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CHEERING AND APPLAUSE | 0:00:21 | 0:00:24 | |
Thank you very much indeed. | 0:00:24 | 0:00:25 | |
Hello, I'm Alexander Armstrong, and welcome to | 0:00:25 | 0:00:27 | |
this special theatrical edition of Pointless Celebrities, | 0:00:27 | 0:00:30 | |
the show where the aim of the game is to avoid the obvious | 0:00:30 | 0:00:33 | |
and find the obscure. | 0:00:33 | 0:00:34 | |
Let's meet today's Pointless celebrities. | 0:00:34 | 0:00:36 | |
APPLAUSE | 0:00:36 | 0:00:41 | |
And couple number one. | 0:00:41 | 0:00:43 | |
Hello, I'm Clive Mantle and I'm the youngest of the long, | 0:00:43 | 0:00:46 | |
grey-haired juvenile leads on the show tonight. | 0:00:46 | 0:00:48 | |
Hi, I'm Connie Fisher. | 0:00:50 | 0:00:51 | |
I'm a musical theatre actress, | 0:00:51 | 0:00:53 | |
best known for playing Maria in The Sound of Music. | 0:00:53 | 0:00:55 | |
And couple number two. | 0:00:59 | 0:01:02 | |
Hello, I'm Les Dennis, and I have just finished playing King Arthur | 0:01:02 | 0:01:06 | |
in Monty Python's Spamalot, so consequently, I look down on him. | 0:01:06 | 0:01:10 | |
I'm Warwick Davis. I play Patsy, his manservant. | 0:01:11 | 0:01:14 | |
I know my place. | 0:01:14 | 0:01:16 | |
And couple number three. | 0:01:20 | 0:01:22 | |
Hello, I'm David Bradley, and I'm currently available for panto. | 0:01:22 | 0:01:27 | |
LAUGHTER | 0:01:27 | 0:01:29 | |
Hello, I'm Simon Williams. | 0:01:29 | 0:01:31 | |
I'm playing the part of Simon Williams tonight, | 0:01:31 | 0:01:33 | |
best known for playing Captain James in Upstairs, Downstairs. | 0:01:33 | 0:01:36 | |
A long time ago. | 0:01:36 | 0:01:37 | |
And finally, couple number four. | 0:01:40 | 0:01:43 | |
I'm Bill Kenwright, I'm a theatre and film producer | 0:01:43 | 0:01:46 | |
and I support the team that plays in blue and white in Liverpool. | 0:01:46 | 0:01:49 | |
Everton. | 0:01:51 | 0:01:53 | |
Hello, I'm Jenny Seagrove, I'm an actress. | 0:01:53 | 0:01:55 | |
I run the charity I'm trying to raise money for | 0:01:55 | 0:01:57 | |
and I'm an Everton supporter! | 0:01:57 | 0:01:59 | |
And these are today's contestants. Thanks, all of you. | 0:02:02 | 0:02:05 | |
We'll find out more about you throughout the show | 0:02:05 | 0:02:07 | |
as it goes along, so that just leaves one more person | 0:02:07 | 0:02:09 | |
for me to introduce - a man so clever, | 0:02:09 | 0:02:11 | |
he understood the end of Lost. | 0:02:11 | 0:02:13 | |
If there's a more obscure reference than that today, | 0:02:13 | 0:02:15 | |
he's bound to be impressed. | 0:02:15 | 0:02:17 | |
It's my Pointless friend, it's Richard. | 0:02:17 | 0:02:19 | |
Hiya. Hi, everybody. CHEERING | 0:02:19 | 0:02:22 | |
-Hiya. Good evening. -Good evening to you. | 0:02:22 | 0:02:26 | |
-This is fun. -Isn't it?! | 0:02:26 | 0:02:27 | |
But more importantly, not just fun, | 0:02:27 | 0:02:29 | |
I think there's a proper business proposition for us this evening. | 0:02:29 | 0:02:32 | |
-Oh, yeah? -We talk a lot about doing a Pointless film. | 0:02:32 | 0:02:35 | |
We talk about that a lot, and Denzel Washington's | 0:02:35 | 0:02:37 | |
-going to play me and various people are up for your role, but... -Yeah. | 0:02:37 | 0:02:41 | |
..we've got Bill Kenwright here, | 0:02:41 | 0:02:43 | |
who's one of the greatest producers in West End history. | 0:02:43 | 0:02:45 | |
I'm going to call him an impresario. | 0:02:45 | 0:02:47 | |
-That all right? You mind if I call you that? -That's good, yeah. | 0:02:47 | 0:02:50 | |
What about Pointless, The Musical? | 0:02:50 | 0:02:52 | |
Don't you think? In the West End? | 0:02:52 | 0:02:55 | |
We did talk about this with Sir Tim Rice when he was on. | 0:02:55 | 0:02:57 | |
He's going to write it, but he's not going to put it on. | 0:02:57 | 0:03:00 | |
We need someone who's going to produce the thing. | 0:03:00 | 0:03:02 | |
-Exactly. -Tim Rice writing it, Bill producing it. | 0:03:02 | 0:03:05 | |
You and I can do the music. Ahem... | 0:03:05 | 0:03:07 | |
-We'd be good doing the music. -We would be ace. Yeah. | 0:03:07 | 0:03:10 | |
You could play you, cos you're a good singer. | 0:03:10 | 0:03:12 | |
-Or Hugh Bonneville could. I know he's available. -That's better. | 0:03:12 | 0:03:16 | |
Hugh Bonneville as you. Les or Warwick as me. | 0:03:16 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:21 | |
I think we've got a little hit on our hands, don't you? | 0:03:21 | 0:03:24 | |
I think we have certainly got something on our hands. Yes. | 0:03:24 | 0:03:26 | |
Thanks very much indeed, Richard. | 0:03:26 | 0:03:29 | |
We've asked every question on Pointless | 0:03:29 | 0:03:31 | |
to 100 people before the show. | 0:03:31 | 0:03:32 | |
As ever, the aim of the game is to find a pointless answer, | 0:03:32 | 0:03:34 | |
that being an answer that none of our 100 people gave. | 0:03:34 | 0:03:37 | |
Each time that happens, we will add 250 quid to the jackpot. | 0:03:37 | 0:03:39 | |
As today's show is a celebrity special, | 0:03:39 | 0:03:41 | |
and each of our celebrities is playing for a nominated charity, | 0:03:41 | 0:03:44 | |
we start off with a jackpot of £2,500. | 0:03:44 | 0:03:49 | |
There we are. | 0:03:49 | 0:03:50 | |
APPLAUSE | 0:03:50 | 0:03:52 | |
Right, if everyone's ready, let's play Pointless. | 0:03:52 | 0:03:55 | |
OK, remember, the pair with the highest score will be eliminated | 0:03:59 | 0:04:02 | |
at the end of the round and there is to be no conferring. | 0:04:02 | 0:04:04 | |
Our first category today is... | 0:04:04 | 0:04:06 | |
Words. Can you decide in your pairs who will go first and second? | 0:04:09 | 0:04:13 | |
Whoever's going first, please step up to the podium. | 0:04:13 | 0:04:16 | |
OK, let's find out what the question is. | 0:04:19 | 0:04:21 | |
We gave 100 people 100 seconds to name as many... | 0:04:21 | 0:04:25 | |
..as they could. | 0:04:28 | 0:04:30 | |
Words ending in A-I-L. Richard. | 0:04:30 | 0:04:31 | |
We're looking for any word that has its own entry | 0:04:31 | 0:04:34 | |
in the Oxford Dictionary of English which ends A-I-L. | 0:04:34 | 0:04:36 | |
Please, as always, no hyphenated words or abbreviations, | 0:04:36 | 0:04:39 | |
or proper nouns, anything like that. | 0:04:39 | 0:04:41 | |
Just any word ending in A-I-L. | 0:04:41 | 0:04:43 | |
There are plenty on the list, so very, very best of luck. | 0:04:43 | 0:04:45 | |
Connie and Clive, you all drew lots before the show | 0:04:45 | 0:04:47 | |
and today, you're going to go first. | 0:04:47 | 0:04:49 | |
Connie, welcome to Pointless. | 0:04:49 | 0:04:51 | |
It's lovely to have you here. | 0:04:51 | 0:04:53 | |
I suppose most people know you from | 0:04:53 | 0:04:55 | |
The Sound of Music, playing Maria. | 0:04:55 | 0:04:57 | |
And that was seven years ago, when I won the show. | 0:04:57 | 0:04:59 | |
Get out of town! Seven years? | 0:04:59 | 0:05:01 | |
-I've got grey hairs now! -You have not! | 0:05:01 | 0:05:05 | |
You've strayed into television. | 0:05:05 | 0:05:06 | |
You've been on Casualty, haven't you? | 0:05:06 | 0:05:08 | |
I have, I was on Casualty last year, playing Amanda. | 0:05:08 | 0:05:13 | |
And that was great fun. | 0:05:13 | 0:05:14 | |
I returned, and then she went to live in the Wirral. | 0:05:14 | 0:05:16 | |
How did you find it? Compared to being on stage, what's it like? | 0:05:16 | 0:05:19 | |
-It's so different... -It's a doss, isn't it? | 0:05:19 | 0:05:21 | |
Telly acting, I mean, really. | 0:05:21 | 0:05:23 | |
I trained as a musical theatre actress | 0:05:23 | 0:05:25 | |
at Mountview Academy in London, | 0:05:25 | 0:05:26 | |
and working on TV was a whole new world, | 0:05:26 | 0:05:28 | |
so it's a real skill in itself. | 0:05:28 | 0:05:31 | |
But I now also run the Connie Fisher Academy, for musical theatre, | 0:05:31 | 0:05:34 | |
so that's quite a new venture for me, as well. So I'm also a teacher! | 0:05:34 | 0:05:38 | |
-Very exciting! How many people have you got? -Gosh, about 30 in April, | 0:05:38 | 0:05:42 | |
around Easter, and then in the summer, as well. | 0:05:42 | 0:05:45 | |
OK, now, Connie, we need a word ending A-I-L. | 0:05:45 | 0:05:48 | |
Wow, OK. All of a sudden, I get on here and I can't spell. | 0:05:49 | 0:05:53 | |
