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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
On tonight's Staying In, we've got Britney, bitch! | 0:00:05 | 0:00:07 | |
CHEERING Who else is on the show? | 0:00:07 | 0:00:10 | |
World-famous pop group Little Mix are in the house. | 0:00:10 | 0:00:12 | |
Rapper Wretch 32 stops by. | 0:00:12 | 0:00:15 | |
Reality star Rylan Clark comes over. | 0:00:15 | 0:00:18 | |
Plus X Factor champion James Arthur is in the neighbourhood. | 0:00:18 | 0:00:22 | |
And we've got a little help from Rylan right now, | 0:00:22 | 0:00:24 | |
because as you can see, I'm dressed up for Britney, bitch. | 0:00:24 | 0:00:27 | |
So can you do this bit whilst I go and get ready? | 0:00:27 | 0:00:29 | |
Yeah. Yeah? All right. | 0:00:29 | 0:00:32 | |
Jump to. Let's do it. Enjoy the show! | 0:00:32 | 0:00:35 | |
CHEERING | 0:00:35 | 0:00:36 | |
It's staying in with Russell and Rylan. I'm quite excited, actually. | 0:00:36 | 0:00:40 | |
CHEERING | 0:00:57 | 0:00:59 | |
Little Mix! It's only Little Mix! | 0:01:01 | 0:01:04 | |
All right, girls? Excellent! How are you doing? Good! | 0:01:04 | 0:01:06 | |
Jesy, Perrie, Jade, Leigh-Anne welcome. Thank you! Thank you! | 0:01:06 | 0:01:11 | |
What do you think about our place, then? Do you like it? We love it. I'm really digging the camels. | 0:01:11 | 0:01:15 | |
Yeah. Everyone loves them camels. | 0:01:15 | 0:01:17 | |
I like it, I do like it, but this is a bit of a pad, to be fair. | 0:01:17 | 0:01:21 | |
I don't know how I'd feel about having people watching me sleep | 0:01:21 | 0:01:25 | |
But other than that, I like it I like it. | 0:01:25 | 0:01:27 | |
Me, I sleep better knowing people are looking on. LAUGHTER | 0:01:27 | 0:01:31 | |
Do you actually live together as well? | 0:01:31 | 0:01:33 | |
Cos we always imagine a band living in the same fun house. | 0:01:33 | 0:01:36 | |
We used to. Two and two. | 0:01:36 | 0:01:38 | |
But then we all decided we had too many clothes, so we live on our own. | 0:01:38 | 0:01:40 | |
Who lived with who, then? Me and Jess. We had some of the best times, didn't we, though, in our flat | 0:01:40 | 0:01:44 | |
Where do you live now? One of you lives with a ghost. | 0:01:44 | 0:01:47 | |
Who lives with a ghost? Oh, I used to. | 0:01:47 | 0:01:49 | |
She used to have one in her room .. An actual ghost? I believe so, yes. | 0:01:49 | 0:01:53 | |
Cos my room was very cold all the time. | 0:01:53 | 0:01:55 | |
And then I'd go to sleep at night-time, | 0:01:55 | 0:01:57 | |
and the telly would switch on by itself. | 0:01:57 | 0:01:59 | |
Are you sure that you just didn t have your heating on and you weren't lying on your remote? Yeah. | 0:01:59 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:04 | |
I'm pretty sure. What come on the telly? Just like the fizzy screen... | 0:02:04 | 0:02:08 | |
Oh, that's the worst! | 0:02:08 | 0:02:10 | |
Or like they girl with the crayon and the doll, like... | 0:02:10 | 0:02:13 | |
PHONE RINGS | 0:02:13 | 0:02:15 | |
Ah! | 0:02:15 | 0:02:17 | |
I thought it was a ghost. It's the landline. | 0:02:17 | 0:02:20 | |
Hello, Greg. | 0:02:20 | 0:02:22 | |
Is it just me, or has Rylan had his teeth done? | 0:02:22 | 0:02:25 | |
That's totally inappropriate, you can't say that. | 0:02:25 | 0:02:27 | |
What's he saying? | 0:02:27 | 0:02:29 | |
He said he's not being funny, but have you had your teeth done? | 0:02:29 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:34 | |
No. Have you had anything done to your face, any work? | 0:02:34 | 0:02:37 | |
Yeah, I've had a little bit of Botox. | 0:02:37 | 0:02:39 | |
And everyone goes, "Oh, you're 24, you're 25, | 0:02:39 | 0:02:41 | |
"why are you having Botox?" And I go, "Look, I'd rather have it now | 0:02:41 | 0:02:44 | |
"to stop the lines, than have the lines and try and fill them up! | 0:02:44 | 0:02:48 | |
It doesn't look like you've had loads, | 0:02:48 | 0:02:51 | |
though, d'you know what I mean I'm a natural beauty, babe, to be fair. | 0:02:51 | 0:02:54 | |
So, Perrie, congratulations. Engaged, ladies and gentlemen! | 0:02:54 | 0:02:57 | |
APPLAUSE | 0:02:57 | 0:02:59 | |
To One Direction. How are you finding it? It just feels normal, it feels nice. | 0:02:59 | 0:03:03 | |
