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APPLAUSE | 0:00:20 | 0:00:21 | |
Thank you very much indeed. | 0:00:21 | 0:00:23 | |
Hello, I'm Alexander Armstrong and welcome to Pointless, | 0:00:23 | 0:00:25 | |
the show that puts obscure knowledge to the test. | 0:00:25 | 0:00:28 | |
Let's meet today's players. | 0:00:28 | 0:00:29 | |
And couple number one. | 0:00:33 | 0:00:35 | |
Hi, I'm Stephen, this is my wife, Ram, and we're from Hertfordshire. | 0:00:35 | 0:00:39 | |
Couple number two. | 0:00:39 | 0:00:40 | |
Hi, I'm Ken, this is Alison, my ex-boss | 0:00:40 | 0:00:43 | |
and we're from North Northumberland. | 0:00:43 | 0:00:45 | |
Couple number three. | 0:00:45 | 0:00:47 | |
Hi, I'm Hannah, this is my mum, Lee, | 0:00:47 | 0:00:48 | |
and we're from Eastbourne in East Sussex. | 0:00:48 | 0:00:50 | |
And finally, couple number four. | 0:00:50 | 0:00:52 | |
Hi, I'm Chris, I come from Portsmouth, | 0:00:52 | 0:00:54 | |
and this is my dad, James, who originally comes from Glasgow. | 0:00:54 | 0:00:57 | |
And these are today's contestants. | 0:00:57 | 0:00:58 | |
Thanks very much, all of you. We'll find out more about you | 0:01:02 | 0:01:05 | |
throughout the show as it goes along. | 0:01:05 | 0:01:06 | |
So that just leaves one more person for me to introduce. | 0:01:06 | 0:01:09 | |
Give a man a fact and he'll look clever for a day. | 0:01:09 | 0:01:11 | |
Teach a man to find facts and, well, | 0:01:11 | 0:01:13 | |
just look how out of hand that can get! | 0:01:13 | 0:01:16 | |
He's my Pointless friend, it's Richard. | 0:01:16 | 0:01:18 | |
Hiya! | 0:01:18 | 0:01:19 | |
Hi, everybody. Good afternoon. | 0:01:19 | 0:01:21 | |
-Afternoon to you. -And to you. | 0:01:23 | 0:01:25 | |
-How are you? -I'm very well. -Excellent. | 0:01:25 | 0:01:27 | |
Show 600 today. Our 600th show. | 0:01:27 | 0:01:29 | |
Can you believe it? | 0:01:29 | 0:01:31 | |
I haven't got you anything. | 0:01:31 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:34 | |
Oh, that's a shame, because I've got you... Oh, well, I'll take it back. | 0:01:34 | 0:01:37 | |
That's a shame. Actually, can you take back speedboats? | 0:01:37 | 0:01:40 | |
-How does that work? -I'll get you something, I'll get you something. | 0:01:40 | 0:01:43 | |
HE MIMICS: I'll get you some... | 0:01:43 | 0:01:45 | |
ALEXANDER MUMBLES NONSENSICALLY | 0:01:45 | 0:01:48 | |
Two returning pairs today, on the first two podiums there, | 0:01:48 | 0:01:51 | |
Ken and Alison. Ken sort of had a kamikaze exit last time. | 0:01:51 | 0:01:55 | |
It was brilliant. | 0:01:55 | 0:01:56 | |
He knew a couple of answers and went for a spectacularly obscure one. | 0:01:56 | 0:02:00 | |
And Ram and Stephen also back, they got through to the second round. | 0:02:00 | 0:02:03 | |
I think it's a very open field today. | 0:02:03 | 0:02:06 | |
Should be a good little show. | 0:02:06 | 0:02:07 | |
Thank you very much, Richard. Now, all our questions on Pointless | 0:02:07 | 0:02:10 | |
have been put to 100 people before the show. | 0:02:10 | 0:02:12 | |
Our contestants need to find | 0:02:12 | 0:02:13 | |
the obscure answers those 100 people didn't get. | 0:02:13 | 0:02:16 | |
And of course, everyone's trying to find a pointless answer, | 0:02:16 | 0:02:18 | |
that being an answer that none of our 100 people gave. | 0:02:18 | 0:02:21 | |
And each time that happens, we will add £250 to the jackpot. | 0:02:21 | 0:02:24 | |
Now, Jim and Aisling didn't win the jackpot last time, | 0:02:24 | 0:02:26 | |
so we add another £1,000 to that, | 0:02:26 | 0:02:28 | |
so today's jackpot starts off at £3,250. | 0:02:28 | 0:02:32 | |
-AUDIENCE: -Ooh! | 0:02:32 | 0:02:34 | |
Right, if everyone's ready, let's play Pointless. | 0:02:37 | 0:02:40 | |
OK, now, the pair with the highest score will be | 0:02:44 | 0:02:46 | |
eliminated at the end of this round. | 0:02:46 | 0:02:48 | |
And, remember, there is to be no conferring. | 0:02:48 | 0:02:50 | |
OK, our first category today is... | 0:02:50 | 0:02:52 | |
The Oscars. Can you all decide in your pairs, | 0:02:55 | 0:02:58 | |
who's going to go first, who's going to go second? | 0:02:58 | 0:03:00 | |
And whoever's going first, please step up to the podium. | 0:03:00 | 0:03:02 | |
OK, let's find out what the question is. Here it comes. | 0:03:06 | 0:03:09 | |
We gave 100 people 100 seconds | 0:03:09 | 0:03:11 | |
to name as many 21st-century | 0:03:11 | 0:03:13 | |
acting Oscar winners as they could. | 0:03:13 | 0:03:16 | |
21st-century acting Oscar winners. Richard. | 0:03:16 | 0:03:20 | |
Yeah, we're looking for the name of anyone who's won | 0:03:20 | 0:03:22 | |
one of the four major acting categories, | 0:03:22 | 0:03:24 | |
that's Best Actress or Best Supporting Actress, | 0:03:24 | 0:03:27 | |
or Best Actor or Best Supporting Actor in any of the Oscar ceremonies | 0:03:27 | 0:03:30 | |
from 2001 all the way through to 2013. | 0:03:30 | 0:03:32 | |
So, anyone who's won any of those four acting categories | 0:03:32 | 0:03:36 | |
from the 2001 ceremony through to the 2013 ceremony. | 0:03:36 | 0:03:38 | |
There's plenty of pointless answers on the list | 0:03:38 | 0:03:41 | |
so very, very best of luck. | 0:03:41 | 0:03:42 | |
Thanks very much indeed. Richard. Now, then. | 0:03:42 | 0:03:44 | |
Ram and Stephen, you all drew lots before the show | 0:03:44 | 0:03:47 | |
and today you are going to go first. | 0:03:47 | 0:03:49 | |
Ram, welcome back. Tell us what happened last time. | 0:03:49 | 0:03:52 | |
I was debating between going for something risky and something safe. | 0:03:52 | 0:03:57 | |
It was Cities, with nine or more letters. And you chose a town. | 0:03:57 | 0:04:00 | |
I chose a town. | 0:04:00 | 0:04:02 | |
And do you follow the Oscars? | 0:04:02 | 0:04:04 | |
Erm, yes, I've watched some of them. | 0:04:04 | 0:04:07 | |
I feel like I've got a good answer. | 0:04:07 | 0:04:10 | |
Whether or not it's low enough, but I think I've been burned | 0:04:10 | 0:04:13 | |
by my first appearance, so I'm not going to go too risky. | 0:04:13 | 0:04:17 | |
OK, well, best of luck. | 0:04:17 | 0:04:18 | |
-So, I'm going to go for Kate Winslet. -Kate Winslet. | 0:04:18 | 0:04:22 | |
Kate Winslet, says Ram. Let's see if that's right, | 0:04:22 | 0:04:24 | |
and if it is, let's see how many of our 100 people said Kate Winslet. | 0:04:24 | 0:04:27 | |
It's right. | 0:04:29 | 0:04:30 | |
There you are. 22. Very well done. | 0:04:35 | 0:04:38 | |
APPLAUSE | 0:04:38 | 0:04:40 | |
Good answer. Kate Winslet. | 0:04:40 | 0:04:42 | |
Well done, Ram, she won in the 2009 ceremony, for The Reader. | 0:04:42 | 0:04:46 | |
Thanks very much. Now. Ken. | 0:04:46 | 0:04:49 | |
Ken, welcome back. | 0:04:49 | 0:04:51 | |
Justacorps! | 0:04:51 | 0:04:53 | |
-The justacorps, we now know, is not a corset. -Engraved on my heart. | 0:04:53 | 0:04:57 | |
Yeah. A leotard. | 0:04:57 | 0:04:59 | |
From that to Oscar winners. | 0:04:59 | 0:05:01 | |
Do you think you've got a good answer for this? | 0:05:01 | 0:05:04 | |
I don't think I'd better take any risks. | 0:05:05 | 0:05:07 | |
And I'm not even certain of the one I'm thinking of. | 0:05:07 | 0:05:09 | |
You want it now? | 0:05:12 | 0:05:13 | |
LAUGHTER | 0:05:13 | 0:05:14 | |
Any time in the next 45 minutes, Ken! | 0:05:14 | 0:05:17 | |
Gwyneth Paltrow. | 0:05:17 | 0:05:19 | |
