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CHEERING AND APPLAUSE | 0:00:16 | 0:00:21 | |
Thank you. Hello, I'm Alexander Armstrong and welcome to Pointless, | 0:00:21 | 0:00:24 | |
the show that puts obscure knowledge to the test. | 0:00:24 | 0:00:27 | |
Let's meet today's players. | 0:00:27 | 0:00:29 | |
And couple number one. | 0:00:33 | 0:00:34 | |
Hello, I'm Lauren, this is my husband Sandy and we're from London. | 0:00:34 | 0:00:38 | |
-Couple number two. -Hi, I'm Iain, this is my friend Mark. | 0:00:38 | 0:00:41 | |
I'm from Midlothian and he is from Motherwell. | 0:00:41 | 0:00:43 | |
-Couple number three. -Hello, I'm Nina and I'm from Cirencester. This is my | 0:00:43 | 0:00:47 | |
-friend Tom and he's from Solihull. -And finally, couple number four. | 0:00:47 | 0:00:51 | |
Hello, I'm Francesca, this is my sister Giovanna | 0:00:51 | 0:00:53 | |
-and we are from North Wales. -And these are today's contestants. | 0:00:53 | 0:00:56 | |
Thanks very much to all of you. | 0:00:59 | 0:01:00 | |
We'll get to chat to each of you through the show as it goes along. | 0:01:00 | 0:01:03 | |
So, that just leaves one more person for me to introduce. | 0:01:03 | 0:01:05 | |
Throwing a spanner in the works like a marksman plumber, | 0:01:05 | 0:01:08 | |
it's my Pointless friend, it's Richard. | 0:01:08 | 0:01:11 | |
Hiya. Hi, everybody. | 0:01:11 | 0:01:13 | |
Good afternoon to you. | 0:01:15 | 0:01:17 | |
-And to you. -Now, an unusual show last time. | 0:01:17 | 0:01:19 | |
We had Johnny and Matt and no-one has ever fluked their way to a final | 0:01:19 | 0:01:23 | |
like Johnny and Matt fluked their way to the final. | 0:01:23 | 0:01:25 | |
The fluked their way through round two... | 0:01:25 | 0:01:28 | |
-They guessed! -..when Sandy and Lauren got knocked out. | 0:01:28 | 0:01:30 | |
Then in the head-to-head, they guessed both of their answers, | 0:01:30 | 0:01:34 | |
genuine guesses for both of their answers, | 0:01:34 | 0:01:36 | |
and won both of those questions, | 0:01:36 | 0:01:37 | |
got through to the final and then in the final, | 0:01:37 | 0:01:40 | |
they didn't guess at all and they won the jackpot. | 0:01:40 | 0:01:42 | |
Goes to show, you make your own luck in this world, doesn't it? | 0:01:42 | 0:01:45 | |
Two returning pairs. Lauren and Sandy are back with us. | 0:01:45 | 0:01:48 | |
Giovanna and Francesca on the final podium got knocked out in round one. | 0:01:48 | 0:01:52 | |
Words round first up. | 0:01:52 | 0:01:55 | |
-You'll like that, won't you? -Mm. -Mm. -Mm-mm-mm. | 0:01:55 | 0:01:57 | |
Thank you Richard. Now, Matt and Johnny, as you gathered, | 0:01:57 | 0:02:00 | |
won the jackpot last time, so today's jackpot starts off | 0:02:00 | 0:02:02 | |
back at £1,000. There it is. | 0:02:02 | 0:02:04 | |
Right, if everyone's ready, let's play Pointless. | 0:02:04 | 0:02:06 | |
Remember, the pair with the highest score at the end of each round | 0:02:11 | 0:02:15 | |
will be eliminated. That's the only rule you have to remember. | 0:02:15 | 0:02:19 | |
Best of luck to all four pairs. Our first category this afternoon... | 0:02:19 | 0:02:23 | |
is Words. As the man said. | 0:02:23 | 0:02:25 | |
Words. Can you all decide in your pairs who's going to go first, | 0:02:25 | 0:02:28 | |
who's going to go second and whoever's going first, | 0:02:28 | 0:02:30 | |
please step up to the podium. | 0:02:30 | 0:02:32 | |
OK. Let's find out what the question is. Here it comes. | 0:02:35 | 0:02:38 | |
We gave 100 people 100 seconds to name as many words | 0:02:38 | 0:02:43 | |
ending in "UST" as they could. | 0:02:43 | 0:02:46 | |
Words ending "UST." | 0:02:46 | 0:02:49 | |
We're looking for any word which has its own entry in the British and | 0:02:49 | 0:02:53 | |
World English section of oxforddictionaries.com that ends "UST", please. | 0:02:53 | 0:02:56 | |
No proper nouns, hyphenated words or anything like that. | 0:02:56 | 0:02:59 | |
-Best of luck. -Thanks very much. -I'll write down what I think you're going | 0:02:59 | 0:03:02 | |
-to say. -OK. -A little prediction. I got it right last time, didn't I? | 0:03:02 | 0:03:06 | |
You did. Got it right. | 0:03:06 | 0:03:08 | |
You usually do, actually. | 0:03:08 | 0:03:10 | |
It's not bad, is it? Spooky. | 0:03:10 | 0:03:11 | |
OK. You've written it down already? | 0:03:11 | 0:03:13 | |
-I'm writing it down now, yeah. -That's just eerie, because I have... | 0:03:13 | 0:03:16 | |
OK, I'm thinking. | 0:03:18 | 0:03:20 | |
I'm thinking. I've got one immediately. | 0:03:20 | 0:03:23 | |
I'm discarding that. | 0:03:23 | 0:03:25 | |
-Oh, no. -Cos that's probably the one. Anyway, good luck. | 0:03:25 | 0:03:29 | |
Sandy, welcome back. I think you're the first person we've had from | 0:03:29 | 0:03:32 | |
your particular career on Pointless. Remind us what it is you do. | 0:03:32 | 0:03:36 | |
I'm a musical theatre actor. | 0:03:36 | 0:03:38 | |
-Absolutely. You've just been starring in Jersey Boys. -Yep. | 0:03:38 | 0:03:40 | |
What are you working on at the moment? Are you rehearsing? | 0:03:40 | 0:03:43 | |
I'm available for birthdays, bar mitzvahs, weddings. | 0:03:43 | 0:03:45 | |
-Nothing at the moment. -"Can dance, has own tap shoes." | 0:03:45 | 0:03:49 | |
What about that? Do you dance? | 0:03:49 | 0:03:51 | |
A little bit. Less so as I get older. | 0:03:51 | 0:03:55 | |
OK, now. Sandy, we are looking for words ending in "UST." | 0:03:55 | 0:04:00 | |
OK, I'm going to go for unjust. | 0:04:00 | 0:04:03 | |
Unjust. Let's see how many of our 100 people went for unjust. | 0:04:03 | 0:04:07 | |
20. Not bad. Not a bad start to the round there, Sandy. | 0:04:16 | 0:04:20 | |
20 for unjust. | 0:04:20 | 0:04:21 | |
Nicely played on that first podium. | 0:04:21 | 0:04:23 | |
Anything that's not morally right or fair. | 0:04:23 | 0:04:25 | |
Thank you, Richard. Iain. | 0:04:25 | 0:04:28 | |
A warm welcome from Midlothian. | 0:04:28 | 0:04:30 | |
-What do you do, Iain? -I'm a cartographer. | 0:04:30 | 0:04:33 | |
I think you're the first person we've ever had from your career | 0:04:33 | 0:04:36 | |
on Pointless. Which aspect of cartography? | 0:04:36 | 0:04:38 | |
I work for a digital mapping company, | 0:04:38 | 0:04:41 | |
so I'm actually in charge of finding new ways of building maps, | 0:04:41 | 0:04:46 | |
-new and interesting ways of building maps. -That's interesting. | 0:04:46 | 0:04:49 | |
Is it mostly done by satellite these days? | 0:04:49 | 0:04:51 | |
It is done by satellite, but we get lots of data sources in and we are | 0:04:51 | 0:04:55 | |
building with communities and using mobile phone data. | 0:04:55 | 0:04:59 | |
You've got to be there on the ground to see where the marshlands are | 0:04:59 | 0:05:03 | |
or the churches with spires are. | 0:05:03 | 0:05:05 | |
My stuff's principally about automotives, | 0:05:05 | 0:05:08 | |
so we're working on things toward autonomous driving. | 0:05:08 | 0:05:13 | |
-Driverless cars, is that? -That's right. -That's exciting. | 0:05:13 | 0:05:17 | |
