 | |
And I'll go for Lena Zavaroni. | 0:28:22 | 0:28:24 | |
Lena Zavaroni, says Don. | 0:28:24 | 0:28:26 | |
No red line for you, you're already through. | 0:28:26 | 0:28:28 | |
Let's see how many people said Lena Zavaroni. | 0:28:28 | 0:28:31 | |
It's right. | 0:28:33 | 0:28:34 | |
29 for Lena Zavaroni, | 0:28:39 | 0:28:41 | |
taking your total up to 63, the lowest total by some distance | 0:28:41 | 0:28:44 | |
-of the round. -Well played, Don, yeah, found fame | 0:28:44 | 0:28:47 | |
on Opportunity Knocks, Lena Zavaroni. | 0:28:47 | 0:28:49 | |
Now, this next one, do you remember this next one down? | 0:28:49 | 0:28:51 | |
-One of those many novelty singles. -Do you know, I don't. | 0:28:51 | 0:28:54 | |
It was by Claire And Friends. | 0:28:54 | 0:28:56 | |
Three points for that. Later covered by Metallica. | 0:28:56 | 0:28:58 | |
-LAUGHTER -Now, Rockin' Robin. | 0:28:58 | 0:29:01 | |
-Connie. -I think it's Michael Jackson. | 0:29:01 | 0:29:03 | |
Michael Jackson. Absolutely right. | 0:29:03 | 0:29:06 | |
Big score, though. It would still have seen you knocked out. | 0:29:06 | 0:29:08 | |
-Yeah. -Would have scored you 58. I Think We're Alone Now. | 0:29:08 | 0:29:11 | |
Tiffany. That's a good song. | 0:29:11 | 0:29:13 | |
30 points for that. Now, Whip My Hair, Will Smith's daughter, Willow. | 0:29:13 | 0:29:17 | |
That would have scored 14. | 0:29:17 | 0:29:18 | |
Thanks very much, Richard. So, at the end of our second round, | 0:29:18 | 0:29:21 | |
I'm sorry, the pair we have to say goodbye to, | 0:29:21 | 0:29:23 | |
heading home with their high score of 171, Connie and Siobhan. | 0:29:23 | 0:29:26 | |
-It is you. It's been lovely having you here, though. -Thank you. | 0:29:26 | 0:29:29 | |
-Please come and play again. Connie and Siobhan. -Thank you! | 0:29:29 | 0:29:32 | |
But for Cory and Phill, Don and Tim, it's now time for our head-to-head. | 0:29:35 | 0:29:38 | |
Well, congratulations, Don and Tim, Corey and Phill. | 0:29:43 | 0:29:45 | |
You're now one step closer to the final and a chance to play for our | 0:29:45 | 0:29:48 | |
jackpot, which currently stands at... | 0:29:48 | 0:29:50 | |
So here we are. We've reached the head-to-head stage. | 0:29:55 | 0:29:57 | |
This means we have to decide who goes through to the final to play | 0:29:57 | 0:30:00 | |
for that jackpot and we do it by making you go head-to-head, | 0:30:00 | 0:30:02 | |
but you can start playing as a team, which is great. | 0:30:02 | 0:30:05 | |
You can chat before you give your answers. | 0:30:05 | 0:30:06 | |
First pair to win two questions will be playing for that jackpot. | 0:30:06 | 0:30:10 | |
This is very exciting. | 0:30:10 | 0:30:11 | |
So we have here two of the finest lyricists of all time | 0:30:11 | 0:30:15 | |
versus two of the finest musical and comedy talents | 0:30:15 | 0:30:18 | |
of the West End and Broadway. | 0:30:18 | 0:30:21 | |
Fight! Let's play the head-to-head. | 0:30:21 | 0:30:23 | |
Here is your first question and it concerns... | 0:30:29 | 0:30:31 | |
Winners Of The Best Actor Olivier Award. Richard. | 0:30:36 | 0:30:39 | |
We're going to show you five pictures now of people who have won | 0:30:39 | 0:30:41 | |
the Best Actor or Best Actor In A Musical at the Olivier Awards. | 0:30:41 | 0:30:44 | |
Can you identify the most obscure of these, please. | 0:30:44 | 0:30:47 | |
OK, let's reveal our five actors, and here they come. | 0:30:47 | 0:30:50 | |
