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Last week on Strictly: 13 celebrities danced for their lives. | :00:00. | :00:17. | |
Some soar to dizzy heights. A-maz-ing. Others hit rock bottom. | :00:18. | :00:22. | |
You lose control of your body. In the end it was julienne who walked | :00:23. | :00:28. | |
the catwalk for the last time. -- Julien. | :00:29. | :00:36. | |
This week, the competition gets even tougher. It's every celebrity for | :00:37. | :00:44. | |
themselves. The gloves are off. But who is shaping up to be a real | :00:45. | :00:49. | |
contender? who is shaping up to be a real | :00:50. | :02:23. | |
Please welcome your hosts, Bruce Forsyth and Tess Daly. | :02:24. | :02:30. | |
Please welcome your hosts, Bruce looking pleased with yourself. I am. | :02:31. | :02:30. | |
This woman rang me looking pleased with yourself. I am. | :02:31. | :02:46. | |
want your body. No! Who | :02:47. | :03:11. | |
Back stage we still have a dozen couples ready to perform. Shall we | :03:12. | :03:16. | |
see what they have in store for us? Why not, yes. It's time to meet - | :03:17. | :03:24. | |
don't point. I'll try not to. Pick out somebody. The stars of our show: | :03:25. | :03:33. | |
Pop star Sophie Ellis-Bextor and her partner Brendan Cole. Star of stage | :03:34. | :03:36. | |
and screen Mark Benton and his partner Iveta Lukosiute. BBC | :03:37. | :03:39. | |
Breakfast presenter Susanna Reid and her partner Kevin Clifton. England | :03:40. | :03:44. | |
rugby hero Ben Cohen and his partner Kristina Rihanoff. Coronation Street | :03:45. | :03:48. | |
Star Natalie Gumede and her partner Artem Chigvintsev. Model and TV | :03:49. | :03:53. | |
presenter Abbey Clancy and her partner Aljaz Skornajec. From | :03:54. | :03:58. | |
Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan. Star of | :03:59. | :04:03. | |
Dragon's Den Deborah Meaden and her partner Robin Windsor. Casualty star | :04:04. | :04:07. | |
Patrick Robinson and his partner Anya Garnis. Countdown presenter | :04:08. | :04:12. | |
Rachel Riley and her partner Pasha Kovalev. TV Chef and Hairy Biker | :04:13. | :04:17. | |
Dave Myers and his partner Karen Hauer. And Bond girl and author | :04:18. | :04:20. | |
Fiona Fullerton and her partner Anton du Beke. | :04:21. | :04:28. | |
You look wonderful. There they all are. Some aches and pains, a few | :04:29. | :04:52. | |
niggles, some very tired legs, but overall, looking fantastic. But | :04:53. | :04:55. | |
enough about me... LAUGHTER | :04:56. | :04:59. | |
How are you lot bearing up? Eight hours a day - people don't believe | :05:00. | :05:04. | |
that you do work as hard as you do. Well done. Training very hard. All | :05:05. | :05:08. | |
our couples are hoping to impress the judges. And you at home. As | :05:09. | :05:12. | |
weeks go by, the stakes get higher and higher. Nobody wants to face the | :05:13. | :05:16. | |
dreaded dance-off. No, they don't. Our first couple tonight is Natalie | :05:17. | :05:29. | |
and her partner, Artem. APPLAUSE | :05:30. | :05:34. | |
Natalie is young, current and with it. She asked if I knew what | :05:35. | :05:39. | |
twerking is. LAUGHTER | :05:40. | :05:44. | |
I said, "Of course I know what twerking is. It's what Yorkshire | :05:45. | :05:49. | |
people do to earn a living. They go t'work. | :05:50. | :05:54. | |
Don't they? APPLAUSE | :05:55. | :06:03. | |
There's Tess here. What did you come here for? T'work. That's it. Vernon | :06:04. | :06:09. | |
goes t'work as well. Here they are in training. | :06:10. | :06:15. | |
Last week, I was thrilled to be on the dance floor after what had been | :06:16. | :06:22. | |
a scary week. You have had a lot of problems with your back this week. | :06:23. | :06:26. | |
How did it feel tonight? My back is now on the mend. I'm looking forward | :06:27. | :06:30. | |
to putting all that behind me. I can't believe you delivered a dance | :06:31. | :06:33. | |
of this standard in such a short time. Stunning. We were thrilled | :06:34. | :06:39. | |
with the score from last week. I love that time on the dance floor. | :06:40. | :06:46. | |
It's a joy like no other. This week we are dancing the samba. It should | :06:47. | :06:51. | |
