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APPLAUSE | 0:00:20 | 0:00:23 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong, and a very | 0:00:23 | 0:00:26 | |
warm welcome to the special soap edition of Pointless Celebrities. | 0:00:26 | 0:00:29 | |
This is the show where all the questions have been asked | 0:00:29 | 0:00:31 | |
to 100 people before the show. | 0:00:31 | 0:00:33 | |
All our celebrities have to do | 0:00:33 | 0:00:34 | |
is come up with the answers they couldn't think of. | 0:00:34 | 0:00:36 | |
Let's meet today's Pointless Celebrities. | 0:00:36 | 0:00:38 | |
And couple number one. | 0:00:43 | 0:00:44 | |
Hello, I'm Adele Silva and I play Kelly Windsor in Emmerdale. | 0:00:44 | 0:00:48 | |
Hi, I'm Chris Bisson | 0:00:48 | 0:00:49 | |
and I currently play Jai Sharma in Emmerdale. | 0:00:49 | 0:00:52 | |
Couple number two. | 0:00:56 | 0:00:58 | |
Hi, I'm Gemma Merna and I play Carmel McQueen in Hollyoaks. | 0:00:58 | 0:01:02 | |
Hi, I'm Nicole Barber Lane | 0:01:02 | 0:01:04 | |
and I currently play Myra McQueen in Hollyoaks. | 0:01:04 | 0:01:06 | |
Couple number three. | 0:01:11 | 0:01:13 | |
My name is Paul Henry | 0:01:13 | 0:01:15 | |
and in 1975 I joined Crossroads to play a character called Benny. | 0:01:15 | 0:01:21 | |
Hello, I'm Shaun Williamson | 0:01:22 | 0:01:24 | |
and for ten years I played Barry Evans in EastEnders. | 0:01:24 | 0:01:26 | |
And finally couple number four. | 0:01:31 | 0:01:33 | |
Hello, my name is Kevin Kennedy and I played Curly Watts. | 0:01:33 | 0:01:38 | |
And my name is Amanda Barrie, and I used to be Alma. | 0:01:38 | 0:01:41 | |
Thanks very much, all of you, a very warm welcome to the show. | 0:01:44 | 0:01:46 | |
It's lovely to have you here. We'll get to chat to each of you | 0:01:46 | 0:01:49 | |
throughout the show as it goes along. | 0:01:49 | 0:01:51 | |
So that just leaves one more person for me to introduce. | 0:01:51 | 0:01:53 | |
He has been party to more kitchen sink dramas | 0:01:53 | 0:01:56 | |
than the MasterChef plumber. | 0:01:56 | 0:01:57 | |
It's my Pointless friend, it's Richard. | 0:01:57 | 0:01:59 | |
-APPLAUSE -Hiya. Hi, everybody. | 0:01:59 | 0:02:02 | |
Good evening. | 0:02:02 | 0:02:04 | |
Good evening to you. | 0:02:04 | 0:02:06 | |
-Good evening. -How are you? | 0:02:06 | 0:02:07 | |
-I'm very well. -Excellent. What a lovely line-up today, | 0:02:07 | 0:02:10 | |
some proper soap legends on tonight's show. | 0:02:10 | 0:02:12 | |
-Oh, yes. -Which is fantastic. | 0:02:12 | 0:02:13 | |
But also a couple of Pointless legends as well | 0:02:13 | 0:02:15 | |
because people here have been on before. | 0:02:15 | 0:02:17 | |
Adele has been on before, got all the way through to the final. | 0:02:17 | 0:02:20 | |
So, tough to beat. On a normal show, tough to beat. | 0:02:20 | 0:02:22 | |
But we have the greatest Pointless celebrity legend of all, | 0:02:22 | 0:02:24 | |
Shaun Williamson, on as well. | 0:02:24 | 0:02:26 | |
He has not only won twice. On the last show, | 0:02:26 | 0:02:28 | |
he got three pointless answers in the jackpot round as well. | 0:02:28 | 0:02:31 | |
-CONTESTANTS MOAN -I know, imagine such a thing. | 0:02:31 | 0:02:34 | |
But Paul has been on before. | 0:02:34 | 0:02:36 | |
Paul got knocked out in the first round. | 0:02:36 | 0:02:39 | |
Joined the 200 Club as well. | 0:02:39 | 0:02:41 | |
So, podium three is going to be fascinating. | 0:02:41 | 0:02:45 | |
We shall see exactly what happens there. | 0:02:45 | 0:02:47 | |
It is going to be great fun. The first two questions, | 0:02:47 | 0:02:50 | |
I think there's something for everyone in the first two questions. | 0:02:50 | 0:02:53 | |
Nothing too terrifying. | 0:02:53 | 0:02:54 | |
Very good. Thank you, Richard. Now, as usual, all of today's | 0:02:54 | 0:02:56 | |
questions have been put to 100 people before the show. | 0:02:56 | 0:02:59 | |
Our contestants here are looking for those all-important | 0:02:59 | 0:03:01 | |
pointless answers. These are answers that none of our 100 people gave. | 0:03:01 | 0:03:04 | |
Find one of those and we will add 250 quid to the jackpot. | 0:03:04 | 0:03:07 | |
Now, as today's show is a celebrity special | 0:03:07 | 0:03:09 | |
and each of our celebrities is playing for a nominated charity, | 0:03:09 | 0:03:12 | |
we're going to start off with a jackpot of... | 0:03:12 | 0:03:14 | |
There it is. | 0:03:15 | 0:03:16 | |
-AUDIENCE: -Ooh! | 0:03:16 | 0:03:19 | |
Right, if everyone is ready, let's play Pointless. | 0:03:19 | 0:03:22 | |
So, all you have to remember is this. | 0:03:27 | 0:03:28 | |
The pair with the highest score at the end of each round will be | 0:03:28 | 0:03:32 | |
eliminated. That's it. So just make sure you're not that pair. | 0:03:32 | 0:03:34 | |
Keep those scores as low as you possibly can. | 0:03:34 | 0:03:37 | |
No conferring until we get to the head-to-head round. | 0:03:37 | 0:03:39 | |
Best of luck to all four pairs. | 0:03:39 | 0:03:41 | |
Our first category today is... | 0:03:41 | 0:03:43 | |
Music. Can you all decide in your pairs who is going to go first, | 0:03:45 | 0:03:48 | |
who is going to go second? | 0:03:48 | 0:03:49 | |
And whoever is going first, please step up to the podium. | 0:03:49 | 0:03:52 | |
OK, and the question concerns... | 0:03:56 | 0:03:59 | |
Repeated words in song titles. | 0:04:00 | 0:04:02 | |
Richard. | 0:04:02 | 0:04:04 | |
On each board, we're going to show you | 0:04:04 | 0:04:06 | |
the titles of seven UK top 40 hits, | 0:04:06 | 0:04:08 | |
all of which have got repeated words in their titles, | 0:04:08 | 0:04:10 | |
but we have left those repeated words out. | 0:04:10 | 0:04:11 | |
Can you tell us what they are, please? | 0:04:11 | 0:04:13 | |
Seven on the first, seven on the second, | 0:04:13 | 0:04:15 | |
-14 in all to have a go at at home. Very best of luck. -Thanks very much. | 0:04:15 | 0:04:18 | |
So what are the repeated words that are omitted from these song titles? | 0:04:18 | 0:04:21 | |
And here is our first board of seven. | 0:04:21 | 0:04:23 | |
-This is so hard to read out... -Without saying... | 0:04:51 | 0:04:53 | |
-Yeah, without saying the words. -You're doing very well. | 0:04:53 | 0:04:56 | |
We made it through. Now, Chris, welcome to Pointless. | 0:05:17 | 0:05:19 | |
-Hi. -Very good to have you here. | 0:05:19 | 0:05:21 | |
Now, on Emmerdale, what is your scheduling like? | 0:05:21 | 0:05:24 | |
How many hours a day do you film? | 0:05:24 | 0:05:26 | |
How many hours a week, I should say, do you film? | 0:05:26 | 0:05:28 | |
It varies wildly. | 0:05:28 | 0:05:30 | |
Some days we are in from dawn till dusk all week, | 0:05:30 | 0:05:32 | |
and then other weeks you get a more relaxed schedule, so... | 0:05:32 | 0:05:35 | |
Do you have a sort of rehearsal schedule and a filming schedule that | 0:05:35 | 0:05:38 | |
-run concurrently? -No, we go too fast. We rehearse as we shoot. | 0:05:38 | 0:05:40 | |
-Ha-ha! That's fun! -So we go on set, | 0:05:40 | 0:05:42 | |
we rehearse the scene, and you shoot it. | 0:05:42 | 0:05:44 | |
But of course, you are shooting a soap, | 0:05:44 | 0:05:46 | |
so you're familiar with the other characters, | 0:05:46 | 0:05:48 | |
with the sets, you know how it all works, | 0:05:48 | 0:05:49 | |
-you know how it's probably going to pan out. -Yeah. | 0:05:49 | 0:05:51 | |
How far in advance of transmission do you shoot? | 0:05:51 | 0:05:53 | |
We're about six to eight weeks. | 0:05:53 | 0:05:56 | |
OK, do you have to sort of bite your tongue and just...? | 0:05:56 | 0:05:58 | |
You can't tell anyone what's about to happen. | 0:05:58 | 0:06:01 | |
Yeah, I think you get used to it. | 0:06:01 | 0:06:02 | |
-People are always asking you what's going on. -Yeah, I'll bet. | 0:06:02 | 0:06:05 | |
Now, these song titles, Chris. | 0:06:05 | 0:06:07 | |
Yes. I am having a blank-blank moment! | 0:06:07 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:12 | |
-Because I should actually know all of them! -Yeah, you should. | 0:06:12 | 0:06:16 | |
And because I'm first I'm going, "Panic, panic!" Right, OK. | 0:06:16 | 0:06:19 | |
There is the really obvious one, | 0:06:19 | 0:06:20 | |
but it is going to be really high-scoring. | 0:06:20 | 0:06:23 | |
And I don't know whether to take a bit of a chance... | 0:06:23 | 0:06:26 | |
I think number two. | 0:06:27 | 0:06:30 | |
I think that is Mo Money, Mo Problems. | 0:06:30 | 0:06:33 | |
Mo Money, Mo Problems, "mo" being the blank word. | 0:06:33 | 0:06:36 | |