There we are. Five Best Actors. | 0:31:19 | 0:31:22 | |
Don and Tim, you're our low scorers, so you'll go first. | 0:31:22 | 0:31:25 | |
Right. Yes... | 0:31:25 | 0:31:28 | |
Well, we think we know three of them, | 0:31:28 | 0:31:30 | |
which is not very good, really. | 0:31:30 | 0:31:32 | |
We're going to go for A, is that right? | 0:31:32 | 0:31:34 | |
We're going to go for A, and that is Robert Lindsay. | 0:31:34 | 0:31:36 | |
Robert Lindsay say Don and Tim. Robert Lindsay. | 0:31:36 | 0:31:39 | |
Now then, Corey and Phill, talk us through that board. | 0:31:39 | 0:31:44 | |
Yeah, I know them all. | 0:31:44 | 0:31:46 | |
So it's Bob Lindsay, Chiwetel Ejiofor, Spacey, | 0:31:46 | 0:31:49 | |
Cumberbatch and Jacobi. | 0:31:49 | 0:31:51 | |
I thought D, maybe. | 0:31:51 | 0:31:53 | |
-No, they know? -Everyone knows Cumberbatch. | 0:31:53 | 0:31:56 | |
I don't think that they'd know Jacobi. | 0:31:56 | 0:31:58 | |
-Yeah. All right. -I'll go with Jacobi, E. | 0:31:58 | 0:32:01 | |
-Derek Jacobi. -Derek Jacobi. | 0:32:01 | 0:32:02 | |
There we are. So we have Derek Jacobi and Robert Lindsay. | 0:32:02 | 0:32:05 | |
Don and Tim said Robert Lindsey for A | 0:32:05 | 0:32:07 | |
Let's see if that's right, let's see how many of our 100 people | 0:32:07 | 0:32:10 | |
said Robert Lindsay. | 0:32:10 | 0:32:11 | |
It's right. | 0:32:13 | 0:32:14 | |
Oh, it's a good answer. 26. | 0:32:18 | 0:32:20 | |
26 for Robert Lindsay. | 0:32:23 | 0:32:25 | |
Now, meanwhile, Cory and Phill have said Derek Jacobi for E. | 0:32:25 | 0:32:30 | |
Let's see if that's right, let's see how many people said Derek Jacobi. | 0:32:30 | 0:32:33 | |
It's right. | 0:32:35 | 0:32:36 | |
It's... | 0:32:39 | 0:32:40 | |
very good. | 0:32:40 | 0:32:41 | |
Look at that, 19 for Derek Jacobi. Very well done, indeed. | 0:32:41 | 0:32:45 | |
Very well done. It means Corey and Phill, after one question, | 0:32:45 | 0:32:48 | |
-you are up 1-0. -Yeah, well played. Funnily enough, Benedict Cumberbatch | 0:32:48 | 0:32:51 | |
also would have won the point, cos he would have scored you 25. | 0:32:51 | 0:32:54 | |
Would have been more exciting telly if you had said Cumberbatch. | 0:32:54 | 0:32:57 | |
Best answer on the board, though, is B, by a long way. | 0:32:57 | 0:33:00 | |
Chiwetel Ejiofor. He would have scored you six points. | 0:33:00 | 0:33:03 | |
Well done if you said that at home. | 0:33:03 | 0:33:05 | |
And the biggest score on the board, Kevin Spacey. | 0:33:05 | 0:33:08 | |
-Who? -With 52. | 0:33:08 | 0:33:10 | |
Thank you very much. Here is your second question. | 0:33:10 | 0:33:12 | |
Now, Don and Tim, Corey and Phill will get to answer this first, but | 0:33:12 | 0:33:15 | |
you have to win it to stay in the game, so very, very best of luck. | 0:33:15 | 0:33:18 | |
It concerns, this second question of ours... | 0:33:18 | 0:33:21 | |
-Cameron Mackintosh Productions. Richard. -The answer to every | 0:33:23 | 0:33:26 | |
clue here is the name of a show produced or associated | 0:33:26 | 0:33:29 | |
with Cameron Mackintosh. Very best of luck. | 0:33:29 | 0:33:32 | |
Now, rather than me reading out the clues here, | 0:33:32 | 0:33:35 | |
we've got someone else. We have Sir Cameron Mackintosh himself. | 0:33:35 | 0:33:38 | |
Hi, Xander and Richard, I'm really sorry I can't be with you | 0:33:38 | 0:33:41 | |
and I've had to sit in my little hovel of an office here, | 0:33:41 | 0:33:44 | |
but I've got five questions about my musicals I'd like to give you. | 0:33:44 | 0:33:47 | |
