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APPLAUSE | 0:00:13 | 0:00:17 | |
Thank you. Hello, I'm Alexander Armstrong, | 0:00:24 | 0:00:27 | |
and a very warm welcome to this celebrity edition of Pointless, | 0:00:27 | 0:00:30 | |
the show where the lowest scorers are the biggest winners. Let's meet our Pointless celebrities. | 0:00:30 | 0:00:34 | |
APPLAUSE | 0:00:34 | 0:00:38 | |
-Couple number one. -Hi, I'm Jodie Prenger and I've shown the nation my Nancy. | 0:00:39 | 0:00:44 | |
LAUGHTER AND APPLAUSE | 0:00:44 | 0:00:47 | |
And I'm Gary Wilmot and I saw her Nancy and it was spectacular. | 0:00:50 | 0:00:54 | |
LAUGHTER AND APPLAUSE | 0:00:54 | 0:00:58 | |
-Couple number two. -Hi, I'm Richard Blackwood, I play Donkey in Shrek | 0:00:58 | 0:01:02 | |
and I'm now in Still Waters, a movie that's coming out, | 0:01:02 | 0:01:04 | |
and this is Danielle Hope and she is in Les Mis. | 0:01:04 | 0:01:07 | |
APPLAUSE | 0:01:07 | 0:01:10 | |
-Couple number three. -Hi, I'm Ben Foster, | 0:01:12 | 0:01:14 | |
currently playing Jesus in Jesus Christ Superstar international arena tour and... | 0:01:14 | 0:01:19 | |
I am Paul Nicholas and I played Jesus | 0:01:19 | 0:01:22 | |
in the original production of Jesus Christ Superstar in 1972. | 0:01:22 | 0:01:27 | |
APPLAUSE | 0:01:27 | 0:01:31 | |
And couple number four. | 0:01:31 | 0:01:33 | |
Hi, I'm Kerry Ellis and I'm currently working on my own one-woman show. | 0:01:33 | 0:01:37 | |
APPLAUSE | 0:01:37 | 0:01:41 | |
And I'm Tim Rice and I'm afraid I wrote the words for Jesus Christ Superstar, | 0:01:41 | 0:01:44 | |
and you two guys, both brilliant. Thank you very much. | 0:01:44 | 0:01:48 | |
APPLAUSE | 0:01:48 | 0:01:52 | |
-And these are today's contestants. -CHEERING AND APPLAUSE | 0:01:52 | 0:01:55 | |
We'll find out more about you throughout the show. | 0:01:55 | 0:01:58 | |
That just leaves one more person for me to introduce. | 0:01:58 | 0:02:00 | |
-He's large and he's in charge, it's my Pointless friend, it's Richard. -Hiya. | 0:02:00 | 0:02:05 | |
CHEERING AND APPLAUSE Hi, everyone. Hiya. | 0:02:05 | 0:02:08 | |
-This is going to be fun, isn't it? -Isn't it? | 0:02:10 | 0:02:13 | |
We've often done these celebrity shows and actually having stars of musical theatre, | 0:02:13 | 0:02:17 | |
genuinely it's one of those occasions where you're slightly in awe of the talent in the room. | 0:02:17 | 0:02:21 | |
Musical theatre is one of those things where there is no hiding place. | 0:02:21 | 0:02:25 | |
If you get to the top in that business, you are properly good. | 0:02:25 | 0:02:28 | |
Won't help you today, but... LAUGHTER | 0:02:28 | 0:02:30 | |
..it is genuinely the case. Genuinely lovely to have you all here. | 0:02:30 | 0:02:34 | |
And great that we've got Ben, who plays Jesus, and then Paul says, "I was the original Jesus." | 0:02:34 | 0:02:39 | |
-I had no idea! -Then Tim who says, "I wrote Jesus!" -Yeah. | 0:02:39 | 0:02:42 | |
-Two for the price of one. -That's amazing. | 0:02:42 | 0:02:45 | |
Just to warn you, Tim, I think you might be our first... Is Tim our first Sir ever on the show? | 0:02:45 | 0:02:50 | |
-I think he might be. -That's quite impressive, isn't it? -Yeah. | 0:02:50 | 0:02:55 | |
Anyway, we're going to be pitching at you later. | 0:02:55 | 0:02:58 | |
-We've got a little idea for a musical. -Oh, yeah. | 0:02:58 | 0:03:00 | |
-LAUGHTER -Terrific. | 0:03:00 | 0:03:04 | |
No pressure, but you are our guest, so... | 0:03:04 | 0:03:08 | |
If you want to put a show on, I hope I won't be out in the first round. | 0:03:08 | 0:03:12 | |
-LAUGHTER -Yay! | 0:03:12 | 0:03:15 | |
Round one is the lyrics of Sir Tim Rice. | 0:03:15 | 0:03:18 | |
-LAUGHTER -Yes! | 0:03:18 | 0:03:21 | |
Thanks, Richard. All our questions have been put to 100 people before the show. | 0:03:21 | 0:03:25 | |
Our contestants need to find the obscure answers those 100 people didn't get. | 0:03:25 | 0:03:29 | |
Everyone's trying to find a pointless answer that none of our 100 people gave. | 0:03:29 | 0:03:34 | |
Each time that happens, we will add £250 to the jackpot. | 0:03:34 | 0:03:37 | |
As today's show is a celebrity special, each of our celebrities is playing for a nominated charity, | 0:03:37 | 0:03:42 | |
so we start off with a jackpot of £2,500. | 0:03:42 | 0:03:45 | |
CHEERING AND APPLAUSE | 0:03:45 | 0:03:48 | |
Right, if everyone's ready, let's play Pointless. | 0:03:48 | 0:03:50 | |
APPLAUSE | 0:03:50 | 0:03:53 | |
So in this first round, I want an answer from each of you, but there is to be no conferring. | 0:03:55 | 0:04:00 | |
At the end of the round, whichever pair has the highest score will be heading home. | 0:04:00 | 0:04:04 | |
OK, our first category today is... | 0:04:04 | 0:04:07 | |
Words. Can you decide in your pairs who's going to go first, who's going to go second? | 0:04:09 | 0:04:13 | |
And whoever's going first, step up to the podium. | 0:04:17 | 0:04:19 | |
OK, let's find out what the question is. | 0:04:21 | 0:04:24 | |
We gave 100 people 100 seconds | 0:04:24 | 0:04:26 | |
to name as many words ending in "are" as they could. A-R-E. Richard. | 0:04:26 | 0:04:33 | |
We're looking for any word that has its own entry in the Oxford English Dictionary that ends in "are". | 0:04:33 | 0:04:38 | |
As always, no hyphenated words, no proper nouns, no trademarks. | 0:04:38 | 0:04:42 | |
So any word ending "are". Very best of luck to everyone. | 0:04:42 | 0:04:45 | |
Thanks. Now then, Jodie and Gary, you all drew lots before the show. | 0:04:45 | 0:04:49 | |
-You are going first today. -Yes. | 0:04:49 | 0:04:52 | |
This is always tough. The first person to kick off a words round. You have the least time to think. | 0:04:52 | 0:04:56 | |
-Now then, Jodie, you have been Nancy. -I have, yes. | 0:04:56 | 0:05:01 | |
And you won it in front of the nation on I'd Do Anything. | 0:05:01 | 0:05:03 | |
-That was such a dodgy name for a show. -Oliver? | 0:05:03 | 0:05:07 | |
-Not Oliver, I'd Do Anything. -Oh! | 0:05:07 | 0:05:10 | |
-Now, what are you thinking of? -Oh, do you know, it's kind of... | 0:05:10 | 0:05:14 | |
I think probably people would go with the obvious and I'd say the unobvious may be care. | 0:05:14 | 0:05:19 | |
Care, says Jodie. Care. | 0:05:19 | 0:05:21 | |
Is it right? How many people... I think we know it's right. | 0:05:21 | 0:05:24 | |
How many people said care? | 0:05:24 | 0:05:26 | |
Is it right. | 0:05:28 | 0:05:30 | |
-67, Jodie. -APPLAUSE | 0:05:30 | 0:05:33 | |
That's a high score. But a nice word. | 0:05:33 | 0:05:37 | |
Yeah, very tough on that first podium. Good to get a correct answer. | 0:05:37 | 0:05:41 | |
-Mm. -This is the point where I have to define what care means. | 0:05:41 | 0:05:44 | |
-You know what care means. -Yeah. | 0:05:44 | 0:05:47 | |
It means, like, to care. LAUGHTER | 0:05:47 | 0:05:50 | |
-Like you do. -To hug and to love. | 0:05:50 | 0:05:52 | |
-There you go. -Jodie our thesaurus on podium one there. Brilliant. | 0:05:52 | 0:05:57 | |
-Thank you. -You're welcome. -We might be coming back to you. -OK. | 0:05:57 | 0:06:00 | |
-Danielle, welcome to Pointless. Lovely to have you here. -Hi. | 0:06:00 | 0:06:03 | |
Now then, you also won your role in front of the nation | 0:06:03 | 0:06:08 | |
-in Over The Rainbow. -Yes. | 0:06:08 | 0:06:10 | |
How was that? How many weeks did you do that for? | 0:06:10 | 0:06:12 | |
I think it was about 12 weeks in total. | 0:06:12 | 0:06:15 | |
-And what are you doing at the moment? You're in Les Mis? -Yes, I'm playing Eponine in Les Mis. | 0:06:15 | 0:06:19 | |
