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Thank you very much indeed. | 0:00:24 | 0:00:26 | |
Hello, I'm Alexander Armstrong and welcome to this | 0:00:26 | 0:00:28 | |
special writers' edition of Pointless Celebrities. | 0:00:28 | 0:00:30 | |
This is the quiz where the questions have all been asked | 0:00:30 | 0:00:32 | |
to 100 people before the show and all our contestants have to do | 0:00:32 | 0:00:35 | |
is come up with the answers that no-one else could think of. | 0:00:35 | 0:00:38 | |
Let's meet today's Pointless celebrities. | 0:00:38 | 0:00:40 | |
And couple number one. | 0:00:44 | 0:00:45 | |
Hi, I'm Gill Hornby and I'm an author and I'm married to Robert. | 0:00:45 | 0:00:50 | |
Hi, I'm Robert Harris, I'm an author and logically, I'm married to Gill. | 0:00:50 | 0:00:55 | |
AUDIENCE LAUGHS APPLAUSE | 0:00:55 | 0:01:00 | |
Couple number two. | 0:01:00 | 0:01:02 | |
Hi, my name is Jenny Colgan and I write romantic comedies and sci-fi. | 0:01:02 | 0:01:06 | |
Hi, I'm Benjamin Zephaniah and I write poetry and novels | 0:01:06 | 0:01:09 | |
and when I grow up I want to write sci-fi. | 0:01:09 | 0:01:11 | |
APPLAUSE | 0:01:11 | 0:01:14 | |
Couple number three. | 0:01:17 | 0:01:19 | |
Hello, I'm Rachel Johnson, I'm a journalist and author | 0:01:19 | 0:01:22 | |
and when I grow up I'd like to be able to say I'm a writer. | 0:01:22 | 0:01:24 | |
Hi, I'm Charlie Higson, I write horror for kids and comedy for TV. | 0:01:25 | 0:01:30 | |
I'm very happy to have Rachel on my team | 0:01:30 | 0:01:32 | |
because her team beat my team on Celebrity University Challenge. | 0:01:32 | 0:01:35 | |
Don't get your hopes up. | 0:01:35 | 0:01:37 | |
And finally, couple number four. | 0:01:41 | 0:01:43 | |
Hello, I'm Stuart Maconie and I'm a writer and a broadcaster. | 0:01:43 | 0:01:48 | |
Hello, my name is Danny Wallace and I write non-fiction and fiction | 0:01:48 | 0:01:52 | |
and Stuart and I are father and daughter. | 0:01:52 | 0:01:55 | |
ALEXANDER LAUGHS APPLAUSE | 0:01:55 | 0:01:57 | |
And these are today's contestants. | 0:01:58 | 0:02:00 | |
Thanks very much. | 0:02:02 | 0:02:03 | |
We will find out more about all of you throughout the show | 0:02:03 | 0:02:06 | |
as it goes along so that just leaves one more person for me to introduce. | 0:02:06 | 0:02:09 | |
He's bilingual, if you count profanity as a foreign language. | 0:02:09 | 0:02:12 | |
It's my Pointless friend, it's Richard. | 0:02:12 | 0:02:14 | |
Hiya. Hi, everybody. | 0:02:14 | 0:02:17 | |
Good evening. Good evening to you. | 0:02:17 | 0:02:20 | |
-And to you, good evening. -Now, we've got a proper clever show... | 0:02:20 | 0:02:22 | |
-Yes. -..this evening, haven't we? Like a proper clever show. | 0:02:22 | 0:02:25 | |
-Yes. -We sometimes get accused of dumbing down | 0:02:25 | 0:02:27 | |
but this is going to be a very, very tough show to win, I think. | 0:02:27 | 0:02:31 | |
Some proper brains out there, some proper quiz brains as well. | 0:02:31 | 0:02:34 | |
One person has been on here before. Charlie Higson came on | 0:02:34 | 0:02:36 | |
with Paul Whitehouse who was many things, Charlie, | 0:02:36 | 0:02:38 | |
I think we all agree? But perhaps not the greatest quizzer. | 0:02:38 | 0:02:42 | |
No, he was a dead...he was a dead weight. | 0:02:42 | 0:02:45 | |
Whoa, hey, your words, not mine. Your words, not mine. | 0:02:45 | 0:02:48 | |
But we got to the final round and I thought, well, | 0:02:48 | 0:02:51 | |
I'll let Paul shine in this and I went for Pop Music | 0:02:51 | 0:02:53 | |
cos he reckons he knows something but he doesn't as it turns out. | 0:02:53 | 0:02:57 | |
It's going to be an absolute cracker, I think. | 0:02:57 | 0:02:59 | |
There's going to be a lot of fun, we've got eight great players | 0:02:59 | 0:03:01 | |
and we've got some great categories as well and, certainly, | 0:03:01 | 0:03:04 | |
if you don't want Pop Music, Charlie, the first round might not be the most | 0:03:04 | 0:03:07 | |
-fun you've ever had in your life. -Excellent. | 0:03:07 | 0:03:10 | |
Thanks very much indeed. Now, every question on Pointless | 0:03:10 | 0:03:13 | |
has been put to 100 people before the show. | 0:03:13 | 0:03:15 | |
Today's contestants will be looking for those all-important | 0:03:15 | 0:03:17 | |
pointless answers, the answers that none of our 100 people gave. | 0:03:17 | 0:03:20 | |
Find one of those and we will add £250 to our jackpot. | 0:03:20 | 0:03:23 | |
Now, as each of our celebrities here is playing | 0:03:23 | 0:03:26 | |
for a nominated charity, we start off with a jackpot of £2,500. | 0:03:26 | 0:03:31 | |
APPLAUSE | 0:03:31 | 0:03:33 | |
Right, if everyone's ready, let's play Pointless. | 0:03:35 | 0:03:38 | |
Now, all you have to remember is that the pair | 0:03:42 | 0:03:44 | |
with the highest score at the end of each round will be eliminated so | 0:03:44 | 0:03:47 | |
you just have to do everything you can to make sure that is not you. | 0:03:47 | 0:03:51 | |
Now, in the first two rounds, do remember | 0:03:51 | 0:03:53 | |
there is to be no conferring. | 0:03:53 | 0:03:54 | |
Best of luck and our first category for today is... | 0:03:54 | 0:03:58 | |
Charlie, The UK Charts. | 0:04:00 | 0:04:02 | |
Can you all decide in your pairs who's going to go first, | 0:04:02 | 0:04:04 | |
who's going to go second? | 0:04:04 | 0:04:05 | |
And whoever's going first please step up to the podium. | 0:04:05 | 0:04:08 | |
OK and the question concerns... | 0:04:11 | 0:04:14 | |
-Richard. -In a moment, Xander is going to show you four categories, | 0:04:21 | 0:04:24 | |
we're looking for any word from any of those categories | 0:04:24 | 0:04:26 | |
that feature in a UK Top 40 single or album, please. | 0:04:26 | 0:04:29 | |
So any word in the four categories you're about to see that's | 0:04:29 | 0:04:31 | |
been in the title of a UK single or album up to the end of October 2014 | 0:04:31 | 0:04:36 | |
Now, we're going to put these four categories of words up on the board, | 0:04:36 | 0:04:39 | |
they will stay up for the whole round. | 0:04:39 | 0:04:41 | |
They are, those four categories... | 0:04:41 | 0:04:43 | |
That's fantastic, this is fun. This is a fun round, isn't it, Gill? | 0:04:59 | 0:05:02 | |
Aren't you glad you went first? | 0:05:02 | 0:05:04 | |
I'm going to read them out again, just for fun. | 0:05:04 | 0:05:07 | |
Now, then, Gill, just while you're digesting that, when you're ready, | 0:05:17 | 0:05:20 | |
I mean, you know, two authors in a house, at what stage | 0:05:20 | 0:05:23 | |
do you share your ideas? I mean, do you talk about things | 0:05:23 | 0:05:27 | |
after a first draft and say perhaps you can read them or do you...? | 0:05:27 | 0:05:30 | |
Yeah, we read drafts and the basic ideas, | 0:05:30 | 0:05:33 | |
we're very open with our ideas. | 0:05:33 | 0:05:35 | |
-There's not much crossover in our work... -No. -..which is very useful. | 0:05:35 | 0:05:38 | |
-That's good. -Gill does love and I do Nazis | 0:05:38 | 0:05:40 | |
so we really just, sort of, keep separate. | 0:05:40 | 0:05:43 | |
It's good. Is Robert a good audience generally for ideas? | 0:05:43 | 0:05:47 | |
-Yeah, of course he is, yeah. -That's nice. Now... -Now. | 0:05:47 | 0:05:51 | |
..this is a whole lot of fun. | 0:05:51 | 0:05:52 | |
You don't have to name the album, you don't even have to name the song. | 0:05:52 | 0:05:55 | |
Every song ever? | 0:05:55 | 0:05:57 | |
It's just UK charts ever? | 0:05:57 | 0:05:58 | |
-Yes. -UK Top 40 hits. -UK Top 40 hits. | 0:05:58 | 0:06:00 | |
Albums or singles. | 0:06:00 | 0:06:01 | |
Vienna. | 0:06:01 | 0:06:03 | |
Vienna, says Gill. Let's see how many of our 100 people said Vienna. | 0:06:03 | 0:06:07 | |
Oh, it's good, Gill, it's a very good answer, down it goes. | 0:06:14 | 0:06:17 | |
Look, 12, great. | 0:06:17 | 0:06:18 | |
Great start to the show, lovely low score for Vienna, 12. | 0:06:19 | 0:06:23 | |