What was the name of the musical that I produced in 2001, | 0:33:47 | 0:33:52 | |
based on the story of Pygmalion? | 0:33:52 | 0:33:54 | |
What is the name of the musical that I co-created in 2004 that was based | 0:33:56 | 0:34:00 | |
on the books of PL Travers and a famous Disney film? | 0:34:00 | 0:34:04 | |
What was the name of the TV show that I was in where, | 0:34:06 | 0:34:10 | |
for my production of Oliver, starring Rowan Atkinson, | 0:34:10 | 0:34:13 | |
the viewers had to choose who was going to play Nancy? | 0:34:13 | 0:34:17 | |
Which musical of mine contains the songs Movie In My Mind | 0:34:17 | 0:34:22 | |
and The American Dream? | 0:34:22 | 0:34:23 | |
Which musical of mine is based on TS Eliot's poems? | 0:34:25 | 0:34:29 | |
With a little bit of luck, you'll get all the questions right. | 0:34:29 | 0:34:32 | |
Good luck, everybody. | 0:34:32 | 0:34:33 | |
OK, let me read through those questions one more time. | 0:34:39 | 0:34:42 | |
There we are. | 0:35:03 | 0:35:04 | |
Now then, Cory and Phill will go first. | 0:35:04 | 0:35:06 | |
This is you. It's yours. | 0:35:07 | 0:35:09 | |
Come on. Come on, Stateside. | 0:35:09 | 0:35:12 | |
Well, the most obscure, we've got... | 0:35:12 | 0:35:16 | |
The second thing. | 0:35:16 | 0:35:18 | |
-Yes. -101 Dalmatians. | 0:35:18 | 0:35:20 | |
101 Dalmatians. | 0:35:20 | 0:35:22 | |
OK. Now then, Don and Tim. | 0:35:22 | 0:35:25 | |
That board is all yours. Talk us through. | 0:35:25 | 0:35:28 | |
We know four for sure, I think. | 0:35:28 | 0:35:30 | |
But the one that we think will get us the least points... | 0:35:30 | 0:35:33 | |
Just get it right, Don. | 0:35:33 | 0:35:35 | |
The Movie In My Mind and the American Dream | 0:35:35 | 0:35:38 | |
comes from Miss Saigon. | 0:35:38 | 0:35:40 | |
Miss Saigon. So we have 101 Dalmatians versus Miss Saigon. | 0:35:40 | 0:35:43 | |
In the order they were given, | 0:35:43 | 0:35:45 | |
Corey and Phill said 101 Dalmatians for the PL Travers book. | 0:35:45 | 0:35:48 | |
Let's see if that's right. | 0:35:48 | 0:35:49 | |
Oh, they're getting the eggs ready. | 0:35:51 | 0:35:54 | |
No, I'm afraid. | 0:35:54 | 0:35:56 | |
Not 101 Dalmatians, | 0:35:56 | 0:35:58 | |
which means, Don and Tim, | 0:35:58 | 0:35:59 | |
you merely have to be correct with your answer of Miss Saigon... | 0:35:59 | 0:36:02 | |
We know it as well! | 0:36:02 | 0:36:04 | |
..and you'll be back in the game. | 0:36:04 | 0:36:06 | |
Let's see if it's right. | 0:36:06 | 0:36:08 | |
Look at that. Very well done. | 0:36:11 | 0:36:12 | |
Good answer. | 0:36:16 | 0:36:18 | |
Look, right down to four. | 0:36:18 | 0:36:20 | |
Best answer on the board, I would imagine there. | 0:36:20 | 0:36:22 | |
And it means, Don and Tim, you're back in the game. | 0:36:22 | 0:36:25 | |
-After two questions it is 1-1. -We had to give them a chance! | 0:36:25 | 0:36:28 | |
Not just a good answer, the best answer on the board, | 0:36:28 | 0:36:30 | |
so very well played. Now it's not 101 Dalmatians, I'm afraid. | 0:36:30 | 0:36:33 | |
That's written by Dodie Smith. | 0:36:33 | 0:36:34 | |
PL Travers wrote... | 0:36:34 | 0:36:36 | |
-Mary Poppins. -Mary Poppins. | 0:36:36 | 0:36:38 | |
It would have scored you 21 points. | 0:36:38 | 0:36:39 | |
The top one, the musical based on Pygmalion. | 0:36:39 | 0:36:41 | |
-My Fair Lady. -My Fair Lady. | 0:36:41 | 0:36:43 | |
Would have scored 30. | 0:36:43 | 0:36:45 | |