I've been there about ten months now. It's just been the most amazing time. | 0:06:19 | 0:06:23 | |
Yeah. Fabulous. Now then, Danielle, a word ending "are". | 0:06:23 | 0:06:26 | |
OK. Erm, I'm going to go for beware. | 0:06:26 | 0:06:30 | |
Beware, says Danielle. Beware. Let's see if that's right. | 0:06:30 | 0:06:33 | |
Again, I'm pretty sure it is. Let's see how many of our 100 people said beware. | 0:06:33 | 0:06:38 | |
It's right. 67 our high score at the moment. | 0:06:40 | 0:06:42 | |
You've whizzed past that. Beware... | 0:06:42 | 0:06:45 | |
-..finishes at 18. Well done. -APPLAUSE | 0:06:45 | 0:06:49 | |
Well played, Danielle. Be cautious and aware of risks and danger and what have you. | 0:06:53 | 0:06:58 | |
-Beware. -Beware. | 0:06:58 | 0:07:00 | |
-Ben. -Hi. -The younger of our two Jesuses on podium three there. | 0:07:00 | 0:07:05 | |
Are you busy doing the arena tour at the moment? | 0:07:05 | 0:07:08 | |
Yeah, we're actually in the international arena tour, | 0:07:08 | 0:07:12 | |
-so we're about to go to Australia. -Wow. -Which is very exciting. | 0:07:12 | 0:07:15 | |
Fantastic! How long's that been going on for? | 0:07:15 | 0:07:18 | |
We started last October in the O2, | 0:07:18 | 0:07:21 | |
-so it's been quite a journey. -Wow. | 0:07:21 | 0:07:23 | |
What incredible places you must be playing, as well. | 0:07:23 | 0:07:26 | |
It's amazing to do arenas, as a theatre performer, to get the opportunity to do that is amazing. | 0:07:26 | 0:07:31 | |
OK, Ben, we're looking for words ending in "are". | 0:07:31 | 0:07:34 | |
-What are you going to go for? -I'm scared. I've got two words in my head | 0:07:34 | 0:07:37 | |
and they're both a risk cos I'm trying to get as low as possible, | 0:07:37 | 0:07:40 | |
and I don't know whether I've got the right spelling. I'm not a very good speller. | 0:07:40 | 0:07:44 | |
One's a French word, I think, | 0:07:44 | 0:07:48 | |
and it might be finished in a different way, | 0:07:48 | 0:07:51 | |
but I might say flambare. | 0:07:51 | 0:07:54 | |
-Flambare. -No, no, no, no. | 0:07:54 | 0:07:56 | |
-Flambare. Erm, Ben... -I just said it out loud and I think it's wrong. | 0:07:56 | 0:08:01 | |
Well, we'll find out. Flambare. Let's see, is it right, and if it is, how many people said flambare? | 0:08:01 | 0:08:06 | |
-Ben, I'm so sorry! -Sorry. | 0:08:08 | 0:08:11 | |
Bad luck. An incorrect answer, I'm afraid, which scores you the maximum of 100 points. | 0:08:11 | 0:08:16 | |
-Yeah, unlucky. It's flambe, which would be... -Flambe. | 0:08:16 | 0:08:18 | |
As soon as I said it, I was like... | 0:08:18 | 0:08:21 | |
Exactly. We need you to rise again somehow on the second pass. | 0:08:21 | 0:08:24 | |
-I'll try. -LAUGHTER | 0:08:24 | 0:08:27 | |
Thanks very much, Richard. Now, Kerry. | 0:08:29 | 0:08:32 | |
-Hello. -Kerry, welcome. Are there any shows you haven't been in? | 0:08:32 | 0:08:36 | |
-SHE LAUGHS -Er, there are still some. -There are a couple. | 0:08:36 | 0:08:40 | |
But you are a doyenne. You've been in all the big shows. | 0:08:40 | 0:08:44 | |
I have done one or two, yes. | 0:08:44 | 0:08:46 | |
My Fair Lady, Wicked, We Will Rock You, Les Mis. | 0:08:46 | 0:08:50 | |
-And Oliver, as well. -Yes. I do still have to pinch myself | 0:08:50 | 0:08:54 | |
that I get to work with these amazing people. | 0:08:54 | 0:08:57 | |
It's just crazy and I'm very fortunate. | 0:08:57 | 0:09:00 | |
Fantastic. Now, what we need from you, Kerry, is a word ending in "are". | 0:09:00 | 0:09:04 | |
Might not be so fortunate on this programme, | 0:09:04 | 0:09:06 | |
but I'm going to go with something I think a bit safe, | 0:09:06 | 0:09:10 | |
but let's hope people have said it. I'm going to go for rare. | 0:09:10 | 0:09:12 | |
Rare. Well, let's hope it is. Let's see how many of our 100 people said rare. | 0:09:12 | 0:09:17 | |
-It's right. -At least somebody said it. -Well, 18 is our lowest score. | 0:09:18 | 0:09:22 | |
-46. 46 for rare. -APPLAUSE | 0:09:22 | 0:09:25 | |
-Didn't need to take any risks there, given the other scores, so well played. -Thanks, Richard. | 0:09:30 | 0:09:35 | |
And nicely sidestepped having to define rare. | 0:09:35 | 0:09:38 | |
Rare means it doesn't happen often. | 0:09:38 | 0:09:40 | |
It doesn't happen often, no, you usually give one every single answer. | 0:09:40 | 0:09:43 | |
It's something you can do to beef that's not flambeing. | 0:09:43 | 0:09:46 | |
-LAUGHTER -Oh, see? I'm going to be a laughing stock. | 0:09:46 | 0:09:51 | |
LAUGHTER | 0:09:51 | 0:09:53 | |
Thanks. We're halfway through the round, let's look at the scores. | 0:09:53 | 0:09:56 | |
The best score of that pass was yours, Danielle. Very well done. 18. | 0:09:56 | 0:09:59 | |
Lovely low score, especially in the context of 46, Kerry and Tim, | 0:09:59 | 0:10:03 | |
67, Jodie and Gary, and then 100, I'm afraid, Ben and Paul. | 0:10:03 | 0:10:08 | |
Paul, you never know, there might be another 100 scored in the round. | 0:10:08 | 0:10:11 | |
But if we have a really low score from you, it might be enough to see you through to the next round. | 0:10:11 | 0:10:15 | |
-I doubt if that will happen, but... -Well, it may! | 0:10:15 | 0:10:18 | |
Best of luck. We'll come back down the line. Second players, take your places. | 0:10:18 | 0:10:22 | |
Now then, Tim, welcome to Pointless. Great to have you here. | 0:10:24 | 0:10:28 | |
I mean, my goodness. Proper West End royalty, Tim. | 0:10:28 | 0:10:34 | |
-Mm. -Amazing. You have not only been behind some of the big names in the modern musical | 0:10:34 | 0:10:42 | |
but also you've won Grammy Awards, you've won Oscars, | 0:10:42 | 0:10:45 | |
you've won Tonys, you've won all sorts of things. Fabulous to have you here. | 0:10:45 | 0:10:49 | |
Of all the things you have done, | 0:10:49 | 0:10:51 | |
which is the thing you think is the most... the thing you look back on with the most pride? | 0:10:51 | 0:10:55 | |
-In the theatre? -Yeah. | 0:10:55 | 0:10:57 | |
Erm, I don't know. I suppose starting off, really. | 0:10:57 | 0:11:01 | |
Getting something recorded. | 0:11:01 | 0:11:03 | |
Just a song being recorded. | 0:11:03 | 0:11:06 | |
So that would take me back to 1965 | 0:11:06 | 0:11:09 | |
when I had a single which still hasn't made the charts... | 0:11:09 | 0:11:13 | |
-LAUGHTER -It's not too late. You can download it now. | 0:11:13 | 0:11:16 | |
-LAUGHTER -It's called That's My Story by The Night Shift. | 0:11:16 | 0:11:20 | |
-I'm afraid my song was their entire career. -Ah. | 0:11:20 | 0:11:24 | |
I would like to apologise publicly to The Night Shift | 0:11:24 | 0:11:27 | |
for finishing their career prematurely. | 0:11:27 | 0:11:29 | |
So, Tim, we would like a word ending "are". | 0:11:29 | 0:11:33 | |
Now, sometimes in these rounds, there are pointless words. | 0:11:33 | 0:11:36 | |
And you've had a little bit of time. I have a feeling you might... | 0:11:36 | 0:11:40 | |
Well, the thing is, you do get very nervous up here, | 0:11:40 | 0:11:43 | |
especially as I'm meant to be a words man. I'm terrified of spelling underwear wrong or something. | 0:11:43 | 0:11:47 | |
I'm going to play moderately safe and go for unaware. | 0:11:47 | 0:11:51 | |
Unaware, says Tim. Unaware. | 0:11:51 | 0:11:55 | |
The high scorers are Paul and Ben on 100, you're on 46, | 0:11:55 | 0:11:57 | |
so you want to be scoring 53 or less. There's your red line. | 0:11:57 | 0:12:00 | |