I don't feel any different. | 0:03:03 | 0:03:05 | |
It didn't change the way the commitment felt, | 0:03:05 | 0:03:07 | |
it didn't feel like it was more serious? No! I'm excited. | 0:03:07 | 0:03:11 | |
Well, listen, I think | 0:03:11 | 0:03:13 | |
every single bird in here wants to know, how did he propose? Yes. | 0:03:13 | 0:03:16 | |
Was it like some big... | 0:03:16 | 0:03:17 | |
Oh, my God, fireworks at the top of the Eiffel Tower... | 0:03:17 | 0:03:20 | |
# That's what makes you beautiful... # ? | 0:03:20 | 0:03:24 | |
No! I haven't really spoken about the engagement, to be honest. | 0:03:24 | 0:03:28 | |
I just announced that when we were engaged. | 0:03:28 | 0:03:30 | |
I said, "Yeah, we're engaged, we're happy," but I never really talk about anything personal with me | 0:03:30 | 0:03:34 | |
and him, because everything is out there so much. | 0:03:34 | 0:03:36 | |
It's nice to keep something a bit more sentimental. Was it in the bath? No! | 0:03:36 | 0:03:41 | |
He came up out of the water with the ring? Was in the kitchen? No! | 0:03:41 | 0:03:46 | |
Was in the downstairs toilet. No! Living room? No! | 0:03:46 | 0:03:50 | |
Bedroom? No. | 0:03:50 | 0:03:52 | |
What other rooms do people have ! | 0:03:52 | 0:03:54 | |
It might have been out and about. Maybe it was outside. Was it the garden? | 0:03:54 | 0:03:57 | |
Maybe it was. Aw...! Casual gazebo from Argos. | 0:03:57 | 0:04:03 | |
The sprinklers come on, and you re like, "We're wet, I hadn't noticed." | 0:04:03 | 0:04:08 | |
Russ, can you...? Oh, hi, Little Mix. | 0:04:08 | 0:04:10 | |
Russ, can you keep it down and stop showing off to the girls? | 0:04:10 | 0:04:13 | |
It's so embarrassing. I'm trying to concentrate in here, dick! | 0:04:13 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:19 | |
Wretch, mate, thanks for helping me out. I mean, this is Britney, bitch. This is big. | 0:04:19 | 0:04:23 | |
This is a big interview, man. This is the pinnacle, man. This is it. | 0:04:23 | 0:04:27 | |
Right, so, what do you do when you get starstruck? | 0:04:27 | 0:04:29 | |
I just pretend that I'm a bigger celebrity than the person | 0:04:29 | 0:04:32 | |
I'm in front of. So put someone in your head. I don't know, George Clooney. | 0:04:32 | 0:04:36 | |
OK. OK, so you're now George Clooney. | 0:04:36 | 0:04:39 | |
So George Clooney is interviewing Britney Spears. No, no, no. | 0:04:39 | 0:04:41 | |
You're interviewing Britney Spears. Where's George Clooney? Inside you. | 0:04:41 | 0:04:45 | |
Why is George Clooney having sex with me? No, no, not that kind of inside. | 0:04:45 | 0:04:49 | |
On the inside. I can't stop thinking about his cock. No, just... | 0:04:49 | 0:04:53 | |
just the coolness. | 0:04:53 | 0:04:55 | |
That's all you need to worry about. You see, yeah, yeah, yeah. | 0:04:55 | 0:04:57 | |
Hey, I'm Clooney. This is what I'm saying. | 0:04:57 | 0:05:00 | |
I can do a coffee advert as well. Yeah. Hey, I'm George Clooney. That's it, that's right. | 0:05:00 | 0:05:04 | |
Listen, I know that one of you has got a very strong party trick, | 0:05:04 | 0:05:09 | |
and it's making the noise of a goat maybe...? | 0:05:09 | 0:05:13 | |
Could that be you? | 0:05:13 | 0:05:15 | |
It must be pretty good for it to have got round the internet the world and to us. | 0:05:15 | 0:05:18 | |
Can I hear this goat noise? Yeah. | 0:05:18 | 0:05:20 | |
SHE MIMES TO REAL GOAT BLEATING | 0:05:22 | 0:05:23 | |
That's fantastic. That is an actual goat. | 0:05:25 | 0:05:28 | |
APPLAUSE | 0:05:28 | 0:05:31 | |
Have you always been to do this | 0:05:31 | 0:05:33 | |
Or was it, like, you were six years old, it was primary school | 0:05:33 | 0:05:36 | |
talent day, and they were like "Perrie?" And you were like... | 0:05:36 | 0:05:39 | |
It was in the kitchen with my friend, and I thought it sounded good, so... Casual goat. | 0:05:39 | 0:05:43 | |
Well, it's so good, I thought we could maybe phone a vet | 0:05:43 | 0:05:47 | |
for real and see if you can convince a vet that you're actually a goat. | 0:05:47 | 0:05:51 | |
I'm going to get the vet on the line, do a bit of spiel | 0:05:51 | 0:05:54 | |