Curtail. | 0:05:53 | 0:05:54 | |
What a lovely answer. | 0:05:55 | 0:05:57 | |
Oh, she's good. Connie said curtail. | 0:05:57 | 0:05:59 | |
Let's see if it's right. If it is, | 0:05:59 | 0:06:00 | |
let's see how many of our 100 people said curtail. | 0:06:00 | 0:06:03 | |
Oh, it's right! | 0:06:05 | 0:06:06 | |
It's right. That's the first thing I should have said. | 0:06:06 | 0:06:09 | |
Well done for that. | 0:06:09 | 0:06:10 | |
But look at it. Down it goes! | 0:06:10 | 0:06:11 | |
Still going down. Wow! | 0:06:11 | 0:06:13 | |
Well done! | 0:06:13 | 0:06:15 | |
Seven for curtail, Connie. | 0:06:15 | 0:06:17 | |
Very well played, Connie. | 0:06:19 | 0:06:21 | |
Curtail, as in, "The Pointless Musical was curtailed | 0:06:21 | 0:06:23 | |
"after three performances due to poor ticket sales." | 0:06:23 | 0:06:26 | |
LAUGHTER | 0:06:26 | 0:06:28 | |
Now, Les and Warwick, who wants to go first? | 0:06:28 | 0:06:30 | |
I'm going to go first. | 0:06:30 | 0:06:32 | |
You're going to go first. | 0:06:32 | 0:06:34 | |
You've just, literally just, finished being the King... | 0:06:34 | 0:06:37 | |
-We finished last week. -Wow! | 0:06:37 | 0:06:39 | |
I finished playing King Arthur and had a great time with Warwick. | 0:06:39 | 0:06:42 | |
-Didn't we have a good time? -We did. Best job I've ever had, I think. | 0:06:42 | 0:06:46 | |
Yeah. It's just a joy to do, such a great show to do. | 0:06:46 | 0:06:48 | |
Then your other great triumph this year, | 0:06:48 | 0:06:50 | |
you were runner-up in Celebrity MasterChef. | 0:06:50 | 0:06:52 | |
-I was, absolutely. -You were so good in that. | 0:06:52 | 0:06:55 | |
Thank you! Eventually! I started off badly, | 0:06:55 | 0:06:57 | |
with the bread-and-butter pudding, but I got better. | 0:06:57 | 0:06:59 | |
Now, Les, words ending A-I-L. | 0:06:59 | 0:07:02 | |
Yeah. I've got a couple, but I'm going to risk it, because I know | 0:07:02 | 0:07:07 | |
this is a French word, but I think it is an English word as well. | 0:07:07 | 0:07:10 | |
Travail. | 0:07:10 | 0:07:11 | |
Travail, says Les. Let's see if it's right, | 0:07:11 | 0:07:13 | |
let's see how many of our 100 people said travail. | 0:07:13 | 0:07:15 | |
It is right. Very well done, Les. | 0:07:17 | 0:07:18 | |
Well, Connie scored seven, with curtail. | 0:07:18 | 0:07:21 | |
Travail passes at six! | 0:07:23 | 0:07:24 | |
Great score, Les. | 0:07:29 | 0:07:31 | |
Yeah, to engage in painful or laborious effort is travail. | 0:07:31 | 0:07:36 | |
Much as Act Three of | 0:07:36 | 0:07:37 | |
Pointless The Musical might be described. | 0:07:37 | 0:07:40 | |
Yeah, it drags a little at the moment, doesn't it? | 0:07:40 | 0:07:42 | |
-Yeah, don't worry. -But, yeah, terrific start. | 0:07:42 | 0:07:44 | |
Six and seven on those first two podiums. | 0:07:44 | 0:07:46 | |
-Thank you very much indeed, Richard. Now, Simon. -Hello. -Welcome. | 0:07:46 | 0:07:49 | |
Welcome back, I should say, to Pointless. You were on last time. | 0:07:49 | 0:07:53 | |
-You didn't cover yourself in glory last time. -I was robbed! | 0:07:53 | 0:07:57 | |
-LAUGHTER -I was playing with Colin Baker, | 0:07:57 | 0:08:00 | |
who didn't really serve... | 0:08:00 | 0:08:01 | |
No, I messed up. I messed up. It has to be faced. | 0:08:01 | 0:08:05 | |
Most recently been on stage in Chariots Of Fire. | 0:08:05 | 0:08:08 | |
Not running, I have to... | 0:08:08 | 0:08:09 | |
No, you were the Master of Caius College. | 0:08:09 | 0:08:12 | |
A more sedate role. When did that finish? | 0:08:12 | 0:08:15 | |
That finished earlier in the year | 0:08:15 | 0:08:16 | |
and it was the happiest company ever. | 0:08:16 | 0:08:18 | |
You couldn't believe it, to have 20 people running round | 0:08:18 | 0:08:22 | |
the old theatre, the old Gielgud, it was wonderful. | 0:08:22 | 0:08:24 | |
-Now, then, Simon. -Yes. -We want an answer from you. Look at the scores. | 0:08:24 | 0:08:28 | |
They're tending in a direction. It's down. Seven, six, and then you. | 0:08:28 | 0:08:33 | |
Yes. | 0:08:34 | 0:08:35 | |
I want to go with avail. | 0:08:37 | 0:08:41 | |
Avail, says Simon. | 0:08:41 | 0:08:43 | |
OK, let's see if that's right, | 0:08:43 | 0:08:44 | |
let's see how many of our 100 people said avail. | 0:08:44 | 0:08:47 | |
It's right! | 0:08:49 | 0:08:50 | |
Seven! Well done, Simon. | 0:08:55 | 0:08:58 | |
There or thereabouts. | 0:09:00 | 0:09:01 | |
Seven, pretty good. | 0:09:01 | 0:09:02 | |
Very well played, Simon. | 0:09:02 | 0:09:03 | |
Yeah, as in, "We'll draw 'avail' over the reviews | 0:09:03 | 0:09:06 | |
"for the first night of Pointless The Musical." | 0:09:06 | 0:09:08 | |
-Yeah. -No, not that avail at all. | 0:09:08 | 0:09:11 | |
Thanks very much, Richard. Now, Jenny, | 0:09:11 | 0:09:13 | |
one of our most acclaimed theatre actresses. | 0:09:13 | 0:09:16 | |
-You are a stalwart of the West End. -I love it. | 0:09:16 | 0:09:19 | |
It all started off with Local Hero. What an excellent film that was. | 0:09:19 | 0:09:22 | |
It was also joyous to make. Absolutely joyous. | 0:09:22 | 0:09:25 | |
Beautiful film to make. | 0:09:25 | 0:09:26 | |
-How long were you based up there? -Oh, a couple of months. | 0:09:26 | 0:09:29 | |
-Couple of months. -But one of the scenes was so cold, | 0:09:29 | 0:09:31 | |
I had to reshoot it, cos I came out blue. Yeah. | 0:09:31 | 0:09:34 | |
-Only in one scene? -I was swimming in the North Atlantic in May | 0:09:34 | 0:09:39 | |
and we had to literally reshoot cos I was blue with cold. | 0:09:39 | 0:09:41 | |
When you came out blue, was that the first time Bill thought, | 0:09:41 | 0:09:44 | |
-"Hang on a minute..."? -Probably, yes. Probably. | 0:09:44 | 0:09:46 | |
"There's an Evertonian here!" | 0:09:46 | 0:09:49 | |
Now then, Jenny, A-I-L. | 0:09:49 | 0:09:51 | |
A word ending A-I-L. | 0:09:51 | 0:09:53 | |
OK, it's a risk, because it might not be allowed. | 0:09:53 | 0:09:56 | |
But if it is allowed, it might be a good one, | 0:09:56 | 0:09:59 | |
so I'm going to go Shakespearean | 0:09:59 | 0:10:01 | |
-and say wassail. -Wassail. | 0:10:01 | 0:10:03 | |
Let's find out if wassail is correct | 0:10:03 | 0:10:05 | |
and let's see how many people said it. | 0:10:05 | 0:10:07 | |
-Look at that. -Made me wait for it. | 0:10:09 | 0:10:11 | |
Well, six is our lowest score so far, | 0:10:11 | 0:10:13 | |
with travail. | 0:10:13 | 0:10:16 | |
Eight for wassail! | 0:10:16 | 0:10:17 | |
Aww! | 0:10:17 | 0:10:19 | |
Eight for wassail. | 0:10:22 | 0:10:24 | |
Yeah, it's essentially a spiced wine, or spiced ale. | 0:10:24 | 0:10:27 | |
Thanks very much indeed. | 0:10:27 | 0:10:28 | |
Halfway through the round, let's look at the scores. | 0:10:28 | 0:10:31 | |
The best score of that pass was yours, Les. Very well done. | 0:10:31 | 0:10:33 | |
Six, putting you and Warwick in | 0:10:33 | 0:10:35 | |
a very strong position | 0:10:35 | 0:10:36 | |
at this stage. Up to seven, | 0:10:36 | 0:10:37 | |
where we find Connie, Clive and Simon and David. | 0:10:37 | 0:10:40 | |
Then, eight, where we find Jenny and Bill. | 0:10:40 | 0:10:42 | |
Bill, you don't need me to tell you, it's very close. | 0:10:42 | 0:10:45 | |
We need a nice low score from you, if you're to survive. | 0:10:45 | 0:10:48 | |
We'll come back down the line. | 0:10:48 | 0:10:49 | |
Second players, please step up to the podium. | 0:10:49 | 0:10:51 | |
OK, now, Bill. We are looking for words ending in A-I-L. | 0:10:54 | 0:10:57 | |
But before that, shall we take a trip down memory lane? | 0:10:57 | 0:11:01 | |
I did a play for Bill, what, 11 years ago? | 0:11:01 | 0:11:03 | |
I think it got the worst reviews... | 0:11:03 | 0:11:06 | |
In history! | 0:11:06 | 0:11:08 | |
-..I have literally ever, ever seen. -Really? What was it? | 0:11:08 | 0:11:12 | |
It was in the Evening Standard... | 0:11:12 | 0:11:13 | |
Yeah, he didn't like it, did he? | 0:11:13 | 0:11:15 | |
..and it started off with, | 0:11:15 | 0:11:17 | |
"This is possibly my worst experience ever in the theatre." | 0:11:17 | 0:11:21 | |
And then it went downhill from there, didn't it? | 0:11:21 | 0:11:23 | |
Oh, that was the nice bit. | 0:11:23 | 0:11:24 | |
-Was it your West End debut? -It was! | 0:11:24 | 0:11:26 | |
It was my West End debut. Yes. And, so far, my only West End appearance. | 0:11:26 | 0:11:29 | |