-Yes. -Adele giving you a firm nod there. | 0:06:36 | 0:06:39 | |
Let's see if she's right, let's see if you are right, | 0:06:39 | 0:06:41 | |
let's see how many of our 100 people said "mo". | 0:06:41 | 0:06:43 | |
It's right. | 0:06:47 | 0:06:48 | |
That's 4! | 0:06:54 | 0:06:55 | |
What a start to the round, Chris. Very, very well done indeed. | 0:06:55 | 0:06:59 | |
Mo, for the Notorious BIG. | 0:06:59 | 0:07:02 | |
Very well played, Chris, great start to the show. | 0:07:02 | 0:07:04 | |
Always tough on that first podium, very good answer. | 0:07:04 | 0:07:06 | |
Very nice indeed. Gemma, welcome to Pointless. | 0:07:06 | 0:07:08 | |
-Hi. -Wonderful to have you here. | 0:07:08 | 0:07:10 | |
Now, you exited Hollyoaks in a sort of huge explosion and a train crash. | 0:07:10 | 0:07:15 | |
-Yes, I did. -That is how you leave a soap opera, isn't it? | 0:07:15 | 0:07:19 | |
I know. I didn't die, actually, in the explosion, | 0:07:19 | 0:07:22 | |
I still had all my death scenes, didn't I? | 0:07:22 | 0:07:24 | |
So the train exploded, | 0:07:24 | 0:07:26 | |
but then I still had about five scenes to say goodbye to everyone. | 0:07:26 | 0:07:28 | |
-Oh, that's nice. -Like you do. | 0:07:28 | 0:07:30 | |
I had like a scratch on my cheek and that was it. | 0:07:30 | 0:07:34 | |
All internal. But if you went back into soaps... | 0:07:34 | 0:07:37 | |
-Yes. -..is there one that you look at? | 0:07:37 | 0:07:39 | |
Which is the soap you would like to go back to? | 0:07:39 | 0:07:41 | |
-Corrie would be the one. -Corrie, of course. | 0:07:41 | 0:07:43 | |
Yeah, cos I am a Northerner, I'm from Manchester, | 0:07:43 | 0:07:46 | |
so it is kind of... | 0:07:46 | 0:07:47 | |
It's where I got brought up, so... | 0:07:47 | 0:07:49 | |
Yeah, definitely Corrie, surely. | 0:07:49 | 0:07:51 | |
Now, Gemma, repeated words in song titles. | 0:07:51 | 0:07:53 | |
What would you like to go for? | 0:07:53 | 0:07:55 | |
It is awful, but the only one I do know, | 0:07:55 | 0:07:57 | |
which is the one that's going to get the highest score... | 0:07:57 | 0:08:00 | |
I'm just going to have to say it, The Shoop Shoop Song. | 0:08:01 | 0:08:04 | |
The Shoop Shoop Song. | 0:08:04 | 0:08:05 | |
OK, let's see how many of our 100 people went for | 0:08:05 | 0:08:07 | |
The Shoop Shoop Song. | 0:08:07 | 0:08:09 | |
It's right. | 0:08:12 | 0:08:14 | |
It's not bad, look at that, down it goes, still going down. | 0:08:14 | 0:08:16 | |
-44, it's fine. -Oh, OK. | 0:08:16 | 0:08:18 | |
-Not bad at all. -Not too bad. | 0:08:18 | 0:08:21 | |
Yeah, not a bad score at all, Gemma, | 0:08:21 | 0:08:22 | |
well done. A number one single from '91. She had for number one singles, | 0:08:22 | 0:08:25 | |
-Cher. -Amazing. | 0:08:25 | 0:08:27 | |
Yeah. Thank you very much indeed, Richard. | 0:08:27 | 0:08:30 | |
-Paul. -Yes. | 0:08:30 | 0:08:32 | |
Lovely, gosh, Paul looks well, doesn't he? | 0:08:32 | 0:08:34 | |
He has definitely pulled the short straw, you know. | 0:08:34 | 0:08:37 | |
Well, you say that. Yes, it was 200 Club last time. | 0:08:37 | 0:08:40 | |
Thank you very much for repeating what Richard said, yes. | 0:08:40 | 0:08:43 | |
Yeah. | 0:08:43 | 0:08:44 | |
Do you all know now I was in the 200 Club? | 0:08:44 | 0:08:47 | |
Look at that, Barry and Benny. | 0:08:47 | 0:08:49 | |
-Yeah, yeah. -I used to love ABBA. -Yeah. | 0:08:49 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:53 | |
Now, then, Benny... | 0:08:55 | 0:08:57 | |
I mean, how did that come about? | 0:08:57 | 0:09:00 | |
How did you get into that? | 0:09:00 | 0:09:01 | |
Well, I was sharing a dressing room at the Birmingham Rep with a man | 0:09:01 | 0:09:05 | |
called John Rollinson, and he was writing this particular story, | 0:09:05 | 0:09:08 | |
and he said, "Paul, do you fancy playing this part?" | 0:09:08 | 0:09:10 | |
And I went into it for six weeks, and I came out of it in '87. | 0:09:10 | 0:09:15 | |
Never! So how many episodes did it run for? | 0:09:15 | 0:09:18 | |
I only did six months a year | 0:09:18 | 0:09:20 | |
because I used to go off and do other things. | 0:09:20 | 0:09:23 | |
-Very nice. -But I did quite a bit. | 0:09:23 | 0:09:25 | |
I read somewhere that Ronnie Barker was considering you for Godber in | 0:09:25 | 0:09:28 | |
-Porridge. -Yes, we did Midsummer Night's Dream together, | 0:09:28 | 0:09:31 | |
with Amanda as well, and he wanted me for Godber. | 0:09:31 | 0:09:36 | |
And he always used to say to me, | 0:09:36 | 0:09:37 | |
"You were very good in that part you nearly got." | 0:09:37 | 0:09:40 | |
LAUGHTER | 0:09:40 | 0:09:42 | |
-Now, Paul. -Yes. -Repeated words in pop songs. | 0:09:42 | 0:09:45 | |
What are you going to go for? | 0:09:45 | 0:09:47 | |
Well, being a Brummie, I've got to go for UB40, haven't I? | 0:09:47 | 0:09:52 | |
Red Red Wine. | 0:09:52 | 0:09:53 | |
Red Red Wine, says Paul. | 0:09:53 | 0:09:55 | |
OK, let's see how many of our 100 people got that. | 0:09:55 | 0:09:58 | |
Shaun not looking thrilled! | 0:09:58 | 0:10:00 | |
LAUGHTER | 0:10:00 | 0:10:02 | |
It is right and it is 88. | 0:10:06 | 0:10:08 | |
I'm not in the 200 Club! | 0:10:10 | 0:10:12 | |
-There you are. -Yeah, another number one single, written by Neil Diamond. | 0:10:12 | 0:10:16 | |
-Yeah? -Yeah. | 0:10:16 | 0:10:18 | |
Thank you very much, Richard. | 0:10:18 | 0:10:20 | |
-Kevin! -Hello. -A very warm welcome to Pointless. | 0:10:20 | 0:10:22 | |
-Thank you. -Curly Watts! | 0:10:22 | 0:10:24 | |
-Yeah. -Now, what became of Curly Watts? | 0:10:24 | 0:10:27 | |
Curly went off up to Newcastle with his police lady wife | 0:10:27 | 0:10:33 | |
and their young son in '90... | 0:10:33 | 0:10:36 | |
No, in 2004, I think. | 0:10:36 | 0:10:38 | |
Do you think, will he ever come back? | 0:10:38 | 0:10:40 | |
Well, I think there is a story in the newspaper about at least twice a | 0:10:40 | 0:10:45 | |
year, but I can actually tell you that, | 0:10:45 | 0:10:49 | |
if and when it does happen, I will be the last to know. | 0:10:49 | 0:10:53 | |
Oh, really? But you've been doing musicals since then, haven't you? | 0:10:53 | 0:10:57 | |
Yeah, I've become a bit of a West End Wendy. | 0:10:57 | 0:10:59 | |
-Yeah. -I suddenly found myself doing a lot of musicals, | 0:10:59 | 0:11:03 | |
which was very nice. | 0:11:03 | 0:11:05 | |
I did Chicago, Chitty Chitty Bang Bang, | 0:11:05 | 0:11:08 | |
We Will Rock You, | 0:11:08 | 0:11:11 | |
which I just finished, and so I suddenly find myself in that world, | 0:11:11 | 0:11:15 | |
-which was great. -Fabulous. OK, now, Kevin, this board is all yours. | 0:11:15 | 0:11:18 | |
If you wanted to go through it and fill in all those blanks, | 0:11:18 | 0:11:20 | |
you'd be very, very welcome. | 0:11:20 | 0:11:22 | |
Well, I think I'll have to go with Cheap Trick, I Want You To Want Me. | 0:11:22 | 0:11:27 | |
I Want You To Want Me, says Kevin. | 0:11:27 | 0:11:30 | |
Let's see if it's right, | 0:11:30 | 0:11:31 | |
let's see how many of our 100 people went with "want". | 0:11:31 | 0:11:34 | |
Oh, that's a good answer. | 0:11:38 | 0:11:39 | |
4 is our low score at this point... | 0:11:39 | 0:11:41 | |
31 is where you get with "want". | 0:11:41 | 0:11:44 | |
Not bad. | 0:11:44 | 0:11:46 | |
Yeah, well played, Kevin. He knows his music, | 0:11:46 | 0:11:48 | |
that was the UK debut single, still their biggest hit as well. | 0:11:48 | 0:11:51 | |
31 points. Now, the top one is Bye Bye Love by the Everly Brothers, | 0:11:51 | 0:11:55 | |
would have scored you 28. | 0:11:55 | 0:11:57 | |
Do you know the Black Eyed Peas one? | 0:11:57 | 0:12:00 | |
Boom Boom Pow. | 0:12:00 | 0:12:01 | |
Boom Boom Pow. | 0:12:01 | 0:12:02 | |
13 points for that. | 0:12:02 | 0:12:04 | |
-And it is... -Hippy. | 0:12:04 | 0:12:05 | |
Hippy Hippy Shake. By the Swinging Blue Jeans, | 0:12:05 | 0:12:07 | |
that would have scored you 62. | 0:12:07 | 0:12:09 | |
So the best answer on the board, Chris, is mo. | 0:12:09 | 0:12:11 | |
-Well played. -There we are. Thanks, Richard. | 0:12:11 | 0:12:13 | |
Well, we're halfway through the round, let's look at those scores. | 0:12:13 | 0:12:15 | |
Chris, superb, 4. | 0:12:15 | 0:12:17 | |
Chris and Adele, I think you shall go to Round Two on the back of that. | 0:12:17 | 0:12:20 | |
Then up to 31, where we find Kevin and Amanda. | 0:12:20 | 0:12:22 | |
Then up to 44, Gemma and Nicole. | 0:12:22 | 0:12:25 | |
And then 88. | 0:12:25 | 0:12:26 | |
Paul, luckily, though, you've got Shaun. | 0:12:26 | 0:12:28 | |
-Yes. -So let's see how you do. | 0:12:28 | 0:12:31 | |