be really simple and it's really not. Yeah, that's not going to work. | :06:52. | :06:56. | |
It feels like walking. I can do this, but I can't do this. The thing | :06:57. | :07:00. | |
that we're missing is the character and the feel of the dance. I've | :07:01. | :07:05. | |
never been to mainland Spain. I'm not sure what we're going to bring | :07:06. | :07:11. | |
to this routine to get it authentic. Look at me. I decide to bring Spain | :07:12. | :07:19. | |
here. Look at those hips moving. | :07:20. | :07:27. | |
Did I have fun? No. Did it help the routine? Yes. The rung up has | :07:28. | :07:31. | |
finally got me. CHEERING AND APPLAUSE | :07:32. | :09:34. | |
What about this? What a start! That was so good. I wish you could have | :09:35. | :09:38. | |
seen it while you were doing it, it was that good. | :09:39. | :09:43. | |
I tell you, you are a natural. Of course, we have our judges, Craig, | :09:44. | :09:52. | |
Darcey, Len and Bruno. APPLAUSE | :09:53. | :09:53. | |
how are you feeling, Craig? Fantastically well actually. I think | :09:54. | :10:00. | |
you're very brave to be here, I must say. | :10:01. | :10:04. | |
APPLAUSE I would miss it, darling, for the | :10:05. | :10:09. | |
world. Even Bruno. All right then. Last | :10:10. | :10:15. | |
week all the male judges gave such concise, constructive comments. | :10:16. | :10:20. | |
Craig told Rachel to clench her buttocks. Len said Susanna was all | :10:21. | :10:26. | |
bounce, bum and bongos. And Bruno fell off his chair. | :10:27. | :10:32. | |
That's what I like and love about this show, class, elegance and | :10:33. | :10:38. | |
sophistication. When are we going to get some? That's what I want to | :10:39. | :10:42. | |
know. Len, what did you think? You won't get any from me. I was % | :10:43. | :10:48. | |
operating and flap lating, I'm telling you. | :10:49. | :10:53. | |
That was terrific. I loved that choreography. I thought you danced | :10:54. | :10:58. | |
it brilliantly well. Could have had a tad more bounce here and there. | :10:59. | :11:01. | |
But overall, I'm telling you, Natalie, that was great. The | :11:02. | :11:12. | |
choreography, the way you dance together. Absolutely. Hypnotic, | :11:13. | :11:22. | |
exotic, with a touch of the erotic. The sensuality in those hips, I'm | :11:23. | :11:26. | |
telling you, you could sell it and make a fortune. Apart from that, | :11:27. | :11:30. | |
there's one thing that ip love about you, you extend your lines to the | :11:31. | :11:37. | |
limit, right to the last beat of the bar without missing a beat with your | :11:38. | :11:41. | |
legs and arms. I love seeing those things. This is what makes dancing | :11:42. | :11:45. | |
exciting and it really is exciting watching you. | :11:46. | :11:49. | |
Thank you so much. You really do. You dance with the | :11:50. | :11:54. | |
music. It's very hard to do for some people. Craig? I think you need to | :11:55. | :12:00. | |
heighten your double bounce action. That was something that escaped you. | :12:01. | :12:04. | |
That gives this dance its character. That was missing. Your elbows a | :12:05. | :12:09. | |
little bit on the free arms are a bit too close to your body. I'm | :12:10. | :12:16. | |
being picky because she's very good. Your hips were fantastic though. | :12:17. | :12:22. | |
Timing, as always, brilliant. Is there nothing you can't do, darling? | :12:23. | :12:27. | |
Amazing. Darcey? What a lovely opening | :12:28. | :12:33. | |
performance. Thank you. And the flamenco style really suits you. I | :12:34. | :12:36. | |
think Spain is your place. You have to do more of that. It's very nice. | :12:37. | :12:40. | |
I would only say on the kick, just watch when you try I to get that | :12:41. | :12:44. | |
height, don't let the supporting leg bend. Great performance. | :12:45. | :12:50. | |
No more to say. You can't beat that really. Go on. Off you go. | :12:51. | :12:56. | |
Yes! Safe to say, these guys know how to get the party started. Great | :12:57. | :13:15. | |
comments and a standing ovation. How much are you enjoying the Strictly | :13:16. | :13:19. | |
