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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-I'm Daniel Glyn. | 0:00:03 | 0:00:05 | |
-I'm interviewing -Hollywood star Ioan Gruffudd... | 0:00:06 | 0:00:09 | |
-..at a hotel outside Newport. | 0:00:10 | 0:00:12 | |
-The secret of a successful interview -is to blend in... | 0:00:12 | 0:00:16 | |
-..and avoid drawing attention. | 0:00:16 | 0:00:19 | |
-Ioan was taking part in -a pro-celebrity golf tournament... | 0:00:19 | 0:00:23 | |
-..with some of my footballing heroes -- Alwyn Hansen and Benny Dalglish. | 0:00:23 | 0:00:28 | |
-Like everyone else pitchside, -I didn't want to miss a second. | 0:00:28 | 0:00:33 | |
-But I had an interview to do. | 0:00:35 | 0:00:37 | |
-Ioan's career has taken him all -the way to Hollywood from Cwmderi... | 0:00:37 | 0:00:42 | |
-..so I began by asking him -what it was like... | 0:00:42 | 0:00:45 | |
-..appearing on a national soap opera -at such a young age. | 0:00:45 | 0:00:49 | |
-It wasn't the coolest thing -in the world. | 0:00:49 | 0:00:51 | |
-When I got the job -in Pobol Y Cwm as a teenager... | 0:00:52 | 0:00:56 | |
-..people started saying... | 0:00:56 | 0:00:59 | |
-.."He's found his way in because -his dad's the bloody deputy..." | 0:00:59 | 0:01:04 | |
-That kind of thing. | 0:01:04 | 0:01:06 | |
-Likewise if I was given -a good mark for a Welsh essay. | 0:01:06 | 0:01:11 | |
-I remember sitting -in a Welsh lesson in sixth form. | 0:01:11 | 0:01:16 | |
-The teacher said, "You've -three weeks to write an essay... | 0:01:19 | 0:01:23 | |
-"..four sides long, -on a subject of your choice." | 0:01:24 | 0:01:27 | |
-I didn't do it. | 0:01:28 | 0:01:30 | |
-I remember sitting at home and -writing about a page and a half... | 0:01:30 | 0:01:34 | |
-..thinking it was great, -it didn't need any more. | 0:01:35 | 0:01:38 | |
-I thought it'd placate -my Welsh teacher. | 0:01:38 | 0:01:41 | |
-But she read it aloud in class -as an example. | 0:01:41 | 0:01:44 | |
-I felt so proud, sitting there. | 0:01:45 | 0:01:47 | |
-One of my classmates -whispered to another... | 0:01:47 | 0:01:51 | |
-.."He's had help at home." | 0:01:51 | 0:01:54 | |
-Never mind about all that because -I'm sure it's helped your career. | 0:01:54 | 0:01:59 | |
-It's not just about -your acting skills. | 0:02:00 | 0:02:02 | |
-Your ability to be places on time -and learning your lines also count. | 0:02:03 | 0:02:07 | |
-Without a doubt. | 0:02:07 | 0:02:09 | |
-Poor Mam and Dad couldn't get me out -of bed in time for school at nine... | 0:02:09 | 0:02:13 | |
-..and I lived three quarters -of a mile from Glantaf. | 0:02:14 | 0:02:17 | |
-Embarrassing. | 0:02:17 | 0:02:19 | |
-But for Pobol Y Cwm, -I'd be there at 6.00am on the dot. | 0:02:19 | 0:02:23 | |
-I walked to the studio -in the wind and rain. | 0:02:23 | 0:02:26 | |
-I had no trouble getting up. | 0:02:26 | 0:02:28 | |
-I loved it. | 0:02:29 | 0:02:31 | |
-You're right, in terms of getting up -and being there on time... | 0:02:31 | 0:02:35 | |
-..and knowing my lines... | 0:02:35 | 0:02:37 | |
-..it was -an unforgettable experience. | 0:02:39 | 0:02:42 | |
-It's stayed with me to this day. | 0:02:42 | 0:02:46 | |
-Huw Ceredig, who played your father, -was something of a mentor to you. | 0:02:46 | 0:02:51 | |
-Yes, he played my father -in Pobol Y Cwm... | 0:02:51 | 0:02:54 | |
-..and I was -in the soap for seven years. | 0:02:54 | 0:02:59 | |
-The majority of my scenes -were with him. | 0:02:59 | 0:03:03 | |
-He was the first person -to take me under his wing... | 0:03:04 | 0:03:07 | |
-..and give me encouragement. | 0:03:08 | 0:03:10 | |
-He introduced me -to the acting world... | 0:03:10 | 0:03:15 | |
-..as a professional actor... | 0:03:15 | 0:03:17 | |
-..and introduced me -to the social life. | 0:03:17 | 0:03:21 | |
-He was a colourful character. | 0:03:21 | 0:03:25 | |
-He was larger than life. | 0:03:25 | 0:03:27 | |
-He was the leader on set. | 0:03:33 | 0:03:36 | |
-Everyone looked up to Huw. | 0:03:36 | 0:03:38 | |
-Huw was the don, as it were. | 0:03:38 | 0:03:42 | |
-Both on and off set. | 0:03:42 | 0:03:45 | |
-Although I was underage, -many a drunken night... | 0:03:45 | 0:03:50 | |
-..was spent with Huw Ceredig... | 0:03:50 | 0:03:54 | |
-..and the rest of the cast. | 0:03:55 | 0:03:57 | |
-I also went on tour -with the Cwmderi football team. | 0:03:59 | 0:04:02 | |
-We went around the country -playing against young farmers... | 0:04:02 | 0:04:07 | |
-..or local fire brigades -to raise money for local charities. | 0:04:07 | 0:04:11 | |
-We'd stay in B&Bs -and have lock-ins in pubs. | 0:04:12 | 0:04:15 | |
-There I was, -a wide-eyed 16-year-old... | 0:04:16 | 0:04:20 | |
-..experiencing -the social life of an actor. | 0:04:20 | 0:04:24 | |
-You were in college at RADA. | 0:04:25 | 0:04:27 | |
-Did you enjoy the experience? | 0:04:27 | 0:04:29 | |
-What happened to me at RADA... | 0:04:31 | 0:04:35 | |
-..was this. | 0:04:35 | 0:04:37 | |
-I had already acted. | 0:04:38 | 0:04:40 | |
-I knew I wasn't a fantastic actor... | 0:04:41 | 0:04:45 | |
-..but I knew I had talent. | 0:04:45 | 0:04:47 | |
-I enjoyed it -and was paid for my acting. | 0:04:47 | 0:04:50 | |
-But RADA completely threw me. | 0:04:50 | 0:04:54 | |
-I loved the singing, -dancing, fencing... | 0:04:54 | 0:04:58 | |
-..stage combat, -voice and movement lessons. | 0:04:58 | 0:05:02 | |
-I spent three years learning -a wide range of different skills... | 0:05:02 | 0:05:08 | |
-..as a stage actor. | 0:05:08 | 0:05:11 | |
-But what I wasn't very good at... | 0:05:11 | 0:05:16 | |
-..according to the teacher... | 0:05:16 | 0:05:18 | |
-..was acting. | 0:05:18 | 0:05:20 | |
-Everything I did was wrong. | 0:05:21 | 0:05:23 | |
-I hit some very low points -while I was in college. | 0:05:23 | 0:05:27 | |
-I wanted to leave. | 0:05:27 | 0:05:31 | |
-My dream had been shattered. | 0:05:31 | 0:05:33 | |
-"I can't do it, I can't hack it. -Everything's wrong." | 0:05:36 | 0:05:39 | |
-I told my parents I wanted to leave. | 0:05:39 | 0:05:42 | |
-Dad said, "Do yourself a favour. -You won't regret it. | 0:05:42 | 0:05:47 | |
-"Just finish the course -and if you still hate acting... | 0:05:47 | 0:05:51 | |
-"..make your decision then." | 0:05:52 | 0:05:54 | |
-So I finished the course... | 0:05:55 | 0:05:57 | |