and then I'm going to say... Am I a wounded goat? | 0:05:54 | 0:05:56 | |
I'm going to pretend you've got something wrong with your teat Teat? Yeah. | 0:05:56 | 0:06:00 | |
But this is a genuine vet. What s a teat? So this is the scenario | 0:06:00 | 0:06:03 | |
So he's going to call up the vet, blah blah blah, there's something wrong with the goat. | 0:06:03 | 0:06:07 | |
What's wrong with the goat is he's been trying to milk you, | 0:06:07 | 0:06:10 | |
and it ain't been working, babe And you're making a funny old noise. | 0:06:10 | 0:06:12 | |
Your teat is red raw. Wow. | 0:06:12 | 0:06:16 | |
Disturbing. | 0:06:16 | 0:06:18 | |
Hello? 'Hi!' | 0:06:18 | 0:06:20 | |
I've had a... | 0:06:20 | 0:06:22 | |
I keep a couple of goats on my land | 0:06:22 | 0:06:25 | |
and I think there might be a problem with one of them. | 0:06:25 | 0:06:27 | |
One of their teats looks rather red and swollen. | 0:06:27 | 0:06:30 | |
And I think there might be a problem. | 0:06:30 | 0:06:32 | |
When I'm trying to milk the goat, it's making quite a strange... | 0:06:32 | 0:06:35 | |
Actually, it's here at the moment. Come here. Come here, Perrie. Come here. | 0:06:35 | 0:06:39 | |
Just tell me if this sounds right to you. | 0:06:39 | 0:06:42 | |
BLEATING | 0:06:42 | 0:06:44 | |
Do you think...? Do I need to worry or...? 'Is it male or female?' | 0:06:46 | 0:06:51 | |
It's definitely female. 'You sure? It sounds quite masculine.' | 0:06:51 | 0:06:57 | |
It sounds quite masculine? Just listen again. | 0:06:57 | 0:07:00 | |
I'm just going to tease the end of the swollen gland. | 0:07:00 | 0:07:03 | |
BLEATING | 0:07:03 | 0:07:06 | |
'Oh, OK, well, I mean, I think it's been possibly mastitis.' | 0:07:06 | 0:07:11 | |
What do you do about mastitis? | 0:07:11 | 0:07:13 | |
'Well, mastitis involves antibiotic treatment, | 0:07:13 | 0:07:15 | |
'but it also involves sort of warm water massages and compresses. | 0:07:15 | 0:07:18 | |
Sounds like a good night to me | 0:07:18 | 0:07:21 | |
I promise I'll give Perrie a warm water bath after this. 'OK | 0:07:21 | 0:07:25 | |
'Well, just make sure you get her seen as well.' | 0:07:25 | 0:07:28 | |
Oh, and by the way, that was someone from Little Mix...! | 0:07:28 | 0:07:33 | |
LAUGHTER AND APPLAUSE | 0:07:33 | 0:07:35 | |
Right, Greg's messed up the rubbish, so I'm going to go | 0:07:35 | 0:07:37 | |
and sort the bins out. See you in a bit. Bye! Make yourself at home, yeah? | 0:07:37 | 0:07:41 | |
Help yourself to snacks. Have a cherry, babes. Have some sweets | 0:07:41 | 0:07:45 | |
Hey, James Arthur! Hello, mate What you doing here? I'm... | 0:07:47 | 0:07:51 | |
I pressed the wrong button, so I m on the wrong floor. Do you live here? | 0:07:51 | 0:07:54 | |
Yeah, yeah, I'm downstairs. No way! | 0:07:54 | 0:07:56 | |
Yeah, man, I've just not really been here, cos I've been playing my music. | 0:07:56 | 0:07:59 | |
That's why have not bumped into you, cos you've been working on your new album. That's it. | 0:07:59 | 0:08:02 | |
Are you still in touch with anyone else from the X Factor? Rylan? Yes. | 0:08:02 | 0:08:05 | |
But of a character. I love Rylan. What was it like sharing a room with him? | 0:08:05 | 0:08:08 | |
Rylan was always naked. Always naked. It got to the point where... | 0:08:08 | 0:08:12 | |
Rylan's naked again. It was very normal for him to be naked | 0:08:12 | 0:08:16 | |
This is my floor, man. Thanks for chatting. Nice to see you. | 0:08:16 | 0:08:19 | |
I would say, do you want to go out? But we're just staying in. | 0:08:19 | 0:08:24 | |
Why do you get your instruments and come and play? I'll go grab my guitar. | 0:08:24 | 0:08:27 | |
That would be awesome, mate. It's been a pleasure chatting. See you later. | 0:08:27 | 0:08:30 | |
You too, man, take care. That was such a long journey for three floors. | 0:08:30 | 0:08:33 | |
LAUGHTER AND APPLAUSE | 0:08:33 | 0:08:37 | |
Rylan! | 0:08:37 | 0:08:39 | |
Guess who I just saw in the lift. Who? | 0:08:39 | 0:08:42 | |
James Arthur was in there. You saw who? | 0:08:42 | 0:08:44 | |
James Arthur's living in the flat below us, | 0:08:44 | 0:08:46 | |
and I bumped into him in the lift. You are right? Got my hand out here. | 0:08:46 | 0:08:49 | |