experience now? It's just magic, I want it eat it. And the back, is it | :13:20. | :13:24. | |
all better now? It's much better. I'm still on a few pain killers, but | :13:25. | :13:29. | |
much better than I was. Not as many? Not as many. I'm much more pleasant | :13:30. | :13:35. | |
today. Unlike Artem who fractured his nose in the dress run today, did | :13:36. | :13:40. | |
you? Just a little. Took an injury earlier today in the | :13:41. | :13:43. | |
studio. Don't worry that beautiful face still looks perfect. | :13:44. | :13:45. | |
Look at that smile. Scores are in. ( Wow! Great score. Fabulous start to | :13:46. | :14:13. | |
the show. If that brought a smile to your face call from your mobile or | :14:14. | :14:20. | |
land line and you can vote online. You can register at | :14:21. | :14:27. | |
bbc.co.uk/Strictly. Voting lines don't open until all our couples | :14:28. | :14:30. | |
have danced. Please don't call now. If you do your vote won't count and | :14:31. | :14:34. | |
you may be charged. The couples with the lowest combined scores will be | :14:35. | :14:37. | |
in the dance-off tomorrow night. Motorbike wants to be there -- | :14:38. | :14:41. | |
nobody wants to be there. Now for our next couple, Abbey | :14:42. | :14:48. | |
Clancy and her partner, Aljaz. Lovely looking couple these two. | :14:49. | :14:54. | |
What beautiful people they are. Abbey has a two-and-a-half-year-old | :14:55. | :15:00. | |
little girl, Sophia. She always watches the show. This week, I'm | :15:01. | :15:05. | |
going to do a joke for Sophia. Ready? Good. What did the snail say | :15:06. | :15:18. | |
when he was riding on the back of a tortoise? Weeeee! I hope you're | :15:19. | :15:23. | |
laughing. It got a good laugh here and I didn't expect it. I tell you, | :15:24. | :15:28. | |
we'll do more of those! Here they are in training. | :15:29. | :15:39. | |
You are a formidable couple. Score 9, 9, 9 and 8. I was so nervous. I | :15:40. | :15:45. | |
can't describe how terrifying it is. I had to do this sweep with my leg | :15:46. | :15:50. | |
and I couldn't lean on my other leg because I was trembling that much. | :15:51. | :15:55. | |
When I had to touch Aljaz my hand was shaking. It doesn't get any | :15:56. | :16:03. | |
easier. This week we have the foxtrot. I noticed on Saturday that | :16:04. | :16:07. | |
you were shaking a lot. I don't think it could possibly ever get any | :16:08. | :16:11. | |
easier. Stay focussed, of course, but don't let your nerves get over | :16:12. | :16:17. | |
you. I think knowing my family is watching at home, especially my | :16:18. | :16:21. | |
little baby, Sophia, it does give you some strength to try and do it | :16:22. | :16:27. | |
well. I always come home and she's like, "What have you done today? I | :16:28. | :16:32. | |
try to teach her some of the dance. She's got the bug for dancing | :16:33. | :16:37. | |
herself. I want to be a dancer like mummy. I'm used to being with my | :16:38. | :16:42. | |
baby 24 hours a day. To send her to my mum's or my brother in law's is | :16:43. | :16:47. | |
quite tough. I'll be thinking of Sophia on | :16:48. | :16:50. | |
Saturday night and doing a dance for you, won't I, baby? | :16:51. | :17:03. | |
CHEERING AND APPLAUSE Lovely! That was wonderful, both of | :17:04. | :18:52. | |
you. Abbey, if you must send me secret messages, be a bit more | :18:53. | :18:56. | |
subtle about it. I will next time. Sorry. Oh, dear. You must be so | :18:57. | :19:02. | |
careful. It's a good time to welcome our fabulous singers, Dave Arch and | :19:03. | :19:07. | |
his wonderful orchestra! APPLAUSE | :19:08. | :19:10. | |
Get the pork pie in. Now then, we start off with Bruno. | :19:11. | :19:22. | |
What a beauty. That really had the feel of a love letter set to music. | :19:23. | :19:28. | |
The chemistry between - That's what I said. I repeat it because it was | :19:29. | :19:33. | |
so good. The chemistry between you two is literally tangible. Are you | :19:34. | :19:39. | |
so in tune. You were graceful, elegant. You attempted three under | :19:40. | :19:43. | |
arm spins, which you know, it's very hard because the spinning is not | :19:44. | :19:49. | |
