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CHEERING AND APPLAUSE | 0:00:18 | 0:00:20 | |
Thank you very much. | 0:00:23 | 0:00:24 | |
Hello, I'm Alexander Armstrong and welcome to | 0:00:24 | 0:00:26 | |
this special number ones edition of Pointless Celebrities, | 0:00:26 | 0:00:29 | |
the show where the more obscure your knowledge, | 0:00:29 | 0:00:31 | |
the better your chances of winning. | 0:00:31 | 0:00:32 | |
Let's meet today's Pointless celebrities. | 0:00:32 | 0:00:34 | |
And couple number one... | 0:00:40 | 0:00:41 | |
Hi, I'm Paul Heaton, I used to sing with The Housemartins | 0:00:41 | 0:00:44 | |
and then The Beautiful South and now I sing solo and with Jacqui. | 0:00:44 | 0:00:48 | |
Hi, I'm Jacqui Abbott. | 0:00:48 | 0:00:49 | |
I was the singer for a spell with The Beautiful South, | 0:00:49 | 0:00:52 | |
left for ten years, came back again to sing again with Paul. | 0:00:52 | 0:00:55 | |
WHOOPING | 0:00:55 | 0:00:58 | |
And couple number two. | 0:00:59 | 0:01:01 | |
Hi, I'm Carol Decker | 0:01:01 | 0:01:02 | |
and I'm lead singer with popular rock/pop combo T'Pau. | 0:01:02 | 0:01:06 | |
I'm Paul Young and I'm lead singer with popular combo...Paul Young. | 0:01:07 | 0:01:11 | |
WHOOPING | 0:01:13 | 0:01:15 | |
And couple number three... | 0:01:15 | 0:01:17 | |
How are you doing? | 0:01:17 | 0:01:18 | |
I'm Mikey Graham and I'm a member of the band Boyzone. | 0:01:18 | 0:01:22 | |
And I'm Keith Duffy and I'm a member of his band. | 0:01:22 | 0:01:25 | |
WHOOPING | 0:01:25 | 0:01:27 | |
And finally, couple number four. | 0:01:29 | 0:01:32 | |
I'm Dana and I've just always sung by myself, really. | 0:01:32 | 0:01:36 | |
Like Paul here. | 0:01:36 | 0:01:38 | |
I'm Sheila Ferguson and I'll probably mess up, | 0:01:38 | 0:01:40 | |
so I was with The Three Degrees and I'm not now. | 0:01:40 | 0:01:43 | |
WHOOPING | 0:01:43 | 0:01:45 | |
Thanks, all of you. We'll find out more about each of you | 0:01:47 | 0:01:49 | |
throughout the show as it goes along. | 0:01:49 | 0:01:51 | |
So that just leaves one more person for me to introduce - | 0:01:51 | 0:01:53 | |
Rich by name, rich by way of a series of offshore accounts | 0:01:53 | 0:01:56 | |
and legal loopholes, it's my Pointless friend, it's Richard. | 0:01:56 | 0:01:59 | |
Hiya. | 0:01:59 | 0:02:01 | |
CHEERING Thank you. Good evening. | 0:02:01 | 0:02:03 | |
-Good evening to you. -And to you. | 0:02:04 | 0:02:06 | |
This is exciting, a number one special. | 0:02:06 | 0:02:08 | |
That's quite good. We've done a few number two specials in our time, | 0:02:08 | 0:02:11 | |
but number one special? This is... This is a new one. | 0:02:11 | 0:02:13 | |
We've actually got some experienced Pointless players here. | 0:02:13 | 0:02:16 | |
Good ones as well. On that last podium, we've got Sheila - | 0:02:16 | 0:02:18 | |
got through to Round Two last time - | 0:02:18 | 0:02:20 | |
and Dana, who won. | 0:02:20 | 0:02:21 | |
-Shut up! -Dana won with Johnny Logan. | 0:02:21 | 0:02:23 | |
-You kept that quiet! -Shut up! | 0:02:23 | 0:02:25 | |
On podium two, we've got Paul and Carol - also played before. | 0:02:25 | 0:02:28 | |
Paul got through to Round Two, Carol was head-to-head as well, | 0:02:28 | 0:02:31 | |
so they're all going to be very good. | 0:02:31 | 0:02:32 | |
Podium three, we've got two of one of the biggest-selling bands | 0:02:32 | 0:02:35 | |
in UK chart history. Boyzone, there. | 0:02:35 | 0:02:37 | |
Podium one, genuinely, I think probably | 0:02:37 | 0:02:39 | |
the greatest British songwriter of the last 30 years, Paul Heaton, | 0:02:39 | 0:02:43 | |
with The Housemartins, Beautiful South, | 0:02:43 | 0:02:45 | |
solo stuff and now with the brilliant Jacqui Abbott as well, | 0:02:45 | 0:02:47 | |
so I think a terrific line-up of old, experienced hands | 0:02:47 | 0:02:50 | |
and some great newcomers as well. | 0:02:50 | 0:02:51 | |
-Should be a cracker. -Thank you very much indeed, Richard. | 0:02:51 | 0:02:54 | |
As usual, all of today's questions have been put | 0:02:54 | 0:02:56 | |
to 100 people before the show. Our contestants are looking | 0:02:56 | 0:02:59 | |
for those all-important pointless answers. | 0:02:59 | 0:03:01 | |
These are answers that none of our 100 people gave. | 0:03:01 | 0:03:03 | |
Find one of those, we will add 250 quid to the jackpot. | 0:03:03 | 0:03:06 | |
Now, as today's show is a celebrity special | 0:03:06 | 0:03:09 | |
and each of our celebrities here is playing for a nominated charity, | 0:03:09 | 0:03:12 | |
we start off with a jackpot of £2,500. There it is. | 0:03:12 | 0:03:16 | |
WHOOPING AND CHEERING | 0:03:16 | 0:03:18 | |
Right, if everyone's ready, let's play Pointless. | 0:03:20 | 0:03:23 | |
All you have to remember is that the pair with the highest score | 0:03:25 | 0:03:28 | |
at the end of each round will be eliminated. | 0:03:28 | 0:03:30 | |
Your job, if you like, is to make sure you are not that pair. | 0:03:30 | 0:03:33 | |
Best of luck. Our first category this evening is... | 0:03:33 | 0:03:37 | |
Can you all decide in your pairs | 0:03:41 | 0:03:42 | |
who's going first, who's going second? | 0:03:42 | 0:03:44 | |
And whoever's going first, please step up to the podium. | 0:03:44 | 0:03:47 | |
OK, let's find out what the question is. | 0:03:50 | 0:03:53 | |
We gave 100 people 100 seconds to name as many... | 0:03:53 | 0:03:57 | |
Best Actress Oscar Nominees, Richard. | 0:03:59 | 0:04:01 | |
We're looking for any actress who's received | 0:04:01 | 0:04:04 | |
at least one Oscar nomination for best actress, | 0:04:04 | 0:04:06 | |
all the way through from the 1965 ceremony up to the 2014 ceremony. | 0:04:06 | 0:04:10 | |
So from 1965 to 2014, | 0:04:10 | 0:04:13 | |
anyone who's been nominated for best actress. | 0:04:13 | 0:04:15 | |
Very best of luck. | 0:04:15 | 0:04:17 | |
Thank you very much indeed. | 0:04:17 | 0:04:19 | |
Jacqui, welcome to Pointless. | 0:04:19 | 0:04:21 | |
Thank you very much. | 0:04:21 | 0:04:23 | |
-So you sang with The Beautiful South? -I did. | 0:04:23 | 0:04:25 | |
But you joined The Beautiful South after... | 0:04:25 | 0:04:27 | |
-They'd been going some time? -Yes. | 0:04:27 | 0:04:29 | |
-And how did that come about? -Er... | 0:04:29 | 0:04:32 | |
I had a very, very, very lucky chance meeting with Paul | 0:04:32 | 0:04:35 | |
when I was about 17 | 0:04:35 | 0:04:37 | |
and they were playing a gig in my home town | 0:04:37 | 0:04:39 | |
and I went out with some friends and kind of got talking to him | 0:04:39 | 0:04:42 | |
and I was prompted to audition in front of him. | 0:04:42 | 0:04:44 | |
Then two years later, after a brief meeting, | 0:04:44 | 0:04:47 | |
he remembered me voice and got in touch with somebody he knew | 0:04:47 | 0:04:50 | |
to give me the job. | 0:04:50 | 0:04:51 | |
-So as a fan, you were then promoted? -Yeah. | 0:04:51 | 0:04:54 | |
It's like Brian Johnson with AC/DC. | 0:04:54 | 0:04:56 | |
That's fantastic. | 0:04:56 | 0:04:58 | |
-Yeah, it was. -Really good. | 0:04:58 | 0:05:00 | |
Now, Jacqui, this is the price you pay for being on the first podium. | 0:05:00 | 0:05:03 | |
You now have to come up with a best actress Oscar nominee | 0:05:03 | 0:05:06 | |
and I've just been yabbering on to you. | 0:05:06 | 0:05:08 | |
I'll go with Shirley MacLaine. | 0:05:08 | 0:05:11 | |
Shirley MacLaine, says Jacqui. | 0:05:11 | 0:05:13 | |
Sounds like a good answer, let's see if it's right. | 0:05:13 | 0:05:15 | |
Let's see how many of our 100 people said Shirley MacLaine. | 0:05:15 | 0:05:19 | |
It's right. | 0:05:21 | 0:05:22 | |
That's a good answer, look at that! 2! | 0:05:27 | 0:05:29 | |
What a start to the show! Very well done indeed, Jacqui. | 0:05:29 | 0:05:32 | |
2 points for Shirley MacLaine. | 0:05:32 | 0:05:34 | |
Very well played, Jacqui. Great start to your Pointless career. | 0:05:34 | 0:05:37 | |
She won a best actress Oscar for Terms Of Endearment. | 0:05:37 | 0:05:40 | |
That's a good start. | 0:05:40 | 0:05:42 | |
Isn't it? 2 points. There we go. | 0:05:42 | 0:05:44 | |
There we go. Carol. | 0:05:44 | 0:05:46 | |
Carol, welcome back. How did you do last time? | 0:05:46 | 0:05:49 | |
I got through to the head-to-head by accident. | 0:05:49 | 0:05:53 | |
-With Limahl! -I did. | 0:05:54 | 0:05:55 | |
That's right, with Limahl, I remember. | 0:05:55 | 0:05:58 | |
-In our matching outfits. -Mmm. | 0:05:58 | 0:06:01 | |
Listen, you're back in the studio making an album. | 0:06:01 | 0:06:04 | |
Yep, I just finished the vocals last week. | 0:06:04 | 0:06:06 | |