Gwyneth Paltrow. Let's see if that's right. | 0:05:19 | 0:05:21 | |
And if it is, let's see how many of our 100 people said Gwyneth Paltrow. | 0:05:21 | 0:05:24 | |
Oh, it's justacorps all over again, Ken! | 0:05:27 | 0:05:29 | |
I'm afraid that's an incorrect answer, | 0:05:29 | 0:05:32 | |
that scores you the maximum of 100 points. | 0:05:32 | 0:05:34 | |
Yes, sorry, Ken. She won an Oscar for Shakespeare In Love, of course, | 0:05:34 | 0:05:38 | |
but that was 1999, that was. So just before our time frame. | 0:05:38 | 0:05:43 | |
Bad luck, Ken. | 0:05:43 | 0:05:45 | |
Good guess, though. Just out of the time frame. | 0:05:45 | 0:05:47 | |
-Now, Hannah, welcome to the show. You brought your mum. -Yes, I did. | 0:05:47 | 0:05:51 | |
That's nice! Now, whose idea was it to come on the show? | 0:05:51 | 0:05:54 | |
-My idea. -And was your mum your first choice of team-mate? | 0:05:54 | 0:05:58 | |
Yeah, definitely my mum. She is a genius. | 0:05:58 | 0:06:00 | |
She doesn't want me to say this, but she knows everything about anything. | 0:06:00 | 0:06:04 | |
Best person to have on a pub quiz. I'm not joking. | 0:06:04 | 0:06:06 | |
-So, first choice, definitely. -Very good. We're looking forward to that. | 0:06:06 | 0:06:10 | |
Lee, genius. | 0:06:10 | 0:06:11 | |
How are you on Film? | 0:06:11 | 0:06:13 | |
This is my dream category. I'm so happy. | 0:06:13 | 0:06:16 | |
So I'm going to say Reese Witherspoon. | 0:06:16 | 0:06:19 | |
Reese Witherspoon. | 0:06:19 | 0:06:22 | |
Reese Witherspoon. | 0:06:22 | 0:06:23 | |
If it's wrong, my sister's going to kill me. | 0:06:23 | 0:06:25 | |
SHE GIGGLES | 0:06:25 | 0:06:26 | |
Because she loves films as well, and she said we're not allowed | 0:06:28 | 0:06:31 | |
to get 100, and we're not allowed to go out in the first round. | 0:06:31 | 0:06:34 | |
So if this is wrong, that's it. | 0:06:34 | 0:06:36 | |
-Is there a particular film you were thinking of? -Yeah, Walk The Line? | 0:06:36 | 0:06:39 | |
The Johnny Cash one. | 0:06:39 | 0:06:41 | |
Reese Witherspoon. Let's see if that's right, and if it is, how many people said it. | 0:06:41 | 0:06:45 | |
You are going to survive at your sister's hand. | 0:06:46 | 0:06:49 | |
Three! Hannah, that's a brilliant answer! | 0:06:54 | 0:06:58 | |
And a commensurately low score. Very well done indeed. | 0:06:58 | 0:07:01 | |
Three, for Reese Witherspoon. | 0:07:01 | 0:07:03 | |
Well played, Hannah, that's a very good answer. | 0:07:03 | 0:07:05 | |
Blimey, if Hannah got three, imagine how well Lee's going to do! | 0:07:05 | 0:07:08 | |
-I'm hearing Lee's a genius. -I've heard that, too, yeah. | 0:07:08 | 0:07:10 | |
Yeah, she won for playing June Carter in Walk The Line, 2006, | 0:07:10 | 0:07:14 | |
she won Best Actress. It's a brilliant film. Have you seen that? | 0:07:14 | 0:07:17 | |
Great film. Yeah, I saw it on an aeroplane, though. | 0:07:17 | 0:07:19 | |
Nice thing, nice to be on an aeroplane but films are never as... | 0:07:19 | 0:07:22 | |
I need to see it again. That's all. | 0:07:22 | 0:07:25 | |
-Not at altitude. -Yeah. | 0:07:25 | 0:07:28 | |
You know it's 30 seconds longer on the ground than it is at altitude? | 0:07:28 | 0:07:31 | |
Yeah, yeah. | 0:07:31 | 0:07:33 | |
-Now, then, Chris. Welcome to the show. -Thank you. | 0:07:33 | 0:07:36 | |
What do you do, Chris? | 0:07:36 | 0:07:38 | |
I am a primary school teacher. | 0:07:38 | 0:07:39 | |
I teach in year four at an inner-city school in Southampton. | 0:07:39 | 0:07:42 | |
-And have you been year four all the way? -No, this is my first time. | 0:07:42 | 0:07:45 | |
I've been in year two with the younger children, | 0:07:45 | 0:07:48 | |
the previous two years, but I fancied a change this year. | 0:07:48 | 0:07:50 | |
Which do you prefer, so far? | 0:07:50 | 0:07:52 | |
Um, I like working with the younger children. | 0:07:52 | 0:07:55 | |
I like to do things like puppet shows and role-play and things. | 0:07:55 | 0:07:59 | |
When they get a bit older, they don't appreciate it as much, | 0:07:59 | 0:08:02 | |
but I am enjoying it. | 0:08:02 | 0:08:03 | |
So year fours don't like your puppets? | 0:08:03 | 0:08:05 | |
Well, I think they're more ashamed of admitting it. | 0:08:05 | 0:08:07 | |
They sort of do, but when it finishes, | 0:08:07 | 0:08:09 | |
they're sort of like, "Oh, no, boring, boring." | 0:08:09 | 0:08:12 | |
How many puppets have you got in your show? | 0:08:12 | 0:08:14 | |
Ooh, I've got about five. | 0:08:14 | 0:08:15 | |
Obviously two is my maximum, unless I grow a third hand. But, er... | 0:08:15 | 0:08:20 | |
-Yeah. -So. -Who's your big character? | 0:08:20 | 0:08:23 | |
Well, my favourite character, I've got an old lady I just call Granny. | 0:08:23 | 0:08:28 | |
I wonder what the old granny sounds like, do you? | 0:08:28 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:32 | |
Sadly, she's not here... | 0:08:33 | 0:08:35 | |
Oh, wait a minute! | 0:08:35 | 0:08:36 | |
-Hang on! The creator of her is here. -We could ask him! | 0:08:36 | 0:08:40 | |
We could always ask! | 0:08:40 | 0:08:41 | |
This is not going to end happily, is it? | 0:08:41 | 0:08:44 | |
For you, no. For us, yeah, very much! | 0:08:44 | 0:08:47 | |
OK, I apologise to the whole of Scotland | 0:08:47 | 0:08:49 | |
for the accent I'm about to do. | 0:08:49 | 0:08:51 | |
Hullo! I'm here today on Pointless, and I'm about to give you | 0:08:53 | 0:08:56 | |
an answer for 21st-century acting Oscar winners! | 0:08:56 | 0:09:00 | |
That's not bad! | 0:09:00 | 0:09:02 | |
APPLAUSE | 0:09:02 | 0:09:03 | |
I say, that's really not bad at all. I agree, that's not a bad accent. | 0:09:06 | 0:09:09 | |
What are you going to go for, Chris? | 0:09:09 | 0:09:11 | |
I've got a really risky one and a safer one, so I think I'm going | 0:09:11 | 0:09:15 | |
to go for the safer one and go for The Joker, Heath Ledger. | 0:09:15 | 0:09:19 | |
Heath Ledger. Let's see if that's right, | 0:09:19 | 0:09:21 | |
and if it is, how many of our 100 people said it. | 0:09:21 | 0:09:24 | |
It is right. | 0:09:24 | 0:09:25 | |
22, our high score and three our low, well done. | 0:09:28 | 0:09:32 | |
Eight, for Heath Ledger. Not a bad one at all. | 0:09:32 | 0:09:34 | |
-Richard? -Well played, Chris. | 0:09:37 | 0:09:39 | |
Won Best Supporting Actor, posthumously of course, in 2009. | 0:09:39 | 0:09:42 | |
Only the second actor to receive a posthumous Oscar. | 0:09:42 | 0:09:45 | |
Peter Finch being the other one. | 0:09:45 | 0:09:46 | |
Thank you very much. Well, we're halfway through the round. | 0:09:46 | 0:09:49 | |
Let's take a look at those scores. Three, the best score of that pass. | 0:09:49 | 0:09:52 | |
I hope your sister's watching. And wallowing in glory. | 0:09:52 | 0:09:55 | |
Very well done, Hannah and Lee, looking pretty commanding | 0:09:55 | 0:09:57 | |
at this stage, and then up to eight, where we find Chris and James. | 0:09:57 | 0:10:01 | |
Up to 22, Ram and Stephen. And then, Ken and Alison. | 0:10:01 | 0:10:04 | |
Oh, dear, you're way out in front again, I'm afraid. | 0:10:04 | 0:10:06 | |
Nice high score of 100. | 0:10:06 | 0:10:08 | |
But, yes, we're going to need a low score | 0:10:08 | 0:10:09 | |
from you, Alison, to try and keep you in the game. | 0:10:09 | 0:10:11 | |
Best of luck with that. We're going to come back down the line now, | 0:10:11 | 0:10:14 | |
