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'Joining us tonight, a Girl very much Aloud, Kimberley Walsh. | 0:00:28 | 0:00:32 | |
'Scissor Sister Ana Matronic. | 0:00:32 | 0:00:35 | |
'"Oh, my God!" It's Stacey Solomon, | 0:00:36 | 0:00:38 | |
'Pocket movie star Warwick Davis | 0:00:40 | 0:00:44 | |
'And Conor Maynard is here to perform his latest single.' | 0:00:44 | 0:00:47 | |
Let's hear it for our wonderful | 0:00:56 | 0:01:00 | |
And the big news tonight, Russell... Yeah? ..It's ladies' night! | 0:01:03 | 0:01:07 | |
Welcome, wonderful guests, how are you? We're great. We're good. | 0:01:24 | 0:01:28 | |
we have one very special surprise. | 0:01:28 | 0:01:31 | |
Because it is ladies' night I have a special surprise for you, | 0:01:31 | 0:01:33 | |
MUSIC: "Love Machine" by Girls Aloud | 0:01:42 | 0:01:44 | |
I like to think your first name starts with an "N" because you're so | 0:02:32 | 0:02:36 | |
From Green Boys, everybody! | 0:02:53 | 0:02:55 | |
First of all, how wonderful | 0:02:58 | 0:03:01 | |
It's just like my brother's room! | 0:03:08 | 0:03:10 | |
For you, Stace, we've brought rings. | 0:03:12 | 0:03:14 | |
If only I hadn't ate dinner, | 0:03:14 | 0:03:16 | |
I would wolf 'em down in a second. | 0:03:16 | 0:03:19 | |
Having a bowl on the floor! | 0:03:23 | 0:03:24 | |
On a girls' night in, we sit round and talk about relationships. | 0:03:26 | 0:03:29 | |
for ten years, how's that working | 0:03:29 | 0:03:33 | |
That's how I did it with my husband - we've been together ten years | 0:03:43 | 0:03:46 | |
I like to keep the fire alive, yeah. | 0:04:04 | 0:04:06 | |
candles, I'm happy with that. | 0:04:13 | 0:04:17 | |
romantic bath, is your other half | 0:04:17 | 0:04:19 | |
He's never gone to the toilet in | 0:04:22 | 0:04:25 | |
You can talk to your boyfriend | 0:04:31 | 0:04:34 | |
I could not, I don't think. | 0:04:37 | 0:04:39 | |
You don't want to see someone's poo face, even if you love 'em, | 0:04:39 | 0:04:42 | |
"Oh! I've had a great day..." | 0:04:42 | 0:04:44 | |
You can have a phantom poo where you don't even have to make a face! | 0:04:44 | 0:04:55 | |
Well...he's one of those, you know, | 0:04:55 | 0:05:02 | |
So what does Scissor Sisters mean? | 0:05:16 | 0:05:19 | |
It's not like you were into hobbies | 0:05:19 | 0:05:21 | |
before you were into music. | 0:05:21 | 0:05:23 | |
It's specifically a sexual position, | 0:05:41 | 0:05:44 | |
Oh. If that phrase is known, | 0:05:48 | 0:05:51 | |
everyone in the band is gay? | 0:05:51 | 0:05:54 | |
"I'm going to make you an offer | 0:05:57 | 0:06:00 | |
I'm like, "Really?" And she said, | 0:06:00 | 0:06:03 | |
"You can come home with me and my girlfriend and watch us have sex." | 0:06:03 | 0:06:05 | |
Russell's not even in a band and everyone thinks he's gay. | 0:06:17 | 0:06:19 | |
All right, Greg, don't flag it up. | 0:06:19 | 0:06:21 | |
British men are more gay than | 0:06:24 | 0:06:26 | |
that's a thing in America. Is it? | 0:06:28 | 0:06:30 | |
Everybody should be a little bit | 0:06:40 | 0:06:43 | |
I'm not afraid to say Tyson had | 0:06:45 | 0:06:47 | |
You were a drag queen dancer, | 0:06:56 | 0:06:59 | |
When I lived in San Francisco, | 0:06:59 | 0:07:08 | |
I think we should have a look | 0:07:08 | 0:07:11 | |
Oh, wow! Interestingly enough, | 0:07:11 | 0:07:20 | |
Who's there with the little beaker | 0:07:22 | 0:07:26 | |
Yeah, they spunked into plastic bags, then they were like... | 0:07:26 | 0:07:32 | |