-..and during the final play in the -final term, my confidence returned. | 0:05:57 | 0:06:04 | |
-A night called -the Tree Evening was held... | 0:06:07 | 0:06:09 | |
-..in which you acted for -four minutes in front of agents. | 0:06:10 | 0:06:14 | |
-I did two duologues -instead of two monologues. | 0:06:14 | 0:06:19 | |
-One of them -was Translations by Brian Friel. | 0:06:19 | 0:06:23 | |
-I played the British officer. | 0:06:24 | 0:06:27 | |
-I wore a red tunic, frilly shirt... | 0:06:27 | 0:06:30 | |
-..a pair of boots and pantaloons. | 0:06:30 | 0:06:34 | |
-The agents said, "He looks great -in a period costume." | 0:06:34 | 0:06:38 | |
-I went straight into a pilot -for Poldark. | 0:06:38 | 0:06:43 | |
-I found an agent and -the casting director had seen me... | 0:06:43 | 0:06:48 | |
-..and I got the job within -three weeks of leaving college. | 0:06:48 | 0:06:52 | |
-From what I can see, you seem -to pick and choose your roles. | 0:06:52 | 0:06:56 | |
-Do you have a plan? | 0:06:56 | 0:06:58 | |
-I'm at -an interesting point in my life... | 0:06:58 | 0:07:01 | |
-..because I don't look... | 0:07:02 | 0:07:05 | |
-I'm turning 40 soon. | 0:07:05 | 0:07:08 | |
-I'm in a period of transition -at the moment. | 0:07:09 | 0:07:12 | |
-I can't play someone -who's 30 any more on camera. | 0:07:12 | 0:07:16 | |
-Maybe a 35-year-old, at a push. | 0:07:17 | 0:07:21 | |
-It's a period of transition -and it's difficult. | 0:07:22 | 0:07:26 | |
-I'm auditioning for parts... | 0:07:26 | 0:07:29 | |
-..but I'm not -getting them at the moment. | 0:07:30 | 0:07:32 | |
-I go to dozens of auditions. | 0:07:33 | 0:07:35 | |
-Your confidence takes a knock... | 0:07:35 | 0:07:37 | |
-..especially when you -have to provide for your family. | 0:07:37 | 0:07:41 | |
-I have to pay for Ella's schooling, -healthcare and childcare. | 0:07:42 | 0:07:46 | |
-Unfortunately, I'm shouldering -all that responsibility... | 0:07:46 | 0:07:51 | |
-..going into these auditions, -which is the worst thing you can do. | 0:07:52 | 0:07:56 | |
-You don't want to appear desperate! | 0:07:56 | 0:07:59 | |
-I've been working -with a psychologist... | 0:08:02 | 0:08:04 | |
-..to try and overcome this... | 0:08:05 | 0:08:07 | |
-..in order to feel more at ease... | 0:08:07 | 0:08:09 | |
-..and carefree, -like I don't really care. | 0:08:10 | 0:08:13 | |
-It's been a big help. | 0:08:14 | 0:08:17 | |
-But what's interesting -at the moment... | 0:08:17 | 0:08:20 | |
-..is that I'm invited -to be a guest star in something... | 0:08:20 | 0:08:25 | |
-..on a weekly basis, which is great. | 0:08:25 | 0:08:27 | |
-People still regard me -as a leading man... | 0:08:28 | 0:08:31 | |
-..and an interesting actor... | 0:08:31 | 0:08:33 | |
-..but in my own mind, -there's an element of insecurity. | 0:08:33 | 0:08:38 | |
-After playing -the superhero Mr Fantastic... | 0:08:38 | 0:08:41 | |
-..in Fantastic Four, -Ioan accepts invitations... | 0:08:41 | 0:08:44 | |
-..to events -such as the Dallas Comic Con... | 0:08:45 | 0:08:48 | |
-..to join Spiderman, -Superman and Captain America. | 0:08:48 | 0:08:52 | |
-The Comic Con is very different -from the Eisteddfod. | 0:08:52 | 0:08:56 | |
-It's more like the Royal Welsh. | 0:08:56 | 0:08:58 | |
-It's more like the Royal Welsh. - -Let me see your weapon. | 0:08:58 | 0:09:00 | |
-Raise 'em right. | 0:09:02 | 0:09:04 | |
-She went, -"They were warm two hours ago." | 0:09:08 | 0:09:11 | |
-By the time we arrived, Ioan was -wooing the crowd in a Q&A session. | 0:09:11 | 0:09:17 | |
-Everyone else had dressed like -their favourite sci-fi characters. | 0:09:18 | 0:09:23 | |
-They say you should always -let the Wookiee win. | 0:09:23 | 0:09:28 | |
-Oh, he has. | 0:09:30 | 0:09:33 | |
-I failed to convince the crowd that -I was the famous Welsh superhero... | 0:09:38 | 0:09:42 | |
-..Capten Chwyslyd (Captain Sweaty). | 0:09:43 | 0:09:45 | |
-Then I remembered I'd brought -my Harry Potter disguise. | 0:09:46 | 0:09:49 | |
-I needed a quiet place -in which to conduct the interview. | 0:09:50 | 0:09:53 | |
-We're hiding from the crowds. | 0:09:54 | 0:09:56 | |
-Being the geek that I am, -I've enjoyed today. | 0:09:56 | 0:09:59 | |
-Why did you decide to attend -the Comic Con as Mr Fantastic? | 0:10:00 | 0:10:05 | |
-To be honest, -I didn't know what to expect... | 0:10:05 | 0:10:09 | |
-..when I attended the first -Comic Con in Knoxville, Tennessee... | 0:10:09 | 0:10:15 | |
-..called Adventure Con. | 0:10:15 | 0:10:17 | |
-It was held in a hall -a quarter the size of this. | 0:10:17 | 0:10:20 | |
-It was a little bit sad, -to some extent. | 0:10:21 | 0:10:24 | |
-Do you remember that scene in -The Wrestler right at the start... | 0:10:24 | 0:10:29 | |
-..when about three people -ask for his autograph? | 0:10:29 | 0:10:33 | |
-It was -a little bit like that for me. | 0:10:33 | 0:10:35 | |
-I was sitting -next to John Bernthal... | 0:10:35 | 0:10:38 | |
-..who appeared in the first series -of Walking Dead. | 0:10:38 | 0:10:42 | |
-He signed autographs all weekend. | 0:10:42 | 0:10:45 | |
-He made a small fortune -that weekend. | 0:10:45 | 0:10:48 | |
-It's been interesting -because since then... | 0:10:48 | 0:10:52 | |
-..my name... | 0:10:52 | 0:10:55 | |
-..or the Ioan Gruffudd brand, -as it were... | 0:10:55 | 0:10:59 | |
-..has been out there -because people have been tweeting... | 0:10:59 | 0:11:03 | |
-..and talking about the convention. | 0:11:04 | 0:11:06 | |
-On IMDB, my ranking has gone -from being in the thousands... | 0:11:06 | 0:11:11 | |
-..to the hundreds now... | 0:11:11 | 0:11:13 | |
-..because -I've turned out to meet the fans. | 0:11:14 | 0:11:17 | |
-. | 0:11:22 | 0:11:22 | |
-Subtitles | 0:11:24 | 0:11:24 | |
-Subtitles - -Subtitles | 0:11:24 | 0:11:26 | |
-Nice to meet you. | 0:11:32 | 0:11:33 | |
-Nice to meet you. - -Nice to meet you too. | 0:11:33 | 0:11:35 | |
-I know you're a candid person, -perhaps a little too candid... | 0:11:36 | 0:11:40 | |
-..and it's got you -into trouble with your fans. | 0:11:41 | 0:11:44 | |
-I've a story to tell you, -but it may be a little long-winded. | 0:11:44 | 0:11:48 | |
-A small group of women -created The Ladies Of The Forum... | 0:11:48 | 0:11:53 | |
-..to honour Horatio Hornblower. | 0:11:53 | 0:11:56 | |
-That was their title. | 0:11:56 | 0:11:58 | |