Shaun, you know exactly what your task is here. | 0:12:31 | 0:12:34 | |
Good luck with that. | 0:12:34 | 0:12:35 | |
Yeah, we're going to come back down the line now. | 0:12:35 | 0:12:37 | |
Can the second players please step up to the podium? | 0:12:37 | 0:12:40 | |
OK, so let's put seven more song titles up on the board with repeated | 0:12:43 | 0:12:46 | |
words in them and here they are... | 0:12:46 | 0:12:48 | |
I'm going to read those again. | 0:13:15 | 0:13:17 | |
-Now, then, Amanda, welcome to Pointless. -Yes. | 0:13:39 | 0:13:41 | |
It is lovely to have you here. | 0:13:41 | 0:13:43 | |
Now, when you started in Corrie, your character was a sort of, | 0:13:43 | 0:13:46 | |
was a smallish part, and then you went away, | 0:13:46 | 0:13:49 | |
and about seven years later you came back, your part was huge. | 0:13:49 | 0:13:53 | |
A really important central character. | 0:13:53 | 0:13:55 | |
And I think, I remember you saying you thought your mum was responsible | 0:13:55 | 0:13:59 | |
-for that. -Oh, | 0:13:59 | 0:14:00 | |
my mother... I was only in it for a very short time, | 0:14:00 | 0:14:04 | |
but when I was out of it, she couldn't believe it, | 0:14:04 | 0:14:06 | |
so she got the telephone number of Bill Podmore... | 0:14:06 | 0:14:09 | |
..in the production office, | 0:14:10 | 0:14:12 | |
and apparently she used to ring up and put on an accent and go, "Hello, | 0:14:12 | 0:14:18 | |
"this is Mrs O'Malley from Ireland. | 0:14:18 | 0:14:20 | |
"We love Alma Sedgwick so much that she must be in the show!" | 0:14:20 | 0:14:24 | |
And she did it with every accent under the sun until eventually | 0:14:24 | 0:14:29 | |
Bill Podmore rang me, he said, | 0:14:29 | 0:14:31 | |
"Would you please ask your mother to stop ringing the office?" | 0:14:31 | 0:14:35 | |
I nearly killed her! | 0:14:35 | 0:14:38 | |
Now, Amanda, you are on 31. | 0:14:38 | 0:14:39 | |
The high-scorers, on 88, are Shaun and Paul, | 0:14:39 | 0:14:42 | |
which means 56 or less gets you through. | 0:14:42 | 0:14:45 | |
I haven't a clue, isn't that awful? | 0:14:45 | 0:14:47 | |
It's The Beatles. | 0:14:48 | 0:14:49 | |
Love Love Me. | 0:14:51 | 0:14:53 | |
Love Love Me, says Amanda. | 0:14:53 | 0:14:56 | |
Here is your red line. | 0:14:56 | 0:14:57 | |
-Can't be. -You have to get below that red line with Love Love Me... | 0:14:57 | 0:15:00 | |
I'm not getting anywhere near a red line. | 0:15:00 | 0:15:02 | |
..to stay with us. | 0:15:02 | 0:15:03 | |
Let's see how many of our 100 people went for Love Love Me. | 0:15:03 | 0:15:06 | |
No. | 0:15:10 | 0:15:11 | |
I'm just not good at that sort of thing. | 0:15:12 | 0:15:14 | |
Oh, I'm sorry, Amanda. | 0:15:14 | 0:15:15 | |
Well, the round isn't over yet. | 0:15:15 | 0:15:17 | |
That scores you 100 points, takes your total to 131, | 0:15:17 | 0:15:19 | |
but brings Shaun and Paul very much back into the game. | 0:15:19 | 0:15:21 | |
Yeah, Shaun, if you had just... | 0:15:21 | 0:15:23 | |
Get a close-up of Shaun when that answer was given, | 0:15:23 | 0:15:25 | |
just straight back into assassin mode. | 0:15:25 | 0:15:27 | |
Thanks very much, Richard. | 0:15:29 | 0:15:30 | |
Shaun, phew. | 0:15:30 | 0:15:31 | |
You might make it to Round Two, Shaun. | 0:15:33 | 0:15:35 | |
-Who knows? -Who knows? | 0:15:35 | 0:15:37 | |
Now, you trained at Webber Douglas, | 0:15:37 | 0:15:38 | |
one of the finest classical acting schools in London. | 0:15:38 | 0:15:42 | |
-What went wrong? -No! | 0:15:42 | 0:15:43 | |
Then Barry came up, you know, a dearly loved part. | 0:15:44 | 0:15:48 | |
When it was offered to you, did you at any stage think, "Well, no, | 0:15:48 | 0:15:51 | |
"I hear the call of Shakespeare"? | 0:15:51 | 0:15:54 | |
The thing is that Webber Douglas were very down-to-earth and... | 0:15:54 | 0:15:57 | |
..they sort of... They always told you during training, | 0:15:58 | 0:16:01 | |
if you can get a part that can give | 0:16:01 | 0:16:02 | |
you a little bit of fame or notoriety, | 0:16:02 | 0:16:05 | |
it won't hurt you. And then, you know, however long you stay in it, | 0:16:05 | 0:16:08 | |
you can't moan about being typecast cos you're doing that to yourself. | 0:16:08 | 0:16:11 | |
Certainly if you get in and out within a year or two, | 0:16:11 | 0:16:13 | |
but it suited me at the time to stay in it for ten years, | 0:16:13 | 0:16:15 | |
-that's the way it was. -Absolutely, and amazing scripts. | 0:16:15 | 0:16:18 | |
-I mean, it's a fantastic soap. -I was lucky. The thing about Barry, | 0:16:18 | 0:16:21 | |
I either had a great story or I just wasn't up there, | 0:16:21 | 0:16:23 | |
so I either made a big impression or I was at the local pub | 0:16:23 | 0:16:26 | |
or walking the dog, really, so I had the best of both worlds, really. | 0:16:26 | 0:16:29 | |
Now, Shaun, you are on 88. | 0:16:29 | 0:16:32 | |
If you can score 42 or less, you are through to the next round. | 0:16:32 | 0:16:35 | |
It's whether to play safe or go for one that, if it's right, | 0:16:35 | 0:16:37 | |
will definitely get us through. | 0:16:37 | 0:16:39 | |
I'm going to go for Vera Lynn, My Son My Son. | 0:16:41 | 0:16:44 | |
My Son My Son, says Shaun. | 0:16:44 | 0:16:46 | |
Here's your red line. If you can get below this red line with | 0:16:46 | 0:16:48 | |
My Son My Son, you are through to Round Two. | 0:16:48 | 0:16:50 | |
How many people said it? | 0:16:50 | 0:16:51 | |
It's right. | 0:16:55 | 0:16:56 | |
Well done, Shaun. | 0:16:59 | 0:17:01 | |
That's a great answer! | 0:17:01 | 0:17:02 | |
It's a pointless answer, Shaun. Look at that! | 0:17:02 | 0:17:05 | |
A pointless answer, of course, adds £250 to today's jackpot, | 0:17:05 | 0:17:09 | |
takes the total up to... | 0:17:09 | 0:17:10 | |
It scores you nothing, it leaves your total at 88. | 0:17:12 | 0:17:15 | |
It is absolutely everything you needed to do, Shaun. | 0:17:15 | 0:17:18 | |
Beautifully done. Of course, | 0:17:18 | 0:17:19 | |
it means you've given four pointless answers in a row, Shaun. | 0:17:19 | 0:17:22 | |
Very, very impressive. Yeah, My Son My Son. | 0:17:22 | 0:17:25 | |
Nicole, welcome to Pointless. | 0:17:25 | 0:17:27 | |
-Hi. -Lovely to have you. Now, you played Gemma's mum. | 0:17:27 | 0:17:30 | |
-I did. -Did you have two age up for that? | 0:17:30 | 0:17:34 | |
Yeah, they used to put broken veins on me and dark circles. | 0:17:34 | 0:17:38 | |
Now they don't have to, unfortunately. | 0:17:38 | 0:17:40 | |
You have been in LA recently, haven't you? | 0:17:42 | 0:17:44 | |
-What have you been doing over there? -Yeah, I did some acting classes, | 0:17:44 | 0:17:48 | |
saw some friends, just sort of experienced the life over the pond, | 0:17:48 | 0:17:53 | |
-and ran back to the UK! -Oh, really? I was going to say - how was it? | 0:17:53 | 0:17:55 | |
You won't be going out there in a hurry to find an American...? | 0:17:55 | 0:17:58 | |
Well, when I went to New York, I went to New York, | 0:17:58 | 0:18:00 | |
and they are very serious about acting. | 0:18:00 | 0:18:02 | |
-Yeah. -LA, everybody is a little bit more chilled | 0:18:02 | 0:18:05 | |
and it is like, get this job, get that job. | 0:18:05 | 0:18:07 | |
It is a really different world, | 0:18:07 | 0:18:09 | |
but I just decided that family and friends came first, | 0:18:09 | 0:18:12 | |
so I just came back into the arms of Hollyoaks, thank goodness. | 0:18:12 | 0:18:16 | |
Well, nice to have you back. Now, Nicole, there you are on 44. | 0:18:16 | 0:18:19 | |
The high-scorers at the moment are Amanda and Kevin on 131, | 0:18:19 | 0:18:22 | |
so 86 or less keeps you in the game. | 0:18:22 | 0:18:25 | |
I'm going to go for Donna Summer. | 0:18:26 | 0:18:28 | |
Love To Love You Baby. | 0:18:30 | 0:18:31 | |
Love To Love You Baby, let's see if that's right, | 0:18:31 | 0:18:33 | |
let's see how many of our 100 people said it. | 0:18:33 | 0:18:35 | |
There is your red line, nice and high. | 0:18:35 | 0:18:37 | |
It's right, and you're through, very well done. | 0:18:38 | 0:18:41 | |
49, taking your total | 0:18:42 | 0:18:44 | |
up to 93. | 0:18:44 | 0:18:47 | |
Very well played, Nicole, safely through. | 0:18:48 | 0:18:50 | |
Yeah, a number four hit for the queen of disco. | 0:18:50 | 0:18:53 | |
Thank you very much indeed, Richard. | 0:18:53 | 0:18:55 | |
-Adele. -Hello. | 0:18:55 | 0:18:56 | |
Welcome back. | 0:18:56 | 0:18:57 | |
-Thank you. -Now, then, great news, you're through. | 0:18:57 | 0:19:00 | |
