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This programme contains some strong language and adult humour | 0:00:02 | 0:00:09 | |
The BBC Three chat show based | 0:00:23 | 0:00:27 | |
'Joining us tonight, a Girl very much Aloud, Kimberley Walsh. | 0:00:28 | 0:00:32 | |
'Scissor Sister Ana Matronic. | 0:00:32 | 0:00:35 | |
'"Oh, my God!" It's Stacey Solomon, | 0:00:36 | 0:00:38 | |
'Pocket movie star Warwick Davis | 0:00:40 | 0:00:44 | |
to perform his latest single.' | 0:00:44 | 0:00:47 | |
Let's hear it for our wonderful | 0:00:56 | 0:01:00 | |
And the big news tonight, Russell... Yeah? ..It's ladies' night! | 0:01:03 | 0:01:07 | |
Welcome, wonderful guests, how are you? We're great. We're good. | 0:01:25 | 0:01:28 | |
we have one very special surprise. | 0:01:28 | 0:01:30 | |
Because it is ladies' night, I have a special surprise for you, | 0:01:30 | 0:01:33 | |
I like to think your first name | 0:02:32 | 0:02:34 | |
because you're so "N"-ticing! | 0:02:34 | 0:02:36 | |
Don't look directly into it. | 0:02:41 | 0:02:43 | |
It was our little "welcome" treat. | 0:02:48 | 0:02:51 | |
Thanks, bro, nice to meet you. | 0:02:51 | 0:02:53 | |
From Green Boys, everybody! | 0:02:53 | 0:02:55 | |
First of all, how wonderful | 0:02:58 | 0:03:01 | |
Welcome. Do you like our pad? | 0:03:04 | 0:03:06 | |
For you, Stace, we've brought rings. | 0:03:12 | 0:03:14 | |
If only I hadn't ate dinner, I would wolf 'em down in a second. | 0:03:14 | 0:03:19 | |
On a girls' night in, we sit round and talk about relationships. | 0:03:26 | 0:03:29 | |
That's how I did it with my husband. We've been together for ten years | 0:03:43 | 0:03:46 | |
and it was seven and he asked me. | 0:03:46 | 0:03:50 | |
I feel like that might be the way | 0:03:55 | 0:03:58 | |
We try to keep the fire alive, yeah. | 0:04:04 | 0:04:06 | |
You just kind of do different things | 0:04:06 | 0:04:13 | |
If I get in and I have a bath run with candles, I'm happy with that. | 0:04:13 | 0:04:17 | |
romantic bath, is your other half | 0:04:17 | 0:04:48 | |
What are the plans for the wedding? | 0:04:54 | 0:04:56 | |
He wanted a red-and-white wedding. | 0:05:00 | 0:05:02 | |
A what? I said, "I don't think so." | 0:05:02 | 0:05:05 | |
An Arsenal wedding, imagine. | 0:05:05 | 0:05:09 | |
or someone, walking round... | 0:05:09 | 0:05:12 | |
You don't want to end up on your wedding day covered in SEAMAN. | 0:05:12 | 0:05:15 | |
So what does Scissor Sisters mean? | 0:05:16 | 0:05:19 | |
It's not like you were into hobbies | 0:05:19 | 0:05:21 | |
before you were into music. | 0:05:21 | 0:05:23 | |
It's specifically a sexual position, so we've got two ladies and they... | 0:05:41 | 0:05:46 | |
Oh. If that phrase is known, | 0:05:48 | 0:05:51 | |
everyone in the band is gay? | 0:05:51 | 0:05:54 | |
"I'm going to make you an offer | 0:05:57 | 0:06:00 | |
I'm like, "Really?" And she said, | 0:06:00 | 0:06:03 | |
"You can come home with me and my girlfriend and watch us have sex." | 0:06:03 | 0:06:05 | |
that I was married to a man. | 0:06:12 | 0:06:17 | |
Russell's not even in a band and everyone thinks he's gay. | 0:06:17 | 0:06:19 | |
All right, Greg, don't flag it up. | 0:06:19 | 0:06:21 | |
that's a thing in America. Is it? | 0:06:26 | 0:06:30 | |
