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APPLAUSE | 0:00:14 | 0:00:16 | |
Thank you very much indeed. | 0:00:21 | 0:00:22 | |
Hello, I'm Alexander Armstrong, and a very warm welcome to Pointless, | 0:00:22 | 0:00:25 | |
the game where you're always aiming for the lowest score. | 0:00:25 | 0:00:28 | |
Let's meet today's players. | 0:00:28 | 0:00:29 | |
And couple number one. | 0:00:33 | 0:00:35 | |
Hi, I'm Shelley, this is my wife Mel, and we're from Brighton. | 0:00:35 | 0:00:38 | |
-Couple number two. -Hi, I'm Lucie and this is my dad Martin, | 0:00:38 | 0:00:41 | |
-and we're from Leeds. -Couple number three. | 0:00:41 | 0:00:43 | |
Hi, I'm Liam, I'm with my girlfriend Amber | 0:00:43 | 0:00:45 | |
and we're both from Gloucester. | 0:00:45 | 0:00:46 | |
And, finally, couple number four. | 0:00:46 | 0:00:48 | |
Hello. My name is Lee, this is my friend Rebecca, | 0:00:48 | 0:00:50 | |
she's from Margate and I'm from Colchester. | 0:00:50 | 0:00:53 | |
And these are today's contestants. | 0:00:53 | 0:00:54 | |
Thanks very much all of you. A very warm welcome to Pointless. | 0:00:57 | 0:00:59 | |
Lovely to have you here. | 0:00:59 | 0:01:00 | |
We'll get to chat to each of you throughout the show | 0:01:00 | 0:01:03 | |
as it goes along, so that just leaves one more person | 0:01:03 | 0:01:05 | |
for me to introduce. | 0:01:05 | 0:01:06 | |
He's harder to read than a broadsheet in a bumper car. | 0:01:06 | 0:01:09 | |
LAUGHTER It's my Pointless friend - it's Richard. | 0:01:09 | 0:01:11 | |
Hiya. Hey, everybody. | 0:01:11 | 0:01:14 | |
Good afternoon. I'll tell you what is hard to read - | 0:01:14 | 0:01:17 | |
a broadsheet in a high wind. | 0:01:17 | 0:01:18 | |
Have you ever done that? | 0:01:18 | 0:01:20 | |
-Yeah. -Oh, God, that's irritating. | 0:01:20 | 0:01:21 | |
-Or a broadsheet when you've got young children. -Yes. | 0:01:21 | 0:01:25 | |
-Or, a broadsheet when you've got a cat. -Yes. LAUGHTER | 0:01:25 | 0:01:27 | |
Now, three returning pairs from our last show. | 0:01:27 | 0:01:30 | |
Martin and Lucie got through to the head-to-head, | 0:01:30 | 0:01:32 | |
Amber and Liam knocked out in Round One, | 0:01:32 | 0:01:34 | |
so, hoping to see more of you this time, | 0:01:34 | 0:01:35 | |
and Rebecca and Lee knocked out in Round Two. | 0:01:35 | 0:01:38 | |
And we welcome Shelley and Mel. | 0:01:38 | 0:01:39 | |
It's seems unfair that they're on podium one, doesn't it? | 0:01:39 | 0:01:42 | |
-A little bit. -Given everyone else has been here before, | 0:01:42 | 0:01:44 | |
that seems a little harsh. | 0:01:44 | 0:01:45 | |
-There it is. That's the business we're in, right? -It is. LAUGHTER | 0:01:45 | 0:01:48 | |
Oh. There's a consolation, though, for everyone. | 0:01:48 | 0:01:50 | |
Sarah and Maria didn't win the jackpot last time, | 0:01:50 | 0:01:53 | |
which means we add another £1,000 to it, | 0:01:53 | 0:01:54 | |
so today's jackpot starts off at £2,250. | 0:01:54 | 0:01:58 | |
There we are. | 0:01:58 | 0:02:00 | |
That's a silver lining. | 0:02:00 | 0:02:02 | |
Right, if everyone's ready, let's play Pointless. | 0:02:02 | 0:02:04 | |
OK. So, the pair with the highest score at the end of each round, | 0:02:09 | 0:02:12 | |
remember, will be eliminated, so keep your scores as low as you can. | 0:02:12 | 0:02:16 | |
Best of luck to all four pairs. | 0:02:16 | 0:02:18 | |
Our first category today is... | 0:02:18 | 0:02:20 | |
It's a Words round. Can you all decide in your pairs | 0:02:22 | 0:02:24 | |
who's going to go first, who's going to go second? | 0:02:24 | 0:02:26 | |
And whoever's going first, please step up to the podium. | 0:02:26 | 0:02:29 | |
OK. Let's find out what the question is. | 0:02:32 | 0:02:35 | |
Here it comes. We gave 100 people 100 seconds | 0:02:35 | 0:02:40 | |
to name as many words ending in "ibe" as they could. | 0:02:40 | 0:02:46 | |
Words ending in "ibe", Richard. | 0:02:46 | 0:02:47 | |
Yep, looking for any word which has its own entry in the British | 0:02:47 | 0:02:50 | |
and World English section of OxfordDictionaries.com, please, | 0:02:50 | 0:02:53 | |
that ends "ibe". | 0:02:53 | 0:02:54 | |
As always, no proper nouns, | 0:02:54 | 0:02:55 | |
no hyphenated words, and, for any Liverpool fans out there, | 0:02:55 | 0:02:58 | |
"Jordon Ibe" is not a word. It's not a word, I'm afraid. | 0:02:58 | 0:03:01 | |
-LAUGHTER -I'm sorry. | 0:03:01 | 0:03:03 | |
-Thank you. -Oh, you look like you've already got one. | 0:03:03 | 0:03:05 | |
-No, I haven't. -Lucky you're not on podium one, then. | 0:03:05 | 0:03:08 | |
-I know! -Can you imagine? | 0:03:08 | 0:03:10 | |
Imagine, what must be going through Mel's head right now? | 0:03:10 | 0:03:14 | |
-LAUGHTER -Oh... | 0:03:14 | 0:03:17 | |
Mel, welcome to Pointless. | 0:03:17 | 0:03:18 | |
Great to have you here from Brighton. | 0:03:18 | 0:03:19 | |
What keeps you busy in Britain, Mel? | 0:03:19 | 0:03:21 | |
A bit of photography, a bit of kick boxing. | 0:03:21 | 0:03:24 | |
Not at the same time, surely? LAUGHTER | 0:03:24 | 0:03:26 | |
Those are going to be blurred pictures, aren't they? | 0:03:26 | 0:03:28 | |
-A little bit, yeah. -What kind of photography do you like to do? | 0:03:28 | 0:03:31 | |
I've just started out, so, landscapes, and, to be honest, | 0:03:31 | 0:03:33 | |
probably Shelley's cats, as well. | 0:03:33 | 0:03:36 | |
Maybe Shelley's cats within the landscape. | 0:03:36 | 0:03:38 | |
They're practice subjects. | 0:03:38 | 0:03:39 | |
That's good. Oh, don't tell them that! | 0:03:39 | 0:03:42 | |
They are not going to enjoy that at all. | 0:03:42 | 0:03:44 | |
-Now, Mel, on the business of these words ending "ibe"... -Yeah. | 0:03:44 | 0:03:48 | |
..how have you done? | 0:03:48 | 0:03:49 | |
Absolutely terribly. | 0:03:49 | 0:03:51 | |
Erm... | 0:03:51 | 0:03:52 | |
SHE TAKES A DEEP BREATH | 0:03:52 | 0:03:54 | |
I can only think of Bible... | 0:03:54 | 0:03:58 | |
and that doesn't even work... | 0:03:58 | 0:04:00 | |
so I might go home now. | 0:04:00 | 0:04:02 | |
OK. Right, well, let's get it over with, Bible. | 0:04:04 | 0:04:06 | |
Let's see what happens when we say Bible, to the column. | 0:04:06 | 0:04:08 | |
-Yeah, I'm sorry. -Yeah. | 0:04:11 | 0:04:12 | |
I'm sorry, Mel. | 0:04:12 | 0:04:14 | |
I'm sorry, and it happens on our first podium as well. | 0:04:14 | 0:04:17 | |
Anyway, Bible, I'm afraid, is an incorrect answer. | 0:04:17 | 0:04:19 | |
I'll go get the bus ticket ready. | 0:04:19 | 0:04:21 | |
It's one of those rites of passage, Mel, | 0:04:21 | 0:04:22 | |
to score 100 points on the first podium of Pointless. | 0:04:22 | 0:04:25 | |
You'll always be able to say you've done it. | 0:04:25 | 0:04:27 | |
-Well, yeah. -That's the good news. | 0:04:27 | 0:04:29 | |
And, you know, you can join me if you want later. | 0:04:29 | 0:04:31 | |
Yeah, I think Shelley is not looking certain about that prospect. | 0:04:33 | 0:04:35 | |
ALEXANDER LAUGHS Lucie, welcome back to Pointless. | 0:04:35 | 0:04:38 | |
Lovely to have you here again from Leeds. | 0:04:38 | 0:04:40 | |
Remind us what you do. | 0:04:40 | 0:04:42 | |
I'm a politics student at Leeds Uni. | 0:04:42 | 0:04:44 | |
That's right, in your second year. | 0:04:44 | 0:04:45 | |
-Mm-hm. -Very good. | 0:04:45 | 0:04:47 | |