can the second players please take their places at the podium? | 0:10:14 | 0:10:17 | |
OK, James, remember, we are | 0:10:19 | 0:10:21 | |
looking for the name of any acting Oscar winner in the 21st century. | 0:10:21 | 0:10:26 | |
Chris did very well with 8 there, | 0:10:26 | 0:10:28 | |
excellent score for Heath Ledger. | 0:10:28 | 0:10:31 | |
The high scorers on 100 are Ken and Alison which means | 0:10:31 | 0:10:33 | |
if you can score 91 or less, you're in the next round. | 0:10:33 | 0:10:37 | |
James, what do you do? | 0:10:37 | 0:10:39 | |
I was a retired... | 0:10:39 | 0:10:40 | |
I am a retired security consultant. | 0:10:40 | 0:10:43 | |
Which bit of security did you consult in? | 0:10:43 | 0:10:45 | |
Well, I used to work with a team of white hat hackers | 0:10:45 | 0:10:48 | |
and we used to go and hack people's networks... | 0:10:48 | 0:10:50 | |
-White hat hackers? -..so that the black hats couldn't go in | 0:10:50 | 0:10:52 | |
and start hacking their network. | 0:10:52 | 0:10:54 | |
We found all the flaws first and then told them how to fix them | 0:10:54 | 0:10:57 | |
and then stopped anyone from going in. | 0:10:57 | 0:10:59 | |
I've never heard the expression "white hat hackers", that's brilliant. | 0:10:59 | 0:11:02 | |
Basically, you were a paid hacker. | 0:11:02 | 0:11:05 | |
And now you've retired, you can just do it for fun. | 0:11:05 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:09 | |
Now then, James, there you are on 8 points. | 0:11:09 | 0:11:11 | |
As I say, 91 points or fewer will see you into the next round. | 0:11:11 | 0:11:17 | |
OK, I remember it's a more recent one, it was a French film, | 0:11:17 | 0:11:20 | |
it was a silent film and the actor, | 0:11:20 | 0:11:25 | |
I'm sure, was Jean Dujardin. | 0:11:25 | 0:11:28 | |
Jean Dujardin. | 0:11:28 | 0:11:30 | |
There's your red line, get below that | 0:11:30 | 0:11:32 | |
and you are through to the next round. | 0:11:32 | 0:11:33 | |
Let's see if Jean Dujardin is right | 0:11:33 | 0:11:35 | |
and if it is, how many people said it. | 0:11:35 | 0:11:38 | |
It is right and you are through, very well done. | 0:11:38 | 0:11:40 | |
I have a feeling this might go a very long way down | 0:11:42 | 0:11:45 | |
and it does to 1. | 0:11:45 | 0:11:47 | |
APPLAUSE | 0:11:47 | 0:11:50 | |
Takes your total up to 9, James, | 0:11:51 | 0:11:53 | |
a very impressive single-figure total, well done, you. | 0:11:53 | 0:11:56 | |
Well played, James, terrific answer | 0:11:56 | 0:11:58 | |
and a terrific pairing there as well with 9 points. | 0:11:58 | 0:12:00 | |
Yeah, he won in 2012, he won the Best Actor for The Artist. | 0:12:00 | 0:12:04 | |
-It's also quite a good film. -It's cracking. | 0:12:04 | 0:12:06 | |
-You think it's going to be terrible and it isn't. -Oh, it's lovely, yeah. | 0:12:06 | 0:12:09 | |
-Now, Lee. -Hello. -Welcome to the show, the genius that is Lee. | 0:12:09 | 0:12:15 | |
What do you do, Lee? | 0:12:15 | 0:12:18 | |
I'm a trading standards officer. | 0:12:18 | 0:12:20 | |
-That's quite fun. Whereabouts? In East Sussex? -In East Sussex, yes. | 0:12:20 | 0:12:24 | |
What are your hobbies, Lee? | 0:12:24 | 0:12:26 | |
I'm a passionate member of the WI. | 0:12:26 | 0:12:29 | |
I haven't made the calendar yet, but keep hoping. | 0:12:29 | 0:12:33 | |
Do you make a calendar, your WI, each year? | 0:12:33 | 0:12:37 | |
Our federation makes a calendar, yes. | 0:12:37 | 0:12:39 | |
It's bridges, footpaths, autumn colours, it's not quite... | 0:12:39 | 0:12:44 | |
-It's not kit off? -No, no. -OK. | 0:12:44 | 0:12:48 | |
Um, anyway, Lee, listen, let's have a brilliant answer. | 0:12:48 | 0:12:53 | |
We've had a score of 3 from Hannah which was fabulous, | 0:12:53 | 0:12:56 | |
beaten just now by Jean Dujardin said by James which scored 1. | 0:12:56 | 0:13:00 | |
The only place for you to go is a pointless answer | 0:13:00 | 0:13:03 | |
and I bet there are some. | 0:13:03 | 0:13:06 | |
Well, no pressure then. | 0:13:06 | 0:13:07 | |
I'm going to go with Daniel Day-Lewis. | 0:13:07 | 0:13:10 | |
-Daniel Day-Lewis says Lee. -Could be risky. -Could be a risk. | 0:13:10 | 0:13:14 | |
Well, there's your red line, get below that, | 0:13:14 | 0:13:16 | |
you're through to the next round. | 0:13:16 | 0:13:18 | |
Daniel Day-Lewis. | 0:13:18 | 0:13:19 | |
Absolutely right. | 0:13:20 | 0:13:22 | |
22. | 0:13:26 | 0:13:28 | |
APPLAUSE | 0:13:28 | 0:13:29 | |
22 takes your total up to 25 which sees you very comfortably | 0:13:29 | 0:13:32 | |
through to the next round. | 0:13:32 | 0:13:34 | |
Yeah, in 2013, of course, | 0:13:34 | 0:13:35 | |
became the first man ever to win three Best Actor Oscars. | 0:13:35 | 0:13:38 | |
Won for Lincoln, also won for There Will Be Blood | 0:13:38 | 0:13:40 | |
and in 1991 for My Left Foot as well. | 0:13:40 | 0:13:44 | |
Thanks very much indeed. | 0:13:44 | 0:13:45 | |
Now, Alison, there's a scenario in which you | 0:13:45 | 0:13:47 | |
and Ken could still be with us at the end of this round, it goes like | 0:13:47 | 0:13:51 | |
this - you come up with something that scores less than 22 | 0:13:51 | 0:13:55 | |
and Stephen suddenly goes mad. | 0:13:55 | 0:13:58 | |
It could happen. How good is your knowledge of film and Oscar winners? | 0:14:00 | 0:14:04 | |
Not terribly good. | 0:14:04 | 0:14:06 | |
My answer was going to be Daniel Day-Lewis | 0:14:06 | 0:14:09 | |
but I was surprised it only scored 22 so I've been frantically | 0:14:09 | 0:14:14 | |
racking my brains so I think it's going to have to be a bit of a punt. | 0:14:14 | 0:14:20 | |
-I thought I might go for Johnny Depp. -Johnny Depp says Alison. | 0:14:20 | 0:14:25 | |
Johnny Depp. | 0:14:25 | 0:14:27 | |
No red line for you as you're the high scorers, but let's see | 0:14:27 | 0:14:29 | |
if Johnny Depp's right and let's see how many people said it. | 0:14:29 | 0:14:33 | |
Oh, no, bad luck. | 0:14:33 | 0:14:35 | |
Bad luck, Alison, that's an incorrect answer, | 0:14:35 | 0:14:38 | |
scores you the maximum of 100 points. | 0:14:38 | 0:14:40 | |
-However, you are our latest members of the 200 club. -300. | 0:14:40 | 0:14:44 | |
No, we won't do it on aggregate, it's all fine. | 0:14:45 | 0:14:49 | |
Welcome to the club, great to have you. | 0:14:49 | 0:14:52 | |
Richard? | 0:14:52 | 0:14:53 | |
Yeah, he's been nominated a few times but hasn't won any, I'm afraid, | 0:14:53 | 0:14:56 | |
but that's the way to go out of the show. | 0:14:56 | 0:14:59 | |
Thanks very much. Now, Stephen. | 0:14:59 | 0:15:01 | |
Stephen, I have good news. | 0:15:02 | 0:15:04 | |
You are into Round Two whatever happens. | 0:15:04 | 0:15:08 | |
However, I think you might have a good answer, | 0:15:08 | 0:15:11 | |
you've had a lot of time to craft your answer. | 0:15:11 | 0:15:14 | |
I've got a couple that I know have won Oscars, or at least I think | 0:15:14 | 0:15:18 | |
-I know, but I'm not sure of the year and that's the bit that's... -OK. | 0:15:18 | 0:15:23 | |
So, I'm going to go with the riskier of the two and say Charlize Theron. | 0:15:23 | 0:15:29 | |
Charlize Theron. | 0:15:29 | 0:15:30 | |
No red line for you as you're already through but let's see if Charlize Theron is right | 0:15:30 | 0:15:33 | |
and let's see how many people said it, if it is. | 0:15:33 | 0:15:36 | |
It is right. | 0:15:36 | 0:15:37 | |
Look at that, 6! | 0:15:43 | 0:15:44 | |