That's a really exciting field to be in right now as well. | 0:05:17 | 0:05:19 | |
All about to kick off there. Iain, right, words ending "UST." | 0:05:19 | 0:05:24 | |
Yeah, I'm going to go for oust. | 0:05:24 | 0:05:28 | |
See, I like that. I like that. | 0:05:31 | 0:05:33 | |
Let's see how many of our 100 people went for oust. | 0:05:33 | 0:05:36 | |
20 is our only score at this point. | 0:05:42 | 0:05:45 | |
And you've passed it. Look at that. Oust, there we are. | 0:05:45 | 0:05:47 | |
-15. -That's very nicely done. | 0:05:50 | 0:05:52 | |
Well played. That's a cartographer's brain for you, isn't it? | 0:05:52 | 0:05:55 | |
But "oust" and "UST" both sound like Scottish islands. | 0:05:55 | 0:05:58 | |
-It's quite lovely. -Ust almost is a Scottish island. | 0:05:58 | 0:06:01 | |
It almost is, I know. | 0:06:01 | 0:06:03 | |
Thank you very much. Now, Nina, welcome. | 0:06:03 | 0:06:05 | |
A warm welcome from Gloucestershire. | 0:06:05 | 0:06:08 | |
-What do you do, Nina? -I'm a commissioning editor. | 0:06:08 | 0:06:10 | |
A commissioning editor in which sphere? | 0:06:10 | 0:06:13 | |
I commission mainly on legal works. | 0:06:13 | 0:06:16 | |
-As a publisher, is this? -Yes. | 0:06:16 | 0:06:19 | |
That must keep you enthralled at all times, mustn't it? | 0:06:19 | 0:06:22 | |
-At all times. -My goodness. | 0:06:22 | 0:06:24 | |
What do you specialise in, any particular area of the law? | 0:06:24 | 0:06:27 | |
I look after corporate crime, family and employment. | 0:06:27 | 0:06:30 | |
I would love to read that. | 0:06:30 | 0:06:32 | |
I'm sure it can be arranged. | 0:06:32 | 0:06:35 | |
What do you do when you run from the office every day? | 0:06:35 | 0:06:38 | |
I really enjoy cooking, so I like to bake, I try to take some of that | 0:06:38 | 0:06:42 | |
-into the office when I go in and I do a good curry. -Excellent. | 0:06:42 | 0:06:46 | |
Nina, what would you like to go for? | 0:06:46 | 0:06:49 | |
OK, the word I'm going to go for is joust. | 0:06:49 | 0:06:54 | |
Did you just make that up on the back of oust? | 0:06:54 | 0:06:56 | |
No, I was thinking of Heath Ledger when I thought of it. | 0:06:56 | 0:06:59 | |
OK, there we are, A Knight's Tale. Joust. Let's see if it's right, | 0:06:59 | 0:07:03 | |
let's see how many of our 100 people went for joust. | 0:07:03 | 0:07:06 | |
20 is our high score, 15 is our low. | 0:07:08 | 0:07:11 | |
So, 15 for oust. | 0:07:11 | 0:07:12 | |
Let's see where joust ended up, passes 15, down to 11. | 0:07:12 | 0:07:15 | |
Look at this, there's a pattern emerging here. | 0:07:15 | 0:07:18 | |
Very well played. Joust, it means to joust. | 0:07:21 | 0:07:24 | |
LAUGHTER | 0:07:24 | 0:07:25 | |
Thank you, Richard. Giovanna, welcome back. | 0:07:25 | 0:07:29 | |
Round one we said goodbye to you last time. | 0:07:29 | 0:07:31 | |
We have to see more of you this time. Surely, surely. | 0:07:31 | 0:07:34 | |
I'm very much hoping you've got a great word, | 0:07:34 | 0:07:36 | |
but we'll come to that in a moment. Remind us what you do, Giovanna. | 0:07:36 | 0:07:39 | |
I'm a final year student at John Moores University in Liverpool. | 0:07:39 | 0:07:42 | |
-And you're studying? -IT. -There we are. -So, yeah. -That's right. | 0:07:42 | 0:07:45 | |
Your interests outside of IT? | 0:07:45 | 0:07:48 | |
"Outside of IT," like you're fascinated by IT! | 0:07:48 | 0:07:52 | |
I love to shop with the little student money I have, | 0:07:52 | 0:07:56 | |
but I make sure it goes a long way. | 0:07:56 | 0:07:58 | |
I also have many things I would like to buy in the future so I'm just | 0:07:58 | 0:08:01 | |
-making a list. -OK, very good. | 0:08:01 | 0:08:04 | |
Now then, Giovanna, what do you want to go for? You'll notice the scores | 0:08:04 | 0:08:07 | |
-have been going down with each subsequent answer. -I know. | 0:08:07 | 0:08:10 | |
A lot of pressure. I think I'm going to go for exhaust. | 0:08:10 | 0:08:14 | |
Oh, I like that. Exhaust, says Giovanna. | 0:08:14 | 0:08:17 | |
Let's see how many of our 100 people went for that. | 0:08:17 | 0:08:20 | |
Look at that. 1 for exhaust. | 0:08:29 | 0:08:31 | |
This is fantastic. | 0:08:31 | 0:08:32 | |
Very strong. | 0:08:34 | 0:08:36 | |
That's very pleasing, isn't it? | 0:08:36 | 0:08:39 | |
That's lovely when you hear the word you think, "But... | 0:08:39 | 0:08:41 | |
"Oh, yes, of course it does end 'ust.'" | 0:08:41 | 0:08:43 | |
That means to exhaust | 0:08:43 | 0:08:45 | |
-or an exhaust. -Thank you very much. | 0:08:45 | 0:08:47 | |
We're halfway through the round so let's look at the scores. | 0:08:47 | 0:08:50 | |
Giovanna, the best score of that pass. Very well done indeed, | 0:08:50 | 0:08:52 | |
Giovanna and Francesca. I think you're on something good there. | 0:08:52 | 0:08:56 | |
We might be seeing you in the next round, let's hope. | 0:08:56 | 0:08:58 | |
Then we come up to 11 where we find Nina and Tom. | 0:08:58 | 0:09:00 | |
15, were we find Iain and Mark and then up to 20, Sandy and Lauren. | 0:09:00 | 0:09:03 | |
Lauren, you have time to think of something absolutely stupendous. | 0:09:03 | 0:09:07 | |
Good luck with that. We'll come back down the line now. | 0:09:07 | 0:09:11 | |
Can the second players please step up to the podium? | 0:09:11 | 0:09:13 | |
-Francesca, welcome back. -Hello. -Didn't Giovanna do well there? | 0:09:16 | 0:09:20 | |
Exhaust. A brilliant answer. | 0:09:20 | 0:09:22 | |
There will of course be some pointless answers. | 0:09:22 | 0:09:24 | |
There'll be answers we'll all see on the board at the end of the round | 0:09:24 | 0:09:27 | |
and we'll kick ourselves and think, | 0:09:27 | 0:09:29 | |
"Why didn't we think of that?" Francesca, what do you do? | 0:09:29 | 0:09:33 | |
-Remind us. -I'm a modern languages graduate. | 0:09:33 | 0:09:35 | |
What are the are you up to at the moment? | 0:09:35 | 0:09:37 | |
I'm in the process of looking for a job. | 0:09:37 | 0:09:39 | |
Do you have a dream job in mind? | 0:09:39 | 0:09:42 | |
Translation is the obvious one, but that's ideally what I'd like to do. | 0:09:42 | 0:09:47 | |
-I volunteered at the Rugby World Cup. -In real-time translation? | 0:09:47 | 0:09:50 | |
-Yeah. -Was that the first time you'd done it? | 0:09:50 | 0:09:53 | |
I did it as part of my degree, | 0:09:53 | 0:09:55 | |
we had translation and conversation classes, | 0:09:55 | 0:09:58 | |
but that was the first time I actually got to use my languages. | 0:09:58 | 0:10:01 | |
We had fans from Uruguay, from Argentina, from France. | 0:10:01 | 0:10:05 | |
-Wow. -It was amazing. | 0:10:05 | 0:10:08 | |
Keeping one stream coming in one ear while you're hearing yourself | 0:10:08 | 0:10:12 | |
out of the other ear, that's a real skill. Talking of real skills, | 0:10:12 | 0:10:16 | |
Giovanna has set the bar wonderfully low there, | 0:10:16 | 0:10:19 | |
or high, depending which way you look at it, with 1. | 0:10:19 | 0:10:22 | |
What would you like to go for? | 0:10:22 | 0:10:24 | |
The two I was going to for are gone, so... | 0:10:24 | 0:10:28 | |