What do you think you're going to do when you finish your degree? | 0:04:47 | 0:04:51 | |
I'm going to do the typical gap year, to be fair. | 0:04:51 | 0:04:53 | |
Oh, tell me what the typical gap year is. | 0:04:53 | 0:04:55 | |
Just go to Thailand, find myself... | 0:04:55 | 0:04:58 | |
Oh, brilliant. Very good indeed. | 0:04:58 | 0:04:59 | |
Anything to do with politics, you think, | 0:04:59 | 0:05:01 | |
when you come back from Thailand? | 0:05:01 | 0:05:02 | |
Do you think you'll go into politics in any way? | 0:05:02 | 0:05:04 | |
-Hopefully. -Oh, that's good. Good. | 0:05:04 | 0:05:07 | |
Now, Lucie, words ending "ibe". | 0:05:07 | 0:05:09 | |
Mm-hm. I think I'm going to go for subscribe. | 0:05:09 | 0:05:13 | |
Subscribe, says Lucie. | 0:05:13 | 0:05:16 | |
Let's see how many of our 100 people went for subscribe. | 0:05:16 | 0:05:18 | |
-Ooh. -APPLAUSE | 0:05:26 | 0:05:27 | |
24. | 0:05:27 | 0:05:29 | |
24 for subscribe. | 0:05:30 | 0:05:32 | |
Yeah, to receive something by paying regularly in advance. | 0:05:32 | 0:05:36 | |
Subscribe. | 0:05:36 | 0:05:38 | |
You know, to subscribe. | 0:05:38 | 0:05:39 | |
-Thank you. -As in, "I subscribed...that time." | 0:05:39 | 0:05:43 | |
"Remember that time you subscribed?" | 0:05:43 | 0:05:45 | |
That would be using it in a sentence. | 0:05:45 | 0:05:47 | |
You've said "subscribe" so many times now, it's just a noise to me. | 0:05:47 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:51 | |
Well, it is a noise, to be fair. | 0:05:51 | 0:05:53 | |
-It is. -That's what it is. | 0:05:53 | 0:05:54 | |
That's what words are. | 0:05:54 | 0:05:55 | |
-You know that, right? -Yeah. -Yeah. -LAUGHTER | 0:05:56 | 0:05:58 | |
Thank you very much. OK, now, Amber. | 0:05:58 | 0:06:01 | |
-Hello. -Amber, welcome back. | 0:06:01 | 0:06:02 | |
Pleasingly, on the same podium as last time. | 0:06:02 | 0:06:05 | |
Yeah, hopefully it'll be lucky this time. | 0:06:05 | 0:06:06 | |
Yes, it was a Round One exit last time. | 0:06:06 | 0:06:08 | |
Well, let's hope we avoid that. Amber, remind us what you do. | 0:06:08 | 0:06:11 | |
I'm a student at the University of South Wales, studying science. | 0:06:11 | 0:06:14 | |
-Studying science, and thinking of going on to do marine biology? -Yeah. | 0:06:14 | 0:06:18 | |
Do you know which department of marine biology you will study | 0:06:18 | 0:06:21 | |
in the huge realm of marine biology? | 0:06:21 | 0:06:23 | |
I'd love to work in, like, conservation, | 0:06:23 | 0:06:26 | |
and just ensuring that we keep our oceans the way they are | 0:06:26 | 0:06:28 | |
and stop polluting them. | 0:06:28 | 0:06:30 | |
Very good indeed. | 0:06:30 | 0:06:31 | |
A very worthy pursuit, Amber. | 0:06:31 | 0:06:32 | |
Now, what would you like to go for? | 0:06:32 | 0:06:34 | |
Erm... | 0:06:34 | 0:06:36 | |
It's probably going to be really high, | 0:06:36 | 0:06:38 | |
but I'm going to go with tribe. | 0:06:38 | 0:06:39 | |
Tribe, says Amber. | 0:06:39 | 0:06:41 | |
OK, tribe. Let's see how many of our 100 people said tribe. | 0:06:41 | 0:06:45 | |
APPLAUSE | 0:06:50 | 0:06:51 | |
66 for tribe. | 0:06:51 | 0:06:53 | |
Yeah, a social division, | 0:06:55 | 0:06:56 | |
usually based around families or communities. | 0:06:56 | 0:06:58 | |
-Thank you, Richard. Now, Lee, welcome back. -Thank you. | 0:06:58 | 0:07:01 | |
Good to have you back. Now, Lee, remind us what you do. | 0:07:01 | 0:07:04 | |
I'm a play worker for a before and after-school club. | 0:07:04 | 0:07:07 | |
That's just lovely. What sort of age are the kids you have there? | 0:07:07 | 0:07:09 | |
Primary, so, four to eleven. | 0:07:09 | 0:07:11 | |
-The full gamut. -That's great. | 0:07:11 | 0:07:13 | |
-How long have you done it for? -Just over two years. | 0:07:13 | 0:07:15 | |
-See, that's nice. So you've got to know them really quite well? -Yeah. | 0:07:15 | 0:07:18 | |
Do you plan much in advance, or do you do it by the seat of your pants? | 0:07:18 | 0:07:21 | |
Yeah, we tend to change the themes around every week, | 0:07:21 | 0:07:24 | |
or every two weeks, and keep things... | 0:07:24 | 0:07:26 | |
keep it interesting for them. | 0:07:26 | 0:07:28 | |
And a master of flapjacks, I happen to know. | 0:07:28 | 0:07:31 | |
I'm sorry. No, I haven't sampled them. I just... | 0:07:31 | 0:07:33 | |
-A master of flapjacks? -Yeah. | 0:07:33 | 0:07:35 | |
Is that an official title conferred by some City of London guild? | 0:07:35 | 0:07:38 | |
-That's right. -Yeah. -MFJ. | 0:07:38 | 0:07:41 | |
That is what's on my badge. | 0:07:41 | 0:07:43 | |
LAUGHTER There we are. Exactly. | 0:07:43 | 0:07:45 | |
Lee, what would you like to go for? | 0:07:45 | 0:07:47 | |
I was really looking forward to Words, | 0:07:47 | 0:07:50 | |
and this isn't what I was... | 0:07:50 | 0:07:51 | |
Do you know? I normally like a Words round. | 0:07:51 | 0:07:53 | |
I'm now... I'm... Yeah. | 0:07:53 | 0:07:55 | |
This isn't the best one I was hoping for, | 0:07:55 | 0:07:57 | |
but I'm going to go for a division above subscribe and go for scribe. | 0:07:57 | 0:08:03 | |
Scribe. Scribe, says Lee. | 0:08:03 | 0:08:04 | |
Let's see if it's right, | 0:08:04 | 0:08:06 | |
and let's see how many of our 100 people said scribe. | 0:08:06 | 0:08:08 | |
39. | 0:08:16 | 0:08:17 | |
39 for scribe. | 0:08:19 | 0:08:21 | |
Yeah, a person who copies out documents. | 0:08:21 | 0:08:23 | |
Scribe. | 0:08:23 | 0:08:25 | |
-I mean, I have got one. -Have you? -Yeah, I have got one. | 0:08:25 | 0:08:27 | |
-OK. -Yeah. | 0:08:27 | 0:08:29 | |
Have you written one down for me? | 0:08:29 | 0:08:30 | |
-I have, yeah. -Yeah, OK. | 0:08:30 | 0:08:32 | |
We're halfway through the round. Let's take a look at those scores. | 0:08:32 | 0:08:34 | |
The best score of the pass was yours, Lucie. Very well done indeed. | 0:08:34 | 0:08:37 | |
24 for subscribe. | 0:08:37 | 0:08:39 | |
Then we go up to 39, where we find Lee and Rebecca. | 0:08:39 | 0:08:41 | |
66, Amber and Liam. | 0:08:41 | 0:08:43 | |
Oh, and Mel and Shelley on 100. | 0:08:43 | 0:08:45 | |
I'm sorry. It's just tough. | 0:08:45 | 0:08:48 | |
It's just that first podium - it happens all the time. | 0:08:48 | 0:08:50 | |
Shelley, a brilliant low score from you | 0:08:50 | 0:08:52 | |
is possibly all you might need. | 0:08:52 | 0:08:54 | |
You never know. We're running out of nice, easy words ending "ibe". | 0:08:54 | 0:08:58 | |
You'll be surprised what might happen in the next pass. | 0:08:58 | 0:09:00 | |
Good luck. Anyway, we're going to come back down the line now. | 0:09:00 | 0:09:03 | |
Can the second players please step up to the podium? | 0:09:03 | 0:09:05 | |
OK. Rebecca, welcome back to Pointless. | 0:09:07 | 0:09:09 | |
Remind us what you do. | 0:09:09 | 0:09:10 | |
I'm a performance artist. | 0:09:10 | 0:09:12 | |
A performance artist. | 0:09:12 | 0:09:14 | |
Now, what is your normal performance artist costume? | 0:09:14 | 0:09:18 | |
-Erm... -Are you a boiler suit type performance artist? | 0:09:18 | 0:09:21 | |
I could be. You know, I feel I have many shades within me, but... | 0:09:21 | 0:09:25 | |
Well, the last performance that we did, we wore running clothes. | 0:09:25 | 0:09:28 | |
We ran and ran and ran until we vomited. | 0:09:28 | 0:09:31 | |