If you get below that, you are through to round two. How many of our 100 people said unaware? | 0:12:00 | 0:12:05 | |
Very well done. | 0:12:10 | 0:12:12 | |
-Seven! Best score of the round so far, Tim. -CHEERING AND APPLAUSE | 0:12:13 | 0:12:18 | |
-That was pretty professionally done that, wasn't it? -Yes. | 0:12:23 | 0:12:26 | |
Solid as a rock, straight through to round two. We were thinking, Sir Tim, | 0:12:26 | 0:12:32 | |
there might be some mileage in Pointless The Musical. | 0:12:32 | 0:12:35 | |
-Yes. -What do you think? -Actually, you know, there could be, I think. | 0:12:35 | 0:12:39 | |
Anything that's got a great popular fan base, as you two guys clearly have. | 0:12:39 | 0:12:44 | |
I know Xander can sing brilliantly. He's a great singer. | 0:12:44 | 0:12:47 | |
I've sung duets with him in my time and I've been outclassed. | 0:12:47 | 0:12:51 | |
-Amazing. -No! -And I can see you as a dancer, Richard. | 0:12:51 | 0:12:55 | |
-Yeah, well... -So choreography, vocals, | 0:12:55 | 0:12:59 | |
-it's all there. -I do a lot of modern and jazz dance. My tap isn't what it was. | 0:12:59 | 0:13:03 | |
But you know what? It's not bad. Give me a couple of weeks in the Pineapple Studios, | 0:13:03 | 0:13:08 | |
-I'll get that up to speed. -Yeah. | 0:13:08 | 0:13:10 | |
But I was thinking maybe Paul Nicholas to play Xander. I think that would be good. | 0:13:10 | 0:13:15 | |
I would be... To play me, Denzel Washington. | 0:13:15 | 0:13:18 | |
-Tom Cruise, I think. -That's interesting. | 0:13:18 | 0:13:20 | |
-Yeah! -Tom Cruise standing on Brad Pitt's shoulders. | 0:13:20 | 0:13:24 | |
LAUGHTER AND APPLAUSE | 0:13:24 | 0:13:27 | |
You see, it genuinely takes a wordsmith to finally describe me perfectly. | 0:13:30 | 0:13:34 | |
-Yeah. -He's absolutely got me to a tee. -Yeah. | 0:13:34 | 0:13:37 | |
-We've got some songs, haven't we? -Yeah. -I've got a haunting ballad | 0:13:37 | 0:13:40 | |
called And By Country I Mean A Sovereign State That's A Member Of The UN In Its Own Right. | 0:13:40 | 0:13:45 | |
LAUGHTER AND APPLAUSE | 0:13:45 | 0:13:47 | |
-That comes back and back and back. -Yeah, it's got the refrain. | 0:13:47 | 0:13:51 | |
-You know how that works. -Beautiful. | 0:13:51 | 0:13:54 | |
And at the end, It's Goodbye From Me, which is a plaintive number, isn't it? | 0:13:54 | 0:13:58 | |
Yeah. And you say, "And it's goodbye from Richard" and I say, "Goodbye." | 0:13:58 | 0:14:03 | |
And the whole place just falls apart. | 0:14:03 | 0:14:06 | |
Just has people weeping... It hasn't happened yet, | 0:14:06 | 0:14:09 | |
-but that's roughly what's going to happen, isn't it? -Yeah, pretty much. | 0:14:09 | 0:14:12 | |
-Oh, there's the bawdy There's Your Red Line. -Yeah. | 0:14:12 | 0:14:15 | |
-There's Your Red Line number, which is... -LAUGHTER | 0:14:15 | 0:14:18 | |
-The old red line. -Yeah. | 0:14:18 | 0:14:21 | |
I've got My Laptop Isn't Really On, that's another song from it. LAUGHTER | 0:14:21 | 0:14:25 | |
So it sounds like Sir Tim is very much in. | 0:14:25 | 0:14:28 | |
-I'm in for it. -Paul, you're in for playing Xander? | 0:14:28 | 0:14:31 | |
Yes! Whoever Xander is, I'll play him. | 0:14:31 | 0:14:34 | |
LAUGHTER | 0:14:34 | 0:14:38 | |
Thanks, Richard. Now, Paul. | 0:14:38 | 0:14:40 | |
-Yes. -Welcome to Pointless. -Thank you. -Great to have you. | 0:14:40 | 0:14:43 | |
Now, for heavens sake, your career. | 0:14:43 | 0:14:45 | |
-You started off in Hair. I can't remember when that was. -1968. | 0:14:45 | 0:14:51 | |
-The original cast of Hair. -Yes. But after Hair, | 0:14:51 | 0:14:54 | |
-I went and did, as we said earlier, Jesus Christ Superstar. -Yep. | 0:14:54 | 0:14:58 | |
And things have been downhill ever since, really. | 0:14:58 | 0:15:01 | |
LAUGHTER | 0:15:01 | 0:15:03 | |
-I don't mean that. -Hardly. | 0:15:03 | 0:15:06 | |
-And Just Good Friends, of course. -Yes. -Very, very popular sitcom in the 80s. -Yes. | 0:15:06 | 0:15:11 | |
And now there are Paul Nicholas academies around the place. | 0:15:11 | 0:15:14 | |
Yes, I did a... I think those kind of schools are very good for young kids. | 0:15:14 | 0:15:18 | |
Not every kid is great at spelling or maths, | 0:15:18 | 0:15:23 | |
and I'm about to prove that the case. | 0:15:23 | 0:15:25 | |
Erm, and so these kind of schools give kids an opportunity | 0:15:25 | 0:15:29 | |
to perhaps do things they might enjoy, like sing and dance and act, | 0:15:29 | 0:15:33 | |
-and it gives them confidence and it's a nice thing to be associated with. -Yeah. | 0:15:33 | 0:15:38 | |
Good stuff. Now, what about a word ending "are" Paul? | 0:15:38 | 0:15:41 | |
Yes. I'm not terribly good at this, I don't think, but I'll have a go. | 0:15:41 | 0:15:46 | |
I thought I'd try fare, F-A-R-E. | 0:15:46 | 0:15:50 | |
F-A-R-E, like travellers fare, exactly. | 0:15:50 | 0:15:53 | |
Fare. OK. There's no red line for you, you are the high scorers. | 0:15:53 | 0:15:56 | |
But let's hope this gets you far down the column. Fare. How many people said that? | 0:15:56 | 0:16:00 | |
-58 for fare. -APPLAUSE | 0:16:04 | 0:16:07 | |
-Takes your total up to 158. -APPLAUSE | 0:16:07 | 0:16:11 | |
-A valiant effort. Another pretty big score for fare. -Mm. | 0:16:11 | 0:16:15 | |
It can be the price of a journey or a certain type of food. Fare. | 0:16:15 | 0:16:19 | |
Or a passenger in a taxi. | 0:16:19 | 0:16:21 | |
Er, yeah, why not? Yeah, could be. | 0:16:21 | 0:16:24 | |
-There we are. Now, Richard, welcome to the show. -Thank you. | 0:16:24 | 0:16:27 | |
Now, you and I, we didn't quite work together, but we were VJs on MTV. | 0:16:27 | 0:16:32 | |
-We have that history. -Oh, we have history. -Hold on one second. | 0:16:32 | 0:16:36 | |
-Richard I can buy as a VJ on MTV. You were a VJ on MTV? -Come on! | 0:16:36 | 0:16:41 | |
-Yes! Yes, I was! -LAUGHTER | 0:16:41 | 0:16:43 | |
-I was! -Is it just me? Is that weird? Does that sound weird? | 0:16:43 | 0:16:46 | |
-LAUGHTER -It was in character. With Ben. | 0:16:46 | 0:16:50 | |
-Oh, Ben Miller. -Yeah. -Oh, I like him. -Yeah. -LAUGHTER | 0:16:50 | 0:16:54 | |
-Oh, now I see. I bet it was funny if he was in it. -Yeah, it was funny. | 0:16:54 | 0:16:58 | |
-Sorry. -Anyway! Anyway, anyway! | 0:16:58 | 0:17:00 | |
Richard, you've been a comedian, you've been an actor | 0:17:00 | 0:17:04 | |
-and you've got this film at the moment. -Yes. -Tell us about that. | 0:17:04 | 0:17:06 | |
-Still Waters. It's a horror film. -Best of luck with that! Sounds exciting. | 0:17:06 | 0:17:11 | |
Now, the good news is, you're through to the next round whatever. Even if you score 100, | 0:17:11 | 0:17:15 | |
you won't overtake Paul and Ben on 158. But I have a feeling you've got a good answer. | 0:17:15 | 0:17:19 | |
Erm, because Danielle did so well, | 0:17:19 | 0:17:22 | |
I'm going to go with something that people probably would've said | 0:17:22 | 0:17:25 | |
but it's probably not going to get the highest. Nightmare. | 0:17:25 | 0:17:29 | |
Nightmare, says Richard. No red line for you, you're already through. | 0:17:29 | 0:17:32 | |
But let's see how many people said nightmare. | 0:17:32 | 0:17:34 | |
-11! -APPLAUSE | 0:17:42 | 0:17:45 | |
11 takes your total up to 29. | 0:17:45 | 0:17:48 | |
APPLAUSE | 0:17:48 | 0:17:50 | |
-That's a great answer, Richard. Well played. -Now, Gary, what are you up to a the moment? | 0:17:50 | 0:17:55 | |
Er, about five-foot-ten, but I do... strain at night to get a little bit taller. | 0:17:55 | 0:18:02 | |
-I've actually taken a year out to write all the things that I've wanted to write. -How nice! | 0:18:02 | 0:18:06 | |