We're just mixing it and we go out on tour next year. | 0:06:06 | 0:06:10 | |
Very exciting. When were you last on tour? | 0:06:10 | 0:06:12 | |
2013 - we did our 25th anniversary. | 0:06:12 | 0:06:15 | |
What was that like compared to the old days of T'Pau? | 0:06:15 | 0:06:18 | |
I imagine slightly earlier nights. | 0:06:18 | 0:06:20 | |
-Maybe not. -No, actually! | 0:06:20 | 0:06:22 | |
I can still be very badly behaved. | 0:06:23 | 0:06:26 | |
It was great fun, it was really good, | 0:06:26 | 0:06:27 | |
and it was nice because I was back with my ex-partner in crime, | 0:06:27 | 0:06:32 | |
Ron Rogers, who'd co-written all the T'Pau hits and put the band together | 0:06:32 | 0:06:36 | |
with me back in the '80s, so it was really nice to reconnect | 0:06:36 | 0:06:39 | |
on a personal and professional level and we put a great line-up together | 0:06:39 | 0:06:43 | |
of hot, young musicians. | 0:06:43 | 0:06:45 | |
I don't want anyone else onstage my age. | 0:06:45 | 0:06:47 | |
I want nice, oiled young men. | 0:06:47 | 0:06:50 | |
-Do you oil them yourself? -Personally, yeah. -Bit of WD-40. | 0:06:50 | 0:06:52 | |
Then I drink them under the table just to put them in their place. | 0:06:52 | 0:06:55 | |
Quite right. Now, Carol, best actress nominees. | 0:06:55 | 0:06:58 | |
Golly... | 0:06:58 | 0:07:00 | |
-Sally Field. -Sally Field? | 0:07:01 | 0:07:02 | |
-Yeah. -Sally Field, says Carol. | 0:07:02 | 0:07:04 | |
Let's see if it's right and how many of our 100 people said Sally Field. | 0:07:04 | 0:07:09 | |
It's right. Well, 2 is our only score so far. | 0:07:11 | 0:07:15 | |
Can Sally Field go lower than Shirley MacLaine? | 0:07:15 | 0:07:18 | |
3, look at that! | 0:07:18 | 0:07:19 | |
Good one. | 0:07:19 | 0:07:21 | |
There you go, Carol Decker, in the game. | 0:07:23 | 0:07:26 | |
Another terrific answer, well done. | 0:07:26 | 0:07:28 | |
It puts a lot of pressure on the last two podiums there. | 0:07:28 | 0:07:30 | |
She won twice for Norma Rae | 0:07:30 | 0:07:32 | |
and Places In The Heart. | 0:07:32 | 0:07:34 | |
Thank you very much indeed, Richard. | 0:07:34 | 0:07:36 | |
-Mikey, welcome to Pointless. -Thank you very much. | 0:07:36 | 0:07:40 | |
Great to have you. You've just had a million and one number ones - | 0:07:40 | 0:07:43 | |
-how many...? -We would have liked to have had a million and one. | 0:07:43 | 0:07:47 | |
How many did you have? | 0:07:47 | 0:07:49 | |
In total in the UK, we had six. | 0:07:49 | 0:07:52 | |
We had, well... | 0:07:52 | 0:07:55 | |
-28 top threes. -28 top threes at the moment. | 0:07:55 | 0:07:58 | |
Cor. Do you have a favourite song? | 0:07:58 | 0:08:00 | |
-Quite a few. -Yeah, but it's not a Boyzone one. | 0:08:00 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:04 | |
-There you go. -Quite a few, quite a few. | 0:08:04 | 0:08:07 | |
No Matter What, Words - they are two of the best. | 0:08:07 | 0:08:10 | |
What are you up to at the moment, Mikey? | 0:08:10 | 0:08:11 | |
We've just completed a new Motown album called Dublin To Detroit, | 0:08:11 | 0:08:16 | |
which is released now in time for Christmas, | 0:08:16 | 0:08:18 | |
so we're beginning all of our promotional campaign for that. | 0:08:18 | 0:08:22 | |
Well, best of luck with that album, Mikey. | 0:08:22 | 0:08:24 | |
Now, best actress nominees. | 0:08:24 | 0:08:27 | |
This is a young Irish actress that I'm almost sure was up | 0:08:27 | 0:08:30 | |
for a nominee over the last couple of years. | 0:08:30 | 0:08:33 | |
Her name is Saoirse Ronan. | 0:08:33 | 0:08:36 | |
Saoirse Ronan? | 0:08:36 | 0:08:37 | |
Saoirse Ronan, let's see if that's right and if it is, | 0:08:37 | 0:08:40 | |
how many of our 100 people said Saoirse Ronan? | 0:08:40 | 0:08:43 | |
AUDIENCE GROANS | 0:08:46 | 0:08:48 | |
I told ya! | 0:08:48 | 0:08:49 | |
I'm afraid Saoirse Ronan - not an Oscar nominee | 0:08:51 | 0:08:54 | |
in the best actress category. | 0:08:54 | 0:08:57 | |
Not a bad answer and a great actress as well. | 0:08:57 | 0:08:59 | |
She was nominated for best supporting actress... | 0:08:59 | 0:09:01 | |
-I knew she was nominated. -..for Atonement. | 0:09:01 | 0:09:04 | |
Yeah, Atonement. | 0:09:04 | 0:09:05 | |
Thanks very much, Richard. | 0:09:05 | 0:09:06 | |
-Sheila, welcome back. -Thank you! | 0:09:06 | 0:09:09 | |
-You were on with Sandie Shaw. -Yes, how could we ever forget? | 0:09:09 | 0:09:12 | |
My goodness, that was a long record. | 0:09:12 | 0:09:16 | |
It was an interesting, um, experience | 0:09:16 | 0:09:18 | |
-in how to change the rules of television. -Yeah! | 0:09:18 | 0:09:21 | |
You sang with The Three Degrees. | 0:09:21 | 0:09:23 | |
I'm trying to... It was either Prince Charles's birthday | 0:09:23 | 0:09:25 | |
or it was the royal wedding, or maybe it was both. | 0:09:25 | 0:09:27 | |
We were invited to the wedding, but I was pregnant, couldn't go, | 0:09:27 | 0:09:31 | |
but we performed at his 30th birthday party | 0:09:31 | 0:09:34 | |
and we were his guests | 0:09:34 | 0:09:35 | |
and we walked in - it was like the parting of the Red Sea | 0:09:35 | 0:09:37 | |
-with Mr Darcy, it was really funny. -LAUGHTER | 0:09:37 | 0:09:40 | |
It was kind of surreal in that I was dancing with Charles, | 0:09:40 | 0:09:43 | |
one was dancing with Prince Philip | 0:09:43 | 0:09:45 | |
and one was dancing with Prince... What's the other one? ..Andrew! | 0:09:45 | 0:09:48 | |
And everybody was, like, agog. | 0:09:48 | 0:09:51 | |
-Those are kind of moments you remember. -Fantastic. | 0:09:51 | 0:09:54 | |
-Now, Sheila. -Yes? | 0:09:54 | 0:09:56 | |
How are we feeling about this as a question? | 0:09:56 | 0:09:58 | |
OK, I won't go with the obvious. I'll say Susan Hayward. | 0:09:58 | 0:10:00 | |
Susan Hayward, says Sheila. | 0:10:00 | 0:10:02 | |
Susan Hayward, let's see if that's right and if it is, | 0:10:02 | 0:10:05 | |
how many of our 100 people said that? | 0:10:05 | 0:10:07 | |
Come on, go down! | 0:10:08 | 0:10:09 | |
-Uh! -Ohhhh! | 0:10:11 | 0:10:12 | |
Well, we're doing OK. | 0:10:13 | 0:10:16 | |
Not a correct answer there, I'm afraid. | 0:10:16 | 0:10:18 | |
Scores you 100 points, I'm sorry. | 0:10:18 | 0:10:19 | |
Yeah, sorry, Sheila - she's been nominated five times, | 0:10:19 | 0:10:22 | |
but all before 1965, I'm afraid. | 0:10:22 | 0:10:24 | |
-Gotcha. -Thank you very much indeed. | 0:10:24 | 0:10:26 | |
Richard, we are halfway through the round - | 0:10:26 | 0:10:28 | |
let's take a look at the scores as they stand. | 0:10:28 | 0:10:31 | |
2, Jacqui. Exemplary play there. The lowest score of the round. | 0:10:31 | 0:10:35 | |
Thank you. | 0:10:35 | 0:10:36 | |
Carol, 3. | 0:10:36 | 0:10:37 | |
Also exemplary play. | 0:10:37 | 0:10:39 | |
Then we go up to 100, joint high scorers - | 0:10:39 | 0:10:41 | |
Sheila and Dana, Mikey and Keith. | 0:10:41 | 0:10:44 | |
Dana and Keith, it's between you two. | 0:10:44 | 0:10:46 | |
One of you will be staying, one of you, I fear, will be leaving. | 0:10:46 | 0:10:48 | |
Good luck with that. Back down the line - | 0:10:48 | 0:10:50 | |
can the second players please step up to the podium? | 0:10:50 | 0:10:52 | |
-So, Dana, welcome back. -Thank you! | 0:10:56 | 0:10:59 | |
A winner. | 0:10:59 | 0:11:00 | |
A previous winner on Pointless. | 0:11:00 | 0:11:02 | |
I know. My family can't get over it yet. | 0:11:02 | 0:11:04 | |
That was just a lovely show. | 0:11:04 | 0:11:07 | |
It'd be nice to have the other bookend, I think, for the... | 0:11:07 | 0:11:10 | |
You know. | 0:11:10 | 0:11:12 | |
-Dana, are you still in politics? -No, I'm not in politics | 0:11:12 | 0:11:16 | |
and I'm beginning to just dip my feet in the water, | 0:11:16 | 0:11:19 | |
going back into show business, which is... | 0:11:19 | 0:11:22 | |
-a much nicer place to be. -Mmm! | 0:11:22 | 0:11:25 | |
Now, best actress nominees. | 0:11:25 | 0:11:28 | |
You're joint high scorers with Keith and Mikey. | 0:11:28 | 0:11:30 | |
We have to have a low score from you, Dana. | 0:11:30 | 0:11:33 | |
I'm going to say Elizabeth Taylor. | 0:11:33 | 0:11:37 | |
Elizabeth Taylor, says Dana. | 0:11:37 | 0:11:39 | |
No red line for you, as you're joint high scorers, | 0:11:39 | 0:11:41 | |
but let's see how many of our 100 people said Elizabeth Taylor. | 0:11:41 | 0:11:44 | |
Is it right? | 0:11:44 | 0:11:46 | |
-SHEILA: -Don't do this to her! -It's right. | 0:11:47 | 0:11:49 | |
-Thank God! -It's right. | 0:11:49 | 0:11:50 | |
Down it goes, still going down...! | 0:11:53 | 0:11:55 | |
3! Look at that! | 0:11:55 | 0:11:56 | |