your forte. You did it my darling, that was almost picture perfect. | :19:50. | :19:56. | |
Beautiful. It was wonderful. Now then, what did Craig think? I loved | :19:57. | :20:00. | |
the story that continued all the way through the dance. That was | :20:01. | :20:05. | |
absolutely beautiful. Fantastic control in those under-arm turns. | :20:06. | :20:08. | |
You need to extend your top line a little bit more. Sometimes it's | :20:09. | :20:12. | |
there and sometimes it just disappears for a fraction. I'm being | :20:13. | :20:19. | |
really picky now. Yes, I am. You're letting your foot sickle on your | :20:20. | :20:25. | |
back steps as well. But that is like minuscule. Fantastic. | :20:26. | :20:32. | |
Now then Darcey, my darling? The boys are right, you bring a | :20:33. | :20:35. | |
wonderful understanding to the role and I know that's not just down to | :20:36. | :20:40. | |
Aljaz. You are really thinking about who you're playing and it really | :20:41. | :20:46. | |
comes across. For me, you create a perfect line in your upper body. The | :20:47. | :20:52. | |
arch is divine. Now you can indulge in your lower leg and get more | :20:53. | :20:57. | |
stretch on the back leg. Aljaz has got you and you could extend that. | :20:58. | :21:02. | |
Don't listen to him. Then it would be all perfectly matched. And | :21:03. | :21:08. | |
beautiful. Really beautiful. I love that. Don't listen to him! OK Len? | :21:09. | :21:19. | |
Don't listen to old ironside at the end here. Ironside! Don't start. | :21:20. | :21:27. | |
What I love is that you are consistent. Whatever dance you've | :21:28. | :21:32. | |
had so far, you've done to a very high level and this was no | :21:33. | :21:40. | |
exception, just it was like a sea. Wave after wave of effortless | :21:41. | :21:45. | |
movement round the floor. We've seen a samba full of bounction and verve | :21:46. | :21:50. | |
-- bounce and verve, and the most elegant foxtrot and both equally | :21:51. | :21:55. | |
beautiful. You're right. You've done so well. And Peter scored a goal | :21:56. | :22:03. | |
today! This is live. Off you go. Well done. | :22:04. | :22:10. | |
APPLAUSE You had your highest score last | :22:11. | :22:27. | |
week, 35. Yeah. High praise from the judges tonight. I'm shocked. A lot | :22:28. | :22:31. | |
to live up to, or does it put more pressure on you. No, I'm made up | :22:32. | :22:39. | |
with it. How are the nerves? OK. Better tonight? I think everyone | :22:40. | :22:44. | |
aterrified to be honest -- everyone is terrified. Are you helping her | :22:45. | :22:53. | |
with the nerves? A little bit. Your Sophia is gorgeous. Hi baby! Mwah. | :22:54. | :22:59. | |
The judges' scores are in: Re! -- yes! You've had two high | :23:00. | :23:22. | |
scoring dances. Did you love the foxtrot? You have to vote. Call from | :23:23. | :23:31. | |
your mobile or from your land line. Or you can vote online. There's so | :23:32. | :23:36. | |
much more glitz to grace the dance floor including Deborah and Robin. | :23:37. | :23:40. | |
After an injury in training will Patrick be dance fit? We'll find out | :23:41. | :23:45. | |
soon. Who's next? Next up is Dave Myers and his | :23:46. | :23:50. | |
partner, Karen. APPLAUSE | :23:51. | :23:55. | |
I was talking to Dave about driving the other day. I said, "How often do | :23:56. | :24:03. | |
you change gear on a motorcycle? He said, "Never, I always wear the same | :24:04. | :24:07. | |
outfit." LAUGHTER | :24:08. | :24:12. | |
You can't beat him. Here they are in training. | :24:13. | :24:19. | |
When I finally got out onto the floor on Saturday night, it felt | :24:20. | :24:23. | |
fantastic. I knew the dance was in my head. I'd say that was your | :24:24. | :24:28. | |
personal best. Yes! I felt I was really starting to | :24:29. | :24:33. | |
dance properly. One thing that would help is posture. Darcey said I | :24:34. | :24:36. | |
needed to improve my posture. I think Karen has got some rather | :24:37. | :24:42. | |
interesting plans for this week. I've got a little surprise for you. | :24:43. | :24:48. | |