I'm going to have to go for an obvious one and say disgust. | 0:10:28 | 0:10:31 | |
Disgust, says Francesca, disgust. Here is your red line, if you can | 0:10:31 | 0:10:35 | |
score 18 or less you're through to the next round. | 0:10:35 | 0:10:37 | |
How many of our 100 people said disgust? | 0:10:37 | 0:10:40 | |
Look at that. Well done, you're through. 10 for disgust. | 0:10:49 | 0:10:53 | |
Isn't that funny? Disgust scored less than oust and joust. | 0:10:53 | 0:10:57 | |
11 is your total. You are through to the next round. | 0:10:57 | 0:10:59 | |
Surprising that, isn't it? I often worry, when you do get people from | 0:10:59 | 0:11:03 | |
abroad trying to learn English and you tell them that disgust | 0:11:03 | 0:11:06 | |
and discussed are spelled entirely differently and pronounced exactly | 0:11:06 | 0:11:09 | |
the same, they must just go, "What's the point with this language?" | 0:11:09 | 0:11:12 | |
There are so many instances of that, aren't there, where you think, | 0:11:12 | 0:11:15 | |
"Oh, come on. I don't want to learn this." | 0:11:15 | 0:11:18 | |
-It's crazy. -If you're watching this abroad, we're sorry. | 0:11:18 | 0:11:22 | |
Thank you very much, Richard. | 0:11:22 | 0:11:23 | |
Tom, welcome. | 0:11:23 | 0:11:25 | |
Here from Solihull. What do you do, Tom? | 0:11:25 | 0:11:27 | |
I work for the Environment Agency. | 0:11:27 | 0:11:29 | |
Very nice. Which department? | 0:11:29 | 0:11:31 | |
I work in Legal, I'm in the Enforcement and Prosecutions team. | 0:11:31 | 0:11:34 | |
If you ever need to buy any legal texts, | 0:11:34 | 0:11:37 | |
I know someone who can supply some to you. | 0:11:37 | 0:11:39 | |
You know what I'm saying? | 0:11:39 | 0:11:41 | |
-Tom, what are your interests? -I really enjoy long distance running, | 0:11:41 | 0:11:45 | |
I'm currently training for the Edinburgh Marathon. | 0:11:45 | 0:11:47 | |
How do you enjoy long distance running? What do you mean by enjoy? | 0:11:47 | 0:11:50 | |
-You really mean enjoy? -Yeah, it makes you feel great. | 0:11:50 | 0:11:53 | |
When you get past the line and you think, | 0:11:53 | 0:11:55 | |
"I never have to do that again! Oh, no, I do, because it's my hobby." | 0:11:55 | 0:11:59 | |
I love it, get the headphones on, go out and pound the roads. | 0:11:59 | 0:12:02 | |
-It's great. -What do you listen to? | 0:12:02 | 0:12:05 | |
Fast tempo music. | 0:12:05 | 0:12:07 | |
-Keeps me going. -Very good. Now, Tom, you're on 11. | 0:12:07 | 0:12:10 | |
The high scorers at the moment are Lauren and Sandy, | 0:12:10 | 0:12:12 | |
if you can score 8 or less... | 0:12:12 | 0:12:14 | |
I'm going to go with entrust. | 0:12:14 | 0:12:17 | |
Entrust, says Tom. Entrust. Well, good legal term there. | 0:12:17 | 0:12:21 | |
Let's see if it's right. We know if it's right. Let's see how many | 0:12:21 | 0:12:24 | |
of our 100 people said entrust. There's your red line, quite low. | 0:12:24 | 0:12:27 | |
You've done it. Look at that, 3 for entrust. | 0:12:37 | 0:12:40 | |
14 is your total. | 0:12:40 | 0:12:41 | |
Very well done on podium three. | 0:12:41 | 0:12:43 | |
Yeah, another good answer and a nice legal one, too. | 0:12:43 | 0:12:46 | |
Give someone else responsibility for something. | 0:12:46 | 0:12:49 | |
Very good. Thanks, Richard. Mark, welcome here from Motherwell. | 0:12:49 | 0:12:53 | |
Great to have you with us. What do you do, Mark? | 0:12:53 | 0:12:55 | |
I'm an accountant and finance manager. | 0:12:55 | 0:12:57 | |
In a business that does something other than accounting? | 0:12:57 | 0:13:00 | |
Yes, it's for a company that makes biodiesel from waste products. | 0:13:00 | 0:13:03 | |
Right you are. Excellent. What are your hobbies? | 0:13:03 | 0:13:06 | |
Like Tom, I'm also a runner, | 0:13:06 | 0:13:08 | |
-so maybe we should have a race after the show... -Yeah. | 0:13:08 | 0:13:10 | |
..if it comes to a tie-break. | 0:13:10 | 0:13:11 | |
I wonder which of you will get a head start, | 0:13:11 | 0:13:13 | |
if you know what I'm saying. Now, Mark, there you are. You're on 15, | 0:13:13 | 0:13:17 | |
the high score is still Lauren and Sandy. | 0:13:17 | 0:13:19 | |
It's getting very exciting, isn't it? | 0:13:19 | 0:13:22 | |
Now, you need to score 4 or less. | 0:13:22 | 0:13:25 | |
OK, I'm going to go for combust. | 0:13:25 | 0:13:28 | |
Combust. Combust, says Mark. | 0:13:28 | 0:13:31 | |
Here's your red line, it's very low. | 0:13:31 | 0:13:33 | |
Where are we going to get on that column with combust? | 0:13:33 | 0:13:36 | |
You've done it. 4 you needed, 4 you got. Look at that, 19. | 0:13:45 | 0:13:49 | |
-Very well done. -Another very good answer and another one apposite | 0:13:52 | 0:13:55 | |
to your job as well, I presume, in some ways, combust. | 0:13:55 | 0:13:58 | |
Thanks, Richard. | 0:13:58 | 0:13:59 | |
Now, Lauren, you don't need me to tell you the terrible news. | 0:13:59 | 0:14:04 | |
-It's bad, isn't it? -It is bad, | 0:14:04 | 0:14:06 | |
we only had you for two rounds last time. I want to talk to you. | 0:14:06 | 0:14:10 | |
Lauren works in the box office at several London theatres. | 0:14:10 | 0:14:13 | |
Sandy, your husband, works on the other side of the theatre, | 0:14:13 | 0:14:17 | |
comes in through an entirely different door. | 0:14:17 | 0:14:20 | |
How did your paths cross? | 0:14:20 | 0:14:22 | |
At the time when we met, | 0:14:22 | 0:14:23 | |
I was working in more of the front of house capacity, so we would | 0:14:23 | 0:14:28 | |
cross paths before the show and at certain points during the show. | 0:14:28 | 0:14:33 | |
I stalked him for a little while and then found a good time to corner him | 0:14:33 | 0:14:37 | |
-right before he went on stage. -Aww. That's nice. | 0:14:37 | 0:14:40 | |
-I ambushed him. -Very good. | 0:14:40 | 0:14:42 | |
-It worked. Superb. -Worked out really well. | 0:14:42 | 0:14:44 | |
Very good. Now, listen, you're on 20, I'm afraid. | 0:14:44 | 0:14:47 | |
Short of a minus score, you're not going to be staying with us. | 0:14:47 | 0:14:50 | |
However, time to go out in a blaze of glory. | 0:14:50 | 0:14:53 | |
We've gone down to 1 with exhaust. | 0:14:53 | 0:14:55 | |
There's got to be some pointless answers there. | 0:14:55 | 0:14:58 | |
I'm torn between two at the moment. | 0:14:58 | 0:15:00 | |
I had one in my head from the very beginning, mistrust, | 0:15:00 | 0:15:04 | |
which I thought was a good one and that's similar to entrust, | 0:15:04 | 0:15:08 | |
but then one's just sprung to mind. | 0:15:08 | 0:15:12 | |
I'm not sure if it's a complete real word, but I may as well say it. | 0:15:12 | 0:15:17 | |
These are the best kinds of words, in my opinion, Lauren. | 0:15:17 | 0:15:20 | |
I was going to go with wanderlust. | 0:15:20 | 0:15:23 | |
That, funnily enough, was the first one I thought of. | 0:15:23 | 0:15:25 | |
I've got a better one now, but that was the one you've written down. | 0:15:25 | 0:15:28 | |
It was the one. | 0:15:28 | 0:15:30 | |
-Wanderlust. -I'm going to write down another one, just in case. | 0:15:30 | 0:15:34 | |