Very well done indeed, Dana. | 0:11:56 | 0:11:58 | |
That's my job! Yeah! | 0:11:58 | 0:12:00 | |
-Whoo-whoo! -103, your total. | 0:12:00 | 0:12:04 | |
Given Keith a very big job to do there, Dana. Very well played. | 0:12:04 | 0:12:08 | |
Won once in this timeframe for Who's Afraid Of Virginia Woolf? | 0:12:08 | 0:12:11 | |
Thank you very much indeed. | 0:12:11 | 0:12:14 | |
So Keith, after Boyzone, you went into acting. | 0:12:14 | 0:12:19 | |
You were in Corrie for a bit. | 0:12:19 | 0:12:20 | |
-I was, yeah. -How long did you do in Corrie? | 0:12:20 | 0:12:22 | |
On and off, ten years. | 0:12:22 | 0:12:24 | |
But then back into Boyzone, they just get you back in. | 0:12:24 | 0:12:26 | |
Do you find that no sooner have you set up another career | 0:12:26 | 0:12:29 | |
-than suddenly Boyzone... -They just keep dragging me down. | 0:12:29 | 0:12:32 | |
-Dragging you down! -Every time I get a little bit of success, | 0:12:32 | 0:12:34 | |
they pull me back to base. | 0:12:34 | 0:12:36 | |
-Terrible. -Do you still keep up with Louis? | 0:12:36 | 0:12:39 | |
We don't work together any more, but we bump into him on the street | 0:12:39 | 0:12:42 | |
when we're going to buy our loaf of bread in the morning | 0:12:42 | 0:12:44 | |
and stuff like that. | 0:12:44 | 0:12:46 | |
Ireland is tiny. We know everybody. | 0:12:46 | 0:12:48 | |
Now, then, Keith... As Richard said, | 0:12:49 | 0:12:52 | |
you've got a bit of a mountain to climb here. | 0:12:52 | 0:12:54 | |
Ideally, you should be scoring 2 or less. | 0:12:54 | 0:12:56 | |
-OK. -2 or less. | 0:12:56 | 0:12:57 | |
No, no. I'm just going to make sure to catch that flight. | 0:12:57 | 0:13:00 | |
LAUGHTER | 0:13:00 | 0:13:02 | |
-What are you going to go for? -Meryl Streep. | 0:13:02 | 0:13:05 | |
Meryl Streep. Meryl Streep. | 0:13:05 | 0:13:07 | |
Your red... There it is. I thought for a moment... | 0:13:07 | 0:13:10 | |
It was there, I just couldn't see it, but it is there. | 0:13:10 | 0:13:13 | |
OK, let's see, Meryl Streep. Is it right? How many people said it? | 0:13:13 | 0:13:16 | |
Will it get you below that red line? | 0:13:16 | 0:13:18 | |
It's right. | 0:13:20 | 0:13:21 | |
You're catching that plane, Keith. | 0:13:24 | 0:13:26 | |
APPLAUSE | 0:13:26 | 0:13:28 | |
That's us out of here! | 0:13:28 | 0:13:30 | |
38 takes your total up to 138. | 0:13:32 | 0:13:35 | |
Good answer, but actually the most nominated actress of all time - | 0:13:35 | 0:13:38 | |
15 times she's been nominated. | 0:13:38 | 0:13:39 | |
Yeah, I know me stuff! | 0:13:39 | 0:13:41 | |
-Yes(!) Won it twice. -No conferring, Mike. | 0:13:42 | 0:13:44 | |
Won it twice. | 0:13:44 | 0:13:46 | |
Thanks very much indeed, Richard. | 0:13:46 | 0:13:48 | |
Paul, welcome back. | 0:13:48 | 0:13:50 | |
Paul, can you believe it? | 0:13:50 | 0:13:53 | |
-It's 30 years... -Don't tell me. | 0:13:53 | 0:13:55 | |
..since you sang that first line... | 0:13:55 | 0:13:57 | |
-on Band Aid. -Oh, yeah! | 0:13:57 | 0:13:59 | |
It's even longer since my first album, but, yeah. | 0:13:59 | 0:14:01 | |
You're right. | 0:14:01 | 0:14:02 | |
When you were doing it, | 0:14:02 | 0:14:04 | |
did Midge and Bob just tell you which line you were doing, | 0:14:04 | 0:14:07 | |
-or did you...? -I had the piece in the middle. | 0:14:07 | 0:14:10 | |
-Yeah. -I thought that was it and my day was done, | 0:14:10 | 0:14:14 | |
until the final shoot at the end and then they called me back in. | 0:14:14 | 0:14:18 | |
-I thought I'd done something wrong. -Who had originally done it? | 0:14:18 | 0:14:22 | |
Nobody, they hadn't decided. | 0:14:22 | 0:14:23 | |
It was one of those things where they'd got everything else | 0:14:23 | 0:14:26 | |
and they hadn't got the first line. | 0:14:26 | 0:14:28 | |
I think they were just conferring and conferring. | 0:14:28 | 0:14:31 | |
Now, I believe that... | 0:14:31 | 0:14:34 | |
David Bowie was in line, | 0:14:34 | 0:14:36 | |
but he was touring Japan, but anyway, for whatever reason, | 0:14:36 | 0:14:39 | |
I was called back in and they asked me to do the first line. | 0:14:39 | 0:14:42 | |
I heard it was Musical Youth who were supposed to do it | 0:14:42 | 0:14:44 | |
and it just got too late. | 0:14:44 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:48 | |
-That's the problem, they had to... CAROL: -They had to go to bed! | 0:14:48 | 0:14:51 | |
There we go. Now, Paul, good news - you are through to the next round. | 0:14:51 | 0:14:54 | |
-Yes, I am. -But let's have an answer from you. | 0:14:54 | 0:14:58 | |
Let's see if you can get even lower than Carol. | 0:14:58 | 0:15:00 | |
Er, I was going to go with Lauren Bacall. | 0:15:00 | 0:15:03 | |
Lauren Bacall, says Paul. | 0:15:03 | 0:15:05 | |
Lauren Bacall. No red line for the lovely reason | 0:15:05 | 0:15:07 | |
you're already through. Let's see if Lauren Bacall is right. | 0:15:07 | 0:15:10 | |
Let's see how many people said it. | 0:15:10 | 0:15:12 | |
-AUDIENCE GROANS -Aww! | 0:15:13 | 0:15:16 | |
Bad luck, an incorrect answer scores you 100 points. | 0:15:16 | 0:15:18 | |
Couldn't matter less - | 0:15:18 | 0:15:19 | |
you're already through. 103. | 0:15:19 | 0:15:21 | |
She only got an honorary Oscar, Lauren Bacall. | 0:15:21 | 0:15:23 | |
Never been nominated for a best actress Oscar. | 0:15:23 | 0:15:26 | |
Thank you very much, Richard. | 0:15:26 | 0:15:28 | |
Now, Paul... | 0:15:28 | 0:15:30 | |
Paul, Happy Hour, song of my O levels. | 0:15:30 | 0:15:32 | |
-That was it? -Yeah. | 0:15:32 | 0:15:34 | |
-Did you fail? -Good to hear(!) | 0:15:34 | 0:15:36 | |
-Yeah! -"I remember that when I was eight..." | 0:15:36 | 0:15:39 | |
No! Just leaving O levels, coming out and going... | 0:15:39 | 0:15:41 | |
Oh, I see what you mean. Yeah, yeah. I took them very late, maybe. | 0:15:41 | 0:15:45 | |
You are going to be singing for us later. | 0:15:47 | 0:15:49 | |
Yes, we are, yeah. | 0:15:49 | 0:15:50 | |
Me and Jacqui are singing our Christmas single, really. | 0:15:50 | 0:15:54 | |
We've had an album out this year | 0:15:54 | 0:15:57 | |
and we're just at the back end of promoting that, | 0:15:57 | 0:16:00 | |
but we've just got this extra track, really for you at Pointless | 0:16:00 | 0:16:05 | |
and the people at home as well. | 0:16:05 | 0:16:07 | |
Thank you. Really can't wait for that. | 0:16:07 | 0:16:10 | |
Now, you've had a little bit of time to think of a real knockout answer. | 0:16:10 | 0:16:13 | |
We haven't had a pointless answer and I bet there are some. | 0:16:13 | 0:16:16 | |
I think Diane Keaton might have had an Oscar nominee. | 0:16:16 | 0:16:22 | |
Diane Keaton. | 0:16:22 | 0:16:23 | |
You're getting nods from all the people you'd want to get nods from. | 0:16:23 | 0:16:26 | |
No red line for you, you're already through, but let's see. | 0:16:26 | 0:16:28 | |
Diane Keaton - is that right? | 0:16:28 | 0:16:30 | |
If it is, how many of our 100 people said Diane Keaton? | 0:16:30 | 0:16:33 | |
It's right. | 0:16:35 | 0:16:36 | |
2 is our lowest score so far, from Jacqui. | 0:16:36 | 0:16:40 | |
-3! Very well done indeed! -APPLAUSE | 0:16:42 | 0:16:45 | |
A total of 5, | 0:16:45 | 0:16:46 | |
our only single-figure total. Well done. | 0:16:46 | 0:16:48 | |
Great answer, Paul, very well played. | 0:16:48 | 0:16:50 | |
Not as good as Jacqui's, but still a great answer. | 0:16:50 | 0:16:52 | |
One for Annie Hall | 0:16:52 | 0:16:53 | |
and also been nominated for other films. | 0:16:53 | 0:16:56 | |
Let's take a look at some of the pointless answers - | 0:16:56 | 0:16:58 | |
all sorts of pointless answers here. | 0:16:58 | 0:16:59 | |
Emmanuelle Riva, the oldest ever nominee at 85, for Amour. | 0:16:59 | 0:17:03 | |
Imelda Staunton was a pointless answer. | 0:17:03 | 0:17:06 | |
Julianne Moore has had a couple of nominations, brilliant actress. | 0:17:06 | 0:17:09 | |
You could have had... | 0:17:09 | 0:17:11 | |
Julie Christie. | 0:17:11 | 0:17:12 | |
Kristin Scott Thomas, who was nominated for The English Patient. | 0:17:12 | 0:17:15 | |
Liza Minnelli for Cabaret, amongst others. | 0:17:15 | 0:17:18 | |
Marion Cotillard for La Vie En Rose, | 0:17:19 | 0:17:21 | |
Michelle Pfeiffer, Sophia Loren. | 0:17:21 | 0:17:23 | |
Lots of other pointless answers - Annette Bening, Anne Bancroft, | 0:17:23 | 0:17:26 | |
Anjelica Huston, Carey Mulligan, Debbie Reynolds... | 0:17:26 | 0:17:29 | |
You could have had Miranda Richardson, Samantha Morton, | 0:17:29 | 0:17:32 | |
all sorts of pointless answers. | 0:17:32 | 0:17:33 | |