-They held an annual convention... | 0:11:59 | 0:12:01 | |
-..and the 20 or so of them would -get together somewhere in America. | 0:12:01 | 0:12:06 | |
-It grew in popularity -and by the third convention... | 0:12:06 | 0:12:10 | |
-..they held the event in London -on Hornblower's ship... | 0:12:10 | 0:12:14 | |
-..that was moored -in St Catherine's Dock. | 0:12:14 | 0:12:17 | |
-I was invited to attend -but I didn't want to go. | 0:12:17 | 0:12:20 | |
-One night, I was sitting -in my flat in London... | 0:12:20 | 0:12:24 | |
-..around 11.00pm at night... | 0:12:24 | 0:12:26 | |
-..when there was -a knock at the door. | 0:12:27 | 0:12:29 | |
-Two American women -were standing there. | 0:12:29 | 0:12:32 | |
-"Hi, Ioan, we've come over -for the convention... | 0:12:33 | 0:12:36 | |
-"..and we just wanted -to say hi and..." | 0:12:36 | 0:12:39 | |
-"How did you know I was here?" | 0:12:39 | 0:12:41 | |
-"I work for American Airlines -and I got your address... | 0:12:41 | 0:12:45 | |
-"..so I just thought I'd come. | 0:12:45 | 0:12:48 | |
-"We just wanted to see you." | 0:12:48 | 0:12:50 | |
-Instead of saying, "Would you mind -leaving, you crazy women?"... | 0:12:50 | 0:12:55 | |
-..I said, "Welcome. Come in. -Would you like a cup of tea?" | 0:12:56 | 0:13:01 | |
-I had no milk, so I went out -and left them in the house. | 0:13:01 | 0:13:05 | |
-I came back -and they didn't want tea. | 0:13:05 | 0:13:07 | |
-All I had to offer them -was orange squash. | 0:13:08 | 0:13:11 | |
-Matthew and I -lived together at the time. | 0:13:11 | 0:13:14 | |
-I'd mentioned the flat we'd bought -together in numerous interviews. | 0:13:14 | 0:13:19 | |
-They remembered the article -in Esquire Magazine or whatever. | 0:13:19 | 0:13:25 | |
-"Oh, yes, there's the blow-up sofas -you bought on the Kilburn high road. | 0:13:25 | 0:13:30 | |
-"There's the TV -and the box still..." | 0:13:31 | 0:13:35 | |
-They knew everything about us. | 0:13:35 | 0:13:37 | |
-Anyway, the following night, -I went along to the convention. | 0:13:37 | 0:13:42 | |
-I phoned a few Hornblower mates -and we decided to turn up. | 0:13:42 | 0:13:47 | |
-Interestingly, the fact -I was there in the flesh... | 0:13:47 | 0:13:51 | |
-..shattered the illusion -and the mystique for most of them. | 0:13:51 | 0:13:56 | |
-They weren't at all euphoric -that I'd turned up. | 0:13:56 | 0:13:59 | |
-They were like, -"Oh, there's Ioan." | 0:14:00 | 0:14:02 | |
-I shattered the illusion for them -by showing up. | 0:14:02 | 0:14:07 | |
-You're attending today -as Mr Fantastic. | 0:14:08 | 0:14:11 | |
-I want to know -how you came to be Mr Fantastic. | 0:14:11 | 0:14:16 | |
-They didn't -just phone you up right away? | 0:14:16 | 0:14:19 | |
-No. I went for the audition. | 0:14:20 | 0:14:22 | |
-That was early on in the process. | 0:14:23 | 0:14:26 | |
-Months beforehand, in fact. | 0:14:26 | 0:14:29 | |
-I told them, -"I'm not going to do the audition... | 0:14:31 | 0:14:36 | |
-"..because I'm not ready. | 0:14:36 | 0:14:38 | |
-"I need more time to prepare." | 0:14:38 | 0:14:40 | |
-Dr Reed Richards had a long speech -in the script they sent me... | 0:14:40 | 0:14:45 | |
-..which I had to prepare for. | 0:14:45 | 0:14:47 | |
-I wasn't -going to be ready in time... | 0:14:48 | 0:14:50 | |
-..so I postponed the audition -for about a fortnight. | 0:14:50 | 0:14:54 | |
-When I eventually went for the -first audition, I was ready for it. | 0:14:54 | 0:14:59 | |
-I was all over it. | 0:14:59 | 0:15:02 | |
-They were very keen -for the role to be mine... | 0:15:02 | 0:15:06 | |
-..but nobody knew -who the hell I was. | 0:15:06 | 0:15:11 | |
-I remember hearing a conversation -between the executives at Fox... | 0:15:12 | 0:15:17 | |
-..and the people who were -going to make the decision. | 0:15:17 | 0:15:21 | |
-"Who the hell is this guy? -We can't even say his name." | 0:15:21 | 0:15:25 | |
-Just by being in the right place -at the right time... | 0:15:25 | 0:15:30 | |
-..there were posters for -the King Arthur movie everywhere. | 0:15:30 | 0:15:35 | |
-Jerry Bruckheimer from Disney -had spent a fortune on posters... | 0:15:35 | 0:15:39 | |
-..promoting King Arthur. | 0:15:39 | 0:15:41 | |
-"Who's this guy? Who's this guy -I'm gonna cast in this part?" | 0:15:41 | 0:15:45 | |
-"It's that guy there next to -Clive Owen and Keira Knightley." | 0:15:45 | 0:15:49 | |
-"I love that guy!" | 0:15:49 | 0:15:51 | |
-So it was purely by accident -that my face was on the poster... | 0:15:51 | 0:15:56 | |
-..next to Clive Owen -and Keira Knightley. | 0:15:56 | 0:15:59 | |
-So I got the part. | 0:15:59 | 0:16:01 | |
-It was a very drawn-out process. | 0:16:01 | 0:16:04 | |
-I didn't think I had much chance... | 0:16:04 | 0:16:07 | |
-..because he was a quintessentially -American character... | 0:16:07 | 0:16:11 | |
-..from the 1960s comics. | 0:16:12 | 0:16:14 | |
-People had an idea -of who should play the part... | 0:16:14 | 0:16:17 | |
-..but it was a Welshman from Cardiff -who landed the role. | 0:16:17 | 0:16:21 | |
-He's very American. | 0:16:21 | 0:16:23 | |
-I'm well aware -that there's a lot of envy... | 0:16:23 | 0:16:28 | |
-..in this industry. | 0:16:29 | 0:16:31 | |
-The Americans must've gone nuts. | 0:16:31 | 0:16:33 | |
-Interestingly, when we -were introduced to the fans... | 0:16:34 | 0:16:37 | |
-..in the San Diego Comic Con, the -biggest convention in the world... | 0:16:38 | 0:16:42 | |
-..as well as a sensory overload... | 0:16:43 | 0:16:46 | |
-..they introduced us one by one. | 0:16:46 | 0:16:49 | |
-Please welcome to the stage -Chris Evans as Johnny Storm. | 0:16:49 | 0:16:53 | |
-Everyone was cheering. | 0:16:54 | 0:16:56 | |
-Please welcome -Michael Chiklis from The Shield. | 0:16:56 | 0:17:00 | |
-Yay! | 0:17:00 | 0:17:02 | |
-Ladies and gentlemen, -please welcome Ioan Gruffudd... | 0:17:02 | 0:17:06 | |
-..who's going to play Mr Fantastic. | 0:17:06 | 0:17:08 | |
-I started speaking -in my normal accent... | 0:17:11 | 0:17:14 | |
-..and people were thinking, -'They've cast a bloody Englishman... | 0:17:15 | 0:17:20 | |
-'..to play this role.' | 0:17:20 | 0:17:22 | |
-They were devastated. | 0:17:22 | 0:17:24 | |
-Thank goodness -Jessica Alba was last. | 0:17:24 | 0:17:27 | |
-Please welcome Jessica Alba. | 0:17:27 | 0:17:29 | |