Because I have now got a different one. | 0:15:34 | 0:15:37 | |
I had wanderlust for about the first two and then, | 0:15:37 | 0:15:40 | |
I promise it doesn't rhyme with joust. | 0:15:40 | 0:15:42 | |
I didn't steal. | 0:15:42 | 0:15:44 | |
Wanderlust, said Lauren. I think that's a great answer. | 0:15:44 | 0:15:47 | |
Let's see how many of our 100 people said wanderlust. | 0:15:47 | 0:15:50 | |
6 for wanderlust. | 0:16:00 | 0:16:01 | |
-26 is your total. -It's a lovely word, isn't it? | 0:16:05 | 0:16:07 | |
Do you know what? Mistrust would have scored 3. | 0:16:07 | 0:16:10 | |
Isn't that strange? | 0:16:10 | 0:16:11 | |
Wanderlust is a much nicer word, so thank you for that. | 0:16:11 | 0:16:16 | |
So, you've got another one? Wanderlust I'll get rid of. | 0:16:16 | 0:16:20 | |
I then toyed for a little while with moon dust, | 0:16:20 | 0:16:22 | |
but I have landed on downthrust. | 0:16:22 | 0:16:25 | |
You've landed on downthrust, that's interesting. | 0:16:25 | 0:16:29 | |
It can be very painful if you land on downthrust. | 0:16:29 | 0:16:31 | |
It's an incorrect answer, I'm afraid. | 0:16:31 | 0:16:33 | |
There you are, serves me right. | 0:16:33 | 0:16:34 | |
I've got a pointless answer I thought you were going to go for. | 0:16:34 | 0:16:37 | |
It's on our list of pointless answers. | 0:16:37 | 0:16:39 | |
When you see the one you think I thought you would say... | 0:16:39 | 0:16:43 | |
LAUGHTER | 0:16:43 | 0:16:45 | |
-..you must raise your hand. -I shall. -OK. -I shall. | 0:16:45 | 0:16:48 | |
I think you'll know it. Let's take a look at some pointless answers. | 0:16:48 | 0:16:53 | |
Bulldust, which is a very coarse dust. Degust. | 0:16:53 | 0:16:56 | |
Dryasdust, which is a boring speaker, but it's all one word. | 0:16:56 | 0:16:59 | |
It's a rather sweet word, isn't it? Misadjust, | 0:16:59 | 0:17:02 | |
which is another name for a supply teacher. | 0:17:02 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:06 | |
No downthrust, but overthrust. | 0:17:06 | 0:17:09 | |
That is to do with two rock layers going over each other. | 0:17:09 | 0:17:12 | |
Overtrust. | 0:17:12 | 0:17:13 | |
Retrust, shortcrust. | 0:17:15 | 0:17:17 | |
-There we go. -That's what I thought you would say. -That's the one. | 0:17:17 | 0:17:21 | |
And unrobust. | 0:17:21 | 0:17:23 | |
Now, the top three answers, | 0:17:23 | 0:17:25 | |
you know you were talking about releasing a perfume, | 0:17:25 | 0:17:27 | |
-for the Alexander Armstrong scent. -Releasing a fragrance. | 0:17:27 | 0:17:29 | |
You often release a fragrance, we've talked about that before. | 0:17:29 | 0:17:32 | |
We talked about your diet before now. I've got the perfect name | 0:17:32 | 0:17:36 | |
for your Alexander Armstrong fragrance for men. | 0:17:36 | 0:17:40 | |
It's our top three answers. | 0:17:40 | 0:17:41 | |
It's Just... | 0:17:43 | 0:17:45 | |
Must... | 0:17:45 | 0:17:47 | |
Lust. | 0:17:47 | 0:17:49 | |
LAUGHTER | 0:17:49 | 0:17:50 | |
Don't you think? | 0:17:50 | 0:17:52 | |
JML. Just Must Lust, by Alexander Armstrong. | 0:17:52 | 0:17:56 | |
From the House of Armstrong. | 0:17:56 | 0:17:59 | |
-Thank you very much indeed, Richard. -Pleasure. -Well, there we are. | 0:17:59 | 0:18:02 | |
At the end of our first round the pair we have to say goodbye to, | 0:18:02 | 0:18:04 | |
I'm so sorry, Sandy and Lauren, our returning pair. | 0:18:04 | 0:18:06 | |
Round two last time, only round one this time. | 0:18:06 | 0:18:09 | |
Nothing wrong with your score there, 26 perfectly respectable. | 0:18:09 | 0:18:12 | |
I'm afraid it just happens to be the high score. We have to say goodbye. | 0:18:12 | 0:18:14 | |
Thank you so much for playing. Lauren and Sandy. | 0:18:14 | 0:18:17 | |
But for the remaining three pairs it's now time for round two. | 0:18:19 | 0:18:22 | |
And so we are down to three pairs. | 0:18:27 | 0:18:30 | |
We have to say goodbye to another pair at the end of this round. | 0:18:30 | 0:18:33 | |
Well done, we made it through the words round with some aplomb, | 0:18:33 | 0:18:35 | |
I have to say. Lovely low scores there. | 0:18:35 | 0:18:38 | |
Particular hats off to you, Giovanna, for exhaust. | 0:18:38 | 0:18:41 | |
Brilliant. Best of luck to all three pairs. | 0:18:41 | 0:18:43 | |
Our category for round two today is...Famous People. | 0:18:43 | 0:18:48 | |
Can you all decide who's going to go first, who's going to go second, | 0:18:48 | 0:18:52 | |
and whoever's going first, please step up to the podium. | 0:18:52 | 0:18:55 | |
OK, and our Famous People question concerns.. | 0:18:58 | 0:19:02 | |
Famous Tims. | 0:19:02 | 0:19:04 | |
Famous Tims, Richard. | 0:19:04 | 0:19:05 | |
On each board I'm going to show you six descriptions of famous people | 0:19:05 | 0:19:08 | |
called Tim, you just need to give us the most obscure Tim you can. | 0:19:08 | 0:19:11 | |
12 in all to have a go at home. I've taken them all from | 0:19:11 | 0:19:14 | |
Stephen Hawking's book A Brief History of Tim. | 0:19:14 | 0:19:18 | |
Thank you very much, Richard. | 0:19:18 | 0:19:20 | |
So, we are looking for these famous Tims, and here they are. | 0:19:20 | 0:19:23 | |
We've got... | 0:19:23 | 0:19:25 | |
I'm going to read those one last time. | 0:19:51 | 0:19:54 | |
A board of Tims. | 0:20:17 | 0:20:19 | |
So, then, Mark, I have a feeling you'll probably know all of these. | 0:20:19 | 0:20:22 | |
It's a good feeling, I wish I shared your optimism. | 0:20:22 | 0:20:25 | |
Unfortunately, not quite. | 0:20:25 | 0:20:26 | |
I think I've got to go for the broadcaster, | 0:20:26 | 0:20:29 | |
with the Goodies and go for Tim Brooke-Taylor. | 0:20:29 | 0:20:31 | |
Tim Brooke-Taylor, says Mark. Let's see if that right. | 0:20:31 | 0:20:34 | |
Let's see how many of our 100 people got it. | 0:20:34 | 0:20:36 | |
It's right. | 0:20:39 | 0:20:41 | |
40. | 0:20:44 | 0:20:45 | |
Not bad. | 0:20:47 | 0:20:48 | |
Yeah, very good answer, Tim Brooke-Taylor. | 0:20:50 | 0:20:53 | |
-Nina. -Yes. | 0:20:53 | 0:20:55 | |
What would you like to go for? | 0:20:55 | 0:20:57 | |
I'm going to go for the lyricist and I believe that's Tim Rice. | 0:20:57 | 0:21:01 | |
Tim Rice, says Nina. Let's see if that's right, | 0:21:01 | 0:21:03 | |
let's see how many of our 100 people said Tim Rice. | 0:21:03 | 0:21:06 | |
It's right. | 0:21:09 | 0:21:10 | |
54. | 0:21:12 | 0:21:13 | |
54, high scorer for Tim. | 0:21:13 | 0:21:15 | |
Some big scorers here. Sir Tim Rice has been on the show, hasn't he? | 0:21:17 | 0:21:20 | |
-He's an ardent fan of the show. -And a very lovely man. | 0:21:20 | 0:21:23 | |
-A very lovely man. Good afternoon, Sir Tim. -Good afternoon, Sir Tim. | 0:21:23 | 0:21:26 | |
Good afternoon. | 0:21:26 | 0:21:28 | |
-He will actually get that. -Or if you're watching on Challenge, | 0:21:28 | 0:21:31 | |
-good evening, Sir Tim. -Yes. He's such a fan, | 0:21:31 | 0:21:33 | |
quite often and watch it on catch up. Good morning, Sir Tim. | 0:21:33 | 0:21:37 | |
Thank you very much, Richard. | 0:21:38 | 0:21:40 | |
Now then, Giovanna. This board's all yours. | 0:21:40 | 0:21:43 | |