I think it's the best. Everybody | 0:06:40 | 0:06:47 | |
You were a drag queen dancer, | 0:06:56 | 0:06:59 | |
When I lived in San Francisco, | 0:06:59 | 0:07:05 | |
I think we should have a look | 0:07:08 | 0:07:11 | |
Oh, wow! Interestingly enough, | 0:07:11 | 0:07:15 | |
Do I ask the stupid question - what happens on blowjob night? | 0:07:15 | 0:07:17 | |
Who's there with a little beaker | 0:07:22 | 0:07:26 | |
Yeah, they spunked into plastic | 0:07:26 | 0:07:29 | |
Holding it up. It's so weird. | 0:07:29 | 0:07:32 | |
Stacey, I'll show you things | 0:07:38 | 0:07:43 | |
to make the best drag queen | 0:07:47 | 0:07:49 | |
really great Fellini-inspired look. | 0:07:51 | 0:07:57 | |
You've got the big features | 0:07:57 | 0:08:00 | |
on his face, I'm not going to lie. | 0:08:02 | 0:08:04 | |
I'm both turned on and hurt. | 0:08:06 | 0:08:09 | |
How could we match those up? | 0:08:14 | 0:08:16 | |
More cushion for the pushin'! | 0:08:19 | 0:08:21 | |
Kimberley, you've got Twitter pages | 0:08:23 | 0:08:26 | |
some odd ones I caught Greg | 0:08:26 | 0:08:28 | |
we knew you were on the show. | 0:08:28 | 0:08:31 | |
Why didn't you have any clothes on? | 0:08:31 | 0:08:33 | |
not necessarily always very good! | 0:08:51 | 0:08:56 | |
have let them put that on." | 0:08:56 | 0:08:59 | |
in January, when we started | 0:09:18 | 0:09:24 | |
They start to fantasise about relationships between band members. | 0:09:40 | 0:09:44 | |
This happens quite a lot. Kimberley, you know what a Chim is? I do. | 0:09:44 | 0:09:48 | |
Explain a Chim. What's a Chim? | 0:09:48 | 0:09:50 | |
being Cheryl, and Kim, "Chim". | 0:09:55 | 0:09:58 | |
It started that, you know, a lot of the fans just liked our friendship | 0:10:00 | 0:10:05 | |
and they saw us doing a lot of stuff | 0:10:05 | 0:10:08 | |
And they wanted to see you do | 0:10:08 | 0:10:10 | |
Then it went to THAT level, exactly. | 0:10:10 | 0:10:13 | |
and we had Kylie Minogue on stage, | 0:10:15 | 0:10:17 | |
and I gave her a quick kiss | 0:10:17 | 0:10:20 | |
I'm somewhere, Malta or something, | 0:10:20 | 0:10:23 | |
and they're like, "We heard you shared a lesbian kiss with Kylie." | 0:10:23 | 0:10:29 | |
All they need is a little something | 0:10:39 | 0:10:40 | |
Louis Tomlinson and Harry Styles. | 0:10:44 | 0:10:47 | |
which is like Larry Stylinson. | 0:10:47 | 0:10:49 | |
Oh. Let's have a look at some of this fan art that they've done. | 0:10:49 | 0:10:52 | |
That's the sort of thing... | 0:10:55 | 0:10:57 | |
We thought that was quite touching, so we actually commissioned | 0:10:59 | 0:11:03 | |
I had to stop halfway through | 0:11:06 | 0:11:08 | |
because I snapped my crayon | 0:11:08 | 0:11:11 | |
you got a nice set! There, I have. | 0:11:11 | 0:11:16 | |
Is he doing rehearsals again? Yeah. | 0:11:18 | 0:11:38 | |
I know that... First class. What are you doing in here? | 0:11:49 | 0:11:57 | |
rounding up his Knights of the Round Table to seek the Holy Grail, | 0:12:03 | 0:12:07 | |
That's obviously not the real one. | 0:12:07 | 0:12:10 | |
You're 3' 6". Yeah. What's the best thing about being 3' 6"? | 0:12:10 | 0:12:13 | |
I cannot imagine what it would be like to squash into an airline seat | 0:12:16 | 0:12:21 | |
I can't imagine what that'd be like. Every seat is business class. | 0:12:23 | 0:12:26 | |