Because, presumably, throughout your life, you must have spent every evening of your life on stage. | 0:18:06 | 0:18:12 | |
-Yes, that's right. -So it must be quite a rarity for you to be home when it's dark. | 0:18:12 | 0:18:16 | |
It takes a little bit of getting used to, | 0:18:16 | 0:18:19 | |
but it means I can get to watch loads of daytime telly and there's some great stuff out there. | 0:18:19 | 0:18:24 | |
We're looking for words ending in "are". What are you going to go for? | 0:18:24 | 0:18:27 | |
You're on 67. The high scorers are Paul and Ben on 158. | 0:18:27 | 0:18:29 | |
If you can score 90 or less, you're through. | 0:18:29 | 0:18:32 | |
Ah, right, OK. Well, I'm going to go for declare. | 0:18:32 | 0:18:36 | |
-Declare. -Does that sounds good to you? -Sounds very good to me. -Does it? | 0:18:36 | 0:18:39 | |
There is your red line, Gary. If you get below that red line, | 0:18:39 | 0:18:41 | |
you are in round two. How many people said declare? | 0:18:41 | 0:18:45 | |
It's right and you're through, Gary. Well done. | 0:18:46 | 0:18:49 | |
-Six. -APPLAUSE | 0:18:53 | 0:18:56 | |
73 is your total. | 0:18:58 | 0:19:00 | |
Very well played, Gary. Worth the wait. Safely through to the next round. | 0:19:03 | 0:19:07 | |
-Let's look at some of the pointless answers. -Ahem! -Oh! I'm so sorry. | 0:19:07 | 0:19:10 | |
I think... It's a bit of a gamble, but I would say throughfare. Not thoroughfare but throughfare. | 0:19:10 | 0:19:16 | |
-Throughfare. -Yeah. -You sure you're not going to go for thoroughfare? | 0:19:16 | 0:19:19 | |
-I'm going to rue it, but yeah. I'm going to go for throughfare. -Throughfare. | 0:19:19 | 0:19:25 | |
-Yeah. -If you'd said to me thoroughfare, let's start with that. | 0:19:25 | 0:19:29 | |
-Yeah. -Thoroughfare would've scored you three points. | 0:19:29 | 0:19:32 | |
-Good. -So throughfare... -Yeah. -Probably going to do better than that. | 0:19:32 | 0:19:36 | |
Oh, no. All right. OK. | 0:19:36 | 0:19:38 | |
-Throughfare... -Yeah? -..would've scored you 100 points. Not a word. | 0:19:38 | 0:19:42 | |
LAUGHTER | 0:19:42 | 0:19:44 | |
I... It most certainly is a word. | 0:19:44 | 0:19:46 | |
It's archaic. | 0:19:46 | 0:19:50 | |
-You're telling me! -But it's a word. It is a word! | 0:19:50 | 0:19:53 | |
Just because in the 90s you did Alexander Armstrong's MTV Throughfare, | 0:19:53 | 0:19:57 | |
doesn't mean it was a word. LAUGHTER | 0:19:57 | 0:20:00 | |
-Yeah. OK. -That's a shame. | 0:20:00 | 0:20:02 | |
Let's take a look at some of the pointless answers. | 0:20:02 | 0:20:05 | |
Throughfare is not on this board. Biowarfare is on the board. | 0:20:05 | 0:20:08 | |
Sir Tim, Biowarfare The Musical? | 0:20:08 | 0:20:10 | |
-Yep, very good. -Something in that. | 0:20:10 | 0:20:12 | |
Dinnerware would've been a pointless answer. Lots of ones people were worried might be two words. | 0:20:12 | 0:20:16 | |
Haircare is also one word. Would've been pointless. | 0:20:16 | 0:20:20 | |
Outstare. Ovenware. Skincare was a pointless answer. Well done if you said that. | 0:20:20 | 0:20:26 | |
You could've had springhare. Threadbare, a nice one. | 0:20:26 | 0:20:30 | |
And timeshare, as well, would've been a terrific answer. | 0:20:30 | 0:20:32 | |
Let's take a look at the biggest three answers. | 0:20:32 | 0:20:35 | |
Mare for 63. Bare for 65. | 0:20:36 | 0:20:40 | |
And top of the board, the first one we heard, care on 67. | 0:20:40 | 0:20:43 | |
But lots of those pointless answers were those compound words | 0:20:43 | 0:20:48 | |
-that you'd be terrified to use, I suspect. -Yeah. | 0:20:48 | 0:20:51 | |
Thanks, Richard. At the end of our first round, the pair heading home with their high score of 158, | 0:20:51 | 0:20:56 | |
I'm afraid it's the Jesus twins, it's Paul and Ben. I'm so sorry. | 0:20:56 | 0:21:00 | |
-I'm sorry. -They're tough. They are tough, these rounds, as we have seen. | 0:21:00 | 0:21:03 | |
It was so annoying cos I knew that it was the wrong word as soon as I said it, | 0:21:03 | 0:21:07 | |
but in my head I was like, "Yeah, that'd be quite a good one." | 0:21:07 | 0:21:09 | |
I would've been out, as well. Throughfare. Apparently not a word. | 0:21:09 | 0:21:14 | |
Anyway, we have to say goodbye, Paul and Ben, far too soon. | 0:21:14 | 0:21:17 | |
-It's been lovely having you on the show. -Thank you. -Ben and Paul. | 0:21:17 | 0:21:20 | |
-APPLAUSE -Good luck. | 0:21:20 | 0:21:23 | |
-But for the remaining three pairs, it's now time for round two. -CHEERING AND APPLAUSE | 0:21:23 | 0:21:27 | |
And so only three celebrity pairs remain at the end of that round. | 0:21:30 | 0:21:34 | |
Best of luck to all three pairs. Our category for round two is... | 0:21:34 | 0:21:38 | |
Pop bands. Can you decide in your pairs... You and me, Richard, we'll be brilliant on this. | 0:21:39 | 0:21:45 | |
Can you decide in your pairs who's going to go first, who's going to go second? | 0:21:45 | 0:21:48 | |
Whoever's going first, step up to the podium. | 0:21:48 | 0:21:51 | |
OK, and the question concerns... | 0:21:53 | 0:21:56 | |
-Big bands and their hits. -Yeah, slightly misleading title. | 0:21:58 | 0:22:02 | |
I'm going to show you the names of six UK top 40 singles. | 0:22:02 | 0:22:06 | |
You need to tell us the name of the group that had a hit with them. All the groups had six or more members. | 0:22:06 | 0:22:11 | |
So just give us any of the groups who had a hit with any of these songs in the years you're about to see. | 0:22:11 | 0:22:16 | |
There'll be 12 in all to have a go at at home. Good luck. | 0:22:16 | 0:22:19 | |
Thanks, Richard. We're looking for the names of the bands who had hits with these singles. | 0:22:19 | 0:22:23 | |
Here's our first board of six. | 0:22:23 | 0:22:25 | |
I'll read those one last time. | 0:22:36 | 0:22:38 | |
There we are, six UK top 40 singles all released by biggish bands. Gary. | 0:22:48 | 0:22:54 | |
-What do you make of the board, to start with? -Yeah, I've got one, I think. | 0:22:54 | 0:22:58 | |
Erm, it might date me a little bit. | 0:22:58 | 0:23:01 | |
And I think After The Love Has Gone was Earth, Wind And Fire. | 0:23:01 | 0:23:05 | |
Earth, Wind And Fire, says Gary. Let's see if that's right, and if it is, how many people said it. | 0:23:05 | 0:23:10 | |
It is absolutely right. | 0:23:12 | 0:23:14 | |
It's a nice low score, Gary. Down it goes. Still going down. | 0:23:16 | 0:23:19 | |
-Five! Very well done indeed! -APPLAUSE | 0:23:19 | 0:23:23 | |
That's a very good first answer, Gary. That puts the pressure on everybody else. | 0:23:27 | 0:23:31 | |
Nine members when that was released, Earth, Wind And Fire. Don't know what the other six were called. | 0:23:31 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:39 | |
-Richard. -Yes. -Richard. -Yes. | 0:23:39 | 0:23:42 | |
OK, er, the truth is, I know every group that done every song. | 0:23:42 | 0:23:46 | |
So what it is more, I'm trying to think of what would be the least | 0:23:46 | 0:23:51 | |
in terms of what people would know. | 0:23:51 | 0:23:53 | |
Erm, So Solid Crew, 21 Seconds. | 0:23:53 | 0:23:56 | |
So Solid Crew, says Richard, for 21 Seconds. | 0:23:56 | 0:23:59 | |
Let's see if that's right, and if it is, how many of our 100 people said So Solid Crew. | 0:23:59 | 0:24:03 | |
It's right. | 0:24:05 | 0:24:07 | |
-11. -APPLAUSE | 0:24:12 | 0:24:15 | |
-Very well done, Richard. 11 for So Solid Crew. -APPLAUSE | 0:24:15 | 0:24:19 | |
Well played, Richard. Very strong so far. There's been over 30 members of So Solid Crew. | 0:24:19 | 0:24:23 | |