Fill your boots with Tims. | 0:21:43 | 0:21:46 | |
I knew the Tim Rice one and I only know one other, which is the British | 0:21:46 | 0:21:49 | |
astronaut, so I'm just going to go for that and that's Tim Peake. | 0:21:49 | 0:21:52 | |
Tim Peake, says Giovanna. | 0:21:52 | 0:21:54 | |
Very interesting to see where this ends up. | 0:21:54 | 0:21:58 | |
Tim Peake. How many of our 100 people said Tim Peake? | 0:21:58 | 0:22:01 | |
Not bad. 36. Well done, Giovanna, | 0:22:08 | 0:22:11 | |
once again stealing the lowest score of the pass. | 0:22:11 | 0:22:14 | |
Yeah, well played. But even 36 is quite famous. | 0:22:14 | 0:22:18 | |
Considering we hadn't heard of him until fairly recently. | 0:22:18 | 0:22:20 | |
If you go up to space that's going to happen to you. | 0:22:20 | 0:22:23 | |
-It's going to happen. -He used to be a test pilot, | 0:22:23 | 0:22:25 | |
was in the Army Air Corps. All sorts of things. Tim Peake. | 0:22:25 | 0:22:28 | |
Let's fill in this board. The Everton goalkeeper is Tim Howard. | 0:22:28 | 0:22:32 | |
He would have scored you 19 points. | 0:22:32 | 0:22:34 | |
The actor in Mystic River, famous acting Tim. | 0:22:34 | 0:22:36 | |
I can only think of Tim Robbins. | 0:22:36 | 0:22:38 | |
You're right. It is Tim Robbins. | 0:22:38 | 0:22:40 | |
6 points. And I think one of my favourite comedians... | 0:22:40 | 0:22:43 | |
-Yeah, mine too. Tim Key. -The brilliant Tim Key. | 0:22:43 | 0:22:46 | |
-He's a pointless answer. -No. -He is a pointless answer. | 0:22:46 | 0:22:49 | |
He's so brilliant. If he's playing anywhere near you, he does poetry | 0:22:49 | 0:22:52 | |
and comedy, go see Tim Key, he's absolutely wonderful. | 0:22:52 | 0:22:54 | |
Always brilliant. Thank you. We're halfway through the round. | 0:22:54 | 0:22:57 | |
Let's take a look at the scores before we come back down the line. | 0:22:57 | 0:23:00 | |
36, the best score of that pass. | 0:23:00 | 0:23:01 | |
Well done to you, Giovanna. | 0:23:01 | 0:23:03 | |
I think we'll have you in the head-to-head, I think, this time. | 0:23:03 | 0:23:06 | |
40 is where we find Mark and Iain and the 54, Nina and Tom. | 0:23:06 | 0:23:10 | |
Tom, we need a low Tim from you. | 0:23:10 | 0:23:12 | |
Low Tim, Tom. We'll come back down the line, can the second players | 0:23:12 | 0:23:16 | |
please step up to the podium? | 0:23:16 | 0:23:17 | |
OK, let's put six more Tims up on the board and here they are. | 0:23:20 | 0:23:23 | |
I shall read those all again. | 0:23:52 | 0:23:54 | |
Now then, Francesca. | 0:24:18 | 0:24:20 | |
All those Tims. | 0:24:20 | 0:24:21 | |
How hard is that, do you think? | 0:24:21 | 0:24:23 | |
Is that quite a challenging board or are you finding that all right? | 0:24:23 | 0:24:26 | |
-Well, I definitely know two. -Good. -And I'm torn because | 0:24:26 | 0:24:29 | |
Edward Scissorhands is one of my favourite films, but then | 0:24:29 | 0:24:32 | |
Toy Story's one of my favourite films. | 0:24:32 | 0:24:35 | |
So...I think I'm going to go for the actor who provides the voice | 0:24:35 | 0:24:38 | |
-for Buzz Lightyear... -I think that's the right one... | 0:24:38 | 0:24:41 | |
-And it's Tim Allen. -Tim Allen. Tim Allen, says Francesca. | 0:24:41 | 0:24:44 | |
Here is your red line. Quite low, but if you get below that | 0:24:44 | 0:24:47 | |
with Tim Allen, you are through to the next round for sure. | 0:24:47 | 0:24:49 | |
Let's see how many of our 100 people said Tim Allen. | 0:24:49 | 0:24:52 | |
It's right. | 0:24:54 | 0:24:56 | |
26. I think that's good enough. | 0:25:00 | 0:25:02 | |
26 takes your total up to 62. | 0:25:02 | 0:25:05 | |
Some very good scoring on that last podium today. | 0:25:05 | 0:25:08 | |
Well done. Yeah, we first knew him over here from Home Improvement, | 0:25:08 | 0:25:11 | |
-his sitcom. -Thanks very much, Rich. | 0:25:11 | 0:25:15 | |
Now, Tom. | 0:25:15 | 0:25:16 | |
Tom, you have a target here. | 0:25:16 | 0:25:18 | |
-Yes. -It's a target of 7. | 0:25:18 | 0:25:21 | |
I'm going to take a punt and go for the leader of the Liberal Democrats, | 0:25:21 | 0:25:26 | |
-Tim Farron. -Tim Farron, says Tom. Here is your red line. | 0:25:26 | 0:25:29 | |
That's the kind of answer that gets you below red lines like that, | 0:25:29 | 0:25:32 | |
I think. Let's see. Tim Farron. Is it right? | 0:25:32 | 0:25:35 | |
It is right. | 0:25:38 | 0:25:39 | |
Almost. 11. That could be good enough. | 0:25:45 | 0:25:48 | |
It could be good enough. Everything is in Iain's hands. | 0:25:48 | 0:25:51 | |
65 is your total. It's very close on those far two podiums. | 0:25:51 | 0:25:54 | |
Yeah, it's a very good answer as well. Very well played. | 0:25:54 | 0:25:57 | |
Thanks very much, Richard. Now, Iain, talk us through that board. | 0:25:57 | 0:26:01 | |
You have to score 24 or less. | 0:26:01 | 0:26:03 | |
So, I'm not sure about the computer scientist, actually. I'm not... | 0:26:03 | 0:26:07 | |
Tim Henman's at the bottom. | 0:26:07 | 0:26:09 | |
And it's Tim Burton for Edward Scissorhands. | 0:26:09 | 0:26:12 | |
I'm going to go for the singer who became the frontman | 0:26:12 | 0:26:16 | |
-of The Charlatans and it's Tim Burgess. -Tim Burgess, says Iain. | 0:26:16 | 0:26:20 | |
The frontman of The Charlatans. There is your red line. | 0:26:20 | 0:26:23 | |
Oh, I think that might get you below it. We'll see, though. Will it? | 0:26:23 | 0:26:26 | |
Tim Burgess. How many people said that? | 0:26:26 | 0:26:29 | |
It's right. | 0:26:30 | 0:26:32 | |
You've done it. Oh, you have done it. Look at that. 4, Iain. | 0:26:36 | 0:26:39 | |
44 is your total. | 0:26:41 | 0:26:43 | |
Great work, Iain. | 0:26:43 | 0:26:45 | |
Best answer of the round. Yeah, the wonderful Tim Burgess. | 0:26:45 | 0:26:48 | |
Now, the computer scientist... | 0:26:48 | 0:26:50 | |
-Tim Berners-Lee. -Tim Berners-Lee. | 0:26:50 | 0:26:52 | |
Would have scored you 18. | 0:26:52 | 0:26:54 | |
Director of Edward Scissorhands, as you said, was Tim Burton. | 0:26:54 | 0:26:57 | |
Big scorer, though. 43 for that. | 0:26:57 | 0:26:59 | |
And Tim Henman at the bottom there... | 0:26:59 | 0:27:02 | |
scores 47. | 0:27:02 | 0:27:03 | |
-Biggest scorer on that board. -I'll tell you something very exciting. | 0:27:03 | 0:27:06 | |
-Yes. -Tim Burton is also a fan of the show. | 0:27:06 | 0:27:09 | |
-Is he? -Yes. -Oh, that's nice. | 0:27:09 | 0:27:11 | |
-Good afternoon, Tim. -Good afternoon, Tim. | 0:27:11 | 0:27:14 | |
Or if you're watching on Challenge... | 0:27:14 | 0:27:16 | |
-BOTH: -Good evening, Tim. | 0:27:16 | 0:27:18 | |
Or if you're watching on catch up... | 0:27:18 | 0:27:19 | |
-BOTH: -Good morning, Tim. | 0:27:19 | 0:27:22 | |
Isn't that nice? | 0:27:22 | 0:27:23 | |
-That is nice, isn't it? -We are popular with Tims. | 0:27:23 | 0:27:26 | |
So, Johnny Depp would play you in the film version. | 0:27:26 | 0:27:29 | |
-Yes. -And Matt Lucas as me. | 0:27:29 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:33 | |
Thanks very much indeed, Richard. | 0:27:33 | 0:27:35 | |