Well done if you said any of those. | 0:17:33 | 0:17:35 | |
Let's take a look at the top three answers, | 0:17:35 | 0:17:37 | |
the ones that most of our 100 people said. | 0:17:37 | 0:17:39 | |
I imagine one of them will be familiar. | 0:17:39 | 0:17:40 | |
Kate Winslet would have scored you 26. | 0:17:40 | 0:17:42 | |
Judi Dench - 33, | 0:17:44 | 0:17:45 | |
and right at the top, Keith, Meryl Streep with 38. | 0:17:45 | 0:17:49 | |
At least it's right! There's a lot of 100s out there. | 0:17:49 | 0:17:53 | |
Thanks very much, Richard. | 0:17:53 | 0:17:55 | |
At the end of our first round, the pair who are heading home | 0:17:55 | 0:17:57 | |
with their high score of 138, you're not miles ahead, | 0:17:57 | 0:18:00 | |
but I'm afraid you are the high scorers, Keith and Mikey, | 0:18:00 | 0:18:02 | |
so we have to say goodbye to you. | 0:18:02 | 0:18:03 | |
-Lovely to have you on the show. -Thank you. | 0:18:03 | 0:18:05 | |
Thank you for joining us. Best of luck with the new album. | 0:18:05 | 0:18:08 | |
-Keith and Mikey. -BOTH: -Thank you. | 0:18:08 | 0:18:10 | |
WHOOPING AND APPLAUSE | 0:18:10 | 0:18:12 | |
But for the remaining three pairs, it's now time for Round Two. | 0:18:12 | 0:18:15 | |
And then there were three pairs. | 0:18:18 | 0:18:20 | |
At the end of this round, we'll have to say goodbye to another pair. | 0:18:20 | 0:18:23 | |
Our four returners - Paul, Carol, Sheila and Dana - | 0:18:23 | 0:18:28 | |
you were tied on 103. | 0:18:28 | 0:18:29 | |
-103. -Ooh! | 0:18:29 | 0:18:31 | |
-Our newcomers...they scored 5. -Wow! | 0:18:31 | 0:18:34 | |
5... I mean, the lowest individual score, the lowest combined score - | 0:18:34 | 0:18:38 | |
you were just ace. | 0:18:38 | 0:18:40 | |
It's just brilliant. Anyway, best of luck to all three pairs. | 0:18:40 | 0:18:43 | |
Our category for Round Two this evening is... | 0:18:43 | 0:18:45 | |
-Uh-oh. -Can you all decide in your pairs who's going to go first, | 0:18:48 | 0:18:51 | |
who's going to go second? | 0:18:51 | 0:18:53 | |
Whoever's going first, please step up to the podium. | 0:18:53 | 0:18:55 | |
OK, and the question concerns... | 0:18:59 | 0:19:01 | |
French Words For Food And Drink. | 0:19:05 | 0:19:07 | |
-Is that good, Sheila? -Terrific - I live in Majorca. | 0:19:07 | 0:19:10 | |
-Terrific, thank you very much(!) -Excellent! | 0:19:10 | 0:19:12 | |
Everyone else lives in England. That's like... | 0:19:12 | 0:19:15 | |
-Y'all are all right, then. -It's still not France. | 0:19:16 | 0:19:18 | |
-True. -On each board, we're going to give you | 0:19:18 | 0:19:21 | |
six French terms for food and drink. | 0:19:21 | 0:19:22 | |
Tell us what they are in English, please. | 0:19:22 | 0:19:25 | |
Give us a nice, obscure answer, you'll score fewer points. | 0:19:25 | 0:19:27 | |
An incorrect answer, you're going to score 100 points. | 0:19:27 | 0:19:30 | |
Six on each board, 12 in all to have a go at at home. Very best of luck. | 0:19:30 | 0:19:34 | |
Thanks very much indeed. | 0:19:34 | 0:19:35 | |
Let's reveal our first board of six and here they come. | 0:19:35 | 0:19:38 | |
HE READS OUT FRENCH OPTIONS | 0:19:40 | 0:19:43 | |
SHEILA GUFFAWS LOUDLY | 0:19:47 | 0:19:49 | |
Ha! Sorry. | 0:19:49 | 0:19:50 | |
-What am I supposed to do? -I'm going to read them again. | 0:19:50 | 0:19:53 | |
HE READS OUT FRENCH OPTIONS | 0:19:53 | 0:19:56 | |
OK, so, Paul... | 0:19:59 | 0:20:02 | |
Paul H. | 0:20:02 | 0:20:04 | |
Um... Well, I'm not very good with French, really. | 0:20:04 | 0:20:08 | |
At all. | 0:20:08 | 0:20:09 | |
I suppose I'm going to have to go with le bonbon... | 0:20:09 | 0:20:12 | |
which I think is probably "sweet". | 0:20:12 | 0:20:14 | |
Le bonbon, a sweet. | 0:20:14 | 0:20:16 | |
Let's see. Sweet. Let's see if that's right, | 0:20:16 | 0:20:19 | |
and if it is, how many of our 100 people said sweet for bonbon? | 0:20:19 | 0:20:22 | |
It's right. | 0:20:24 | 0:20:25 | |
-Ooh, it's a high one. 83... -APPLAUSE | 0:20:27 | 0:20:30 | |
..for sweet. | 0:20:30 | 0:20:31 | |
Yeah, literally a "good-good", a bonbon. | 0:20:33 | 0:20:36 | |
Thanks very much indeed. | 0:20:36 | 0:20:38 | |
Now, Paul. Paul Y. | 0:20:38 | 0:20:40 | |
I'm glad I'm in second, cos I'm not too good on French either. | 0:20:40 | 0:20:42 | |
Spanish and Italian I'm a bit better at. | 0:20:42 | 0:20:45 | |
So, I'm going to go with la moule, which is mussels. | 0:20:46 | 0:20:50 | |
Mussel. Moule. | 0:20:50 | 0:20:52 | |
Mussel. Let's see if that's right, and if it is, | 0:20:52 | 0:20:54 | |
how many of our 100 people said mussel? | 0:20:54 | 0:20:56 | |
It's right. Passes 83. | 0:20:59 | 0:21:02 | |
54. | 0:21:02 | 0:21:03 | |
-APPLAUSE -Not bad. Good enough, anyway. | 0:21:03 | 0:21:06 | |
Well played, Paul. Very good answer there. | 0:21:08 | 0:21:10 | |
Very eco-friendly, mussels. Very eco-friendly thing to eat. | 0:21:10 | 0:21:12 | |
They're very easy to farm, and very nutritious. | 0:21:12 | 0:21:15 | |
-Mm, they are. -And delicious with chips, as well. | 0:21:15 | 0:21:17 | |
Delicious with chips! Mm. | 0:21:17 | 0:21:19 | |
-Mm-mm-mm. Sheila... -Yo. | 0:21:19 | 0:21:21 | |
You're the last person to have this board. | 0:21:21 | 0:21:23 | |
-Yeah, yeah. -Do you want to talk us through it and fill in the blanks? | 0:21:23 | 0:21:27 | |
Well, let's just say, um, if I went with la farine, it might be flour. | 0:21:27 | 0:21:32 | |
Farine, flour, says Sheila, let's see if that's right, and if it is, | 0:21:32 | 0:21:36 | |
how many of our 100 people said flour? | 0:21:36 | 0:21:39 | |
It's right! | 0:21:40 | 0:21:42 | |
You pass 83. | 0:21:42 | 0:21:43 | |
You pass 54. | 0:21:43 | 0:21:46 | |
-26 for flour! -Oh, my God! | 0:21:46 | 0:21:48 | |
APPLAUSE | 0:21:48 | 0:21:50 | |
This is good, Sheila, this is very good. | 0:21:50 | 0:21:52 | |
26 for flour. | 0:21:52 | 0:21:53 | |
-Oh! -Yeah, all this, "Oh, I don't know, what an awful category for me. | 0:21:53 | 0:21:56 | |
"Oh, I don't know any of those," | 0:21:56 | 0:21:58 | |
and then coming up with one of the best answers on the board, Sheila. | 0:21:58 | 0:22:02 | |
In Great British Bake Off | 0:22:02 | 0:22:03 | |
they used 24 different types of flour this series. | 0:22:03 | 0:22:05 | |
Wow. There we go. | 0:22:05 | 0:22:06 | |
Er, now, let's fill in the rest of these... | 0:22:06 | 0:22:08 | |
THEY CHUCKLE Goodness me. | 0:22:08 | 0:22:09 | |
-Le lait? -Milk. | 0:22:09 | 0:22:10 | |
Milk, yeah. Big scorer, though. | 0:22:10 | 0:22:12 | |
Would have scored you 80. L'agneau? | 0:22:12 | 0:22:13 | |
-Lamb. -Lamb, yeah. | 0:22:13 | 0:22:15 | |
Another big scorer, 31. | 0:22:15 | 0:22:17 | |
And la cannelle. | 0:22:17 | 0:22:19 | |
It's cinnamon. | 0:22:19 | 0:22:20 | |
Cinnamon. | 0:22:20 | 0:22:22 | |
Very well done if you said that - | 0:22:22 | 0:22:23 | |
would have scored you 2 points. | 0:22:23 | 0:22:25 | |
Wow. There we go. Thank you very much indeed, Richard. | 0:22:25 | 0:22:27 | |
We're halfway through the round. | 0:22:27 | 0:22:29 | |
Let's check out those scores. 26, the best score of the pass, Sheila. | 0:22:29 | 0:22:32 | |
Very well done indeed. | 0:22:32 | 0:22:34 | |
Then up to 54, where we find Paul Y and Carol. | 0:22:34 | 0:22:36 | |
Then up to 83, where we find Paul H and Jacqui. | 0:22:36 | 0:22:39 | |
So, yes, Jacqui, we need a low score from you. How's your French? | 0:22:39 | 0:22:42 | |
Not great. | 0:22:42 | 0:22:44 | |
It's not great, but... | 0:22:44 | 0:22:45 | |
Once you see the words you kind of connect them together, | 0:22:45 | 0:22:48 | |
-don't you? -Yeah. Well, good luck. | 0:22:48 | 0:22:49 | |
Let's hope there's something up there that only you know. | 0:22:49 | 0:22:52 | |
Best of luck with that. We'll come back down the line now - | 0:22:52 | 0:22:54 | |
can the second players step up to the podium? | 0:22:54 | 0:22:56 | |
So, let's put six more French words up on the board - | 0:22:58 | 0:23:01 | |
and here they come. | 0:23:01 | 0:23:02 | |
We've got... | 0:23:02 | 0:23:03 | |
I'll read those one last time. | 0:23:10 | 0:23:13 | |
-Dana. -No conferring? | 0:23:19 | 0:23:21 | |
No conferring, alas. | 0:23:21 | 0:23:23 | |
OK. | 0:23:23 | 0:23:24 | |
I'll go with le sel... | 0:23:27 | 0:23:29 | |
-salt. -Salt, says Dana. | 0:23:29 | 0:23:31 | |
Salt. You want to be scoring 56 or less | 0:23:31 | 0:23:34 | |
to be sure of a place in the next round. | 0:23:34 | 0:23:35 | |
There's your red line. | 0:23:35 | 0:23:36 | |
Below that, you're through. | 0:23:36 | 0:23:38 | |
Let's see how many of our 100 said salt. | 0:23:38 | 0:23:40 | |