really great Fellini-inspired look. | 0:07:51 | 0:07:57 | |
You've got the big features | 0:07:57 | 0:08:00 | |
on his face, I'm not going to lie. | 0:08:02 | 0:08:04 | |
I'm both turned on and hurt. | 0:08:06 | 0:08:08 | |
How could we match those up? | 0:08:14 | 0:08:16 | |
More cushion for the pushin'! | 0:08:19 | 0:08:21 | |
Stacey, let's talk X Factor. You were 19 when you started that. | 0:08:22 | 0:08:25 | |
I was. It feels like so long ago. Is it still right in your memory? | 0:08:25 | 0:08:29 | |
and I absolutely loved it and I don't think I'll ever forget it. | 0:08:31 | 0:08:35 | |
Unless I go senile and old. | 0:08:35 | 0:08:37 | |
Are you watching this year? Because it's changed a little bit. | 0:08:39 | 0:08:42 | |
There's loads of twists and stuff. | 0:08:42 | 0:08:44 | |
What are they trying to do to us normal people? And that seat thing. | 0:08:53 | 0:08:57 | |
It's like musical chairs but worse. | 0:08:58 | 0:09:01 | |
Is he doing rehearsals again? Yeah. | 0:09:06 | 0:09:09 | |
I want you to get this signed. | 0:09:13 | 0:09:15 | |
OK, cool. See you in a sec. | 0:09:15 | 0:09:17 | |
What's the word we use to open it? | 0:09:21 | 0:09:23 | |
I can hear that, mate, but it's quite noisy. It's a brilliant read. | 0:09:32 | 0:09:35 | |
Look at all the pictures too. | 0:09:35 | 0:09:38 | |
I know that... First class. What are you doing in here? | 0:09:38 | 0:09:40 | |
I'm rehearsing for the performance. | 0:09:40 | 0:10:04 | |
I cannot imagine what it would be like to squash into an airline seat | 0:10:04 | 0:10:11 | |
like. Every seat is business class. | 0:10:11 | 0:10:14 | |
It is for me. You may have noticed I've put a few of these cloches out. | 0:10:14 | 0:10:17 | |
You've added into my set a little bit, a sort of medieval feast. | 0:10:17 | 0:10:20 | |
What do you reckon that might | 0:10:20 | 0:10:22 | |
Of course, you famously played Wicket | 0:10:23 | 0:10:26 | |
I was 11, OK? So imagine that, | 0:10:28 | 0:10:32 | |
and then to get the opportunity | 0:10:32 | 0:10:35 | |
You've got such a ridiculously | 0:10:37 | 0:10:40 | |
Who's the most famous contact | 0:10:40 | 0:10:43 | |
It's probably Johnny Depp. Johnny Depp on speed dial? Depp's in there. | 0:10:43 | 0:10:47 | |
If I write a text to my wife and | 0:10:56 | 0:11:00 | |
"Oh!" and you worry you might have sent it to somebody else. | 0:11:01 | 0:11:04 | |
It was meant for my partner. | 0:11:08 | 0:11:09 | |
oiled up as a Greek soldier. | 0:11:16 | 0:11:17 | |
I'll leave out the middle bit, | 0:11:17 | 0:11:20 | |
"..and that's how we'll invade Troy." | 0:11:20 | 0:11:22 | |
I believe there's one cloche | 0:11:28 | 0:11:30 | |
It's a tasty fan. You've had some strange encounters with fans. Yep. | 0:11:34 | 0:11:38 | |
In certain Romany gypsy cultures, | 0:11:41 | 0:11:44 | |
little touch, a little rub. | 0:11:47 | 0:11:50 | |
on my shoulder or, more obviously, | 0:11:50 | 0:11:54 | |
is the luckiest part of me. | 0:11:54 | 0:11:56 | |
Thanks so much for letting me | 0:11:58 | 0:12:01 | |
Yeah, I need to get on with some rehearsals now, actually. | 0:12:01 | 0:12:04 | |
Got it for you, Greg. Here you go. Yeah! Signed and everything. | 0:12:30 | 0:12:37 | |
Look, Colin's dressed as Yoda. | 0:12:38 | 0:12:41 | |
Why are you trying to show off? Oh! | 0:12:41 | 0:12:42 | |
I have, yeah. What's your dog? | 0:12:44 | 0:12:46 | |
Oh, look at this. Oh! All right. | 0:12:50 | 0:12:52 | |
Russell's very proud of his dog, | 0:12:52 | 0:12:55 | |
of something else, aren't you? | 0:12:55 | 0:12:58 | |