-There's 23 on that track. They each have 21 seconds of that track, hence the name. -Nice. Thanks. | 0:24:23 | 0:24:28 | |
Now, Tim. Tim, you're the last person to have this board. | 0:24:28 | 0:24:31 | |
I think... I think you're going to know all of these. | 0:24:32 | 0:24:36 | |
-Well, you're wrong. -LAUGHTER | 0:24:36 | 0:24:39 | |
I can't remember the top one, which is annoying me. | 0:24:39 | 0:24:42 | |
-I know Ghost Town was... I can say who they are? -Yeah, you can say them all. | 0:24:42 | 0:24:46 | |
Ghost Town was The Specials, but everybody knows that, and Baggy Trousers was Madness. | 0:24:46 | 0:24:50 | |
So as I'm extremely senior in this game, I'm going for an old band | 0:24:50 | 0:24:54 | |
who had a big hit in 1969 with Everyday People, | 0:24:54 | 0:24:57 | |
-Sly And The Family Stone. -Sly And The Family Stone, says Tim, | 0:24:57 | 0:25:00 | |
for Everyday People. Let's see if that's right and how many of our 100 people said it. | 0:25:00 | 0:25:05 | |
It's right. 11 is our high score, five our low at this stage. | 0:25:07 | 0:25:11 | |
You pass 11, pass five. Two! Very well done indeed, Tim! | 0:25:13 | 0:25:16 | |
-Yay! -APPLAUSE | 0:25:16 | 0:25:19 | |
An excellent answer. Two for Sly And The Family Stone. | 0:25:19 | 0:25:23 | |
That's a brilliant answer, Tim. Very well done. This happens very rarely. | 0:25:23 | 0:25:27 | |
We've got the best three answers on the board from the three of you, | 0:25:27 | 0:25:30 | |
so very well played. Doesn't happen very often. | 0:25:30 | 0:25:33 | |
Let's take a look at the worst three answers. | 0:25:33 | 0:25:35 | |
-Annie I'm Not Your Daddy was Kid Creole And The Coconuts. -Right. | 0:25:35 | 0:25:40 | |
Would've scored you 20 points. | 0:25:40 | 0:25:42 | |
And you were right about the other two and right to avoid them. | 0:25:42 | 0:25:44 | |
Ghost Town was The Specials, which would've scored you 30. | 0:25:44 | 0:25:48 | |
And Baggy Trousers was Madness and that's the biggest scorer by a mile, 74 points. | 0:25:48 | 0:25:53 | |
Thanks. We're halfway through the round, let's look at the scores. | 0:25:53 | 0:25:56 | |
The best score of that pass was Tim's. Tim and Kerry looking pretty commanding at this stage. | 0:25:56 | 0:26:02 | |
Then up to five, where we find Gary and Jodie, and 11, where we find Richard and Danielle. | 0:26:02 | 0:26:05 | |
So Danielle, we require a really low score from you and have to hope it keeps you in the game. Best of luck. | 0:26:05 | 0:26:11 | |
We'll come back down the line. Second players, take your places. | 0:26:11 | 0:26:14 | |
OK, we're going to put six more songs on the board and here they are. | 0:26:16 | 0:26:21 | |
I'll read them one last time. | 0:26:32 | 0:26:34 | |
We're looking for the names of the bands who had hits with these singles. | 0:26:44 | 0:26:48 | |
Kerry, you're going to try and find the one you think the fewest people knew. | 0:26:48 | 0:26:51 | |
The high scorers are Danielle and Richard on 11. You're on two. | 0:26:51 | 0:26:54 | |
If, for example, you could score eight or less, | 0:26:54 | 0:26:57 | |
you will avoid becoming the new high scorers. | 0:26:57 | 0:27:00 | |
Eight? I think I'll be lucky to get 100. | 0:27:00 | 0:27:02 | |
Erm... | 0:27:02 | 0:27:04 | |
Oh, gosh! | 0:27:04 | 0:27:06 | |
Erm... | 0:27:06 | 0:27:08 | |
I can't think. My mind's gone blank. | 0:27:08 | 0:27:11 | |
I've got nothing. My mind's gone completely blank. | 0:27:11 | 0:27:14 | |
I don't even know my name right now, | 0:27:14 | 0:27:17 | |
let alone a band. Erm... | 0:27:17 | 0:27:19 | |
Erm, I'm going to say... | 0:27:21 | 0:27:24 | |
I'm going to say... I don't know. | 0:27:24 | 0:27:27 | |
Er... I really can't think. All the bands I can think of have got four people in. | 0:27:27 | 0:27:32 | |
Just give me the name of a band. Pick one of these and give me the name of a band. | 0:27:32 | 0:27:35 | |
Status Quo. | 0:27:35 | 0:27:37 | |
-Which songs would you like them to have done? -Hanging On The Telephone. | 0:27:37 | 0:27:41 | |
-So bad. -I'd quite like to hear that. | 0:27:41 | 0:27:44 | |
Status Quo, Hanging On The Telephone. Quite like to hear that. | 0:27:44 | 0:27:48 | |
There is your red line, Kerry. Bad luck. It happens, I'm afraid. | 0:27:48 | 0:27:53 | |
Status Quo, says Kerry, for Hanging On The Telephone. Let's see if that's right, | 0:27:53 | 0:27:56 | |
-and if it is, how many of our 100 people said Status Quo. -Oh, no! | 0:27:56 | 0:28:00 | |
-I'm sorry, Kerry! -I should've said Flambe! | 0:28:01 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:07 | |
I'm sorry. That takes your total up to 102, | 0:28:07 | 0:28:11 | |
an incorrect answer, scoring you 100 points. Sorry. | 0:28:11 | 0:28:13 | |
Sorry, Kerry. They would do a good version of Hanging On The Telephone. | 0:28:13 | 0:28:16 | |
But also, because of Tim's answer, you're still in this | 0:28:16 | 0:28:19 | |
-if there's another 100-pointer here. -Dreadful. | 0:28:19 | 0:28:23 | |
-Danielle. -OK. -Danielle, how do you feel about this board? | 0:28:23 | 0:28:28 | |
OK, cos I was born in '92, so when I was listening to bands, | 0:28:28 | 0:28:31 | |
it was around the 2000, 2002. | 0:28:31 | 0:28:35 | |
Erm, some of the others, I'm not 100 percent sure of, | 0:28:35 | 0:28:38 | |
but I think they might be more popular songs, so I'm going to go... | 0:28:38 | 0:28:42 | |
I'm between two. I don't know which one's going to have the most points, | 0:28:42 | 0:28:45 | |
but I'm only 100 percent sure on one. | 0:28:45 | 0:28:48 | |
So I'm going to go for Reach and I'm going to say it's S Club 7. | 0:28:48 | 0:28:52 | |
Reach, S Club 7. | 0:28:52 | 0:28:55 | |
S Club 7, says Danielle. Here is your red line. | 0:28:55 | 0:28:57 | |
Nice and high. If you get below that, | 0:28:57 | 0:29:00 | |
you are through to the head-to-head. Let's see how many of our 100 people said S Club 7. | 0:29:00 | 0:29:04 | |
-It's right and you're through. -Thank God. | 0:29:06 | 0:29:09 | |
-Very well done. 14. -APPLAUSE | 0:29:12 | 0:29:16 | |
14 takes your total up to 25. | 0:29:17 | 0:29:19 | |
Well played, Danielle. Very strong on podium two from the two of you. | 0:29:19 | 0:29:22 | |
Yeah, S Club 7. They had eight members. | 0:29:22 | 0:29:25 | |
-LAUGHTER -I've just got that. | 0:29:25 | 0:29:29 | |
-Jodie. -Mm-hm. -How do you feel about this board, Jodie? | 0:29:29 | 0:29:34 | |
I could stand here and sing every number on that board, | 0:29:34 | 0:29:38 | |
but when it comes to it... | 0:29:38 | 0:29:40 | |
-Do you want to talk us through it? And fill in the blanks? -No. | 0:29:40 | 0:29:44 | |
-SHE LAUGHS -No, don't. | 0:29:44 | 0:29:46 | |
I think what I'm going to go for is I Don't Like Mondays, | 0:29:46 | 0:29:51 | |
but in my head, I'm rather confused with the fact that I'm sure they had less than that. | 0:29:51 | 0:29:57 | |
Is it the Boom...town... Rats | 0:29:57 | 0:30:03 | |
-with Bob Geldof? -You're going to say the Boomtown Rats. | 0:30:03 | 0:30:08 | |
Boomtown Rats. Let's see if that's right, and if it is, how many people said it. | 0:30:08 | 0:30:11 | |
There's your red line coming in now. It's very high. | 0:30:11 | 0:30:14 | |
If you get below that, you're in the head-to-head. How many of our 100 people said that? | 0:30:14 | 0:30:19 | |
-It's right. -Oh! -Very well done. | 0:30:21 | 0:30:23 | |
-64. Wow. It's a high score. -APPLAUSE | 0:30:23 | 0:30:26 | |
64 takes your total up to 69, but you are through. | 0:30:26 | 0:30:29 | |