It's right. | 0:23:43 | 0:23:44 | |
And you're through - just! Look at that, 54. | 0:23:45 | 0:23:48 | |
-APPLAUSE -Bring the game, girl. | 0:23:48 | 0:23:49 | |
56, you needed. 54, you got. | 0:23:49 | 0:23:51 | |
80 is your total. | 0:23:51 | 0:23:52 | |
Very well played, Dana. Yes, safely through. Le sel. | 0:23:54 | 0:23:58 | |
-Sodium chloride. -There we are. | 0:23:58 | 0:23:59 | |
-They don't call it that, do they? -No. | 0:23:59 | 0:24:01 | |
No, they do not. | 0:24:01 | 0:24:03 | |
It's weird that there's salt mines, isn't it? | 0:24:03 | 0:24:05 | |
-Don't you think that's weird? -Yeah... | 0:24:05 | 0:24:06 | |
What a weird place to work. | 0:24:06 | 0:24:08 | |
It's like working in a ketchup reservoir. | 0:24:08 | 0:24:10 | |
LAUGHTER | 0:24:10 | 0:24:12 | |
Yeah! OK, now, Carol. | 0:24:14 | 0:24:17 | |
-Oui. -Carol, what are you going to go for? | 0:24:17 | 0:24:21 | |
OK, well, my French is schoolgirl patchy, | 0:24:21 | 0:24:24 | |
so there's some up there I really don't know, | 0:24:24 | 0:24:26 | |
but there's one I hope I do know. | 0:24:26 | 0:24:29 | |
L'huitre, I think, is oyster. | 0:24:29 | 0:24:32 | |
Huitre, oyster. | 0:24:32 | 0:24:34 | |
There we go. Now, here's you red line. | 0:24:34 | 0:24:36 | |
Quite low. Get below that with oyster | 0:24:36 | 0:24:38 | |
and you are into the next round. | 0:24:38 | 0:24:40 | |
Let's see how many of our 100 people said oyster. | 0:24:40 | 0:24:43 | |
It's quite right. | 0:24:45 | 0:24:46 | |
Gets you through - look at that! | 0:24:49 | 0:24:51 | |
Nothing patchy about that, Carol. | 0:24:51 | 0:24:52 | |
-APPLAUSE -15, takes your total up to 69. | 0:24:52 | 0:24:56 | |
Well played, Carol. | 0:24:58 | 0:24:59 | |
Very good answer, and another very nutritious, very easy to farm food. | 0:24:59 | 0:25:03 | |
Very good. Thank you very much indeed. | 0:25:03 | 0:25:05 | |
Now, Jacqui. | 0:25:05 | 0:25:07 | |
I have really sad news. | 0:25:07 | 0:25:08 | |
I have sad news. | 0:25:08 | 0:25:10 | |
You are the high scorers, | 0:25:10 | 0:25:11 | |
before you've given your answer. | 0:25:11 | 0:25:14 | |
But there is a board there full of French items of food and drink. | 0:25:14 | 0:25:18 | |
Do you want to have a crack at any of them? | 0:25:18 | 0:25:20 | |
Just talk us through as many of them as you can. | 0:25:20 | 0:25:22 | |
Hah! I'm dreading it being completely wrong, it probably is. | 0:25:22 | 0:25:25 | |
I'm going to go for le fromage, and I think it's cheese. | 0:25:25 | 0:25:28 | |
Cheese, says Jacqui, for le fromage. | 0:25:28 | 0:25:31 | |
I'm afraid no red line for you as you're our high scorers. | 0:25:31 | 0:25:33 | |
But let's see how many of our 100 people said cheese for fromage. | 0:25:33 | 0:25:37 | |
It's absolutely ri...ay, ay. Look at that. | 0:25:39 | 0:25:42 | |
-86. -APPLAUSE | 0:25:42 | 0:25:45 | |
Takes your total up to 169. | 0:25:45 | 0:25:46 | |
It's genuinely impressive on that first podium | 0:25:48 | 0:25:51 | |
to have two correct answers | 0:25:51 | 0:25:52 | |
and get 169 points. | 0:25:52 | 0:25:54 | |
That's going it some. | 0:25:54 | 0:25:56 | |
-But no wrong answers. That's the beauty of it. -Very good. | 0:25:56 | 0:25:58 | |
Fromage, absolutely right. Cheese. | 0:25:58 | 0:26:00 | |
Le pasteque - you'd think it was pasta, wouldn't you? | 0:26:00 | 0:26:02 | |
If you didn't know anything, like me. | 0:26:02 | 0:26:04 | |
-It's watermelon. -It's a... Ah, yeah. | 0:26:05 | 0:26:08 | |
Would have scored you 4 points. Well done to our four. | 0:26:08 | 0:26:10 | |
-La biere... -Beer. | 0:26:10 | 0:26:12 | |
..is beer. Yeah. | 0:26:12 | 0:26:13 | |
That would have scored 70. | 0:26:13 | 0:26:15 | |
-Myrtille? -Myrtille I think is a blackcurrant. | 0:26:15 | 0:26:17 | |
-Is that right? -Well, it's a bilberry. | 0:26:17 | 0:26:19 | |
-It's a bilberry. -Oh, right. | 0:26:19 | 0:26:20 | |
Much the same. 6 points for that. | 0:26:20 | 0:26:22 | |
So, watermelon, the best answer on the board. | 0:26:22 | 0:26:25 | |
Thank you very much indeed, Richard. | 0:26:25 | 0:26:26 | |
So, at the end of our second round, I'm very sorry to say the pair | 0:26:26 | 0:26:29 | |
who are heading home with the high score of 169 is Jacqui and Paul. | 0:26:29 | 0:26:32 | |
-FRENCH ACCENT: -Jacqui Abbott and Paul Heaton. | 0:26:32 | 0:26:36 | |
I'm afraid this is goodbye. It's been a treat having you here. | 0:26:36 | 0:26:39 | |
-Thank you. -We were let down on our diet, really, weren't we? | 0:26:39 | 0:26:43 | |
We both pick things we stuff ourselves with. | 0:26:43 | 0:26:45 | |
When you're on tour in France, | 0:26:45 | 0:26:47 | |
what do you eat? | 0:26:47 | 0:26:48 | |
Oh, you send someone out... | 0:26:48 | 0:26:49 | |
-Cheese and sweets. -Cheese and sweets! | 0:26:49 | 0:26:51 | |
-LAUGHTER -There's your answer. | 0:26:51 | 0:26:53 | |
-It's all you need. -APPLAUSE | 0:26:53 | 0:26:57 | |
But we're not really saying goodbye, | 0:26:57 | 0:26:58 | |
cos you're going to be playing us out at the end of the show... | 0:26:58 | 0:27:01 | |
-That's right, yeah. -..which we are looking forward to so much. | 0:27:01 | 0:27:03 | |
-But thank you for playing. -Thanks for having us. | 0:27:03 | 0:27:05 | |
Jacqui and Paul. | 0:27:05 | 0:27:06 | |
CHEERING | 0:27:06 | 0:27:09 | |
But for Sheila and Dana, Paul and Carol, | 0:27:11 | 0:27:13 | |
it's now time for our head-to-head. | 0:27:13 | 0:27:15 | |
Congratulations Paul, Carol, Sheila, Dana - | 0:27:19 | 0:27:21 | |
you're now one step closer to the final, | 0:27:21 | 0:27:23 | |
and a chance to play for our jackpot, | 0:27:23 | 0:27:25 | |
which currently stands at £2,500. | 0:27:25 | 0:27:28 | |
-AUDIENCE: -Ooh! | 0:27:28 | 0:27:30 | |
We've reached the point where we have to decide | 0:27:32 | 0:27:34 | |
who is going to go through to the final | 0:27:34 | 0:27:35 | |
and play for that money for their charities - | 0:27:35 | 0:27:37 | |
and to do that, we're going to make you go head-to-head. | 0:27:37 | 0:27:40 | |
The difference is, you can now have a chat before you give your answers, | 0:27:40 | 0:27:43 | |
you can confer, and the first pair to win two questions | 0:27:43 | 0:27:45 | |
will be playing for that jackpot. | 0:27:45 | 0:27:47 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:27:47 | 0:27:49 | |
OK, here comes your first question, and it concerns... | 0:27:56 | 0:27:59 | |
-SHEILA: -Hah! -CAROL: -Aww. | 0:28:02 | 0:28:03 | |
Exactly. Aww. Animals In The Snow. Richard. | 0:28:03 | 0:28:06 | |
Yeah, we're going to show you five pictures now | 0:28:06 | 0:28:08 | |
of animals in the snow - I hope they're OK(!) | 0:28:08 | 0:28:10 | |
You just need to tell us what animals they are. | 0:28:10 | 0:28:13 | |
We'll give you some of the letters of their name to help you out. | 0:28:13 | 0:28:16 | |
Thanks very much indeed, Richard. | 0:28:16 | 0:28:18 | |
So, let's reveal our five pictures of animals in the snow! | 0:28:18 | 0:28:20 | |
-Aww. -Aww! | 0:28:22 | 0:28:24 | |
-That's just in the snow, it's not... -Yeah, that animal's fine. | 0:28:24 | 0:28:28 | |
-B! -Aww! | 0:28:28 | 0:28:30 | |
-Again, fine in the snow, I think. -Yeah. | 0:28:30 | 0:28:33 | |
-C...! -Aww! | 0:28:33 | 0:28:35 | |
D. | 0:28:39 | 0:28:40 | |
And E. | 0:28:44 | 0:28:45 | |
Aww. | 0:28:45 | 0:28:46 | |
Look at that. | 0:28:46 | 0:28:48 | |
Thrilling. Well, listen, there we go. | 0:28:48 | 0:28:49 | |
Paul and Carol, you will go first. | 0:28:49 | 0:28:51 | |
-PAUL: -I've got E and B. | 0:28:53 | 0:28:55 | |
(The only one I know is an arctic fox.) | 0:28:55 | 0:28:57 | |
Yeah, OK. | 0:28:57 | 0:28:58 | |
-Do you know E? -Yeah. | 0:28:58 | 0:28:59 | |
-Clever boy. OK, you go first. -Shall I go first, then? | 0:28:59 | 0:29:02 | |
OK, come on, then, Paul. | 0:29:02 | 0:29:03 | |
OK, I'm going to go with E, | 0:29:03 | 0:29:06 | |
which is a red panda. | 0:29:06 | 0:29:08 | |
A red panda - E, a red panda. | 0:29:08 | 0:29:11 | |
Now, then, Sheila and Dana, do you want to talk us through the board? | 0:29:11 | 0:29:14 | |
BOTH: No! LAUGHTER | 0:29:14 | 0:29:18 | |
-We're going to go with B. -We'll try B... | 0:29:18 | 0:29:21 | |
..albino fox. | 0:29:22 | 0:29:23 | |
Albino fox. | 0:29:23 | 0:29:24 | |
I would say al-BY-no fox. | 0:29:24 | 0:29:26 | |
-Albino fox. -Albino fox. | 0:29:26 | 0:29:27 | |
OK. So, red panda and albino fox. | 0:29:27 | 0:29:30 | |
Paul and Carol have gone for red panda for E. | 0:29:30 | 0:29:32 | |
Let's see if that's right, | 0:29:32 | 0:29:34 | |