Yeah, sorry, man. Right, so we've got Little Mix in the basement | 0:08:49 | 0:08:52 | |
Britney's in the garage. And now it's just us lads. | 0:08:52 | 0:08:55 | |
We'll have some lad time. By the way, Wretch, have you met Rylan before? | 0:08:55 | 0:08:58 | |
I have. Are you all right? I'm good. Nice to meet you. | 0:08:58 | 0:09:00 | |
So Greg and I, we want to get to know you properly. | 0:09:00 | 0:09:03 | |
cos Wretch 32 isn't your real name, is it? No, unfortunately not. | 0:09:03 | 0:09:06 | |
What is it? It's Jermaine...Jermaine Scott. That's a lovely name. | 0:09:06 | 0:09:10 | |
That's quite a cool name. It's cool, innit? Rylan, what about you? | 0:09:10 | 0:09:13 | |
What's your real name? Ross. Ross is all right. But it's too close to Russ. | 0:09:13 | 0:09:18 | |
What's wrong with that? So I couldn't have come on as Ross tonight. | 0:09:18 | 0:09:22 | |
I think we'd have known... Well actually... That's quite specific. | 0:09:22 | 0:09:26 | |
We've got the dark hair, the blonde bits running through now... I know. | 0:09:26 | 0:09:29 | |
It's all kicking off, babe. Just one vowel between us. | 0:09:29 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:33 | |
So you changed it to Rylan... Yeah. Which means... | 0:09:33 | 0:09:36 | |
Rylan means Irish meadow. | 0:09:36 | 0:09:37 | |
Is it nice to think your name means you're being ploughed by farmers? | 0:09:37 | 0:09:41 | |
LAUGHTER | 0:09:41 | 0:09:43 | |
Why the fuck d'you think I chose it? | 0:09:43 | 0:09:45 | |
LAUGHTER | 0:09:45 | 0:09:46 | |
Wretch, we've got a little game for you. OK. Cool. | 0:09:46 | 0:09:48 | |
We're going to tell you some things and we want you to let us know if you like them or dislike them. | 0:09:48 | 0:09:52 | |
So when we say something and you like it, | 0:09:52 | 0:09:55 | |
we'd like you to press the "like" button there. | 0:09:55 | 0:09:58 | |
Please test that out now. | 0:09:58 | 0:10:00 | |
'Ah, yeah!' | 0:10:00 | 0:10:02 | |
We just took that off your single. | 0:10:02 | 0:10:06 | |
It sounds a lot like you. | 0:10:06 | 0:10:08 | |
If you dislike something... Press this one? You got it. | 0:10:08 | 0:10:12 | |
'Urgh! Urgh...!' | 0:10:12 | 0:10:15 | |
OK, let's crack on with the game. Your first subject is recorders | 0:10:15 | 0:10:18 | |
How do you feel about recorders | 0:10:18 | 0:10:22 | |
Oh, you've got to like a recorder. 'Ah, yeah!' | 0:10:22 | 0:10:25 | |
They're cool. That's the first instrument I actually tried to play. | 0:10:25 | 0:10:29 | |
Can you play it? No. Oh, you can t? No. You can't play Traktor...? | 0:10:29 | 0:10:33 | |
I can play Traktor on the recorder. You can? Yeah. Ready? Yeah. | 0:10:33 | 0:10:37 | |
"Traktor" PLAYS | 0:10:37 | 0:10:39 | |
CLAPPING TO THE MUSIC | 0:10:46 | 0:10:48 | |
CHEERING | 0:10:58 | 0:11:00 | |
Before we move on to another like, dislike, what is your musical DNA? | 0:11:09 | 0:11:13 | |
What got you into music, where are your roots? How did it start? | 0:11:13 | 0:11:16 | |
Do you know what, my dad was a DJ and one day... | 0:11:16 | 0:11:19 | |
Gosh, he might get into trouble for this. | 0:11:19 | 0:11:22 | |
One day, he brought me to a nightclub when I was very young and I was watching him do his thing. | 0:11:22 | 0:11:26 | |
And it was just interesting to me to see | 0:11:26 | 0:11:28 | |
that he kind of had control of the whole room, just because of music. | 0:11:28 | 0:11:32 | |
So that's what started getting me into it. | 0:11:32 | 0:11:34 | |
Then I started messing around with his records, | 0:11:34 | 0:11:36 | |
then I started writing. I was rubbish, | 0:11:36 | 0:11:39 | |
then I got better. And, yeah, I'm still passionate | 0:11:39 | 0:11:40 | |
APPLAUSE | 0:11:40 | 0:11:42 | |
OK, next subject, Wretch, is Rylan's teeth. | 0:11:44 | 0:11:48 | |
Oh, fuck off. | 0:11:48 | 0:11:49 | |
LAUGHTER | 0:11:49 | 0:11:51 | |
Like or dislike? | 0:11:51 | 0:11:52 | |
'Ah, yeah!' CHEERING | 0:11:52 | 0:11:55 | |
So you like them? Sparkling, man. It's cool. Bling teeth. | 0:11:58 | 0:12:03 | |
I ain't got a fucking grill in That's next. Yeah, you wait. | 0:12:03 | 0:12:08 | |
I think you look banging. People need to... I love them! Bollocks. Fuck off or I'll bite you! | 0:12:08 | 0:12:13 | |