After Darcey's comments about Dave's posture last week, I managed to | :24:49. | :24:56. | |
arrange an antigravity yoga class to stretch his upper body and release | :24:57. | :25:00. | |
his chest and posture. Suspended, free of gravity, it was lovely. | :25:01. | :25:06. | |
Leave me here for a day or two. Every part of me is caressed and | :25:07. | :25:10. | |
held bit fabric of life. Then the hard work started! Next thing I | :25:11. | :25:17. | |
knew, I was on a skiing tour, then I was a vampire. I was everything. I | :25:18. | :25:25. | |
was like a locust, upside down and a cruciform position. My back felt | :25:26. | :25:31. | |
brilliant. I was ten feet tall when I walked out. Do you think we've | :25:32. | :25:35. | |
done enough to get the edge? Definitely. | :25:36. | :25:42. | |
Dancing makes me hungry. LAUGHTER | :25:43. | :27:52. | |
Dancing makes me hungry! I'm glad you got rid of the maracas because | :27:53. | :27:59. | |
it was going to cramp your style. Why does it always have to be Craig | :28:00. | :28:04. | |
first? Perhaps you should have considered or explored the | :28:05. | :28:08. | |
possibility of re-maining on the fruit trolley throughout? BOO | :28:09. | :28:18. | |
The Konga music came in and... The Konga step. I started to get excited | :28:19. | :28:25. | |
and then... Craig you were laughing. I can see you're laughing. You are! | :28:26. | :28:37. | |
Look, he is laughing. Salsa is a party Craig. You have to get down | :28:38. | :28:44. | |
there and get with it. LAUGHTER | :28:45. | :28:51. | |
OK Darcey, darling. Erm...... I think sadly, it's beginning, | :28:52. | :29:03. | |
balancing on that fruit trolley, you didn't have fun with the maracas, I | :29:04. | :29:07. | |
think you were worried about falling over. No, no. Jim Kay doesn't do | :29:08. | :29:13. | |
that. It's like that. It's just you... | :29:14. | :29:19. | |
LAUGHTER It was choreographed that way. | :29:20. | :29:25. | |
Really. You were out of sync all the way through. It's never luckily a | :29:26. | :29:35. | |
boring performance. APPLAUSE | :29:36. | :29:38. | |
When the trolley came on, I thought Craig was going to jump on it. | :29:39. | :29:44. | |
Len? You know, Dave, you've got a unique ability of never letting your | :29:45. | :29:48. | |
left leg know what your right leg's going to do. | :29:49. | :29:53. | |
LAUGHTER I I know you need separation in the | :29:54. | :30:00. | |
legs, so that's what I'm working on. LAUGHTER | :30:01. | :30:06. | |
The bottom line, it's not top quality dancing. But it's top | :30:07. | :30:14. | |
quality fun and entertainment. CHEERING | :30:15. | :30:22. | |
He is turning this into an entertainment show. Bruno? I tell | :30:23. | :30:28. | |
you what it is, ladies and gentleman, Strictly Come Dancing | :30:29. | :30:33. | |
presents crackers with maracas stew, a folly off the trolley. I don't | :30:34. | :30:38. | |
think anybody up till now has managed to be off time all the way | :30:39. | :30:44. | |
through. It's unique. It's an achievement you see. You'll be in | :30:45. | :30:49. | |
the Guinness Book of Records. He is unique. That's what my mother said. | :30:50. | :30:56. | |
And are you still my favourite. Off you go. | :30:57. | :31:00. | |
Top quality fun said Len. We are all about entertainment. Dave, you give | :31:01. | :31:23. | |
it us in bucket loads. I loved it. I've always had a bit of the | :31:24. | :31:29. | |
lavidaloca about me. Was it fun after the more serious waltz last | :31:30. | :31:34. | |
week, being Cuban Pete and having a laugh? I suspect my dancing was more | :31:35. | :31:41. | |
formalised last week. I may have busted a few more shapes this week. | :31:42. | :31:45. | |
The audience were on their feet. We know Dave is putting in serious | :31:46. | :31:50. | |
hours training. Definitely. Is he a serious contender? Yeah, of course. | :31:51. | :31:54. | |
Look at him! I'm seeing it. He's a contender. | :31:55. | :31:54. | |
Scores are in: It's been worse, Tess. It has been | :31:55. | :32:23. | |
worse. Did Dave's fast and fruity ally get you shaking your maracas? | :32:24. | :32:31. | |
Then call: or you can vote online to keep our Latin love biker with the | :32:32. | :32:36. | |