-But to begin with, it was like, -"What the hell have they done?" | 0:17:31 | 0:17:35 | |
-I really felt at the time... | 0:17:35 | 0:17:38 | |
-..because of the reaction... | 0:17:38 | 0:17:40 | |
-..that they were -going to recast the part. | 0:17:41 | 0:17:45 | |
-You got to experience -the opening weekend... | 0:17:45 | 0:17:48 | |
-..and not many actors -get that chance. | 0:17:48 | 0:17:51 | |
-What was it like -and did you enjoy it at the time? | 0:17:52 | 0:17:55 | |
-I loved it. -It was a fantastic experience. | 0:17:56 | 0:17:59 | |
-I remember getting up -on the Saturday morning... | 0:17:59 | 0:18:05 | |
-..because a film opens on a Friday -night domestically in America. | 0:18:05 | 0:18:10 | |
-I was up early -because I was very nervous. | 0:18:10 | 0:18:13 | |
-Box office figures on the -opening weekend are so important... | 0:18:13 | 0:18:17 | |
-..in terms of any film's success. | 0:18:18 | 0:18:20 | |
-The phone rang -at eight o'clock in the morning. | 0:18:22 | 0:18:25 | |
-It was Tom Rothman, 20th -Century Fox's Chief Executive... | 0:18:25 | 0:18:29 | |
-..saying, "Congratulations, -the film's going to be a success. | 0:18:29 | 0:18:33 | |
-"We're going to make 60-70 million -on the opening weekend. | 0:18:34 | 0:18:38 | |
-"The film's a hit." | 0:18:38 | 0:18:40 | |
-It was an unbelievable phone call. | 0:18:40 | 0:18:43 | |
-I knew -there'd definitely be a sequel. | 0:18:43 | 0:18:47 | |
-The film had been warmly received -by the fans right across America. | 0:18:47 | 0:18:52 | |
-We went all over the world -promoting the film. | 0:18:52 | 0:18:55 | |
-We went to Japan, Australia, -all over Europe. | 0:18:55 | 0:18:59 | |
-I got to enjoy my first trip -on board a private jet. | 0:18:59 | 0:19:04 | |
-Our feet didn't touch the ground -during the promotional tour. | 0:19:04 | 0:19:10 | |
-Did you appreciate it at the time? | 0:19:10 | 0:19:13 | |
-Did you think, 'I won't get used to -this, I'm just going to enjoy it'? | 0:19:13 | 0:19:17 | |
-I learnt very early on, I might -have already mentioned this... | 0:19:17 | 0:19:22 | |
-..but when I got the role -of Jeremy Poldark in Poldark... | 0:19:22 | 0:19:26 | |
-..it was a pilot -which was to become a series. | 0:19:26 | 0:19:29 | |
-Poldark was an incredibly -popular series back in the 1970s. | 0:19:29 | 0:19:34 | |
-When I got the pilot, -I thought, 'This is it. | 0:19:34 | 0:19:39 | |
-'I'm going to be Jeremy Poldark. -It's going to be huge.' | 0:19:39 | 0:19:43 | |
-The pilot wasn't shown for a year -and no series was commissioned. | 0:19:43 | 0:19:47 | |
-I learnt at 21 years of age -to expect nothing. | 0:19:47 | 0:19:52 | |
-Nothing. | 0:19:52 | 0:19:54 | |
-It was a valuable lesson. | 0:19:54 | 0:19:56 | |
-When Fantastic Four came about... | 0:19:56 | 0:19:59 | |
-..I was going to enjoy -every second of it. | 0:19:59 | 0:20:03 | |
-I never take anything for granted. | 0:20:03 | 0:20:05 | |
-I never take anything for granted -until the film's in the bag. | 0:20:05 | 0:20:10 | |
-People say, "I've got the job." | 0:20:10 | 0:20:12 | |
-But I say, -"Wait until you're on set first"... | 0:20:12 | 0:20:16 | |
-..or, "Wait until you've been paid. | 0:20:16 | 0:20:18 | |
-"Wait until -the film's been released." | 0:20:18 | 0:20:21 | |
-Hope for the best -but expect nothing. | 0:20:21 | 0:20:26 | |
-That's always been my mantra. | 0:20:27 | 0:20:29 | |
-I'd love it to happen again... | 0:20:29 | 0:20:31 | |
-..but if it doesn't, I've had -a taste of what it's like... | 0:20:31 | 0:20:35 | |
-..to be a worldwide star... | 0:20:36 | 0:20:37 | |
-..for a short time, at least, -and it was bloody amazing. | 0:20:38 | 0:20:41 | |
-Here's a tip - if you ever want -to hold an interview in peace... | 0:20:45 | 0:20:49 | |
-..you know who to call. | 0:20:49 | 0:20:50 | |
-..you know who to call. - -Thanks for having us. | 0:20:50 | 0:20:52 | |
-I really appreciate it. -Thank you for being so generous. | 0:20:53 | 0:20:56 | |
-Thank you, young man. -What's your name? | 0:20:57 | 0:20:59 | |
-Dorian. | 0:21:00 | 0:21:01 | |
-Dorian. - -Dorian, I'm Ioan. | 0:21:01 | 0:21:03 | |
-Things weren't ideal -at the Comic Con. | 0:21:03 | 0:21:05 | |
-That's the worst Batman -in the world. | 0:21:12 | 0:21:14 | |
-This is the worst R2-D2 -I've ever seen. | 0:21:15 | 0:21:17 | |
-Up to now, -I'd managed to avoid security. | 0:21:22 | 0:21:24 | |
-But it was obvious my time at the -Dallas Comic Con would end abruptly. | 0:21:25 | 0:21:30 | |
-I was thrown out by a Sith. | 0:21:30 | 0:21:32 | |
-After the Comic Con, Ioan -was returning home to Hollywood... | 0:21:43 | 0:21:48 | |
-..and whether he liked it or not, -I was hot on his heels. | 0:21:48 | 0:21:52 | |
-. | 0:21:58 | 0:21:58 | |
-Subtitles | 0:21:59 | 0:21:59 | |
-Subtitles - -Subtitles | 0:21:59 | 0:22:01 | |
-Los Angeles is a difficult place -to film an interview. | 0:22:02 | 0:22:06 | |
-Capitol Records refused, -Chateau Marmont refused. | 0:22:06 | 0:22:10 | |
-The Beverly Hills Hotel refused. | 0:22:11 | 0:22:13 | |
-Even the beach refused. | 0:22:14 | 0:22:16 | |
-We decided to film on the balcony -of the motel I was staying at... | 0:22:16 | 0:22:21 | |
-..since we'd already paid for it. | 0:22:21 | 0:22:24 | |
-There's nothing worse than being -messed about by a prima donna... | 0:22:24 | 0:22:28 | |
-..who keeps you waiting, -and this was no exception. | 0:22:29 | 0:22:32 | |
-12 years ago in an interview, -you said you'd never move to LA. | 0:22:39 | 0:22:44 | |
-That changed. | 0:22:45 | 0:22:46 | |
-You didn't move here temporarily, -it's become your home. | 0:22:46 | 0:22:50 | |
-When was that fateful moment... | 0:22:51 | 0:22:53 | |
-..when you decided -to move to Los Angeles? | 0:22:53 | 0:22:56 | |
-If I'm honest about it... | 0:22:57 | 0:23:00 | |
-..I think it stems from... | 0:23:00 | 0:23:03 | |
-..being brought up.... | 0:23:03 | 0:23:07 | |
-..in that Welsh-language culture -that exists in Cardiff... | 0:23:07 | 0:23:13 | |
-..or in the Welsh-language -tradition of Wales. | 0:23:13 | 0:23:18 | |
-I'd say very idealistic things. | 0:23:18 | 0:23:23 | |
-That I was going to live in Wales. | 0:23:24 | 0:23:26 | |
-That I -was going to marry a Welsh woman. | 0:23:26 | 0:23:29 | |
-That I wasn't going to marry -an English woman. | 0:23:33 | 0:23:37 | |