-You are through to the next round, whatever you say... -Thank goodness. | 0:19:00 | 0:19:03 | |
..which is marvellous. | 0:19:03 | 0:19:05 | |
What I want to ask you, tell me about this wine thing you did. | 0:19:05 | 0:19:08 | |
-You had a sort of wine website thing. -I brought out a wine. | 0:19:08 | 0:19:10 | |
OK, so I did Hell's Kitchen with Marco Pierre White. | 0:19:10 | 0:19:14 | |
-Yeah. -And I was a runner-up, so I came second, | 0:19:14 | 0:19:17 | |
and from that I got the opportunity to bring out my own range of wine. | 0:19:17 | 0:19:23 | |
-Amazing! -What sort of wine was it? | 0:19:23 | 0:19:25 | |
I did a red, a white, and a rose. | 0:19:25 | 0:19:27 | |
How amazing. Well, you just tasted lots of them? | 0:19:27 | 0:19:30 | |
I did that as well, but I got to go to like Italy, France, yeah, | 0:19:30 | 0:19:35 | |
with a master sommelier or however you pronounce it, but, yeah. | 0:19:35 | 0:19:39 | |
How amazing, you could choose | 0:19:39 | 0:19:40 | |
any wine you wanted to be in your collection? | 0:19:40 | 0:19:42 | |
It was amazing. My mum and dad loved it cos we've got loads stocked up | 0:19:42 | 0:19:45 | |
-in the garage. So they were like, "Yeah, great job." -Fabulous. | 0:19:45 | 0:19:47 | |
Well, as I say, you're through to the next round. | 0:19:47 | 0:19:49 | |
But if you wanted to go through this board and fill in all those | 0:19:49 | 0:19:53 | |
-blanks, it would be great. -I don't think I can fill them all in. | 0:19:53 | 0:19:56 | |
I'm going to go for the second one, | 0:19:56 | 0:19:59 | |
Time After Time, Cyndi Lauper. | 0:19:59 | 0:20:00 | |
-Time After Time... -I think it's a high one, though. | 0:20:00 | 0:20:02 | |
..says Adele. No red line, you're already through, | 0:20:02 | 0:20:05 | |
but let's see how many people said Time After Time. | 0:20:05 | 0:20:07 | |
It's right. | 0:20:10 | 0:20:11 | |
54, not bad at all. | 0:20:14 | 0:20:15 | |
Your total is 58, the lowest total of the round. | 0:20:17 | 0:20:20 | |
Yes, very good answers from everybody there. | 0:20:20 | 0:20:22 | |
Well played. Now, let's fill in the rest of these, shall we? | 0:20:22 | 0:20:24 | |
This top one, Bananarama, also had a hit with this. | 0:20:24 | 0:20:27 | |
-Hey, Hey. -Yes, Na Na Hey Hey Kiss Him Goodbye. | 0:20:27 | 0:20:30 | |
22 for that. | 0:20:30 | 0:20:31 | |
It's not Love Love Me, it's Please Please Me | 0:20:31 | 0:20:34 | |
by The Beatles, I'm afraid. | 0:20:34 | 0:20:35 | |
53 points for that. | 0:20:35 | 0:20:37 | |
-The Who? -You Better You Bet. | 0:20:37 | 0:20:38 | |
You better You Bet...would have scored 28. | 0:20:38 | 0:20:41 | |
Can you work out the Justin Bieber one? | 0:20:41 | 0:20:43 | |
I know you're not a huge admirer of his canon. | 0:20:43 | 0:20:45 | |
I'm not. I should be, shouldn't I? | 0:20:45 | 0:20:47 | |
-I should. -Well, these days, he's very cool. | 0:20:47 | 0:20:49 | |
-This is back when he was less cool. -Erm... | 0:20:49 | 0:20:52 | |
Shall I tell you? | 0:20:52 | 0:20:54 | |
-Yes. -Never Say Never. | 0:20:54 | 0:20:56 | |
-Of course. -Of course. And that would have scored 11 points. | 0:20:56 | 0:20:59 | |
So obviously, son, the best answer there - well played, Shaun. | 0:20:59 | 0:21:01 | |
Thank you very much indeed. | 0:21:01 | 0:21:03 | |
Well, at the end of our first round, well done, everyone, | 0:21:03 | 0:21:05 | |
but I'm afraid we do have high-scorers, | 0:21:05 | 0:21:07 | |
which means we have to send home Amanda and Kevin | 0:21:07 | 0:21:09 | |
-with their high score of 131. -My fault, I apologise. | 0:21:09 | 0:21:12 | |
I'm so sorry. It's been lovely having you here. | 0:21:12 | 0:21:14 | |
Far too brief, I might say. | 0:21:14 | 0:21:15 | |
But come back and play again. | 0:21:15 | 0:21:17 | |
It's been great. Amanda and Kevin, wonderful. | 0:21:17 | 0:21:19 | |
But, for the remaining three pairs, it's now time for Round Two. | 0:21:22 | 0:21:25 | |
Well, what about that? Three pairs remain. | 0:21:29 | 0:21:31 | |
At the end of this round, we will have to say goodbye to another pair, | 0:21:31 | 0:21:35 | |
obviously. Shaun, the big story of that round. | 0:21:35 | 0:21:37 | |
Very well done indeed. | 0:21:37 | 0:21:38 | |
Just a head full of nonsense. | 0:21:38 | 0:21:40 | |
Heroic effort there. Yes, best of luck to all three pairs. | 0:21:40 | 0:21:44 | |
Two pairs will be going through to the next round, when you can confer | 0:21:44 | 0:21:47 | |
before giving answers, which will be nice. | 0:21:47 | 0:21:49 | |
Our category for Round Two this evening... | 0:21:49 | 0:21:52 | |
..is Honours. Honours. | 0:21:53 | 0:21:54 | |
Can you decide in your pairs who is going to go first, | 0:21:54 | 0:21:57 | |
who's going to go second? | 0:21:57 | 0:21:59 | |
And whoever is going first, please step up to the podium. | 0:21:59 | 0:22:01 | |
And the question concerns... | 0:22:05 | 0:22:07 | |
2016 New Year's Honours. | 0:22:11 | 0:22:13 | |
-Richard? -Yes, we're going to show you 16 pictures now of people who | 0:22:13 | 0:22:16 | |
are recognised in the Queen's 2016 New Year's Honours list. | 0:22:16 | 0:22:19 | |
Can you identify the most obscure of the people, please? | 0:22:19 | 0:22:22 | |
Oh, that's a relief, isn't it? You get a picture! | 0:22:22 | 0:22:25 | |
So we're going to put the picture up. | 0:22:25 | 0:22:27 | |
It will stay up for the whole round. | 0:22:27 | 0:22:28 | |
Here is the picture. | 0:22:28 | 0:22:31 | |
Ah-ha. | 0:22:31 | 0:22:33 | |
There we go. We just need you to name | 0:22:33 | 0:22:36 | |
the most obscure person you can on that picture. | 0:22:36 | 0:22:38 | |
Chris will go first. | 0:22:38 | 0:22:40 | |
Right, OK, I need to start thinking very quickly, then, don't I? | 0:22:40 | 0:22:44 | |
I'm really bad at remembering people's names, | 0:22:44 | 0:22:47 | |
so I'm going to have to go with one that I don't think | 0:22:47 | 0:22:51 | |
is going to score me a lot of points, | 0:22:51 | 0:22:54 | |
but I'm going to go with Goldie. | 0:22:54 | 0:22:56 | |
Goldie, says Chris. | 0:22:56 | 0:22:58 | |
Let's see how many of our 100 people said Goldie. | 0:22:58 | 0:23:00 | |
It's right. | 0:23:04 | 0:23:05 | |
Not bad at all. Very well done indeed, Chris. | 0:23:10 | 0:23:13 | |
12. Great start to the round. | 0:23:13 | 0:23:14 | |
Well played, Chris, top left there. | 0:23:16 | 0:23:18 | |
Goldie, MBE for services to music and young people. | 0:23:18 | 0:23:21 | |
There you go. OK. | 0:23:21 | 0:23:23 | |
Now, Nicole, what would you like to go for? | 0:23:23 | 0:23:26 | |
Well, I am absolutely atrocious with names. | 0:23:26 | 0:23:31 | |
Even the really famous person in the middle with the blonde hair, | 0:23:31 | 0:23:33 | |
I can't remember her full name right now, and it's not Dolly Parton! | 0:23:33 | 0:23:37 | |
I think that that is an actor called, if I say his name wrong, | 0:23:43 | 0:23:48 | |
I'm going to go...aren't I? | 0:23:48 | 0:23:49 | |
-Not me. -I don't know what you'll do, but I, I... | 0:23:49 | 0:23:52 | |
Is that that Idris Elba? | 0:23:54 | 0:23:55 | |
-Is that how you say his name? -OK, you're going to go for Idris Elba. | 0:23:55 | 0:23:58 | |
Idris Elba, says Nicole. | 0:23:58 | 0:24:00 | |
Let's see if that's right and let's | 0:24:00 | 0:24:02 | |
see how many of our 100 people went for Idris Elba. | 0:24:02 | 0:24:04 | |
It's right. | 0:24:06 | 0:24:08 | |
Well, 12 is what we've got on the scoreboard at the moment. | 0:24:08 | 0:24:10 | |
Idris Elba takes you to 38. | 0:24:10 | 0:24:12 | |
-Look at that. -Oh, my God, I can't even tell you. | 0:24:12 | 0:24:16 | |
There he is on the bottom row. | 0:24:16 | 0:24:18 | |
He got an OBE for services to drama. | 0:24:18 | 0:24:20 | |
Thanks very much indeed. | 0:24:20 | 0:24:22 | |
Now then, Paul. | 0:24:22 | 0:24:24 | |
I watch a lot of snooker, | 0:24:24 | 0:24:26 | |
so it's Ronnie O'Sullivan. | 0:24:26 | 0:24:28 | |
Ronnie O'Sullivan. | 0:24:28 | 0:24:29 | |
Shaun, looking good. | 0:24:29 | 0:24:31 | |
Let's see how many of our 100 people said Ronnie O'Sullivan. | 0:24:31 | 0:24:34 | |
Not bad, 41 for Ronnie O'Sullivan. | 0:24:42 | 0:24:44 | |
Well done. | 0:24:44 | 0:24:46 | |
Yeah, an OBE for Ronnie O'Sullivan for services to, guess what? | 0:24:48 | 0:24:51 | |
-Snooker. -It was for services to snooker, yes. | 0:24:51 | 0:24:54 | |
In the 2015 World Championships, his shoes were uncomfortable, | 0:24:54 | 0:24:57 | |
so he played in his socks. You can't do that in most sports, can you? | 0:24:57 | 0:25:00 | |
-No! Thank you. -It's a pleasure. -We're halfway through the round. | 0:25:00 | 0:25:03 | |