Well played, Gill, yeah, very good answer, scary place to be | 0:06:23 | 0:06:25 | |
-on podium one... -Isn't it? -..with a question like this. | 0:06:25 | 0:06:28 | |
Of course, Vienna itself is a song by Ultravox. | 0:06:28 | 0:06:30 | |
There's an album by Ultravox as well. | 0:06:30 | 0:06:31 | |
-Excellent, thank you very much indeed, Richard. -Such a pleasure. | 0:06:31 | 0:06:34 | |
-Benjamin, welcome to Pointless. -Hi. -Lovely to have you. | 0:06:34 | 0:06:37 | |
So, Benjamin, how did you get started? | 0:06:37 | 0:06:38 | |
What started you on this journey? | 0:06:38 | 0:06:40 | |
Well, I kind of started very young listening to the poetry of my mother | 0:06:40 | 0:06:44 | |
as she, kind of, went around the house, she was | 0:06:44 | 0:06:47 | |
full of old Jamaican nursery rhymes and I just picked up | 0:06:47 | 0:06:51 | |
her sense of rhythm, I owe it all to her. | 0:06:51 | 0:06:54 | |
It's wonderful. And you performed live, you did, sort of, | 0:06:54 | 0:06:56 | |
the dub poetry and that. | 0:06:56 | 0:06:58 | |
Well, the poetry I do is very closely related to music. | 0:06:58 | 0:07:02 | |
So, in fact, when I started performing poetry, | 0:07:02 | 0:07:04 | |
I was performing poetry not on the poetry circuit | 0:07:04 | 0:07:07 | |
but alongside people like The Clash and Bob Marley on the music scene | 0:07:07 | 0:07:11 | |
because it was so, kind of, energetic and musical. | 0:07:11 | 0:07:15 | |
Fantastic. What are you going to go for on this board? | 0:07:15 | 0:07:18 | |
I'm going to go for... | 0:07:18 | 0:07:21 | |
Jude. | 0:07:21 | 0:07:23 | |
Jude. Jude, says Benjamin. Let's see if that's right | 0:07:23 | 0:07:26 | |
and if it is let's see how many of our 100 people said Jude. | 0:07:26 | 0:07:30 | |
It's right. | 0:07:32 | 0:07:33 | |
Look at that, 1! | 0:07:39 | 0:07:40 | |
Fantastic. | 0:07:44 | 0:07:45 | |
1 for Jude, now there's a score. | 0:07:47 | 0:07:49 | |
We said it was going to be a good show, that's a very good answer. | 0:07:49 | 0:07:52 | |
Of course, Jude, the penultimate book in the New Testament | 0:07:52 | 0:07:54 | |
and Hey Jude, number one single for The Beatles. | 0:07:54 | 0:07:58 | |
Thanks very much indeed, Richard. Charlie, welcome back to Pointless. | 0:07:58 | 0:08:02 | |
-Now, Charlie, I mean, you've written lots and lots of comedy. -Yes. | 0:08:02 | 0:08:05 | |
You've got a comedy coming out before Christmas, haven't you? | 0:08:05 | 0:08:08 | |
Yes, it's a version of a kids' book... | 0:08:08 | 0:08:11 | |
a book series about a character called Professor Branestawm | 0:08:11 | 0:08:14 | |
and we've made a big, kind of, family comedy for Christmas. | 0:08:14 | 0:08:17 | |
-Lovely, with Harry Hill? -Yeah, with Harry Hill and your ex-partner. | 0:08:17 | 0:08:21 | |
-Are you talking about Ben...Miller? -Yes. -He's good, isn't he? | 0:08:21 | 0:08:24 | |
-He's brilliant. -AUDIENCE LAUGHS | 0:08:24 | 0:08:27 | |
-No, but he is. -I mean, it's good that he's the one doing comedy | 0:08:27 | 0:08:29 | |
-because he was the funny one. -AUDIENCE LAUGHS | 0:08:29 | 0:08:31 | |
If you're making a big thing for Christmas, Professor Branestawm, | 0:08:31 | 0:08:34 | |
and you're thinking who should we have in it, | 0:08:34 | 0:08:37 | |
Ben Miller or Xander Armstrong, will you think, well, for the comedy... | 0:08:37 | 0:08:41 | |
and the acting and also cos you have to hang out with him on set - Ben. | 0:08:41 | 0:08:44 | |
I mean that's... | 0:08:44 | 0:08:46 | |
It doesn't mean you're bad, | 0:08:46 | 0:08:48 | |
it just means that he's a great deal better in all the areas... | 0:08:48 | 0:08:51 | |
-This always comes out, you know, this always comes out wrong. -Yeah. | 0:08:51 | 0:08:54 | |
-Yeah. -We all know, and Charlie, Ben is just a terrific guy. | 0:08:54 | 0:08:59 | |
I mean, that guy is a guy that anyone hanging on to those coat-tails | 0:08:59 | 0:09:02 | |
is going to be a success. That's the truth, really, isn't it? | 0:09:02 | 0:09:07 | |
Yeah, there we are. | 0:09:07 | 0:09:09 | |
Four categories of word there, | 0:09:10 | 0:09:12 | |
you've had a little bit | 0:09:12 | 0:09:13 | |
of time to come up with something. | 0:09:13 | 0:09:15 | |
Yeah, I know, but, you know, as I | 0:09:15 | 0:09:17 | |
demonstrated last time, pop music | 0:09:17 | 0:09:18 | |
is not my forte. So I'm going to | 0:09:18 | 0:09:21 | |
go for a very obvious, easy one, | 0:09:21 | 0:09:23 | |
I'll go for the periodic table, | 0:09:23 | 0:09:25 | |
I'll go for silver. | 0:09:25 | 0:09:26 | |
Silver, says Charlie, let's see if that's right. | 0:09:26 | 0:09:28 | |
I say obvious and easy and find its 200 and... | 0:09:28 | 0:09:31 | |
Let's find out how many of our 100 people said silver. | 0:09:32 | 0:09:35 | |
Well, 12 is our high score at this point, 1 our low. | 0:09:40 | 0:09:44 | |
19 for silver. | 0:09:44 | 0:09:45 | |
APPLAUSE | 0:09:45 | 0:09:47 | |
Well played, Charlie, this is quite nerve-racking this round, | 0:09:49 | 0:09:52 | |
isn't it? It is quite nerve-racking. | 0:09:52 | 0:09:53 | |
There'd be loads of answers you know but it's actually quite hard | 0:09:53 | 0:09:56 | |
to get your head around lots of singles and lots of albums with silver in the title. | 0:09:56 | 0:09:59 | |
Silver Lady, David Soul, all sorts of others. | 0:09:59 | 0:10:02 | |
I tell you what I'm looking forward to...podium four, watch this. | 0:10:02 | 0:10:05 | |
Podium four. | 0:10:05 | 0:10:07 | |
Certainly, if you've made a career in music journalism and music reporting | 0:10:07 | 0:10:10 | |
and music DJing and presenting, this would be an open goal, wouldn't it? | 0:10:10 | 0:10:14 | |
-Yeah, you'd think. -An open goal. -You've written books about music. | 0:10:14 | 0:10:17 | |
I tell you who I'd love to be right about now, Stuart Maconie. | 0:10:17 | 0:10:19 | |
I mean, you're just thinking, you walk on a show like this, | 0:10:19 | 0:10:22 | |
it must be a bit nerve-racking coming on a show like this | 0:10:22 | 0:10:24 | |
and then the perfect category comes up where you've got pointless answer | 0:10:24 | 0:10:27 | |
after pointless answer and you just think, just wait, let the others... | 0:10:27 | 0:10:31 | |
Let Benjamin say Jude, you know, the audience would go, | 0:10:31 | 0:10:34 | |
oh he's got one point and you're thinking, ha-ha-ha, one? | 0:10:34 | 0:10:37 | |
I don't think so. But anyway, let's see what he's got, | 0:10:37 | 0:10:40 | |
-this is going to be awesome. -It's going to be fabulous. | 0:10:40 | 0:10:43 | |
-Thanks, guys. -So, Stuart, I mean you started out as a music journalist | 0:10:43 | 0:10:46 | |
-as we've... -As you've, kind of, yeah pointed out to everyone, yeah. | 0:10:46 | 0:10:50 | |
But, I mean, you've gone on and you've written several books | 0:10:50 | 0:10:52 | |
about harking back to your time on the circuit. | 0:10:52 | 0:10:55 | |
-Lots of things, yeah. -Do you miss it? | 0:10:55 | 0:10:57 | |
I mean, do you still do the music circuit? | 0:10:57 | 0:10:59 | |
And obviously I know you have your show on BBC 6 but... | 0:10:59 | 0:11:01 | |
Yeah, I still like to keep my hand in | 0:11:01 | 0:11:03 | |
with the young people's beat combos. | 0:11:03 | 0:11:05 | |
-AUDIENCE -Very good. | 0:11:05 | 0:11:07 | |
It's good to hear Stuart's voice on the show, isn't it? | 0:11:07 | 0:11:09 | |
It's brilliant, it's a genuinely great voice. | 0:11:09 | 0:11:12 | |
Big, big fans of yours, Stuart. | 0:11:12 | 0:11:14 | |
Now, what are you going to go for, in fact? | 0:11:14 | 0:11:17 | |
Well, I'm going to take | 0:11:17 | 0:11:18 | |
a bit of a stab here | 0:11:18 | 0:11:19 | |
and just hope this got into the Top | 0:11:19 | 0:11:21 | |
40 and I'm going to say Moscow. | 0:11:21 | 0:11:25 | |
-Moscow. -Moscow. -Says Stuart Moscow. Let's see if that's right, | 0:11:25 | 0:11:28 | |
let's see how many of our 100 people said Moscow. | 0:11:28 | 0:11:31 | |
It's right. | 0:11:34 | 0:11:35 | |
So, 19, our high, 1, our low at this point. | 0:11:35 | 0:11:39 | |