-I've actually said something -as radical as that. | 0:23:37 | 0:23:40 | |
-It was part -of our upbringing in Wales... | 0:23:41 | 0:23:45 | |
-..like going to -a Welsh-medium school and so on. | 0:23:45 | 0:23:48 | |
-Subconsciously, I didn't know -why I was saying these things. | 0:23:48 | 0:23:53 | |
-I wasn't comfortable saying them. | 0:23:53 | 0:23:55 | |
-They were things -perhaps I felt I should be saying... | 0:23:56 | 0:24:00 | |
-..out of respect -for where I'd come from. | 0:24:00 | 0:24:03 | |
-I'm being completely honest here. | 0:24:03 | 0:24:05 | |
-When it came to the point... | 0:24:06 | 0:24:10 | |
-..of making the decision -to come out here... | 0:24:10 | 0:24:14 | |
-..and be part of this world... | 0:24:14 | 0:24:16 | |
-..it was a kind of rite of passage. | 0:24:17 | 0:24:20 | |
-I'd been in the public eye -from age 11 onwards. | 0:24:20 | 0:24:23 | |
-After the success of Hornblower -and coming out here to do Titanic... | 0:24:23 | 0:24:28 | |
-..I was still saying these things... | 0:24:29 | 0:24:31 | |
-..but I knew -I wasn't being honest with myself. | 0:24:31 | 0:24:34 | |
-I thought, 'Ioan, you're not being -honest with yourself. | 0:24:35 | 0:24:39 | |
-'You don't really think this way. | 0:24:39 | 0:24:41 | |
-'You're saying things -to please the nation or whoever.' | 0:24:41 | 0:24:47 | |
-But I took -a good look at myself in the mirror. | 0:24:47 | 0:24:50 | |
-I want to be an international actor. | 0:24:50 | 0:24:53 | |
-I want to be part -of the Hollywood scene. | 0:24:53 | 0:24:56 | |
-I also realized -that there are people... | 0:24:56 | 0:25:00 | |
-..who make sweeping statements... | 0:25:00 | 0:25:03 | |
-..in terms of going to Hollywood... | 0:25:03 | 0:25:06 | |
-..but they don't -fully commit themselves. | 0:25:06 | 0:25:09 | |
-I thought, -if I'm going to Hollywood... | 0:25:09 | 0:25:13 | |
-..and that's what I truly want... | 0:25:13 | 0:25:16 | |
-..then no-one -can take that away from me. | 0:25:16 | 0:25:19 | |
-No-one can ever say that I've come -back with my tail between my legs. | 0:25:19 | 0:25:25 | |
-It was my decision -and I expressed it publicly. | 0:25:25 | 0:25:30 | |
-I was open about it -and it was very empowering. | 0:25:30 | 0:25:33 | |
-I haven't looked back. | 0:25:33 | 0:25:35 | |
-It was a turning point -in my career and my life. | 0:25:35 | 0:25:40 | |
-It's been the best thing I've done. | 0:25:42 | 0:25:44 | |
-There were many -cult characters in Comic Con... | 0:25:45 | 0:25:48 | |
-..but you became involved -with a real cult. | 0:25:48 | 0:25:51 | |
-Yes, I did. | 0:25:51 | 0:25:53 | |
-It all happened during -that rite-of-passage stage. | 0:25:53 | 0:25:57 | |
-I was living in London -in those early years. | 0:25:57 | 0:26:01 | |
-Religion -was something I had issues with. | 0:26:02 | 0:26:06 | |
-One day I came out of college... | 0:26:06 | 0:26:10 | |
-..and a boy on the street -asked me for the time. | 0:26:10 | 0:26:15 | |
-I told him and then he asked me if -I fancied going to chapel on Sunday. | 0:26:16 | 0:26:21 | |
-I thought, -'This is some kind of sign.' | 0:26:21 | 0:26:24 | |
-I was unhappy at the time in London. | 0:26:24 | 0:26:27 | |
-I was vulnerable -and I wasn't enjoying the course. | 0:26:28 | 0:26:31 | |
-I thought it might've been -a turning point. | 0:26:31 | 0:26:37 | |
-So I went along. | 0:26:37 | 0:26:40 | |
-It was sort of like... | 0:26:44 | 0:26:47 | |
-..an American church service. | 0:26:47 | 0:26:51 | |
-Happy-clappy, very positive... | 0:26:51 | 0:26:54 | |
-..but not at all scary. | 0:26:54 | 0:26:56 | |
-There were people from all kinds -of backgrounds, ages and families. | 0:26:56 | 0:27:02 | |
-It was incredibly positive. | 0:27:02 | 0:27:04 | |
-It was quite infectious. | 0:27:04 | 0:27:06 | |
-I was asked -at the end of the service... | 0:27:07 | 0:27:09 | |
-..if I'd like to join them -for Bible studies. | 0:27:10 | 0:27:13 | |
-I said, -"OK, that sounds interesting." | 0:27:13 | 0:27:16 | |
-So we went to McDonald's -for Bible studies. | 0:27:16 | 0:27:19 | |
-Just the male members. | 0:27:19 | 0:27:21 | |
-I should've realized -at that point... | 0:27:22 | 0:27:25 | |
-..but that's when -I started to question... | 0:27:25 | 0:27:30 | |
-..whether or not I was Christian. | 0:27:30 | 0:27:32 | |
-I thought I was because -I'd gone to chapel all my life. | 0:27:33 | 0:27:36 | |
-I could recite chunks -from the Bible. | 0:27:36 | 0:27:40 | |
-"But do you do this?," they asked. | 0:27:40 | 0:27:43 | |
-I said I didn't think I did it -literally but I did it spiritually. | 0:27:43 | 0:27:48 | |
-"Well, would you do this then? | 0:27:48 | 0:27:51 | |
-"If you don't, -then you're not a Christian." | 0:27:51 | 0:27:55 | |
-They went on to prove -what the Bible said. | 0:27:55 | 0:27:58 | |
-A huge shift took place. | 0:27:58 | 0:28:01 | |
-I went from losing my faith -and questioning everything... | 0:28:01 | 0:28:05 | |
-..and I was quite vulnerable -at the time, as it was. | 0:28:05 | 0:28:09 | |
-But instead of shying away, -I embraced it... | 0:28:10 | 0:28:13 | |
-..and became further involved... | 0:28:14 | 0:28:16 | |
-..attending more and more meetings. | 0:28:16 | 0:28:19 | |
-They'd got hold of me by then. -I wanted to learn more. | 0:28:19 | 0:28:24 | |
-The meetings -only involved the brothers. | 0:28:24 | 0:28:28 | |
-There were no women at all. | 0:28:28 | 0:28:31 | |
-They started saying, -"Where do you live in London?" | 0:28:31 | 0:28:35 | |
-"I live in a flat -with two other actors." | 0:28:35 | 0:28:38 | |
-"You'll have to -move out of the flat. | 0:28:38 | 0:28:41 | |
-"What are you -working on in college?" | 0:28:41 | 0:28:44 | |
-"A few scenes -where I have to kiss a girl." | 0:28:44 | 0:28:46 | |
-"You can't kiss her. -Someone will have to chaperone you. | 0:28:47 | 0:28:50 | |
-"You have to dedicate -your life completely." | 0:28:51 | 0:28:56 | |
-At the same time, -it sounds scary... | 0:28:56 | 0:29:01 | |
-..but they were so positive -about the whole thing. | 0:29:01 | 0:29:05 | |
-I thought this is -what it must've been like... | 0:29:05 | 0:29:08 | |
-..being one of the 12 disciples. | 0:29:08 | 0:29:11 | |
-The energy was infectious. | 0:29:11 | 0:29:15 | |
-At that point... | 0:29:15 | 0:29:17 | |
-..Matthew and my other housemate, -Bill, were worried sick about me. | 0:29:18 | 0:29:22 | |