Let's take a look at those scores before we head back up the line. | 0:25:03 | 0:25:05 | |
12, the best score of the pass, very well done. | 0:25:05 | 0:25:07 | |
Chris and Adele looking very strong at this point. | 0:25:07 | 0:25:10 | |
Then 38 is where we find Nicole and Gemma. | 0:25:10 | 0:25:11 | |
Only three points ahead, Paul and Shaun, but Shaun, | 0:25:11 | 0:25:14 | |
you're out front at the moment, we need a low score from you. | 0:25:14 | 0:25:17 | |
So best of luck with that. | 0:25:17 | 0:25:18 | |
We're going to come back down the line now. | 0:25:18 | 0:25:20 | |
Can the second players please step up to the podium? | 0:25:20 | 0:25:23 | |
OK. Shaun, | 0:25:25 | 0:25:27 | |
these are all the faces of people who were honoured | 0:25:27 | 0:25:30 | |
in the 2016 New Year's Honours. | 0:25:30 | 0:25:32 | |
We need a low score. | 0:25:32 | 0:25:34 | |
This is a nightmare. Totally. | 0:25:34 | 0:25:35 | |
I know all the well-known ones. | 0:25:35 | 0:25:37 | |
Let's go for...Damon Albarn. | 0:25:38 | 0:25:41 | |
Damon Albarn. Damon Albarn, says Shaun. | 0:25:41 | 0:25:44 | |
No red line for you as you are out front at the moment, | 0:25:44 | 0:25:47 | |
but let's see how many of our 100 people went with Damon Albarn. | 0:25:47 | 0:25:50 | |
It's right. | 0:25:52 | 0:25:53 | |
Still going down. Still going down. | 0:25:56 | 0:25:58 | |
Look at that, 15. I think that was a good choice, Shaun. | 0:25:58 | 0:26:01 | |
Tactically, very strong. | 0:26:01 | 0:26:03 | |
56 is your total. | 0:26:03 | 0:26:05 | |
Well played, Shaun. OBE for services to music. | 0:26:05 | 0:26:07 | |
He's been made a king, or a local king in Mali, for his... | 0:26:07 | 0:26:10 | |
He's worked a lot with musicians over there. | 0:26:10 | 0:26:13 | |
-I think that's fair. -It's nice, isn't it? | 0:26:13 | 0:26:14 | |
He does a lot of extraordinary things, doesn't he, Damon? | 0:26:14 | 0:26:17 | |
He does do a lot of extraordinary things. | 0:26:17 | 0:26:19 | |
There we are, thank you very much indeed. Now, Gemma, | 0:26:19 | 0:26:22 | |
you have a target here, which is 56. | 0:26:22 | 0:26:23 | |
17 or less is what you have to score. | 0:26:23 | 0:26:27 | |
Don't think that's going to happen. | 0:26:30 | 0:26:32 | |
Well, I know one person, | 0:26:32 | 0:26:34 | |
but I know she's just going to have a really high score. | 0:26:34 | 0:26:37 | |
I know the guy in the corner at the bottom, | 0:26:37 | 0:26:39 | |
but I only know his second name. | 0:26:39 | 0:26:41 | |
Oh, I'm so sorry! | 0:26:41 | 0:26:43 | |
I'm just going to have to go with the only person I know on there, | 0:26:43 | 0:26:46 | |
-Barbara Windsor. -That's it! -Barbara Windsor. | 0:26:46 | 0:26:49 | |
It's going to be really high, though, | 0:26:49 | 0:26:51 | |
cos everyone knows who she is! | 0:26:51 | 0:26:52 | |
Barbara Windsor. There's your red line. | 0:26:52 | 0:26:54 | |
Let's see how many of our 100 people said Barbara Windsor. | 0:26:54 | 0:26:57 | |
Oh. | 0:26:57 | 0:26:58 | |
77 for Barbara Windsor. | 0:27:01 | 0:27:04 | |
Takes your total up to 115. | 0:27:05 | 0:27:08 | |
Dame Barbara Windsor now, of course. | 0:27:08 | 0:27:09 | |
-Oh, Dame. -Goes to show what can happen if you are in soaps for a few | 0:27:09 | 0:27:12 | |
years. Just goes to show. | 0:27:12 | 0:27:14 | |
-No excuses! -True. | 0:27:14 | 0:27:16 | |
Stick at it. | 0:27:16 | 0:27:18 | |
Statistically, we'll have a dame or a knight amongst our six here | 0:27:18 | 0:27:21 | |
-at some point. -Oh, I hope so. | 0:27:21 | 0:27:23 | |
-That would be nice. -My money's on Shaun. | 0:27:23 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:28 | |
Thanks, Richard. Now, Adele, the good news is you're through. | 0:27:28 | 0:27:31 | |
-OK, cos I kind of want to do a gamble, but I'm not sure. -Go on. | 0:27:31 | 0:27:35 | |
Because there's some that I think are really obvious, | 0:27:35 | 0:27:37 | |
like Imelda Staunton, | 0:27:37 | 0:27:41 | |
Sue Barker, James Nesbitt. | 0:27:41 | 0:27:44 | |
I want to go for, next to Barbara Windsor, | 0:27:44 | 0:27:47 | |
I'm going to do a gamble and say Jacqueline Gold. | 0:27:47 | 0:27:49 | |
Jacqueline Gold, let's see if it's right and let's see how many of | 0:27:49 | 0:27:52 | |
our 100 people said Jacqueline Gold. | 0:27:52 | 0:27:54 | |
No red line for you cos you're already through. | 0:27:54 | 0:27:56 | |
It is Jacqueline Gold! | 0:27:58 | 0:28:00 | |
-Keep going. -That's a great answer, | 0:28:03 | 0:28:05 | |
look at that, down it goes to 1! | 0:28:05 | 0:28:07 | |
Very well done indeed, lowest score of the round goes to you, | 0:28:07 | 0:28:10 | |
Adele. | 0:28:10 | 0:28:11 | |
Once again, 13 is your total. | 0:28:11 | 0:28:13 | |
-It's the lowest total of the round. -How about that? Very nice. | 0:28:13 | 0:28:17 | |
-Adele Silva, Jacqueline Gold, very, very good answer. -There you go. | 0:28:17 | 0:28:20 | |
CBE for entrepreneurship and women in business. | 0:28:20 | 0:28:22 | |
Now, let's fill in the rest of these. | 0:28:22 | 0:28:24 | |
Top line, there's some low-scorers up there. | 0:28:24 | 0:28:26 | |
Next to Goldie is Tracey Neville, | 0:28:26 | 0:28:28 | |
head coach of the England netball team. | 0:28:28 | 0:28:30 | |
Next to her, the captain | 0:28:30 | 0:28:31 | |
of the England football team, Steph Houghton. | 0:28:31 | 0:28:33 | |
Both would have scored 1 point, so terrific answers if you | 0:28:33 | 0:28:35 | |
got either of those. Imelda Staunton, who you knew, | 0:28:35 | 0:28:37 | |
would have scored you 7 points. | 0:28:37 | 0:28:39 | |
Now, the next row, John Surtees, | 0:28:39 | 0:28:40 | |
motorcyclist and racing driver, would have scored you 5 points. | 0:28:40 | 0:28:43 | |
Sue Barker would have scored you 59. | 0:28:43 | 0:28:46 | |
Now, the next row, you've got Chris Froome, the cyclist. | 0:28:46 | 0:28:48 | |
He would have scored you 8 points. | 0:28:48 | 0:28:50 | |
Next to him, the only pointless answer on the board, | 0:28:50 | 0:28:52 | |
the choreographer Matthew Bourne. | 0:28:52 | 0:28:54 | |
Very well done if you said that. | 0:28:54 | 0:28:56 | |
Bottom row, Sian Phillips, | 0:28:56 | 0:28:58 | |
would have scored you 2 points. | 0:28:58 | 0:29:00 | |
Simon Weston would have scored you | 0:29:00 | 0:29:01 | |
27. And you're quite right, | 0:29:01 | 0:29:02 | |
James Nesbitt there, in the bottom | 0:29:02 | 0:29:04 | |
right, and he would have scored 23. | 0:29:04 | 0:29:06 | |
Thanks very much indeed. | 0:29:06 | 0:29:07 | |
So at the end of our second round, | 0:29:07 | 0:29:09 | |
the pair we have to say goodbye to do with their high score of 115... | 0:29:09 | 0:29:11 | |
I'm so sorry, Gemma and Nicole, it is you. | 0:29:11 | 0:29:15 | |
-OK. -Oh. -It's been a pleasure. | 0:29:15 | 0:29:17 | |
Now, Nicole, when you hear all their names, you suddenly think, | 0:29:17 | 0:29:20 | |
"Oh, of course, I know that person!" | 0:29:20 | 0:29:22 | |
-Did you? -Not...really! | 0:29:22 | 0:29:24 | |
-Really? -Neither did I! -I've got such a bad memory, I really have. | 0:29:24 | 0:29:28 | |
Oh, well, listen, come back and play again. | 0:29:28 | 0:29:30 | |
It's been lovely having you here. | 0:29:30 | 0:29:31 | |
-Gemma and Nicole, wonderful! BOTH: -Thank you. | 0:29:31 | 0:29:34 | |
But for Shaun and Paul, Chris and Adele, | 0:29:34 | 0:29:37 | |
it's now time for our head-to-head. | 0:29:37 | 0:29:39 | |
Well, congratulations, Chris and Adele, Shaun and Paul, | 0:29:43 | 0:29:45 | |
you are now one step closer to the final and a chance to play for our | 0:29:45 | 0:29:48 | |
jackpot, which currently stands at £2,750. | 0:29:48 | 0:29:53 | |
-AUDIENCE: -Ooh! | 0:29:53 | 0:29:56 | |
Well, this is the point where we have to decide who goes through | 0:29:56 | 0:29:58 | |
to the final to play for that jackpot, | 0:29:58 | 0:30:00 | |
and we do it by making you go head-to-head. | 0:30:00 | 0:30:02 | |
But the difference is you can now confer | 0:30:02 | 0:30:04 | |
before you give your answers. | 0:30:04 | 0:30:05 | |
The first pair to win two questions will be playing for that jackpot. | 0:30:05 | 0:30:09 | |
Chris and Adele have been our low-scorers in both rounds so far. | 0:30:09 | 0:30:11 | |
Shaun, the only person to score a pointless answer. | 0:30:11 | 0:30:14 | |
I mean, it couldn't be tighter, I'd say, this. | 0:30:14 | 0:30:16 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:30:16 | 0:30:19 | |
Here is your first question | 0:30:25 | 0:30:27 | |