It is for me. You may have noticed I've put a few of these cloches out. | 0:12:26 | 0:12:28 | |
You've added into my set a little bit, a sort of medieval feast. | 0:12:28 | 0:12:31 | |
What do you reckon that might | 0:12:31 | 0:12:33 | |
Of course, you famously played Wicket | 0:12:35 | 0:12:38 | |
I was 11, OK? So imagine that, | 0:12:40 | 0:12:44 | |
and then to get the opportunity | 0:12:44 | 0:12:46 | |
And something else amazing. | 0:12:49 | 0:12:52 | |
What was the character you played? | 0:12:52 | 0:12:53 | |
I played Professor Flitwick. | 0:12:53 | 0:12:56 | |
expelliarmus in your private life? | 0:12:56 | 0:12:58 | |
No, not in my private life. | 0:12:58 | 0:13:01 | |
I said expelliarmus once during sex. | 0:13:01 | 0:13:03 | |
I was buckarooed off straight | 0:13:03 | 0:13:05 | |
You've got such a ridiculously famous | 0:13:06 | 0:13:10 | |
Who's the most famous contact | 0:13:10 | 0:13:13 | |
It's probably Johnny Depp. Johnny Depp on speed dial? Depp's in there. | 0:13:13 | 0:13:17 | |
No. You haven't accidentally texted | 0:13:23 | 0:13:24 | |
If I write a text to my wife and | 0:13:26 | 0:13:30 | |
"Oh!" and you worry you might have sent it to somebody else. | 0:13:31 | 0:13:34 | |
It was meant for my partner. | 0:13:38 | 0:13:39 | |
You know, like a filthy menu | 0:13:39 | 0:13:41 | |
oiled up as a Greek soldier. | 0:13:46 | 0:13:47 | |
I'll leave out the middle bit, | 0:13:47 | 0:13:50 | |
"..and that's how we'll invade Troy." | 0:13:50 | 0:13:52 | |
I believe there's one cloche | 0:13:58 | 0:14:00 | |
on my head. I think this is | 0:14:24 | 0:14:26 | |
Thanks so much for letting me | 0:14:28 | 0:14:31 | |
Yeah, I need to get on with some rehearsals now, actually. | 0:14:31 | 0:14:34 | |
Right, of course, would be. | 0:14:47 | 0:14:48 | |
All right. Thank you. Good luck. | 0:14:54 | 0:14:56 | |
Got it for you, Greg. Here you go. Yeah! Signed and everything. | 0:15:00 | 0:15:03 | |
He didn't seem very happy about it. | 0:15:05 | 0:15:07 | |
Look, Colin's dressed as Yoda. | 0:15:08 | 0:15:11 | |
Why are you trying to show off? Oh! | 0:15:11 | 0:15:12 | |
I have, yeah. What's your dog? | 0:15:14 | 0:15:16 | |
Oh, look at this. Oh! All right. | 0:15:20 | 0:15:22 | |
Russell's very proud of his dog, | 0:15:22 | 0:15:25 | |
of something else, aren't you? | 0:15:25 | 0:15:28 | |
Yeah, why don't you go and show them what I'm proud of, Greg. | 0:15:28 | 0:15:30 | |
What was your specialist subject? | 0:15:52 | 0:15:55 | |
Russell, yours? The life and works of Evelyn Waugh, the novelist. | 0:15:57 | 0:16:01 | |
so very much an Inbetweener. | 0:16:06 | 0:16:08 | |
Let's do it. Yeah. Let's play | 0:16:21 | 0:16:24 | |
Stacey Solomon, you have an allotted time to answer questions | 0:16:49 | 0:16:52 | |
on your chosen, specialist subject of Stacey Solomon, starting... | 0:16:52 | 0:16:56 | |
where are you from? | 0:16:58 | 0:17:00 | |
Dagenham. Correct. | 0:17:00 | 0:17:02 | |
have accepted "Dogenham". | 0:17:02 | 0:17:06 | |
would admit to that. | 0:17:20 | 0:17:23 | |
# Whoa, whoa, oh-oh | 0:17:26 | 0:17:28 | |
Peter Andre? | 0:17:30 | 0:17:31 | |
Correct. Did he? | 0:17:31 | 0:17:33 | |
Next question, did you ever snog Olly Murs? | 0:17:39 | 0:17:43 | |