Yeah, why don't you go and show them what I'm proud of, Greg. | 0:12:58 | 0:13:00 | |
What was your specialist subject? | 0:13:22 | 0:13:25 | |
Russell, yours. The life and works of Evelyn Waugh, the novelist. | 0:13:27 | 0:13:31 | |
In a way, he was in between | 0:13:34 | 0:13:36 | |
so very much an Inbetweener. | 0:13:36 | 0:13:38 | |
He wants to play Mastermind. | 0:13:46 | 0:13:49 | |
Let's do it. Yeah. Let's play | 0:13:51 | 0:13:53 | |
Stacey, what is your chosen | 0:14:13 | 0:14:16 | |
Stacey Solomon, you have an allotted time to answer questions | 0:14:19 | 0:14:22 | |
on your chosen, specialist subject of Stacey Solomon, starting... | 0:14:22 | 0:14:26 | |
Question one, where are you from? | 0:14:28 | 0:14:32 | |
However, I would also have accepted "Dogenham". | 0:14:32 | 0:14:36 | |
would admit to that. | 0:14:50 | 0:14:54 | |
Correct. Did he? | 0:15:01 | 0:15:03 | |
did you ever snog Olly Murs? | 0:15:09 | 0:15:13 | |
No! | 0:15:13 | 0:15:15 | |
No, I didn't. Didn't you, you slag?! | 0:15:17 | 0:15:21 | |
Colin, you're so rude and no! | 0:15:22 | 0:15:24 | |
Next question... | 0:15:24 | 0:15:26 | |
Who does Simon Bird play in The Inbetweeners? | 0:15:26 | 0:15:29 | |
Right - Neil... | 0:15:30 | 0:15:32 | |
No. No, I know he isn't. | 0:15:32 | 0:15:34 | |
Give me the first letter. W. | 0:15:34 | 0:15:36 | |
Come on, I'm getting itchy here, give me an answer. | 0:15:39 | 0:15:43 | |
What's his real name? | 0:15:43 | 0:15:45 | |
Or was it...? Oh, I'm losing the will to live. | 0:15:45 | 0:15:47 | |
Losing the "Will" to live. | 0:15:49 | 0:15:51 | |
Will! Correct. | 0:15:51 | 0:15:52 | |
I've started so I'll finish. | 0:15:57 | 0:15:59 | |
Let's go and watch some telly, | 0:16:04 | 0:16:07 | |
What's on? Let's have a look. | 0:16:19 | 0:16:21 | |
He just hit me on the head. | 0:16:29 | 0:16:31 | |
You pissed him off, Cheryl. | 0:16:31 | 0:16:33 | |
just tap the fucking table. | 0:16:35 | 0:16:38 | |
Has anyone got any problems | 0:17:35 | 0:17:38 | |
And what's your name? Cynthia. | 0:17:40 | 0:17:43 | |
Cynthia, you look like a Cynthia. | 0:17:43 | 0:17:45 | |
Well, I'm only attracted to really bad, violent people. | 0:17:49 | 0:17:53 | |
to bad, violent personalities. | 0:17:53 | 0:17:56 | |
Anyone in the studio got any advice? | 0:17:56 | 0:17:58 | |
Why do girls go through this | 0:18:00 | 0:18:03 | |
What's it all about? Well, she's still in that phase, Cynthia. | 0:18:03 | 0:18:06 | |
Yeah, she's putting it out there. | 0:18:08 | 0:18:10 | |
She could be a scissor sister. | 0:18:10 | 0:18:12 | |
Oh! Well, most lesbians, to be fair, | 0:18:12 | 0:18:14 | |
and then they never have sex again. | 0:18:16 | 0:18:18 | |
it was the oven. Is it ready? | 0:18:23 | 0:18:25 | |
You know - men, when they love | 0:18:28 | 0:18:30 | |
If it's two women together, they probably just talk a lot. | 0:18:41 | 0:18:45 | |
Emotional sex - "I feel bad." | 0:18:45 | 0:18:47 | |
Hey, stop everything...it's Stacey's birthday, everybody! | 0:18:52 | 0:18:55 | |
Make a wish, blow them out. | 0:19:01 | 0:19:03 | |
a lot of hairspray on, be careful. | 0:19:04 | 0:19:12 | |
It's like two cakes in one! | 0:19:18 | 0:19:27 | |
I'm going to take him a bit of cake, | 0:19:43 | 0:19:55 | |
in the toilet, but it's all good. | 0:19:55 | 0:20:00 | |
It's Stacey's birthday and I didn't | 0:20:01 | 0:20:04 | |
Oh, thanks. So... Thank you. | 0:20:04 | 0:20:07 | |
and cake in here - perfect. | 0:20:10 | 0:20:12 | |