APPLAUSE | 0:12:13 | 0:12:16 | |
You're funny! | 0:12:17 | 0:12:19 | |
OK, Wretch, final one. | 0:12:20 | 0:12:22 | |
Strippers - like or dislike? | 0:12:22 | 0:12:25 | |
'Ah, yeah!' | 0:12:25 | 0:12:28 | |
'Urgh! Urgh...!' | 0:12:28 | 0:12:31 | |
It's a bit of both. What? When you have to pay, it's not nice, is it? | 0:12:31 | 0:12:35 | |
APPLAUSE | 0:12:35 | 0:12:37 | |
So your single, Rock Bottom, OK is written about strippers. | 0:12:39 | 0:12:43 | |
One stripper. One stripper. How many strippers have you come across | 0:12:43 | 0:12:47 | |
LAUGHTER | 0:12:47 | 0:12:49 | |
Um, not many. A handful. Not a handful... | 0:12:49 | 0:12:54 | |
LAUGHTER | 0:12:54 | 0:12:58 | |
The complete opposite, what would you do to woo a girl, then? | 0:12:58 | 0:12:59 | |
What's your wooing technique? I don't have a wooing technique I think I just do... | 0:12:59 | 0:13:05 | |
I don't know, I'm very spontaneous, so I might see a girl, might trip her over... | 0:13:05 | 0:13:09 | |
Trip her over?! No, no... That's assault! | 0:13:09 | 0:13:13 | |
I'm joking, I'm joking. I don't know, it depends... Whey. .! | 0:13:13 | 0:13:18 | |
Anyway, I think that's enough, just before we go, I want to demonstrate my buzzer | 0:13:18 | 0:13:21 | |
Hopefully we've got the pyrotechnics lined up. Let's see what happens. | 0:13:21 | 0:13:25 | |
Oh, dick! | 0:13:25 | 0:13:27 | |
How are we going to find our way into the basement? | 0:13:27 | 0:13:30 | |
Rylan, can we use your teeth? | 0:13:30 | 0:13:31 | |
LAUGHTER | 0:13:33 | 0:13:34 | |
APPLAUSE | 0:13:34 | 0:13:36 | |
Hey, girls, how are you enjoying the basement? Hey! Love it down here. | 0:13:39 | 0:13:43 | |
Take a seat. We're just having a root around | 0:13:43 | 0:13:46 | |
I've actually tried to turn it into a sort of makeshift tattoo parlour. | 0:13:46 | 0:13:50 | |
I was going to call it Russell's Little Prick...Russell's Big Prick. | 0:13:50 | 0:13:53 | |
We have lots of rock'n'roll guests on and get them to come down here. | 0:13:53 | 0:13:58 | |
Conor Maynard had his cock done down here, a small chicken drawn on it. | 0:13:58 | 0:14:02 | |
Yeah. Amazing. | 0:14:02 | 0:14:04 | |
Make sure you spell Jesy right | 0:14:04 | 0:14:07 | |
Now, er, tattoos, who has tattoos? | 0:14:07 | 0:14:10 | |
Me and Jess. | 0:14:10 | 0:14:12 | |
Where are they? What are they? | 0:14:12 | 0:14:14 | |
I've got one on my wrist, one on my thigh. Yeah. | 0:14:14 | 0:14:17 | |
One up my side. Can we see the one on your thigh, please? | 0:14:17 | 0:14:21 | |
Go on, get a bit of... What does it say? | 0:14:21 | 0:14:24 | |
It says, "A tiger never loses sleep over the opinion of sheep." | 0:14:24 | 0:14:28 | |
Right. Cos you're powerful. They're drab. | 0:14:28 | 0:14:31 | |
So, little sheep, which would sound like... | 0:14:31 | 0:14:33 | |
Baa-aa! There we go. A slightly deeper goat. | 0:14:33 | 0:14:36 | |
Now, I've got some tattoos here in my catalogue of tats. | 0:14:38 | 0:14:42 | |
These are some of my favourites some Japanese characters. | 0:14:42 | 0:14:45 | |
Like those? Nice. The reason I'm holding this one up | 0:14:45 | 0:14:49 | |
is a little bird tells me you have an amazing talent for singing | 0:14:49 | 0:14:53 | |
in Korean and Japanese. Well, we like to dibble-dabble | 0:14:53 | 0:14:56 | |
In an Australian accent? | 0:14:56 | 0:14:59 | |
"I love a bit of Japanese, me. | 0:14:59 | 0:15:01 | |
Get out the old didgeridoo. | 0:15:01 | 0:15:03 | |
We did a little section in Japanese, didn't we? Of which song? Wings | 0:15:05 | 0:15:10 | |
Yes. Can we hear that? Yes. | 0:15:10 | 0:15:12 | |
THEY SING IN JAPANESE | 0:15:12 | 0:15:16 | |
CHEERING AND APPLAUSE | 0:15:30 | 0:15:34 | |
I'd love to stay in the basement all evening, but I have to check on the guys. Thanks for chatting. Bye. | 0:15:35 | 0:15:40 | |
When you try to get out, don't try to rattle the door, you are locked in. | 0:15:40 | 0:15:44 | |
APPLAUSE | 0:15:44 | 0:15:46 | |
Hello, and welcome to Gingers Anonymous Youth Society | 0:15:47 | 0:15:51 | |
We are the support group for people who are in denial about being ginger. | 0:15:51 | 0:15:55 | |
Russell Kane. Yep. | 0:15:55 | 0:15:57 | |
My name is Russell Kane and I have a ginger streak to add texture | 0:15:59 | 0:16:02 | |