So, at the end of our second round, I'm afraid it's Tom and Nina, | 0:27:35 | 0:27:39 | |
our legal beagles, we have to say goodbye to. | 0:27:39 | 0:27:42 | |
65. Very close scoring, very exciting second round there. | 0:27:42 | 0:27:46 | |
You just ended up a little bit in front. | 0:27:46 | 0:27:48 | |
We will see you again next time. I'm sure you'll go much further. | 0:27:48 | 0:27:51 | |
Meantime, thanks very much for playing. Tom and Nina. | 0:27:51 | 0:27:53 | |
But for the remaining two pairs, it's now time for our head-to-head. | 0:27:56 | 0:27:59 | |
Congratulations, Iain and Mark, Giovanna and Francesca, you're now | 0:28:04 | 0:28:07 | |
one step closer to the final and a chance to play for our jackpot, | 0:28:07 | 0:28:11 | |
which currently stands at £1,000. | 0:28:11 | 0:28:13 | |
There it is. So, you know what happens from here on in. | 0:28:13 | 0:28:15 | |
You play as a team. You can chat before you give your answers. | 0:28:15 | 0:28:18 | |
First pair to win two questions will be playing for that jackpot. | 0:28:18 | 0:28:21 | |
This is exciting. It's a Scotland-Wales semifinal. | 0:28:21 | 0:28:24 | |
Very good indeed. | 0:28:24 | 0:28:26 | |
Iain and Mark, your first appearance on the show. Giovanna and Francesca, | 0:28:26 | 0:28:29 | |
we said goodbye to you the end of the first round last time, | 0:28:29 | 0:28:31 | |
so it's virgin territory for both of you. | 0:28:31 | 0:28:34 | |
Best of luck, both pairs. Let's play the head-to-head. | 0:28:34 | 0:28:37 | |
Here is your first question and it concerns... | 0:28:43 | 0:28:47 | |
England's Greatest Places. | 0:28:47 | 0:28:50 | |
What better way to start a Scotland versus Wales head-to-head? | 0:28:50 | 0:28:54 | |
We're going to show you five images of some of England's greatest | 0:28:54 | 0:28:57 | |
places, according to The Royal Town Planning Institute. | 0:28:57 | 0:29:00 | |
They released a list. Well, thank you very much, Richard. | 0:29:00 | 0:29:03 | |
Let's reveal our five great places, and here they are. | 0:29:03 | 0:29:07 | |
We have got... | 0:29:07 | 0:29:09 | |
There we go. Five of England's greatest places. | 0:29:33 | 0:29:36 | |
Iain and Mark have been our low scorers so they will go first. | 0:29:36 | 0:29:40 | |
THEY WHISPER | 0:29:40 | 0:29:42 | |
I'd like to... I think we'd like go for E, | 0:29:46 | 0:29:49 | |
-Saltaire. -Saltaire, say Iain and Mark. | 0:29:49 | 0:29:54 | |
Now, Giovanni and Francesca, all those other places are yours. | 0:29:54 | 0:29:58 | |
So, we know the three obvious ones, in our view. | 0:29:58 | 0:30:02 | |
So, it's Bath, Liverpool Waterfront and the Peak District. | 0:30:02 | 0:30:07 | |
I think we're going to go with... | 0:30:07 | 0:30:08 | |
I think we're going to go for B, Liverpool Waterfront. | 0:30:08 | 0:30:11 | |
B, Liverpool Waterfront. we have Saltaire and Liverpool Waterfront. | 0:30:11 | 0:30:14 | |
Two good answers there. Iain and Mark went for Saltaire for E. | 0:30:14 | 0:30:18 | |
Let's see if that's right and how many of our 100 people said that. | 0:30:18 | 0:30:22 | |
Not bad at all, look at that! | 0:30:31 | 0:30:32 | |
8 for Saltaire. | 0:30:32 | 0:30:34 | |
Very strong. | 0:30:34 | 0:30:35 | |
Giovanna and Francesca have gone for Liverpool Waterfront for B. | 0:30:37 | 0:30:41 | |
Let's see if that's right and how many of our 100 people said that. | 0:30:41 | 0:30:45 | |
It's right. | 0:30:48 | 0:30:49 | |
I think this is going to be very close. | 0:30:51 | 0:30:53 | |
Oh, 13, Liverpool Waterfront. | 0:30:54 | 0:30:56 | |
Very close indeed, but well done, Iain and Mark, after one question, | 0:30:56 | 0:31:00 | |
-you are up 1-0. -Two good teams here. | 0:31:00 | 0:31:02 | |
Saltaire is a Victorian industrial village founded by Sir Titus Salt, | 0:31:02 | 0:31:07 | |
and named after him and the River Aire. | 0:31:07 | 0:31:09 | |
I always thought it was because it is quite near the coast, isn't it? | 0:31:09 | 0:31:13 | |
So you thought it had salt air? | 0:31:13 | 0:31:14 | |
-I thought it was, yes. -No, it is Sir Titus Salt and the River Aire. | 0:31:14 | 0:31:17 | |
-There we are. -A is Bath, | 0:31:17 | 0:31:20 | |
as you rightly said. That would have scored you 68. | 0:31:20 | 0:31:23 | |
C is the Peak District. | 0:31:24 | 0:31:26 | |
That scores 50. The best answer is 1 point. | 0:31:27 | 0:31:30 | |
They call themselves the world's first garden city. | 0:31:30 | 0:31:33 | |
-Letchworth. -Letchworth Garden City is the answer, 1 point, | 0:31:33 | 0:31:36 | |
so very well done if you said that. | 0:31:36 | 0:31:37 | |
Unless you live in Letchworth, in which case, come on! | 0:31:37 | 0:31:40 | |
Thank you very much, Richard. So, here comes your second question. | 0:31:40 | 0:31:43 | |
Giovanna and Francesca, you get to answer this one first, | 0:31:43 | 0:31:46 | |
but you have to win it to stay in the game, so good luck. | 0:31:46 | 0:31:48 | |
It concerns... | 0:31:48 | 0:31:50 | |
Grimm's Fairy Tales. Richard. | 0:31:51 | 0:31:54 | |
I'm going to show you five titles now of some of Grimm's fairy tales, | 0:31:54 | 0:31:57 | |
but we have removed alternate letters. Can you fill in those gaps? | 0:31:57 | 0:32:00 | |
OK, let's reveal our Grimm titles, and here they are. | 0:32:00 | 0:32:03 | |
I'll read those again. | 0:32:16 | 0:32:17 | |
Giovanna and Francesca, you will go first. | 0:32:27 | 0:32:29 | |
THEY WHISPER | 0:32:29 | 0:32:31 | |
We know three, and out of the three, | 0:32:37 | 0:32:39 | |
we think the least obvious is Rumpelstiltskin. | 0:32:39 | 0:32:43 | |
Rumpelstiltskin, say Giovanna and Francesca. Now, then, Iain and Mark, | 0:32:43 | 0:32:47 | |
talk us through that board and see how many of those blanks you can | 0:32:47 | 0:32:49 | |
-fill in for us. -Rumpelstiltskin, we knew. | 0:32:49 | 0:32:52 | |
The second one is Tom Thumb. | 0:32:52 | 0:32:54 | |
The bottom one is Hansel And Gretel. | 0:32:54 | 0:32:56 | |
We are going to go for the top one, The Frog Prince. | 0:32:56 | 0:32:58 | |
The Frog Prince. | 0:32:58 | 0:33:00 | |
So, we have Rumpelstiltskin and The Frog Prince. | 0:33:00 | 0:33:02 | |
Nice little murmur of appreciation from the audience there. | 0:33:02 | 0:33:05 | |
I think it was appreciation! | 0:33:05 | 0:33:07 | |
Let's find out. Giovanna and Francesca went for Rumpelstiltskin. | 0:33:07 | 0:33:10 | |
Let's see if that's right, let's see how many people got it. | 0:33:10 | 0:33:13 | |
It's right. | 0:33:16 | 0:33:17 | |
Oh, 82! | 0:33:18 | 0:33:21 | |
That's punishing. | 0:33:22 | 0:33:23 | |
82. Now, Iain and Mark have gone for The Frog Prince, the top one. | 0:33:25 | 0:33:28 | |
Let's see if that's right, and let's see how many people said that. | 0:33:28 | 0:33:32 | |
It's right, and it wins you the point. | 0:33:35 | 0:33:37 | |
Oh, that is a good answer, The Frog Prince. | 0:33:38 | 0:33:40 | |
Down it goes, look at that, 10 for The Frog Prince. | 0:33:40 | 0:33:42 | |
That is pretty decisive. | 0:33:44 | 0:33:46 | |
And it means, Iain and Mark, that after only two questions, | 0:33:46 | 0:33:48 | |