The title of the TV show? | 0:36:45 | 0:36:46 | |
I'd Do Anything. | 0:36:46 | 0:36:48 | |
Yeah. Six points for that. | 0:36:48 | 0:36:49 | |
And this musical is based on a collection of poems. | 0:36:49 | 0:36:51 | |
-It's Cats. -It's Cats. And that would have scored you 41. | 0:36:51 | 0:36:54 | |
There we are. Thank you very much indeed. | 0:36:54 | 0:36:56 | |
OK, here comes your third question. This is the decider. | 0:36:56 | 0:36:58 | |
Whoever wins this one goes through to the final | 0:36:58 | 0:37:00 | |
and plays for that jackpot. Best of luck to both pairs. | 0:37:00 | 0:37:03 | |
Our third question concerns... | 0:37:03 | 0:37:05 | |
Types Of Bean! | 0:37:08 | 0:37:10 | |
-Types Of Bean. -What better way to divide you than this? | 0:37:10 | 0:37:13 | |
We are now going to show you the names of five types of bean, | 0:37:13 | 0:37:17 | |
but in the form of anagrams. | 0:37:17 | 0:37:19 | |
Can you unscramble them? | 0:37:19 | 0:37:20 | |
And the team giving us the lowest score | 0:37:20 | 0:37:22 | |
is going through to play for that jackpot. Very best of luck. | 0:37:22 | 0:37:25 | |
Here we go. Let's reveal our five beans. | 0:37:25 | 0:37:27 | |
And here they come. | 0:37:27 | 0:37:29 | |
So, Don and Tim, you will go first. | 0:37:41 | 0:37:44 | |
I feel like a has-been. | 0:37:45 | 0:37:47 | |
Very good. | 0:37:49 | 0:37:50 | |
That's all you need. | 0:37:54 | 0:37:55 | |
We're going to have a go at the fourth one down. | 0:37:57 | 0:38:00 | |
Which is haricot. | 0:38:00 | 0:38:02 | |
Haricot, haricot say Don and Tim. | 0:38:02 | 0:38:05 | |
Now then, Corey and Phill. | 0:38:05 | 0:38:08 | |
The only one that I can solve the anagram of | 0:38:08 | 0:38:10 | |
is the one that will be the highest answer and haricot will | 0:38:10 | 0:38:14 | |
knock it right out of the park. So, start the van, Barry. | 0:38:14 | 0:38:17 | |
Uh... | 0:38:18 | 0:38:20 | |
Um... | 0:38:21 | 0:38:22 | |
Oh, come on. Runner. | 0:38:23 | 0:38:26 | |
-One. -Runner. | 0:38:26 | 0:38:28 | |
OK, so we have haricot and we have runner. | 0:38:28 | 0:38:30 | |
We have Don and Tim going for haricot. | 0:38:30 | 0:38:32 | |
Let's see if that's right, | 0:38:32 | 0:38:33 | |
let's see how many of our 100 people got haricot. | 0:38:33 | 0:38:35 | |
It's right. | 0:38:38 | 0:38:39 | |
28 for haricot. | 0:38:43 | 0:38:45 | |
-Now... -Mid '80s. -Mid-80s, says Phil. -Yeah, yeah. | 0:38:49 | 0:38:53 | |
Yeah, we're back to Depeche Mode again, are we? | 0:38:53 | 0:38:55 | |
Corey and Phill went for runner. Let's see if it's right, | 0:38:57 | 0:38:59 | |
let's see how many of our 100 people said runner. | 0:38:59 | 0:39:01 | |
Oh. 74, 74. | 0:39:05 | 0:39:07 | |
Sorry, Cory and Phill. | 0:39:07 | 0:39:09 | |
-Very well done. -I feel sorry for the runner bean, falling out of favour. | 0:39:10 | 0:39:13 | |
Don and Tim, very well done. | 0:39:13 | 0:39:14 | |
After three questions you're through to the final, 2-1. | 0:39:14 | 0:39:17 | |
Yes, a couple of answers that would have beaten your score there. | 0:39:17 | 0:39:20 | |
Not the bottom one. The bottom one would have scored too much. | 0:39:20 | 0:39:23 | |
-That's... -Broad. -Broad bean. | 0:39:23 | 0:39:24 | |
That would have scored 47. Chip cake. Do you know that one? | 0:39:26 | 0:39:28 | |
We don't think of it as a bean. | 0:39:28 | 0:39:30 | |
Chickpea. That would have scored 13. | 0:39:30 | 0:39:32 | |