-The next stage -was to baptize me into the chapel... | 0:29:22 | 0:29:28 | |
-..called the -London Church of Christ. | 0:29:29 | 0:29:31 | |
-That weekend, Mam came to London... | 0:29:34 | 0:29:39 | |
-..and basically said, -"What the heck's wrong with you?" | 0:29:40 | 0:29:44 | |
-But I think -I'd come to that conclusion myself. | 0:29:44 | 0:29:48 | |
-This was the crux of the matter. | 0:29:48 | 0:29:50 | |
-I had to pay a tithe to the chapel. | 0:29:50 | 0:29:55 | |
-I'd heard about such a thing... | 0:29:55 | 0:29:58 | |
-..but I didn't think -it was essential. | 0:29:59 | 0:30:02 | |
-I was still -working on Pobol Y Cwm at the time. | 0:30:02 | 0:30:05 | |
-I was going back -during the summer holidays. | 0:30:06 | 0:30:09 | |
-Along with my parents' support, -it helped fund my college life. | 0:30:09 | 0:30:14 | |
-I didn't think it was right. | 0:30:14 | 0:30:17 | |
-So, being -the little miser that I am... | 0:30:17 | 0:30:20 | |
-..it was my wake-up call. | 0:30:20 | 0:30:22 | |
-Moments later, -we were asked to leave the motel. | 0:30:22 | 0:30:26 | |
-But not because we were filming. | 0:30:26 | 0:30:29 | |
-We had to relocate the interview... | 0:30:32 | 0:30:35 | |
-..so I searched the area -and ended up getting lost. | 0:30:35 | 0:30:38 | |
-I could've been anywhere. | 0:30:39 | 0:30:41 | |
-Well, this is a perfection location -in which to film. | 0:30:44 | 0:30:50 | |
-It's the garden of our co-ordinator -here in Los Angeles, Will. | 0:30:50 | 0:30:54 | |
-And here it is. | 0:30:54 | 0:30:58 | |
-At what age did you -land the role of Hornblower? | 0:30:59 | 0:31:02 | |
-I think I was 21, about to turn 22. | 0:31:02 | 0:31:06 | |
-You were just a boy. | 0:31:06 | 0:31:09 | |
-Yes, I looked very young -at the time too. | 0:31:09 | 0:31:13 | |
-I was young -in terms of life experiences too. | 0:31:13 | 0:31:16 | |
-Landing such a role... | 0:31:16 | 0:31:19 | |
-..could've easily gone to your head. | 0:31:19 | 0:31:22 | |
-Did you ever go off the rails? | 0:31:22 | 0:31:23 | |
-Did you ever go off the rails? - -There was one time in London. | 0:31:23 | 0:31:25 | |
-I'd been to a students' reunion. | 0:31:26 | 0:31:31 | |
-I was at the Strand... | 0:31:31 | 0:31:35 | |
-..and for some reason, I was -walking out of the nightclub... | 0:31:35 | 0:31:40 | |
-..and we took a photo of ourselves -in one of those photo booths... | 0:31:41 | 0:31:46 | |
-..and as we walked out... | 0:31:46 | 0:31:49 | |
-..I just saw red. | 0:31:49 | 0:31:51 | |
-I decided to run down the street -shouting, "Freedom!"... | 0:31:52 | 0:31:57 | |
-..like Mel Gibson in Braveheart. | 0:31:58 | 0:32:01 | |
-I caught hold -of a road sweeper's brush. | 0:32:01 | 0:32:06 | |
-There was a brush, a shovel -and a wheelbarrow nearby... | 0:32:06 | 0:32:11 | |
-..and I picked up the brush and ran -towards a lamppost on the Strand. | 0:32:11 | 0:32:16 | |
-I whacked the brush -against the lamppost... | 0:32:17 | 0:32:20 | |
-..as if I were killing someone -in some epic battle... | 0:32:20 | 0:32:25 | |
-..but the brush's head -swung around the lamppost... | 0:32:25 | 0:32:29 | |
-..came back towards me, -flew behind me... | 0:32:29 | 0:32:32 | |
-..and smashed the Royal Bank -of Scotland's window on the Strand. | 0:32:32 | 0:32:36 | |
-How ironic! | 0:32:37 | 0:32:39 | |
-I broke into a panic -like a little cry-baby... | 0:32:40 | 0:32:43 | |
-..worrying that there were -video cameras everywhere. | 0:32:43 | 0:32:47 | |
-I was halfway down the Strand -and the boys ran away laughing. | 0:32:47 | 0:32:52 | |
-I was panicking so much -that I went back. | 0:32:52 | 0:32:55 | |
-I thought, -'My fingerprints are on the brush.' | 0:32:55 | 0:32:58 | |
-So I went back -to the scene of the crime... | 0:32:59 | 0:33:01 | |
-..picked up the brush, -ran over Waterloo Bridge... | 0:33:02 | 0:33:07 | |
-..and threw the brush -into the Thames. | 0:33:07 | 0:33:09 | |
-On the cab journey home, -the boys were going... | 0:33:10 | 0:33:13 | |
-.."His dabs are all over the drum, -he's gonna do time for this." | 0:33:13 | 0:33:17 | |
-I was sobbing like a bloody child. | 0:33:18 | 0:33:20 | |
-That's the only outrageous -and stupid thing I've done... | 0:33:20 | 0:33:25 | |
-..though I'm not proud to admit it. | 0:33:26 | 0:33:28 | |
-I doubt many people -will have much sympathy for a bank. | 0:33:29 | 0:33:32 | |
-No, not in Britain. -They'd be pleased. | 0:33:33 | 0:33:36 | |
-You're not just an actor, -you're a leading man. | 0:33:36 | 0:33:40 | |
-There's a different skill set -required for that. | 0:33:41 | 0:33:44 | |
-How would you describe the process? | 0:33:44 | 0:33:48 | |
-The characters I've played -are similar to myself... | 0:33:49 | 0:33:52 | |
-..rather than the characters -a character actor would play. | 0:33:53 | 0:33:57 | |
-I don't know. | 0:34:00 | 0:34:02 | |
-Whichever character I play, -my appearance and attitude... | 0:34:02 | 0:34:08 | |
-..help to create... | 0:34:08 | 0:34:13 | |
-..characters -who are open, trustworthy... | 0:34:13 | 0:34:17 | |
-..and heroic, for some reason. | 0:34:17 | 0:34:20 | |
-I love playing -those sorts of characters. | 0:34:20 | 0:34:23 | |
-Perhaps because I have -quite an open face and eyes... | 0:34:23 | 0:34:29 | |
-..it'd be difficult -to play a convincing villain... | 0:34:29 | 0:34:33 | |
-..or a character -other than the leading man. | 0:34:33 | 0:34:39 | |
-It'd be difficult for me... | 0:34:39 | 0:34:43 | |
-..to play -some kind of down-and-out... | 0:34:43 | 0:34:47 | |
-..an unpleasant character... | 0:34:47 | 0:34:50 | |
-..or someone very normal. | 0:34:50 | 0:34:53 | |
-There's something larger than life -about the main character in a film. | 0:34:53 | 0:34:59 | |
-All my acting heroes -are leading men. | 0:34:59 | 0:35:01 | |
-I'd love to play roles like that. | 0:35:02 | 0:35:05 | |
-. | 0:35:09 | 0:35:09 | |
-Subtitles | 0:35:13 | 0:35:13 | |
-Subtitles - -Subtitles | 0:35:13 | 0:35:15 | |
-This town -is known to create beasts... | 0:35:17 | 0:35:21 | |
-..in the movie world. | 0:35:22 | 0:35:24 | |
-Mentioning no names, what's the -worst behaviour you've witnessed? | 0:35:24 | 0:35:29 | |
-If there's -a weakness there to begin with... | 0:35:30 | 0:35:33 | |
-..in someone's character... | 0:35:33 | 0:35:36 | |
-..I'd say that success... | 0:35:36 | 0:35:38 | |