But... | 0:11:29 | 0:11:31 | |
Until Pointless, The Musical, Bill. | 0:11:31 | 0:11:33 | |
I remember Bill coming to our dressing room, | 0:11:33 | 0:11:35 | |
telling us about this new youngster he'd found called Wayne Rooney. | 0:11:35 | 0:11:38 | |
-That was exciting. -Absolutely right. | 0:11:38 | 0:11:40 | |
-Ten years ago. -Very exciting indeed. | 0:11:40 | 0:11:42 | |
Now he's in Sound of Music, isn't he? He's very good. | 0:11:42 | 0:11:44 | |
-LAUGHTER -As Liesl. -Yeah. | 0:11:44 | 0:11:46 | |
-He's terrific. -Now, Bill, what will you go for? | 0:11:46 | 0:11:49 | |
Can I think aloud? | 0:11:49 | 0:11:51 | |
-No, cos you'll give answers away to other people. -Um... | 0:11:51 | 0:11:55 | |
-Derail. -Derail. No red line for you, | 0:11:56 | 0:11:59 | |
as you are the high scorers. Let's hope derail | 0:11:59 | 0:12:01 | |
goes down as far as possible. | 0:12:01 | 0:12:03 | |
Let's see how many of our 100 people said derail. | 0:12:03 | 0:12:05 | |
It's right. | 0:12:08 | 0:12:09 | |
Not bad at all, Bill! Ten! | 0:12:14 | 0:12:16 | |
Ten takes your total | 0:12:18 | 0:12:19 | |
up to 18. | 0:12:19 | 0:12:21 | |
A train or tram leaving the tracks accidentally. | 0:12:21 | 0:12:23 | |
-Very well played. -Thanks very much, indeed. | 0:12:23 | 0:12:27 | |
Now, David, welcome to Pointless. Great to have you here. | 0:12:27 | 0:12:30 | |
Now, you have a CV that is just... When I go back and | 0:12:30 | 0:12:33 | |
show my kids, they're going to be so impressed. | 0:12:33 | 0:12:36 | |
Obviously, we've got Broadchurch, Harry Potter, | 0:12:36 | 0:12:39 | |
World's End, Hot Fuzz, Game of Thrones. | 0:12:39 | 0:12:43 | |
And, of course, an acclaimed theatre actor, as well. | 0:12:43 | 0:12:45 | |
Which do you prefer? Theatre or telly or film? | 0:12:45 | 0:12:49 | |
Well, I like the variation. | 0:12:49 | 0:12:51 | |
I'm enjoying doing more screen work, lately, | 0:12:51 | 0:12:54 | |
but I think most actors would say | 0:12:54 | 0:12:56 | |
they prefer what we call... shouting in the evenings. | 0:12:56 | 0:13:00 | |
LAUGHTER | 0:13:00 | 0:13:01 | |
And the most fun is playing a variety of characters. | 0:13:01 | 0:13:06 | |
The fact that I play them all the same is beside the point. | 0:13:07 | 0:13:10 | |
LAUGHTER | 0:13:10 | 0:13:12 | |
But it is the variety and the tragicomic roles which are the best. | 0:13:12 | 0:13:18 | |
Very good. Now, David, we can't put the moment off any further. | 0:13:18 | 0:13:21 | |
We need a word ending A-I-L. | 0:13:21 | 0:13:23 | |
It's been a very low scoring round, | 0:13:23 | 0:13:26 | |
but we have a high scorer. | 0:13:26 | 0:13:27 | |
Bill and Jenny are our high scorers over there on 18. | 0:13:27 | 0:13:30 | |
If you can score ten or less, | 0:13:30 | 0:13:33 | |
you are definitely through to the next round. | 0:13:33 | 0:13:36 | |
I'm going to have a go at... | 0:13:36 | 0:13:38 | |
entrail. | 0:13:38 | 0:13:40 | |
Entrail. | 0:13:40 | 0:13:42 | |
Entrail, says David. There's your red line, David. | 0:13:42 | 0:13:44 | |
If you get below that with entrail, | 0:13:44 | 0:13:46 | |
you're through to the next round, for sure. | 0:13:46 | 0:13:48 | |
Let's see how many of our 100 people said entrail. | 0:13:48 | 0:13:50 | |
Surely? | 0:13:56 | 0:13:57 | |
I'm really sorry. I have no idea why, | 0:13:58 | 0:14:00 | |
but I'm really sorry. | 0:14:00 | 0:14:03 | |
100 points. Richard, why? | 0:14:03 | 0:14:05 | |
One of those rare words | 0:14:05 | 0:14:07 | |
that only exists as a plural. Entrails, I'm afraid. | 0:14:07 | 0:14:09 | |
-Oh! -You wouldn't think it, would you? | 0:14:09 | 0:14:12 | |
-Oh, no. -Isn't that extraordinary? | 0:14:12 | 0:14:13 | |
-BILL: -That's horrible. -Oh, that's horrible. | 0:14:13 | 0:14:15 | |
-JENNY: -Can we start again, please? | 0:14:15 | 0:14:17 | |
That's eviscerating, isn't it? | 0:14:17 | 0:14:19 | |
-Wow! -That's awful. | 0:14:19 | 0:14:21 | |
OK, now, Warwick... | 0:14:21 | 0:14:23 | |
-Yes. -Welcome to the show. | 0:14:23 | 0:14:25 | |
So were you in Spamalot exactly the same amount of time as Les, | 0:14:25 | 0:14:29 | |
or were you when it a bit longer? Did you overlap? | 0:14:29 | 0:14:31 | |
I was in it slightly less time than Les was. But, yeah, | 0:14:31 | 0:14:35 | |
I had a ball, actually. It was my West End debut. | 0:14:35 | 0:14:37 | |
And I just absolutely loved it. | 0:14:37 | 0:14:40 | |
The audiences were fantastic. | 0:14:40 | 0:14:42 | |
We just had fantastic material anyway in the show. | 0:14:42 | 0:14:45 | |
Monty Python have written such great stuff. | 0:14:45 | 0:14:48 | |
And I hadn't really done any singing on stage, either. | 0:14:48 | 0:14:51 | |
So I was a little out of my comfort zone. | 0:14:51 | 0:14:53 | |
How was the voice? Did you find you were battling it, or...? | 0:14:53 | 0:14:57 | |
I worked with a great MD, who had faith in me. | 0:14:57 | 0:15:00 | |
I was like, "I'm not a singer." He was like, "You can do it." | 0:15:00 | 0:15:03 | |
And if you have that confidence, that's all you need. | 0:15:03 | 0:15:05 | |
If you just go out there and take that leap of faith and do it, | 0:15:05 | 0:15:08 | |
-you can surprise yourself. -Wonderful. Listen, Warwick, | 0:15:08 | 0:15:11 | |
-words ending A-I-L. -I'm going to go with something | 0:15:11 | 0:15:14 | |
-fairly appropriate to Les and I at the moment. Grail. -Ah! -Grail. | 0:15:14 | 0:15:18 | |
Let's see if that's right, and if it is, | 0:15:18 | 0:15:20 | |
let's see how many of our 100 people... | 0:15:20 | 0:15:21 | |
No red line for you, as you're already through. | 0:15:21 | 0:15:23 | |
It's right. | 0:15:26 | 0:15:27 | |
16. | 0:15:31 | 0:15:33 | |
16 takes your total up to 22, | 0:15:35 | 0:15:37 | |
-but you were through anyhow. Well done. -Well played. | 0:15:37 | 0:15:40 | |
As in the Holy Grail, and it's come to mean | 0:15:40 | 0:15:42 | |
something which is eagerly pursued. | 0:15:42 | 0:15:44 | |
Clive. Clive. | 0:15:44 | 0:15:47 | |
Welcome to Pointless. Great to have you here. | 0:15:47 | 0:15:49 | |
An award-winning... | 0:15:49 | 0:15:50 | |
Actually, Lennie in Of Mice and Men, | 0:15:50 | 0:15:53 | |
it's quite a good part to play to get awards. | 0:15:53 | 0:15:55 | |
It is, yeah. Most people who play it | 0:15:55 | 0:15:57 | |
get an award of some sort or another, yes. | 0:15:57 | 0:15:59 | |
It was early on in my career. | 0:15:59 | 0:16:01 | |
1984. It's a long time ago. | 0:16:01 | 0:16:04 | |
It's all been downhill since then, I'm afraid! | 0:16:04 | 0:16:06 | |
Well, you've been in The Ladykillers most recently. | 0:16:06 | 0:16:08 | |
Yes. On stage, most recently in The Ladykillers, yeah. | 0:16:08 | 0:16:12 | |
Anyhow, Clive, the great news is, | 0:16:12 | 0:16:14 | |
you have to score 99 or less to stay in the game. | 0:16:14 | 0:16:18 | |
I think you might just do that. | 0:16:18 | 0:16:20 | |
-OK, I'm going to go obvious with snail. -Snail. | 0:16:20 | 0:16:24 | |
Let's see if that's right. | 0:16:24 | 0:16:25 | |
If it is, let's see how many people said snail. | 0:16:25 | 0:16:27 | |
There's your red line. | 0:16:27 | 0:16:28 | |
There we are. Very well done. | 0:16:30 | 0:16:32 | |
Through you go to Round Two. | 0:16:32 | 0:16:34 | |
19! | 0:16:36 | 0:16:38 | |
19 takes your total up to 26. | 0:16:38 | 0:16:40 | |
Yes, took it very safely there at the end. Very well done. | 0:16:44 | 0:16:46 | |
There's lots of pointless answers out there. | 0:16:46 | 0:16:48 | |
There's lots of well-known words that are pointless answers. | 0:16:48 | 0:16:51 | |
-What was your...? -Taffrail. | 0:16:51 | 0:16:54 | |
-OK. Would have scored you one point. -No! -Yeah. | 0:16:54 | 0:16:57 | |
-Really? -Taffrail? | 0:16:57 | 0:16:59 | |
Taffrail. Lots of pointless answers, and lots of them | 0:16:59 | 0:17:01 | |
are the ones that are two words together. | 0:17:01 | 0:17:03 | |
Let's take a look at a few of them. | 0:17:03 | 0:17:05 | |
Fantail would have been a pointless answer. | 0:17:06 | 0:17:08 | |
Handrail, I didn't do, because I went for taffrail instead! | 0:17:08 | 0:17:10 | |
I thought handrail would be much more obvious. | 0:17:10 | 0:17:13 | |
I think people think handrail is two words. | 0:17:13 | 0:17:15 | |