Well played, Jodie. There were six of them, as well. | 0:30:29 | 0:30:33 | |
-I never knew that. Now I do. -Now you do. | 0:30:33 | 0:30:36 | |
Let's take a look at the rest. Tim, are there any on that board | 0:30:36 | 0:30:39 | |
that you would know? | 0:30:39 | 0:30:42 | |
Not very good, I'm afraid. Blondie is Hanging On The Telephone. | 0:30:42 | 0:30:45 | |
That's right. That would've scored 55. | 0:30:45 | 0:30:49 | |
Chicago, If You Leave Me Now. But I'm afraid Crossroads, I thought that was a TV series. | 0:30:49 | 0:30:54 | |
If You Leave Me Now, you're right, Chicago. That would've scored you 21. | 0:30:54 | 0:30:59 | |
-I suspect Crossroads was the other one Danielle was thinking of going for. -Yeah. Blazin' Squad. | 0:30:59 | 0:31:04 | |
Absolutely right. It was a terrific score, as well. Would've scored you two. | 0:31:04 | 0:31:08 | |
And the best answer on the board, | 0:31:08 | 0:31:11 | |
from 2005, Wake Up, is the Arcade Fire. | 0:31:11 | 0:31:15 | |
-Would've scored you one point. Very well done if you said that. -The Arcade Fire? | 0:31:15 | 0:31:19 | |
-I call them the Arcade Fire. Do you not? -No. -Oh, OK. | 0:31:19 | 0:31:22 | |
-Should I just say Arcade Fire? -No... | 0:31:22 | 0:31:25 | |
I was a big fan of the Blur. I loved the Blur. | 0:31:25 | 0:31:27 | |
LAUGHTER | 0:31:27 | 0:31:29 | |
-I thought they were ace. -LAUGHTER | 0:31:29 | 0:31:33 | |
Thanks. So, at the end of our second round, | 0:31:33 | 0:31:37 | |
I'm sorry to say, it's Tim and Kerry who'll be leaving us with their high score of 102. | 0:31:37 | 0:31:41 | |
Amazing to have you on the show and I'm so sorry that we're not going to have you for the rest of the show | 0:31:41 | 0:31:46 | |
because I know you'd have great answers and you'd be great fun. | 0:31:46 | 0:31:49 | |
Anyway, we're going to meet up again at Pointless The Musical. | 0:31:49 | 0:31:52 | |
-Oh, yeah. -I've booked a theatre. -OK. | 0:31:52 | 0:31:55 | |
-We'll see you for rehearsals on Monday. -Fine. No worries. -Good stuff. | 0:31:55 | 0:31:59 | |
Thank you so much. Kerry and Tim, lovely contestants. | 0:31:59 | 0:32:01 | |
CHEERING AND APPLAUSE | 0:32:01 | 0:32:05 | |
-But for the remaining two pairs, it's now time for our head-to-head. -APPLAUSE | 0:32:05 | 0:32:10 | |
Congratulations, Richard and Danielle, Jodie and Gary, | 0:32:12 | 0:32:16 | |
you're now one step closer to the final and the chance to play for the jackpot, which stands at £2,500. | 0:32:16 | 0:32:22 | |
CHEERING AND APPLAUSE | 0:32:22 | 0:32:25 | |
Now, to decide who's going to play for that money, you're now going to go head-to-head, | 0:32:25 | 0:32:28 | |
but the big difference is you are now allowed to confer. | 0:32:28 | 0:32:31 | |
The first pair to win two questions will be playing for that jackpot. You've done so well, all of you. | 0:32:31 | 0:32:36 | |
-Best of luck to both pairs. Let's play the head-to-head. -APPLAUSE | 0:32:36 | 0:32:40 | |
Now, here comes your first question and it concerns... | 0:32:44 | 0:32:48 | |
-Whoo! -Wine. Richard. | 0:32:51 | 0:32:54 | |
We're going to give you five clues to facts about wine. | 0:32:54 | 0:32:56 | |
Can you give us the most obscure answer from this board? Good luck. | 0:32:56 | 0:33:00 | |
OK, thanks. Let's reveal our five clues, and here they are. | 0:33:00 | 0:33:03 | |
I'll read those all one last time. | 0:33:20 | 0:33:22 | |
There we are. Richard and Danielle, you've played best so far so you get to go first. | 0:33:36 | 0:33:41 | |
-The thing is, when we whisper, we're still very loud. -Yes, we are. | 0:33:41 | 0:33:44 | |
OK, erm, I think I've got an idea of one | 0:33:44 | 0:33:47 | |
just because of the name, but that's... | 0:33:47 | 0:33:51 | |
OK, I'm going to go for the country in which you would find the Chianti region | 0:33:51 | 0:33:54 | |
-and I've gone with Italy. -Italy, say Richard and Danielle. Italy for Chianti. | 0:33:54 | 0:33:59 | |
-Now, Jodie and Gary, the rest of the board is yours. -THEY WHISPER | 0:33:59 | 0:34:04 | |
Talk us through it, Gary. You can speak out loud if you like. | 0:34:04 | 0:34:07 | |
-Fill in all the blanks. -Er, well, I think the Portugal one, | 0:34:07 | 0:34:11 | |
-isn't that light ale? -LAUGHTER | 0:34:11 | 0:34:14 | |
-Yeah. -Australian is lager. -Yeah. | 0:34:14 | 0:34:17 | |
I don't know. The pinotage, does that sound like it might be | 0:34:17 | 0:34:20 | |
a false name and it might be English? | 0:34:20 | 0:34:23 | |
-No. -No? -I don't think it is. | 0:34:23 | 0:34:25 | |
It sounds made up. But I think the sweet... | 0:34:25 | 0:34:29 | |
-Yeah. -Portugal. -Yeah. | 0:34:29 | 0:34:31 | |
The only one we really know is the top one, Portugal, port. | 0:34:31 | 0:34:34 | |
Port, the sweet fortified wine. So we have Italy and we have port. | 0:34:34 | 0:34:38 | |
Now then, Richard and Danielle have said Italy for Chianti. | 0:34:38 | 0:34:41 | |
Let's see if that's right, and if it is, how many people said Italy. | 0:34:41 | 0:34:44 | |
It's absolutely right, Danielle. Very well done. | 0:34:46 | 0:34:48 | |
-Ooh, 74. -APPLAUSE | 0:34:48 | 0:34:52 | |
It's right. It's a good answer. | 0:34:52 | 0:34:54 | |
A high score. But Jodie and Gary have gone for port. | 0:34:54 | 0:34:58 | |
Let's see if that's right, and if it is, how many people said port. | 0:34:58 | 0:35:02 | |
It's right. Will it beat 74? | 0:35:04 | 0:35:06 | |
-Yes, it will! -Oh, wow! | 0:35:06 | 0:35:08 | |
And how! Look at that! 28 for port! | 0:35:08 | 0:35:11 | |
APPLAUSE | 0:35:11 | 0:35:13 | |
Well played, Jodie and Gary. After one question, you are up one-nil. | 0:35:13 | 0:35:18 | |
Good start, Jodie and Gary. Quite a tough board, that one. | 0:35:18 | 0:35:20 | |
-Do you know about wine? -A bit. | 0:35:20 | 0:35:22 | |
-Do you know the name given to the Syrah grape? -Shiraz? | 0:35:22 | 0:35:25 | |
It is Shiraz. That would've scored 15. | 0:35:25 | 0:35:28 | |
Now, the bottom one, the country where pinotage was bred? | 0:35:28 | 0:35:31 | |
Well, pinot noir is French, but pinotage I think is an American... | 0:35:31 | 0:35:35 | |
-It's South African. -Oh, South African. | 0:35:35 | 0:35:37 | |
That would've scored you 13 points. | 0:35:37 | 0:35:39 | |
And this other answer is a pointless answer. | 0:35:39 | 0:35:42 | |
So anybody at home who knew that was nebbiolo... | 0:35:42 | 0:35:45 | |
-Nebbiolo. Nothing at all. -I knew that one. -We knew it. -Ohh! | 0:35:45 | 0:35:49 | |
-That's frustrating, isn't it? -Anyway, thank you, Richard. | 0:35:49 | 0:35:52 | |
Here comes your second question. Jodie and Gary, if you win this, you're through to the final. | 0:35:52 | 0:35:57 | |
Danielle and Richard, you know what you have to do. It concerns... | 0:35:57 | 0:36:01 | |
Carry On actors. Richard. | 0:36:03 | 0:36:06 | |
We're going to show you five pictures now of actors who regularly appeared in Carry On films. | 0:36:06 | 0:36:10 | |
-Can you identify one of these, please. -Thanks. | 0:36:10 | 0:36:13 | |
OK, let's reveal our five Carry On actors, and here they are. | 0:36:13 | 0:36:16 | |
There we are, five Carry On actors. Jodie and Gary, you go first. | 0:36:32 | 0:36:35 | |
-Yeah, who would you say? -Shh, keep it down. | 0:36:35 | 0:36:39 | |
THEY WHISPER | 0:36:39 | 0:36:42 | |
-We've come to our decision. -Yes. | 0:36:47 | 0:36:50 | |
And we're going to go for C, Peter Butterworth. | 0:36:50 | 0:36:54 | |
Peter Butterworth, C. Peter Butterworth, say Jodie and Gary. | 0:36:54 | 0:36:58 | |