and if it is, let's see how many of our 100 said red panda. | 0:29:34 | 0:29:37 | |
It's right. | 0:29:39 | 0:29:41 | |
-32. -APPLAUSE | 0:29:45 | 0:29:47 | |
-Not bad at all. Well done, Paul. -SHEILA: -You know your animal world! | 0:29:47 | 0:29:50 | |
Sheila and Dana, meanwhile, have said that B is an albino fox. | 0:29:52 | 0:29:56 | |
An albino fox. Let's see if that's right, | 0:29:56 | 0:29:58 | |
and if it is, let's see how many of our 100 people said that. | 0:29:58 | 0:30:01 | |
-Oh... -Oh, my God! | 0:30:04 | 0:30:05 | |
I'm afraid not an... | 0:30:05 | 0:30:06 | |
My daughters will never speak to me again! | 0:30:06 | 0:30:08 | |
..albino fox, which means - well done, Paul and Carol, | 0:30:08 | 0:30:11 | |
after one question you're up 1-0. | 0:30:11 | 0:30:12 | |
Yeah, well played, Paul, there, terrific answer, red panda. | 0:30:12 | 0:30:15 | |
Yeah, not an albino or al-BY-no fox, it's actually an arctic fox. | 0:30:15 | 0:30:18 | |
Or an ERC-tic fox, as I know you call it, Sheila. | 0:30:18 | 0:30:22 | |
SHEILA LAUGHS | 0:30:22 | 0:30:24 | |
Now, let's take a look at the rest of them. | 0:30:24 | 0:30:25 | |
A... Well done if you got this, it's a terrific answer, | 0:30:25 | 0:30:28 | |
it's a snowshoe hare. | 0:30:28 | 0:30:30 | |
Snowshoe. Would have scored you 2 points. | 0:30:30 | 0:30:32 | |
C... Aww! Look at C. | 0:30:34 | 0:30:36 | |
..is a harp seal. | 0:30:36 | 0:30:38 | |
-PAUL: -Oh, of course. | 0:30:38 | 0:30:39 | |
Would have scored you... That is cute, isn't it? | 0:30:39 | 0:30:41 | |
-That is. -..26 points. | 0:30:41 | 0:30:43 | |
I mean, goodness me. | 0:30:43 | 0:30:44 | |
And D...is a pine marten, | 0:30:44 | 0:30:47 | |
and would have scored you 38 points. | 0:30:47 | 0:30:49 | |
So, red panda, terrific answer. | 0:30:49 | 0:30:52 | |
Thank you, Richard. So, here comes your second question. | 0:30:52 | 0:30:54 | |
Sheila and Dana, you get to answer this one first, which is good. | 0:30:54 | 0:30:57 | |
But you have to win it to stay in the game, | 0:30:57 | 0:30:59 | |
which is a bit of pressure. | 0:30:59 | 0:31:01 | |
OK, and our second question today concerns... | 0:31:01 | 0:31:04 | |
US TV Themes. Richard. | 0:31:06 | 0:31:08 | |
We're now going to play you five arrangements of different TV themes | 0:31:08 | 0:31:11 | |
from American shows - you just need to tell us the name of the shows. | 0:31:11 | 0:31:14 | |
Very best of luck. | 0:31:14 | 0:31:16 | |
OK, so, let's listen to our five US TV themes - and here they come. | 0:31:16 | 0:31:20 | |
We have... | 0:31:20 | 0:31:21 | |
A... | 0:31:21 | 0:31:22 | |
MUSIC: I'll Be There For You by The Rembrandts | 0:31:22 | 0:31:26 | |
B... | 0:31:34 | 0:31:35 | |
DRAMATIC '90s THEME PLAYS | 0:31:35 | 0:31:38 | |
C... | 0:31:49 | 0:31:51 | |
SWEEPING '80s THEME PLAYS | 0:31:51 | 0:31:54 | |
SHEILA WHISPERS | 0:32:00 | 0:32:02 | |
D... | 0:32:05 | 0:32:06 | |
LATIN-JAZZ THEME PLAYS | 0:32:06 | 0:32:09 | |
And E... | 0:32:22 | 0:32:23 | |
SLOW, CHIMING THEME PLAYS | 0:32:23 | 0:32:26 | |
-Is that it? -That is it. | 0:32:42 | 0:32:44 | |
There are the five pieces of music. | 0:32:44 | 0:32:46 | |
Now, then, Sheila and Dana... | 0:32:46 | 0:32:48 | |
-We're going to go with C, which is... -Dallas. | 0:32:48 | 0:32:52 | |
C, Dallas. | 0:32:52 | 0:32:53 | |
C, Dallas, say Sheila and Dana. C, Dallas. | 0:32:53 | 0:32:56 | |
Now, Paul and Carol, it's over to you. | 0:32:56 | 0:32:58 | |
Um, I think we know a couple of them, | 0:32:58 | 0:33:00 | |
but I think Paul's picked a really good one. | 0:33:00 | 0:33:02 | |
So, I'm going to let you be the master on this. | 0:33:02 | 0:33:04 | |
-Oh, thanks(!) -No pressure. | 0:33:04 | 0:33:06 | |
I was going to go with B, and I think it's Law & Order. | 0:33:06 | 0:33:09 | |
Law & Order. | 0:33:09 | 0:33:10 | |
Law & Order. | 0:33:10 | 0:33:12 | |
So, we have Dallas and we have Law & Order. | 0:33:12 | 0:33:14 | |
Sheila and Dana said Dallas, let's see if that's right, | 0:33:14 | 0:33:17 | |
and if it is, let's see how many people said that for C. | 0:33:17 | 0:33:19 | |
Dallas for C. | 0:33:19 | 0:33:21 | |
It's right. | 0:33:23 | 0:33:24 | |
72. | 0:33:26 | 0:33:27 | |
-APPLAUSE -Not bad, not bad. | 0:33:27 | 0:33:29 | |
I knew it. | 0:33:29 | 0:33:30 | |
So, Paul and Carol have said Law & Order for B. | 0:33:30 | 0:33:33 | |
Let's see if that's right, | 0:33:33 | 0:33:35 | |
and if it is, how many people said Law & Order? | 0:33:35 | 0:33:37 | |
-Oh, not Law & Order, I'm afraid. -How? | 0:33:41 | 0:33:43 | |
Which means, Sheila and Dana, you're back in the game. | 0:33:43 | 0:33:45 | |
After two questions, it's 1-1. | 0:33:45 | 0:33:47 | |
Dallas actually the biggest scorer on the board, | 0:33:47 | 0:33:50 | |
so if you know any of the others, you would have won the point. | 0:33:50 | 0:33:52 | |
Let's have a listen to them. So, A is... | 0:33:52 | 0:33:54 | |
MUSIC: I'll Be There For You by The Rembrandts | 0:33:54 | 0:33:57 | |
..Friends. Would have scored you 51 points. | 0:33:57 | 0:33:59 | |
Would have seen you through to the final. | 0:33:59 | 0:34:01 | |
B, which you said was Law & Order... | 0:34:01 | 0:34:03 | |
-DRAMATIC '90s THEME PLAYS It's ER. -Oh! -Of course. | 0:34:03 | 0:34:06 | |
Damn. | 0:34:06 | 0:34:07 | |
Would have scored you 10. Now, D... | 0:34:07 | 0:34:09 | |
-CAROL: -Sex And The City? | 0:34:09 | 0:34:10 | |
LATIN-JAZZ THEME PLAYS | 0:34:10 | 0:34:12 | |
-Sex And The City. CAROL: -Yes! | 0:34:12 | 0:34:14 | |
And that would have scored you 9 points. | 0:34:14 | 0:34:16 | |
-Wow! -Oh! -Would have been a very good answer. | 0:34:16 | 0:34:18 | |
And the best answer on the board is E, which is.... | 0:34:18 | 0:34:21 | |
SLOW, CHIMING THEME PLAYS | 0:34:21 | 0:34:22 | |
-Six Feet Under. -Six Feet Under. | 0:34:22 | 0:34:25 | |
Absolutely. | 0:34:25 | 0:34:26 | |
-Would have scored you 5 points. -That's not a theme tune, | 0:34:26 | 0:34:29 | |
that's just a "dong". | 0:34:29 | 0:34:30 | |
-SHEILA: -Exactly! It's a "dong". Dong-key. | 0:34:30 | 0:34:32 | |
There we are. | 0:34:32 | 0:34:34 | |
OK, so, it all comes down to this - the decider, the third question. | 0:34:34 | 0:34:37 | |
Whoever wins this goes through to the final and plays for the jackpot. | 0:34:37 | 0:34:40 | |
Best of luck to both players. It concerns... | 0:34:40 | 0:34:42 | |
-The Number One. -Yeah, simply going to show you five clues, now, | 0:34:45 | 0:34:48 | |
to facts about the number one. | 0:34:48 | 0:34:49 | |
Whichever team gives us the most obscure answer | 0:34:49 | 0:34:51 | |
is going through to play for the jackpot. | 0:34:51 | 0:34:53 | |
-So, very best of luck. -Thanks very much indeed. | 0:34:53 | 0:34:56 | |
OK, let's reveal our five clues - and here they come. | 0:34:56 | 0:34:59 | |
We've got... | 0:34:59 | 0:35:00 | |
I'll read those all again. | 0:35:15 | 0:35:17 | |
Now, it's back to you, Paul and Carol, to start us off. | 0:35:32 | 0:35:35 | |
Oh...I know the detective lady novel and programme, | 0:35:35 | 0:35:38 | |
it's really good and I can't remember her name. | 0:35:38 | 0:35:41 | |
What about the decade in which the Beeb made its first broadcast? | 0:35:41 | 0:35:45 | |
-Well, I know... -Would you say '50s? | 0:35:45 | 0:35:47 | |
-No, BBC Radio One, so their first song was... -BBC Radio 1? | 0:35:47 | 0:35:51 | |
-Oh, sorry... -..Blackberry Way, I believe. | 0:35:51 | 0:35:53 | |
OK, well, we're going to go for the 1960s as the decade | 0:35:53 | 0:35:57 | |
in which BBC Radio One made its first broadcast. | 0:35:57 | 0:36:01 | |
OK, the 1960s for Radio One. | 0:36:01 | 0:36:02 | |
Now, Sheila and Dana, the board is all yours. | 0:36:02 | 0:36:05 | |
Talk us through it if you can. | 0:36:05 | 0:36:07 | |
All right, the colour of the snooker ball worth one point... | 0:36:07 | 0:36:09 | |
What do you think? | 0:36:09 | 0:36:11 | |
-Blue? Red? -They don't have yellow? | 0:36:11 | 0:36:13 | |
-Oh, they do. Do they have green? -I don't know. | 0:36:13 | 0:36:16 | |
-So... -Blue. | 0:36:16 | 0:36:18 | |
-Blue. -OK, you're going to go with blue. | 0:36:18 | 0:36:20 | |
Blue. So, we have the 1960s and we have blue. | 0:36:20 | 0:36:23 | |
Now, Paul and Carol have said BBC Radio One | 0:36:23 | 0:36:25 | |
started broadcasting in the 1960s. | 0:36:25 | 0:36:28 | |
Let's see if that's right, let's see how many people said it. | 0:36:28 | 0:36:30 | |
It's right. | 0:36:32 | 0:36:34 | |
THEY MUMBLE | 0:36:34 | 0:36:36 | |
-54 for the 1960s. -APPLAUSE | 0:36:37 | 0:36:40 | |
Sheila and Dana, meanwhile, have said it's the blue ball | 0:36:40 | 0:36:43 | |