LAUGHTER | 0:16:02 | 0:16:04 | |
Wretch 32. | 0:16:04 | 0:16:06 | |
I'm Wretch 32 and I've worked with the coolest ginger guy in the country, Ed Sheeran. | 0:16:06 | 0:16:12 | |
CHEERING AND APPLAUSE | 0:16:12 | 0:16:15 | |
Today, we'd like to welcome a brand-new member to our society. | 0:16:16 | 0:16:20 | |
He needs to get back to his roots, literally. It's Rylan Clark. | 0:16:20 | 0:16:24 | |
APPLAUSE | 0:16:24 | 0:16:26 | |
Rylan, the first step on the path of fulfilment | 0:16:30 | 0:16:35 | |
is to address what you were like in earlier times. | 0:16:35 | 0:16:40 | |
OK? Let's have a look. | 0:16:40 | 0:16:42 | |
Whoa! I love it how Wretch went "Whoa!" | 0:16:44 | 0:16:47 | |
LAUGHTER | 0:16:47 | 0:16:49 | |
APPLAUSE | 0:16:49 | 0:16:53 | |
We've had some very famous gingers attend Gaze. | 0:16:55 | 0:16:58 | |
For instance, Rupert Grint. Hugely famous actor. | 0:16:58 | 0:17:02 | |
He's not here. | 0:17:02 | 0:17:04 | |
He even bagged a role as Ron Weasley in Harry Potter. | 0:17:04 | 0:17:09 | |
Rylan, you have a lot in common with Rupert Grint, don't you? I do. | 0:17:09 | 0:17:13 | |
Explain. When I was younger, me and Jesy from Little Mix were talking about this earlier | 0:17:13 | 0:17:19 | |
we went to the same drama school. | 0:17:19 | 0:17:22 | |
I got offered the part for a week to do body double work on Harry Potter. | 0:17:22 | 0:17:27 | |
What? And cos I was the little ginger kid, I was Ron Weasley. | 0:17:27 | 0:17:32 | |
So I'd have to run down corridors | 0:17:32 | 0:17:36 | |
and every time you see the back of his head, it's either me | 0:17:36 | 0:17:39 | |
or some other little minion that did it as well. | 0:17:39 | 0:17:42 | |
Because Rupert was too busy to do it. No way. | 0:17:42 | 0:17:45 | |
Next up, we have a very famous redhead. | 0:17:45 | 0:17:48 | |
This is one of the most famous redheads in the world. | 0:17:48 | 0:17:51 | |
Fantastic Mr Fox. There he is. Look at that cheeky little face | 0:17:51 | 0:17:55 | |
Player. Rylan, I know you've had problems in the past with foxes | 0:17:55 | 0:17:59 | |
This story cannot be true. What happened? | 0:17:59 | 0:18:03 | |
I was pissed coming home one night from Romford. | 0:18:03 | 0:18:06 | |
So I casually walk along and there's this fox on the wall. | 0:18:06 | 0:18:10 | |
And this fox is just on the wall like that, looking at me. | 0:18:10 | 0:18:13 | |
So I'm a bit pissed, I've got my wallet in one hand my phone in the other. | 0:18:13 | 0:18:17 | |
I'm walking along, casual, and I see this fox on the wall where you are. | 0:18:17 | 0:18:21 | |
When you try and scare a fox or cat away cos you're a bit pissed, you go like that. | 0:18:21 | 0:18:25 | |
It normally goes...and fucks off. | 0:18:25 | 0:18:27 | |
Long story short, the fox crawled down the wall, | 0:18:27 | 0:18:32 | |
looked at me and I was like, "Am I pissed? Am I imagining this?" | 0:18:32 | 0:18:35 | |
It jumped like that... | 0:18:35 | 0:18:38 | |
I've dropped my wallet and it took my wallet and fucked off. | 0:18:38 | 0:18:41 | |
Mugged by a fox! Mugged by a fox. | 0:18:41 | 0:18:44 | |
LAUGHTER | 0:18:44 | 0:18:47 | |
I rang up the credit card people and said I wanted to cancel my card. | 0:18:47 | 0:18:51 | |
My wallet has been stolen. | 0:18:51 | 0:18:53 | |
They said, "Have you got a crime reference number?" | 0:18:53 | 0:18:55 | |
I said, "No, I haven't. I just need to cancel my card. They said, "Because you said | 0:18:55 | 0:18:58 | |
"the word stolen to us, you need to have a crime reference number." | 0:18:58 | 0:19:02 | |
I asked how to get one. | 0:19:02 | 0:19:04 | |
And they said call your local police station and they'll do it. | 0:19:04 | 0:19:07 | |
So I ring the police station for a crime reference number | 0:19:07 | 0:19:10 | |
and they asked me to describe the assailant. | 0:19:10 | 0:19:12 | |
And I was like, ginger and furry. | 0:19:12 | 0:19:16 | |
And then when I told him, they asked me to hold. | 0:19:16 | 0:19:19 | |
So I'm holding the line and they asked me to repeat it again. | 0:19:19 | 0:19:22 | |
I knew I was on fucking speakerphone cos you could hear them all going... | 0:19:22 | 0:19:26 | |
That's great. | 0:19:28 | 0:19:30 | |