-You've passed 19, 3 for Moscow. -APPLAUSE | 0:11:39 | 0:11:42 | |
Well played. | 0:11:44 | 0:11:45 | |
That's well played, Stuart, especially with the pressure | 0:11:48 | 0:11:50 | |
-we put on you, for which I apologise. -It's all right. -That was mean of us. | 0:11:50 | 0:11:54 | |
Yes, Stranger In Moscow, Michael Jackson, | 0:11:54 | 0:11:56 | |
-Midnight In Moscow, Kenny Ball. -That's the one I was thinking of. | 0:11:56 | 0:11:59 | |
-What, Midnight In Moscow? -Yeah. | 0:11:59 | 0:12:00 | |
There's another one as well, an '80s album by a very left wing group. | 0:12:00 | 0:12:04 | |
Oh, the, yes! Neither Washington Nor Moscow But International Socialism | 0:12:04 | 0:12:09 | |
-by the Redskins. -By the Redskins, exactly right. | 0:12:09 | 0:12:11 | |
Thank you very much indeed, Richard. We're halfway through the round | 0:12:11 | 0:12:14 | |
so let's take a look at those scores. 1, Benjamin, | 0:12:14 | 0:12:16 | |
very well done indeed, Jude, hard to get more obscure than that. | 0:12:16 | 0:12:21 | |
So then up to 3 where we find Stuart and Danny, | 0:12:21 | 0:12:23 | |
up to 12, Gill and Robert | 0:12:23 | 0:12:25 | |
and then not that far ahead, Charlie and Rachel | 0:12:25 | 0:12:27 | |
but a little bit of pressure on you, Rachel, | 0:12:27 | 0:12:29 | |
and a little bit of time to think now | 0:12:29 | 0:12:31 | |
so I hope you've got a brilliant answer for when we come to you. | 0:12:31 | 0:12:33 | |
We're going to come back down the line now, can the second players please step up to the podium? | 0:12:33 | 0:12:37 | |
That was beautiful. | 0:12:42 | 0:12:43 | |
I don't know if you saw the changeover there | 0:12:43 | 0:12:45 | |
but Robert, it was like some, I don't know, | 0:12:45 | 0:12:48 | |
some gavotte or something. | 0:12:48 | 0:12:49 | |
AUDIENCE LAUGH | 0:12:49 | 0:12:51 | |
They changed by Robert coming round like this. | 0:12:51 | 0:12:54 | |
That was beautiful, thank you for that. | 0:12:56 | 0:13:00 | |
So, Danny, Danny, we come to you, welcome to Pointless. | 0:13:00 | 0:13:03 | |
-Thank you very much for having me. -It is splendid to have you here. | 0:13:03 | 0:13:06 | |
You've written all sorts of things, | 0:13:06 | 0:13:07 | |
I mean, you've written a lot of non-fiction, | 0:13:07 | 0:13:09 | |
you've written fiction, as well, more recently | 0:13:09 | 0:13:12 | |
but you've also had a film made, Jim Carrey is in it. | 0:13:12 | 0:13:15 | |
Jim Carrey, yeah, in the film Yes Man, exactly, based on my book. | 0:13:15 | 0:13:19 | |
-Indeed, how was that? -Rubbish. -AUDIENCE LAUGHS | 0:13:19 | 0:13:22 | |
No, it was great, of course, it was an amazing experience | 0:13:22 | 0:13:24 | |
and, you know, Yes Man is all about me saying yes to everything | 0:13:24 | 0:13:28 | |
so when they said can Jim Carrey be in this film | 0:13:28 | 0:13:30 | |
-it was a pretty easy yes. -Yeah. | 0:13:30 | 0:13:33 | |
And, of course, you've hosted a show on XFM, you now have a show | 0:13:33 | 0:13:37 | |
on Absolute Radio so, again, this has got to be kind of... | 0:13:37 | 0:13:41 | |
Yeah, I don't normally think of songs in this way though, | 0:13:41 | 0:13:44 | |
-do you know what I mean? -Really? -Yeah, it's rare that I go, | 0:13:44 | 0:13:47 | |
"I wonder what songs I can come up with that, sort of, | 0:13:47 | 0:13:49 | |
"relate to the periodic table." | 0:13:49 | 0:13:52 | |
What are you going to go for? | 0:13:52 | 0:13:53 | |
-You're on 3, the high scorers. -Yeah. | 0:13:53 | 0:13:55 | |
Charlie and Rachel are on 19, so 15 | 0:13:55 | 0:13:57 | |
-or less. -Do I take a bit of a risk? | 0:13:57 | 0:14:00 | |
When I was looking at European countries and thinking, | 0:14:00 | 0:14:02 | |
psychologically we tend to think of Europe as out there | 0:14:02 | 0:14:05 | |
so what if I try this and there was The Clash so I'm going for London. | 0:14:05 | 0:14:09 | |
London. London, oh, you're getting a very thoughtful nod from Stuart, | 0:14:10 | 0:14:13 | |
-he likes that. -I've thought this through. -I know you certainly have. | 0:14:13 | 0:14:16 | |
I like his reasoning. | 0:14:16 | 0:14:17 | |
Well, there's your red line, | 0:14:17 | 0:14:19 | |
if you get below that you are definitely through | 0:14:19 | 0:14:21 | |
to the next round, let's see how many of our 100 people said London. | 0:14:21 | 0:14:24 | |
It is right. | 0:14:25 | 0:14:27 | |
It's still going down there. 33. | 0:14:30 | 0:14:32 | |
33 takes your total up to 36. | 0:14:32 | 0:14:34 | |
Gives Rachel a fighting chance. | 0:14:35 | 0:14:37 | |
Yeah, again, I think a lot of people | 0:14:37 | 0:14:39 | |
were having that same thought process about London. | 0:14:39 | 0:14:41 | |
Ralph McTell, Streets Of London, The Housemartins, London 0, Hull 4, | 0:14:41 | 0:14:45 | |
as an album, The Clash, as well, just to say. Lots and lots of Londons. | 0:14:45 | 0:14:49 | |
Thanks very much indeed, Richard. Rachel, welcome to Pointless. | 0:14:49 | 0:14:54 | |
I mean, now, Rachel, you've been a columnist for so long | 0:14:54 | 0:14:57 | |
I dare say you can probably barely remember the time you filed | 0:14:57 | 0:15:00 | |
your first nervous column? | 0:15:00 | 0:15:02 | |
-Yes... -Really? -I was 22? 23, probably. | 0:15:02 | 0:15:07 | |
And then, of course, you've written novels as well... | 0:15:07 | 0:15:10 | |
-I've written... I'm just finishing my fourth. -Fourth. -Yes. | 0:15:10 | 0:15:13 | |
Did you find the crossover from column to novel? | 0:15:13 | 0:15:16 | |
-Fiction is much harder. -Yes. -Yeah. | 0:15:16 | 0:15:19 | |
I have a theory that there's a lot more fiction in journalism | 0:15:19 | 0:15:23 | |
and there's a lot more fact in fiction than people realise. | 0:15:23 | 0:15:27 | |
Very good. Now, you have a challenge here, Rachel, | 0:15:28 | 0:15:31 | |
you have to score 16 or less, so any of these words that feature | 0:15:31 | 0:15:34 | |
in UK Top 40 singles or albums. | 0:15:34 | 0:15:37 | |
I'm going for the second category, | 0:15:38 | 0:15:41 | |
I'm going to try Exodus. | 0:15:41 | 0:15:44 | |
Exodus. | 0:15:45 | 0:15:46 | |
You maybe can't hear the grunts of approval I'm hearing in my ear. | 0:15:48 | 0:15:51 | |
Very good, indeed, there is your red line, | 0:15:51 | 0:15:53 | |
if you can get below that with Exodus you are in to the next round. | 0:15:53 | 0:15:56 | |
Let's see how many of our 100 people said Exodus. | 0:15:56 | 0:15:59 | |
It's right. | 0:16:02 | 0:16:03 | |
You've done it. | 0:16:07 | 0:16:09 | |
-2. -Yeah. | 0:16:09 | 0:16:10 | |
What about that? 2. | 0:16:12 | 0:16:13 | |
Second lowest score of the round, Rachel. | 0:16:13 | 0:16:16 | |
21 is your total. | 0:16:16 | 0:16:18 | |
Terrific answer, Rachel, very well played. | 0:16:18 | 0:16:20 | |
It's so hard to think of them and as soon as you say "Exodus," | 0:16:20 | 0:16:22 | |
everyone at home will go, "Of course." | 0:16:22 | 0:16:24 | |
Obviously, it's a book of the Old Testament and a Bob Marley album | 0:16:24 | 0:16:27 | |
and the Levellers had a hit called Exodus as well. | 0:16:27 | 0:16:29 | |
But when you hear "Jude," when you hear "Exodus," you think, | 0:16:29 | 0:16:32 | |
-"Oh, that's such a good answer." -Um. | 0:16:32 | 0:16:34 | |
Thanks very much indeed, Richard. | 0:16:34 | 0:16:37 | |
-Jenny. -Oh, Lord. | 0:16:37 | 0:16:40 | |
-Jenny, welcome. -Hello. -Good to have you here. | 0:16:40 | 0:16:43 | |
Now, you started out as a stand-up? | 0:16:43 | 0:16:46 | |
No, do you know what, I told a lie that I was a stand-up | 0:16:46 | 0:16:49 | |
to try and get a literary agent, I'd recommend it. | 0:16:49 | 0:16:51 | |
And it worked, and ever since then people think that I've done it | 0:16:51 | 0:16:54 | |
and I kind of tell a joke and it's really rubbish and... | 0:16:54 | 0:16:58 | |
So hang on, you never were a stand-up? | 0:16:58 | 0:17:00 | |
-Seriously? -Do you know what? I tried it twice and I was so awful | 0:17:00 | 0:17:03 | |
that it was just such a hideous, hideous experience. | 0:17:03 | 0:17:06 | |