-you are straight through to the final, 2-0. -Very well played, yes. | 0:33:48 | 0:33:51 | |
There is only one answer up there that would have beaten The Frog Prince. | 0:33:51 | 0:33:54 | |
Tom Thumb would have scored a fairly hefty 53. | 0:33:54 | 0:33:59 | |
Hansel and Gretel at the bottom... | 0:33:59 | 0:34:01 | |
another big scorer, 70. | 0:34:01 | 0:34:04 | |
Now, this next one, you can see it's The Twelve... | 0:34:04 | 0:34:07 | |
I'm getting Huntsmen. | 0:34:07 | 0:34:08 | |
The Twelve Huntsmen is exactly right. | 0:34:08 | 0:34:11 | |
That would have scored 3 points, so well done if you said that at home. | 0:34:11 | 0:34:14 | |
Thanks very much, Richard. So, the pair leaving us at the end of the | 0:34:14 | 0:34:17 | |
head-to-head round, I'm afraid, is Giovanna and Francesca. | 0:34:17 | 0:34:19 | |
Really strong performance across the show today, it has been fantastic, | 0:34:19 | 0:34:22 | |
but you came up against a cartographer and a very keen long-distance runner. | 0:34:22 | 0:34:26 | |
That is just the sort of thing that is going to happen. | 0:34:26 | 0:34:28 | |
So we have to say goodbye to you, but it has been wonderful having you | 0:34:28 | 0:34:31 | |
on both shows. Thank you so much for playing, Giovanna and Francesca. | 0:34:31 | 0:34:34 | |
But for Iain and Mark it is now time for our Pointless final. | 0:34:38 | 0:34:41 | |
Congratulations, Iain and Mark. You have seen off all the competition, | 0:34:45 | 0:34:49 | |
-and you have won our coveted Pointless trophy. -Yes! | 0:34:49 | 0:34:52 | |
You now have a chance to win our Pointless jackpot, | 0:34:58 | 0:35:00 | |
and at the end of today's show, the jackpot is standing at £1,000. | 0:35:00 | 0:35:03 | |
There it is. Well, very, very well done. | 0:35:03 | 0:35:06 | |
A stealth raid, I would say, on Pointless. Very efficiently done. | 0:35:06 | 0:35:10 | |
You can't argue with 2-0 in the head-to-head, always impressive. | 0:35:10 | 0:35:13 | |
And two lovely answers there. | 0:35:13 | 0:35:14 | |
Any particular areas of specialist knowledge you want to see tested | 0:35:14 | 0:35:18 | |
in this last round? | 0:35:18 | 0:35:20 | |
Music, that's how me and Mark met, through music. | 0:35:20 | 0:35:23 | |
And maybe obviously geography, things like that for me. | 0:35:23 | 0:35:26 | |
Well, let's see what today's selection looks like for you. | 0:35:26 | 0:35:29 | |
A board of four choices. Today's are... | 0:35:29 | 0:35:33 | |
Musical Things With Blood In Their Titles, | 0:35:33 | 0:35:36 | |
Royal Families, | 0:35:36 | 0:35:38 | |
The Year 2000, | 0:35:38 | 0:35:39 | |
and The Great Offices Of State. | 0:35:39 | 0:35:42 | |
-Let's go for musical. -I have never seen Blood Brothers, though. | 0:35:42 | 0:35:45 | |
It is going to be Blood Brothers, isn't it? | 0:35:45 | 0:35:48 | |
We'll take a chance. Musical Things With Blood In Their Titles. | 0:35:48 | 0:35:52 | |
OK, Musical Things With Blood In Their Titles. Richard? | 0:35:52 | 0:35:55 | |
Thank you, gents. That has been hanging around for a little while, | 0:35:55 | 0:35:57 | |
and every time I see it, it makes me slightly uneasy. Only a tiny bit. | 0:35:57 | 0:36:00 | |
There is something about it. Three very different questions here. | 0:36:00 | 0:36:03 | |
Hopefully one of these will suit you. We are looking for any tracks | 0:36:03 | 0:36:06 | |
on the Coldplay 2002 album A Rush Of Blood To The Head. | 0:36:06 | 0:36:10 | |
We are looking for any songs from the original London cast recording | 0:36:10 | 0:36:14 | |
of Willy Russell's musical Blood Brothers. | 0:36:14 | 0:36:16 | |
Or we're looking for anyone credited with appearing in Taylor Swift's | 0:36:16 | 0:36:20 | |
Bad Blood video, that video that had loads of cameos in it. | 0:36:20 | 0:36:23 | |
So, tracks on A Rush Of Blood To The Head, | 0:36:23 | 0:36:25 | |
songs from Blood Brothers and cameos in Taylor Swift's Bad Blood video. | 0:36:25 | 0:36:28 | |
-The very best of luck. -Thanks very much, Richard. As always, you've got | 0:36:28 | 0:36:31 | |
up to one minute to come up with three answers. | 0:36:31 | 0:36:33 | |
All you need to win that jackpot is for just one of those answers to be | 0:36:33 | 0:36:37 | |
pointless. Are you ready? | 0:36:37 | 0:36:38 | |
-We're ready. -OK, let's put 60 seconds up on the clock. | 0:36:38 | 0:36:41 | |
There they are, your time starts now. | 0:36:41 | 0:36:43 | |
Do you want to do Coldplay songs? | 0:36:43 | 0:36:45 | |
-I can't stand them! -I can't stand Coldplay, either. | 0:36:45 | 0:36:49 | |
What are some of their songs? | 0:36:49 | 0:36:52 | |
I'm trying to think A Rush Of Blood To The Head, you know? | 0:36:52 | 0:36:54 | |
Was that their second album? Parachutes was their first album. | 0:36:54 | 0:36:59 | |
-What you think? -Something about clocks or something like that? | 0:36:59 | 0:37:03 | |
That's one of them. Let's go for Clocks. | 0:37:03 | 0:37:05 | |
It's going to be a popular one. I don't know the album. | 0:37:05 | 0:37:07 | |
-Cameos in Taylor Swift's Bad Blood. -Think of her friends, who's she got? | 0:37:07 | 0:37:10 | |
That guy... | 0:37:10 | 0:37:12 | |
Cara Dele... Delevingne. | 0:37:12 | 0:37:14 | |
THEY WHISPER | 0:37:14 | 0:37:16 | |
What's his name? | 0:37:16 | 0:37:18 | |
Him that plays the guitar. | 0:37:18 | 0:37:21 | |
You know who I'm talking about... | 0:37:21 | 0:37:22 | |
-Ed Sheeran? -That's the one. | 0:37:22 | 0:37:25 | |
Cara Delevingne. | 0:37:25 | 0:37:27 | |
And we'll go for Clocks for the other one. | 0:37:27 | 0:37:29 | |
There's not really much we can do, is there? | 0:37:29 | 0:37:32 | |
-Ten seconds left. -I don't know... | 0:37:32 | 0:37:36 | |
Fix You, wasn't it? | 0:37:36 | 0:37:38 | |
-What's that? -Fix You by Coldplay. -Fix You? | 0:37:38 | 0:37:43 | |
OK, that is your time up. I now need your three answers. | 0:37:43 | 0:37:46 | |
-What are you going to give me? -We're going to go for a couple of tracks | 0:37:46 | 0:37:49 | |
from A Rush Of Blood To The Head. We are not Coldplay fans, we don't | 0:37:49 | 0:37:51 | |
really know a lot of their stuff. But we think one of the songs that | 0:37:51 | 0:37:54 | |
-they may have had on that album, Clocks. -Clocks. | 0:37:54 | 0:37:57 | |
And we think a second one that might have been on that album is Fix You. | 0:37:57 | 0:38:00 | |
-Fix You. -And now we are going to have a total guess at cameos | 0:38:00 | 0:38:03 | |
from Taylor Swift's Bad Blood. Who would you want to go for? | 0:38:03 | 0:38:06 | |
-Cara Delevingne. -Cara Delevingne? | 0:38:06 | 0:38:08 | |
So, we have Clocks, we have Fix You and we have Cara Delevingne. | 0:38:08 | 0:38:11 | |
Of those three, which is your best shot at a pointless answer? | 0:38:11 | 0:38:14 | |
None of them, to be honest. We will go for Fix You. | 0:38:14 | 0:38:17 | |
OK, Fix You, we'll put last. Least likely to be pointless? | 0:38:17 | 0:38:20 | |
-Cara Delevingne. -Cara Delevingne we will put first. | 0:38:20 | 0:38:22 | |
Clocks in the middle. And here they are. | 0:38:22 | 0:38:25 | |