cheeky cheeky boom boom in the competition. Don't go ving until | :32:37. | :32:42. | |
after our couples have danced. Who is next, Bruce? | :32:43. | :32:46. | |
Oh, dear, oh, dear. I'll be all right in a minute. Our next couple | :32:47. | :32:50. | |
is Deborah Meaden and her partner, Robin. | :32:51. | :32:55. | |
APPLAUSE A very popular lady. Now Deborah is | :32:56. | :33:00. | |
really enjoying this whole experience. So I told the dragon | :33:01. | :33:04. | |
from Dragon's Den, there's no business like show business. Here | :33:05. | :33:13. | |
they are in training. I struggled with the jive. There | :33:14. | :33:17. | |
were a lot of steps. They just weren't all going in. It just wasn't | :33:18. | :33:21. | |
your dance. The technique wasn't strong enough. I completely agree. | :33:22. | :33:27. | |
There was very little spring in your step and the kicks were lame. | :33:28. | :33:30. | |
There's one thing I'm focussing on this week, making sure I am | :33:31. | :33:37. | |
technically better. This week I'm dancing the veen yeets | :33:38. | :33:44. | |
waltz to -- Viennese waltz to This is a Man's World. If you can show me | :33:45. | :33:50. | |
in the boardroom on your game plan, I think the return on your | :33:51. | :33:53. | |
investment will be phenomenal. Why make it up here, let's go back into | :33:54. | :33:58. | |
the boardroom. There couldn'ter more inspiration than getting back here | :33:59. | :34:00. | |
and remembering how it feels and getting some power back. Tell me, | :34:01. | :34:05. | |
what would your business plan be for our Viennese waltz. This is me last | :34:06. | :34:10. | |
week. What are we aiming for next week? 8s and 9s. How will we get | :34:11. | :34:16. | |
there? Had Music, we need choreography, we need technique. If | :34:17. | :34:21. | |
we can pull it off, we can close the deal. We're now reaching the | :34:22. | :34:25. | |
business end of the competition. I just hope that on Saturday night, I | :34:26. | :34:29. | |
can go out there and sell it to the audience, to the judges. | :34:30. | :34:37. | |
Look at this! How lovely for you. How very lovely for you. You don't | :34:38. | :36:36. | |
get that in Dragon's Den. But that was really lovely. Darcey? It was an | :36:37. | :36:43. | |
interesting twist to a Viennese waltz, but I liked it. I really | :36:44. | :36:48. | |
enjoyed the power game you had going. Of course, as soon as you got | :36:49. | :36:52. | |
into hold, you had that controlled elegance. The turns are very hard, | :36:53. | :36:57. | |
but you handled it well. I would just say, think of wearing a | :36:58. | :37:01. | |
jewelled necklace, just to keep hold of that top line, because that's the | :37:02. | :37:04. | |
only thing that lets you down now and then. If you imagine that, | :37:05. | :37:08. | |
you'll lift out of your waist. But the confidence is all back. Well | :37:09. | :37:16. | |
done. Len? You know, the Viennese waltz is | :37:17. | :37:21. | |
a romantic sort of a dance. When you were in hold, I did see a touch of | :37:22. | :37:27. | |
romance, a touch of Mills Boob. The beginning was more like meals on | :37:28. | :37:32. | |
wheels. I never thought you were ever going to stop pushing the | :37:33. | :37:37. | |
trolley around. It's an improvement on last week, so well done. | :37:38. | :37:49. | |
Indeed. Bruno? Yes, Deborah, romance went | :37:50. | :37:54. | |
out of the window. It was a bitter divorce, give me the table, I'll | :37:55. | :37:59. | |
have it! Get off the table and get moving. Because actually, once up | :38:00. | :38:04. | |
started moving, it was better. You were more at ease. The footwork was | :38:05. | :38:08. | |
good. They are right, have you to work on your posture, but much more | :38:09. | :38:17. | |
confident and flowy. An improvement. Craig? I suppose the table did prove | :38:18. | :38:21. | |
that you can actually push a table and waltz in time. There is a gift | :38:22. | :38:25. | |
there if you're into that. I agree the top line was an absolute | :38:26. | :38:32. | |
disaster tonight. Your left arm was really lagging. I really like the | :38:33. | :38:36. | |