I have to say doing the same stuff | 0:17:06 | 0:17:07 | |
-but sitting at home in my pyjamas is much more pleasant. -A lot better. | 0:17:07 | 0:17:11 | |
But how is your discipline? I mean, are you good at making sure you get | 0:17:11 | 0:17:14 | |
the work done, the words written? | 0:17:14 | 0:17:15 | |
-Well, I write in a couple of different genres. -Yeah. | 0:17:15 | 0:17:18 | |
So I write kind of romcoms | 0:17:18 | 0:17:19 | |
and then I write kind of recipes | 0:17:19 | 0:17:20 | |
and then I write kind of sci-fi | 0:17:20 | 0:17:22 | |
and I write a bit for the Doctor Who line. | 0:17:22 | 0:17:23 | |
Do you find one is quite a good holiday from the other? | 0:17:23 | 0:17:26 | |
-You can just... -Yeah, it's a bit like flicking channels on a TV. | 0:17:26 | 0:17:29 | |
I normally have something to eat in the middle and then just... | 0:17:29 | 0:17:32 | |
Is it like thinking, "Oh, I'm a bit full. Oh, pudding"? | 0:17:32 | 0:17:34 | |
-Yes. -"I'll have that." -Time for a bun. -Yeah. | 0:17:34 | 0:17:37 | |
Right, well that was the nice bit over. | 0:17:37 | 0:17:39 | |
OK, yes, exactly. | 0:17:39 | 0:17:40 | |
Now, what you have to score is 34 or less. | 0:17:40 | 0:17:43 | |
Right, I think... | 0:17:44 | 0:17:46 | |
OK, I'm just going to do it, Budapest. | 0:17:47 | 0:17:49 | |
Budapest? | 0:17:49 | 0:17:51 | |
OK, Budapest. Let's see, there is your red line. | 0:17:51 | 0:17:54 | |
Get below that and you're through to the next round. | 0:17:54 | 0:17:57 | |
Let's see how many of our 100 people said Budapest. | 0:17:57 | 0:17:59 | |
It's right. | 0:18:01 | 0:18:02 | |
And you're through, look at that. | 0:18:05 | 0:18:07 | |
1. | 0:18:08 | 0:18:10 | |
Look at that. Double 1 on podium two. | 0:18:10 | 0:18:13 | |
A total of 2. | 0:18:13 | 0:18:14 | |
Fabulous, very, very well done indeed. Budapest. | 0:18:14 | 0:18:18 | |
Very well played, Jenny. Terrific stuff on podium two there, 2 points. | 0:18:18 | 0:18:22 | |
Yeah, a much more recent one, George Ezra had a big hit with Budapest. | 0:18:22 | 0:18:25 | |
It was all over the radio, wasn't it, in 2014? | 0:18:25 | 0:18:28 | |
Thanks very much indeed. Now, Robert, | 0:18:28 | 0:18:30 | |
welcome to Pointless. | 0:18:30 | 0:18:32 | |
Lovely to have you here. | 0:18:32 | 0:18:33 | |
Now, I mean, | 0:18:33 | 0:18:35 | |
I was talking to Danny about having films made of your books. | 0:18:35 | 0:18:38 | |
Do you have a deal where you write the screenplay | 0:18:38 | 0:18:40 | |
or you get first refusal on a screenplay? | 0:18:40 | 0:18:42 | |
No, it just depends. | 0:18:42 | 0:18:44 | |
By and large, I don't think it's a good idea to adapt your own work. | 0:18:44 | 0:18:48 | |
-Yeah. -You need objectivity, actually. | 0:18:48 | 0:18:50 | |
Do you find that now that you've had things made into films, | 0:18:50 | 0:18:53 | |
do you find that when you write you have a sort of eye | 0:18:53 | 0:18:56 | |
for what you might put into the screenplay were you to write it? | 0:18:56 | 0:19:00 | |
-No. -You're not? -I think that would be fatal. -Really? | 0:19:00 | 0:19:02 | |
I mean, supposedly they're making a film of a book I've just written | 0:19:02 | 0:19:06 | |
about the Dreyfus Affair and I mean, the book is 600 pages long and | 0:19:06 | 0:19:10 | |
you could never put that on screen in its entirety, to be honest. | 0:19:10 | 0:19:15 | |
I love how you're talking about your own book going, | 0:19:15 | 0:19:17 | |
"Oh, it's 600 pages long." LAUGHTER | 0:19:17 | 0:19:20 | |
It was pretty exhausting, to be honest. | 0:19:20 | 0:19:22 | |
Well, Robert, you are on 12. | 0:19:23 | 0:19:25 | |
The high scorers on 36, | 0:19:25 | 0:19:26 | |
Danny and Stuart, podium four, what did we do? We cursed them. | 0:19:26 | 0:19:31 | |
You have to score 23 or less, Robert. | 0:19:31 | 0:19:33 | |
-How are you feeling about this as a round in general? -I'm not happy, I'm not happy. | 0:19:33 | 0:19:37 | |
Um, but I think I'm going to go Bible and take a risk on numbers. | 0:19:37 | 0:19:41 | |
-Numbers? -The Book of Numbers. -Numbers. Very good. | 0:19:41 | 0:19:45 | |
So, numbers, let's see if it's right. Let's see how many people said it. | 0:19:45 | 0:19:48 | |
There is your red line, Robert. Get below that and you remain with us. | 0:19:48 | 0:19:51 | |
It is right, well done. | 0:19:54 | 0:19:56 | |
You're through. | 0:19:59 | 0:20:01 | |
-It could...oh. 4. -APPLAUSE | 0:20:01 | 0:20:03 | |
There we are, 16, the second lowest score of the round, | 0:20:03 | 0:20:06 | |
so very, very well done indeed, Robert. Numbers. | 0:20:06 | 0:20:10 | |
Some terrific answers all round there, very well done. | 0:20:10 | 0:20:12 | |
To leave on 36 is a real shame | 0:20:12 | 0:20:14 | |
because it's terrific work from everybody. | 0:20:14 | 0:20:16 | |
Yeah, Soft Cell had a track with Numbers, the Four Tops did, | 0:20:16 | 0:20:19 | |
the Magic Numbers had a self-titled album as well. | 0:20:19 | 0:20:22 | |
Let's look at some of the pointless answers, they | 0:20:22 | 0:20:24 | |
are actually surprisingly few but we'll take a look at a few of them. | 0:20:24 | 0:20:27 | |
Caesar would have been a good one, | 0:20:27 | 0:20:29 | |
obviously, a Shakespeare play but | 0:20:29 | 0:20:30 | |
there's a few bands had Live From Caesar's Palace. | 0:20:30 | 0:20:32 | |
Chronicles is a hit by Get Cape. Wear Cape. Fly. | 0:20:32 | 0:20:35 | |
And by Good Charlotte with Chronicles in it. | 0:20:35 | 0:20:37 | |
James, there's loads and loads cos James Larson, | 0:20:37 | 0:20:40 | |
James Galway, all had self-titled albums. | 0:20:40 | 0:20:42 | |
Lithium, a hit for Nirvana, of course, and for Evanescence. | 0:20:43 | 0:20:48 | |
Malach'e', or 'Malach'i', the self-titled album. | 0:20:48 | 0:20:50 | |
Palladium, again, | 0:20:50 | 0:20:51 | |
lots of Live from the London Palladium albums, certainly in the '50s and '60s. | 0:20:51 | 0:20:55 | |
Peter, again, all sorts of people like Peter Sarstedt, | 0:20:55 | 0:20:58 | |
Peter Gabriel, who had self-titled albums. | 0:20:58 | 0:21:00 | |
Sarajevo, the U2 spin-off Passengers had a hit with Miss Sarajevo. | 0:21:00 | 0:21:04 | |
Zinc, which was Marc Bolan and T. Rex. | 0:21:04 | 0:21:07 | |
So very well done if you said any of those at home. | 0:21:07 | 0:21:09 | |
Thank you very much indeed, Richard. So, at the end of our first round the pair who are heading home, | 0:21:09 | 0:21:13 | |
I'm afraid, with a pretty low high score of 36, | 0:21:13 | 0:21:16 | |
I'm sorry, Danny and Stuart, it's you. | 0:21:16 | 0:21:19 | |
You must come back, it's been lovely having you on. | 0:21:19 | 0:21:21 | |
-Thanks so much for playing. Danny and Stuart. -APPLAUSE | 0:21:21 | 0:21:25 | |
But for the remaining three pairs it's now time for Round Two. | 0:21:28 | 0:21:31 | |
And so three pairs remain. | 0:21:35 | 0:21:36 | |
Well done, I mean, for so many good reasons. | 0:21:36 | 0:21:39 | |
Firstly, you knocked off our two music journalists, which is no small achievement. | 0:21:39 | 0:21:43 | |
Secondly, some great answers there, | 0:21:43 | 0:21:45 | |
fantastic breadth of general knowledge, music knowledge, | 0:21:45 | 0:21:47 | |
but also some really good logical answers there. | 0:21:47 | 0:21:50 | |
Anyway, best of luck to all three pairs. | 0:21:50 | 0:21:51 | |
Our category for Round Two today is... | 0:21:51 | 0:21:54 | |
..Famous People. | 0:21:55 | 0:21:57 | |
Famous People. | 0:21:57 | 0:21:58 | |
Can you all decide in your pairs who's going to go first, | 0:21:58 | 0:22:00 | |
who's going to go second. | 0:22:00 | 0:22:02 | |
And whoever's going first please step up to the podium. | 0:22:02 | 0:22:04 | |
OK, and the question concerns... | 0:22:08 | 0:22:11 | |
..Britain's 500 Most Influential People. | 0:22:12 | 0:22:15 | |
Britain's 500 Most Influential People, Richard. | 0:22:15 | 0:22:18 | |
On each pass we are going to show you six clues to famous people who | 0:22:18 | 0:22:21 | |