But it's not. Hightail would have been a pointless answer. | 0:17:15 | 0:17:19 | |
Hobnail is a pointless answer. | 0:17:19 | 0:17:21 | |
Mocktail, which is what squirrel bullies do... | 0:17:21 | 0:17:24 | |
You could have had outsail, | 0:17:24 | 0:17:26 | |
would have been a pointless answer. | 0:17:26 | 0:17:29 | |
Pigtail is a pointless answer. | 0:17:29 | 0:17:31 | |
Thumbnail and voicemail, as well. | 0:17:31 | 0:17:35 | |
I thought of pigtail. I didn't do it, | 0:17:35 | 0:17:36 | |
cos I thought it had a hyphen. | 0:17:36 | 0:17:38 | |
It's a risky one to go for, isn't it? | 0:17:38 | 0:17:40 | |
If you needed a pointless answer, | 0:17:40 | 0:17:42 | |
it might have been one to go for. | 0:17:42 | 0:17:43 | |
There's a few others that were pointless. | 0:17:43 | 0:17:45 | |
You could have had doornail, you could have had ducktail, | 0:17:45 | 0:17:47 | |
foxtail, horntail, you could have had. | 0:17:47 | 0:17:51 | |
Webmail, swallowtail, springtail. | 0:17:51 | 0:17:53 | |
But I have to say, entrail seems enormously unlucky to me. | 0:17:53 | 0:17:58 | |
-Cruel, cruel. -Bad luck. -If ever there's a situation | 0:17:58 | 0:18:00 | |
where someone has got to come back on the show, it's that. | 0:18:00 | 0:18:04 | |
I'm not having that being your only appearance. It's unacceptable. | 0:18:04 | 0:18:07 | |
-Absolutely unacceptable. -You're on. -Definitely got to come back. | 0:18:07 | 0:18:10 | |
Well, thanks very much indeed, Richard. | 0:18:10 | 0:18:13 | |
The pair leaving us at the end of the first round, | 0:18:13 | 0:18:15 | |
with the high score - not that high - of 107, | 0:18:15 | 0:18:17 | |
I'm afraid it's David and Simon. | 0:18:17 | 0:18:19 | |
-Oh, Simon again! -Again! | 0:18:19 | 0:18:21 | |
What is it with you?! | 0:18:21 | 0:18:23 | |
It's you who's put the mockers on it! | 0:18:23 | 0:18:25 | |
Oh, dear. I'm so sorry. | 0:18:25 | 0:18:27 | |
You'll just have to come back. | 0:18:27 | 0:18:28 | |
It's been wonderful having you on the show. | 0:18:28 | 0:18:30 | |
Thank you for playing. David and Simon! | 0:18:30 | 0:18:32 | |
CHEERING | 0:18:32 | 0:18:34 | |
But for the remaining three pairs, it's now time for Round Two. | 0:18:36 | 0:18:39 | |
So three pairs remain. | 0:18:43 | 0:18:44 | |
Sadly, we'll have to say goodbye to another pair | 0:18:44 | 0:18:47 | |
at the end of this round. | 0:18:47 | 0:18:48 | |
I wouldn't like to say which pair that's going to be. | 0:18:48 | 0:18:50 | |
Do you know, we've played so many words rounds. | 0:18:50 | 0:18:53 | |
I don't think we've ever had | 0:18:53 | 0:18:54 | |
such a consistently low scoring round. | 0:18:54 | 0:18:56 | |
Very well done. | 0:18:56 | 0:18:58 | |
Best of luck to all three pairs. Our category for Round Two is... | 0:18:58 | 0:19:01 | |
Fictional Characters. | 0:19:04 | 0:19:06 | |
Can you all decide in your pairs who'll go first, who'll go second? | 0:19:06 | 0:19:09 | |
Whoever's going first, please step up to the podium. | 0:19:09 | 0:19:11 | |
OK, and the question concerns... | 0:19:14 | 0:19:17 | |
Forbes Fictional 15 Rich List. | 0:19:22 | 0:19:24 | |
Don't panic. Don't panic. | 0:19:24 | 0:19:26 | |
Forbes magazine, every year, they do lots of rich lists. | 0:19:26 | 0:19:29 | |
They do richest people in sport, richest people in television. | 0:19:29 | 0:19:33 | |
One thing they also do, just for a bit of fun, they work out | 0:19:33 | 0:19:35 | |
who would be the richest fictional character there's ever been. | 0:19:35 | 0:19:38 | |
Characters from novels, films, TV, that sort of thing. | 0:19:38 | 0:19:40 | |
We'll just show you six descriptions of | 0:19:40 | 0:19:42 | |
fictional characters on each pass, of someone who's been on that list. | 0:19:42 | 0:19:45 | |
You just have to tell us who fits that description, please. | 0:19:45 | 0:19:48 | |
It's going to be six on each pass, 12 in all to have a go at at home. | 0:19:48 | 0:19:51 | |
Thanks very much, Richard. | 0:19:51 | 0:19:52 | |
Remember, we're looking for the characters on the | 0:19:52 | 0:19:55 | |
Forbes Fictional 15 Rich List, described by these clues. | 0:19:55 | 0:19:57 | |
Here's our first board of six... | 0:19:57 | 0:19:59 | |
I will read those again, and I promise it'll be quicker. | 0:20:29 | 0:20:31 | |
There we are. | 0:20:56 | 0:20:57 | |
Six characters who feature in the Forbes Fictional 15 Rich List. | 0:20:57 | 0:21:01 | |
Clive. Over to you. That's quite fun, isn't it? | 0:21:01 | 0:21:05 | |
It is fun. Sadly, I only know two of them, | 0:21:05 | 0:21:07 | |
and they're the most obvious ones. | 0:21:07 | 0:21:10 | |
So I'm going to go with | 0:21:10 | 0:21:12 | |
second from bottom, | 0:21:12 | 0:21:13 | |
Gene Hackman played Lex Luthor. | 0:21:13 | 0:21:15 | |
Lex Luthor, says Clive. Let's see if that's right, | 0:21:15 | 0:21:18 | |
and if it is, let's see how many of our 100 people said Lex Luthor. | 0:21:18 | 0:21:21 | |
It's right. | 0:21:24 | 0:21:25 | |
53. | 0:21:28 | 0:21:29 | |
Well, we'll discover how good a score that is. 53 for Lex Luthor. | 0:21:33 | 0:21:37 | |
Yeah, Lex Luthor, worth 4.7 billion, apparently, | 0:21:37 | 0:21:40 | |
due to his many investments in new technologies. | 0:21:40 | 0:21:43 | |
-Yeah. -Yeah. | 0:21:43 | 0:21:45 | |
-Warwick. -Yes. | 0:21:45 | 0:21:46 | |
What do you make of the board, Warwick? | 0:21:46 | 0:21:49 | |
There's some obvious ones, to me, | 0:21:49 | 0:21:50 | |
but then...are they the obvious ones to the 100 people you asked? | 0:21:50 | 0:21:54 | |
I don't think that people will know his full name, | 0:21:54 | 0:21:58 | |
so I'm going to go for the character played by Robert Downey Jr. | 0:21:58 | 0:22:02 | |
Tony Stark. | 0:22:02 | 0:22:03 | |
Tony Stark. I think this is going to be a good score, Warwick. | 0:22:03 | 0:22:06 | |
Let's see how many of our 100 people said Tony Stark. | 0:22:06 | 0:22:08 | |
It's right. | 0:22:11 | 0:22:12 | |
Passes 53. | 0:22:14 | 0:22:15 | |
23. Very well done. | 0:22:16 | 0:22:18 | |
Well played, Warwick. He's got a net worth of 8.8 billion. | 0:22:23 | 0:22:26 | |
Firstly, from arms manufacturing, and then from energy projects. | 0:22:26 | 0:22:30 | |
Thanks very much indeed. Now, Jenny, | 0:22:30 | 0:22:33 | |
you're the last person to have this board. | 0:22:33 | 0:22:35 | |
If you wanted, you could talk us through it and fill in the blanks. | 0:22:35 | 0:22:38 | |
No, no, no! | 0:22:38 | 0:22:40 | |
My brain knows the top answer, | 0:22:40 | 0:22:41 | |
but it won't bring it to me. | 0:22:41 | 0:22:43 | |
I'm really sorry, the only one I know is the most obvious one | 0:22:43 | 0:22:46 | |
and it's going to get us a shedload of points, | 0:22:46 | 0:22:49 | |
but I've got to say it, and it's Cruella de Vil. | 0:22:49 | 0:22:51 | |
Cruella de Vil. And that's... | 0:22:51 | 0:22:53 | |
I have to ask you, which one is that? | 0:22:53 | 0:22:56 | |
-That's the Disney movie. -Indeed. | 0:22:56 | 0:22:59 | |
Sorry, Bill. Sorry. | 0:22:59 | 0:23:01 | |
101 Dalmatians, Cruella de Vil, says Jenny. | 0:23:01 | 0:23:04 | |
Let's see if that's right and, if it is, | 0:23:04 | 0:23:06 | |
let's see how many of our 100 people said Cruella de Vil. | 0:23:06 | 0:23:08 | |
At least it's right. | 0:23:11 | 0:23:13 | |
62. Not bad. | 0:23:13 | 0:23:14 | |
Not bad at all, Jenny. 62 for Cruella de Vil. | 0:23:16 | 0:23:19 | |
Not a terrible score. She's got a net worth of | 0:23:19 | 0:23:21 | |
875 million, Cruella de Vil. | 0:23:21 | 0:23:23 | |
Let's fill in the rest of this board. | 0:23:23 | 0:23:25 | |
Jenny, I think you do know the top one... | 0:23:27 | 0:23:28 | |
-I can't think of it. -Exactly. | 0:23:28 | 0:23:30 | |
-It's Jay Gatsby... -Thank you. -..from The Great Gatsby. | 0:23:30 | 0:23:32 | |
And that would have scored you 12 points. | 0:23:32 | 0:23:35 | |
The Springfield Power Plant owner? | 0:23:35 | 0:23:37 | |
-Montgomery Burns. -It is. | 0:23:37 | 0:23:38 | |
Charles Montgomery Burns, C Montgomery Burns. | 0:23:38 | 0:23:40 | |
Montgomery Burns. 17 points. | 0:23:40 | 0:23:42 | |
And there's a pointless answer there. | 0:23:42 | 0:23:44 | |
The wealthy protector who features in the comic strip Little Orphan Annie? | 0:23:44 | 0:23:47 | |
-BILL: -Daddy Warbucks. | 0:23:47 | 0:23:49 | |