No, this is my preferred... | 0:20:14 | 0:20:15 | |
I'm leaving you to finish off. | 0:20:18 | 0:20:19 | |
Enjoy your cake and please make sure | 0:20:19 | 0:20:22 | |
If you just push this... Yeah. | 0:20:23 | 0:20:26 | |
still have one nut hanging out | 0:20:26 | 0:20:30 | |
so I'm going to let you... Oh, no, that's a bit of cake, it dropped... | 0:20:30 | 0:20:33 | |
Sorry, Conor, see you later, | 0:20:33 | 0:20:35 | |
Sorry about that. I had to give Conor | 0:20:42 | 0:20:45 | |
We were just having a little girly slumber, the sleepover. | 0:20:46 | 0:20:48 | |
You know when you're staying over | 0:20:50 | 0:20:53 | |
OK, let's play Truth or Dare. | 0:20:57 | 0:21:00 | |
So, spin the serving spoon. | 0:21:04 | 0:21:07 | |
Yeah. Whatever it lands on, | 0:21:07 | 0:21:10 | |
Russell's phone over there - and you'll get a juicy truth. OK. | 0:21:14 | 0:21:17 | |
If it lands on a dare, then my special horror phone will call | 0:21:17 | 0:21:20 | |
one of the audience and get a dare. | 0:21:20 | 0:21:22 | |
Let's do it, spin that wheel, baby. | 0:21:24 | 0:21:26 | |
Due to the fact that your arm is | 0:21:28 | 0:21:30 | |
Right, yo. What's your name? Chris. | 0:21:55 | 0:21:57 | |
My dare is for Ana. I dare Ana to take a piece of clothing off. | 0:21:59 | 0:22:07 | |
The dare was for Kimberley to strip. | 0:22:52 | 0:22:54 | |
I'm going to double dare that, | 0:22:59 | 0:23:02 | |
AUDIENCE: Strip! Strip! Strip! | 0:23:15 | 0:23:19 | |
Our careers have just started. | 0:24:26 | 0:24:28 | |
Are you crazy? Are you crazy? | 0:24:46 | 0:24:50 | |
# Must be stupid if you think | 0:24:50 | 0:24:54 | |
# Are you joking? Must be joking You ain't laughin', I ain't smokin' | 0:24:54 | 0:24:57 | |
# Must be crazy if you think | 0:24:57 | 0:25:01 | |
# There ain't no need to cry no more | 0:25:02 | 0:25:05 | |
# I'll pick up the pieces you left | 0:25:08 | 0:25:12 | |
cos I'm breakin' up with ya | 0:25:16 | 0:25:20 | |
# Shoulda' hooked up with your sister Go now, here's my middle finger | 0:25:20 | 0:25:23 | |
# Cos I'm hurting baby, hurting baby | 0:25:23 | 0:25:28 | |
Are you crazy? Are you crazy? | 0:25:31 | 0:25:34 | |
# Must be stupid if you think | 0:25:34 | 0:25:38 | |
# Are you joking? Must be joking You ain't laughin', I ain't smokin' | 0:25:38 | 0:25:41 | |
# Must be crazy if you think | 0:25:41 | 0:25:45 | |
# Now I know that she wants me back | 0:25:52 | 0:25:56 | |
# Nothing sounds more better than | 0:25:56 | 0:26:00 | |
cos I'm breakin' up with ya | 0:26:00 | 0:26:03 | |
# Love me now, my name is bigger | 0:26:03 | 0:26:05 | |
# Girl, I'm giving you the finger | 0:26:05 | 0:26:07 | |
# Cos I'm hurting baby, hurting baby | 0:26:07 | 0:26:12 | |
Are you crazy? Are you crazy? | 0:26:14 | 0:26:18 | |
# Must be stupid if you think | 0:26:18 | 0:26:22 | |
# Are you joking? Must be joking You ain't laughin', I ain't smokin' | 0:26:22 | 0:26:25 | |
# Must be crazy if you think that | 0:26:25 | 0:26:29 | |
Are you crazy? Are you crazy? | 0:26:29 | 0:26:33 | |
# Must be stupid if you think that | 0:26:33 | 0:26:43 | |
so why are you tryin' to play me? | 0:27:07 | 0:27:11 | |
# Cos I'm hurting baby, hurting baby | 0:27:20 | 0:27:25 | |
Are you crazy? Are you crazy? | 0:27:28 | 0:27:31 | |
# Must be stupid if you think | 0:27:31 | 0:27:35 | |
# Are you joking? Must be joking | 0:27:35 | 0:27:39 | |
# Must be crazy if you think | 0:27:39 | 0:27:42 | |
# Hit the road, Jack Jack. # | 0:27:55 | 0:27:58 | |
Subtitles by Red Bee Media Ltd | 0:28:03 | 0:28:08 |