on the snooker table that's worth only one point. | 0:36:43 | 0:36:45 | |
Let's see if that's right. | 0:36:45 | 0:36:46 | |
Oh, Lord. Come on! Don't put me in suspense like this. | 0:36:46 | 0:36:50 | |
-Oh! -Ahh. | 0:36:50 | 0:36:52 | |
I'm afraid not the blue ball. | 0:36:52 | 0:36:54 | |
Which means, after three questions, Paul and Carol, well done - | 0:36:54 | 0:36:57 | |
you are through to the final 2-1. | 0:36:57 | 0:36:59 | |
Well played, Paul and Carol. | 0:36:59 | 0:37:00 | |
Yeah, absolutely right, 1967 was the year as well. | 0:37:00 | 0:37:03 | |
Now, the snooker question, er... | 0:37:03 | 0:37:05 | |
You went through a lot! | 0:37:05 | 0:37:07 | |
-Er, it is, of course, red. Red is the answer. -Oh, no. | 0:37:07 | 0:37:10 | |
-As only 74 of our 100 knew. -They're so common. | 0:37:10 | 0:37:13 | |
So, you would have been knocked out anyway. | 0:37:13 | 0:37:15 | |
74 points for that. | 0:37:15 | 0:37:16 | |
Now, the Ghanaian-born musician - | 0:37:16 | 0:37:18 | |
he just did a brilliant duet with the Chuckle Brothers. | 0:37:18 | 0:37:22 | |
-Oh, is it Tinchy Stryder? -It is, Tinchy Stryder. | 0:37:22 | 0:37:24 | |
Would have scored you one point. | 0:37:24 | 0:37:26 | |
Er, the chemical element is hydrogen. | 0:37:27 | 0:37:29 | |
Would have scored you 31. | 0:37:29 | 0:37:30 | |
And the author of The No.1 Ladies' Detective Agency novels... | 0:37:30 | 0:37:33 | |
-Alexander McCall Smith. -Alexander McCall Smith, | 0:37:33 | 0:37:36 | |
for 16 points. | 0:37:36 | 0:37:37 | |
Thank you very much, Richard. | 0:37:37 | 0:37:38 | |
So, the pair leaving us at the end of the head-to-head round - | 0:37:38 | 0:37:41 | |
-I'm afraid Dana, so close, there. -I know. | 0:37:41 | 0:37:44 | |
-So close! But I'm afraid it was not to be this time. -Well, thank you. | 0:37:44 | 0:37:47 | |
But Sheila, Dana, it's been a pleasure having you back. | 0:37:47 | 0:37:49 | |
-It has been. -Thank you so much for coming and playing. | 0:37:49 | 0:37:52 | |
-Sheila and Dana, great contestants. -APPLAUSE | 0:37:52 | 0:37:54 | |
But, for Paul and Carol, it's time for our Pointless final. | 0:37:55 | 0:37:59 | |
Congratulations, Paul and Carol, you've seen off all the competition | 0:38:02 | 0:38:05 | |
and you have won our coveted Pointless trophy. | 0:38:05 | 0:38:08 | |
You now have a chance to win our Pointless jackpot for your charities, | 0:38:13 | 0:38:16 | |
and at the end of today's show the jackpot stands at £2,500. | 0:38:16 | 0:38:21 | |
-AUDIENCE: -Ooh! | 0:38:21 | 0:38:23 | |
Well, very solid performance. | 0:38:23 | 0:38:26 | |
Very solid. I think the only misstep along the way was Law & Order. | 0:38:26 | 0:38:30 | |
-Still, who cares? -Yeah! | 0:38:30 | 0:38:31 | |
-Here you are. -Yes. | 0:38:31 | 0:38:32 | |
Now, it would be great to have a win here. | 0:38:32 | 0:38:34 | |
As always, you get to choose your category | 0:38:34 | 0:38:36 | |
from the four we put up on the board, | 0:38:36 | 0:38:37 | |
so let's hope there's something up there you like the look of. | 0:38:37 | 0:38:40 | |
Let's see what today's offering is. We have... | 0:38:40 | 0:38:43 | |
Word Endings... | 0:38:49 | 0:38:50 | |
-Yeah, I was going to say that as well. -Yeah. | 0:38:50 | 0:38:52 | |
-Word Endings, I think. -Word Endings, I think. | 0:38:52 | 0:38:55 | |
-Yeah, that feels all right. -Word Endings. -Word Endings it is. | 0:38:55 | 0:38:58 | |
-Richard. -Yeah, it's a fun one, this - we're looking for any word | 0:38:58 | 0:39:00 | |
that has its own entry in the Oxford Dictionary of English which ends... | 0:39:00 | 0:39:04 | |
So, any word with its own entry | 0:39:12 | 0:39:13 | |
in the Oxford Dictionary of English that ends BBLE, DDLE or ZZLE. | 0:39:13 | 0:39:17 | |
Very best of luck. | 0:39:17 | 0:39:19 | |
Thank you very much indeed, Richard. | 0:39:19 | 0:39:21 | |
Now, you've got up to one minute to come up with three answers, | 0:39:21 | 0:39:23 | |
and all you need to win that money for your charities | 0:39:23 | 0:39:26 | |
is for just one of those answers to be pointless. | 0:39:26 | 0:39:28 | |
-Are you ready? -Ready. | 0:39:28 | 0:39:30 | |
OK, let's put 60 seconds | 0:39:30 | 0:39:31 | |
up on the clock. | 0:39:31 | 0:39:32 | |
There they are. Your time starts now. | 0:39:32 | 0:39:34 | |
-Um... -Right, I think we should go for one of each... | 0:39:34 | 0:39:38 | |
-Yeah. -..cos we stand a better chance of getting an obscure one. | 0:39:38 | 0:39:40 | |
My most obscure for BBLE | 0:39:40 | 0:39:42 | |
would be Hubble, the Hubble spacecraft. | 0:39:42 | 0:39:44 | |
-OK... -What would yours be? | 0:39:44 | 0:39:46 | |
I'd have said hobble. | 0:39:46 | 0:39:47 | |
I think Hubble might be a little bit more obscure than hobble. | 0:39:47 | 0:39:50 | |
Can you name a thing? | 0:39:50 | 0:39:52 | |
Hubble? Is that a thing? | 0:39:52 | 0:39:53 | |
Does it have to be a description | 0:39:53 | 0:39:55 | |
of something you do, as opposed to naming a thing? | 0:39:55 | 0:39:57 | |
-Or dibble? -I'd say hobble. | 0:39:57 | 0:40:00 | |
-Rabble. -Do we have to guess within the 60 seconds | 0:40:01 | 0:40:03 | |
and actually say it? | 0:40:03 | 0:40:04 | |
-Do we? -Do your thinking in the 60 seconds. | 0:40:04 | 0:40:07 | |
-Ah, right. -OK. | 0:40:07 | 0:40:08 | |
-I'd say... -For each one. | 0:40:08 | 0:40:09 | |
-OK... -OK, you want Hubble... | 0:40:09 | 0:40:10 | |
Which one out of all those? | 0:40:10 | 0:40:11 | |
-I'd have said hobble, but if you want Hubble, fine. -Yeah. | 0:40:11 | 0:40:14 | |
-And then I would say... for the next one... -Yeah? | 0:40:14 | 0:40:17 | |
I'd say diddle, as in con somebody. | 0:40:17 | 0:40:18 | |
-Yeah, which is more obscure than fiddle, I suppose. -Yeah. | 0:40:18 | 0:40:21 | |
-And then we've got...dazzle... -Ten seconds left. | 0:40:21 | 0:40:24 | |
Or drizzle. | 0:40:24 | 0:40:25 | |
Yeah, drizzle. | 0:40:25 | 0:40:27 | |
-Or fizzle. -Fizzle. | 0:40:27 | 0:40:29 | |
Maybe drizzle. | 0:40:29 | 0:40:30 | |
Yeah... | 0:40:30 | 0:40:32 | |
Or...kibble. The top - kibble is food. | 0:40:32 | 0:40:34 | |
Really weird food, kibble. | 0:40:34 | 0:40:36 | |
-Yes... -OK, that's your time up. | 0:40:36 | 0:40:37 | |
What three answers are you going to give me? | 0:40:37 | 0:40:39 | |
Kibble for the top one? | 0:40:39 | 0:40:40 | |
-Yeah, I think so. -Kibble. -Kibble. | 0:40:40 | 0:40:42 | |
-I'm thinking diddle for the middle one. -Yes. Yeah. | 0:40:44 | 0:40:46 | |
-Diddle, as in con somebody. -Diddle. | 0:40:46 | 0:40:48 | |
-Mm-hm. -Go on, you pick one for the bottom one. | 0:40:48 | 0:40:50 | |
Let's go with drizzle - it's more foodie. | 0:40:50 | 0:40:52 | |
-Drizzle. -Drizzle. -We like our food. | 0:40:52 | 0:40:54 | |
So, we have kibble, we have... | 0:40:54 | 0:40:55 | |
-Diddle. -..diddle, | 0:40:55 | 0:40:56 | |
-and we have drizzle. -Yeah. | 0:40:56 | 0:40:58 | |
Of those three, which is your best shot at a pointless answer? | 0:40:58 | 0:41:01 | |
-First one, I think. -Kibble. -Kibble. | 0:41:01 | 0:41:03 | |
-Least likely to be pointless? -Probably...drizzle. | 0:41:03 | 0:41:06 | |
OK, drizzle goes first, and we put the other one in the middle. | 0:41:06 | 0:41:08 | |
Diddle and then kibble. | 0:41:08 | 0:41:10 | |
OK, let's put those up on the board in that order - | 0:41:10 | 0:41:12 | |
and here they are. | 0:41:12 | 0:41:13 | |
Very best of luck. | 0:41:13 | 0:41:15 | |
Three great answers up there. | 0:41:17 | 0:41:18 | |
If you win that jackpot, | 0:41:19 | 0:41:21 | |
what will the charities be that you're playing for? | 0:41:21 | 0:41:24 | |
For me, it will be Children with Cancer, | 0:41:24 | 0:41:25 | |
which has been my chosen charity since about '87. | 0:41:25 | 0:41:29 | |
-OK. Carol? -Medecins Sans Frontieres, | 0:41:29 | 0:41:32 | |
cos they're doing such a stand-up job all around the world. | 0:41:32 | 0:41:35 | |
Well, they always do, but particularly at the moment, | 0:41:35 | 0:41:37 | |
with Ebola and everything, or war-torn countries at the moment. | 0:41:37 | 0:41:40 | |
-They're fantastic. Love 'em. -Well, good for you - | 0:41:40 | 0:41:42 | |
-two great charities there. -APPLAUSE | 0:41:42 | 0:41:44 | |
Let us hope that at least one of those answers is pointless | 0:41:44 | 0:41:47 | |
so you can take that money and share it between those two charities. | 0:41:47 | 0:41:50 | |
Best of luck, as I said. Drizzle was your first answer - | 0:41:50 | 0:41:52 | |
the one you thought was least likely to be pointless. | 0:41:52 | 0:41:55 | |