What's his name, though? Full name. OW, we're looking for. | 0:23:49 | 0:23:52 | |
Owen? | 0:23:53 | 0:23:55 | |
It's Oliver Warbucks. | 0:23:55 | 0:23:57 | |
Oliver Warbucks. | 0:23:57 | 0:23:59 | |
Very, very well done if you said that at home. | 0:23:59 | 0:24:01 | |
Thanks. We're halfway through the round. Let's look at the scores. | 0:24:01 | 0:24:03 | |
23, the best score of that pass. | 0:24:03 | 0:24:05 | |
Well done, Les and Warwick, | 0:24:05 | 0:24:07 | |
looking pretty strong. | 0:24:07 | 0:24:09 | |
Then up to 53, Clive and Connie. | 0:24:09 | 0:24:10 | |
And you're not that far in front, Jenny. Only nine points ahead. | 0:24:10 | 0:24:14 | |
Jenny and Bill on 62. | 0:24:14 | 0:24:16 | |
So, Bill, another low score from you | 0:24:16 | 0:24:17 | |
-will be enough to keep you in the game. -Entrail. | 0:24:17 | 0:24:20 | |
LAUGHTER | 0:24:20 | 0:24:22 | |
Best of luck with that. We'll come back down the line. | 0:24:22 | 0:24:24 | |
Second players, please take your places at the podium. | 0:24:24 | 0:24:27 | |
Let's put six more clues up on the board, and here they are. | 0:24:30 | 0:24:33 | |
We have got... | 0:24:33 | 0:24:35 | |
I'll read those all one last time. | 0:25:04 | 0:25:06 | |
There we are. Bill, remember, we are looking for the character | 0:25:29 | 0:25:32 | |
described by these clues, and you're going to try and find | 0:25:32 | 0:25:35 | |
the one you think the fewest of our 100 people knew. | 0:25:35 | 0:25:38 | |
You're the high scorers, on 62. | 0:25:38 | 0:25:40 | |
I think you probably know all of those, don't you? | 0:25:40 | 0:25:42 | |
I know most of them, and I know the one I think | 0:25:42 | 0:25:45 | |
will be the lowest score. | 0:25:45 | 0:25:47 | |
But I'm going to go for Michael Douglas. | 0:25:48 | 0:25:52 | |
-And that was Gordon Gekko. -Gordon Gekko, says Bill. | 0:25:52 | 0:25:55 | |
No red line for you, | 0:25:55 | 0:25:56 | |
as you're the high scorers. | 0:25:56 | 0:25:57 | |
Let's see how many of our 100 people said Gordon Gekko. | 0:25:57 | 0:26:00 | |
23. Well done, Bill. | 0:26:07 | 0:26:10 | |
23. Takes your total up to 85. | 0:26:10 | 0:26:12 | |
Well played, Bill. Very strong answer there. | 0:26:14 | 0:26:16 | |
He's worth 650 million, thanks to investments | 0:26:16 | 0:26:19 | |
and his marriage to the daughter of a billionaire. | 0:26:19 | 0:26:22 | |
Thanks very much. Now, Les. | 0:26:22 | 0:26:25 | |
-Yes. -We have a high score, which is 85. | 0:26:25 | 0:26:28 | |
You want to score 61 or less | 0:26:28 | 0:26:30 | |
-to get through to the head-to-head. -OK. | 0:26:30 | 0:26:33 | |
I know three of them. | 0:26:33 | 0:26:35 | |
So I'm going to go for... | 0:26:35 | 0:26:38 | |
the dragon that JRR Tolkien | 0:26:38 | 0:26:41 | |
created in The Hobbit. | 0:26:41 | 0:26:43 | |
Smaug. | 0:26:43 | 0:26:45 | |
Smaug, says Les. Smaug. There's your red line. | 0:26:45 | 0:26:47 | |
If you get below that, you are in the head-to-head. | 0:26:47 | 0:26:50 | |
Let's see how many of our 100 people said Smaug. | 0:26:50 | 0:26:53 | |
It's right... | 0:26:55 | 0:26:57 | |
You've done it! Very well done. | 0:26:57 | 0:26:59 | |
Oh, it's a good answer. 11! | 0:27:01 | 0:27:03 | |
Look at that! Les, very well done. | 0:27:03 | 0:27:06 | |
Les, 11 takes you up to 34. | 0:27:06 | 0:27:08 | |
Well played, Les. | 0:27:08 | 0:27:09 | |
Les and Warwick are good, aren't they? That was a very good answer. | 0:27:09 | 0:27:12 | |
He's worth 54.1 billion. | 0:27:12 | 0:27:16 | |
-Point one? -Yeah. Largely as a result | 0:27:16 | 0:27:19 | |
of marauding and stealing. LAUGHTER | 0:27:19 | 0:27:21 | |
-That's where his fortune comes from, apparently. -OK. | 0:27:21 | 0:27:24 | |
Thanks very much. Connie, 85 is the high score. You are on 53. | 0:27:24 | 0:27:28 | |
So 31 or less. 31... | 0:27:28 | 0:27:31 | |
-Listen, Smaug, 11. -That was awesome. -Talk us through the board. | 0:27:31 | 0:27:36 | |
Well, I've never seen Flash Gordon. | 0:27:36 | 0:27:38 | |
Obviously, Willy Wonka will score really highly, I think. | 0:27:38 | 0:27:41 | |
So I'm going to go... | 0:27:41 | 0:27:42 | |
Cos I'm not sure who you've asked, these 100 people. | 0:27:42 | 0:27:45 | |
So they probably don't all watch video games. | 0:27:45 | 0:27:47 | |
So they might not want to watch that film. | 0:27:47 | 0:27:49 | |
So I'm going to go Lara Croft. | 0:27:49 | 0:27:51 | |
Lara Croft, says Connie. OK. | 0:27:51 | 0:27:53 | |
There's your red line. | 0:27:53 | 0:27:55 | |
Lara Croft has to get you below that red line. | 0:27:55 | 0:27:57 | |
Let's find out how many of our 100 people said Lara Croft. | 0:27:57 | 0:28:01 | |
It's right. | 0:28:04 | 0:28:06 | |
Still going down... Oh, no! 44. | 0:28:06 | 0:28:09 | |
-Sorry. -I'm sorry, Connie. 44 takes your total | 0:28:09 | 0:28:12 | |
up to 97. | 0:28:12 | 0:28:15 | |
Sorry, Connie. It was good logic, though. | 0:28:17 | 0:28:19 | |
But, yeah, plenty of people knew Lara Croft. | 0:28:19 | 0:28:21 | |
Let's take a look at the rest of these. | 0:28:21 | 0:28:23 | |
You were right about Willy Wonka, Connie. | 0:28:23 | 0:28:27 | |
He would have scored you 66, though. | 0:28:27 | 0:28:29 | |
So wouldn't have seen you through. | 0:28:29 | 0:28:32 | |
The Emperor of the planet Mongo, anybody? | 0:28:32 | 0:28:35 | |
Ming the Merciless. | 0:28:35 | 0:28:37 | |
Ming the Merciless. Ming the Merciless. | 0:28:37 | 0:28:40 | |
Would have scored you 18. | 0:28:40 | 0:28:41 | |
The best answer there is the father-in-law of Peter Griffin, | 0:28:41 | 0:28:44 | |
who is Carter Pewterschmidt. | 0:28:44 | 0:28:45 | |
No chance. | 0:28:45 | 0:28:47 | |
Very well done if you said Carter Pewterschmidt at home. | 0:28:47 | 0:28:50 | |
Two points. On this list, we've seen some very rich people, | 0:28:50 | 0:28:53 | |
Smaug being the richest we've seen. | 0:28:53 | 0:28:55 | |
Who do you think was top, the richest ever character? | 0:28:55 | 0:28:58 | |
King Midas. That's a rubbish answer. | 0:28:58 | 0:29:01 | |
-He was real, of course. -Yeah. | 0:29:01 | 0:29:04 | |
LAUGHTER | 0:29:04 | 0:29:06 | |
It was, with a wealth of infinity, | 0:29:06 | 0:29:09 | |
-it was Father Christmas. -Aww! | 0:29:09 | 0:29:11 | |
It couldn't happen to a nicer fictional character. | 0:29:11 | 0:29:16 | |
See, that's where I take objection to it. | 0:29:16 | 0:29:19 | |
Because he's not fictional. | 0:29:19 | 0:29:21 | |
Oh, we know he's real. | 0:29:21 | 0:29:23 | |
Well, we do know he's real, because | 0:29:23 | 0:29:26 | |
he delivers presents to every child... | 0:29:26 | 0:29:28 | |
-Exactly. -..in the world. -Exactly. | 0:29:28 | 0:29:30 | |
-If that's not real, what is? -What is? -There. | 0:29:30 | 0:29:35 | |
Thanks very much indeed. | 0:29:35 | 0:29:36 | |
So, at the end of our second round, I'm afraid the pair leaving us, | 0:29:36 | 0:29:39 | |
with the not that high score, but the highest score of 97, | 0:29:39 | 0:29:43 | |
-it's Connie and Clive. -Never mind. | 0:29:43 | 0:29:46 | |
# Connie and Clive... # That's good, isn't it? | 0:29:46 | 0:29:48 | |
It's been lovely having you on the show. | 0:29:48 | 0:29:50 | |
I'm really sorry. Far too soon to be sending you away. | 0:29:50 | 0:29:53 | |
But promise us you'll come back. | 0:29:53 | 0:29:55 | |
-Love to. -Thank you very much. -Please do. Thanks so much. | 0:29:55 | 0:29:57 | |
Connie and Clive! Lovely contestants. | 0:29:57 | 0:30:00 | |
APPLAUSE | 0:30:00 | 0:30:02 | |
But for the remaining two pairs, it's time for the head-to-head. | 0:30:02 | 0:30:05 | |
Congratulations, Les, Warwick, Bill and Jenny. | 0:30:09 | 0:30:12 | |
You're one step closer to the final and the chance to play for | 0:30:12 | 0:30:15 | |
the jackpot, which currently stands at... | 0:30:15 | 0:30:17 | |
-There we are. -AUDIENCE: -Woo! | 0:30:18 | 0:30:21 | |
Now, we have to decide who will go through to the final and play | 0:30:21 | 0:30:24 | |
for that money, and to do that, you will now go head-to-head. | 0:30:24 | 0:30:27 | |
But the big difference is, you are now allowed to confer. | 0:30:27 | 0:30:30 | |
And the first pair to win two questions | 0:30:30 | 0:30:32 | |
will be playing for that jackpot. Best of luck to both players. | 0:30:32 | 0:30:35 | |
Let's play the head-to-head! | 0:30:35 | 0:30:36 | |
OK, here comes your first question. | 0:30:41 | 0:30:43 | |