fact that you did a Spanish paso centrepiece to that, which was very, | :38:37. | :38:40. | |
very nice. I thought that was intuitive. | :38:41. | :38:43. | |
I'll settle for that. I'll take that. | :38:44. | :38:46. | |
The people loved it. Off you go. Robin, well done the pair of you. | :38:47. | :38:51. | |
APPLAUSE You said you wanted to sell it and | :38:52. | :39:04. | |
you sold it. I meant it. Yes! I was having that table, if it was the | :39:05. | :39:06. | |
last thing that happened. We believed you. The judges said huge | :39:07. | :39:11. | |
improvement on last week. A standing ovation. A standing ovation from the | :39:12. | :39:16. | |
audience is amazing. Five weeks in now, you're training hard. You look | :39:17. | :39:21. | |
a lot fitter. Do you feel fitter? Ten hours a day dancing makes you a | :39:22. | :39:26. | |
lot fitter from nothing to ten hours a day, yeah. That is a lot of | :39:27. | :39:29. | |
dancing. I'm impressed. Scores are in: | :39:30. | :39:53. | |
Great score. You're starting to feel as at home in the ballroom as the | :39:54. | :39:59. | |
boardroom. If you think this competition will be nothing without | :40:00. | :40:04. | |
Deborah and Robin call to vote: Or head to the website. Lots more in | :40:05. | :40:07. | |
store tonight with Susanna and Kevin. They're hoping for some | :40:08. | :40:10. | |
sunshine. Aren't we all? And Rachel is becoming a man eater. | :40:11. | :40:17. | |
Grrr. Back to the dance floor. We're ready, our fifth couple is | :40:18. | :40:24. | |
Patrick and his partner Anya. APPLAUSE | :40:25. | :40:29. | |
Very popular people. Patrick used to be a member of the Royal Shakespeare | :40:30. | :40:35. | |
Company. I told him I once starred in that comedy Hamlet. He said, | :40:36. | :40:39. | |
"Hamlet isn't a comedy, it's a tragedy." I said not when I did it! | :40:40. | :40:45. | |
I wore these pink tights... LAUGHTER | :40:46. | :40:52. | |
I got screams and yells, then I got fired. Any way, here they are in | :40:53. | :40:57. | |
training. I know, for me, there wasn't a wrong | :40:58. | :41:03. | |
step anywhere. I was chuffed to get through that one on the night, when | :41:04. | :41:08. | |
it really mattered. At the end of the dance, I stood there out of | :41:09. | :41:12. | |
breath and the first comment was Craig's. Absolutely brilliant. For | :41:13. | :41:21. | |
me, it's absolutely brilliant, so thank you very much. This week we | :41:22. | :41:25. | |
are dancing the salsa. Salsa is super energetic. It should look like | :41:26. | :41:29. | |
fun. Actually, it is a lot of fun. It is. Jo what do you do for fun? | :41:30. | :41:37. | |
Rollerskate. Salsa skating fun. Here we go. Let's bring this sense of fun | :41:38. | :41:44. | |
on Saturday night. If I make it to Saturday night! I just heard from | :41:45. | :41:49. | |
Patrick he hurt his wrist last night. I knew when I went into work | :41:50. | :41:53. | |
I would see the medical advisor and he said, you need an extra. I have | :41:54. | :41:58. | |
come for emotional support. I've had a look at your scans, the bone we | :41:59. | :42:03. | |
were worried about has not fractured, so as far as using the | :42:04. | :42:08. | |
wrist is concerned, it's a case of using it as pain allows. The injury | :42:09. | :42:12. | |
on my hand has had a big impact on the dance. The routine has been | :42:13. | :42:16. | |
changed drastically. I will be there Saturday night trying to do it. | :42:17. | :42:23. | |
CHEERING AND APPLAUSE Lovely, really lovely. You did very | :42:24. | :44:20. | |
well with that, spran is it? When you did the lift I was really | :44:21. | :44:24. | |
worried for you. Well done. A great routine. Len? You should feel right | :44:25. | :44:31. | |
at home, what with your wrist and casualty, let me tell you, you did a | :44:32. | :44:35. | |
wonderful job in changing that all around and giving Patrick a routine | :44:36. | :44:39. | |
that he could really just do with one hand. I thought Patrick, you did | :44:40. | :44:47. | |
great as well. Very difficult. The hold was brilliant. You did a really | :44:48. | :44:50. | |