-..exacerbates that flaw. | 0:35:40 | 0:35:43 | |
-It makes it a hundred times worse. | 0:35:43 | 0:35:47 | |
-If you're a miserable character -or you're a nasty person... | 0:35:47 | 0:35:51 | |
-..success is -going to make you even nastier. | 0:35:51 | 0:35:55 | |
-If you're a nice, likeable person... | 0:35:55 | 0:35:58 | |
-..who's easy to approach... | 0:35:59 | 0:36:01 | |
-..success makes you even more -approachable and nicer to people. | 0:36:01 | 0:36:07 | |
-Take Tom Hanks for instance. | 0:36:07 | 0:36:10 | |
-He's one of -the nicest people you could meet. | 0:36:10 | 0:36:14 | |
-Steven Spielberg is another. | 0:36:14 | 0:36:16 | |
-Anyone successful, -if they're nice to begin with... | 0:36:16 | 0:36:20 | |
-..success makes them nicer -and vice versa. | 0:36:20 | 0:36:23 | |
-One of the lessons -I learnt early on... | 0:36:23 | 0:36:26 | |
-..is that every transaction -with a person in your life... | 0:36:27 | 0:36:30 | |
-..especially in our industry... | 0:36:31 | 0:36:33 | |
-..you have to make it -a positive transaction... | 0:36:34 | 0:36:37 | |
-..because goodness knows when that -person'll come back into your life. | 0:36:37 | 0:36:42 | |
-The lad who brings -your breakfast to your trailer... | 0:36:42 | 0:36:46 | |
-..or the one who carries your bag... | 0:36:46 | 0:36:49 | |
-..in seven years' time, -he'll be producing something... | 0:36:49 | 0:36:53 | |
-..and you'll be auditioning for him. | 0:36:53 | 0:36:56 | |
-It's important to treat people -as you'd like to be treated. | 0:36:56 | 0:36:59 | |
-You'd have thought... | 0:36:59 | 0:37:03 | |
-..in terms of our industry... | 0:37:03 | 0:37:08 | |
-..that it wouldn't be the men -who created the biggest problems. | 0:37:09 | 0:37:15 | |
-It's the actors who've caused me the -biggest problems, not the actresses. | 0:37:15 | 0:37:20 | |
-The actors I've come across... | 0:37:20 | 0:37:23 | |
-..have been miserable and nasty... | 0:37:26 | 0:37:29 | |
-..and very insecure. | 0:37:29 | 0:37:31 | |
-They've been -very awkward to work with. | 0:37:34 | 0:37:37 | |
-The men have been the hardest -to deal with, for some reason. | 0:37:37 | 0:37:42 | |
-I'm sure I've pissed people off -over the years. | 0:37:42 | 0:37:45 | |
-But for me, -it's all do with concentrating. | 0:37:45 | 0:37:50 | |
-We're all there to achieve -what we've set out to achieve... | 0:37:51 | 0:37:55 | |
-..and I lose my temper -if someone plays around. | 0:37:55 | 0:37:59 | |
-I get angry at those -who don't concentrate. | 0:37:59 | 0:38:02 | |
-It's hard when people -don't take their work seriously... | 0:38:02 | 0:38:06 | |
-..or if they take the piss out of me -in terms of the hours I put in. | 0:38:06 | 0:38:11 | |
-You have to fight your own corner -because no-one will do it for you. | 0:38:11 | 0:38:16 | |
-You represent yourself as a -professional and as the character. | 0:38:16 | 0:38:20 | |
-As an artist, you need the skills -to communicate with the director... | 0:38:21 | 0:38:25 | |
-..and as a professional actor, you -must communicate with the producer. | 0:38:26 | 0:38:30 | |
-That's not easy. | 0:38:30 | 0:38:32 | |
-I've learnt from experience... | 0:38:33 | 0:38:35 | |
-..since I've worked in the industry -from a young age. | 0:38:35 | 0:38:39 | |
-But it's the male actors -who've been the most awkward of all. | 0:38:39 | 0:38:43 | |
-My daughter -is familiar with your work. | 0:38:43 | 0:38:46 | |
-Her favourite is 102 Dalmatians. | 0:38:47 | 0:38:49 | |
-In terms of your career, -I think it was an important role. | 0:38:49 | 0:38:54 | |
-It was a wonderful experience too. | 0:38:54 | 0:38:56 | |
-Talking about awkward actors... | 0:38:56 | 0:39:00 | |
-..they say you should never work -with children or animals... | 0:39:00 | 0:39:04 | |
-..but every morning, I'd be warmly -greeted by the animals, by the dogs. | 0:39:05 | 0:39:09 | |
-They loved seeing you because they -knew they'd be playing all day... | 0:39:10 | 0:39:14 | |
-..performing the skills -they'd learnt... | 0:39:15 | 0:39:17 | |
-..and be rewarded -with a biscuit or a piece of meat. | 0:39:18 | 0:39:21 | |
-They'd be overjoyed to see you. | 0:39:21 | 0:39:24 | |
-I never got fed up of that. | 0:39:24 | 0:39:26 | |
-I also met Alice on set. | 0:39:26 | 0:39:29 | |
-I was living in London -at the time... | 0:39:29 | 0:39:32 | |
-..and she was living in Paris. | 0:39:33 | 0:39:35 | |
-It was an incredible experience. | 0:39:35 | 0:39:37 | |
-It was five months worth of work, -so half a year's work... | 0:39:38 | 0:39:42 | |
-..and the film -was a roaring success worldwide. | 0:39:42 | 0:39:46 | |
-We travelled all over the world -promoting the film. | 0:39:46 | 0:39:50 | |
-The film was launched in New York. | 0:39:50 | 0:39:54 | |
-We had a big premiere in London. | 0:39:54 | 0:39:56 | |
-We went all around Europe -and it was great. | 0:39:56 | 0:39:59 | |
-I read an interview of yours when -you started going out with Alice. | 0:40:00 | 0:40:04 | |
-In your own words, she thought -you were a wanker to begin with. | 0:40:04 | 0:40:09 | |
-Why did she think that and -what did you do to change her mind? | 0:40:09 | 0:40:14 | |
-If I'm being honest... | 0:40:14 | 0:40:17 | |
-..I think at the time... | 0:40:17 | 0:40:20 | |
-..if there was a phase... | 0:40:20 | 0:40:22 | |
-We talked earlier -about that period... | 0:40:22 | 0:40:27 | |
-..where I gave up -on those perceived ideals... | 0:40:27 | 0:40:33 | |
-..of who I thought I was -and where I'd come from... | 0:40:34 | 0:40:37 | |
-..and it was a form -of late rebellion. | 0:40:38 | 0:40:41 | |
-I was single... | 0:40:45 | 0:40:47 | |
-..I'd just finished -a successful series, Hornblower... | 0:40:48 | 0:40:52 | |
-..and was living -in a bachelor pad in London. | 0:40:52 | 0:40:56 | |
-I was going out... | 0:40:56 | 0:40:58 | |
-..with one of -the Appleton sisters at the time. | 0:41:00 | 0:41:03 | |
-I was living the rock'n'roll life. | 0:41:03 | 0:41:06 | |
-If I did come across... | 0:41:08 | 0:41:11 | |
-Your own words. | 0:41:11 | 0:41:13 | |
-Your own words. - -..as a wanker... | 0:41:13 | 0:41:15 | |
-..then fair enough, I probably was. | 0:41:15 | 0:41:19 | |
-It was odd because that was -one of the first few times... | 0:41:20 | 0:41:24 | |
-..that I was being invited... | 0:41:24 | 0:41:27 | |