appeared in Debrett's list of the 500 Most Influential People in Britain. | 0:22:21 | 0:22:24 | |
Give us an obscure answer, you score fewer points. An incorrect answer, | 0:22:24 | 0:22:27 | |
you're going to score 100 points. | 0:22:27 | 0:22:29 | |
There's going to be 12 in all across the two boards to have a go on at home so best of luck. | 0:22:29 | 0:22:32 | |
Thanks very much indeed. OK, so we're looking for the influential | 0:22:32 | 0:22:35 | |
people described by these clues. | 0:22:35 | 0:22:37 | |
Here's our first board of six. | 0:22:37 | 0:22:38 | |
I'll read those one last time. | 0:23:03 | 0:23:05 | |
Robert. | 0:23:27 | 0:23:29 | |
I think that I will go for | 0:23:29 | 0:23:32 | |
the novelist who wrote | 0:23:35 | 0:23:36 | |
The Cuckoo's Calling | 0:23:36 | 0:23:38 | |
and that is JK Rowling. | 0:23:38 | 0:23:40 | |
JK Rowling, says Robert. | 0:23:40 | 0:23:42 | |
Let's see if that's right. Let's see how many of our 100 people said JK Rowling. | 0:23:42 | 0:23:45 | |
It's right. | 0:23:47 | 0:23:49 | |
Good answer, down it goes, look at that it's a good low score. | 0:23:53 | 0:23:55 | |
-7. Well done, Robert. -Well done. | 0:23:55 | 0:23:57 | |
Seven for JK Rowling. | 0:23:59 | 0:24:02 | |
Well played, Robert. Very good answer. | 0:24:02 | 0:24:03 | |
She chose the name Robert because it's one of her favourite men's names, which is very nice. | 0:24:03 | 0:24:07 | |
And she hadn't used it in the Harry Potter series at all. | 0:24:07 | 0:24:10 | |
OK, thank you very much indeed. Now then, Jenny. | 0:24:10 | 0:24:13 | |
I know quite a lot of one names and not other names so I'm going to go | 0:24:13 | 0:24:17 | |
for co-organiser of the Glastonbury Festival, who is called Emily Eavis. | 0:24:17 | 0:24:22 | |
Emily Eavis, says Jenny. Emily Eavis, let's see if that's right. | 0:24:22 | 0:24:25 | |
Let's see how many people remembered her. | 0:24:25 | 0:24:28 | |
It's right. 7 is our low score at the moment. | 0:24:30 | 0:24:34 | |
Look at that, 2 for Emily Eavis. | 0:24:36 | 0:24:38 | |
Good work Jenny, that's a great answer. 2 for Emily Eavis. | 0:24:41 | 0:24:44 | |
Well played, Jenny, another very good answer. She curates the festival, organises it all. | 0:24:44 | 0:24:48 | |
The first one was in 1970, it cost a pound to get in. | 0:24:48 | 0:24:51 | |
And even on that one the internet crashed when they released the tickets. | 0:24:53 | 0:24:56 | |
Thanks very much indeed, Richard. | 0:24:56 | 0:24:58 | |
Rachel, that board's all yours. | 0:24:58 | 0:25:01 | |
Do you want to talk us through it and fill in all our blanks? | 0:25:01 | 0:25:04 | |
Sheridan Smith, Tom Daley, Malala and Michelle Dockery. | 0:25:04 | 0:25:08 | |
I think I'm going to go for Sheridan Smith. | 0:25:09 | 0:25:11 | |
OK, Sheridan Smith. Let's see if it's right. | 0:25:11 | 0:25:14 | |
Let's see how many of our 100 people said that. | 0:25:14 | 0:25:16 | |
-32. -Oh, no. | 0:25:24 | 0:25:26 | |
32 for Sheridan Smith. | 0:25:28 | 0:25:30 | |
Yeah, big answer, in the audience a little groan went up. | 0:25:30 | 0:25:33 | |
I think they thought there's a couple more obscure answers amongst the ones you knew. | 0:25:33 | 0:25:37 | |
Tom Daley is a big scorer, would have scored you 41. | 0:25:37 | 0:25:40 | |
Er, Malala, Malala Yousafzai | 0:25:40 | 0:25:43 | |
would have been a smaller scorer, would have scored you 20. | 0:25:43 | 0:25:46 | |
And the best answer you could have come up with was Michelle Dockery, | 0:25:46 | 0:25:49 | |
-which would have scored you 5 points. -Wow. | 0:25:49 | 0:25:51 | |
It would have been an absolutely terrific answer. | 0:25:51 | 0:25:53 | |
But the best answer on the board there, Jenny, | 0:25:53 | 0:25:55 | |
was Emily Eavis, well played. | 0:25:55 | 0:25:57 | |
Thanks very much. We're halfway through the round, | 0:25:57 | 0:25:59 | |
let's look at those scores. | 0:25:59 | 0:26:00 | |
2 the best score, very well done indeed, Jenny and Benjamin. | 0:26:00 | 0:26:04 | |
That takes a bit of pressure off you, although I'm sure you'll be excellent in the next board. | 0:26:04 | 0:26:08 | |
Then up to 7, where we find Robert and Gill. | 0:26:08 | 0:26:10 | |
Then up to 32, Rachel and Charlie. | 0:26:10 | 0:26:12 | |
So, Charlie, a little bit of pressure. | 0:26:12 | 0:26:14 | |
You get first dibs on the next board though so use it well. | 0:26:14 | 0:26:17 | |
Coming back down the line now, | 0:26:17 | 0:26:18 | |
can the second players please step up to the podium. | 0:26:18 | 0:26:21 | |
OK, let's put six more clues up on the board and here they come. | 0:26:24 | 0:26:28 | |
I'll read those one last time. | 0:26:55 | 0:26:56 | |
There we are, Charlie. | 0:27:20 | 0:27:22 | |
Yeah, um, I'm going to go for a fairly obvious one, | 0:27:22 | 0:27:24 | |
I will go for the journalist who became editor of Private Eye, | 0:27:24 | 0:27:28 | |
Ian Hislop. | 0:27:28 | 0:27:29 | |
Ian Hislop, says Charlie. No red line for you as you are the high scorers. | 0:27:29 | 0:27:33 | |
Let's see how many of our 100 people said Ian Hislop. | 0:27:33 | 0:27:35 | |
It's right. | 0:27:38 | 0:27:39 | |
37. | 0:27:44 | 0:27:45 | |
69, your total. | 0:27:45 | 0:27:47 | |
OK, out we go. | 0:27:48 | 0:27:49 | |
Yeah, a big score, Charlie, as you suspected. | 0:27:49 | 0:27:51 | |
He was 26 when he took over at Private Eye. | 0:27:51 | 0:27:54 | |
Thanks very much, Richard. Now, Benjamin. | 0:27:54 | 0:27:57 | |
Well that's given you a bit of breathing space, | 0:27:57 | 0:27:59 | |
66 or less sees you through. | 0:27:59 | 0:28:02 | |
I know, I think I know one but I don't know his first name. | 0:28:02 | 0:28:06 | |
-Give us the surname. -Rooney. | 0:28:07 | 0:28:10 | |
We will accept your answer of Rooney. | 0:28:15 | 0:28:18 | |
-We will accept Rooney. -Oh, thank you. | 0:28:18 | 0:28:21 | |
OK, there is your red line. | 0:28:21 | 0:28:22 | |
You have to go below that red line with Rooney. | 0:28:22 | 0:28:25 | |
Let's see if it's right, and if it is, let's see how many of our 100 people said Rooney. | 0:28:25 | 0:28:28 | |
Oh, bad luck. | 0:28:32 | 0:28:33 | |
I'm sorry, Benjamin, | 0:28:33 | 0:28:35 | |
that's an incorrect answer. | 0:28:35 | 0:28:37 | |
It scores you 100 point takes your total up to 102. | 0:28:37 | 0:28:39 | |
Yeah, I like that, "We will accept your answer of Rooney." LAUGHTER | 0:28:39 | 0:28:42 | |
-It's Wayne Rooney. -Wayne Rooney. | 0:28:43 | 0:28:46 | |
It may not be over, you may still be in. It's all in Gill's hands. | 0:28:46 | 0:28:50 | |
Gill, do you want to talk us through the board? | 0:28:50 | 0:28:53 | |
Um, not really, I suppose the top one's Simon Callow | 0:28:53 | 0:28:57 | |
but I'm going to go for the banking | 0:28:57 | 0:29:00 | |
which I think is Mark Carney. | 0:29:00 | 0:29:01 | |
Mark Carney, says Gill. | 0:29:01 | 0:29:03 | |
Mark Carney. | 0:29:03 | 0:29:05 | |
Here is your red line, it's very high, nice and high. | 0:29:05 | 0:29:07 | |
Get below that, you are through to the head-to-head. | 0:29:07 | 0:29:09 | |
Let's see if it's right and | 0:29:09 | 0:29:11 | |
let's see how many people said Mark Carney. | 0:29:11 | 0:29:13 | |
It's right, and you're through. | 0:29:14 | 0:29:16 | |
-11. -Well, I'll take 11. | 0:29:22 | 0:29:25 | |
18 is your total. The lowest total, I might add, of the round. | 0:29:25 | 0:29:29 | |
Very well done indeed. | 0:29:29 | 0:29:30 | |
Sailing through on podium one, very well played, Gill. Terrific answer. | 0:29:30 | 0:29:33 | |
Benjamin, you're going to kick yourself with this footballer | 0:29:33 | 0:29:36 | |
because he's even more famous than Wayne Rooney. | 0:29:36 | 0:29:38 | |
Number seven after Eric Cantona was David Beckham. | 0:29:38 | 0:29:40 | |
David Beckham. It would have scored you 25 points. | 0:29:42 | 0:29:46 | |
The judge, yeah, it's not Simon Callow, it's Simon Cowell, of course. | 0:29:46 | 0:29:50 | |
24 points. | 0:29:50 | 0:29:52 | |