Very well done indeed, 6 for Charlize Theron, | 0:15:44 | 0:15:46 | |
it takes your total up to 28. | 0:15:46 | 0:15:48 | |
Very well done, Stephen. | 0:15:48 | 0:15:50 | |
Well played, Stephen. She won Best Actress Oscar for Monster in 2004. | 0:15:50 | 0:15:55 | |
Let's take a look at the pointless answers. | 0:15:55 | 0:15:57 | |
They're all for Supporting Actor or Actress. | 0:15:57 | 0:16:00 | |
Alan Arkin won for Little Miss Sunshine. | 0:16:00 | 0:16:02 | |
Benicio Del Toro won for Traffic. | 0:16:02 | 0:16:05 | |
Chris Cooper won for his role in Adaptation. | 0:16:05 | 0:16:07 | |
Jennifer Connelly won for A Beautiful Mind. | 0:16:09 | 0:16:11 | |
Jennifer Hudson won for Dreamgirls. | 0:16:11 | 0:16:14 | |
Marcia Gay Harden, she won for her role in Pollock. | 0:16:14 | 0:16:17 | |
Mo'Nique who won for Precious. | 0:16:19 | 0:16:21 | |
Octavia Spencer who won very recently for The Help | 0:16:21 | 0:16:24 | |
and Penelope Cruz won Best Supporting Actress | 0:16:24 | 0:16:26 | |
for Vicky Cristina Barcelona, all of those pointless answers. | 0:16:26 | 0:16:29 | |
Thank you very much, Richard. | 0:16:29 | 0:16:31 | |
Well, at the end of our first round, | 0:16:31 | 0:16:32 | |
I'm afraid to say the pair leaving us with our high score of 200, | 0:16:32 | 0:16:35 | |
it's our lovely north Northumbrians, it's Alison and Ken. | 0:16:35 | 0:16:38 | |
I'm so sorry. It was Round One last time and it's Round One this time. | 0:16:38 | 0:16:42 | |
I'd like to think that you were going to have an easier time | 0:16:42 | 0:16:45 | |
this time but I'm afraid we threw Oscars at you. | 0:16:45 | 0:16:47 | |
Thank you so much for joining us, Alison and Ken, | 0:16:47 | 0:16:49 | |
it's been lovely having you on the show. | 0:16:49 | 0:16:51 | |
Alison and Ken. | 0:16:51 | 0:16:52 | |
APPLAUSE | 0:16:52 | 0:16:54 | |
But for the remaining three pairs, it's now time for Round Two. | 0:16:54 | 0:16:57 | |
Well, we're now down to three pairs. | 0:17:02 | 0:17:05 | |
I think anything could happen in this round, it could go any way. | 0:17:05 | 0:17:08 | |
Best of luck to all three pairs. Our category for Round Two is... | 0:17:08 | 0:17:12 | |
Cricket. Can you all decide in your pairs who's going to go first? | 0:17:15 | 0:17:19 | |
Who's going to go second? | 0:17:19 | 0:17:20 | |
And whoever's going first, please step up to the podium. | 0:17:20 | 0:17:23 | |
OK, and our question concerns... | 0:17:26 | 0:17:28 | |
If it's any consolation, everyone in front of me | 0:17:34 | 0:17:37 | |
now looks really disconsolate. | 0:17:37 | 0:17:39 | |
-Richard. -But you look happy. -Well, I do, yes. | 0:17:40 | 0:17:43 | |
I think you'll like this one. | 0:17:43 | 0:17:44 | |
We're going to show you two photographs | 0:17:44 | 0:17:46 | |
now of England Ashes teams, one from 1981 and one from 2013. | 0:17:46 | 0:17:51 | |
We need you to identify anyone in either of these photographs, | 0:17:51 | 0:17:54 | |
please, any of the players in the two photographs you're about to see. | 0:17:54 | 0:17:58 | |
As Richard's just said, we're going to put two images up on the board. | 0:17:58 | 0:18:00 | |
They will stay up throughout the whole round so up the line | 0:18:00 | 0:18:03 | |
and back down the line and all you have to do is name any | 0:18:03 | 0:18:06 | |
person on either of those two photographs. | 0:18:06 | 0:18:10 | |
And here are those two images... | 0:18:10 | 0:18:12 | |
OK, so, Ram, you are going to go first. How is cricket for you, Ram? | 0:18:17 | 0:18:22 | |
Em, absolutely awful. I really have no idea. | 0:18:22 | 0:18:27 | |
I've got somebody that played cricket a long time ago | 0:18:27 | 0:18:30 | |
that could be in the top photograph but I can't recognise him. | 0:18:30 | 0:18:34 | |
Ian Botham. | 0:18:34 | 0:18:36 | |
Ian Botham. | 0:18:36 | 0:18:38 | |
Let's see if Ian Botham is correct | 0:18:38 | 0:18:39 | |
and if it is, let's see how many of our 100 people said Ian Botham. | 0:18:39 | 0:18:43 | |
It's absolutely right. Well done, Ram. | 0:18:44 | 0:18:47 | |
-30. -Oh, my God. | 0:18:51 | 0:18:53 | |
APPLAUSE | 0:18:53 | 0:18:56 | |
30 for Ian Botham. | 0:18:56 | 0:18:57 | |
Well done, Ram, a bit of damage limitation there. | 0:18:57 | 0:19:00 | |
It was known as Botham's Ashes, the '81 Ashes, gave up | 0:19:00 | 0:19:02 | |
the captaincy halfway through, but there he is in the bottom-left. | 0:19:02 | 0:19:06 | |
Now then, Hannah. | 0:19:06 | 0:19:08 | |
I actually follow the Ashes quite closely so, again, | 0:19:08 | 0:19:11 | |
this isn't too bad for me. | 0:19:11 | 0:19:13 | |
I'm going to say Stuart Broad for the bottom photo. | 0:19:13 | 0:19:16 | |
Stuart Broad says Hannah, Stuart Broad. | 0:19:16 | 0:19:18 | |
Let's see if that's right and if it is, how many people said it. | 0:19:18 | 0:19:21 | |
Down it goes to 20. | 0:19:29 | 0:19:30 | |
Well done, Hannah, good score. | 0:19:30 | 0:19:33 | |
APPLAUSE | 0:19:33 | 0:19:35 | |
Well played, Hannah, took 22 wickets during that Ashes series in 2013. | 0:19:35 | 0:19:40 | |
Thanks very much. Now, Chris. Cricket, Chris. | 0:19:40 | 0:19:43 | |
Yeah, I'm afraid it's not very good for me. I had Ian Botham in my head. | 0:19:43 | 0:19:48 | |
I'm just going to have to go for the only other cricket player | 0:19:48 | 0:19:50 | |
I can think of and hope that they're in the top picture | 0:19:50 | 0:19:52 | |
and that is Phil Tufnell. | 0:19:52 | 0:19:54 | |
OK, well, let's find out. Phil Tufnell, is he in that picture? | 0:19:54 | 0:19:57 | |
If he is, how many people said it? | 0:19:57 | 0:19:59 | |
Bad luck. | 0:20:02 | 0:20:04 | |
I'm afraid an incorrect answer scores you | 0:20:04 | 0:20:05 | |
the maximum of 100 points. | 0:20:05 | 0:20:07 | |
I'm sorry, Chris. | 0:20:07 | 0:20:09 | |
Yeah, sorry, Chris, too late for the '81, too early for the 2013, | 0:20:09 | 0:20:12 | |
I'm afraid. | 0:20:12 | 0:20:14 | |
OK, thanks very much. | 0:20:14 | 0:20:15 | |
We're halfway through the round, let's take a look at those scores. | 0:20:15 | 0:20:18 | |
20, the best score of that pass, Hannah, very well done to you. | 0:20:18 | 0:20:21 | |
You and Lee looking strong at this stage. | 0:20:21 | 0:20:23 | |
Then up to 30 where we find Ram and Stephen and then, I'm afraid, | 0:20:23 | 0:20:26 | |
it's up to 100 where we find Chris and James. | 0:20:26 | 0:20:28 | |
The lovely low score you had in the first round | 0:20:28 | 0:20:30 | |
beginning to be a distant memory there. | 0:20:30 | 0:20:33 | |
We're going to come back down the line now. | 0:20:33 | 0:20:35 | |
Can the second players please step up to the podium? | 0:20:35 | 0:20:37 | |
OK, James, we're looking for the name of anyone who | 0:20:40 | 0:20:43 | |
appears in either of these pictures. | 0:20:43 | 0:20:47 | |
There they are. | 0:20:47 | 0:20:48 | |
Is cricket something you follow? | 0:20:48 | 0:20:51 | |
I know more about hippo breeding than I know about cricket. | 0:20:51 | 0:20:54 | |
There's someone there who looks a bit like someone who I think | 0:20:54 | 0:20:58 | |
used to be on TV and I think his name was David Gower. | 0:20:58 | 0:21:02 | |
David Gower says James. | 0:21:02 | 0:21:03 | |
Let's see if that's right and if it is, how many people said it. | 0:21:03 | 0:21:07 | |
No red line for you, James, as you are the high scorers. | 0:21:07 | 0:21:10 | |