-Was that the... That was the piece, was it? -It was... | 0:09:32 | 0:09:35 | |
-Yeah. To be honest, yes, it was. -LAUGHTER | 0:09:35 | 0:09:37 | |
How far do you have to run before you're sick? | 0:09:37 | 0:09:39 | |
I'm genuinely not very fit at all, so not very far. | 0:09:39 | 0:09:42 | |
We did the beep test, you know, that infant school kind of thing, | 0:09:42 | 0:09:45 | |
where you run and it goes boop, boop, boop, | 0:09:45 | 0:09:48 | |
-back and forth between a wall and another wall. -Yeah. | 0:09:48 | 0:09:52 | |
And you just keep doing that, | 0:09:52 | 0:09:54 | |
and Lee read insulting things while I ran. | 0:09:54 | 0:09:58 | |
-LAUGHTER Now, Rebecca. -Yes. | 0:09:58 | 0:10:01 | |
There you are on 39. | 0:10:01 | 0:10:02 | |
Our high-scorers are Shelley and Mel on 100 | 0:10:02 | 0:10:04 | |
-so 60 or less keeps you in the game. -Mm-hm. | 0:10:04 | 0:10:08 | |
Yeah. I have a risky one, but I'm not feeling wild. | 0:10:08 | 0:10:11 | |
I'm feeling very sane, so I'm going to go for imbibe. | 0:10:11 | 0:10:14 | |
Imbibe! Nice. | 0:10:14 | 0:10:16 | |
Let's see how imbibe does. | 0:10:16 | 0:10:18 | |
Here's your red line. Get below this line, | 0:10:18 | 0:10:20 | |
and you are through to the next round. | 0:10:20 | 0:10:22 | |
Well done, Rebecca. | 0:10:27 | 0:10:29 | |
30 for imbibe. | 0:10:29 | 0:10:30 | |
69 is your total. | 0:10:30 | 0:10:33 | |
Well played, Rebecca. Again, that is to drink alcohol - to imbibe - | 0:10:35 | 0:10:38 | |
but also to take on information, just, sort of, | 0:10:38 | 0:10:40 | |
-you know, almost by osmosis. -Hmm... | 0:10:40 | 0:10:42 | |
Thank you very much indeed, Richard. | 0:10:42 | 0:10:44 | |
-Now, Liam. Welcome back. -Thank you. | 0:10:44 | 0:10:46 | |
Remind us what you do, Liam. | 0:10:46 | 0:10:48 | |
I study aeronautical engineering at the University of South Wales. | 0:10:48 | 0:10:51 | |
Oh, that's just great fun. | 0:10:51 | 0:10:53 | |
So, I mean, what sort of things do you...? Are you part of design? | 0:10:53 | 0:10:56 | |
Is that the sort of thing you do? Or is it more about the science behind? | 0:10:56 | 0:10:59 | |
Yeah, yeah, this... My course is mainly focused on the design, | 0:10:59 | 0:11:03 | |
so the design of jet engines. | 0:11:03 | 0:11:04 | |
-Yeah. -Or we do aircraft materials, | 0:11:04 | 0:11:07 | |
-and we, sort of, look into things like that. -Right. | 0:11:07 | 0:11:09 | |
-So, materials is another fascinating thing to go into... -Yeah. | 0:11:09 | 0:11:11 | |
..which then overlaps with the engines, | 0:11:11 | 0:11:13 | |
cos you need to improve materials to improve the engine performance. | 0:11:13 | 0:11:18 | |
Wow, and the interesting thing is, during your working life, | 0:11:18 | 0:11:20 | |
there will undoubtedly be huge inventions and discoveries | 0:11:20 | 0:11:24 | |
and, you know, all sorts of things that will make massive differences. | 0:11:24 | 0:11:27 | |
Yeah, I know, and hopefully I'll always be in a job. | 0:11:27 | 0:11:29 | |
Aeronautics, yeah. | 0:11:29 | 0:11:30 | |
Fantastic. That's going to be an interesting time. | 0:11:30 | 0:11:32 | |
Now, there you are on 66. | 0:11:32 | 0:11:33 | |
Still Shelley and Mel, our high-scorers, at this stage, | 0:11:33 | 0:11:36 | |
which means 33 or less gets you through to the next round. | 0:11:36 | 0:11:40 | |
Yeah, we're running out of the simpler ones now, | 0:11:40 | 0:11:43 | |
and I'm going to say describe. | 0:11:43 | 0:11:45 | |
Describe, says Liam. | 0:11:45 | 0:11:46 | |
Let's see how many of our 100 people said describe. | 0:11:46 | 0:11:49 | |
There is your red line. | 0:11:49 | 0:11:50 | |
Describe... | 0:11:54 | 0:11:55 | |
Just gets you through. Look at that. | 0:11:57 | 0:11:58 | |
There we are at 27 for describe. | 0:11:58 | 0:12:00 | |
Very well done indeed. 93 is your total. | 0:12:00 | 0:12:03 | |
Yeah, describe - to describe. | 0:12:04 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:09 | |
-I've got it now. Martin, welcome back. -Alexander. | 0:12:10 | 0:12:13 | |
Remind us what you do, Martin. | 0:12:13 | 0:12:14 | |
I am the electrical engineering manager | 0:12:14 | 0:12:16 | |
for a large health care provider. | 0:12:16 | 0:12:18 | |
Very good. Your hobbies, Martin, when not...? | 0:12:18 | 0:12:21 | |
I play a bit of golf. Erm... | 0:12:21 | 0:12:24 | |
Well, I play a lot of golf - | 0:12:24 | 0:12:25 | |
about as much golf as what I can, to be honest. | 0:12:25 | 0:12:27 | |
I like to cook. | 0:12:27 | 0:12:29 | |
I go to the gym, watch a lot of sports, that sort of thing. | 0:12:30 | 0:12:33 | |
-I see, so largely a sports and food-based free time. -Yes. | 0:12:33 | 0:12:36 | |
There we are. Perfect, perfect. Who could ask for anything more? | 0:12:36 | 0:12:38 | |
Now, there you are on 24. | 0:12:38 | 0:12:40 | |
It's getting a little bit itchy for Shelley and Mel, I have to say, | 0:12:40 | 0:12:43 | |
at this end of the line. | 0:12:43 | 0:12:44 | |
They have been the high-scorers for quite a while now. | 0:12:44 | 0:12:47 | |
If you can score 75 or less, | 0:12:47 | 0:12:49 | |
you are through to the next round. | 0:12:49 | 0:12:51 | |
From what Lucie said earlier, I'm going to go for unsubscribe. | 0:12:52 | 0:12:56 | |
There we are - my favourite button at the bottom of an e-mail. | 0:12:57 | 0:13:01 | |
24. Here is your red line. | 0:13:04 | 0:13:07 | |
If you can get under that with unsubscribe, | 0:13:07 | 0:13:08 | |
you are through to the next round. | 0:13:08 | 0:13:10 | |
Let's see how many of our 100 people said unsubscribe. | 0:13:10 | 0:13:12 | |
Very well done indeed, Martin. | 0:13:16 | 0:13:19 | |
Oh! | 0:13:22 | 0:13:23 | |
2. | 0:13:23 | 0:13:25 | |
Now, there we are. | 0:13:25 | 0:13:27 | |
Very respectable indeed. | 0:13:27 | 0:13:29 | |
Takes your total up to 26. | 0:13:29 | 0:13:31 | |
Isn't it lovely when you have a session | 0:13:31 | 0:13:32 | |
-of unsubscribing on your e-mails? -Yeah. | 0:13:32 | 0:13:34 | |
-It's like putting the bins out or something, isn't it? -Isn't it? | 0:13:34 | 0:13:37 | |
I love it. Although sometimes when you click on it, | 0:13:37 | 0:13:39 | |
it sends you to their website | 0:13:39 | 0:13:40 | |
and says you have to put your e-mail address, | 0:13:40 | 0:13:42 | |
-and you think, "Hold on a minute. What's this about?" -No, no, no. | 0:13:42 | 0:13:44 | |
But then I don't, and you think, | 0:13:44 | 0:13:46 | |
"Hold on, that means they can keep e-mailing me." | 0:13:46 | 0:13:48 | |
-I don't know what to do in that situation. -I know, yes, it's tricky. | 0:13:48 | 0:13:51 | |
It's awkward now, isn't it? | 0:13:51 | 0:13:52 | |
It is, it is. | 0:13:52 | 0:13:53 | |
Shelley, I'm so sorry. | 0:13:53 | 0:13:55 | |
I'm afraid you're doomed, as far as this game is concerned. | 0:13:55 | 0:13:57 | |
LAUGHTER I'm sorry, I'm sorry. | 0:13:57 | 0:13:59 | |
I can't sugar-coat it, Shelley. | 0:13:59 | 0:14:02 | |
That's just how it is. What do you do, Shelley? | 0:14:02 | 0:14:04 | |
I'm a reporting manager for the Environment Agency. | 0:14:04 | 0:14:08 | |
Down in... Based in Sussex? | 0:14:08 | 0:14:09 | |
It's a national role, but, yeah, I'm based in Sussex. | 0:14:09 | 0:14:13 | |
-Right, I see. -Yeah. -And what are your interests, Shelley? | 0:14:13 | 0:14:15 | |