And it concerns... | 0:30:43 | 0:30:45 | |
Screen Kisses. Richard. | 0:30:49 | 0:30:50 | |
We're going to show you five images now of on-screen kisses. | 0:30:50 | 0:30:53 | |
You have to tell us which films they are from, please. | 0:30:53 | 0:30:55 | |
Very best of luck. | 0:30:55 | 0:30:57 | |
OK, let's reveal our five images, and here they come. We have got... | 0:30:57 | 0:31:01 | |
There we are. Five screen kisses. | 0:31:19 | 0:31:22 | |
Les and Warwick, you've played best | 0:31:22 | 0:31:23 | |
throughout the show so far, | 0:31:23 | 0:31:25 | |
-so you will go first. -OK. -What do you think? | 0:31:25 | 0:31:27 | |
You're very good at this, Les, | 0:31:27 | 0:31:29 | |
you are. But which one... | 0:31:29 | 0:31:31 | |
-Remember to confer as quietly as possible. -OK. | 0:31:31 | 0:31:33 | |
-I'm not going to say any answers. -OK, good. | 0:31:33 | 0:31:35 | |
(D might be Move Over, Darling.) | 0:31:37 | 0:31:40 | |
We only have to say | 0:31:40 | 0:31:41 | |
-the name of the film. -Yeah. | 0:31:41 | 0:31:43 | |
I'm going to go for D, | 0:31:43 | 0:31:44 | |
Move Over, Darling. | 0:31:44 | 0:31:46 | |
Move Over, Darling, | 0:31:46 | 0:31:48 | |
say Les and Warwick, for D. | 0:31:48 | 0:31:50 | |
Bill and Jenny, the board is yours. Talk us through it. | 0:31:50 | 0:31:53 | |
-BILL: -First one is Shirley Anne Field | 0:31:53 | 0:31:55 | |
and Michael Caine in Alfie. | 0:31:55 | 0:31:57 | |
Second one, I think, | 0:31:57 | 0:31:58 | |
is Leonardo DiCaprio | 0:31:58 | 0:31:59 | |
and Claire Danes | 0:31:59 | 0:32:00 | |
in Romeo + Juliet. | 0:32:00 | 0:32:02 | |
I think D is Pillow Talk. | 0:32:02 | 0:32:04 | |
And E is definitely The Graduate. | 0:32:06 | 0:32:09 | |
We're both on D. But either way, | 0:32:09 | 0:32:11 | |
if it's Move Over, Darling, they've got it wrong, we win anyway. | 0:32:11 | 0:32:14 | |
-That's true. -So you could say we could play safe... -Oh, that's true. | 0:32:14 | 0:32:17 | |
That's very true. | 0:32:17 | 0:32:19 | |
Yeah. We'll go safe, then. | 0:32:19 | 0:32:21 | |
Shirley Anne Field | 0:32:21 | 0:32:23 | |
and Michael Caine in Alfie. | 0:32:23 | 0:32:25 | |
A - Alfie. | 0:32:25 | 0:32:26 | |
So, Warwick and Les started by saying that | 0:32:26 | 0:32:29 | |
D was Move Over, Darling. Let's find out if that's right. | 0:32:29 | 0:32:32 | |
If it is, let's see how many people said Move Over, Darling. | 0:32:32 | 0:32:34 | |
-Oh! -Oh, bad luck, Les. | 0:32:36 | 0:32:39 | |
Now, Bill and Jenny, | 0:32:39 | 0:32:41 | |
all you have to be is correct with your answer of A - Alfie. | 0:32:41 | 0:32:44 | |
Let's see if that's right | 0:32:44 | 0:32:46 | |
and, if it is, let's see how many of our 100 people said Alfie. | 0:32:46 | 0:32:49 | |
Is it correct? That's the key one. | 0:32:49 | 0:32:50 | |
It IS correct! Very well done. You win the point. | 0:32:53 | 0:32:55 | |
Oh, that's low! Eight! | 0:32:59 | 0:33:01 | |
Well done, Bill and Jenny. After one question, you are up 1-0. | 0:33:06 | 0:33:10 | |
Yeah, very well played. Tactically very well played, as well. | 0:33:10 | 0:33:13 | |
If you had said Pillow Talk for D, | 0:33:13 | 0:33:16 | |
that was right. Would have scored four points. | 0:33:16 | 0:33:19 | |
A terrific answer. But Jenny was right. | 0:33:19 | 0:33:21 | |
There's nothing to be gained from going for it. | 0:33:21 | 0:33:24 | |
That's Doris Day and Rock Hudson, of course. | 0:33:24 | 0:33:26 | |
B is Claire Danes and Leonardo DiCaprio, | 0:33:26 | 0:33:28 | |
as you said, in Romeo + Juliet. | 0:33:28 | 0:33:30 | |
Slightly bigger score for that, though. | 0:33:30 | 0:33:33 | |
34 points. | 0:33:33 | 0:33:35 | |
Let's go down to E. I think | 0:33:35 | 0:33:36 | |
you knew that one, as well. | 0:33:36 | 0:33:37 | |
That's The Graduate. | 0:33:37 | 0:33:39 | |
Anne Bancroft and Dustin Hoffman. | 0:33:39 | 0:33:41 | |
Not that many, actually. | 0:33:41 | 0:33:42 | |
Would have scored you 19 points. | 0:33:42 | 0:33:44 | |
People didn't do brilliantly on this, out of our 100. | 0:33:44 | 0:33:46 | |
Now, C, a film about John Keats and Fanny Brawne, and it was Bright Star. | 0:33:46 | 0:33:50 | |
It was a pointless answer. | 0:33:50 | 0:33:51 | |
Very well done to anybody | 0:33:51 | 0:33:52 | |
who said that at home. | 0:33:52 | 0:33:54 | |
Thanks very much indeed, Richard. So here comes your second question. | 0:33:54 | 0:33:57 | |
Les and Warwick, you have to win this one to stay in the game. | 0:33:57 | 0:33:59 | |
Very best of luck. | 0:33:59 | 0:34:01 | |
But Bill and Jenny will get to answer first this time. | 0:34:01 | 0:34:03 | |
It concerns... | 0:34:03 | 0:34:05 | |
CONTESTANTS LAUGH | 0:34:08 | 0:34:09 | |
Andrew Lloyd Webber musicals. Richard. | 0:34:09 | 0:34:12 | |
It's all very showbizzy this evening, | 0:34:12 | 0:34:14 | |
-isn't it, for our theatrical special? -Yeah. -How about this? | 0:34:14 | 0:34:16 | |
We're about to show you five titles of Andrew Lloyd Webber musicals, | 0:34:16 | 0:34:19 | |
but we'll only show you the number of letters in each word. | 0:34:19 | 0:34:22 | |
So you'll see five titles of Andrew Lloyd Webber musicals, | 0:34:22 | 0:34:25 | |
but just the number of letters in each word. | 0:34:25 | 0:34:27 | |
Can you work out which is which? Best of luck. | 0:34:27 | 0:34:30 | |
Thank you very much indeed. | 0:34:30 | 0:34:31 | |
So let's reveal our five clues to Andrew Lloyd Webber musicals... | 0:34:31 | 0:34:34 | |
I'll read those all one last time. | 0:34:44 | 0:34:46 | |
Bill and Jenny, you will go first this time. | 0:34:56 | 0:34:58 | |
-Phantom of the Opera. -Yeah. | 0:34:58 | 0:35:00 | |
Joseph's not there. | 0:35:01 | 0:35:04 | |
Evita's not there... | 0:35:04 | 0:35:05 | |
Oh, oh, brain! | 0:35:05 | 0:35:07 | |
Everyone's going to know | 0:35:07 | 0:35:09 | |
-Phantom of the Opera. -Yeah. OK. | 0:35:09 | 0:35:11 | |
We'll go for three, | 0:35:12 | 0:35:14 | |
which is Sunset Boulevard. | 0:35:14 | 0:35:16 | |
Sunset Boulevard, say Bill and Jenny. Sunset Boulevard. | 0:35:16 | 0:35:19 | |
Now, Warwick, was that the one | 0:35:19 | 0:35:21 | |
-you were going to say? -Yeah. -Yeah, it was. | 0:35:21 | 0:35:24 | |
And the other one we know is much more obvious than that. | 0:35:24 | 0:35:27 | |
-You can talk us through them, if you like. -Yeah, we only know | 0:35:27 | 0:35:30 | |
one more at the moment, | 0:35:30 | 0:35:32 | |
which I think a lot of people would have thought of. | 0:35:32 | 0:35:35 | |
The first one, I'm trying to think of | 0:35:35 | 0:35:37 | |
words that have two letters. | 0:35:37 | 0:35:40 | |
-Yeah, that's hard, isn't it? -There's not many. | 0:35:40 | 0:35:43 | |
So it should be easy, really, shouldn't it? | 0:35:43 | 0:35:45 | |
-Yeah, I don't think we know. -Two, then. | 0:35:45 | 0:35:48 | |
The Phantom of the Opera. | 0:35:48 | 0:35:50 | |
The Phantom of the Opera, say Les and Warwick. | 0:35:50 | 0:35:53 | |
So, Sunset Boulevard | 0:35:53 | 0:35:54 | |
versus Phantom of the Opera. Bill and Jenny went with | 0:35:54 | 0:35:57 | |
Sunset Boulevard. Let's see how many of our 100 people said that. | 0:35:57 | 0:36:00 | |
Well, it's right. | 0:36:02 | 0:36:04 | |
Wow, six! Look at that! | 0:36:08 | 0:36:10 | |
APPLAUSE | 0:36:10 | 0:36:11 | |
-LES: -Well done. | 0:36:11 | 0:36:13 | |
Judging how hard we found it, | 0:36:13 | 0:36:16 | |
that may not even be the lowest score on the board. | 0:36:16 | 0:36:19 | |
But, anyway, let's find out what Les and Warwick score | 0:36:19 | 0:36:21 | |
for Phantom of the Opera. The Phantom of the Opera. | 0:36:21 | 0:36:24 | |
It's right. | 0:36:26 | 0:36:28 | |
-Stop soon. -Oh, look at that! 46. | 0:36:29 | 0:36:32 | |
Well, very well done, Bill and Jenny. | 0:36:36 | 0:36:38 | |
After only two questions, you're through to the final, 2-0. | 0:36:38 | 0:36:41 | |
Yes, very well played. Let's fill in the rest of this board, though. | 0:36:41 | 0:36:44 | |
Bill and Jenny, do you know any more of those? | 0:36:44 | 0:36:47 | |
-Evita. -Evita is the one with five, yes. | 0:36:47 | 0:36:52 | |
That would have scored you 27 points. Do you know the bottom one? | 0:36:52 | 0:36:55 | |
The obvious ones, like Love Never Dies, isn't there, Joseph. | 0:36:55 | 0:36:58 | |
Jesus Christ Superstar... | 0:36:58 | 0:37:00 | |