A very famous answer, this next one, but a very low score. | 0:29:52 | 0:29:56 | |
The actor and comedian was Stephen Fry. | 0:29:56 | 0:29:58 | |
It would have scored you 4 points. | 0:29:58 | 0:30:00 | |
Again, a very famous answer to the bottom one, but an even lower score. | 0:30:00 | 0:30:03 | |
One point for Gary Barlow. | 0:30:03 | 0:30:05 | |
Very well done if you said that. | 0:30:05 | 0:30:06 | |
Thank you very much indeed, Richard. | 0:30:06 | 0:30:09 | |
Well, surprise result at the end of our second round. | 0:30:09 | 0:30:12 | |
I'm afraid the pair who are heading home with their high score of 102, | 0:30:12 | 0:30:15 | |
so sorry, what an amazing performance in Round One. | 0:30:15 | 0:30:19 | |
Please come back and play again but, Benjamin and Jenny, | 0:30:19 | 0:30:21 | |
-you've been wonderful contestants, thank you so much. -APPLAUSE | 0:30:21 | 0:30:25 | |
Back to the remaining two pairs, it's now time for our head-to-head. | 0:30:27 | 0:30:30 | |
Congratulations, Robert and Gill, Charlie and Rachel, | 0:30:34 | 0:30:36 | |
you are now one step closer to the final | 0:30:36 | 0:30:38 | |
and a chance to play for our jackpot which still stands at £2,500. | 0:30:38 | 0:30:42 | |
APPLAUSE | 0:30:43 | 0:30:45 | |
So now we decide who's going to go through to the final | 0:30:46 | 0:30:49 | |
and play for that money for their charity. | 0:30:49 | 0:30:51 | |
To do that we're now going to make you go head-to-head. | 0:30:51 | 0:30:53 | |
The first pair to win two questions will be playing for that jackpot. | 0:30:53 | 0:30:57 | |
Very, very best of luck to both pairs. Let's play the head-to-head. | 0:30:57 | 0:31:01 | |
OK, here is your first question and it concerns, | 0:31:07 | 0:31:11 | |
The Great British Bake Off. | 0:31:11 | 0:31:13 | |
The Great British Bake Off, Richard. | 0:31:14 | 0:31:15 | |
I'm going to show you five clues now, facts about the BBC series, The Great British Bake Off. | 0:31:15 | 0:31:19 | |
We just need you to give us the most obscure answer. | 0:31:19 | 0:31:22 | |
Thanks very much indeed. | 0:31:22 | 0:31:23 | |
So let's reveal our five clues and here they come. | 0:31:23 | 0:31:25 | |
We've got... | 0:31:25 | 0:31:27 | |
Let's read all of those one last time. | 0:31:47 | 0:31:49 | |
There we are, Robert and Gill. | 0:32:06 | 0:32:08 | |
No, because it's got 'bake' in it. | 0:32:08 | 0:32:10 | |
What's the Jo Brand thing called? | 0:32:11 | 0:32:13 | |
Shall we do the bottom one or the next one up? | 0:32:15 | 0:32:18 | |
We'll go with the bottom one, soggy bottom. | 0:32:20 | 0:32:23 | |
Soggy bottom, say Robert and Gill, soggy bottom. | 0:32:23 | 0:32:25 | |
Now, Charlie and Rachel, the board's all yours, talk us through it. | 0:32:25 | 0:32:29 | |
I think that's The Extra Slice. | 0:32:30 | 0:32:32 | |
...Isn't it? | 0:32:32 | 0:32:34 | |
The name of the final round is the Showstopper round. The name of | 0:32:34 | 0:32:37 | |
the judge is Paul Hollywood. | 0:32:37 | 0:32:39 | |
And you've answered the soggy bottom, so which is the... | 0:32:39 | 0:32:41 | |
I think I'd go for the Jo Brand one. | 0:32:41 | 0:32:43 | |
Oh, go on, it's The Extra Slice one. | 0:32:43 | 0:32:45 | |
The Extra Slice, say Charlie and Rachel. | 0:32:45 | 0:32:48 | |
Robert and Gill have gone for soggy bottom. Let's see if that's right | 0:32:48 | 0:32:51 | |
and, if it is, let's see how many of our 100 people said soggy bottom. | 0:32:51 | 0:32:54 | |
It's right. 40. | 0:33:02 | 0:33:03 | |
Charlie and Rachel have gone for The Extra Slice. | 0:33:08 | 0:33:11 | |
Let's see if Extra Slice is right. | 0:33:11 | 0:33:13 | |
It's right. | 0:33:15 | 0:33:17 | |
And you win that point. | 0:33:20 | 0:33:22 | |
Look at that. 17. | 0:33:22 | 0:33:23 | |
For The Extra Slice, which means after one question, | 0:33:26 | 0:33:28 | |
-Charlie and Rachel, you are up 1-0. -Well played, Rachel. Great answer. | 0:33:28 | 0:33:31 | |
Strictly speaking, it's An Extra Slice, | 0:33:31 | 0:33:33 | |
but The Extra Slice is perfectly acceptable. | 0:33:33 | 0:33:35 | |
The winner of the first series by far and away the best answer on this board. | 0:33:35 | 0:33:39 | |
Well done if you remember this. Edd Kimber for 2 points. | 0:33:39 | 0:33:41 | |
Very well done if you said Edd Kimber. | 0:33:41 | 0:33:43 | |
Terrific answer, unless you are Edd Kimber, in which case, c'mon! | 0:33:43 | 0:33:46 | |
The name of the final round, the Showstopper Challenge. | 0:33:46 | 0:33:49 | |
Would've scored more points than Extra Slice. Would've scored you 23 | 0:33:49 | 0:33:52 | |
and Paul Hollywood, of course, is the judge. | 0:33:52 | 0:33:54 | |
Though, actually, scores fewer than soggy bottom. Scores 35 points. | 0:33:54 | 0:33:58 | |
There we are. Thank you very much indeed. | 0:33:58 | 0:34:00 | |
OK, so, here comes your second question. | 0:34:00 | 0:34:02 | |
Charlie and Rachel, you get to go first this time. | 0:34:02 | 0:34:05 | |
It concerns... | 0:34:05 | 0:34:07 | |
-Tabloid Musicals. -We're going to show you five tabloid style headlines now | 0:34:11 | 0:34:15 | |
that refer to the plots of musicals past or present. | 0:34:15 | 0:34:17 | |
Can you tell us what the musical is from the headline. | 0:34:17 | 0:34:20 | |
Thank you very much indeed. OK, let's reveal our five headlines | 0:34:20 | 0:34:23 | |
and here they come. | 0:34:23 | 0:34:24 | |
We've got... | 0:34:26 | 0:34:27 | |
So, there we go. | 0:34:57 | 0:34:58 | |
Charlie and Rachel, you will answer this one first. | 0:34:58 | 0:35:02 | |
Which do you think...? | 0:35:02 | 0:35:05 | |
Yes... | 0:35:05 | 0:35:06 | |
We'll... It's very hard to choose... | 0:35:07 | 0:35:10 | |
We're going to go for E. | 0:35:10 | 0:35:12 | |
Miss Saigon. | 0:35:12 | 0:35:13 | |
Miss Saigon, say Charlie and Rachel. Miss Saigon. | 0:35:13 | 0:35:16 | |
Now, Robert and Gill. Talk this through the board. | 0:35:16 | 0:35:20 | |
The former nun, that's obviously | 0:35:20 | 0:35:21 | |
The Sound Of Music | 0:35:21 | 0:35:22 | |
and C is Les Miserables | 0:35:22 | 0:35:26 | |
and D is Mary Poppins. | 0:35:26 | 0:35:29 | |
-Yeah, go on. -I think that, B, | 0:35:29 | 0:35:31 | |
we'll go for Little Shop Of Horrors. | 0:35:31 | 0:35:32 | |
Little Shop Of Horrors, say Robert and Gill. | 0:35:32 | 0:35:34 | |
So, we have Miss Saigon and we have Little Shop Of Horrors. | 0:35:34 | 0:35:38 | |
Now, Charlie and Rachel went for Miss Saigon. E. | 0:35:38 | 0:35:42 | |
Let's see if it's right, and if it is, let's see how many of our 100 people said Miss Saigon. | 0:35:42 | 0:35:45 | |
35. | 0:35:52 | 0:35:54 | |
35 for Miss Saigon. | 0:35:56 | 0:35:57 | |
Now, Robert and Gill have gone for Little Shop Of Horrors | 0:35:57 | 0:36:01 | |
which was a guess. | 0:36:01 | 0:36:02 | |
But it could be an educated guess. We shall find out. | 0:36:04 | 0:36:07 | |
Is it a good answer, Little Shop Of Horrors. | 0:36:07 | 0:36:09 | |
It is! It's right! | 0:36:11 | 0:36:12 | |
Little Shop Of Horrors but it has to beat 35. | 0:36:12 | 0:36:16 | |
It does! 34! | 0:36:16 | 0:36:18 | |
Very well done. | 0:36:20 | 0:36:21 | |
You've broken back. | 0:36:22 | 0:36:23 | |
Robert and Gill, fantastic work there | 0:36:25 | 0:36:28 | |
after two questions it's 1-1. | 0:36:28 | 0:36:30 | |
It's been a good show all the way through, and best two answers on the board. | 0:36:30 | 0:36:33 | |
The Sound Of Music, which is A, would | 0:36:33 | 0:36:35 | |
have scored you a great deal more. | 0:36:35 | 0:36:37 | |
That would have scored you 83. | 0:36:37 | 0:36:39 | |
Les Miserables, | 0:36:40 | 0:36:41 | |
would have been a good answer, | 0:36:41 | 0:36:43 | |
but would have scored you more. 39. | 0:36:43 | 0:36:46 | |
And Mary Poppins, of course, D. | 0:36:46 | 0:36:49 | |
That would have scored you 71. | 0:36:49 | 0:36:51 | |
-Thanks... -That was exciting. -That was good, very exciting indeed. | 0:36:53 | 0:36:56 | |
Very, very well played, both teams. Here comes the decider. | 0:36:56 | 0:37:00 | |