It's right. | 0:21:12 | 0:21:13 | |
21. | 0:21:18 | 0:21:19 | |
APPLAUSE | 0:21:19 | 0:21:21 | |
21 takes your total up to 121. | 0:21:22 | 0:21:25 | |
Well played, James, might have kept yourself in it. | 0:21:25 | 0:21:27 | |
Yeah, David Gower scored over 8,000 runs in his Test career, | 0:21:27 | 0:21:29 | |
now a very good presenter and commentator. | 0:21:29 | 0:21:32 | |
Thanks very much indeed. Now then, Lee. | 0:21:32 | 0:21:36 | |
Lee, good news, you're in the head-to-head. | 0:21:36 | 0:21:38 | |
How's your cricket, Lee? | 0:21:38 | 0:21:40 | |
Eh, cricket's great. I followed the '81 Ashes and the most recent Ashes. | 0:21:40 | 0:21:44 | |
Go on, give us a brilliant name from the '81. | 0:21:44 | 0:21:47 | |
Em, the top photo, next to Ian Botham, I think, is Bob Willis. | 0:21:47 | 0:21:54 | |
OK, Bob Willis says Lee. | 0:21:54 | 0:21:57 | |
No red line for you for the lovely reason that you're already | 0:21:57 | 0:21:59 | |
through but let's see if Bob Willis is right | 0:21:59 | 0:22:01 | |
and if it is, let's see how many people said it. | 0:22:01 | 0:22:04 | |
It's right. | 0:22:06 | 0:22:08 | |
Very well done, 19. | 0:22:12 | 0:22:13 | |
Lowest score of the round, very well done, Lee. Takes your total to 39. | 0:22:16 | 0:22:19 | |
Well played, Lee. | 0:22:19 | 0:22:21 | |
Do you know Bob Willis changed his middle name from George to Dylan? | 0:22:21 | 0:22:25 | |
Did he? | 0:22:25 | 0:22:27 | |
Because of Bob Dylan who was his musical hero, so by deed poll, | 0:22:27 | 0:22:30 | |
he changed his name to Bob Dylan Willis. | 0:22:30 | 0:22:33 | |
To Bob Dylan Geldof Willis. | 0:22:33 | 0:22:35 | |
LAUGHTER | 0:22:35 | 0:22:36 | |
-Stephen. -Hello. -Now, you are not out of the woods here by any means. | 0:22:38 | 0:22:42 | |
The high scorers are James and Chris on 121, there you are on 30. | 0:22:42 | 0:22:46 | |
90 or less will see you into the head-to-head. | 0:22:46 | 0:22:48 | |
Is cricket something you're comfortable with? | 0:22:48 | 0:22:51 | |
I should be better than I am. | 0:22:51 | 0:22:53 | |
I'm going to play safe and hope that it gets us | 0:22:53 | 0:22:56 | |
below the line with Kevin Pietersen. | 0:22:56 | 0:22:59 | |
Kevin Pietersen says Stephen. | 0:22:59 | 0:23:02 | |
There's your red line. | 0:23:02 | 0:23:03 | |
If you get below that with Kevin Pietersen, | 0:23:03 | 0:23:05 | |
you are in the head-to-head. Let's find out. | 0:23:05 | 0:23:07 | |
Kevin Pietersen, is it right? How many people said it? | 0:23:07 | 0:23:10 | |
It's right. | 0:23:12 | 0:23:13 | |
19. | 0:23:17 | 0:23:18 | |
APPLAUSE | 0:23:18 | 0:23:21 | |
Joint lowest-score of the pass, takes your total up to 49. | 0:23:21 | 0:23:25 | |
Did exactly the right thing there, Stephen, very well played. | 0:23:25 | 0:23:28 | |
Now, I bet you're rather good at this round. | 0:23:28 | 0:23:30 | |
Is there anything you fancy going for? | 0:23:30 | 0:23:31 | |
-Joe Root, probably, or Steven Finn. -Well, let's take a look. | 0:23:31 | 0:23:36 | |
-Joe Root, there he is. He would have scored you 10 points. -Steven Finn. | 0:23:36 | 0:23:41 | |
Steven Finn, there he is, he would have scored you 5 points, | 0:23:41 | 0:23:44 | |
both are good answers. | 0:23:44 | 0:23:45 | |
Let's go through both of the pictures. | 0:23:45 | 0:23:47 | |
Let's take the 1981 picture first. | 0:23:47 | 0:23:49 | |
You've got Bob Taylor there, would've scored you 2 points, | 0:23:49 | 0:23:52 | |
he's the best answer you could have got. | 0:23:52 | 0:23:54 | |
Chris Old, he would have scored you 3. | 0:23:54 | 0:23:56 | |
There's John Emburey, would've scored you 4. | 0:23:56 | 0:23:58 | |
Peter Willey, that's who I went for, he would've scored you 5. | 0:23:58 | 0:24:03 | |
Graham Gooch there with 8 points. | 0:24:03 | 0:24:06 | |
Geoffrey Boycott, 11 points he would've scored you. | 0:24:06 | 0:24:09 | |
Mike Brearley, he would've scored you 13 points. | 0:24:09 | 0:24:12 | |
Bob Willis, we've already had, on 19. Mike Gatting there on 21. | 0:24:12 | 0:24:17 | |
Let's take a look at the 2013 team. | 0:24:17 | 0:24:20 | |
You would have got 4 points for Graham Onions, | 0:24:20 | 0:24:23 | |
he's the best answer on that picture. | 0:24:23 | 0:24:25 | |
5 points for Steven Finn as we've heard. | 0:24:25 | 0:24:27 | |
You would have got 8 points for Tim Bresnan. | 0:24:27 | 0:24:30 | |
9 for Jonny Bairstow, 10 for Joe Root, 10 for Jonathan Trott. | 0:24:30 | 0:24:34 | |
Ian Bell, 11. Graeme Swann there would have scored 14, Matt Prior, 15. | 0:24:34 | 0:24:38 | |
Kevin Pietersen we know already got 19. | 0:24:38 | 0:24:41 | |
Broady got 20, Alistair Cook, 23, | 0:24:41 | 0:24:44 | |
just pipped by James Anderson who got 24 points. | 0:24:44 | 0:24:48 | |
Good for him. Thanks very much indeed. | 0:24:48 | 0:24:50 | |
So, at the end of our second round, I'm afraid the pair who'll be | 0:24:50 | 0:24:52 | |
heading home with our high score of 121 is James and Chris. | 0:24:52 | 0:24:55 | |
Oh, dear, so good in the first round. | 0:24:55 | 0:24:57 | |
But it all bodes very well for next time and I'm sure you'll do | 0:24:57 | 0:25:00 | |
much better then but it's been great having you on the show. | 0:25:00 | 0:25:03 | |
Thanks so much, James and Chris. | 0:25:03 | 0:25:04 | |
APPLAUSE | 0:25:04 | 0:25:06 | |
But for the remaining two pairs, it's now time for the head-to-head. | 0:25:07 | 0:25:10 | |
Well, congratulations, Lee and Hannah, Ram and Stephen, you are now | 0:25:14 | 0:25:18 | |
one step closer to the final | 0:25:18 | 0:25:19 | |
and a chance to play for our jackpot which currently stands at... | 0:25:19 | 0:25:23 | |
So, now, we have to decide who's going to play for that money | 0:25:27 | 0:25:30 | |
and to do that, you are now going to go head-to-head. | 0:25:30 | 0:25:32 | |
The big difference is you are now allowed to confer. | 0:25:32 | 0:25:35 | |
The first pair to win two questions will be playing for that jackpot. | 0:25:35 | 0:25:38 | |
Well, Lee and Hannah, your first appearance on Pointless | 0:25:38 | 0:25:41 | |
and straight through to the head-to-head. | 0:25:41 | 0:25:43 | |
Ram and Stephen, last time, Round Two. This time, head-to-head, hey! | 0:25:43 | 0:25:50 | |
So, very best of luck to both pairs. Let's play the head-to-head. | 0:25:50 | 0:25:54 | |
APPLAUSE | 0:25:54 | 0:25:58 | |
OK, here comes your first question and it concerns... | 0:26:00 | 0:26:03 | |
UK cuts of beef, Richard. | 0:26:07 | 0:26:09 | |
We are going to show you the names of five UK cuts of beef | 0:26:09 | 0:26:11 | |
but we've filleted them all leaving just the first and last letters. | 0:26:11 | 0:26:15 | |
Can you fill in the gaps and tell us what the cuts are, please? | 0:26:15 | 0:26:18 | |
Thanks very much so let's reveal our five UK cuts of beef | 0:26:18 | 0:26:21 | |
and here they are. | 0:26:21 | 0:26:22 | |
We have got... | 0:26:22 | 0:26:24 | |
HE READS LETTERS | 0:26:24 | 0:26:28 | |
I'll read those one last time. | 0:26:32 | 0:26:34 | |
HE REPEATS LETTERS | 0:26:34 | 0:26:37 | |
Now then, Lee and Hannah, you played best throughout the show | 0:26:40 | 0:26:43 | |
so far, so you get to answer first. | 0:26:43 | 0:26:45 | |
-Any ideas? -(Only one, silverside.) | 0:26:47 | 0:26:49 | |
We're going to go for the third one down, silverside. | 0:26:54 | 0:26:58 | |
Silverside say Lee and Hannah. Now, Ram and Stephen. | 0:26:58 | 0:27:03 | |