I play a lot of hockey, | 0:14:15 | 0:14:16 | |
and, yeah, just, sort of, generally keeping fit. | 0:14:16 | 0:14:19 | |
Very good. Very good indeed. OK, now, you're the high-scorers, | 0:14:19 | 0:14:23 | |
so, yes, I'm afraid whatever you come up with, | 0:14:23 | 0:14:25 | |
it's going to be pyrrhic. | 0:14:25 | 0:14:27 | |
OK. We'll go out in a blaze of glory. | 0:14:27 | 0:14:29 | |
You know, it's probably wrong, but - inscribe. | 0:14:29 | 0:14:32 | |
Was that inscribe or enscribe? | 0:14:32 | 0:14:34 | |
-Oh, inscribe? -Inscribe. | 0:14:34 | 0:14:36 | |
-Inscribe. -Inscribe, yeah. | 0:14:36 | 0:14:37 | |
OK, let's see how many of our 100 people said inscribe. | 0:14:37 | 0:14:39 | |
No red line, etc. | 0:14:39 | 0:14:41 | |
APPLAUSE 12. | 0:14:51 | 0:14:53 | |
See, that's a lovely low score, there. | 0:14:53 | 0:14:55 | |
12, taking your total up to 112. | 0:14:55 | 0:14:57 | |
Yeah, when you write in your study, that's inscribe, | 0:14:58 | 0:15:00 | |
and when you write in your garden, that's outscribe. | 0:15:00 | 0:15:02 | |
-LAUGHTER -It's not really. | 0:15:02 | 0:15:04 | |
Now, what was your one? | 0:15:04 | 0:15:06 | |
Circumscribe. | 0:15:06 | 0:15:07 | |
Circumscribe. | 0:15:07 | 0:15:09 | |
Really? Well, I didn't guess that. | 0:15:09 | 0:15:10 | |
-Oh, no. That would have scored you 4 points. -It's not a bad answer. | 0:15:10 | 0:15:14 | |
-It's not bad. -You haven't got a pointless answer for ages. -I know. | 0:15:14 | 0:15:17 | |
-Do you know what I thought you were going to go for? -What? | 0:15:17 | 0:15:19 | |
Mistranscribe. | 0:15:19 | 0:15:21 | |
-Clever. Oh, you flatter me. -Do you wish you'd gone for that now? | 0:15:21 | 0:15:24 | |
-I do, so much. -Well, it would have been incorrect. | 0:15:24 | 0:15:26 | |
-It was an incorrect answer. I guessed... -LAUGHTER | 0:15:26 | 0:15:29 | |
-I guessed you were going to get too cocky. -Oh. | 0:15:29 | 0:15:31 | |
And I guessed you'd think of transcribe, and then you'd think, | 0:15:31 | 0:15:34 | |
-"Hold on a minute. What about mistranscribe?" -Untranscribe! | 0:15:34 | 0:15:37 | |
-Yeah. -Yeah. -You could have had retranscribe - | 0:15:37 | 0:15:38 | |
that's a pointless answer - but no mistranscribe. | 0:15:38 | 0:15:41 | |
Let's take at the pointless answers. | 0:15:41 | 0:15:43 | |
There's a few of them up here. | 0:15:43 | 0:15:44 | |
You unsubscribe when you've oversubscribed. | 0:15:48 | 0:15:50 | |
-Yeah. -Postscribe - that's someone who writes a postscript. | 0:15:50 | 0:15:52 | |
It's actually someone who writes something afterwards. | 0:15:52 | 0:15:54 | |
Reimbibe would have been a lovely answer. | 0:15:56 | 0:15:59 | |
-That's what we all enjoy doing. -Yeah. | 0:15:59 | 0:16:01 | |
Reinscribe would have been a lovely one. | 0:16:01 | 0:16:04 | |
There it is. | 0:16:04 | 0:16:06 | |
Let's take a look at the top three answers - | 0:16:06 | 0:16:07 | |
the ones that most of our 100 people said. | 0:16:07 | 0:16:09 | |
And right at the top, look, tribe with 66. | 0:16:14 | 0:16:17 | |
Thank you very much indeed, Richard. | 0:16:17 | 0:16:18 | |
So, at the end of our first round, | 0:16:18 | 0:16:20 | |
the pair who has to go, with their high score of 112, | 0:16:20 | 0:16:22 | |
I'm afraid, Shelley and Mel, it is you. | 0:16:22 | 0:16:24 | |
I'm so sorry. Far too soon to be sending you away, | 0:16:24 | 0:16:26 | |
but you'll be back next time. | 0:16:26 | 0:16:27 | |
We'll look forward to that very much indeed. | 0:16:27 | 0:16:29 | |
In the meantime, thank you very much, Shelley and Mel. | 0:16:29 | 0:16:32 | |
But, for the remaining three pairs, it's now time for Round Two. | 0:16:34 | 0:16:37 | |
Well, look at that. We're suddenly down to three pairs, | 0:16:42 | 0:16:44 | |
and at the end of this round we'll have to say goodbye to another pair, | 0:16:44 | 0:16:47 | |
but best of luck to all three pairs. | 0:16:47 | 0:16:49 | |
Our category for Round Two today is... | 0:16:49 | 0:16:51 | |
Can you all decide in your pairs who's going to go first, | 0:16:55 | 0:16:57 | |
who's going to go second? | 0:16:57 | 0:16:58 | |
And whoever's going first, please step up to the podium. | 0:16:58 | 0:17:00 | |
OK, and the question concerns... | 0:17:04 | 0:17:06 | |
-Richard. -Yeah, on each board we're going to give you six descriptions | 0:17:10 | 0:17:13 | |
of pieces of art that were famously sold, and we need you to tell us | 0:17:13 | 0:17:16 | |
the artist of each one, please. | 0:17:16 | 0:17:18 | |
We're going to give you their initials as well, | 0:17:18 | 0:17:20 | |
so, with 12 artists to guess at home, very best of luck. | 0:17:20 | 0:17:22 | |
Thank you very much indeed. | 0:17:22 | 0:17:24 | |
OK, let's reveal our first board of artworks, | 0:17:24 | 0:17:26 | |
and here they are. | 0:17:26 | 0:17:28 | |
I'm going to read those all again. | 0:18:11 | 0:18:12 | |
Lucie. | 0:18:45 | 0:18:47 | |
Yeah. | 0:18:47 | 0:18:48 | |
-Yes. -Yeah. | 0:18:48 | 0:18:50 | |
So, where do you want to go on this board? | 0:18:50 | 0:18:55 | |
SHE LAUGHS | 0:18:55 | 0:18:56 | |
I think I'm going to go for the portrait of the artist's doctor, | 0:18:56 | 0:18:59 | |
and say Vincent van Gogh, just cos I've got | 0:18:59 | 0:19:01 | |
no clue about anything else. | 0:19:01 | 0:19:02 | |
Vincent Van Gogh, says Lucie. | 0:19:02 | 0:19:04 | |
Let's see how many of our 100 people went for Van Gogh. | 0:19:04 | 0:19:06 | |
45. | 0:19:15 | 0:19:16 | |
-Not bad. More than halfway down the column. -Not too shabby. -Yeah. | 0:19:18 | 0:19:21 | |
The Portrait Of Doctor Gachet - | 0:19:21 | 0:19:22 | |
he's looking unhappy and carrying a foxglove, | 0:19:22 | 0:19:25 | |
which is toxic, but... | 0:19:25 | 0:19:26 | |
-Yeah, digitalis. -Mmm. | 0:19:26 | 0:19:27 | |
You don't want to be wafting that around round too much, do you? | 0:19:27 | 0:19:30 | |
Exactly. We're in the wrong business, aren't we? | 0:19:30 | 0:19:32 | |
Look at that, 82 million. | 0:19:32 | 0:19:33 | |
Well, you're not - you're forever drawing. | 0:19:33 | 0:19:35 | |
I do do doodles, yeah, I'll give you that, | 0:19:35 | 0:19:37 | |
but I haven't sold one for even over a million yet. | 0:19:37 | 0:19:40 | |
-LAUGHTER -The highest price for any of my doodles is £875,000 | 0:19:40 | 0:19:44 | |
-at the Biennial in Basel last year. -Yes. | 0:19:44 | 0:19:48 | |
-What a show, though - that was something else. -Well, you know. | 0:19:48 | 0:19:51 | |
I sell a lot, but, you know, never over a million. | 0:19:51 | 0:19:53 | |
Never over a million? | 0:19:53 | 0:19:55 | |
Stick at it. Stick at it, Richard. LAUGHTER | 0:19:55 | 0:19:57 | |
Now, Liam... | 0:19:57 | 0:19:59 | |
Yes. | 0:19:59 | 0:20:01 | |
I'm probably going to have to go for the most obvious one left on there, | 0:20:02 | 0:20:05 | |
so I'm going to go with painting of flowers on a pond, Claude Monet. | 0:20:05 | 0:20:08 | |
Claude Monet, says Liam. | 0:20:08 | 0:20:10 | |
Let's see if that's right, | 0:20:10 | 0:20:11 | |
and let's see how many of our 100 people said Monet. | 0:20:11 | 0:20:14 | |
It's right. | 0:20:17 | 0:20:18 | |
Passes 45. | 0:20:20 | 0:20:22 | |
32 for Claude Monet. | 0:20:22 | 0:20:23 | |
Not bad. | 0:20:25 | 0:20:26 | |