Now, this is the hard one. A solo papa. | 0:39:32 | 0:39:34 | |
You'd have to have heard of this, I suspect. | 0:39:34 | 0:39:37 | |
It's an appaloosa. | 0:39:37 | 0:39:38 | |
Appaloosa. Would've scored you two points. | 0:39:38 | 0:39:41 | |
Lovely word to use in a song, though. | 0:39:41 | 0:39:42 | |
Appaloosa. Isn't it? Tuck that away. | 0:39:42 | 0:39:45 | |
Don't Cry For Me, Appaloosa. | 0:39:45 | 0:39:46 | |
Thank you very much indeed, Richard. | 0:39:49 | 0:39:50 | |
So the pair leaving us at the end of the head-to-head round, I'm afraid, is Cory and Phill. | 0:39:50 | 0:39:54 | |
-Oh. -Come on, they're the better team. | 0:39:54 | 0:39:56 | |
They should be here. Come on. | 0:39:56 | 0:39:58 | |
-Yeah, yeah. -Hey, no-one's denying that, Cory. | 0:39:58 | 0:40:01 | |
Although... Although, if Cameron is watching, I think | 0:40:02 | 0:40:05 | |
101 dogs loose on a stage in the West End is an excellent idea. | 0:40:05 | 0:40:10 | |
Cory and Phill, it's been fabulous having you here. | 0:40:11 | 0:40:13 | |
Thank you so much for playing and playing so well. Cory and Phill, everyone. | 0:40:13 | 0:40:16 | |
APPLAUSE | 0:40:16 | 0:40:18 | |
But, for Don and Tim, it is now time for our Pointless final. | 0:40:20 | 0:40:22 | |
Congratulations, Don and Tim, | 0:40:27 | 0:40:29 | |
you have seen off all the competition | 0:40:29 | 0:40:31 | |
and you have won our coveted Pointless trophy. | 0:40:31 | 0:40:34 | |
Can we now be known as... What was it, Don, you said? | 0:40:40 | 0:40:42 | |
Tenderfoot and Haricot. | 0:40:42 | 0:40:44 | |
Tenderfoot and Haricot. | 0:40:44 | 0:40:46 | |
Congratulations, Tenderfoot and Haricot. | 0:40:47 | 0:40:49 | |
You can be called anything you like, frankly, | 0:40:49 | 0:40:51 | |
now you've made it this far. You now have a chance to win | 0:40:51 | 0:40:53 | |
our Pointless jackpot, and at the end of today's show, | 0:40:53 | 0:40:56 | |
the jackpot is standing at £2,750. | 0:40:56 | 0:40:57 | |
APPLAUSE | 0:40:57 | 0:40:58 | |
Very, very well done. | 0:41:00 | 0:41:01 | |
Now, you started off, in the first round, with a pointless answer. | 0:41:01 | 0:41:06 | |
All you have to do now is round it off, bookend it with another | 0:41:06 | 0:41:08 | |
pointless answer at this end of the show and you will | 0:41:08 | 0:41:10 | |
take home that jackpot for your charities. | 0:41:10 | 0:41:12 | |
As you know what happens, we put four categories up on the board | 0:41:12 | 0:41:15 | |
behind me and you've just got to hope there is something up there | 0:41:15 | 0:41:17 | |
you quite like the look of. Very, very best of luck. | 0:41:17 | 0:41:19 | |
Today's selection looks like this. | 0:41:19 | 0:41:22 | |
I'm not bad at Geography, but the other two, Fashion, hard to believe. | 0:41:30 | 0:41:33 | |
Just look at us, I mean, pretty obvious. | 0:41:33 | 0:41:36 | |
We are fashion icons, but that worries us. | 0:41:36 | 0:41:38 | |
I think Music By Numbers. | 0:41:38 | 0:41:40 | |
Between us we might be lucky. | 0:41:40 | 0:41:42 | |
OK. Music By Numbers. | 0:41:42 | 0:41:44 | |
OK. Haricot says Music By Numbers. | 0:41:44 | 0:41:47 | |
Very best of luck. Here are your three questions. | 0:41:47 | 0:41:49 | |
I hope one of these suits you. | 0:41:49 | 0:41:51 | |
We are looking for the name of any track on Adele's album 25. | 0:41:51 | 0:41:55 | |
So any track on the original release of that. | 0:41:55 | 0:41:58 | |
We're looking for any track on George Michael's greatest hits album | 0:41:58 | 0:42:01 | |