Your third question. Whoever wins this goes to the final and plays for that jackpot | 0:37:00 | 0:37:03 | |
for their charities. Best of luck to both pairs. | 0:37:03 | 0:37:05 | |
It concerns... | 0:37:05 | 0:37:06 | |
Words about words, Richard. | 0:37:10 | 0:37:12 | |
Going to show you five words now that describe words but we've missed out alternate letters. | 0:37:12 | 0:37:16 | |
Can you fill in the gaps and give us the most obscure of these. | 0:37:16 | 0:37:18 | |
Very, very best of luck to both teams. | 0:37:18 | 0:37:20 | |
OK, thanks very much. So, let's reveal our five words with | 0:37:20 | 0:37:23 | |
missing letters and here they are. | 0:37:23 | 0:37:25 | |
I'll read all those one last time. | 0:37:50 | 0:37:51 | |
Now, Robert and Gill. | 0:38:07 | 0:38:09 | |
The trick here is going to be working out which is the lowest score, I suspect. | 0:38:09 | 0:38:13 | |
Yes...and that's impossible to do. | 0:38:13 | 0:38:16 | |
I think we do know them all but... | 0:38:16 | 0:38:18 | |
We do. | 0:38:18 | 0:38:19 | |
I think on the whole we will go for | 0:38:19 | 0:38:22 | |
the middle one as a neologism. | 0:38:22 | 0:38:25 | |
Neologism. | 0:38:25 | 0:38:27 | |
Or 'neolo-gism'. Or 'neo-logism'. Neologism! | 0:38:27 | 0:38:31 | |
-Neologism. -Well, you now... | 0:38:31 | 0:38:32 | |
Right in with your favourite. OK... | 0:38:32 | 0:38:34 | |
-You know what I mean. -I do, exactly. | 0:38:34 | 0:38:36 | |
Now, Charlie and Rachel, over to you. | 0:38:36 | 0:38:39 | |
We were arguing on which one to go for | 0:38:39 | 0:38:42 | |
and it was between the third one | 0:38:42 | 0:38:44 | |
and you wanted to go for the second, so we'll go for the second one. | 0:38:44 | 0:38:48 | |
Portmanteau. | 0:38:48 | 0:38:49 | |
Portmanteau. OK, so, we have neologism and port... | 0:38:49 | 0:38:54 | |
-I'm going to say 'port-man-toe'. I know it's not. -OK. | 0:38:54 | 0:38:57 | |
So, Rob and Gill went for neologism. Let's see if that's right. | 0:38:57 | 0:38:59 | |
If it is, let's see how many of our 100 people said that. | 0:38:59 | 0:39:02 | |
That's a great answer. Look at that, 10! | 0:39:11 | 0:39:13 | |
10 for neologism. | 0:39:13 | 0:39:14 | |
They would steal that. | 0:39:16 | 0:39:18 | |
Charlie and Rachel have gone for portmanteau. | 0:39:20 | 0:39:23 | |
Let's see if that's right, and if it is, let's see how many people said portmanteau. | 0:39:23 | 0:39:27 | |
It's right. | 0:39:29 | 0:39:30 | |
It'll be close. | 0:39:34 | 0:39:35 | |
Oh, look at that! 8! | 0:39:35 | 0:39:37 | |
8 for portmanteau. | 0:39:38 | 0:39:40 | |
What an incredible head-to-head round this has been. | 0:39:40 | 0:39:43 | |
Charlie and Rachel, | 0:39:43 | 0:39:45 | |
after three questions you go through to the final 2-1. | 0:39:45 | 0:39:50 | |
The best two answers on the board again from our teams. Terrific work. | 0:39:50 | 0:39:53 | |
I think Rachel's gone through the board on every single question | 0:39:53 | 0:39:55 | |
apart from maybe the first one. | 0:39:55 | 0:39:57 | |
Onomatopoeia is the top one, of course. | 0:39:57 | 0:40:00 | |
Would've scored you 37. | 0:40:00 | 0:40:03 | |
-Synonym, huge score... -'Sy-no-nym'? | 0:40:03 | 0:40:05 | |
'Sy-no-nym.' Yeah. | 0:40:05 | 0:40:07 | |
81. | 0:40:07 | 0:40:09 | |
'Pa-lin-dro-mey' is the bottom one there, | 0:40:09 | 0:40:12 | |
which would have scored you 56. | 0:40:12 | 0:40:14 | |
I say that in the original Latvian. | 0:40:14 | 0:40:15 | |
AUDIENCE LAUGH | 0:40:15 | 0:40:17 | |
Thanks very much indeed, Richard. | 0:40:17 | 0:40:19 | |
Well, the pair leaving us, I'm sorry to say, | 0:40:19 | 0:40:22 | |
at the end of that exciting round is Robert and Gill. | 0:40:22 | 0:40:25 | |
An amazing performance | 0:40:25 | 0:40:27 | |
throughout the show so I'm really sorry to be saying goodbye, | 0:40:27 | 0:40:29 | |
but excellent contestants, Robert and Gill. | 0:40:29 | 0:40:31 | |
-Thank you. -APPLAUSE | 0:40:31 | 0:40:34 | |
But, for Charlie and Rachel, | 0:40:34 | 0:40:36 | |
it's now time for our Pointless final. | 0:40:36 | 0:40:38 | |
Congratulations Charlie and Rachel. You've seen off all the competition | 0:40:42 | 0:40:46 | |
and you have won our coveted Pointless trophy, so very, very well done. | 0:40:46 | 0:40:50 | |
You now have the chance to win our Pointless jackpot for your charities | 0:40:54 | 0:40:58 | |
and at the end of today's show the jackpot stands at £2,500. | 0:40:58 | 0:41:02 | |
You couldn't write it like this. I mean, for heaven's sake, | 0:41:06 | 0:41:09 | |
the drama, the twists, the turns we've been through today. | 0:41:09 | 0:41:12 | |
I mean, extraordinary. Now, you know what happens in this round, | 0:41:12 | 0:41:15 | |
you get to choose your category from four categories | 0:41:15 | 0:41:18 | |
we've put up on the board. | 0:41:18 | 0:41:19 | |
Let's see what's up there to start with. | 0:41:19 | 0:41:21 | |
See if there's anything up there you like the look of. | 0:41:21 | 0:41:23 | |
Today's choices are... | 0:41:23 | 0:41:25 | |
I'm not bad on films. | 0:41:33 | 0:41:35 | |
I'm not great on, kind of, things that happen, | 0:41:35 | 0:41:37 | |
-current affairs, The Year 2000. -The Year 2000. | 0:41:37 | 0:41:40 | |
But, personally, I'd have a better chance, I think, on the films one... | 0:41:40 | 0:41:43 | |
-..Set in the 18th century. -Films Set In The -18th Century. Yes. | 0:41:43 | 0:41:46 | |
OK. Richard. | 0:41:46 | 0:41:47 | |
OK, very best of luck. We're looking for any actor credited | 0:41:47 | 0:41:50 | |
in any of the following three films, according to IMDb. | 0:41:50 | 0:41:52 | |
We are looking for any actor credited in the 1963 film, Tom Jones. | 0:41:52 | 0:41:57 | |
Anyone from Stanley Kubrick's 1975 film, Barry Lyndon | 0:41:57 | 0:42:01 | |
or anyone from the 1988 version of Dangerous Liaisons, please. | 0:42:01 | 0:42:05 | |
So, any actor credited in any of those films. | 0:42:05 | 0:42:07 | |
Very, very best of luck. | 0:42:07 | 0:42:09 | |
OK, now, as always you've got up to one minute | 0:42:09 | 0:42:12 | |
to come up with three answers. | 0:42:12 | 0:42:13 | |
Now, you need to win the jackpot for your charities | 0:42:13 | 0:42:16 | |
is for just one of those three answers to be pointless. | 0:42:16 | 0:42:18 | |
Are you ready? | 0:42:18 | 0:42:20 | |
-As we'll ever be. -Yes. | 0:42:20 | 0:42:22 | |
Let's put 60 seconds on the clock. | 0:42:22 | 0:42:23 | |
There they are. Your time | 0:42:23 | 0:42:24 | |
-starts now. -I can do the cast... | 0:42:24 | 0:42:26 | |
Go through Dangerous Liaisons. | 0:42:26 | 0:42:27 | |
Well, Uma Thurman... | 0:42:27 | 0:42:29 | |
Michelle Pfeiffer... | 0:42:29 | 0:42:31 | |
John Malkovich. | 0:42:31 | 0:42:32 | |
OK, we could go for... | 0:42:32 | 0:42:33 | |
Do we go for the more obscure ones? | 0:42:33 | 0:42:35 | |
If you know any more in the film to go for but we could go for either... | 0:42:35 | 0:42:38 | |
-Uma Thurman. -Yeah, but, you've got to go for three, though. | 0:42:38 | 0:42:40 | |
Yeah, but they don't have to be from the same category. | 0:42:40 | 0:42:43 | |
-Yeah, I don't know any of the others. -Well, I would... | 0:42:43 | 0:42:46 | |
I might take a punt on Michael Hordern, | 0:42:46 | 0:42:48 | |
cos he was always in old films of a historical nature, | 0:42:48 | 0:42:51 | |
-so, he may well have been in Barry Lyndon. -Yeah, OK. | 0:42:51 | 0:42:55 | |
Who played Tom Jones in a Tom Jones? | 0:42:55 | 0:42:57 | |
-Did Tom Jones? -No. -LAUGHTER | 0:42:57 | 0:43:01 | |
It was... Was it... | 0:43:01 | 0:43:03 | |
Albert Finney... | 0:43:03 | 0:43:05 | |
Was Burt Reynolds in Barry Lyndon? | 0:43:05 | 0:43:08 | |
-No. -No, OK | 0:43:08 | 0:43:11 | |
Barry Lyndon! I mean, I can see | 0:43:11 | 0:43:13 | |
the thing with the men in | 0:43:13 | 0:43:14 | |
-red trousers and... -10 seconds left. | 0:43:14 | 0:43:16 | |
OK, who else was in... | 0:43:16 | 0:43:18 | |
There was John Malkovich. Who was the other man in...? | 0:43:18 | 0:43:21 | |