Yeah, The Water-Lily Pond from 1919. | 0:20:26 | 0:20:29 | |
He was a very keen horticulturalist, he created the water-lily pond | 0:20:29 | 0:20:33 | |
-that he painted so often by diverting a stream. -Thank you. | 0:20:33 | 0:20:36 | |
-Now, Rebecca. -Yes. -This board is all yours. | 0:20:36 | 0:20:38 | |
OK. Do you want me to run down the board? | 0:20:38 | 0:20:40 | |
-Yes, please! -The first is, I think, Paul Gauguin, | 0:20:40 | 0:20:43 | |
and the one I'm actually going to go for, | 0:20:43 | 0:20:45 | |
cos I confess I don't know the bottom two, is Mark Rothko. | 0:20:45 | 0:20:49 | |
Mark Rothko, says Rebecca. | 0:20:49 | 0:20:51 | |
Mark Rothko. Let's see if that's right, | 0:20:51 | 0:20:53 | |
and let's see how many of our 100 people got it. | 0:20:53 | 0:20:55 | |
Please don't be wrong, Rebecca. | 0:20:55 | 0:20:58 | |
-It is Mark Rothko. -Oh, phew. | 0:20:58 | 0:21:00 | |
Well, 45 is our high score. | 0:21:00 | 0:21:02 | |
You pass it. 32 our low score. | 0:21:02 | 0:21:03 | |
You pass it. | 0:21:03 | 0:21:04 | |
Look at that, 10 for Mark Rothko. Very well done indeed, Rebecca. | 0:21:04 | 0:21:07 | |
Good work. | 0:21:08 | 0:21:09 | |
Yeah, "No 6 (Violet, Green And Red)". | 0:21:11 | 0:21:13 | |
Imagine how much he'd have got paid if he put even more colours in. | 0:21:13 | 0:21:16 | |
-I know, I know. -It's amazing. | 0:21:16 | 0:21:17 | |
He didn't really like to sell a lot of his work when he was alive. | 0:21:17 | 0:21:20 | |
When he died, he had hoarded nearly 800 paintings. | 0:21:20 | 0:21:24 | |
-ALEXANDER GASPS -If you see the sort of prices that his work goes for... -Yeah. | 0:21:24 | 0:21:27 | |
Well, it was the best-ever episode of Cash In The Attic, | 0:21:27 | 0:21:29 | |
let's put it that way. | 0:21:29 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:32 | |
The two Tahitian girls, you're absolutely right - Paul Gauguin. | 0:21:32 | 0:21:37 | |
22 points for that. Two men playing cards... | 0:21:37 | 0:21:39 | |
-Paul Cezanne? -Paul Cezanne, yes. 6 points. | 0:21:39 | 0:21:41 | |
Yeah, best answer on the board. And the bottom one? | 0:21:41 | 0:21:43 | |
-Edvard Munch. -Edvard Munch, absolutely right. | 0:21:43 | 0:21:45 | |
16 points for that. | 0:21:45 | 0:21:46 | |
Thank you very much. OK, let's take a look at the scores. | 0:21:46 | 0:21:48 | |
We're halfway through the round. | 0:21:48 | 0:21:50 | |
We have 10 over on the far podium there - | 0:21:50 | 0:21:51 | |
Rebecca and Lee looking pretty strong. | 0:21:51 | 0:21:53 | |
Then up to 32, Liam and Amber are there, | 0:21:53 | 0:21:55 | |
and then 45, is where we find Lucie and Martin. | 0:21:55 | 0:21:58 | |
So, Martin, very best of luck | 0:21:58 | 0:22:00 | |
with finding a nice low score, so we can see you in the head-to-head. | 0:22:00 | 0:22:03 | |
We're going to come back down the line now. | 0:22:03 | 0:22:05 | |
Can the second players please step up to the podium? | 0:22:05 | 0:22:07 | |
OK. We are going to put six more clues up on the board, | 0:22:09 | 0:22:13 | |
and we have got... | 0:22:13 | 0:22:14 | |
A painting of the American flag sold for 36 million? Oh, cheap(!) | 0:22:20 | 0:22:23 | |
I'm going to read those all one last time. | 0:22:50 | 0:22:52 | |
-Lee. -Yes. -Now, then, you're on 10. | 0:23:22 | 0:23:25 | |
45 is the high score. | 0:23:25 | 0:23:27 | |
If you can score 34 or less, you are definitely in the head-to-head. | 0:23:27 | 0:23:30 | |
OK. Erm... | 0:23:30 | 0:23:32 | |
I'm good for two of them. | 0:23:32 | 0:23:34 | |
I am going to go for... | 0:23:34 | 0:23:37 | |
..the fibreboard covered in drips of brown and yellow paint, | 0:23:39 | 0:23:45 | |
which is by Jackson Pollock. | 0:23:45 | 0:23:46 | |
Jackson Pollock, says Lee. | 0:23:46 | 0:23:48 | |
Here is your red line. | 0:23:48 | 0:23:49 | |
If you can get below that red line with Jackson Pollock, | 0:23:49 | 0:23:51 | |
you are well on the way to the head-to-head. | 0:23:51 | 0:23:53 | |
Let's see how many of our 100 people said Jackson Pollock. | 0:23:53 | 0:23:56 | |
Very well done. LEE EXHALES | 0:24:03 | 0:24:06 | |
APPLAUSE 14, good work. 24 is your total. | 0:24:06 | 0:24:09 | |
The lowest total of the round. | 0:24:09 | 0:24:12 | |
Yeah, "No 5, 1948", that was. | 0:24:12 | 0:24:15 | |
Thank you very much, Richard. | 0:24:15 | 0:24:16 | |
Now, Amber, | 0:24:16 | 0:24:18 | |
ideally you would score 12 or less with this. | 0:24:18 | 0:24:20 | |
I don't think that's going to happen. | 0:24:20 | 0:24:22 | |
I think I only know one, | 0:24:22 | 0:24:24 | |
the cubist painting, as Pablo Picasso. | 0:24:24 | 0:24:27 | |
Pablo Picasso, says Amber. | 0:24:27 | 0:24:29 | |
Here is your red line. | 0:24:29 | 0:24:30 | |
If you can get below this with Pablo Picasso, | 0:24:30 | 0:24:32 | |
you're through to the head-to-head. | 0:24:32 | 0:24:33 | |
It's right. | 0:24:37 | 0:24:38 | |
40, taking your total up to 72. | 0:24:42 | 0:24:45 | |
He's had the most paintings stolen of any artist, Pablo Picasso. | 0:24:47 | 0:24:50 | |
Over 1,000 of his works have been reported stolen. | 0:24:50 | 0:24:54 | |
So, either he's unlucky or there's an insurance thing going on there. | 0:24:54 | 0:24:57 | |
LAUGHTER Yeah. Were they stolen from him? | 0:24:57 | 0:24:59 | |
No, I think, from different... | 0:24:59 | 0:25:01 | |
Yeah, from different places. | 0:25:01 | 0:25:03 | |
Thank you very much, Richard. | 0:25:03 | 0:25:04 | |
Now, then, Martin, there you are on 45. | 0:25:04 | 0:25:07 | |
If you can score 26 or less with this answer, | 0:25:07 | 0:25:09 | |
you remain with us for the head-to-head. | 0:25:09 | 0:25:11 | |
Do you fancy having a crack at any of those? | 0:25:11 | 0:25:14 | |
Talk through as many as you feel like. | 0:25:14 | 0:25:16 | |
OK. I'll talk through the two that I know, | 0:25:16 | 0:25:18 | |
the cubist painting and the fibreboard... | 0:25:18 | 0:25:21 | |
-LUCIE GIGGLES -Apart from that, | 0:25:21 | 0:25:23 | |
-I'm afraid I'm a bit out of luck here. -Ah, OK. | 0:25:23 | 0:25:26 | |
I'll have a stab at the painting of the American flag, | 0:25:27 | 0:25:30 | |
and say James Joyce. | 0:25:30 | 0:25:32 | |
QUIET LAUGHTER | 0:25:32 | 0:25:34 | |
Why not? James Joyce. | 0:25:34 | 0:25:36 | |
There's your red line. | 0:25:36 | 0:25:37 | |
Let's see what happens when we say James Joyce. | 0:25:37 | 0:25:40 | |
-No, it's a writer. -No. Bad luck, Martin. | 0:25:44 | 0:25:46 | |
I'm afraid that's an incorrect answer. 100 is what it scores, | 0:25:46 | 0:25:49 | |
so it takes your total up to 145. | 0:25:49 | 0:25:51 | |
Unlucky, Martin. I like how on these boards you look at 36 million | 0:25:51 | 0:25:54 | |
-and go, "That's cheap." -I know! Exactly, yeah. -Blimey. | 0:25:54 | 0:25:56 | |
It was Flag, and it was by Jasper Johns, | 0:25:56 | 0:26:00 | |
and it would have scored you 9 points. | 0:26:00 | 0:26:03 | |
Now, the top one, portrait of the wealthy society woman? | 0:26:03 | 0:26:06 | |
-Is Klimt. -It is Gustav Klimt. Absolutely right. | 0:26:06 | 0:26:09 | |
It would have scored you 6 points. | 0:26:09 | 0:26:11 | |
Three paintings of a famous artist... | 0:26:11 | 0:26:12 | |
It's paintings of Lucian Freud. | 0:26:12 | 0:26:14 | |
Oh, Francis Bacon. | 0:26:14 | 0:26:15 | |
Francis Bacon, yup. | 0:26:15 | 0:26:17 | |