Twenty Five, released in 2006, | 0:42:01 | 0:42:04 | |
or any tracks on A-ha's greatest hits album, | 0:42:04 | 0:42:07 | |
25: The Very Best Of A-ha, | 0:42:07 | 0:42:08 | |
released in 2010. | 0:42:08 | 0:42:10 | |
So tracks on any of these 25s. | 0:42:10 | 0:42:13 | |
Adele, George Michael, or the very best of A-ha. | 0:42:13 | 0:42:16 | |
Very, very best of luck. | 0:42:16 | 0:42:17 | |
OK, as always, you've got up to one minute to come up with | 0:42:17 | 0:42:20 | |
three answers and all you need to win that jackpot for your charities | 0:42:20 | 0:42:23 | |
is for just one of those answers to be pointless. | 0:42:23 | 0:42:25 | |
-Are you ready? -Well... -We are ready. | 0:42:25 | 0:42:27 | |
OK, let's put 60 seconds up on the clock. | 0:42:27 | 0:42:29 | |
There they are. Your time starts now. | 0:42:29 | 0:42:31 | |
I don't think people will know that. | 0:42:31 | 0:42:33 | |
-No, I don't think that... -Living Daylights? | 0:42:33 | 0:42:35 | |
Crying In The Rain, but they'll forget that one. | 0:42:36 | 0:42:39 | |
-Which one? -On A-ha. | 0:42:39 | 0:42:41 | |
-OK. -And the only track I can remember on Adele's album is Hello. | 0:42:41 | 0:42:44 | |
And everyone will know that. | 0:42:44 | 0:42:45 | |
-OK. -George Michael. | 0:42:45 | 0:42:47 | |
Is that a greatest hits album or... | 0:42:47 | 0:42:49 | |
-Yeah, greatest hits album. -Greatest hits album. | 0:42:51 | 0:42:53 | |
What was a small greatest hit he had? | 0:42:53 | 0:42:55 | |
One that people won't know? | 0:42:55 | 0:42:57 | |
I only know his big hits. | 0:42:57 | 0:42:59 | |
But I think you're right, the A-ha, I think A-ha is good, | 0:42:59 | 0:43:01 | |
because not many people know too much about A-ha. | 0:43:01 | 0:43:05 | |
Um... Well, I think... I would like, | 0:43:06 | 0:43:07 | |
-definitely, to go for Crying In The Rain. -OK. | 0:43:07 | 0:43:09 | |
-Last two. -We've got to think of two others. | 0:43:09 | 0:43:12 | |
Panic. George Michael. | 0:43:12 | 0:43:13 | |
What's he done? Things like Faith and... | 0:43:13 | 0:43:16 | |
Yes. | 0:43:16 | 0:43:17 | |
Father. What was that...? Father Figure. | 0:43:18 | 0:43:21 | |
That'll be... | 0:43:21 | 0:43:22 | |
It's hard to think of titles. | 0:43:22 | 0:43:24 | |
We're struggling here. | 0:43:24 | 0:43:25 | |
We're struggling. And Adele's... | 0:43:25 | 0:43:28 | |
-Pavements? -OK. | 0:43:30 | 0:43:32 | |
That is your time up. | 0:43:32 | 0:43:33 | |
Let's have your three answers. | 0:43:33 | 0:43:35 | |
-Well we're definitely going for Crying In The Rain by A-ha. -OK, Crying In The Rain. | 0:43:35 | 0:43:39 | |
And a George Michael track. | 0:43:39 | 0:43:41 | |
-Yes. A duet. -Don't Let The Sun Go Down On Me. | 0:43:41 | 0:43:43 | |
Don't Let The Sun Go Down On Me. | 0:43:43 | 0:43:45 | |
By George Michael. What was the other A-ha one you thought of? | 0:43:45 | 0:43:47 | |
The Living Daylights, the James Bond. | 0:43:47 | 0:43:50 | |
-And Living Daylights. -Yeah. | 0:43:50 | 0:43:51 | |
OK, those three, which is your best shot at a pointless answer? | 0:43:51 | 0:43:54 | |
-I think the Crying In The Rain. -I think Crying In The Rain, too. | 0:43:54 | 0:43:57 | |
Let's put that last. Least likely to be pointless? | 0:43:57 | 0:43:59 | |
-The other one. What was the other one? I forgot. -The other one was... | 0:43:59 | 0:44:02 | |
-Don't Let The Sun Go Down On Me. -Don't Let The Sun Go Down On Me. | 0:44:02 | 0:44:04 | |