Richard and Danielle, you have to win this point to stay in the game. | 0:36:58 | 0:37:01 | |
Talk us through the board if you can. | 0:37:01 | 0:37:04 | |
Well... See, the thing is, I know the one I'm going to give | 0:37:04 | 0:37:09 | |
everybody's said, unfortunately. | 0:37:09 | 0:37:11 | |
But E, Sid James. | 0:37:11 | 0:37:15 | |
OK, Sid James. | 0:37:15 | 0:37:17 | |
So we have Peter Butterworth versus Sid James. | 0:37:17 | 0:37:19 | |
Jodie and Gary have said Peter Butterworth is C. | 0:37:19 | 0:37:22 | |
Let's see if that's right, and if it is, how many of our 100 people said Peter Butterworth. | 0:37:22 | 0:37:25 | |
It's right. | 0:37:27 | 0:37:30 | |
-Very well done. 12. -APPLAUSE | 0:37:34 | 0:37:38 | |
12 for Peter Butterworth. Brilliant! | 0:37:38 | 0:37:40 | |
Richard and Danielle have said E, Sid James. | 0:37:40 | 0:37:44 | |
E, Sid James. Let's see if that's right, and if it is, how many people said Sid James. | 0:37:44 | 0:37:48 | |
It's right. | 0:37:50 | 0:37:52 | |
-83. -APPLAUSE | 0:37:52 | 0:37:55 | |
Very well done. Gary and Jodie, after only two questions, you're through to the final two-nil. | 0:37:56 | 0:38:02 | |
Peter Butterworth is a terrific answer. Best answer on the board. Nothing you could've done. | 0:38:02 | 0:38:06 | |
He appeared in 14 Carry On films. He was a prisoner of war during World War II, | 0:38:06 | 0:38:10 | |
where he met the Carry On writer, Talbot Rothwell. | 0:38:10 | 0:38:13 | |
A was Hattie Jacques. | 0:38:13 | 0:38:16 | |
She would've scored you 54. | 0:38:16 | 0:38:19 | |
B was Kenneth Connor | 0:38:19 | 0:38:22 | |
and he would've scored you 23. | 0:38:22 | 0:38:25 | |
And D was Bernard Bresslaw. | 0:38:25 | 0:38:28 | |
Didn't always look like that. He would've scored you 30. | 0:38:28 | 0:38:32 | |
-Some big scores there. -Very good. So the pair leaving us at the end of the head-to-head, | 0:38:32 | 0:38:36 | |
I'm afraid it's Richard and Danielle. I'm so sorry. | 0:38:36 | 0:38:39 | |
Tough category. The wines category, really hard! | 0:38:39 | 0:38:43 | |
-Kind of threw us. -Once I saw wine, I knew it was a wrap for me. | 0:38:43 | 0:38:46 | |
And those Carry On actors, yes, really tough. | 0:38:46 | 0:38:48 | |
Very hard to beat... Well, actually, impossible to beat Peter Butterworth. Such a good answer. | 0:38:48 | 0:38:53 | |
But we've loved having you on the show. Thank you for playing. Richard and Danielle. | 0:38:54 | 0:38:57 | |
APPLAUSE | 0:38:57 | 0:39:00 | |
But for Jodie and Gary, it's now time for our Pointless final. | 0:39:00 | 0:39:04 | |
APPLAUSE | 0:39:04 | 0:39:06 | |
Congratulations, Jodie and Gary, | 0:39:08 | 0:39:10 | |
you've seen off all the competition and you've won our coveted Pointless trophy. | 0:39:10 | 0:39:14 | |
You now have a chance to win our Pointless jackpot for your charities | 0:39:20 | 0:39:23 | |
and today, the jackpot stands at £2,500. | 0:39:23 | 0:39:26 | |
CHEERING AND APPLAUSE | 0:39:26 | 0:39:30 | |
Well, you have done so well. | 0:39:30 | 0:39:34 | |
We have had words, we've had music, we've had wine, we've had Carry On. | 0:39:34 | 0:39:39 | |
-What a carry on we've had! -Just like being in the theatre every night. -It is, actually. | 0:39:39 | 0:39:43 | |
-What would you like to see come up in this last round? -I hope it's not general knowledge, cos I'm rubbish. | 0:39:43 | 0:39:48 | |
-Yeah. -I don't know. I've no idea. | 0:39:48 | 0:39:50 | |
-Sport. -Sport. -Home economics. | 0:39:50 | 0:39:53 | |
Home economics. Jodie? | 0:39:53 | 0:39:56 | |
Anything to do with dogs. I love dogs. I prefer them to humans. | 0:39:56 | 0:40:00 | |
-Really? -So that, dogs. -OK, good. | 0:40:00 | 0:40:02 | |
As always, you kick this round off by choosing a category and here are your four choices. | 0:40:02 | 0:40:07 | |
-GARY LAUGHS -Erm... | 0:40:14 | 0:40:17 | |
Can I have my trophy and go, please? Is that all right? | 0:40:17 | 0:40:20 | |
-Well, Gary, what have we done here now? -I don't know. | 0:40:20 | 0:40:25 | |
Well, erm... I don't know anything about fashion. | 0:40:25 | 0:40:28 | |
OK, stay away from the fashion. | 0:40:28 | 0:40:31 | |
-Popular Irish music. -We could go with the Irish music. | 0:40:31 | 0:40:34 | |
-2010 UK general election. -How about directors named David? | 0:40:34 | 0:40:37 | |
Are we talking musical directors or film directors? | 0:40:37 | 0:40:41 | |
-Could be, erm... -I think that's probably our best one. | 0:40:41 | 0:40:44 | |
-Do you think? Shall we say directors? -Go on, then. | 0:40:44 | 0:40:48 | |
-Directors. -Yeah, directors. -OK. You're going to go with directors named David. | 0:40:49 | 0:40:53 | |
-Yeah. -Directors named David. Richard. | 0:40:53 | 0:40:55 | |
-Yeah, I'm not sure about that choice, but don't let me... -Oh, no! | 0:40:55 | 0:40:59 | |
We're going to give you three different categories now | 0:40:59 | 0:41:02 | |
of directors from very different eras, so hopefully something here will help you. | 0:41:02 | 0:41:07 | |
We're looking for any feature film made for cinema release for which David Lynch was credited as director. | 0:41:07 | 0:41:12 | |
Any feature film made for cinema release for which David Lean was credited as director. | 0:41:12 | 0:41:16 | |
Or for which David Cronenberg was credited as director. | 0:41:16 | 0:41:21 | |
So any feature film made for cinema release | 0:41:21 | 0:41:23 | |
for which any of those three men were credited as director. Very, very best of luck. | 0:41:23 | 0:41:27 | |
OK. You now have up to one minute to come up with three answers | 0:41:27 | 0:41:31 | |
and all you need to win that £2,500 jackpot for your charities | 0:41:31 | 0:41:34 | |
is for just one of those answers to be pointless. | 0:41:34 | 0:41:36 | |
The answers you give can come from any of these three categories. They can be three from one category, | 0:41:36 | 0:41:41 | |
one from each category, two from one, one from another, it's up to you. | 0:41:41 | 0:41:44 | |
As long as it's from one, at least, of these three categories. | 0:41:44 | 0:41:48 | |
-Are you happy? -No. -No. -SHE LAUGHS | 0:41:48 | 0:41:51 | |
-Are you ready? -No. -THEY LAUGH | 0:41:51 | 0:41:54 | |
Is there anything else we can explain? | 0:41:54 | 0:41:58 | |
-Erm... no. -No. | 0:41:58 | 0:42:00 | |
-OK. -We'll talk for a minute? -You will have a minute. | 0:42:00 | 0:42:03 | |
-Are you ready? -Yes. -Let's put 60 seconds on the clock. There they are. | 0:42:03 | 0:42:07 | |
-Your time starts now. -So when you say dogs... | 0:42:07 | 0:42:10 | |
Yeah, I love Yorkshire terriers. They're my favourite. | 0:42:10 | 0:42:13 | |
-Cos I've got three. -Fantastic. Have you? -Yeah. -What are their names? -SHE LAUGHS | 0:42:13 | 0:42:17 | |
-Right, Gary... -David Lean. He's the big things, | 0:42:17 | 0:42:20 | |
like Lawrence Of Arabia, was that a David Lean movie? | 0:42:20 | 0:42:24 | |
-Er, that's the only one I know, really. -Yeah. | 0:42:24 | 0:42:28 | |
-Er... -I have lost all ability. -Have you? -Yeah. | 0:42:28 | 0:42:34 | |
-We don't need a minute, really, do we? -No, we don't. I think we're kind of ready. | 0:42:34 | 0:42:38 | |
We'll chat some more if you'd like. | 0:42:38 | 0:42:40 | |
-We need three answers. -We need three! -We need three answers, yes. -Of course! | 0:42:40 | 0:42:44 | |
-Erm... -OK, David... | 0:42:44 | 0:42:46 | |
THEY MUTTER | 0:42:46 | 0:42:49 | |
-Did he do, like, westerns? -He didn't do Sound Of Music, did he, David Lean? | 0:42:49 | 0:42:55 | |
Isn't that David Ian? That's David Ian you're thinking. | 0:42:55 | 0:42:57 | |