We have got Cara Delevingne, | 0:38:25 | 0:38:27 | |
we have got Clocks, and we've got Fix You. | 0:38:27 | 0:38:30 | |
Three good answers there. | 0:38:30 | 0:38:32 | |
Well, I say they're good answers, I mean, we don't yet know. | 0:38:32 | 0:38:34 | |
We will discover, though. It's a sort of starter-pack level | 0:38:34 | 0:38:37 | |
of jackpot we have, but still, a nice thing to be taking home, | 0:38:37 | 0:38:40 | |
1,000 quid, what would you do with that, what would you put that | 0:38:40 | 0:38:43 | |
-towards, Iain? -My wife is actually buying stuff for our house | 0:38:43 | 0:38:47 | |
at the moment. We've just bought a sofa. | 0:38:47 | 0:38:49 | |
If she gets a mantelpiece, with a fireplace for our trophy to go on. | 0:38:49 | 0:38:53 | |
There we are. | 0:38:53 | 0:38:55 | |
Fantastic. Mark, how about you? | 0:38:55 | 0:38:58 | |
I've always wanted to do one marathon before I stopped running. | 0:38:58 | 0:39:00 | |
I was looking at the marathon at Mont Saint-Michel, | 0:39:00 | 0:39:03 | |
in the north of France. I fancy going to that, take the family | 0:39:03 | 0:39:06 | |
-with me for a bit of support. -Run through Brittany? Very nice. | 0:39:06 | 0:39:09 | |
There we go. Well, best of luck. | 0:39:09 | 0:39:10 | |
Three good answers on the board here, let's hope they're all right, | 0:39:10 | 0:39:13 | |
let's hope at least one of them is pointless. | 0:39:13 | 0:39:15 | |
The first answer was Cara Delevingne. In this case, | 0:39:15 | 0:39:17 | |
we were looking for cameos on Taylor Swift's Bad Blood video. | 0:39:17 | 0:39:20 | |
Cara Delevingne, I think, is a bit of a shot in the dark. | 0:39:20 | 0:39:22 | |
Yes. Totally. | 0:39:22 | 0:39:24 | |
So, we will see if it is right first. And if it is right, let's see | 0:39:24 | 0:39:26 | |
if it's pointless. But how many of our 100 people said Cara Delevingne? | 0:39:26 | 0:39:30 | |
It's right. | 0:39:33 | 0:39:34 | |
That is a right answer. | 0:39:34 | 0:39:36 | |
What a fantastic guess that was. | 0:39:36 | 0:39:37 | |
Cara Delevingne taking us down through the 30s. | 0:39:37 | 0:39:40 | |
Into the 20s and into the teens. | 0:39:40 | 0:39:42 | |
Into single figures. Down it goes, getting very exciting. Down it goes. | 0:39:42 | 0:39:45 | |
Oh, 1. | 0:39:45 | 0:39:47 | |
Cara Delevingne. | 0:39:48 | 0:39:50 | |
That close. | 0:39:53 | 0:39:55 | |
You should have stuck with Taylor Swift cameos, don't you think? | 0:39:55 | 0:39:58 | |
Just guessed loads of names there, yeah. | 0:39:58 | 0:40:00 | |
We're now moving on to Coldplay territory. Clocks. In this case | 0:40:00 | 0:40:03 | |
we were looking for tracks from A Rush Of Blood To The Head. | 0:40:03 | 0:40:06 | |
Clocks has to be pointless for you to win the jackpot. So, for £1,000, | 0:40:06 | 0:40:10 | |
let's see how many of our 100 people said Clocks. | 0:40:10 | 0:40:12 | |
It's also correct. | 0:40:16 | 0:40:19 | |
Cara Delevingne, your first answer, took us all the way down to 1. | 0:40:19 | 0:40:22 | |
Clocks now takes us down through the 20s and into the teens. | 0:40:22 | 0:40:26 | |
Down into single... Oh, not quite. 10. | 0:40:26 | 0:40:28 | |
-At least it was the right answer. -10 for Clocks, | 0:40:31 | 0:40:34 | |
which means you only have one more shot at today's jackpot | 0:40:34 | 0:40:37 | |
and that is Fix You. Again, we were looking for tracks from Coldplay's | 0:40:37 | 0:40:40 | |
A Rush Of Blood To The Head for £1,000, how many people said | 0:40:40 | 0:40:44 | |
Fix You? Is it pointless? | 0:40:44 | 0:40:46 | |
Oh, no. | 0:40:50 | 0:40:51 | |
Oh, well, I'm sorry. As often happens, | 0:40:56 | 0:40:59 | |
I'm afraid it's always limited to just what's on the board and it just | 0:40:59 | 0:41:02 | |
didn't quite put you through the hoops I know you could have | 0:41:02 | 0:41:05 | |
leapt through cleanly. | 0:41:05 | 0:41:06 | |
So I'm afraid you won't win today's jackpot of £1,000. | 0:41:06 | 0:41:08 | |
That rolls over onto the next show. But what a performance on the show. | 0:41:08 | 0:41:11 | |
Be so proud of that. And you can take those trophies back and know | 0:41:11 | 0:41:15 | |
that you really won them properly. Very, very well done, indeed. | 0:41:15 | 0:41:18 | |
Iain and Mark. Fantastic. | 0:41:18 | 0:41:20 | |
Iain and Mark, I'm gutted. Honestly, I'd love nothing more than to send | 0:41:27 | 0:41:31 | |
our gentlemen here back up to Scotland with £1,000 | 0:41:31 | 0:41:33 | |
in their pocket. And when someone says, "How did you get that?" You'd | 0:41:33 | 0:41:36 | |
say, "It's cos I knew Cara Delevingne was in a Taylor Swift video." | 0:41:36 | 0:41:39 | |
Fix You was on X&Y, another Coldplay album. | 0:41:39 | 0:41:42 | |
Let's take a look at tracks on A Rush Of Blood To The Head. | 0:41:42 | 0:41:45 | |
A Whisper, Amsterdam, | 0:41:45 | 0:41:46 | |
God Put A Smile Upon Your Face was | 0:41:46 | 0:41:48 | |
a pointless answer. Warning Sign. | 0:41:48 | 0:41:50 | |
And the other pointless answer | 0:41:50 | 0:41:51 | |
was Green Eyes. | 0:41:51 | 0:41:53 | |
Clocks, actually, the biggest score. The Scientist also on that album - | 0:41:53 | 0:41:55 | |
In My Place, Politik and Daylight. They all scored points. | 0:41:55 | 0:41:59 | |
Let's move on now to Blood Brothers. | 0:41:59 | 0:42:02 | |
July 18th. So, if you know this musical, you would have got loads of | 0:42:02 | 0:42:05 | |
answers here I suspect. July 18th, Secrets, | 0:42:05 | 0:42:07 | |
Shoes Upon The Table. | 0:42:07 | 0:42:09 | |
Take A Letter Miss Jones. | 0:42:09 | 0:42:10 | |
Everything on that original soundtrack was a pointless answer, | 0:42:10 | 0:42:13 | |
apart from Tell Me It's Not True, Marilyn Monroe, and Bright New Day. | 0:42:13 | 0:42:16 | |
So, as I say, if you've been to see that musical, | 0:42:16 | 0:42:18 | |
you would have done very, very well there. | 0:42:18 | 0:42:20 | |
And loads and loads of cameos in this Taylor Swift video. | 0:42:20 | 0:42:23 | |
Ellen Pompeo from Gray's Anatomy. | 0:42:23 | 0:42:26 | |
Hailee Steinfeld from True Grit. | 0:42:26 | 0:42:28 | |
Jessica Alba would have been a pointless answer. | 0:42:28 | 0:42:30 | |
The wonderful Lena Dunham | 0:42:30 | 0:42:32 | |
was a pointless answer. | 0:42:32 | 0:42:33 | |
In fact, everybody apart from | 0:42:33 | 0:42:35 | |
Ellie Goulding, Selena Gomez, | 0:42:35 | 0:42:37 | |
Kendrick Lamar, Cindy Crawford, | 0:42:37 | 0:42:39 | |
and, unfortunately for our gentlemen here, | 0:42:39 | 0:42:42 | |
Cara Delevingne. But very, very well done if you got any of those | 0:42:42 | 0:42:44 | |
-pointless answers at home. -Thanks so much, Richard. | 0:42:44 | 0:42:47 | |
Well, Iain and Mark, very sadly, didn't win our jackpot today, | 0:42:47 | 0:42:50 | |
which means it rolls over onto the next show | 0:42:50 | 0:42:53 | |
when we will be playing for £2,000. | 0:42:53 | 0:42:55 | |
Join us then to see if someone can win it. Meanwhile, it's goodbye | 0:42:57 | 0:43:00 | |
-from Richard. -Goodbye. -And it's goodbye from me. Goodbye. | 0:43:00 | 0:43:04 |