and it concerns dance music. | 0:30:27 | 0:30:30 | |
Dance music, Richard. | 0:30:30 | 0:30:32 | |
We're going to play five songs now, | 0:30:32 | 0:30:33 | |
all of which contain the word dance or dancing in their title. | 0:30:33 | 0:30:36 | |
We need the name of any | 0:30:36 | 0:30:37 | |
of the artists you're about to hear, please. | 0:30:37 | 0:30:39 | |
-Best of luck. -OK, so let's listen to our five excerpts | 0:30:39 | 0:30:43 | |
and here they come. | 0:30:43 | 0:30:44 | |
We have got... A. | 0:30:44 | 0:30:46 | |
# I'm in the mood for dancin' | 0:30:49 | 0:30:53 | |
# Romancin' | 0:30:53 | 0:30:55 | |
# Ooh, and givin' it all tonight | 0:30:55 | 0:30:58 | |
# I'm in the mood for chancin' | 0:30:58 | 0:31:01 | |
# I feel like dancin' | 0:31:01 | 0:31:03 | |
# Ooh, so come on and hold me tight... # | 0:31:03 | 0:31:07 | |
Here's B. | 0:31:07 | 0:31:08 | |
# Oh, I'm gonna be there | 0:31:08 | 0:31:12 | |
# When they're dancin' on the ceiling | 0:31:12 | 0:31:16 | |
# Oh, what a feeling | 0:31:16 | 0:31:19 | |
# When we're dancing on the ceiling... # | 0:31:19 | 0:31:22 | |
Here's C. | 0:31:23 | 0:31:25 | |
# So you can dance | 0:31:25 | 0:31:28 | |
# You can jive | 0:31:28 | 0:31:30 | |
# Havin' the time of your life | 0:31:30 | 0:31:34 | |
# Ooh, ooh, see that girl | 0:31:34 | 0:31:37 | |
# Watch that scene | 0:31:37 | 0:31:39 | |
# Diggin' the dancing queen... # | 0:31:39 | 0:31:43 | |
Here's D. | 0:31:43 | 0:31:45 | |
# Dancing, yeah! | 0:31:45 | 0:31:49 | |
# Watcha doin' on your back? | 0:31:49 | 0:31:52 | |
# Watcha doin' on your back? | 0:31:52 | 0:31:55 | |
# Hey | 0:31:55 | 0:31:57 | |
# Get dancin', yeah! | 0:31:57 | 0:32:00 | |
# I'm dancin', yeah... # | 0:32:01 | 0:32:04 | |
And here is E. | 0:32:06 | 0:32:08 | |
# Everybody dance | 0:32:09 | 0:32:11 | |
# Clap your hands, clap your hands | 0:32:12 | 0:32:15 | |
# Everybody dance | 0:32:16 | 0:32:18 | |
# Clap your hands, clap your hands... # | 0:32:19 | 0:32:22 | |
OK. Now, Chris and Adele. | 0:32:24 | 0:32:26 | |
-Bee Gees? -OK. -D, Bee Gees. | 0:32:28 | 0:32:31 | |
D, Bee Gees, say Chris and Adele. | 0:32:31 | 0:32:34 | |
D, Bee Gees. Now then, Shaun and Paul, | 0:32:34 | 0:32:36 | |
-do you want to talk us through the others? -We know them all. | 0:32:36 | 0:32:39 | |
Paul has very kindly given me power of attorney here. | 0:32:39 | 0:32:42 | |
But Paul knew, seriously, | 0:32:42 | 0:32:44 | |
Paul knew the Nolans, which... | 0:32:44 | 0:32:45 | |
This might come back to blow me up in the face | 0:32:45 | 0:32:47 | |
and I'll crawl out of here. | 0:32:47 | 0:32:49 | |
I just think the hardest one is going to be E, which I think... | 0:32:49 | 0:32:52 | |
..is Chic. | 0:32:53 | 0:32:55 | |
We're going to go for E and Chic. | 0:32:55 | 0:32:56 | |
E, Chic. | 0:32:56 | 0:32:58 | |
So, we have... | 0:32:58 | 0:32:59 | |
..D - Bee Gees and E - Chic. | 0:33:01 | 0:33:04 | |
Chris and Adele said the D was the Bee Gees. | 0:33:04 | 0:33:06 | |
Let's see that's right and how many of our 100 people said the Bee Gees. | 0:33:06 | 0:33:10 | |
It's right. | 0:33:12 | 0:33:13 | |
54. | 0:33:16 | 0:33:17 | |
Well, Shaun and Paul have gone for E and are saying that E is Chic. | 0:33:21 | 0:33:26 | |
Let's if that's right and how many of our 100 people said Chic. | 0:33:26 | 0:33:29 | |
It is Chic. | 0:33:32 | 0:33:34 | |
Look at that, you're right. | 0:33:35 | 0:33:37 | |
Wow, look at that! | 0:33:37 | 0:33:38 | |
7! | 0:33:39 | 0:33:40 | |
There we go, Shaun and Paul. | 0:33:42 | 0:33:44 | |
Very well done indeed. | 0:33:44 | 0:33:45 | |
After one question, you are both up 1-0. | 0:33:45 | 0:33:48 | |
Yeah, the best answer on the board. That could not have been beaten. | 0:33:48 | 0:33:51 | |
With Luther Vandross on backing vocals on that track. | 0:33:51 | 0:33:53 | |
The first two are actually surprisingly low scores. | 0:33:53 | 0:33:56 | |
-So A... -The Nolan sisters. | 0:33:56 | 0:33:58 | |
The Nolans. That would have scored 19 points. | 0:33:58 | 0:34:01 | |
I would have thought that was really obvious! | 0:34:01 | 0:34:03 | |
And B... | 0:34:03 | 0:34:04 | |
Lionel Richie, 20 points. | 0:34:06 | 0:34:08 | |
Amazing. | 0:34:09 | 0:34:10 | |
And C... | 0:34:12 | 0:34:13 | |
Of course is ABBA. | 0:34:15 | 0:34:17 | |
That would have scored you 84 points. | 0:34:17 | 0:34:19 | |
-How about that? -There we are. | 0:34:19 | 0:34:21 | |
Thank you very much indeed, Richard. So here comes your second question. | 0:34:21 | 0:34:25 | |
Shaun and Paul get to answer it first. But, Chris and Adele, | 0:34:25 | 0:34:28 | |
you have to win this one to stay in the game, so very best of luck. | 0:34:28 | 0:34:31 | |
Our second question is all about male actors in female roles. | 0:34:31 | 0:34:36 | |
Male actors in female roles, Richard? | 0:34:36 | 0:34:37 | |
Going to show you five pictures now of male actors in female roles, | 0:34:37 | 0:34:40 | |
can you identify the most obscure of these, please? | 0:34:40 | 0:34:43 | |
Thanks very much indeed. | 0:34:43 | 0:34:44 | |
Let's reveal our five actors and here they come. | 0:34:44 | 0:34:46 | |
We've got A. | 0:34:46 | 0:34:48 | |
B. | 0:34:53 | 0:34:54 | |
C. | 0:34:57 | 0:34:58 | |
D. | 0:35:03 | 0:35:05 | |
And E. | 0:35:07 | 0:35:09 | |
There we are. | 0:35:12 | 0:35:13 | |
Five actors in female roles. | 0:35:13 | 0:35:16 | |
Shaun and Paul will go first. | 0:35:16 | 0:35:18 | |
Because, even though it's recent, because he looks so different, | 0:35:18 | 0:35:21 | |
going to go for Eddie Tremayne, C. | 0:35:21 | 0:35:26 | |
OK, you're saying Eddie Tremayne for C? | 0:35:26 | 0:35:28 | |
Eddie Tremayne. Now then, Chris and Adele, over to you, | 0:35:28 | 0:35:31 | |
-do you want to fill in the board? -Shall we just say it? | 0:35:31 | 0:35:35 | |
-Eddie Redmayne. -Oh, well done, I'm so sorry, mate. | 0:35:35 | 0:35:37 | |
OK, yep, you... You might have let him down gently there, Chris, | 0:35:37 | 0:35:41 | |
is all I'm saying! | 0:35:41 | 0:35:43 | |
To be honest with you, we were a bit stuck! | 0:35:43 | 0:35:46 | |
OK, Chris and Adele are saying C, Eddie Redmayne. | 0:35:46 | 0:35:49 | |
So we have Eddie Tremayne, Eddie Redmayne. | 0:35:49 | 0:35:51 | |
Only one of them can be right. | 0:35:51 | 0:35:53 | |
Let's see what happens when we say Eddie Tremayne. | 0:35:53 | 0:35:55 | |
Yep. Which means you only have to be right, Chris and Adele, | 0:35:59 | 0:36:01 | |
and you're back in the game. | 0:36:01 | 0:36:03 | |
Eddie Redmayne. | 0:36:03 | 0:36:04 | |
It's right. | 0:36:07 | 0:36:08 | |
Wow, surprisingly low score. | 0:36:12 | 0:36:14 | |
35 for Eddie Redmayne, but crucially it was right, | 0:36:14 | 0:36:16 | |
which means, after two questions, it's 1-1. | 0:36:16 | 0:36:19 | |
Very well played. You remember, Shaun, in that first round, | 0:36:19 | 0:36:22 | |
when Amanda let you back in and you had that brilliant poker face? | 0:36:22 | 0:36:25 | |
Adele did not have that poker face when you said Eddie Tremayne. | 0:36:25 | 0:36:28 | |
We celebrated! | 0:36:28 | 0:36:30 | |
Just the delight on both their faces there was something to behold. | 0:36:30 | 0:36:35 | |
Let's fill in the rest of these. | 0:36:35 | 0:36:37 | |
-A... -Dustin Hoffman. | 0:36:37 | 0:36:38 | |
Is Dustin Hoffman. | 0:36:38 | 0:36:40 | |
Tootsie. 50 points for that. | 0:36:40 | 0:36:42 | |
-B... -Is Quentin Crisp. | 0:36:43 | 0:36:45 | |
It is Quentin Crisp, yes, playing Queen Elizabeth from Orlando. | 0:36:45 | 0:36:49 | |
3 points. | 0:36:49 | 0:36:50 | |
Now, D is a pointless answer. | 0:36:51 | 0:36:54 | |
And D is Hugo Weaving. | 0:36:54 | 0:36:55 | |
Oh, do you know? I'd be tempted to say Matt Damon there, but no. | 0:36:55 | 0:36:58 | |
Oh, it does look a bit like Matt Damon. | 0:36:58 | 0:36:59 | |
Very well done if you said that, it's a pointless answer. | 0:36:59 | 0:37:02 | |
And John Travolta. Actually, | 0:37:02 | 0:37:03 | |
a slightly better score than Eddie Redmayne, 33 points. | 0:37:03 | 0:37:06 | |
There we are. Thanks very much indeed. | 0:37:07 | 0:37:09 | |
So here comes the third question. | 0:37:09 | 0:37:11 | |
Of course this was always going to come down to three questions. | 0:37:11 | 0:37:13 | |
Whoever wins this one goes through to the final and plays for that | 0:37:13 | 0:37:16 | |
jackpot, so best of luck to both pairs. | 0:37:16 | 0:37:18 | |
Our third question is all about electrical circuits. | 0:37:18 | 0:37:22 | |
Electrical circuits, Richard? | 0:37:22 | 0:37:25 | |