Do you want to talk us through the cuts? | 0:27:03 | 0:27:05 | |
Talking you through the board, it's rump, silverside, | 0:27:05 | 0:27:08 | |
which we got as well, | 0:27:08 | 0:27:10 | |
tartare and flank but I just can't quite figure out what | 0:27:10 | 0:27:14 | |
that top one is and whether or not it's going to be really low. | 0:27:14 | 0:27:18 | |
I think we're going to go with flank. | 0:27:18 | 0:27:21 | |
You're going to go with flank, the bottom one. | 0:27:21 | 0:27:24 | |
OK, so we have silverside versus flank. | 0:27:24 | 0:27:26 | |
Now, Lee and Hannah said silverside, let's see if that's right | 0:27:26 | 0:27:29 | |
and let's see how many people said silverside. | 0:27:29 | 0:27:31 | |
It is right. | 0:27:33 | 0:27:34 | |
28. | 0:27:39 | 0:27:40 | |
APPLAUSE | 0:27:40 | 0:27:42 | |
And Ram and Stephen have gone for flank. | 0:27:45 | 0:27:47 | |
Let's see if that's right, | 0:27:47 | 0:27:48 | |
and if it is, let's see how many of our 100 people said that. | 0:27:48 | 0:27:52 | |
It's right. | 0:27:54 | 0:27:55 | |
It's got to beat 20. Oh, look at that, 58. | 0:27:56 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:01 | |
There we are. 58. That's a big score for flank, isn't it? | 0:28:03 | 0:28:06 | |
But that means very well done, Lee and Hannah. | 0:28:06 | 0:28:08 | |
After one question, you are up 1-0. | 0:28:08 | 0:28:11 | |
Silverside was tough to beat. It's a good answer. | 0:28:11 | 0:28:13 | |
You wouldn't have beaten it with tartare, | 0:28:13 | 0:28:16 | |
because that is a way of cooking beef. It's not... Topside. | 0:28:16 | 0:28:19 | |
I'm afraid it wouldn't have beaten silverside anyway, | 0:28:19 | 0:28:22 | |
so it would have scored you 33 points. | 0:28:22 | 0:28:25 | |
Wouldn't have beaten it with rump, either, | 0:28:25 | 0:28:27 | |
-because that would have scored 93 points... -Ooh! -..for rump. | 0:28:27 | 0:28:31 | |
-Now, the top one... -Can I guess what it is? -You can guess what it is. | 0:28:31 | 0:28:35 | |
Is it clod? | 0:28:35 | 0:28:36 | |
-Absolutely. -Oh, no! | 0:28:36 | 0:28:38 | |
-And is the best answer on the board as well. 8 points for clod. -Oh, no! | 0:28:38 | 0:28:42 | |
-Being honest, now, had you heard of clod? -Clod? Mmm, delicious! | 0:28:42 | 0:28:47 | |
LAUGHTER | 0:28:47 | 0:28:49 | |
Thank you very much indeed, Richard. So, here comes our second question. | 0:28:49 | 0:28:52 | |
Now, Ram and Stephen, you get to answer this one first. | 0:28:52 | 0:28:54 | |
But you have to win it to stay in the game, so very best of luck. | 0:28:54 | 0:28:57 | |
It concerns... | 0:28:57 | 0:28:58 | |
It concerns Poetry. Stephen, closing his eyes, shaking his head. | 0:29:01 | 0:29:05 | |
Ram, laughing. Richard, Poetry. | 0:29:05 | 0:29:09 | |
Going to show you five clues now to facts about poetry. | 0:29:09 | 0:29:11 | |
Can you give us the most obscure answer to one of these? | 0:29:11 | 0:29:13 | |
OK, let's reveal our five clues, and here they come. We have got... | 0:29:13 | 0:29:17 | |
I will read those all one last time. | 0:29:37 | 0:29:39 | |
There we are, Ram and Stephen, you will answer first. | 0:29:56 | 0:30:00 | |
-THEY WHISPER: -The second one is... They might not know. | 0:30:00 | 0:30:02 | |
-I don't think the second one is, though. -Really? -No. | 0:30:02 | 0:30:05 | |
We're going to go with the Lewis Carroll novel | 0:30:05 | 0:30:08 | |
that features the poem Jabberwocky. And it's a bit of a guess. | 0:30:08 | 0:30:11 | |
Is it Through The Looking Glass? | 0:30:13 | 0:30:15 | |
Through The Looking Glass, say Ram and Stephen, | 0:30:15 | 0:30:18 | |
for the Jabberwocky novel. | 0:30:18 | 0:30:20 | |
Lee and Hannah, what are you going to go for? | 0:30:20 | 0:30:22 | |
Do you fancy talking us through the board? | 0:30:22 | 0:30:24 | |
The 14th-century author of Canterbury Tales | 0:30:24 | 0:30:27 | |
we think is Geoffrey Chaucer. | 0:30:27 | 0:30:29 | |
Um...but the other ones... Gone blank, | 0:30:29 | 0:30:33 | |
so we're going to go with the top one, and we think | 0:30:33 | 0:30:36 | |
Daniel Day-Lewis's father is Cecil. | 0:30:36 | 0:30:39 | |
Cecil, say Lee and Hannah. | 0:30:39 | 0:30:41 | |
Cecil, the father of Daniel Day-Lewis. | 0:30:41 | 0:30:45 | |
Now, in the order they were given, Ram and Stephen | 0:30:45 | 0:30:47 | |
said Through The Looking Glass. | 0:30:47 | 0:30:48 | |
Let's see if that is right, for the novel from which Jabberwocky comes. | 0:30:48 | 0:30:52 | |
It is right. My God! Very well done, Ram and Stephen. | 0:30:54 | 0:30:58 | |
How far down the column it goes | 0:30:58 | 0:30:59 | |
we will discover... | 0:30:59 | 0:31:01 | |
Look at that, 6! | 0:31:01 | 0:31:02 | |
Very well done indeed. Great answer. | 0:31:02 | 0:31:04 | |
APPLAUSE | 0:31:04 | 0:31:07 | |
Very well done. You chose well. | 0:31:07 | 0:31:09 | |
Now, Lee and Hannah, | 0:31:09 | 0:31:11 | |
you have said Cecil Day-Lewis was the Poet Laureate father of Daniel. | 0:31:11 | 0:31:14 | |
Let's find out if that's right, and if it is, | 0:31:14 | 0:31:16 | |
let's see how many people said it. | 0:31:16 | 0:31:18 | |
It's absolutely right, of course. | 0:31:19 | 0:31:22 | |
It has to beat six. | 0:31:22 | 0:31:23 | |
Ooh... 16. | 0:31:25 | 0:31:27 | |
16. Well done, Ram and Stephen. | 0:31:29 | 0:31:31 | |
You've done exactly what you needed to do there. | 0:31:31 | 0:31:33 | |
After two questions, you're back in the game. It is 1-1. | 0:31:33 | 0:31:36 | |
Well played there to Ram and Stephen. That has made the scoring even. | 0:31:36 | 0:31:39 | |
That's my little, er... LAUGHTER | 0:31:39 | 0:31:41 | |
-That's my little poetry sum-up for you. -That's nice. | 0:31:41 | 0:31:44 | |
Let's take a look at the rest of these. | 0:31:44 | 0:31:45 | |
You're right about Geoffrey Chaucer. A big scorer, though, Geoffrey Chaucer - would have scored you 51. | 0:31:45 | 0:31:50 | |
-Roald Dahl's 1982 collection of rhymes... -Revolting Rhymes? | 0:31:50 | 0:31:53 | |
Revolting Rhymes, yeah. Would have scored you five points. | 0:31:53 | 0:31:57 | |
And the best answer on the board, the poet with whom | 0:31:57 | 0:31:59 | |
Samuel Taylor Coleridge wrote the collection of Lyrical Ballads... | 0:31:59 | 0:32:02 | |
-William Wordsworth. -William Wordsworth. 4 points. | 0:32:02 | 0:32:05 | |
Well done if you said that. | 0:32:05 | 0:32:06 | |
Thanks very much indeed. OK, here comes your third question. | 0:32:06 | 0:32:10 | |
This will be the decider - who will go through to the final, | 0:32:10 | 0:32:12 | |
who will we say goodbye to? | 0:32:12 | 0:32:14 | |
Best of luck to both pairs. It concerns... | 0:32:14 | 0:32:17 | |
ABBA singles. Richard. | 0:32:20 | 0:32:21 | |
I'm going to show you five picture clues now, to top 40 singles by ABBA. | 0:32:21 | 0:32:26 | |
Tell us the name of the single that these pictures most directly refer to. Best of luck. | 0:32:26 | 0:32:29 | |
The team who gets the most obscure answer plays for the jackpot. | 0:32:29 | 0:32:32 | |
Thanks very much indeed. | 0:32:32 | 0:32:34 | |
So let's reveal our five picture clues to ABBA singles, | 0:32:34 | 0:32:37 | |
and here they are. We have got... | 0:32:37 | 0:32:39 | |
That's good. | 0:32:56 | 0:32:57 | |
Lee and Hannah, you will go first. | 0:32:59 | 0:33:01 | |
-Um... -Which one? | 0:33:02 | 0:33:04 | |
I don't know. | 0:33:04 | 0:33:06 | |