No! | 0:17:43 | 0:17:45 | |
No, I didn't. Didn't you, you slag?! | 0:17:47 | 0:17:51 | |
Colin, you're so rude! And no! | 0:17:52 | 0:17:54 | |
Next question... | 0:17:59 | 0:18:00 | |
where you worked aged 15. | 0:18:00 | 0:18:04 | |
Oh My Cod is correct! | 0:18:06 | 0:18:08 | |
Just stop the clock a second. | 0:18:08 | 0:18:10 | |
everyone's done and where was it? | 0:18:13 | 0:18:14 | |
Really boring offshore hedge funds | 0:18:28 | 0:18:31 | |
everything except shovelling shit. | 0:18:34 | 0:18:37 | |
COLIN: I can shovel shit quite well. | 0:18:37 | 0:18:42 | |
Um, yeah. I worked from like age 13, | 0:18:42 | 0:18:44 | |
Yeah, Oh My Cod's pretty good. | 0:18:59 | 0:19:15 | |
But all my family was like, "Ugh! | 0:19:15 | 0:19:18 | |
Did you get blokes coming in to ask | 0:19:18 | 0:19:21 | |
they'd go, "Don't bother. You stick of fish." No-one asked me out anyway | 0:19:21 | 0:19:24 | |
COLIN: Ana Matronic. Hello. | 0:19:28 | 0:19:30 | |
Come on. Hi. Oh, I like your hands. | 0:19:35 | 0:19:38 | |
You'd look good in drag, too. | 0:19:43 | 0:19:46 | |
Right... Oh, let's hope his lipstick | 0:19:47 | 0:19:52 | |
Oh. OK, that's enough. It's freaking me out. I'm getting worried. | 0:19:52 | 0:19:55 | |
Colin, why are you such a weirdo? | 0:20:04 | 0:20:06 | |
COLIN: Next question. | 0:20:08 | 0:20:10 | |
play in The Inbetweeners? | 0:20:10 | 0:20:14 | |
Right - Neil... | 0:20:15 | 0:20:17 | |
No. No, I know he isn't. | 0:20:17 | 0:20:19 | |
Give me the first letter. W. | 0:20:19 | 0:20:21 | |
Come on, I'm getting itchy here, give me an answer. | 0:20:24 | 0:20:27 | |
What's his real name? | 0:20:27 | 0:20:30 | |
losing the will to live. | 0:20:30 | 0:20:32 | |
Losing the "Will" to live. | 0:20:33 | 0:20:36 | |
Will! Correct. | 0:20:36 | 0:20:38 | |
I've started so I'll finish. | 0:20:42 | 0:20:44 | |
Colin, we've already finished. | 0:20:44 | 0:20:46 | |
Let's go and watch some telly, | 0:20:49 | 0:20:51 | |
I had something thrown at my hand. | 0:21:41 | 0:21:45 | |
of the whole night and we all | 0:21:50 | 0:21:54 | |
I went to try this ghost hunting | 0:21:57 | 0:22:00 | |
by the fact that the person | 0:22:00 | 0:22:01 | |
trying to call the spirits was from Birmingham. She was like... | 0:22:01 | 0:22:04 | |
"Have got the spirit, please? | 0:22:04 | 0:22:07 | |
"Can you please come forward? | 0:22:07 | 0:22:08 | |
"Can I sense a spirit, please? | 0:22:08 | 0:22:10 | |
Like that, and it was just too funny. You can't take it seriously. | 0:22:10 | 0:22:13 | |
I haven't, but my mother has. | 0:22:15 | 0:22:18 | |
and she said she looked over once and there was a man and a woman | 0:22:25 | 0:22:31 | |
and a creature that she wasn't sure if it was a monkey or a dog. | 0:22:31 | 0:22:36 | |
Imagine if we could be ghosts. | 0:22:36 | 0:22:39 | |
Who would you go and haunt? | 0:22:39 | 0:22:43 | |
Let's talk reality shows, OK? | 0:22:48 | 0:22:50 | |
So, Kimberly, Strictly Come Dancing, you must have enjoyed that? | 0:22:50 | 0:22:54 | |
though, it's freaking me out. | 0:22:55 | 0:22:58 | |
Is it weird seeing your partner | 0:22:58 | 0:23:01 | |
I don't like it. Oh, Rachel Riley. | 0:23:01 | 0:23:05 | |
I feel really territorial. I saw you last year when I was doing it. | 0:23:05 | 0:23:09 | |