Only one of them has to be pointless for you to win. | 0:41:55 | 0:41:57 | |
Let's find out. For £2,500, how many people said drizzle? | 0:41:57 | 0:42:00 | |
It's right. | 0:42:04 | 0:42:05 | |
Down it goes, through the 60s. | 0:42:06 | 0:42:09 | |
If this goes all the way down to zero you will leave here right now | 0:42:09 | 0:42:12 | |
with £2,500. | 0:42:12 | 0:42:13 | |
30 for drizzle. | 0:42:13 | 0:42:14 | |
APPLAUSE | 0:42:14 | 0:42:17 | |
OK, so, no pointless answer with your first one. | 0:42:18 | 0:42:21 | |
Your second, though, was diddle. | 0:42:21 | 0:42:23 | |
Now it's beginning to get a bit more exciting, I think. | 0:42:23 | 0:42:26 | |
It has to be pointless for you to win that jackpot. | 0:42:26 | 0:42:29 | |
So, let's find out, for £2,500, how many people said diddle? | 0:42:29 | 0:42:32 | |
It's right. | 0:42:35 | 0:42:36 | |
Your first answer, drizzle, took us down to 30. | 0:42:37 | 0:42:40 | |
Diddle now taking us down through the 30s, | 0:42:40 | 0:42:43 | |
-passes 30, down through the 20s, 13! -Oh! | 0:42:43 | 0:42:47 | |
APPLAUSE | 0:42:47 | 0:42:48 | |
-13 for diddle. -Obviously a lot of people have been diddled. -Yeah. | 0:42:48 | 0:42:52 | |
-It's got to be kibble. -OK. | 0:42:52 | 0:42:54 | |
Only one more shot at today's jackpot. | 0:42:54 | 0:42:56 | |
But this was a late arrival, | 0:42:56 | 0:42:58 | |
came in just about two seconds before your time was up. | 0:42:58 | 0:43:01 | |
But let's see - kibble. | 0:43:01 | 0:43:02 | |
How many of our 100 people said it? For £2,500, is it pointless? | 0:43:02 | 0:43:07 | |
It's right. That's the first thing it had to be. | 0:43:10 | 0:43:13 | |
Your first answer, drizzle, scored 30. | 0:43:13 | 0:43:16 | |
Your second answer, diddle, scored 13. | 0:43:16 | 0:43:18 | |
Kibble passes 13, down it goes, single figures, still going down... | 0:43:18 | 0:43:22 | |
-Down it goes - still going - oh, no! -Oh, no! | 0:43:22 | 0:43:25 | |
-2 for kibble. -Can you believe it?! | 0:43:25 | 0:43:28 | |
God, there's some really annoying people out there! | 0:43:28 | 0:43:31 | |
I'm so sorry. Unfortunately, two people said kibble. | 0:43:32 | 0:43:36 | |
-Where are they? -Yeah! | 0:43:36 | 0:43:38 | |
I'm afraid that means | 0:43:38 | 0:43:40 | |
you didn't find that all-important pointless answer, | 0:43:40 | 0:43:42 | |
so you don't win today's jackpot of £2,500. | 0:43:42 | 0:43:44 | |
However, as this is a celebrity special, | 0:43:44 | 0:43:47 | |
we are going to donate £500 to each pair | 0:43:47 | 0:43:49 | |
to split between their respective charities. So there we are. | 0:43:49 | 0:43:52 | |
APPLAUSE | 0:43:52 | 0:43:55 | |
We have absolutely loved having you back on the show. | 0:43:55 | 0:43:57 | |
-It's been a real treat to see you. -Thank you. | 0:43:57 | 0:44:00 | |
And you get to take home a Pointless trophy each, so there you are. | 0:44:00 | 0:44:02 | |
APPLAUSE | 0:44:02 | 0:44:05 | |
Yeah, it's been an absolute joy having you back on. | 0:44:05 | 0:44:08 | |
There's some lovely words here - I know you don't want to hear them, | 0:44:08 | 0:44:11 | |
but there are some lovely words on the list. | 0:44:11 | 0:44:12 | |
Now, diddle was an interesting one, because you both tour a lot, | 0:44:12 | 0:44:15 | |
and if any of your drummers were with us... | 0:44:15 | 0:44:17 | |
-BOTH: -Paradiddle. -..they would have said paradiddle, | 0:44:17 | 0:44:20 | |
-and they would have won you the money. -Oh! | 0:44:20 | 0:44:22 | |
It was pointless, paradiddle. | 0:44:22 | 0:44:23 | |
-I bet you'd have said paradiddle, wouldn't you? -Mm-hm. | 0:44:23 | 0:44:26 | |
-Yep. I thought so(!) -Of course. | 0:44:26 | 0:44:27 | |
I thought as much. | 0:44:27 | 0:44:29 | |
Let's take a look at the pointless answers in the other categories. | 0:44:29 | 0:44:32 | |
Start with BBLE. | 0:44:32 | 0:44:33 | |
Knobble, with a K. | 0:44:33 | 0:44:35 | |
Psychobabble is a pointless answer, | 0:44:35 | 0:44:37 | |
squabble is a pointless answer, | 0:44:37 | 0:44:39 | |
very good one if you went for that. Technobabble. | 0:44:39 | 0:44:41 | |
There's lots that don't sound like they're real words, but they are. | 0:44:41 | 0:44:44 | |
You could have had drabble, fribble, grabble, gribble or nubble. | 0:44:44 | 0:44:47 | |
Well done if you got any of those. | 0:44:47 | 0:44:48 | |
-Aren't they in Camberwick Green? -LAUGHTER | 0:44:48 | 0:44:51 | |
Hardscrabble, also a word there, would have been a lovely one. | 0:44:51 | 0:44:54 | |
DDLE - as well as paradiddle you could have had... | 0:44:54 | 0:44:57 | |
mollycoddle...that's a lovely word. | 0:44:57 | 0:44:59 | |
Packsaddle, skedaddle or unsaddle. | 0:44:59 | 0:45:02 | |
All of those terrific answers. Well done if you got those. | 0:45:02 | 0:45:05 | |
Let's take a look at the ZZLEs. | 0:45:05 | 0:45:07 | |
Embezzle is a pointless answer, well done if you said that. | 0:45:07 | 0:45:10 | |
Mozzle, which is an Australian word. | 0:45:10 | 0:45:12 | |
Shemozzle, which is a state of chaos and confusion, or to unmuzzle. | 0:45:12 | 0:45:17 | |
Terrific work if you got any of those at home. | 0:45:17 | 0:45:19 | |
And kibble was a great answer. | 0:45:19 | 0:45:20 | |
When you look at some of the ones that were pointless - | 0:45:20 | 0:45:22 | |
-squabble, embezzle, then kibble was unlucky, I think. -Yeah. | 0:45:22 | 0:45:26 | |
But well done if you got it at home - | 0:45:26 | 0:45:27 | |
-and thank you for coming back, you've been terrific. -Thank you. | 0:45:27 | 0:45:30 | |
Thanks very much, Richard. | 0:45:30 | 0:45:32 | |
Unfortunately, we have to say goodbye to you, | 0:45:32 | 0:45:34 | |
but it's been fabulous having you on the show. | 0:45:34 | 0:45:36 | |
Thank you so much for playing. Paul and Carol. | 0:45:36 | 0:45:38 | |
APPLAUSE | 0:45:38 | 0:45:40 | |
-Well done, darling. -Join us next time, | 0:45:40 | 0:45:42 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:45:42 | 0:45:45 | |
-Meanwhile, it's goodbye from Richard... -Goodbye. | 0:45:45 | 0:45:47 | |
..and it's goodbye from me. Goodbye. | 0:45:47 | 0:45:49 | |
But first, playing us out with their new single, | 0:45:49 | 0:45:52 | |
it's Paul Heaton and Jacqui Abbott. | 0:45:52 | 0:45:53 | |
CHEERING | 0:45:53 | 0:45:56 | |
MUSIC: Real Hope by Paul Heaton & Jacqui Abbott | 0:45:58 | 0:46:01 | |
# She wanted her face to be famous | 0:46:08 | 0:46:12 | |
# So she dragged it off down to the smoke | 0:46:12 | 0:46:15 | |
# Where she went on a show where they turn dreams to gold | 0:46:15 | 0:46:20 | |
# And give real people false hope | 0:46:20 | 0:46:23 | |
# She needed the comfort She needed the cheer | 0:46:23 | 0:46:28 | |
# Her children had all flown the nest | 0:46:28 | 0:46:31 | |
# She desperately wanted to change her career | 0:46:31 | 0:46:35 | |
# To the thing that she felt she did best | 0:46:35 | 0:46:39 | |
# Giving real hope to false people | 0:46:39 | 0:46:45 | |
# Telling the world it can sing | 0:46:45 | 0:46:48 | |
# False hope to real folk | 0:46:50 | 0:46:52 | |
# You can sing, you can sing you can sing | 0:46:52 | 0:46:56 | |
# He worked in a shop where they hated his guts | 0:46:59 | 0:47:02 | |
# And lived in a house just the same | 0:47:02 | 0:47:06 | |
# And all that he ever requested in life | 0:47:06 | 0:47:10 | |
# Was no swearword prefixing his name | 0:47:10 | 0:47:14 | |
# He wanted the glory He wanted the fame | 0:47:14 | 0:47:18 | |
# In limelight he wanted to soak | 0:47:18 | 0:47:22 | |
# So he saved up the money and boarded the train | 0:47:22 | 0:47:26 | |
# To where they give plastic people real hope | 0:47:26 | 0:47:29 | |
# Giving real hope to false people | 0:47:29 | 0:47:35 | |
# Telling the world it can sing | 0:47:35 | 0:47:39 | |
# False hope to real folk | 0:47:39 | 0:47:43 | |
# You can sing, you can sing you can sing | 0:47:43 | 0:47:47 | |
# If you want it Don't tell us about it | 0:47:47 | 0:47:51 | |
# And if you don't get it, don't cry | 0:47:51 | 0:47:54 | |
# Just do as they say | 0:47:54 | 0:47:57 | |
# And follow your dreams | 0:47:57 | 0:47:59 | |
# A fool with the wings of a fly | 0:47:59 | 0:48:02 | |
# A fool with the wings of a fly | 0:48:02 | 0:48:07 | |
# Giving real hope to false people | 0:48:07 | 0:48:12 | |
# Telling the world it can sing | 0:48:12 | 0:48:16 | |
# False hope to real folk | 0:48:16 | 0:48:20 | |
# You can sing, you can sing you can sing | 0:48:20 | 0:48:24 | |
# Telling the world it can sing | 0:48:27 | 0:48:31 | |
# You can sing, you can sing you can sing. # | 0:48:35 | 0:48:40 | |
CHEERING AND APPLAUSE | 0:48:40 | 0:48:43 |