THEY CONFER IN WHISPERS | 0:33:06 | 0:33:09 | |
OK, we're going to go with A - SOS. | 0:33:13 | 0:33:16 | |
SOS. You're going to say SOS for A. | 0:33:16 | 0:33:20 | |
Ram and Stephen. | 0:33:20 | 0:33:23 | |
Um... Do you want us to talk you through the board? | 0:33:23 | 0:33:25 | |
Yeah - why not? | 0:33:25 | 0:33:27 | |
-B is Fernando Torres, so Fernando. -Fernando. | 0:33:28 | 0:33:31 | |
C is Waterloo. | 0:33:31 | 0:33:33 | |
-That's probably... -We think that's going to be high. | 0:33:33 | 0:33:35 | |
-And D and E we're just not sure. -We will go for... | 0:33:35 | 0:33:39 | |
-B. -B. Fernando. | 0:33:39 | 0:33:42 | |
Fernando, | 0:33:42 | 0:33:43 | |
say Ram and Stephen. So we have SOS, and we have Fernando. | 0:33:43 | 0:33:48 | |
Now, Lee and Hannah, you said SOS. Let's see if that's right, | 0:33:48 | 0:33:51 | |
and if it is, let's see how many of our 100 people said SOS. | 0:33:51 | 0:33:53 | |
It's right. | 0:33:55 | 0:33:56 | |
-Ooh! -38. | 0:34:00 | 0:34:01 | |
APPLAUSE | 0:34:01 | 0:34:04 | |
38. Now, Ram and Stephen, you have gone for Fernando for B. | 0:34:06 | 0:34:11 | |
Let's see if that's right, and if it is, | 0:34:11 | 0:34:13 | |
let's see how many people said it. Fernando. | 0:34:13 | 0:34:15 | |
It's right. | 0:34:17 | 0:34:19 | |
But it's got to beat 38. | 0:34:19 | 0:34:20 | |
Is it going to? | 0:34:20 | 0:34:21 | |
Yes, it is! Look at that. | 0:34:21 | 0:34:23 | |
Ooh, 20. Very well done indeed. Fernando. | 0:34:23 | 0:34:26 | |
APPLAUSE | 0:34:26 | 0:34:29 | |
You pulled it back, Ram and Stephen. Very well done indeed. | 0:34:30 | 0:34:33 | |
After three questions, you are through to the final, 2-1. | 0:34:33 | 0:34:36 | |
Well played, Ram and Stephen, nicely answered. I like those rounds. | 0:34:36 | 0:34:39 | |
-We've got a few more of these coming up soon. -Oh, good. | 0:34:39 | 0:34:41 | |
Let's take a look at the other three. | 0:34:41 | 0:34:43 | |
You're right about C - it is Waterloo. It was a big scorer though, | 0:34:43 | 0:34:46 | |
it won't surprise you. Would have scored you 80 points. | 0:34:46 | 0:34:49 | |
The best answer on the board is the next one. | 0:34:49 | 0:34:52 | |
You've got to guess whether they have a song called Roly-Poly, | 0:34:52 | 0:34:55 | |
or Head Over Heels. | 0:34:55 | 0:34:56 | |
They've got a song called Head Over Heels. It was a number 25 hit. | 0:34:56 | 0:34:59 | |
That would have scored you five. | 0:34:59 | 0:35:00 | |
And E, of course, is Martin Luther King, doing his famous... | 0:35:00 | 0:35:03 | |
-I Have A Dream. -..I Have A Dream speech. | 0:35:03 | 0:35:05 | |
Yes, I Have A Dream. And that would have scored 25 points. | 0:35:05 | 0:35:09 | |
Thanks very much indeed, Richard. | 0:35:09 | 0:35:11 | |
So the pair leaving us at the end of the head-to-head round is Lee | 0:35:11 | 0:35:14 | |
and Hannah. Well, you did incredibly well there, | 0:35:14 | 0:35:17 | |
and you could have done better - you knew Head Over Heels. | 0:35:17 | 0:35:19 | |
We did. That's my fault. I'm never going to live it down. | 0:35:19 | 0:35:21 | |
Never mind. You can forget all about it, because you'll be back next | 0:35:21 | 0:35:25 | |
time, and I'm sure you'll do just as well, if not better. | 0:35:25 | 0:35:27 | |
But it's been great having you on the show. | 0:35:27 | 0:35:29 | |
Thank you so much for playing. Lee and Hannah. | 0:35:29 | 0:35:32 | |
APPLAUSE | 0:35:32 | 0:35:34 | |
But for Ram and Stephen, it's now time for our Pointless final. | 0:35:34 | 0:35:37 | |
Well, congratulations, Ram and Stephen. | 0:35:40 | 0:35:42 | |
You fought off all the competition and you have won | 0:35:42 | 0:35:45 | |
a coveted Pointless trophy, so well done. | 0:35:45 | 0:35:47 | |
You now have a chance to win our Pointless jackpot, | 0:35:53 | 0:35:55 | |
and at the end of today's show, the jackpot stands at £3,250. | 0:35:55 | 0:35:59 | |
There it is. | 0:35:59 | 0:36:00 | |
CHEERING AND APPLAUSE | 0:36:00 | 0:36:04 | |
Well, I'm delighted you've done so well. | 0:36:04 | 0:36:06 | |
Ooh, you were 1-0 down in the head-to-head, | 0:36:06 | 0:36:08 | |
and then you came through with Through The Looking Glass. | 0:36:08 | 0:36:11 | |
That was a fabulous moment, there. | 0:36:11 | 0:36:13 | |
-Don't know where that came from. -And Fernando. -Yeah. -Brilliant. | 0:36:13 | 0:36:17 | |
Well, very, very best of luck in this round. As always, | 0:36:17 | 0:36:19 | |
you kick off this final round by choosing the category | 0:36:19 | 0:36:21 | |
you want to answer on. | 0:36:21 | 0:36:22 | |
And here are the options you can choose from. They are... | 0:36:22 | 0:36:25 | |
Just on the basis we know quite a bit about American locations... | 0:36:37 | 0:36:40 | |
Do you want to go for the bottom one? | 0:36:40 | 0:36:42 | |
On the basis that we know a bit about American locations, | 0:36:42 | 0:36:45 | |
maybe not so much popular music - but we'll go... | 0:36:45 | 0:36:48 | |
-American locations in popular music. -Yeah. | 0:36:48 | 0:36:51 | |
-American locations in popular music. With the emphasis on American. -Yeah! | 0:36:51 | 0:36:55 | |
OK, best of luck. Richard. | 0:36:55 | 0:36:57 | |
Yeah, what we're looking for is any band or artist who've had | 0:36:57 | 0:36:59 | |
a UK top-40 single or album with... | 0:36:59 | 0:37:02 | |
The word "New York" in it, in its title. | 0:37:02 | 0:37:05 | |
The word "Memphis" in its title. | 0:37:05 | 0:37:08 | |
Or the word "California" in its title. | 0:37:09 | 0:37:12 | |
So any artist or band who've had a top-40 album or single | 0:37:12 | 0:37:17 | |
with New York, Memphis, or California in its title. | 0:37:17 | 0:37:20 | |
Very, very best of luck. | 0:37:21 | 0:37:23 | |
Now, as always, you've got up to a minute to come up with | 0:37:23 | 0:37:26 | |
three answers, and to win that jackpot of £3,250, | 0:37:26 | 0:37:28 | |
all you need to do is find a pointless answer. | 0:37:28 | 0:37:30 | |
Now, remember, the answers you provide | 0:37:30 | 0:37:32 | |
can come from any of these three categories. | 0:37:32 | 0:37:35 | |
New York, Memphis or California, on singles or album titles. | 0:37:35 | 0:37:39 | |
You can choose the category. All three can come from | 0:37:39 | 0:37:41 | |
the same category, you can have one from each... | 0:37:41 | 0:37:43 | |
It's up to you how you spread them across those. | 0:37:43 | 0:37:46 | |
-Are you ready? -BOTH: -Yep. | 0:37:46 | 0:37:47 | |
Let's put 60 seconds on the clock. | 0:37:47 | 0:37:48 | |
There they are. Your time starts now. | 0:37:48 | 0:37:50 | |
-Can I go through mine first? -Yeah, cool. | 0:37:50 | 0:37:53 | |
So, I think California Love is by 2Pac, | 0:37:53 | 0:37:56 | |
and Hotel California is The Eagles. | 0:37:56 | 0:37:58 | |
-Yep. -So those are two answers. I don't know how obscure they are. | 0:37:58 | 0:38:01 | |
I think California Love is fairly obscure, by 2Pac. | 0:38:01 | 0:38:04 | |
Yeah, that's pretty good. I'd keep that one. | 0:38:04 | 0:38:06 | |
-And New York City Cops by Strokes. -Strokes. Brilliant. | 0:38:06 | 0:38:08 | |
And California Dreamin' by the Beach Boys - they covered it. | 0:38:08 | 0:38:11 | |
It was originally The Mamas & The Papas, but... | 0:38:11 | 0:38:14 | |
Oh, so which one would you...? | 0:38:14 | 0:38:15 | |
Because The Mamas & The Papas might be more obscure. | 0:38:15 | 0:38:17 | |