Yes, we're going to show you the names now of five items | 0:37:25 | 0:37:27 | |
that can make up parts of an electrical circuit, | 0:37:27 | 0:37:30 | |
but we've put them in anagram form, | 0:37:30 | 0:37:31 | |
I'm afraid. Can you unscramble them and give us the most obscure answer? | 0:37:31 | 0:37:35 | |
Whoever does that is going through to play for the jackpot. | 0:37:35 | 0:37:38 | |
-Very best of luck. -Thanks very much indeed. | 0:37:38 | 0:37:40 | |
So, let's reveal our five items from electrical circuits | 0:37:40 | 0:37:44 | |
and we have... | 0:37:44 | 0:37:45 | |
Chris and Adele. | 0:37:57 | 0:37:59 | |
THEY WHISPER | 0:37:59 | 0:38:00 | |
OK. | 0:38:00 | 0:38:01 | |
Oh, this is not good! | 0:38:02 | 0:38:04 | |
This is not good at all. | 0:38:04 | 0:38:05 | |
We don't like this. | 0:38:05 | 0:38:07 | |
And I'm having a bit of a panic and I'm trying to decrypt | 0:38:07 | 0:38:11 | |
the top one, and I can't do it. | 0:38:11 | 0:38:13 | |
-We just know the obvious ones, don't we? -Yeah. | 0:38:15 | 0:38:17 | |
-Unfortunately. -Go on, you say it. | 0:38:17 | 0:38:20 | |
Shall we do lamp? | 0:38:20 | 0:38:21 | |
-Yeah. -The bottom one. | 0:38:21 | 0:38:24 | |
OK, you're going to go for lamp. | 0:38:24 | 0:38:25 | |
-Chris and Adele are going for lamp. -That's rubbish. | 0:38:25 | 0:38:27 | |
Shaun and Paul, it's over to you. | 0:38:27 | 0:38:30 | |
Well, we knew lamp, didn't we? We knew battery. | 0:38:30 | 0:38:32 | |
Diode, which I think might beat lamp, | 0:38:32 | 0:38:35 | |
but because it's such a short word, | 0:38:35 | 0:38:36 | |
I think we're going to have to take a slight risk. | 0:38:36 | 0:38:38 | |
The second one down is a capacitor. | 0:38:38 | 0:38:40 | |
-A capacitor. Capacitor, say Shaun and Paul. -I think. | 0:38:40 | 0:38:45 | |
So we have lamp and we have capacitor. | 0:38:45 | 0:38:46 | |
Now, Chris and Adele went for lamp. | 0:38:46 | 0:38:49 | |
Let's if that's right and let's see how many people said it. | 0:38:49 | 0:38:51 | |
99. | 0:38:51 | 0:38:52 | |
It's right. | 0:38:54 | 0:38:56 | |
Not bad, 73 for lamp. | 0:38:56 | 0:38:58 | |
Now then, Shaun and Paul have gone for capacitor. | 0:39:02 | 0:39:04 | |
Let's see if that's right, | 0:39:04 | 0:39:05 | |
let's see how many of our 100 people said capacitor. | 0:39:05 | 0:39:08 | |
It's right. | 0:39:11 | 0:39:12 | |
Very well done indeed. | 0:39:13 | 0:39:14 | |
It's another good answer. | 0:39:15 | 0:39:17 | |
Look at that, Shaun. And Paul. | 0:39:17 | 0:39:19 | |
17. It means, Shaun and Paul, after three questions, | 0:39:19 | 0:39:22 | |
you are through to the final, 2-1. | 0:39:22 | 0:39:23 | |
Best answer on the board again, capacitor. | 0:39:24 | 0:39:27 | |
Battery, you were correct about. | 0:39:27 | 0:39:29 | |
Battery scores 42. | 0:39:29 | 0:39:31 | |
Diode, you're also right about, which would have scored you 45. | 0:39:31 | 0:39:35 | |
And the top one, do you know the top one? | 0:39:35 | 0:39:37 | |
-Do you know? I haven't... -It's quite a tough anagram to work out. | 0:39:37 | 0:39:40 | |
-It's a resistor. -Oh! | 0:39:40 | 0:39:42 | |
-24 points. -There we are. Well, thank you very much. | 0:39:42 | 0:39:45 | |
So the pair leaving us at the end of the head-to-head round, | 0:39:45 | 0:39:47 | |
I'm afraid... Oh, Chris and Adele, I'm sorry. | 0:39:47 | 0:39:49 | |
You've been an amazing... A tour de force | 0:39:49 | 0:39:52 | |
is what you've been the whole way through. | 0:39:52 | 0:39:54 | |
Low score after low score, | 0:39:54 | 0:39:56 | |
but I'm afraid this is where we have to say goodbye. | 0:39:56 | 0:39:58 | |
Just come back and play again, that's all I can say. | 0:39:58 | 0:40:00 | |
It's been lovely having you on. | 0:40:00 | 0:40:02 | |
-Chris and Adele, brilliant! -Thank you. | 0:40:02 | 0:40:03 | |
But, for Shaun and Paul, it's now time for our Pointless final. | 0:40:05 | 0:40:08 | |
Congratulations, Shaun and Paul, | 0:40:12 | 0:40:14 | |
you have fought off the competition | 0:40:14 | 0:40:16 | |
and you have won our coveted Pointless trophy. | 0:40:16 | 0:40:19 | |
Well, you now have a chance to win our Pointless jackpot | 0:40:24 | 0:40:27 | |
for your charities and, at the end of today's show, the jackpot | 0:40:27 | 0:40:30 | |
is standing at £2,750. | 0:40:30 | 0:40:32 | |
-AUDIENCE: -Ooh! | 0:40:32 | 0:40:35 | |
But, I mean, well done, brilliant answers we've had from you so far. | 0:40:35 | 0:40:39 | |
Vera Lynn, My Son My Son. | 0:40:39 | 0:40:41 | |
I just learnt the Guinness Book of British Hit Singles | 0:40:41 | 0:40:44 | |
about 20 years ago and some of it stayed in, that's all it was. | 0:40:44 | 0:40:46 | |
Very well done. But great teamwork, actually. | 0:40:46 | 0:40:48 | |
Ronnie O'Sullivan, you came in there, Paul, | 0:40:48 | 0:40:51 | |
-absolutely. -He knew the Nolans as well. | 0:40:51 | 0:40:53 | |
There you are. | 0:40:53 | 0:40:55 | |
-Thanks, mate. -Well, you know what happens in this round. | 0:40:55 | 0:40:57 | |
We put four subjects up on the board, we hope there is something | 0:40:57 | 0:41:00 | |
you quite like the look of up there. | 0:41:00 | 0:41:02 | |
Today's selection looks like this. | 0:41:02 | 0:41:04 | |
We've got Russia, Modern Rock Groups, | 0:41:04 | 0:41:07 | |
Romantic Poetry and Sherlock Holmes On Screen. | 0:41:07 | 0:41:11 | |
Wow. | 0:41:12 | 0:41:14 | |
Shall we just go for Sherlock Holmes On Screen? Because we're actors, | 0:41:14 | 0:41:17 | |
we might know actors who have been in the films, | 0:41:17 | 0:41:19 | |
we might know who has played them. | 0:41:19 | 0:41:20 | |
Romantic poetry - do you know the Wordsworth and Byron stuff? | 0:41:20 | 0:41:23 | |
No, no, let's go Sherlock Holmes cos I've got a mate who was in that. | 0:41:23 | 0:41:27 | |
-OK. -OK, well, let's go for Sherlock Holmes! | 0:41:27 | 0:41:30 | |
OK, very best of luck. | 0:41:30 | 0:41:31 | |
Three different iterations of Sherlock Holmes here, | 0:41:31 | 0:41:34 | |
hopefully one of them suits you. | 0:41:34 | 0:41:35 | |
We are looking for any of the cast of the 2009 film Sherlock Holmes, | 0:41:35 | 0:41:40 | |
please, according to IMDB. | 0:41:40 | 0:41:41 | |
We're looking for any feature film | 0:41:41 | 0:41:43 | |
that featured Basil Rathbone as Holmes. | 0:41:43 | 0:41:45 | |
Or we're looking for anyone who's appeared in two or more | 0:41:45 | 0:41:48 | |
episodes of the BBC TV series Sherlock | 0:41:48 | 0:41:51 | |
up to the end of January 2016, please. | 0:41:51 | 0:41:53 | |
So, cast of the 2009 film, | 0:41:53 | 0:41:55 | |
any film where Basil Rathbone played Holmes | 0:41:55 | 0:41:57 | |
and anyone appearing in two or more episodes of Sherlock, again, | 0:41:57 | 0:42:01 | |
according to IMDB. | 0:42:01 | 0:42:03 | |
Thanks very much indeed. Now, as always, | 0:42:03 | 0:42:05 | |
you've got up to one minute to come up with three answers. | 0:42:05 | 0:42:07 | |
All you need to win that jackpot is for just one of those answers to be | 0:42:07 | 0:42:11 | |
pointless. Are you ready? | 0:42:11 | 0:42:12 | |
-Yes, we are, sorry. -OK, let's put 60 seconds up on the clock. | 0:42:12 | 0:42:15 | |
There we are. Your time starts now. | 0:42:15 | 0:42:18 | |
Well, my mate wasn't in any of those! | 0:42:18 | 0:42:20 | |
LAUGHTER | 0:42:20 | 0:42:22 | |
OK, in the cast of the 2009 film Sherlock Holmes, | 0:42:22 | 0:42:25 | |
I know a friend of a friend who was in it, | 0:42:25 | 0:42:27 | |
he's a boxer and he's called Joe Egan. | 0:42:27 | 0:42:29 | |
I don't know if he was credited, but he had a line. | 0:42:29 | 0:42:31 | |
Joe Egan, yes. The Irish boxer, yes? | 0:42:31 | 0:42:33 | |
Yes, yes, because it's Robert Downey who people are going to know. | 0:42:33 | 0:42:37 | |
Now, in the episodes of Sherlock, who is the lovely lady who plays | 0:42:37 | 0:42:40 | |
the housekeeper who was in To Death Us Do Part? | 0:42:40 | 0:42:42 | |
Playing the daughter? | 0:42:42 | 0:42:43 | |
-Una? -Una Stubbs. | 0:42:43 | 0:42:45 | |
Una Stubbs, I think she's the housekeeper. | 0:42:45 | 0:42:47 | |
There's no point in saying Martin... | 0:42:47 | 0:42:49 | |
-Er, the two leads. -No, no. | 0:42:49 | 0:42:51 | |
-And also there's... Have you been watching Sherlock? -I have, yeah. | 0:42:51 | 0:42:54 | |
Cos there's the foxy lady, do you know the one I mean? | 0:42:54 | 0:42:58 | |
She was naked in one episode and she's come back since. | 0:42:58 | 0:43:00 | |
I missed that one. | 0:43:00 | 0:43:01 | |
LAUGHTER | 0:43:01 | 0:43:03 | |
Ten seconds left. | 0:43:06 | 0:43:07 | |
Basil Rathbone, | 0:43:07 | 0:43:09 | |