That would have scored you 10. | 0:26:17 | 0:26:18 | |
And the nude painting - this is the best answer up there, | 0:26:18 | 0:26:21 | |
and it is Amedeo Modigliani. | 0:26:21 | 0:26:23 | |
Very well done if you said that - 1 point. | 0:26:23 | 0:26:26 | |
Thank you very much indeed, Richard. | 0:26:26 | 0:26:28 | |
So, at the end of our second round, | 0:26:28 | 0:26:29 | |
the pair who are heading home with their high score of 145, | 0:26:29 | 0:26:32 | |
I'm afraid it's Martin and Lucie. | 0:26:32 | 0:26:34 | |
Well, it was the head-to-head last time, Martin and Lucie - | 0:26:34 | 0:26:36 | |
I'm afraid Round Two this time. | 0:26:36 | 0:26:37 | |
It's been lovely having you on both shows. | 0:26:37 | 0:26:39 | |
I'm sorry to say goodbye, | 0:26:39 | 0:26:40 | |
but thank you so much for playing, Martin and Lucie. | 0:26:40 | 0:26:43 | |
But, for the remaining two pairs, it's now time for our head-to-head. | 0:26:45 | 0:26:49 | |
Congratulations, Rebecca and Lee, Amber and Liam. | 0:26:53 | 0:26:56 | |
You are now one step closer to the final, | 0:26:56 | 0:26:58 | |
and a chance to play for our jackpot, | 0:26:58 | 0:26:59 | |
which currently stands at £2,250. | 0:26:59 | 0:27:03 | |
Well, here we are in the head-to-head, | 0:27:06 | 0:27:08 | |
which means you can confer before you give your answers - | 0:27:08 | 0:27:10 | |
and the first pair to win two questions | 0:27:10 | 0:27:12 | |
will be playing for that jackpot. | 0:27:12 | 0:27:14 | |
Best of luck to both pairs. Let's play it. | 0:27:14 | 0:27:16 | |
OK. Here is your first question, | 0:27:21 | 0:27:23 | |
and it concerns... | 0:27:23 | 0:27:26 | |
-Richard. -We're going to show you five stills now from films | 0:27:28 | 0:27:31 | |
which won at least one Oscar at the 2016 awards. | 0:27:31 | 0:27:33 | |
Can you identify these films, please? | 0:27:33 | 0:27:36 | |
OK, so what are the films from which these stills come? | 0:27:36 | 0:27:39 | |
And we have got... | 0:27:39 | 0:27:41 | |
There we are. | 0:28:07 | 0:28:09 | |
Five stills from films | 0:28:09 | 0:28:11 | |
that were 2016 Oscar winners. | 0:28:11 | 0:28:12 | |
Rebecca and Lee, you are our low-scorers, so you will go first. | 0:28:12 | 0:28:15 | |
-OK. -We're going to identify E, | 0:28:17 | 0:28:20 | |
which is Bridge Of Spies. | 0:28:20 | 0:28:21 | |
Bridge of Spies for E, say Rebecca and Lee. | 0:28:21 | 0:28:24 | |
Now, then, Amber and Liam, that board's all yours. | 0:28:24 | 0:28:26 | |
Talk us through it. | 0:28:26 | 0:28:28 | |
We went to see B in the cinema, | 0:28:28 | 0:28:29 | |
and, for the life of us, | 0:28:29 | 0:28:31 | |
we can't remember it. | 0:28:31 | 0:28:32 | |
LAUGHTER | 0:28:32 | 0:28:34 | |
D is obviously The Reverent, | 0:28:34 | 0:28:35 | |
but we're going to go with A | 0:28:35 | 0:28:37 | |
as being Room. | 0:28:37 | 0:28:38 | |
Room. OK, A, Room. | 0:28:39 | 0:28:41 | |
So we have Bridge Of Spies and we have Room. | 0:28:41 | 0:28:43 | |
Now, then, Rebecca and Lee went for Bridge Of Spies for E. | 0:28:43 | 0:28:47 | |
Let's see how many of our 100 people said that. | 0:28:47 | 0:28:49 | |
It's right. | 0:28:53 | 0:28:54 | |
APPLAUSE 16. | 0:28:59 | 0:29:01 | |
16 for Bridge of Spies. | 0:29:03 | 0:29:05 | |
Amber and Liam, meanwhile, have gone for Room for A. | 0:29:05 | 0:29:08 | |
Let's see if that's right, | 0:29:08 | 0:29:10 | |
and let's see how many of our 100 people said it. | 0:29:10 | 0:29:12 | |
It's right... | 0:29:15 | 0:29:16 | |
..and it wins you the point. Look at that. | 0:29:20 | 0:29:22 | |
There we go. 6 for Room. Very well done indeed. | 0:29:22 | 0:29:25 | |
And it means Amber and Liam, after one question, you are up 1-0. | 0:29:25 | 0:29:28 | |
Very well played. So, Room, | 0:29:29 | 0:29:30 | |
it's Brie Larson who won | 0:29:30 | 0:29:32 | |
Best Actress in that, | 0:29:32 | 0:29:33 | |
and Bridge Of Spies, Mark Rylance | 0:29:33 | 0:29:35 | |
who won Best Supporting Actor. | 0:29:35 | 0:29:36 | |
-Have you seen Bridge Of Spies? -Yeah. | 0:29:36 | 0:29:38 | |
-He is brilliant in that. -So good. | 0:29:38 | 0:29:40 | |
He is so amazing. | 0:29:40 | 0:29:41 | |
-That's it. -That's the title of the film, there you go. | 0:29:43 | 0:29:46 | |
-It obviously had a big impact(!) -LAUGHTER | 0:29:46 | 0:29:47 | |
It would have scored you 15 points. | 0:29:47 | 0:29:49 | |
That's Eddie Redmayne and Alicia Vikander, | 0:29:49 | 0:29:51 | |
who won Best Supporting Actress. | 0:29:51 | 0:29:52 | |
The Hateful Eight, the Tarantino film. | 0:29:54 | 0:29:56 | |
Ennio Morricone won for Best Score. | 0:29:56 | 0:29:58 | |
5 points for that. | 0:29:58 | 0:30:00 | |
And D... | 0:30:00 | 0:30:01 | |
That's Leonardo DiCaprio winning Best Actor for... | 0:30:01 | 0:30:04 | |
-The Revenant. -The Revenant, yeah. | 0:30:04 | 0:30:05 | |
Not The Reverent, but The Revenant, | 0:30:05 | 0:30:07 | |
and that would have scored you 36 points. | 0:30:07 | 0:30:10 | |
Thank you very much indeed, Richard. So, here comes your second question. | 0:30:10 | 0:30:13 | |
Amber and Liam get to answer it first, | 0:30:13 | 0:30:15 | |
but, Rebecca and Lee, | 0:30:15 | 0:30:16 | |
you have to win this one to stay in the game, | 0:30:16 | 0:30:18 | |
so very, very best of luck. OK. | 0:30:18 | 0:30:20 | |
Our second question is all about... | 0:30:20 | 0:30:22 | |
-Richard. -I'm going to give you five unique middle names | 0:30:25 | 0:30:27 | |
of presidents here. We need you to tell us their full names, please. | 0:30:27 | 0:30:30 | |
-We're giving you their initials too. -OK. Thanks very much, Richard. | 0:30:30 | 0:30:33 | |
So, let's reveal our five presidents and here they come. | 0:30:33 | 0:30:36 | |
We have got... | 0:30:36 | 0:30:38 | |
I'll read those all again. | 0:30:50 | 0:30:52 | |
Amber and Liam will go first. | 0:31:02 | 0:31:04 | |
Yeah. OK. | 0:31:04 | 0:31:05 | |
We only know the two obvious ones, | 0:31:11 | 0:31:13 | |
so we're going to go with the bottom one, | 0:31:13 | 0:31:14 | |
as Barack Hussein Obama. | 0:31:14 | 0:31:16 | |
OK, Barack Obama, say Amber and Liam. | 0:31:16 | 0:31:20 | |
Now then, Rebecca and Lee, | 0:31:20 | 0:31:22 | |
do you want to talk us through that board? | 0:31:22 | 0:31:24 | |
We've got John Fitzgerald Kennedy. | 0:31:24 | 0:31:27 | |
Dwight David Eisenhower? | 0:31:29 | 0:31:31 | |
And Ronald Wilson Reagan. | 0:31:31 | 0:31:33 | |
I think we're going for the top one, aren't we? | 0:31:33 | 0:31:35 | |
Yeah, let's go for Eisenhower. | 0:31:35 | 0:31:36 | |
-Yeah? -Yeah, let's do it. | 0:31:36 | 0:31:38 | |
-You're going to go for...? -Dwight David Eisenhower. | 0:31:38 | 0:31:40 | |
Dwight David Eisenhower, say Rebecca and Lee. | 0:31:40 | 0:31:43 | |
OK, so we have Barack Obama and Dwight Eisenhower. | 0:31:43 | 0:31:47 | |
Amber and Liam went for Barack Obama. | 0:31:47 | 0:31:49 | |
Let's see if that's right and see how many of our 100 people said it. | 0:31:49 | 0:31:52 | |
It's right. | 0:31:55 | 0:31:57 | |
75. | 0:31:58 | 0:31:59 | |
Meanwhile, Rebecca and Lee have gone for Dwight Eisenhower. | 0:32:03 | 0:32:07 | |
Let's see how many of our 100 people said that. | 0:32:07 | 0:32:09 | |
It's right... | 0:32:13 | 0:32:14 | |
and it wins you the point. | 0:32:14 | 0:32:16 | |