-Yeah, Mamas & Papas, The Strokes... -..and 2Pac. -..and 2Pac. | 0:38:17 | 0:38:22 | |
A little bit of hip-hop. | 0:38:22 | 0:38:23 | |
-Any others you can think of while we've got a bit of time? -Memphis... | 0:38:23 | 0:38:26 | |
I just keep thinking of that Cher song. | 0:38:26 | 0:38:28 | |
There's that song Memphis On My Mind, | 0:38:28 | 0:38:29 | |
but I have no idea who sings that. | 0:38:29 | 0:38:31 | |
Don't know that. New York... | 0:38:31 | 0:38:32 | |
Obviously, Frank Sinatra, but that's going to be.... | 0:38:32 | 0:38:35 | |
And you've got that New York... | 0:38:35 | 0:38:36 | |
Obviously, you've Californication by The Red Hot Chili Peppers, | 0:38:36 | 0:38:39 | |
but that's not exactly California, is it? | 0:38:39 | 0:38:41 | |
We'll stick with that, | 0:38:41 | 0:38:43 | |
so we'll go Strokes, 2Pac, and Mamas & Papas? | 0:38:43 | 0:38:45 | |
-Yeah. -And what's the most random - 2Pac? | 0:38:45 | 0:38:46 | |
-I think so. -Yeah, Strokes in the middle... -OK, that's your time up. | 0:38:46 | 0:38:51 | |
I now need your three answers. | 0:38:51 | 0:38:53 | |
What are you going to give me? | 0:38:53 | 0:38:55 | |
-We're going to go with Mamas & Papas. -Mamas & Papas. -Yeah. | 0:38:55 | 0:38:59 | |
-For California. -We'll go for The Strokes for the New York... | 0:38:59 | 0:39:02 | |
-Strokes for New York. -Yeah, and... | 0:39:02 | 0:39:05 | |
-California Love, which is 2Pac, for California. -2Pac for California. | 0:39:05 | 0:39:10 | |
Now, of those three, which is your best shot at a pointless answer? | 0:39:10 | 0:39:13 | |
Probably in that order, isn't it? I think 2Pac's probably our best. | 0:39:13 | 0:39:16 | |
-OK, we'll put 2Pac last. -Yep. -And we'll put Mamas & Papas first. | 0:39:16 | 0:39:20 | |
-Yep. -Yeah, I think so. | 0:39:20 | 0:39:21 | |
OK, let's pop those up on the board in that order, then. | 0:39:21 | 0:39:23 | |
-Sorry if it's wrong. -No... | 0:39:23 | 0:39:25 | |
We have got... | 0:39:25 | 0:39:26 | |
Well, very, very best of luck. | 0:39:29 | 0:39:31 | |
Your first answer was The Mamas & The Papas. | 0:39:31 | 0:39:34 | |
Now, if this is right, and it's pointless, it will win you £3,250. | 0:39:34 | 0:39:40 | |
-What would you do with that? -Um... | 0:39:40 | 0:39:43 | |
I would put that towards a deposit | 0:39:43 | 0:39:47 | |
for an Aston Martin. I'd have a lot of saving to do, | 0:39:47 | 0:39:50 | |
but I would have that as a little nest... | 0:39:50 | 0:39:54 | |
OK, "Put that as a deposit towards..." | 0:39:54 | 0:39:56 | |
And I was thinking, "This is good. This is good." | 0:39:56 | 0:39:58 | |
"..an Aston Martin." | 0:39:58 | 0:40:01 | |
-OK. No, that's a good thing to spend it on. -It's fun. -Why not? Stephen. | 0:40:01 | 0:40:04 | |
I've got slightly more realistic aspirations, | 0:40:04 | 0:40:07 | |
and I'd probably buy a retro arcade machine for our house. | 0:40:07 | 0:40:11 | |
Well, best of luck. Three good answers on the board. | 0:40:11 | 0:40:13 | |
Let's hope one of those will get you that...arcade machine/Aston Martin. | 0:40:13 | 0:40:19 | |
Mamas & Papas you said was your least confident | 0:40:19 | 0:40:21 | |
shot at a pointless answer, but only one of these answers has to | 0:40:21 | 0:40:24 | |
be pointless for you to win that jackpot, so let's find out. | 0:40:24 | 0:40:27 | |
For £3,250, how many people remembered The Mamas & The Papas | 0:40:27 | 0:40:31 | |
had California in a single or an album title? | 0:40:31 | 0:40:34 | |
It is right. | 0:40:37 | 0:40:38 | |
If this goes all the way down to zero, | 0:40:40 | 0:40:41 | |
you'll be leaving with £3,250. | 0:40:41 | 0:40:44 | |
It's going down through the '20s, | 0:40:44 | 0:40:45 | |
down through the teens... | 0:40:45 | 0:40:46 | |
15! | 0:40:46 | 0:40:47 | |
APPLAUSE | 0:40:47 | 0:40:50 | |
OK, 15 for that. That's fine. That was your first answer. | 0:40:53 | 0:40:55 | |
You'd have been very surprised if that had been pointless, surely. | 0:40:55 | 0:40:59 | |
Two more shots at today's jackpot. Your next answer was The Strokes. | 0:40:59 | 0:41:05 | |
We've now moved to the New York category. | 0:41:05 | 0:41:07 | |
Let's hope nobody said The Strokes. Let's hope it's correct. | 0:41:07 | 0:41:10 | |
It has to be a single or an album with New York in its name. | 0:41:10 | 0:41:14 | |
For £3,250, let's find out how many people said The Strokes. | 0:41:14 | 0:41:18 | |
Well, it's right. | 0:41:20 | 0:41:21 | |
Your first answer, Mamas & The Papas took us down to 15. | 0:41:22 | 0:41:27 | |
The Strokes now takes us way past 15, down into single figures. | 0:41:27 | 0:41:30 | |
Down it goes... | 0:41:30 | 0:41:31 | |
Down it goes. You've done it! | 0:41:31 | 0:41:33 | |
-SHE SHRIEKS -Very well done indeed! | 0:41:33 | 0:41:35 | |
Very well done. | 0:41:35 | 0:41:37 | |
-Oh, very, very well done indeed! Congratulations. -Oh, my God. | 0:41:41 | 0:41:45 | |
The Strokes was a pointless answer, | 0:41:45 | 0:41:47 | |
which means you go home with that jackpot of £3,250. | 0:41:47 | 0:41:50 | |
Well done, you, Ram and Stephen. | 0:41:50 | 0:41:52 | |
That was brilliant, Ram and Stephen. Really well done. | 0:41:57 | 0:42:00 | |
New York City Cops was a double A-side with Hard To Explain, by The Strokes. That's a terrific answer. | 0:42:00 | 0:42:04 | |
2Pac did California Love, of course - would have scored you two points. | 0:42:04 | 0:42:09 | |
So that was your winning answer. | 0:42:09 | 0:42:10 | |
Let's take a look at some of the other winning answers. | 0:42:10 | 0:42:13 | |
The Bee Gees, and New York Mining Disaster, of course. | 0:42:13 | 0:42:16 | |
Bruce Springsteen and The E. Street Band's Live In New York City. | 0:42:16 | 0:42:19 | |
That was a pointless answer. | 0:42:19 | 0:42:20 | |
Good Evening, New York City, Paul McCartney, | 0:42:20 | 0:42:22 | |
and REM, Leaving New York, also would have been pointless. | 0:42:22 | 0:42:26 | |
Also could have had Fun Lovin' Criminals, Lou Reed, Pet Shop Boys, | 0:42:26 | 0:42:29 | |
Shinehead - all of those pointless answers. | 0:42:29 | 0:42:32 | |
Memphis - Dave Berry & The Cruisers. | 0:42:32 | 0:42:33 | |
Prefab Sprout, From Langley Park To Memphis, the album. | 0:42:33 | 0:42:36 | |
Terrific new album out as well, Prefab Sprout. | 0:42:36 | 0:42:38 | |
Sheryl Crow, Wet Wet Wet. | 0:42:38 | 0:42:41 | |
And for California, you could have had America, | 0:42:41 | 0:42:44 | |
you could have had Elvis Presley, California King Bed by Rihanna, | 0:42:44 | 0:42:47 | |
and the wonderful Wedding Present with California - | 0:42:47 | 0:42:50 | |
all of those were pointless answers. | 0:42:50 | 0:42:51 | |
Well done if you got any of those at home. | 0:42:51 | 0:42:53 | |
Very well done for getting New York City Cops in the studio. | 0:42:53 | 0:42:56 | |
That's terrific work, and I hope you get your arcade machine. | 0:42:56 | 0:42:59 | |
Many happy years ahead of you, playing that. | 0:42:59 | 0:43:01 | |
Well, thanks once again to our winning players, | 0:43:01 | 0:43:03 | |
Ram and Stephen, who go away with today's jackpot of £3,250! | 0:43:03 | 0:43:09 | |
APPLAUSE | 0:43:09 | 0:43:11 | |
Join us next time, when we'll be putting more obscure knowledge to the test on Pointless. | 0:43:11 | 0:43:14 | |
-Meanwhile, it's goodbye from Richard... -Goodbye. | 0:43:14 | 0:43:17 | |
..and it's goodbye from me. Goodbye. | 0:43:17 | 0:43:19 |