-THEY LAUGH -That's David Ian! -Ten seconds left. -That's another contract for you. | 0:42:57 | 0:43:01 | |
No, that's the only one. David Lynch. | 0:43:03 | 0:43:06 | |
-OK, that is your time up, I'm afraid to say. I now need three answers from you. -OK. | 0:43:10 | 0:43:15 | |
Let's do the Lawrence Of Arabia. | 0:43:15 | 0:43:18 | |
Lawrence Of Arabia. Will you say which one it's for? | 0:43:18 | 0:43:22 | |
-David Lean. -Yes. -OK, Lawrence Of Arabia for David Lean. | 0:43:22 | 0:43:26 | |
-David Lynch, Born Free. -Born Free. -Born Free, David Lynch. | 0:43:26 | 0:43:30 | |
And, er, David Cronenberg, er... | 0:43:30 | 0:43:34 | |
-Aww! -He did 101 Dalmatians. | 0:43:34 | 0:43:36 | |
101 Dalmatians for David Cronenberg. | 0:43:36 | 0:43:40 | |
-Yeah. -So we've got David Cronenberg, 101 Dalmatians. | 0:43:40 | 0:43:45 | |
-Yeah, we're confident with that one. -My favourite, | 0:43:45 | 0:43:48 | |
David Lynch's Born Free. | 0:43:48 | 0:43:50 | |
-And David Lean's Lawrence Of Arabia. -Sure. -Brilliant. | 0:43:50 | 0:43:54 | |
Which of those is your best shot at a pointless answer? | 0:43:54 | 0:43:56 | |
-I think David Lean. -David Lean, Lawrence Of Arabia. | 0:43:56 | 0:43:58 | |
OK, we'll put Lawrence Of Arabia last. Least likely? | 0:43:58 | 0:44:01 | |
I thought David Lynch did Picnic At Hanging Rock with a name like Lynch, but I don't think he did. | 0:44:01 | 0:44:06 | |
So we'll put him second and, of course... | 0:44:06 | 0:44:09 | |
Cronenberg at the top, yeah. The unforgettable 101 Dalmatians. | 0:44:09 | 0:44:13 | |
OK, let's put those up on the board in that order. Here they are. | 0:44:13 | 0:44:17 | |
THEY LAUGH | 0:44:20 | 0:44:22 | |
Very, very best of luck. Your first answer, the one you thought was least likely to be pointless, | 0:44:24 | 0:44:29 | |
-was David Cronenberg's 101 Dalmatians. -Yes. | 0:44:29 | 0:44:32 | |
-I know he did it. He did do it. -Did he win an Oscar for that? -He did. | 0:44:32 | 0:44:35 | |
-He got nominated, he didn't win it. -Oh, right. | 0:44:35 | 0:44:37 | |
OK, let's find out if this is correct. If it is and it is pointless, | 0:44:37 | 0:44:42 | |
you will win today's jackpot for your charities. | 0:44:42 | 0:44:44 | |
-What are your charities? Jodie? -My charity is Max. | 0:44:44 | 0:44:49 | |
-Max? -Max Appeal, yes. Max charity is for children who aren't born with any eyes | 0:44:49 | 0:44:54 | |
or their eyes don't develop, | 0:44:54 | 0:44:57 | |
so through that, they do the most phenomenal things for all the kids. | 0:44:57 | 0:45:00 | |
They take them on weekends, they develop new toys for them, | 0:45:00 | 0:45:03 | |
and all the families get to come together, which is so important. | 0:45:03 | 0:45:06 | |
-And it's a beautiful charity. -Very good indeed. | 0:45:06 | 0:45:09 | |
-And Gary? -It's the Surrey Deaf Children's Society. | 0:45:09 | 0:45:12 | |
Excellent. Two very good charities there. | 0:45:12 | 0:45:15 | |
APPLAUSE | 0:45:15 | 0:45:18 | |
I'd like to say three good answers up there. There are three answers up there. | 0:45:20 | 0:45:24 | |
-LAUGHTER -One of them I'm pretty sure is good. | 0:45:24 | 0:45:28 | |
Let's see. Let's hope. You never know. | 0:45:28 | 0:45:31 | |
So David Cronenberg, did he direct 101 Dalmatians? | 0:45:31 | 0:45:37 | |
-Nooo. Alas! -Ohh! | 0:45:38 | 0:45:40 | |
We'll never be asked to do one of his films, I can tell you that for nothing. | 0:45:40 | 0:45:44 | |
-It was there, right next to throughfare. -LAUGHTER | 0:45:44 | 0:45:50 | |
-Throughfare. -Yeah. -OK, now, your second answer was Born Free, | 0:45:50 | 0:45:53 | |
this time directed by David Lynch. | 0:45:53 | 0:45:55 | |
Let's find out if that's correct, and if it is, let's find out if it's pointless. | 0:45:55 | 0:45:59 | |
And if it is, you will leave here with £2,500 for your charities. | 0:45:59 | 0:46:03 | |
David Lynch, did he direct Born Free? | 0:46:03 | 0:46:05 | |
-No. -Ohh! -Not so much. -I think we're doing quite well. -OK. | 0:46:06 | 0:46:10 | |
Everything is now riding on your final answer, which is a proper answer. | 0:46:10 | 0:46:14 | |
You are saying Lawrence of Arabia was directed by David Lean. | 0:46:14 | 0:46:18 | |
If this is right and it is pointless, you will leave here with £2,500 for your charities. | 0:46:18 | 0:46:23 | |
Did David Lean direct Lawrence Of Arabia? | 0:46:23 | 0:46:25 | |
-He did! -Oh, yes. | 0:46:26 | 0:46:29 | |
He did. Now, 101 Dalmatians was incorrect, | 0:46:29 | 0:46:32 | |
as was Born Free. But we are now... | 0:46:32 | 0:46:37 | |
-13. -Oh, darn it! -I could've guessed that. | 0:46:37 | 0:46:39 | |
APPLAUSE | 0:46:39 | 0:46:42 | |
-He's just said... -Not a bad score. | 0:46:42 | 0:46:45 | |
We've both just said 13 is actually our lucky number. I don't know why. | 0:46:45 | 0:46:50 | |
-Well, there you are. -Not today, though. | 0:46:50 | 0:46:52 | |
Well, there we are, it was right. That was pretty lucky. That's good. | 0:46:52 | 0:46:55 | |
Unfortunately, you didn't manage to find a pointless answer, | 0:46:55 | 0:46:58 | |
so you don't win today's jackpot of £2,500. | 0:46:58 | 0:47:01 | |
But as it's a celebrity special, we're going to donate £500 to each celebrity pair for their charities. | 0:47:01 | 0:47:06 | |
And we have loved having you on the show. Thank you both so much. | 0:47:06 | 0:47:09 | |
-And you do get to take home a Pointless trophy. -Hey! | 0:47:09 | 0:47:12 | |
-So well done. -CHEERING AND APPLAUSE | 0:47:12 | 0:47:15 | |
Yeah, you've been brilliant fun. A very tough final category. | 0:47:20 | 0:47:23 | |
I'll go through some of the pointless answers. David Lynch did Twin Peaks: Fire Walk With Me, | 0:47:23 | 0:47:28 | |
Blue Velvet, Eraserhead, all those sorts of films. All of those would've scored points. | 0:47:28 | 0:47:32 | |
There's actually only one pointless David Lynch film | 0:47:32 | 0:47:35 | |
and that was Inland Empire. Very well done if you said that at home. | 0:47:35 | 0:47:40 | |
David Lean, there's a few more that people might have got. | 0:47:40 | 0:47:43 | |
Blithe Spirit, his version of the Noel Coward story, that was pointless. | 0:47:43 | 0:47:46 | |
Hobson's Choice. Madeleine, also pointless, as was This Happy Breed. | 0:47:46 | 0:47:51 | |
That was a pointless answer. Also Summertime and The Sound Barrier were pointless for David Lean. | 0:47:51 | 0:47:55 | |
And David Cronenberg, probably his most famous films are The Fly and A History Of Violence, | 0:47:55 | 0:48:00 | |
so not the director of 101 Dalmatians. | 0:48:00 | 0:48:02 | |
But he was the director of A Dangerous Method, | 0:48:02 | 0:48:05 | |
that was the film with Michael Fassbender and Keira Knightley very recently, that was pointless, | 0:48:05 | 0:48:09 | |
as were Shivers, Spider and The Dead Zone. | 0:48:09 | 0:48:12 | |
So we didn't give you a category about dogs but you still managed to get over 100 dogs into your answer. | 0:48:12 | 0:48:17 | |
-Enough said. -Thanks. | 0:48:17 | 0:48:19 | |
Well, we have to say goodbye to you, Jodie and Gary, | 0:48:19 | 0:48:22 | |
but we've loved having you on the show. Thank you for playing. Jodie and Gary. | 0:48:22 | 0:48:26 | |
CHEERING AND APPLAUSE | 0:48:26 | 0:48:29 | |
Join us next time when we'll be putting more obscure knowledge to the test. | 0:48:29 | 0:48:33 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. -And it's goodbye from me. Goodbye. | 0:48:33 | 0:48:36 | |
CHEERING AND APPLAUSE | 0:48:36 | 0:48:40 | |
Subtitles by Red Bee Media Ltd | 0:48:40 | 0:48:44 | |
. | 0:48:44 | 0:48:45 |