OK. And Living Daylights in the middle. | 0:44:04 | 0:44:06 | |
OK, well, let's put those answers up on the board in that order, | 0:44:06 | 0:44:09 | |
and here they are. We have got... | 0:44:09 | 0:44:11 | |
Well, very, very best of luck. Three good answers there. | 0:44:16 | 0:44:18 | |
Let's hope one of those, at least, is pointless | 0:44:18 | 0:44:20 | |
and will win that jackpot for your charities. | 0:44:20 | 0:44:22 | |
What charities are you playing for, Don, you first. | 0:44:22 | 0:44:24 | |
Great Ormond Street Children's Hospital. | 0:44:24 | 0:44:27 | |
Excellent. Tim? | 0:44:27 | 0:44:28 | |
Chance To Shine, which is a charity that, through cricket, | 0:44:28 | 0:44:32 | |
enables people from state schools to get out and play more sport. | 0:44:32 | 0:44:37 | |
Very good indeed. Two wonderful charities there. | 0:44:37 | 0:44:39 | |
APPLAUSE | 0:44:39 | 0:44:40 | |
Fingers crossed one of these answers will win that jackpot for you to | 0:44:42 | 0:44:45 | |
split between those charities. Well, best of luck. As I say, | 0:44:45 | 0:44:48 | |
your first answer was Don't Let The Sun Go Down On Me. | 0:44:48 | 0:44:50 | |
In this case we were looking for tracks from | 0:44:50 | 0:44:52 | |
George Michael's best-of album called Twenty Five. | 0:44:52 | 0:44:55 | |
It has to be pointless for you to win that jackpot, so let's find out, | 0:44:55 | 0:44:59 | |
for £2,750, how many people said Don't Let The Sun Go Down On Me? | 0:44:59 | 0:45:02 | |
It's right. | 0:45:05 | 0:45:06 | |
It now just has to go down to zero | 0:45:06 | 0:45:08 | |
and you will leave with that jackpot to split between your charities. | 0:45:08 | 0:45:11 | |
Down we go. Don't Let The Sun Go Down On Me, into the teens, | 0:45:11 | 0:45:14 | |
into single figures. Down it goes. | 0:45:14 | 0:45:15 | |
Still going down... | 0:45:15 | 0:45:17 | |
Oh, two! We stop at two. | 0:45:17 | 0:45:19 | |
That's not bad. | 0:45:19 | 0:45:21 | |
That's really not bad. | 0:45:21 | 0:45:22 | |
-OK. -Not bad at all. | 0:45:24 | 0:45:25 | |
Very, very well done. | 0:45:25 | 0:45:27 | |
Sadly, not a pointless answer, which means we move on to your answer, | 0:45:27 | 0:45:30 | |
which is The Living Daylights. | 0:45:30 | 0:45:32 | |
In this case, we were looking for A-ha tracks from | 0:45:32 | 0:45:35 | |
25: The Very Best Of A-ha. | 0:45:35 | 0:45:37 | |
It has to be pointless, so, for £2,750, | 0:45:37 | 0:45:39 | |
let's see how many people said The Living Daylights. | 0:45:39 | 0:45:42 | |
Again, it's right. | 0:45:45 | 0:45:47 | |
Just has to go down to zero. | 0:45:47 | 0:45:49 | |
Don't Let The Sun Go Down On Me stopped at two. | 0:45:49 | 0:45:51 | |
The Living Daylights now going down through the teens. | 0:45:51 | 0:45:53 | |
We are into single figures again. Down it... | 0:45:53 | 0:45:55 | |
Six. For The Living Daylights. | 0:45:55 | 0:45:58 | |
Close. This is the big one for you. | 0:45:59 | 0:46:03 | |
OK. Two very good low scores, by the way. | 0:46:03 | 0:46:05 | |
However, it's only pointless answers that count in this last round. | 0:46:05 | 0:46:08 | |
Your third and final answer. | 0:46:08 | 0:46:09 | |
Crying In The Rain, the one that you thought was | 0:46:09 | 0:46:11 | |
probably your best shot at a pointless answer. | 0:46:11 | 0:46:13 | |
Again, it's an A-ha song. | 0:46:13 | 0:46:15 | |
We are hoping it's on that album, 25: The Best Of A-ha. | 0:46:15 | 0:46:18 | |