Do you think Rylan should accept his gingerness once and for all | 0:19:30 | 0:19:33 | |
Give him a few words of encouragement. | 0:19:33 | 0:19:35 | |
No, man, it's just confidence. You are confident, you are cool | 0:19:35 | 0:19:40 | |
I accept my gingerness. | 0:19:40 | 0:19:42 | |
He's accepted his gingerness, ladies and gentlemen. | 0:19:42 | 0:19:44 | |
CHEERING AND APPLAUSE | 0:19:44 | 0:19:46 | |
ALARM BELL RINGS | 0:19:46 | 0:19:49 | |
That's the Britney alarm. The Britney alarm. | 0:19:49 | 0:19:51 | |
Wish me luck. Good luck. Trip her up. | 0:19:51 | 0:19:55 | |
Good luck, Greg. Thanks, mate. | 0:19:55 | 0:19:57 | |
Britney. Hi. How are you? Really good. Good to see you. And you | 0:20:06 | 0:20:10 | |
Thank you for being in our garage today. | 0:20:10 | 0:20:13 | |
I've made it look nice for you It's beautiful. It's normally awful. | 0:20:13 | 0:20:17 | |
It's great. I thought I'd dress up for you. | 0:20:17 | 0:20:19 | |
It's not everyday you meet pop royalty. Thank you, sweetie. | 0:20:19 | 0:20:23 | |
First things first, let's talk about your new song | 0:20:23 | 0:20:25 | |
It's also the same noise my alarm clock makes every day | 0:20:25 | 0:20:29 | |
Which is, "Work, bitch!" | 0:20:29 | 0:20:31 | |
I'm scared. | 0:20:31 | 0:20:32 | |
# Now get to work, bitch | 0:20:32 | 0:20:34 | |
# A-ah, now get to work, bitch | 0:20:38 | 0:20:40 | |
# Aha... # | 0:20:46 | 0:20:48 | |
So the video looks quite fun to me. Was it quite hot in the desert | 0:20:48 | 0:20:51 | |
It was really, really hot. | 0:20:51 | 0:20:53 | |
It wasn't actually as hot as I thought it would be | 0:20:53 | 0:20:56 | |
because we had fans on us. | 0:20:56 | 0:20:57 | |
But there was some pretty long shots that we were out there and I was | 0:20:57 | 0:21:01 | |
like, I need ice packs on my neck and my feet and all over my body. | 0:21:01 | 0:21:05 | |
So, yeah, it was pretty tough. | 0:21:05 | 0:21:07 | |
Being Britney Spears, you can ask for anything these days. Yes. | 0:21:07 | 0:21:10 | |
I want ice packs, fans, anything. Ask for anything. | 0:21:10 | 0:21:13 | |
I had a Lamborghini there. I had all my stuff there. Good | 0:21:13 | 0:21:16 | |
It's really nice to meet you because I'm a genuine fan. Thank you. | 0:21:16 | 0:21:20 | |
To the point where I remade one of your videos. Really? Want to see it? | 0:21:20 | 0:21:23 | |
Yes. OK. Just hit play on there OK. | 0:21:23 | 0:21:26 | |
Oh, my God! | 0:21:29 | 0:21:31 | |
I have competition now. Do you like the dance moves? | 0:21:32 | 0:21:35 | |
I love it. | 0:21:35 | 0:21:37 | |
You are beautiful as a girl. Thank you. You are really beautiful. | 0:21:44 | 0:21:49 | |
You are a little taller than everybody else, | 0:21:50 | 0:21:53 | |
but hey, you're the star. I'll live with that. | 0:21:53 | 0:21:55 | |
It's great. Let's talk scents, your perfume. OK. | 0:21:55 | 0:22:00 | |
OK. It sells one every 10 seconds. I found that out. Yes. | 0:22:00 | 0:22:04 | |
So I thought, this is a great idea, I need to come up with my own scent. | 0:22:04 | 0:22:08 | |
So I did. Howzat? It's a cricket-based scent. | 0:22:08 | 0:22:12 | |
I love cricket. You can have that one. That's the prototype. | 0:22:12 | 0:22:16 | |
Thank you so much. I love it. I love the shorts, by the way. | 0:22:16 | 0:22:23 | |
Cut grass, jockstraps. OK. It's a sort of men's fragrance. | 0:22:23 | 0:22:28 | |
Obviously. Your album is coming out at Christmas. | 0:22:28 | 0:22:31 | |
You must be very excited about it. Yes. | 0:22:31 | 0:22:33 | |
What can we expect from the album? | 0:22:33 | 0:22:35 | |
It's probably one of the most personal albums I've done. | 0:22:35 | 0:22:38 | |
I worked with will.i.am on the album and he's co-producing it | 0:22:38 | 0:22:40 | |
Are you going to be touring the whole thing? | 0:22:40 | 0:22:43 | |
I have a Vegas show I'll be doing it two years. | 0:22:43 | 0:22:46 | |
And I have 100 shows set out to do. 100? | 0:22:46 | 0:22:49 | |
Are you daunted by that, or are you like, 100, bring it on? | 0:22:49 | 0:22:52 | |
Bring it on. I'm kind of stoked about it. | 0:22:52 | 0:22:55 | |
I haven't performed in a really long time, so I'm kind of excited. | 0:22:55 | 0:22:58 | |