there was a film where Sherlock Holmes, | 0:43:09 | 0:43:12 | |
and I don't if it's Goes To Washington or In Washington. | 0:43:12 | 0:43:15 | |
-OK, that's your time up. -Goes To, I think. | 0:43:17 | 0:43:19 | |
Let's have your three answers. | 0:43:19 | 0:43:21 | |
OK, please can we have, as our most likely, starting from the top, | 0:43:21 | 0:43:25 | |
-Una Stubbs? -Una Stubbs. | 0:43:25 | 0:43:27 | |
Sherlock Holmes Goes To Washington. | 0:43:27 | 0:43:30 | |
Sherlock Holmes Goes To Washington. | 0:43:30 | 0:43:32 | |
And Joe Egan. | 0:43:32 | 0:43:34 | |
And Joe Egan. So one from each category. | 0:43:34 | 0:43:36 | |
-Thank you. -OK, well, let's put those answers up in the board | 0:43:36 | 0:43:38 | |
in your order, then, and here they are. | 0:43:38 | 0:43:40 | |
We've got Una Stubbs, we've got Sherlock Holmes Goes To Washington, | 0:43:41 | 0:43:44 | |
and we've got Joe Egan. | 0:43:44 | 0:43:46 | |
Well, very best of luck. Three great answers up there on the board. | 0:43:46 | 0:43:49 | |
If one of these happens to be pointless and wins that jackpot | 0:43:49 | 0:43:51 | |
for you, you will win that 2,750 quid for your charities. | 0:43:51 | 0:43:54 | |
What charities are you playing for? | 0:43:54 | 0:43:56 | |
I'm playing for a small charity in Kent called AMEND, | 0:43:56 | 0:43:59 | |
from Tunbridge Wells, | 0:43:59 | 0:44:00 | |
and they deal with a complaint called multiple endocrine neoplasia, | 0:44:00 | 0:44:04 | |
which basically is a hereditary disease | 0:44:04 | 0:44:06 | |
and means you're much more likely | 0:44:06 | 0:44:07 | |
to develop multiple cancers than anyone else, | 0:44:07 | 0:44:10 | |
so they're looking into that. | 0:44:10 | 0:44:11 | |
Right you are. Paul, how about you? | 0:44:11 | 0:44:12 | |
I live in a small market town in Shropshire called Whitchurch | 0:44:12 | 0:44:17 | |
and there's a small hospital there, the Whitchurch Community Hospital, | 0:44:17 | 0:44:21 | |
that caters for a lot of people that won't come out. | 0:44:21 | 0:44:25 | |
It's a marvellous place, | 0:44:25 | 0:44:27 | |
all self-funding, and I would like to give my money to that, | 0:44:27 | 0:44:31 | |
if I'm lucky enough. | 0:44:31 | 0:44:33 | |
-Well done. -APPLAUSE | 0:44:33 | 0:44:34 | |
Well, two excellent charities there. | 0:44:34 | 0:44:36 | |
Let's hope that at least one of these answers is pointless | 0:44:36 | 0:44:39 | |
so you can win that jackpot and split it between your charities. | 0:44:39 | 0:44:41 | |
Well, your first answer was Una Stubbs. | 0:44:41 | 0:44:43 | |
In this case, we were looking for any cast member from Sherlock. | 0:44:43 | 0:44:47 | |
It has to be pointless to win the jackpot. So, for £2,750, | 0:44:47 | 0:44:50 | |
let's see how many of our 100 people said Una Stubbs. | 0:44:50 | 0:44:53 | |
It's right. Now, if Una Stubbs takes us all the way down to zero, | 0:44:56 | 0:44:59 | |
you will leave with that jackpot for your charities. | 0:44:59 | 0:45:02 | |
Down it goes, Una Stubbs, | 0:45:02 | 0:45:03 | |
through the 20s, through the teens, | 0:45:03 | 0:45:05 | |
into single figures, still going down. | 0:45:05 | 0:45:07 | |
6 is where we stop. | 0:45:07 | 0:45:08 | |
Well... Even when you said Una Stubbs, | 0:45:12 | 0:45:14 | |
"We'll put her as our least likely," | 0:45:14 | 0:45:16 | |
so you weren't really expecting that one to be pointless? | 0:45:16 | 0:45:18 | |
No, but we knew that was right. The second two we're not sure | 0:45:18 | 0:45:21 | |
if they're right, that's the difference. | 0:45:21 | 0:45:22 | |
OK, well, there we are. Two more shots at today's jackpot. | 0:45:22 | 0:45:25 | |
Again, very, very best of luck. | 0:45:25 | 0:45:26 | |
Your next answer was Sherlock Holmes Goes To Washington. | 0:45:26 | 0:45:29 | |
In this case, we were looking for any Basil Rathbone | 0:45:29 | 0:45:31 | |
Sherlock Holmes film. | 0:45:31 | 0:45:33 | |
It has to be pointless for you to win that jackpot. So, for £2,750, | 0:45:33 | 0:45:36 | |
let's see how many people said Sherlock Holmes Goes To Washington. | 0:45:36 | 0:45:40 | |
-No. -Sorry, mate. | 0:45:43 | 0:45:45 | |
Bad luck. An incorrect answer, which means everything is now riding | 0:45:45 | 0:45:49 | |
on your third and final answer, | 0:45:49 | 0:45:50 | |
the one you thought was your best shot at a pointless answer. | 0:45:50 | 0:45:53 | |
Joe Egan. | 0:45:53 | 0:45:54 | |
In this case, we were looking for any cast member of the 2009 film | 0:45:54 | 0:45:58 | |
Sherlock Holmes. | 0:45:58 | 0:45:59 | |
It has to be pointless for you to win that jackpot. | 0:45:59 | 0:46:02 | |
Let's find out, for £2,750, if it's correct | 0:46:02 | 0:46:05 | |
and then let's find out if anyone said it. | 0:46:05 | 0:46:08 | |
Joe Egan, is it pointless? | 0:46:08 | 0:46:10 | |
-It's right. -Oh, hello! -Joe Egan is a correct answer. | 0:46:12 | 0:46:15 | |
Now, Una Stubbs was correct, took us down to 6. | 0:46:15 | 0:46:18 | |
They might have asked Joe Egan's mum. | 0:46:18 | 0:46:20 | |
Down goes Joe Egan through the teens, | 0:46:20 | 0:46:22 | |
into single figures, passes 6, | 0:46:22 | 0:46:23 | |
still going down... You've done it! | 0:46:23 | 0:46:25 | |
Oh, superb! Very well done indeed! | 0:46:29 | 0:46:33 | |
Well, congratulations, Joe Egan was a pointless answer, | 0:46:39 | 0:46:42 | |
which means you go home with that jackpot of £2,750 | 0:46:42 | 0:46:45 | |
for your charities. | 0:46:45 | 0:46:46 | |
Very well done indeed. | 0:46:46 | 0:46:47 | |
And of course, you kept us waiting until the last answer as well, | 0:46:52 | 0:46:55 | |
like the pros that you are. Thank you for that. | 0:46:55 | 0:46:57 | |
It was Sherlock Holmes In Washington. | 0:46:57 | 0:46:59 | |
-In Washington. -That would have been a pointless answer as well. | 0:46:59 | 0:47:02 | |
It would have been an lovely one, but Joe Egan. | 0:47:02 | 0:47:04 | |
So Joe Egan's a friend of a friend? | 0:47:04 | 0:47:05 | |
He ran a pub in Birmingham. | 0:47:05 | 0:47:07 | |
Well, you owe him a drink. | 0:47:07 | 0:47:08 | |
Now, let's take a look at the pointless answers. | 0:47:08 | 0:47:11 | |
Loads and loads of good answers in these categories. | 0:47:11 | 0:47:13 | |
Let's look at the Sherlock Holmes film. | 0:47:13 | 0:47:15 | |
Bronagh Gallagher is a pointless answer. | 0:47:15 | 0:47:17 | |
Eddie Marsan, James Fox, Miles Jupp | 0:47:17 | 0:47:18 | |
is a pointless answer there. Geraldine James, | 0:47:18 | 0:47:20 | |
who played Mrs Hudson, she was a pointless answer. | 0:47:20 | 0:47:22 | |
Everyone apart from Robert Downey Junior, Jude Law, | 0:47:22 | 0:47:25 | |
Rachel McAdams and Mark Strong. | 0:47:25 | 0:47:27 | |
Everyone else in that film was a pointless answer. | 0:47:27 | 0:47:29 | |
Let's take a look at some of the films, | 0:47:29 | 0:47:30 | |
some of the Sherlock Holmes films with Basil Rathbone. | 0:47:30 | 0:47:33 | |
Sherlock Holmes Faces Death, Terror By Night, | 0:47:33 | 0:47:35 | |
The Adventures Of Sherlock Holmes, The House Of Fear. | 0:47:35 | 0:47:37 | |
You also could have had Dressed To Kill, | 0:47:37 | 0:47:38 | |
Sherlock Holmes And The Secret Weapon, | 0:47:38 | 0:47:40 | |
Sherlock Holmes And The Voice Of Terror, The Pearl Of Death, | 0:47:40 | 0:47:43 | |
The Spider Woman and The Woman In Green. | 0:47:43 | 0:47:45 | |
There are some big names in this BBC Sherlock category as well. | 0:47:45 | 0:47:48 | |
Amanda Abbington. Andrew Scott as Moriarty. | 0:47:48 | 0:47:51 | |
Lara Pulver is Irene Adler. | 0:47:51 | 0:47:53 | |
And Louise Brealey, who is Molly. | 0:47:53 | 0:47:55 | |
In fact, everyone pointless there apart from Benedict Cumberbatch, | 0:47:55 | 0:47:58 | |
Martin Freeman, Una Stubbs, Mark Gatiss and Rupert Graves. | 0:47:58 | 0:48:01 | |
So very well done, especially big Sherlock fans, | 0:48:01 | 0:48:03 | |
for anyone who got a pointless answer there. | 0:48:03 | 0:48:05 | |
But congratulations, once again, in the studio. | 0:48:05 | 0:48:07 | |
-Terrific work. -Thanks very much indeed. | 0:48:07 | 0:48:09 | |
And thanks once again to our winning players, Shaun and Paul, | 0:48:09 | 0:48:12 | |
who go away with today's jackpot of £2,750 for their charities. | 0:48:12 | 0:48:16 | |
Very well done. | 0:48:16 | 0:48:17 | |
Join us next time, when we'll be putting more obscure knowledge | 0:48:19 | 0:48:22 | |
to the test on Pointless. Meanwhile, it's goodbye from Richard... | 0:48:22 | 0:48:25 | |
-Goodbye. -..and it's goodbye from me. Goodbye. | 0:48:25 | 0:48:28 |