Are you jealous of her? Her hands | 0:23:22 | 0:23:27 | |
did he get jealous of your closeness | 0:23:33 | 0:23:38 | |
because it's really intense. | 0:23:38 | 0:23:57 | |
Did you want him to get a bit | 0:23:57 | 0:24:08 | |
to sit back and let me get on with it but he knows I'm just dancing. | 0:24:08 | 0:24:13 | |
No, he enjoyed it. It should | 0:24:16 | 0:24:18 | |
You're a massive Beyonce fan | 0:24:49 | 0:24:51 | |
Yes, I'm a bit obsessed with her. | 0:24:51 | 0:24:53 | |
So, did you have to watch over and over again to get the moves? | 0:24:53 | 0:24:56 | |
because we were doing salsa | 0:24:58 | 0:25:02 | |
I had to hold it back and that's | 0:25:08 | 0:25:13 | |
No, I do love her. Didn't you go off and see her recently in Vegas? | 0:25:13 | 0:25:18 | |
just a little quick detour to see her, before we went on a night out. | 0:25:22 | 0:25:27 | |
Were you tempted just to do the whole routine? I was tempted. | 0:25:27 | 0:25:30 | |
I was a little bit tempted. | 0:25:30 | 0:25:31 | |
We were pretty much dancing | 0:25:31 | 0:25:34 | |
and singing along at the top | 0:25:34 | 0:25:36 | |
but, thankfully, everyone was | 0:25:36 | 0:25:39 | |
You were 19 when you started that. | 0:25:41 | 0:25:44 | |
Is it still right in your memory? | 0:25:44 | 0:25:47 | |
I ever did and I absolutely loved it | 0:25:47 | 0:25:51 | |
and I don't think I'll ever forget it unless I go senile when old. | 0:25:51 | 0:25:58 | |
It's just like they make it | 0:26:02 | 0:26:05 | |
At first, you're in a room, then | 0:26:05 | 0:26:08 | |
What are they trying to do to us | 0:26:11 | 0:26:13 | |
That seat thing, how they bump one of, that's so cruel, I think. | 0:26:13 | 0:26:17 | |
It's like musical chairs, but worse. | 0:26:17 | 0:26:29 | |
"God, I'm going to have a heart | 0:26:29 | 0:26:32 | |
because Popstars: The Rivals was so huge, that show, wasn't it? | 0:26:35 | 0:26:42 | |
Yeah, it was like Pop Idol, | 0:26:42 | 0:26:46 | |
traumatic as well, I have to say. | 0:26:46 | 0:26:50 | |
I really did struggle with it. | 0:26:50 | 0:26:54 | |
It made singing become something it had never been to me before. | 0:26:54 | 0:26:58 | |
I had only ever known singing | 0:26:58 | 0:27:01 | |
and you get that nice feeling and then suddenly it was like, | 0:27:03 | 0:27:06 | |
"I'm not good enough to," or | 0:27:06 | 0:27:09 | |
so I found it quite a tough | 0:27:12 | 0:27:14 | |
but obviously we were really lucky and we had an amazing career | 0:27:14 | 0:27:17 | |
out of it, so I would never change | 0:27:17 | 0:27:20 | |
So you experienced the full feeling of rejection? Yeah, I did. | 0:27:24 | 0:27:27 | |
You had the chair, in a way. | 0:27:27 | 0:27:30 | |
I went back to work at the diner I was working at and it was weird. | 0:27:35 | 0:27:40 | |
"Actually, you are in the house | 0:27:40 | 0:27:44 | |
so it was just like really... | 0:27:44 | 0:27:47 | |
like I've got nothing to lose | 0:27:47 | 0:27:50 | |
views on Simon Cowell, haven't you? | 0:27:55 | 0:27:58 | |
He's comes across... I think Henry VIII was a lot like Simon Cowell. | 0:27:58 | 0:28:02 | |
I think because he's not really a performer, that there is maybe | 0:28:06 | 0:28:11 | |
some of the other judges, who have | 0:28:11 | 0:28:16 | |
been performers and know what | 0:28:16 | 0:28:29 | |