If it is, and if it is pointless, it will win £2,750 for your charities. | 0:46:18 | 0:46:21 | |
Let's find out. Crying In The Rain. How many people said it? | 0:46:21 | 0:46:24 | |
It's right. OK, well, your first answer, | 0:46:28 | 0:46:30 | |
Don't Let The Sun Go Down On Me, took us down to two. | 0:46:30 | 0:46:33 | |
The Living Daylights, your next answer, took us down to six. | 0:46:33 | 0:46:36 | |
Crying In The Rain now takes us into single figures. | 0:46:36 | 0:46:38 | |
Down it goes, past the six, down it goes, passes two. | 0:46:38 | 0:46:41 | |
Very well done indeed! | 0:46:41 | 0:46:43 | |
APPLAUSE | 0:46:43 | 0:46:45 | |
Congratulations. Very well done indeed. | 0:46:47 | 0:46:50 | |
Fantastic. Crying In The Rain was a pointless answer, | 0:46:52 | 0:46:56 | |
which means you go home with that jackpot | 0:46:56 | 0:46:58 | |
of £2,750 for your charities. Brilliant. | 0:46:58 | 0:47:00 | |
-APPLAUSE -Thank you. | 0:47:00 | 0:47:03 | |
Brilliant work and, like the showmen you are, you left the pointless answer to the last. | 0:47:06 | 0:47:09 | |
Terrific stuff. Genuinely been our pleasure and our honour to have two such wonderful talents on the show. | 0:47:09 | 0:47:13 | |
So thank you very much. I'm so glad we are sending you home with that money. | 0:47:13 | 0:47:16 | |
Let's take a look at the pointless answers now | 0:47:16 | 0:47:19 | |
in the different categories, see how well you did at home. | 0:47:19 | 0:47:21 | |
We will start with the Adele album. | 0:47:21 | 0:47:23 | |
Lots of pointless answers here. | 0:47:23 | 0:47:25 | |
You also could have had Love In The Dark, Million Years Ago, | 0:47:27 | 0:47:30 | |
Send My Love To Your New Lover and Water Under The Bridge. | 0:47:30 | 0:47:33 | |
All of those were pointless answers. | 0:47:33 | 0:47:34 | |
Well done if you said any of them. Now for George Michael. | 0:47:34 | 0:47:37 | |
You could have had... | 0:47:37 | 0:47:38 | |
You could have had An Easier Affair, Flawless, Freedom 90. | 0:47:41 | 0:47:44 | |
Heal The Pain was a pointless answer. Well done if you said that. | 0:47:44 | 0:47:46 | |
Shoot The Dog. This Is Not Real Love. All of those were pointless answers. | 0:47:46 | 0:47:49 | |
Well done if you said any of those. And now A-ha. | 0:47:49 | 0:47:52 | |
Look at the first one on this list. | 0:47:52 | 0:47:54 | |
Crying In The Rain winning you that money. Congratulations. | 0:47:54 | 0:47:56 | |
Everything apart from Take On Me, understandably, | 0:47:58 | 0:48:01 | |
The Sun Always Shines On TV, The Living Daylights, | 0:48:01 | 0:48:03 | |
Hunting High And Low, Manhattan Skyline, | 0:48:03 | 0:48:05 | |
Cry Wolf and Summer Moved On. | 0:48:05 | 0:48:07 | |
Well done if you got one at home. | 0:48:07 | 0:48:08 | |
Congratulations for your answer in the studio. | 0:48:08 | 0:48:10 | |
Thanks very much, Rich, | 0:48:10 | 0:48:11 | |
and thanks once again to our winning players, Don and Tim, | 0:48:11 | 0:48:14 | |
who go away with today's jackpot of £2,750 for their charities. | 0:48:14 | 0:48:18 | |
Very well done indeed. | 0:48:18 | 0:48:19 | |
APPLAUSE | 0:48:19 | 0:48:21 | |
Join us next time when we'll be putting | 0:48:22 | 0:48:24 | |
more obscure knowledge to the test on Pointless. | 0:48:24 | 0:48:26 | |
Meanwhile, it's goodbye from Richard... | 0:48:26 | 0:48:28 | |
-Goodbye. -..and it's goodbye from me. | 0:48:28 | 0:48:30 | |
Goodbye. | 0:48:30 | 0:48:32 | |
APPLAUSE | 0:48:32 | 0:48:35 |