Before I go back to Russell, | 0:22:58 | 0:23:00 | |
he's very jealous he's not met you today, | 0:23:00 | 0:23:02 | |
so can I do a selfie? Yes. Yes | 0:23:02 | 0:23:04 | |
He'll be so jealous because he's even more nerdy than me. | 0:23:04 | 0:23:08 | |
Done. Britney, thank you so much. Thank you. Nice to meet you. | 0:23:12 | 0:23:16 | |
I'll leave you to get yourself acquainted with our garage. | 0:23:16 | 0:23:19 | |
Cool, thank you. Thanks a lot. Bye. | 0:23:19 | 0:23:22 | |
APPLAUSE | 0:23:22 | 0:23:25 | |
That is it for tonight's Staying In. | 0:23:27 | 0:23:29 | |
Thanks to our amazing guests - Britney Spears! | 0:23:29 | 0:23:32 | |
Wretch 32, Rylan, Little Mix | 0:23:32 | 0:23:35 | |
and James Arthur. James Arthur is playing us out with his new single, | 0:23:35 | 0:23:40 | |
You're Nobody Till Somebody Loves You. | 0:23:40 | 0:23:42 | |
CHEERING AND APPLAUSE | 0:23:42 | 0:23:44 | |
# Long gone, we're falling down | 0:23:58 | 0:24:01 | |
# But I'm loving how it tastes | 0:24:01 | 0:24:03 | |
# I look around for desire | 0:24:03 | 0:24:05 | |
# Love ran away, yeah | 0:24:05 | 0:24:08 | |
# Hold back, we're falling out | 0:24:10 | 0:24:13 | |
# And I'll show you how it breaks | 0:24:13 | 0:24:16 | |
# If I can give it, I'll take it all of the way | 0:24:16 | 0:24:19 | |
# Yeah | 0:24:19 | 0:24:22 | |
# And we've still got so much to learn | 0:24:22 | 0:24:27 | |
# Babe | 0:24:27 | 0:24:29 | |
# You're nobody till somebody loves you | 0:24:29 | 0:24:32 | |
# It's hard times when nobody wants you | 0:24:32 | 0:24:35 | |
# Fill up my cup Don't ever stop coming | 0:24:35 | 0:24:38 | |
# Get up on top We'll make it pop, honey | 0:24:38 | 0:24:41 | |
# You're nobody till somebody loves you | 0:24:41 | 0:24:44 | |
# It's a cold life when nobody holds you | 0:24:44 | 0:24:47 | |
# Fill up my cup Don't ever stop coming | 0:24:47 | 0:24:50 | |
# Get up on top We'll make it pop, honey | 0:24:50 | 0:24:53 | |
# Listen | 0:24:55 | 0:24:56 | |
# I'm a cold star coming down | 0:24:56 | 0:25:00 | |
# I was way off of the pace | 0:25:00 | 0:25:02 | |
# I waited up for the day | 0:25:02 | 0:25:04 | |
# Now the day comes to me | 0:25:04 | 0:25:06 | |
# Comes to me, comes to me | 0:25:06 | 0:25:08 | |
# Yeah | 0:25:08 | 0:25:09 | |
# I hold back, we're falling down | 0:25:09 | 0:25:12 | |
# I knew that it would break | 0:25:12 | 0:25:14 | |
# You'd always give it I'd take it all the way | 0:25:14 | 0:25:18 | |
# All the way, all the way now | 0:25:18 | 0:25:21 | |
# And we've still got so much to learn | 0:25:21 | 0:25:25 | |
# Baby | 0:25:25 | 0:25:27 | |
# You're nobody till somebody loves you | 0:25:27 | 0:25:30 | |
# It's hard time when nobody wants you | 0:25:30 | 0:25:33 | |
# Fill up my cup Don't ever stop coming | 0:25:33 | 0:25:37 | |
# Get up on top We'll make it pop, honey | 0:25:37 | 0:25:39 | |
# You're nobody Till somebody loves you | 0:25:39 | 0:25:43 | |
# It's a cold heart When nobody wants you | 0:25:43 | 0:25:46 | |
# Fill up my cup Don't ever stop coming | 0:25:46 | 0:25:49 | |
# Get up on top We'll make it pop, honey | 0:25:49 | 0:25:52 | |
# Hey | 0:25:52 | 0:25:53 | |
That's it, clap your hands for me. | 0:25:56 | 0:25:59 | |
# Oh, baby | 0:26:00 | 0:26:03 | |
# Ah | 0:26:03 | 0:26:05 | |
# Oh, yeah, yeah | 0:26:05 | 0:26:07 | |
# Don't you stop me | 0:26:07 | 0:26:11 | |
# I'll get what's coming to me, baby | 0:26:11 | 0:26:16 | |
# Oh, yeah, yeah | 0:26:16 | 0:26:19 | |
# Yeah, don't you stop me | 0:26:19 | 0:26:24 | |
# I'll get what's coming to me, baby | 0:26:24 | 0:26:28 | |
# I will be somebody | 0:26:28 | 0:26:32 | |
# You're nobody till somebody loves you | 0:26:32 | 0:26:36 | |
# Baby, baby | 0:26:36 | 0:26:40 | |
# Oh, yeah | 0:26:40 | 0:26:43 | |
# Yeah, yeah | 0:26:43 | 0:26:45 | |
# You're nobody till somebody loves you | 0:26:45 | 0:26:47 | |
# It's a cold heart when nobody loves you | 0:26:47 | 0:26:51 | |
# Fill up my cup Don't ever stop coming | 0:26:51 | 0:26:53 | |
# Get up on top We'll make it pop, honey | 0:26:53 | 0:26:57 | |
# Yeah. # | 0:26:57 | 0:27:01 | |
Thank you very much. | 0:27:04 | 0:27:06 | |
CHEERING AND APPLAUSE | 0:27:06 | 0:27:09 | |
Subtitles by Red Bee Media Ltd | 0:27:19 | 0:27:22 |