-..to parties or events... | 0:41:27 | 0:41:31 | |
-..as a celebrity. | 0:41:34 | 0:41:37 | |
-I got to meet all these people -I'd admired over the years. | 0:41:37 | 0:41:41 | |
-I started to feel -part of this world. | 0:41:41 | 0:41:44 | |
-I soon learnt after the first party. | 0:41:45 | 0:41:48 | |
-I was under the impression... | 0:41:48 | 0:41:51 | |
-..that I was -going to get something out of it. | 0:41:52 | 0:41:55 | |
-But after the first party... | 0:41:55 | 0:41:58 | |
-..I found out -it wasn't tangible at all. | 0:41:58 | 0:42:01 | |
-Whatever it was I was searching for -or wanted to be part of... | 0:42:01 | 0:42:05 | |
-..it didn't exist. | 0:42:05 | 0:42:07 | |
-It was very disappointing. | 0:42:07 | 0:42:09 | |
-I realized it was nothing to do -with being famous... | 0:42:09 | 0:42:13 | |
-..or being friends with famous -people or being in the right crowd. | 0:42:13 | 0:42:18 | |
-There are -more important things in life. | 0:42:18 | 0:42:21 | |
-It doesn't exist. It's intangible. | 0:42:21 | 0:42:24 | |
-As a young 25-year-old, -or whatever age I was... | 0:42:24 | 0:42:29 | |
-..I learnt another valuable lesson -about this industry. | 0:42:30 | 0:42:34 | |
-I learnt a lot -from my early success. | 0:42:34 | 0:42:39 | |
-If I had turned into a wanker... | 0:42:39 | 0:42:41 | |
-..then it was a phase I was going -through, and I remember it well. | 0:42:41 | 0:42:46 | |
-I had so much fun. | 0:42:46 | 0:42:49 | |
-But I met Alice on the film set... | 0:42:49 | 0:42:51 | |
-..and everything changed. | 0:42:51 | 0:42:53 | |
-We all know the feeling -when we fall in love. | 0:42:56 | 0:42:59 | |
-I was subconsciously -putting myself in situations... | 0:43:00 | 0:43:04 | |
-..just because -I wanted to be near her. | 0:43:04 | 0:43:06 | |
-And thank goodness for that. | 0:43:07 | 0:43:09 | |
-I think -she saved my life, to be honest. | 0:43:09 | 0:43:12 | |
-I could've gone the other way. | 0:43:12 | 0:43:15 | |
-At least for a time. | 0:43:15 | 0:43:18 | |
-I met her on the film... | 0:43:18 | 0:43:21 | |
-..and it was -at the beginning of my success... | 0:43:21 | 0:43:25 | |
-..and I think she helped steer me... | 0:43:25 | 0:43:29 | |
-..in the right direction. | 0:43:29 | 0:43:33 | |
-I think it's important -to talk about Titanic... | 0:43:34 | 0:43:37 | |
-..because it wasn't Leonardo -DiCaprio who rescued Kate Winslet... | 0:43:38 | 0:43:42 | |
-..but your character. | 0:43:42 | 0:43:44 | |
-If it were up to Leonardo DiCaprio, -she would've died. | 0:43:44 | 0:43:48 | |
-What was it like working on Titanic? | 0:43:49 | 0:43:52 | |
-There was -something very magical about it. | 0:43:52 | 0:43:55 | |
-I knew instantly -that it would be magical. | 0:43:56 | 0:43:58 | |
-I was experiencing things -for the first time. | 0:43:58 | 0:44:02 | |
-Flying to America, flying to Mexico -for the first time... | 0:44:02 | 0:44:06 | |
-..meeting all these actors, working -with DiCaprio and Kate Winslet. | 0:44:06 | 0:44:11 | |
-They were about to become -the world's biggest movie stars. | 0:44:11 | 0:44:15 | |
-It was great -because I felt part of it all. | 0:44:15 | 0:44:18 | |
-I felt as if I was -a bona fide member of the crew. | 0:44:18 | 0:44:23 | |
-I was going through the same process -as Leo and Kate were going through. | 0:44:24 | 0:44:30 | |
-I felt very confident -coming off that film. | 0:44:30 | 0:44:34 | |
-I knew I was cut out to be an actor -and I knew how to act. | 0:44:36 | 0:44:39 | |
-The process I was going through -was the same as theirs... | 0:44:39 | 0:44:43 | |
-..it's just -that the camera loved those two. | 0:44:43 | 0:44:47 | |
-Not that -I'm comparing myself to them... | 0:44:47 | 0:44:50 | |
-..because -they're in a different league. | 0:44:50 | 0:44:53 | |
-But it gave me the confidence to -know this is what I should be doing. | 0:44:54 | 0:44:58 | |
-I should be in front of the camera -as a leading man. | 0:44:59 | 0:45:02 | |
-The role I was given straight after -filming Titanic was Hornblower. | 0:45:03 | 0:45:08 | |
-The audition -with the director was interesting. | 0:45:08 | 0:45:13 | |
-He said, "Come in, come in, come in. -Tell me something about yourself. | 0:45:14 | 0:45:18 | |
-"What have you done -in the last three months? | 0:45:19 | 0:45:22 | |
-"Please, whatever you do, -don't talk about acting. | 0:45:22 | 0:45:25 | |
-"I hate actors -talking about their last jobs." | 0:45:26 | 0:45:29 | |
-I thought, 'I've just come off -the biggest film ever made... | 0:45:29 | 0:45:33 | |
-'..about -the most famous ship ever... | 0:45:33 | 0:45:38 | |
-'..directed by -the respected Terminator director.' | 0:45:38 | 0:45:44 | |
-I was auditioning -for the part of a character... | 0:45:44 | 0:45:47 | |
-..who lived and breathed -on a ship. | 0:45:47 | 0:45:50 | |
-I said, "Actually, I've just -come off the set of Titanic. | 0:45:50 | 0:45:54 | |
-"I think -you might be interested to know." | 0:45:55 | 0:45:58 | |
-So we spoke about Titanic then. | 0:45:58 | 0:46:00 | |
-We had a long chat... | 0:46:00 | 0:46:02 | |
-..about the process Cameron -went through to create Titanic. | 0:46:02 | 0:46:07 | |
-If ever there was a time -to be honest with a director... | 0:46:07 | 0:46:11 | |
-..who didn't want to talk about -an actor's experiences... | 0:46:11 | 0:46:16 | |
-..that was the time to do it. | 0:46:16 | 0:46:19 | |
-You're approaching -your 40th birthday. | 0:46:19 | 0:46:22 | |
-Are you ready for it? | 0:46:23 | 0:46:25 | |
-In terms of the future, -I'm quite excited about it. | 0:46:25 | 0:46:28 | |
-As we know, -in terms of Hollywood's history... | 0:46:29 | 0:46:32 | |
-..the leading man -usually hits his stride at 40. | 0:46:32 | 0:46:39 | |
-Harrison Ford -was discovered in his thirties. | 0:46:42 | 0:46:48 | |
-I'm very excited. | 0:46:48 | 0:46:51 | |
-The older a man gets in Hollywood... | 0:46:51 | 0:46:53 | |
-..the better he becomes, -like a good wine. | 0:46:54 | 0:46:57 | |
-You've an opportunity to play -a leading man for the next 20 years. | 0:46:57 | 0:47:01 | |
-I hope to goodness -I'll grow into the role gracefully. | 0:47:01 | 0:47:07 | |
-I enjoyed meeting Ioan Gruffudd -but it was time to say goodbye. | 0:47:14 | 0:47:18 | |
-In fact, Ioan insisted. | 0:47:18 | 0:47:21 | |
-S4C Subtitles by Adnod Cyf. | 0:47:42 | 0:47:44 | |
-. | 0:47:44 | 0:47:44 |