-I don't know. -You must know. | 0:43:21 | 0:43:23 | |
Right, time's up | 0:43:25 | 0:43:26 | |
OK. As Charlie says, time is up. | 0:43:26 | 0:43:29 | |
I now need your three answers and if you say which category it is... | 0:43:29 | 0:43:32 | |
I'm not allowing you Michael Hordern. | 0:43:32 | 0:43:34 | |
Er... No, we've got to take a punt. | 0:43:35 | 0:43:37 | |
Right, we're going to go with Uma Thurman from Dangerous Liaisons. | 0:43:37 | 0:43:41 | |
Uma Thurman from Dangerous Liaisons. | 0:43:41 | 0:43:43 | |
I want to take a punt, | 0:43:43 | 0:43:45 | |
and it's a wild punt on Michael Hordern in Barry Lyndon. | 0:43:45 | 0:43:47 | |
-OK, and our third? -Michael Hordern in Barry Lyndon. | 0:43:47 | 0:43:50 | |
-Let's go for Michelle Pfeiffer. -You want to go for that? Right, hm. | 0:43:50 | 0:43:53 | |
-OK, Michelle Pfeiffer... -Yep. | 0:43:53 | 0:43:55 | |
-..in Dangerous Liaisons. -We've drawn a blank on that one. | 0:43:55 | 0:43:58 | |
There we are. Of those three, which is your best shot | 0:43:58 | 0:44:00 | |
at a pointless answer? | 0:44:00 | 0:44:02 | |
I think Uma Thurman is our better bet. | 0:44:02 | 0:44:05 | |
-Well, it doesn't matter. -Oh, OK. | 0:44:05 | 0:44:07 | |
-Do you want to put Uma Thurman last, then? -Yeah, go on. | 0:44:07 | 0:44:09 | |
-Yeah. -Uma Thurman last. | 0:44:09 | 0:44:10 | |
-Least likely to be pointless? -Michelle Pfeiffer. | 0:44:10 | 0:44:13 | |
Michelle Pfeiffer. So, Michelle, Michael, Uma. | 0:44:13 | 0:44:16 | |
OK, let's pop those answers up on the board in that order and here they are. | 0:44:16 | 0:44:19 | |
We've got... | 0:44:19 | 0:44:20 | |
Very best of luck. Your first answer was Michelle Pfeiffer. | 0:44:25 | 0:44:28 | |
In this case we were looking for cast members of Dangerous Liaisons. | 0:44:28 | 0:44:31 | |
Let's see if that's right. | 0:44:31 | 0:44:33 | |
If it's a correct answer and it is pointless | 0:44:33 | 0:44:35 | |
what will you be doing with your jackpot money? | 0:44:35 | 0:44:37 | |
Who will you be giving it to? Charlie? | 0:44:37 | 0:44:40 | |
Mine is going to The Reading Agency | 0:44:40 | 0:44:42 | |
who do a lot of fantastic work promoting reading and literacy | 0:44:42 | 0:44:47 | |
and they do a lot of work with libraries and promoting libraries. | 0:44:47 | 0:44:50 | |
Excellent. Rachel? | 0:44:50 | 0:44:51 | |
Mine will go to the Parkinson's Disease Society | 0:44:51 | 0:44:54 | |
because my mum was diagnosed with Parkinson's in her 40s | 0:44:54 | 0:44:58 | |
and she does a lot for it and I try to help as well. | 0:44:58 | 0:45:01 | |
Excellent. Very good. | 0:45:01 | 0:45:02 | |
-APPLAUSE -Two fabulous charities there. | 0:45:02 | 0:45:05 | |
Fingers crossed. Michelle Pfeiffer, was your first answer for Dangerous Liaisons. | 0:45:08 | 0:45:12 | |
Let's see if it's right. If it is correct and pointless | 0:45:12 | 0:45:14 | |
you will leave here with that £2,500 jackpot for your charities. | 0:45:14 | 0:45:18 | |
Is Michelle Pfeiffer pointless? | 0:45:18 | 0:45:20 | |
Well, it's right. | 0:45:23 | 0:45:25 | |
That was the first thing it had to be. | 0:45:25 | 0:45:27 | |
Michelle Pfeiffer taking us down through the 50s and the 40s | 0:45:27 | 0:45:30 | |
through the 30s, 20s... | 0:45:30 | 0:45:32 | |
teens... | 0:45:32 | 0:45:34 | |
Oh, nearly single figures. 10. | 0:45:34 | 0:45:35 | |
APPLAUSE | 0:45:35 | 0:45:38 | |
10 for Michelle Pfeiffer, so, unfortunately, | 0:45:38 | 0:45:40 | |
not a pointless answer. | 0:45:40 | 0:45:42 | |
You have only two more shots at today's jackpot. | 0:45:42 | 0:45:45 | |
Your second answer was Michael Hordern | 0:45:45 | 0:45:48 | |
for Barry Lyndon, in this case, | 0:45:48 | 0:45:50 | |
we were looking for cast members of Barry Lyndon. | 0:45:50 | 0:45:53 | |
Please can Michael Hordern be a correct answer. | 0:45:53 | 0:45:55 | |
I will SO enjoy this. | 0:45:55 | 0:45:57 | |
Michael Hordern, is it right? Is it pointless? | 0:45:57 | 0:45:59 | |
-It's right! -Oh, yeah! Well done! | 0:46:02 | 0:46:05 | |
-Charlie Higgs boson. -Charlie Higgs boson. | 0:46:05 | 0:46:08 | |
Down it goes, Michael Hordern, | 0:46:08 | 0:46:10 | |
through the 20s, through the teens, | 0:46:10 | 0:46:12 | |
single figures, down it goes, down it goes, down it goes! | 0:46:12 | 0:46:15 | |
-You have done it! -CHEERING AND APPLAUSE | 0:46:15 | 0:46:16 | |
That is fantastic! | 0:46:16 | 0:46:18 | |
That is just brilliant. | 0:46:21 | 0:46:24 | |
Well done. | 0:46:24 | 0:46:26 | |
You did it! | 0:46:26 | 0:46:28 | |
-You, well done. -Congratulations. | 0:46:32 | 0:46:34 | |
Michael Hordern was a pointless answer | 0:46:34 | 0:46:36 | |
which means you go home with that jackpot of £2,500 | 0:46:36 | 0:46:39 | |
for your excellent charities. | 0:46:39 | 0:46:40 | |
Well done. | 0:46:40 | 0:46:42 | |
Well done! | 0:46:44 | 0:46:46 | |
The drama continues, Richard! | 0:46:48 | 0:46:50 | |
That was sensational. I take you back about two minutes, Rachel, where you said, | 0:46:50 | 0:46:53 | |
direct quote to Charlie, "I'm not going to let you have Michael Hordern." | 0:46:53 | 0:46:58 | |
And I'm glad you did let him have it cos Uma Thurman, your third answer, | 0:46:58 | 0:47:01 | |
-would have scored one point. -Oh! | 0:47:01 | 0:47:03 | |
And I couldn't let that happen again, Charlie. That would be absolutely unacceptable. | 0:47:03 | 0:47:08 | |
It was brilliant stuff. Rachel, you carried Charlie through that head-to-head, | 0:47:08 | 0:47:11 | |
he carried you through the final and that's a great team. Well played. | 0:47:11 | 0:47:14 | |
Let's take a look at some other pointless answers in the other categories. | 0:47:14 | 0:47:18 | |
The cast of Tom Jones. Some famous names. | 0:47:18 | 0:47:19 | |
David Tomlinson, you could have had Diane Cilento, | 0:47:19 | 0:47:22 | |
Edith Evans is in that, Lynn Redgrave. | 0:47:22 | 0:47:24 | |
In fact, everybody is pointless apart from Albert Finney, | 0:47:24 | 0:47:26 | |
who was Tom Jones, and Susannah York. | 0:47:26 | 0:47:29 | |
So, every other cast member pointless there. | 0:47:29 | 0:47:31 | |
Let's take a look at Barry Lyndon. | 0:47:31 | 0:47:34 | |
Frank Middlemass, Leonard Rossiter, Michael Hordern. | 0:47:34 | 0:47:36 | |
He's the narrator in Barry Lyndon, Michael Hordern | 0:47:36 | 0:47:39 | |
-with that wonderful voice of his. -I knew that(!) -He was the narrator! | 0:47:39 | 0:47:42 | |
Steven Berkoff, also, in that. In fact, everyone apart from Ryan O'Neal pointless in that film. | 0:47:42 | 0:47:46 | |
But the pointless answers from Dangerous Liaisons, slightly more obscure names | 0:47:46 | 0:47:50 | |
in those last two categories. | 0:47:50 | 0:47:51 | |
-Mildred Natwick, Peter Capaldi... -Oh! -..would've been pointless answer. | 0:47:51 | 0:47:55 | |
Very well done if you said that at home. Swoosie Kurtz. That's a good name, isn't it? | 0:47:55 | 0:47:58 | |
If you've got a child on the way, Swoosie is worth thinking about. | 0:47:58 | 0:48:01 | |
And Valerie Gogan. Terrific answers, all of them, if you got them at home, | 0:48:01 | 0:48:05 | |
but it's been such a brilliant show. Genuinely, four great pairs | 0:48:05 | 0:48:08 | |
and you've been the best. Congratulations. | 0:48:08 | 0:48:10 | |
Charlie, I'm so pleased for you coming back and getting a pointless answer | 0:48:10 | 0:48:13 | |
and Rachel, congratulations. Been a pleasure having you both here. | 0:48:13 | 0:48:16 | |
Thanks very much, Richard. Well, thanks once again | 0:48:16 | 0:48:18 | |
to Charlie and Rachel, our winning players | 0:48:18 | 0:48:20 | |
who go away with today's jackpot of £2,500 to their charities. | 0:48:20 | 0:48:24 | |
Very, very well done. | 0:48:24 | 0:48:26 | |
Thank you. | 0:48:26 | 0:48:27 | |
Join us next time when we'll be putting more obscure knowledge to the test. | 0:48:29 | 0:48:33 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:48:33 | 0:48:35 | |
And it's goodbye from me. Goodbye. | 0:48:35 | 0:48:37 |