Very well done, indeed. | 0:32:16 | 0:32:17 | |
APPLAUSE 32... | 0:32:18 | 0:32:21 | |
..which means you're back in the game, | 0:32:22 | 0:32:24 | |
and, after two questions, it's 1-1. | 0:32:24 | 0:32:27 | |
They're weirdly more confusing this way round, aren't they, | 0:32:27 | 0:32:29 | |
when you see the middle names? | 0:32:29 | 0:32:31 | |
Yeah, Dwight D Eisenhower. | 0:32:31 | 0:32:32 | |
Ronald Reagan, you're absolutely right, | 0:32:32 | 0:32:34 | |
would have scored you 38. | 0:32:34 | 0:32:35 | |
JFK, John F Kennedy, | 0:32:35 | 0:32:38 | |
would have scored you 88. | 0:32:38 | 0:32:41 | |
-And... -Herbert Hoover. | 0:32:41 | 0:32:42 | |
Herbert Hoover, yeah, | 0:32:42 | 0:32:43 | |
and that would have scored you 15 points. | 0:32:43 | 0:32:45 | |
Thank you very much indeed. So, here comes your third question. | 0:32:45 | 0:32:48 | |
Whoever wins this one goes through to the final | 0:32:48 | 0:32:50 | |
and plays for that jackpot. Best of luck to both pairs. | 0:32:50 | 0:32:52 | |
Our third and final question is all about... | 0:32:52 | 0:32:55 | |
-Richard. -We're going to show you the titles now of five songs | 0:32:59 | 0:33:01 | |
that begin with one of those words. | 0:33:01 | 0:33:02 | |
We need you to fill in the rest of the title, please. | 0:33:02 | 0:33:05 | |
Very best of luck. | 0:33:05 | 0:33:06 | |
OK. Let's reveal our five songs, and here they come. | 0:33:06 | 0:33:09 | |
We have got... | 0:33:09 | 0:33:11 | |
I'll read those all again. | 0:33:36 | 0:33:37 | |
Rebecca and Lee, you will go first. | 0:33:55 | 0:33:58 | |
-WHISPERING: -Yeah, yeah. OK. | 0:33:58 | 0:34:00 | |
Not Rizzle Kicks? | 0:34:04 | 0:34:06 | |
No, it doesn't matter about Rizzle Kicks. | 0:34:06 | 0:34:08 | |
-OK. -OK. | 0:34:08 | 0:34:09 | |
We are going to go for Jump In My Car by Mr David Hasselhoff. | 0:34:09 | 0:34:15 | |
Jump In My Car, David Hasselhoff, say Rebecca and Lee. | 0:34:15 | 0:34:19 | |
Now, then, Amber and Liam, | 0:34:19 | 0:34:21 | |
do you want to talk us through the board? | 0:34:21 | 0:34:22 | |
No. | 0:34:22 | 0:34:23 | |
So, we know... We know the top one. | 0:34:25 | 0:34:27 | |
-"Run The World (Girls)", we think it is. -That's it. | 0:34:29 | 0:34:31 | |
And that's all we knew. We knew Jump In My Car, | 0:34:31 | 0:34:33 | |
but, other than that, we don't have any idea. | 0:34:33 | 0:34:36 | |
So, we're going to go with "Run The World (Girls)". | 0:34:36 | 0:34:38 | |
"Run The World (Girls)". | 0:34:38 | 0:34:40 | |
So we have Jump In My Car and "Run The World (Girls)". | 0:34:40 | 0:34:42 | |
Rebecca and Lee had Jump In My Car for David Hasselhoff. | 0:34:42 | 0:34:45 | |
Let's see if that's right. Let's see how many of our 100 people said it. | 0:34:45 | 0:34:48 | |
It's right. | 0:34:50 | 0:34:51 | |
APPLAUSE 39. | 0:34:56 | 0:34:58 | |
Not bad. | 0:34:58 | 0:34:59 | |
Amber and Liam, meanwhile, | 0:35:00 | 0:35:02 | |
have gone for "Run The World (Girls)" for Beyonce. | 0:35:02 | 0:35:04 | |
Let's see how many of our 100 people got that. | 0:35:04 | 0:35:07 | |
It's right... | 0:35:10 | 0:35:11 | |
..and it wins you the point. | 0:35:14 | 0:35:16 | |
Very well done indeed. | 0:35:16 | 0:35:17 | |
17 for that, which means, very well done, Amber and Liam, | 0:35:17 | 0:35:20 | |
after three questions, you go through to the final 2-1. | 0:35:20 | 0:35:23 | |
Well played. The bottom two answers would have beaten Run The World. | 0:35:23 | 0:35:27 | |
Walk Like An Egyptian, The Bangles, is the biggest scorer. | 0:35:27 | 0:35:30 | |
That would have scored you 47. | 0:35:30 | 0:35:31 | |
Now, the bottom one, Rizzle Kicks, do you know that one? | 0:35:31 | 0:35:34 | |
I don't know the Rizzle Kicks one. | 0:35:34 | 0:35:35 | |
It covered EMF, and it's Skip To The Good Bit. | 0:35:35 | 0:35:38 | |
-Oh, right, yeah. -That would have scored you 15. | 0:35:38 | 0:35:41 | |
And Walk Like A Panther. | 0:35:41 | 0:35:44 | |
Yeah, co-written by Jarvis Cocker - made in Sheffield, that one. | 0:35:44 | 0:35:46 | |
2 points, so very well done if you said that. | 0:35:46 | 0:35:48 | |
Excellent. Thank you very much indeed. | 0:35:48 | 0:35:50 | |
So the pair leaving us at the end of the head-to-head round, I'm afraid, | 0:35:50 | 0:35:53 | |
Rebecca and Lee. You came into this round as our low-scorers. | 0:35:53 | 0:35:56 | |
I'm afraid you leave without getting to the final | 0:35:56 | 0:35:58 | |
and taking back a Pointless trophy, | 0:35:58 | 0:35:59 | |
but it's been wonderful having you on both shows. | 0:35:59 | 0:36:01 | |
Thank you so much for coming to play, Rebecca and Lee. | 0:36:01 | 0:36:03 | |
But, for Amber and Liam, it's now time for our Pointless final. | 0:36:06 | 0:36:09 | |
APPLAUSE | 0:36:09 | 0:36:11 | |
Very well done indeed. | 0:36:13 | 0:36:14 | |
Amber and Liam, you've seen off all the competition | 0:36:14 | 0:36:17 | |
and you've won our coveted Pointless trophy. | 0:36:17 | 0:36:19 | |
You now have a chance to win our Pointless jackpot, | 0:36:25 | 0:36:27 | |
and, at the end of today's show, the jackpot is standing at £2,250. | 0:36:27 | 0:36:31 | |
CHEERING | 0:36:31 | 0:36:34 | |
Well, what a turnaround. What about that? | 0:36:34 | 0:36:35 | |
It was Round One we had to say goodbye to you last time, | 0:36:35 | 0:36:38 | |
and this time through to the final. | 0:36:38 | 0:36:40 | |
I mean, there were some testing moments in there. | 0:36:40 | 0:36:43 | |
The head-to-head was by no means a walk in the park, | 0:36:43 | 0:36:45 | |
but you came out smiling, and here we are. | 0:36:45 | 0:36:47 | |
-I know. -Sending you back home with at least a Pointless trophy | 0:36:47 | 0:36:50 | |
to your name and maybe a jackpot, as well. | 0:36:50 | 0:36:52 | |
Anything you'd particularly like to see come up in this last round? | 0:36:52 | 0:36:55 | |
Liam's good at sports. | 0:36:55 | 0:36:56 | |
I've been waiting for sport to come up, and it hasn't yet. | 0:36:56 | 0:36:59 | |
-So... -Right. | 0:36:59 | 0:37:00 | |
..but then, all the pressure will be on me, and I don't like that. | 0:37:00 | 0:37:04 | |
Amber, anything you'd like? | 0:37:04 | 0:37:05 | |
Maybe anything to do with music. | 0:37:05 | 0:37:07 | |
Sport and music. | 0:37:07 | 0:37:09 | |
One of those two. Let's hope one of those at least is on the board. | 0:37:09 | 0:37:12 | |
Today's selection looks like this. | 0:37:12 | 0:37:13 | |
We've got... | 0:37:13 | 0:37:15 | |
-Hmm. -Well... -I don't know. | 0:37:25 | 0:37:27 | |
-What are we going to do? -I don't like any of them. | 0:37:27 | 0:37:30 | |
Um... | 0:37:30 | 0:37:31 | |
Is there any you could... | 0:37:31 | 0:37:33 | |
Literally, no. Either way, we're just going to be making up answers. | 0:37:33 | 0:37:37 | |
So... | 0:37:37 | 0:37:39 | |
-Let's do... -Jazz albums? | 0:37:39 | 0:37:40 | |
Yeah, let's do it. 1950s jazz albums. | 0:37:40 | 0:37:44 | |
1950s jazz albums. | 0:37:44 | 0:37:45 | |
Very, very best of luck. Let's hope there's something here for you. | 0:37:45 | 0:37:48 | |
Very best of luck. We're looking for any track that appeared | 0:37:48 | 0:37:51 | |
on the original release of any of the following three albums, please. | 0:37:51 | 0:37:54 | |
We're looking for any track on... | 0:37:54 | 0:37:57 | |