-Jesus Christ Superstar! -Jesus Christ Superstar | 0:37:00 | 0:37:02 | |
is the bottom one. 5, 6, 9. | 0:37:02 | 0:37:05 | |
That would have scored you 19 points. | 0:37:05 | 0:37:07 | |
Now, the top one is a pointless answer. I got this only cos | 0:37:07 | 0:37:11 | |
-we've done Andrew Lloyd Webber before. -By Jeeves? | 0:37:11 | 0:37:14 | |
By Jeeves is the right answer, Jenny. Well played. | 0:37:14 | 0:37:17 | |
It's a shame for Les and Warwick, they were great. | 0:37:17 | 0:37:20 | |
I was just thinking, if only Les and Warwick | 0:37:20 | 0:37:22 | |
knew a song about staying optimistic in the face of defeat! | 0:37:22 | 0:37:25 | |
LAUGHTER | 0:37:25 | 0:37:26 | |
Shall we sing it? | 0:37:26 | 0:37:28 | |
-I don't know. -BILL: -Go on! | 0:37:28 | 0:37:29 | |
-We will, then. -LES: -Five, six... | 0:37:29 | 0:37:31 | |
# Always look on the bright side of life... # | 0:37:31 | 0:37:36 | |
WHISTLING | 0:37:36 | 0:37:39 | |
# ..Always look on the right side of life... # | 0:37:39 | 0:37:43 | |
WHISTLING | 0:37:43 | 0:37:46 | |
# ..If life seems jolly rotten | 0:37:46 | 0:37:48 | |
# Then that's all we're doing. # | 0:37:48 | 0:37:51 | |
LAUGHTER AND APPLAUSE | 0:37:51 | 0:37:52 | |
CHEERING | 0:37:52 | 0:37:54 | |
Oh, Les and Warwick, you have played so well! | 0:37:56 | 0:37:59 | |
You have played a blinder the whole way through the show. | 0:37:59 | 0:38:02 | |
Lovely low scoring right from the off. | 0:38:02 | 0:38:04 | |
It has been such a pleasure having you here. | 0:38:04 | 0:38:06 | |
I'm so sorry we have to send you home now. | 0:38:06 | 0:38:08 | |
You were so close. You were our lowest scoring pair as well. | 0:38:08 | 0:38:11 | |
Come back and play again, please. It's been such a pleasure. | 0:38:11 | 0:38:14 | |
-Les and Warwick, wonderful contestants. -Thank you. | 0:38:14 | 0:38:17 | |
CHEERING AND APPLAUSE | 0:38:17 | 0:38:20 | |
But for Bill and Jenny, it's now time for our Pointless final. | 0:38:20 | 0:38:23 | |
Well, congratulations, Bill and Jenny. | 0:38:26 | 0:38:29 | |
You've fought off all the competition | 0:38:29 | 0:38:31 | |
and you've won our coveted Pointless trophy. | 0:38:31 | 0:38:33 | |
-Thrilled. -I don't quite know how we got here! | 0:38:39 | 0:38:42 | |
Well, you now have a chance to win our Pointless jackpot | 0:38:42 | 0:38:45 | |
for your nominated charities. At the end of today's show, | 0:38:45 | 0:38:48 | |
the jackpot stands at £2,500. | 0:38:48 | 0:38:50 | |
CHEERING AND APPLAUSE | 0:38:50 | 0:38:52 | |
Very, very best of luck. I'm not going to ask you what... | 0:38:54 | 0:38:57 | |
Because there are lots of different areas that you both specialise in. | 0:38:57 | 0:39:01 | |
As always, you will kick this round off by choosing the category | 0:39:01 | 0:39:03 | |
you are going to be quizzed on. | 0:39:03 | 0:39:05 | |
Here are your four options. They are... | 0:39:05 | 0:39:07 | |
I wouldn't know Belgium, other than Romelu Lukaku, | 0:39:17 | 0:39:20 | |
who is the Belgian centre forward. | 0:39:20 | 0:39:23 | |
Monty Python would be a stretch for me, | 0:39:23 | 0:39:26 | |
although I did co-produce Spamalot. Sporting Finals... | 0:39:26 | 0:39:30 | |
If it is 1966... I'm not talking about | 0:39:30 | 0:39:34 | |
when England won the World Cup, I'm talking about | 0:39:34 | 0:39:36 | |
when Everton beat Sheffield Wednesday 3-2 in the FA Cup final, | 0:39:36 | 0:39:39 | |
after being two goals down, with 23 minutes to go, and we won 3-2. | 0:39:39 | 0:39:44 | |
-Mike Trebilcock scored two goals for us... -Yeah. OK. | 0:39:44 | 0:39:47 | |
-There is an issue of the schedule, Bill! -Do you know what? | 0:39:47 | 0:39:50 | |
I think we're going to go for Singers Called Michael. | 0:39:50 | 0:39:52 | |
Singers Called Michael. OK. Best of luck. Richard. | 0:39:52 | 0:39:55 | |
OK, we are looking for any UK chart hit | 0:39:55 | 0:39:58 | |
by any of the following Michaels, please. | 0:39:58 | 0:40:00 | |
We are looking for any UK top 75 hit by... | 0:40:00 | 0:40:04 | |
So any UK top 75 single by Michael Ball, Michael Buble, | 0:40:13 | 0:40:17 | |
or Michael Bolton, leading up to October 2013. | 0:40:17 | 0:40:20 | |
Very, very best of luck. | 0:40:20 | 0:40:22 | |
OK. As always, you've got up to a minute to come up with three answers | 0:40:22 | 0:40:26 | |
and to win that jackpot of £2,500 for your charities, | 0:40:26 | 0:40:29 | |
just one of those answers has to be pointless. | 0:40:29 | 0:40:32 | |
The answers you give can come from any of these categories. | 0:40:32 | 0:40:34 | |
How you spread them across the categories is entirely up to you. | 0:40:34 | 0:40:37 | |
They could be all from the same category. | 0:40:37 | 0:40:39 | |
They could all be Buble, or all be Bolton, or one Ball, one Bolton... | 0:40:39 | 0:40:42 | |
You get the idea. Are you ready? | 0:40:42 | 0:40:45 | |
-Yes. -OK, let's put 60 seconds on the clock. | 0:40:45 | 0:40:48 | |
Your time starts now. | 0:40:48 | 0:40:50 | |
If only there were hits by Michael Holliday in the 1950s, | 0:40:50 | 0:40:54 | |
we would have been quids in. | 0:40:54 | 0:40:56 | |
Michael Ball, I love him, | 0:40:56 | 0:40:58 | |
but did he have any other hits other than Love Changes Everything? | 0:40:58 | 0:41:01 | |
Michael Buble was Save The Last Dance For Me, | 0:41:01 | 0:41:05 | |
which was brilliant, a single by him. | 0:41:05 | 0:41:08 | |
And Michael Bolton... | 0:41:08 | 0:41:11 | |
Oh... Did Michael Ball record Help Yourself, | 0:41:11 | 0:41:17 | |
which he starts his act with? | 0:41:17 | 0:41:21 | |
You notice there's no conferring, because I don't know any of those. | 0:41:24 | 0:41:27 | |
Did he record anything else from any other musicals? | 0:41:27 | 0:41:30 | |
He did one quite recently. | 0:41:30 | 0:41:32 | |
But did he get in the charts? | 0:41:32 | 0:41:34 | |
Oh, oh, oh... Written by Leslie Bricusse and Andrew, called... | 0:41:34 | 0:41:40 | |
Ten seconds left. | 0:41:40 | 0:41:41 | |
Oh... The Perfect Song. | 0:41:44 | 0:41:47 | |
I bet that got into the charts. | 0:41:47 | 0:41:50 | |
-Do you want to go for it? -Yes. -OK, your time is now up. | 0:41:50 | 0:41:52 | |
That was good timing. | 0:41:52 | 0:41:53 | |
I now need your three answers. What are you going to give me? | 0:41:53 | 0:41:57 | |
-The Perfect Song... -The Perfect Song. -..because it was a single. | 0:41:57 | 0:42:00 | |
-How Can I Live Without You... -How Can I Live Without You. | 0:42:00 | 0:42:03 | |
-..by Michael Bolton, but that was a hit, so... -One more. | 0:42:03 | 0:42:05 | |
What's the most obscure one? | 0:42:05 | 0:42:07 | |
There's one that Roy Orbison sang | 0:42:07 | 0:42:09 | |
and it was covered by Michael Bolton. | 0:42:09 | 0:42:11 | |
What was it? What was it? | 0:42:11 | 0:42:13 | |
I'm going to go for Save The Last Dance For Me, Michael Buble. | 0:42:13 | 0:42:17 | |
Save The Last Dance For Me, from Michael Buble. | 0:42:17 | 0:42:19 | |
So we've got one from each of them. | 0:42:19 | 0:42:21 | |
Of those three, which is your best shot at a pointless answer? | 0:42:21 | 0:42:24 | |
I think Perfect Song is either a yes or a no. | 0:42:24 | 0:42:28 | |
-It either got into the charts or it didn't. -OK, we'll put that third. | 0:42:28 | 0:42:31 | |
What is your least likely to be pointless? | 0:42:31 | 0:42:33 | |
The least likely is Michael Bolton, because it was a big hit. | 0:42:33 | 0:42:37 | |
How Can I Live Without You. We'll pop that first. | 0:42:37 | 0:42:38 | |
Let's put those up in the board in that order and here they are. | 0:42:38 | 0:42:41 | |
We have got... | 0:42:41 | 0:42:43 | |
Three good-looking answers up there. | 0:42:48 | 0:42:50 | |
I don't think Save The Last Dance was a single. | 0:42:50 | 0:42:53 | |
OK, well, very best of luck. | 0:42:53 | 0:42:54 | |
Your first answer was How Can I Live Without You. | 0:42:54 | 0:42:57 | |
You thought this was your least likely to win the jackpot. | 0:42:57 | 0:43:00 | |
If you do win the jackpot with one of these answers, | 0:43:00 | 0:43:02 | |
what are your charities? | 0:43:02 | 0:43:03 | |
Mine is the Teenage Cancer Trust, which is a wonderful charity, | 0:43:03 | 0:43:07 | |
set up my doctor, Adrian Whiteson, and his wife Myrna 20-odd years ago | 0:43:07 | 0:43:12 | |