You only had lovely things to say... | 0:28:39 | 0:28:44 | |
our mental, then-to-be manager | 0:28:44 | 0:28:53 | |
and we finished the competition | 0:28:53 | 0:28:57 | |
He was a bit more hands-off, | 0:28:57 | 0:29:00 | |
disappeared. It's chaos, isn't it? | 0:29:05 | 0:29:08 | |
We didn't know any different, | 0:29:08 | 0:29:10 | |
so we just called the record company about everything direct which | 0:29:10 | 0:29:14 | |
obviously is not really the | 0:29:14 | 0:29:18 | |
"Can you take this pee sample to the doctor's?" It was ridiculous. | 0:29:20 | 0:29:25 | |
It was getting out of control. | 0:29:28 | 0:29:35 | |
It's in the book. It was pretty | 0:29:35 | 0:29:40 | |
We've all got problems, but today, | 0:29:40 | 0:29:42 | |
with the help of you guys in the studio, I'm going to solve them. | 0:29:42 | 0:29:45 | |
Has anyone got any problems | 0:29:56 | 0:29:59 | |
Madam, have you got a problem? | 0:29:59 | 0:30:01 | |
And what's your name? Cynthia. | 0:30:01 | 0:30:04 | |
Cynthia, you look like a Cynthia. | 0:30:04 | 0:30:06 | |
Well, I'm only attracted to really bad, violent people. | 0:30:10 | 0:30:15 | |
to bad, violent personalities. | 0:30:15 | 0:30:18 | |
Anyone in the studio got any advice? | 0:30:18 | 0:30:19 | |
Why do girls go through this | 0:30:21 | 0:30:24 | |
What's it all about? Well, she's still in that phase - Cynthia. | 0:30:24 | 0:30:28 | |
I think usually it is a phase and then you switch to the other side. | 0:30:28 | 0:30:32 | |
I always went for nice guys. | 0:30:32 | 0:30:37 | |
What about you? Have you had some | 0:30:37 | 0:30:40 | |
Oh, that's cute. Tall, dark and nerdy. What about medium height? | 0:30:40 | 0:30:59 | |
Cheryl doesn't exactly date angels, | 0:30:59 | 0:31:08 | |
Every relationship that you have | 0:31:08 | 0:31:21 | |
Cynthia needs to switch to the good side now. Don't leave it too long. | 0:31:23 | 0:31:28 | |
I would maybe recommend she try | 0:31:28 | 0:31:30 | |
Yeah, she's putting it out there. | 0:31:30 | 0:31:32 | |
She could be a scissor sister. | 0:31:32 | 0:31:34 | |
Oh! Well, most lesbians, to be fair, | 0:31:34 | 0:31:36 | |
and then they never have sex again. | 0:31:38 | 0:31:40 | |
it was the oven. Is it ready? | 0:31:45 | 0:31:47 | |
You know - men, when they love | 0:31:50 | 0:31:53 | |
If it's two women together, they probably just talk a lot. | 0:32:03 | 0:32:07 | |
Emotional sex - "I feel bad." | 0:32:07 | 0:32:09 | |
Hey, stop everything...it's Stacey's birthday, everybody! | 0:32:14 | 0:32:17 | |
Make a wish, blow them out. | 0:32:22 | 0:32:25 | |
a lot of hairspray on. Be careful. | 0:32:26 | 0:32:29 | |
It's like two cakes in one! | 0:32:40 | 0:32:43 | |
it's been lovely chatting to you. | 0:32:52 | 0:32:54 | |
Would you mind all popping upstairs for a quickie in the bed with me? | 0:32:54 | 0:32:57 | |
Wait, wait, wait. What you doing? | 0:32:59 | 0:33:02 | |
Conor Maynard's in the toilet. | 0:33:02 | 0:33:04 | |
I'm going to take him a bit of cake, | 0:33:04 | 0:33:07 | |
Hey, Conor... Oh, hey, whoa. | 0:33:14 | 0:33:16 | |
in the toilet, but it's all good. | 0:33:16 | 0:33:19 | |
If you just push this... Yeah. | 0:33:44 | 0:33:48 | |
still have one nut hanging out | 0:33:48 | 0:33:51 | |