Any tracks on the original releases of those three albums, please. | 0:38:06 | 0:38:11 | |
Thank you very much, indeed. | 0:38:11 | 0:38:12 | |
As always, you've got one minute to come up with three answers, | 0:38:12 | 0:38:15 | |
and all you need to win that jackpot | 0:38:15 | 0:38:16 | |
is for just one of those answers to be pointless. | 0:38:16 | 0:38:18 | |
Are you ready? | 0:38:18 | 0:38:20 | |
-Yes. -I guess so. -OK. | 0:38:20 | 0:38:22 | |
Let's put 60 seconds up on the clock. | 0:38:22 | 0:38:23 | |
There they are, your time starts now. | 0:38:23 | 0:38:26 | |
Maybe we should have picked something else. | 0:38:26 | 0:38:29 | |
Shall we go with... | 0:38:30 | 0:38:31 | |
We're going to be making them all up, anyway, so... | 0:38:31 | 0:38:34 | |
I can't think of what Nina Simone sings. | 0:38:34 | 0:38:36 | |
We'll just go with Time Out, for Time Out, a song called Time Out. | 0:38:36 | 0:38:40 | |
Um... | 0:38:40 | 0:38:42 | |
Um, I don't know. | 0:38:42 | 0:38:44 | |
I feel like I should know who Nina Simone, is but I don't. | 0:38:44 | 0:38:47 | |
-This is bad. -I can't even think of any jazz songs. | 0:38:48 | 0:38:51 | |
My mind's gone completely blank. | 0:38:55 | 0:38:57 | |
I don't know. | 0:38:57 | 0:38:58 | |
Um, I'm just going to make something up. | 0:38:58 | 0:39:00 | |
Just say Time Out. | 0:39:00 | 0:39:02 | |
Probably, Stop The Clock or something a bit jazzy. | 0:39:02 | 0:39:06 | |
That sounds jazzy, Stop... | 0:39:06 | 0:39:09 | |
Stop The Clock. | 0:39:09 | 0:39:10 | |
-One more. -Let's just say, All That Jazz. | 0:39:14 | 0:39:17 | |
All That Jazz, yeah. | 0:39:17 | 0:39:19 | |
OK, are those the answers you're going to go with? | 0:39:19 | 0:39:21 | |
-Shall we just... We can stop the clock. -Yeah. | 0:39:21 | 0:39:23 | |
..to coin a phrase. OK, let's have your three answers. | 0:39:23 | 0:39:25 | |
-OK, I think we're going with Time Out. -Time Out, yeah. | 0:39:25 | 0:39:29 | |
-Time Out from the album, Time Out? -Yeah. | 0:39:29 | 0:39:32 | |
Stop The Clock can be from Time Out, as well. | 0:39:32 | 0:39:34 | |
Stop The Clock from Time Out. | 0:39:34 | 0:39:36 | |
And All That Jazz, let's do Nina Simone. | 0:39:36 | 0:39:39 | |
And All That Jazz on Nina Simone's album. | 0:39:39 | 0:39:42 | |
Of those three, any you want to nominate as your best shot? | 0:39:42 | 0:39:45 | |
-Time Out? -Time Out, you put last. | 0:39:46 | 0:39:48 | |
Least likely to be pointless? | 0:39:48 | 0:39:51 | |
-Stop The Clock. -Stop The Clock, OK. | 0:39:51 | 0:39:52 | |
Let's put those answers up on the board in that order. Here they are. | 0:39:52 | 0:39:56 | |
We've got... | 0:39:56 | 0:39:58 | |
Well, very best of luck. Three answers there. | 0:40:00 | 0:40:03 | |
Who knows? Maybe one of them could turn out to be right, | 0:40:03 | 0:40:05 | |
and better still, might turn out to be pointless. | 0:40:05 | 0:40:07 | |
If that were to happen, you would leave with a jackpot of 2,250 quid. | 0:40:07 | 0:40:11 | |
What would you like to do with that, Amber? | 0:40:11 | 0:40:13 | |
We want to go on holiday this year. | 0:40:13 | 0:40:14 | |
-So it would probably go towards that. -Excellent, Liam? | 0:40:14 | 0:40:18 | |
Yeah, it would have to be the same. | 0:40:18 | 0:40:21 | |
If there was any left over | 0:40:22 | 0:40:23 | |
then probably towards a car or something, but, yeah. | 0:40:23 | 0:40:26 | |
Well, very, very best of luck. | 0:40:26 | 0:40:27 | |
Your very first answer was Stop The Clock. | 0:40:27 | 0:40:29 | |
In this case, we were looking for any track on the album Time Out | 0:40:29 | 0:40:32 | |
by the Dave Brubeck Quartet. | 0:40:32 | 0:40:34 | |
If this is right and it's pointless, it'll win you £2,250. | 0:40:34 | 0:40:37 | |
Let's see what happens when we say Stop The Clock. | 0:40:37 | 0:40:40 | |
No, bad luck. I'm afraid, not Stop The Clock. | 0:40:43 | 0:40:46 | |
Only two more shots at today's jackpot. | 0:40:46 | 0:40:48 | |
Your next answer was All That Jazz. | 0:40:48 | 0:40:51 | |
On this occasion we were looking the tracks on The Amazing Nina Simone, | 0:40:51 | 0:40:54 | |
by Nina Simone. It has to be right, | 0:40:54 | 0:40:56 | |
it has to be pointless for you to win the jackpot. | 0:40:56 | 0:40:58 | |
So for £2,250, let's see if anyone said All That Jazz. | 0:40:58 | 0:41:02 | |
Bad luck. I'm afraid everything is now riding on your third and final | 0:41:06 | 0:41:10 | |
answer, which is Time Out. | 0:41:10 | 0:41:12 | |
In this case we were looking for tracks on the album Time Out, | 0:41:12 | 0:41:15 | |
by the Dave Brubeck Quartet. | 0:41:15 | 0:41:17 | |
Let's see what happens. | 0:41:17 | 0:41:18 | |
Is it right, will it win you £2,250? | 0:41:18 | 0:41:21 | |
No, bad luck. Bad luck. | 0:41:25 | 0:41:27 | |
That was a game attempt, it was a very tough, tough board that. | 0:41:27 | 0:41:30 | |
Faced with something you didn't know, | 0:41:30 | 0:41:32 | |
so I'm afraid you didn't manage to find the pointless answer | 0:41:32 | 0:41:34 | |
that would have won you today's jackpot of £2,250. | 0:41:34 | 0:41:37 | |
That will roll over onto the next show. | 0:41:37 | 0:41:39 | |
It has been brilliant having you on both shows. | 0:41:39 | 0:41:41 | |
We hardly saw any of you, first show, | 0:41:41 | 0:41:43 | |
but this show it's been a tour de force from you - | 0:41:43 | 0:41:45 | |
and you get to take home a Pointless trophy, so very well done. | 0:41:45 | 0:41:48 | |
Amber and Liam. | 0:41:48 | 0:41:49 | |
-APPLAUSE -Thank you very much. | 0:41:49 | 0:41:52 | |
Well played, Amber and Liam. | 0:41:53 | 0:41:55 | |
A really tough round for you. | 0:41:55 | 0:41:57 | |
I tell you what, it's been sticking around on the board for a long time, | 0:41:57 | 0:42:00 | |
so, thank you for taking it off, finally. | 0:42:00 | 0:42:02 | |
Let's take a look at the pointless answers, shall we, | 0:42:02 | 0:42:04 | |
in the different categories. We'll start with Sarah Vaughan. | 0:42:04 | 0:42:07 | |
Also could have had He's My Guy, It's Crazy, and You're Not The Kind. | 0:42:12 | 0:42:15 | |
Very well done if you got any of them. | 0:42:15 | 0:42:17 | |
Dave Brubeck Quartet now, Take Five was the big track off this album. | 0:42:17 | 0:42:21 | |
And Strange Meadowlark. | 0:42:25 | 0:42:26 | |
Those were the five pointless answers there. | 0:42:26 | 0:42:28 | |
The Amazing Nina Simone. | 0:42:28 | 0:42:30 | |
A few more pointless answers here. | 0:42:30 | 0:42:32 | |
You could have had, Children Go Where I Send You. | 0:42:37 | 0:42:39 | |
Chilly Winds Don't Blow, Theme For The Middle Of The Night, | 0:42:39 | 0:42:41 | |
Willow Weep For Me and You've Been Gone Too Long. | 0:42:41 | 0:42:44 | |
Very well done if you got any of those at home. | 0:42:44 | 0:42:46 | |
Thanks very much indeed, and thank you, Amber and Liam. | 0:42:46 | 0:42:48 | |
I'm sorry you didn't win our jackpot today - | 0:42:48 | 0:42:51 | |
which means it rolls over onto the next show | 0:42:51 | 0:42:53 | |
when we will be playing at £3,250. | 0:42:53 | 0:42:55 | |
APPLAUSE | 0:42:55 | 0:42:57 | |
Join us next time to see if someone can win it. | 0:42:58 | 0:43:00 | |
-In the meantime, it's goodbye from Richard... -Goodbye. | 0:43:00 | 0:43:02 | |
..and it's goodbye from me, goodbye. | 0:43:02 | 0:43:05 |