when they found that young teenagers, youngsters, | 0:43:12 | 0:43:17 | |
were put into any ward with cancer, with middle-aged people, | 0:43:17 | 0:43:23 | |
with elderly people, and they recognised the need | 0:43:23 | 0:43:26 | |
and they set up this wonderful charity where hospitals give | 0:43:26 | 0:43:31 | |
a newly built place to the teenagers, to coexist with | 0:43:31 | 0:43:34 | |
each other and share their illness and their problem | 0:43:34 | 0:43:37 | |
-and hopefully their happiness at the breakthrough. -Very good. | 0:43:37 | 0:43:40 | |
APPLAUSE | 0:43:40 | 0:43:43 | |
-And, Jenny? -My charity is Mane Chance Sanctuary. | 0:43:45 | 0:43:48 | |
We are only two years old | 0:43:48 | 0:43:50 | |
and we rescue horses who are being abandoned in their thousands. | 0:43:50 | 0:43:55 | |
And we have got them at a sanctuary near Guildford | 0:43:55 | 0:43:58 | |
and we look after them, re-home some of them, and we also, | 0:43:58 | 0:44:02 | |
because some of them are beautiful and gentle, bring in some very | 0:44:02 | 0:44:05 | |
sick children and some very disabled children so that they can interact. | 0:44:05 | 0:44:09 | |
-It's breathtaking. -Wonderful. -APPLAUSE | 0:44:09 | 0:44:12 | |
Two excellent charities there. Very best of luck. | 0:44:15 | 0:44:17 | |
Let's hope at least one of those answers behind me is pointless | 0:44:17 | 0:44:19 | |
and you can win that jackpot for those charities. | 0:44:19 | 0:44:21 | |
The first answer you gave was How Can I Live Without You. | 0:44:21 | 0:44:24 | |
In that case, it's a Michael Bolton song. | 0:44:24 | 0:44:26 | |
Remember, only one of these has to be pointless. | 0:44:26 | 0:44:28 | |
Let's find out. Michael Bolton, How Can I Live Without You. | 0:44:28 | 0:44:31 | |
Is that right, and if it is, how many people said it? For £2,500. | 0:44:31 | 0:44:35 | |
Oh! Oh, maybe it's... | 0:44:38 | 0:44:40 | |
We're very particular about the titling of these. | 0:44:40 | 0:44:43 | |
They have to be absolutely right. Maybe there was something in | 0:44:43 | 0:44:46 | |
the wording of the title. Unfortunately, an incorrect answer, | 0:44:46 | 0:44:49 | |
not a pointless answer. Mind you, you would have been surprised | 0:44:49 | 0:44:51 | |
-if that had been pointless. -Yes. | 0:44:51 | 0:44:53 | |
Let's not shed too many tears. I think we're going to be all right. | 0:44:53 | 0:44:56 | |
Two more chances to win today's jackpot. | 0:44:56 | 0:44:58 | |
Your next answer was Save The Last Dance For Me. | 0:44:58 | 0:45:00 | |
In this case, it's a Michael Buble song. | 0:45:00 | 0:45:02 | |
You're not entirely sure if it's a single. | 0:45:02 | 0:45:04 | |
No, I think it's an album track. A great album track. | 0:45:04 | 0:45:06 | |
OK, let's find out. It has to be correct, | 0:45:06 | 0:45:08 | |
then it has to be pointless for you to win the jackpot. | 0:45:08 | 0:45:10 | |
For £2,500, let's see if Save The Last Dance For Me | 0:45:10 | 0:45:13 | |
was a Michael Buble single. | 0:45:13 | 0:45:15 | |
No! | 0:45:18 | 0:45:19 | |
-I don't care. -It's all riding on the last one. -Eggs in one basket. | 0:45:19 | 0:45:23 | |
And this is the basket you would like to put all your eggs in. | 0:45:23 | 0:45:26 | |
This is Andrew's basket, isn't it? | 0:45:26 | 0:45:28 | |
This is Andrew and Leslie Bricusse's basket. | 0:45:28 | 0:45:30 | |
I'm quite excited about this. | 0:45:30 | 0:45:31 | |
I'd imagine that's quite a smart basket. Well, it's The Perfect Song. | 0:45:31 | 0:45:35 | |
Is it the perfect answer? | 0:45:35 | 0:45:36 | |
You say this is a Michael Ball single. It has to be that | 0:45:36 | 0:45:40 | |
for you to win the jackpot. It also has to be pointless. | 0:45:40 | 0:45:43 | |
Let's see how many of our 100 people said Perfect Song. | 0:45:43 | 0:45:47 | |
-No! -AUDIENCE: Aw! | 0:45:49 | 0:45:51 | |
-Oh, no, Bill! -APPLAUSE | 0:45:51 | 0:45:55 | |
Oh, I'm so sorry. | 0:45:55 | 0:45:57 | |
Perfect Love Song? | 0:45:57 | 0:45:58 | |
Unfortunately, you didn't manage to find that all-important | 0:45:58 | 0:46:01 | |
pointless answer, which means you don't win | 0:46:01 | 0:46:04 | |
today's jackpot of £2,500. | 0:46:04 | 0:46:05 | |
However, as it is a celebrity special, we are going to donate | 0:46:05 | 0:46:08 | |
£500 to each celebrity pair for their respective charities. | 0:46:08 | 0:46:11 | |
We have loved having you on the show. | 0:46:11 | 0:46:12 | |
You've done such a great job. You do get to take home | 0:46:12 | 0:46:15 | |
a Pointless trophy each, so there you are. | 0:46:15 | 0:46:16 | |
-Thank you. -Thank you. -Not completely empty-handed. | 0:46:16 | 0:46:19 | |
APPLAUSE | 0:46:19 | 0:46:21 | |
I'll tell you what, | 0:46:23 | 0:46:25 | |
that is a very harsh three wrong answers, | 0:46:25 | 0:46:27 | |
because they are all good answers. | 0:46:27 | 0:46:28 | |
They're all wrong for different reasons. | 0:46:28 | 0:46:30 | |
The Perfect Song, you told us everything right about it, | 0:46:30 | 0:46:33 | |
but it didn't make the top 75. That's really tough luck. | 0:46:33 | 0:46:35 | |
Save The Last Dance For Me wasn't released over here either. | 0:46:35 | 0:46:38 | |
Just released in the States. And it was | 0:46:38 | 0:46:40 | |
How Am I Supposed To Live Without You. Michael Bolton. | 0:46:40 | 0:46:42 | |
It would have scored you four points anyway. | 0:46:42 | 0:46:44 | |
Hard to fit into the chorus, but that's what he called it. | 0:46:44 | 0:46:47 | |
How Am I Supposed To Live Without You. | 0:46:47 | 0:46:49 | |
Michael Bolton did have a hit with a Roy Orbison song, | 0:46:49 | 0:46:51 | |
A Love So Beautiful. And it was a pointless answer, as well. | 0:46:51 | 0:46:54 | |
-Oh! -Really, really sorry about that. Let's take a look... | 0:46:54 | 0:46:59 | |
I produced The Roy Orbison Story and I watched him sing it every night. | 0:46:59 | 0:47:02 | |
-And that's what the brain does. -It really does. It's exactly right | 0:47:02 | 0:47:05 | |
and you really went for it as well. It's exactly the right thing to do. | 0:47:05 | 0:47:08 | |
Let's take a look at the pointless answers. | 0:47:08 | 0:47:10 | |
Michael Ball chart singles. | 0:47:10 | 0:47:12 | |
From Here To Eternity. | 0:47:12 | 0:47:14 | |
One Step Out Of Time, which was his Eurovision entry. | 0:47:14 | 0:47:17 | |
A cover of Labi Siffre's Something Inside So Strong. | 0:47:17 | 0:47:19 | |
And there's an answer you gave earlier, | 0:47:19 | 0:47:21 | |
which you could have held over. | 0:47:21 | 0:47:23 | |
You also could have had - If I Can Dream, The First Man You Remember, | 0:47:23 | 0:47:26 | |
The Lovers We Were, by Michael Ball. | 0:47:26 | 0:47:28 | |
Let's take a look now at Michael Buble. | 0:47:28 | 0:47:31 | |
Christmas (Baby Please Come Home) would have been a pointless answer. | 0:47:31 | 0:47:34 | |
Hold On. It Had Better Be Tonight. | 0:47:34 | 0:47:36 | |
All of those pointless. | 0:47:36 | 0:47:37 | |
Well done if you said any of those at home. | 0:47:37 | 0:47:39 | |
And Michael Bolton, a couple of big hits here. | 0:47:39 | 0:47:42 | |
Can I Touch You... There? | 0:47:42 | 0:47:43 | |
was a pointless answer. | 0:47:43 | 0:47:44 | |
His cover of Lean On Me, | 0:47:44 | 0:47:46 | |
Love Is A Wonderful Thing. | 0:47:46 | 0:47:47 | |
Reach Out I'll Be There, also a pointless answer. | 0:47:47 | 0:47:50 | |
And as I say, A Love So Beautiful also a pointless answer. | 0:47:50 | 0:47:53 | |
You played terrifically throughout. | 0:47:53 | 0:47:55 | |
It's very, very unlucky in that final round. | 0:47:55 | 0:47:58 | |
-It's been lovely to have you here. -Thank you. | 0:47:58 | 0:48:00 | |
Thanks. Unfortunately, we have to say goodbye, Bill and Jenny, | 0:48:00 | 0:48:02 | |
but we've loved having you on the show. | 0:48:02 | 0:48:04 | |
You have been fantastic the whole way through. | 0:48:04 | 0:48:06 | |
Thank you so much for playing, Bill and Jenny! | 0:48:06 | 0:48:08 | |
APPLAUSE | 0:48:08 | 0:48:11 | |
Join us next time, when we'll be putting | 0:48:13 | 0:48:15 | |
more obscure knowledge to the test on Pointless. | 0:48:15 | 0:48:17 | |
-Meanwhile, it's goodbye from Richard... -Goodbye. | 0:48:17 | 0:48:19 | |
..and it's goodbye from me. Goodbye. | 0:48:19 | 0:48:21 | |
APPLAUSE | 0:48:21 | 0:48:23 |