so I'm going to let you... Oh, no, that's a bit of cake, it dropped... | 0:33:51 | 0:33:54 | |
Sorry, Conor, see you later, | 0:33:54 | 0:33:56 | |
Sorry about that. I had to give Conor | 0:34:03 | 0:34:06 | |
We were just having a little girly slumber, the sleepover. | 0:34:07 | 0:34:09 | |
You know when you're staying over | 0:34:11 | 0:34:14 | |
OK, let's play Truth or Dare. | 0:34:19 | 0:34:21 | |
So, spin the serving spoon. | 0:34:26 | 0:34:29 | |
Yeah. Whatever it lands on, | 0:34:29 | 0:34:31 | |
Russell's phone over there - and you'll get a juicy truth. OK. | 0:34:36 | 0:34:39 | |
If it lands on a dare, then my special horror phone will call | 0:34:39 | 0:34:41 | |
one of the audience and get a dare. | 0:34:41 | 0:34:44 | |
Let's do it, spin that wheel, baby. | 0:34:46 | 0:34:48 | |
Due to the fact that your arm is | 0:34:49 | 0:34:51 | |
Right, yo. What's your name? Chris. | 0:35:16 | 0:35:19 | |
My dare is for Ana. I dare Ana to take a piece of clothing off. | 0:35:21 | 0:35:24 | |
Something's going on. She's doing it. | 0:35:32 | 0:35:34 | |
Have you ever weed in a swimming pool? Truth, please. Everyone wees... | 0:36:07 | 0:36:10 | |
Doesn't everyone wee in the pool? | 0:36:10 | 0:36:14 | |
Wait, hold on. If the toilet's | 0:36:14 | 0:36:18 | |
No-one'll know. They always say | 0:36:22 | 0:36:25 | |
The dare was for Kimberley to strip. | 0:36:56 | 0:36:58 | |
I'm going to double dare that, | 0:37:03 | 0:37:06 | |
AUDIENCE: Strip! Strip! Strip! | 0:37:28 | 0:37:33 | |
Thanks very much for staying in | 0:38:31 | 0:38:36 | |
Thanks for watching. | 0:38:38 | 0:38:42 | |
Are you crazy? Are you crazy? | 0:39:00 | 0:39:04 | |
# Must be stupid if you think | 0:39:04 | 0:39:07 | |
# Are you joking? Must be joking You ain't laughin', I ain't smokin' | 0:39:07 | 0:39:11 | |
# Must be crazy if you think | 0:39:11 | 0:39:15 | |
# There ain't no need to cry no more | 0:39:16 | 0:39:18 | |
# I'll pick up the pieces you left | 0:39:22 | 0:39:26 | |
# If you think I'm coming back | 0:39:26 | 0:39:30 | |
cos I'm breakin' up with ya | 0:39:30 | 0:39:34 | |
# Shoulda' hooked up with your sister Go now, here's my middle finger | 0:39:34 | 0:39:37 | |
Are you crazy? Are you crazy? | 0:39:45 | 0:39:47 | |
# Must be stupid if you think | 0:39:47 | 0:39:51 | |
# Are you joking? Must be joking You ain't laughin', I ain't smokin' | 0:39:51 | 0:39:55 | |
# Must be crazy if you think | 0:39:55 | 0:39:58 | |
# Now I know that she wants me back | 0:40:06 | 0:40:09 | |
# Nothing sounds more better than | 0:40:09 | 0:40:13 | |
cos I'm breakin' up with ya | 0:40:13 | 0:40:17 | |
# Love me now, my name is bigger | 0:40:17 | 0:40:19 | |
# Girl, I'm giving you the finger | 0:40:19 | 0:40:21 | |
# Are you joking? Must be joking | 0:40:50 | 0:40:54 | |
# Must be crazy if you think | 0:40:54 | 0:41:04 | |
# No, no, no, no, no, no, no | 0:41:09 | 0:41:12 | |
so why are you tryin' to play me? | 0:41:20 | 0:41:25 | |
Are you crazy? Are you crazy? | 0:41:42 | 0:41:45 | |
# Must be stupid if you think | 0:41:45 | 0:41:48 | |
# Are you joking? Must be joking | 0:41:48 | 0:41:52 | |
# Must be crazy if you think | 0:41:52 | 0:41:56 | |
# Hit the road, Jack, Jack. # | 0:42:09 | 0:42:12 | |
Subtitles by Red Bee Media Ltd | 0:42:16 | 0:42:21 |