good job under terrible circumstances. | :44:51. | :44:53. | |
Well done. Well said, Len. | :44:54. | :44:58. | |
Bruno? You gave me a terrible fright. I thought you got ereck | :44:59. | :45:05. | |
tricuted for a -- ereck tricuted for a -- electricuted! For some moments, | :45:06. | :45:11. | |
you were doing it and you were happy, then you got stiff. It was on | :45:12. | :45:17. | |
and off and on and off. Oh, my God, he's giving me palpitation. It felt | :45:18. | :45:23. | |
slightly unfunished. I understand the circumstances, they were not in | :45:24. | :45:26. | |
your favour. You can sell it, I'm sure if you come back, you will show | :45:27. | :45:31. | |
yourself at your maximum advantage. It was slightly loose and unfinished | :45:32. | :45:35. | |
tonight. But very difficult circumstances. Craig? I have to | :45:36. | :45:40. | |
agree, it was very stoppy, very starty. That sort of ruined it. | :45:41. | :45:43. | |
There should be a flow to it. You still could have got that with one | :45:44. | :45:49. | |
arm actually. Stop making him laugh. The isolation in the last shimmy, | :45:50. | :45:53. | |
you need to isolate the shoulder rather than putting the whole thing | :45:54. | :46:00. | |
together. You do naturally have fantasticically -- fantastically | :46:01. | :46:07. | |
good hips, great rhythm. To do the whole dance with that kind of thing | :46:08. | :46:11. | |
is very difficult. For me, I think you directed Anya brilliantly. I | :46:12. | :46:16. | |
love to see a man in control of the dance and for me, you gave me that. | :46:17. | :46:20. | |
Just be conscious of mirroring Anya and finishing off the arms. That | :46:21. | :46:24. | |
would be the only thing. Exactly very impressive from all the changes | :46:25. | :46:28. | |
you've gone through, that was a very impressive show. | :46:29. | :46:31. | |
Be impressed! Off you go. come on up here. You can see in your | :46:32. | :46:51. | |
face, when you're dancing that you love the Latin. Oh, yeah. Your hips | :46:52. | :46:56. | |
love it too. That injury meant that you had to change your entire | :46:57. | :47:00. | |
routine as of yesterday. It must have been nervewracking. Yeah, yeah. | :47:01. | :47:04. | |
You know, Anya is brilliant basically. That was very clever. | :47:05. | :47:09. | |
One-arm choreography. That lift was so impressive. How did Patrick cope? | :47:10. | :47:14. | |
Amazing. Thank you so much for working so hard and switching. The | :47:15. | :47:16. | |
scores reflect that, they're in: Not your best score, but not | :47:17. | :47:44. | |
surprising really. Call to vote: or you can online if you want to see | :47:45. | :47:49. | |
Patrick and Anya fly through to next week. Your votes make the difference | :47:50. | :47:52. | |
between who stays and who goes. No-one wants to leave. | :47:53. | :47:58. | |
Do you? No. Patrick has danced through the pain so whos next to -- | :47:59. | :48:03. | |
who's next? Our next couple is Fiona Fullerton and her partner, Anton Du | :48:04. | :48:05. | |
Beke. Snment They are going to do the quickstep. | :48:06. | :48:16. | |
I said to Anton, "I'm so pleased for you." He said, "Because I'm doing | :48:17. | :48:23. | |
the quickstep? I said "No, it's week five and you're still here." Can't | :48:24. | :48:28. | |
believe it! Here they are in training. | :48:29. | :48:35. | |
When I get out there, I'm really excited. I really, really, really | :48:36. | :48:39. | |
want to do well. Then something happens. It is immensely | :48:40. | :48:45. | |
frustrating. There are a few serious issues. It's almost as if there's a | :48:46. | :48:49. | |
voice in my head saying, "You can't do this." I have to concentrate. | :48:50. | :48:56. | |
This week, we are dancing the quickstep. Step hop, step hop. It's | :48:57. | :49:01. | |
fine. She's nervous. I can understand it completely. I'm trying | :49:02. | :49:06. | |
to complicate it. Yeah. I suggest it's already difficult enough. I | :49:07. | :49:09. | |
don't think it's nerves any more. I can't keep saying that. I want it to | :49:10. | :49:15. | |
be perfect. And if it's not, my brain goes bleurgh. I need you to be | :49:16. | :49:21. | |
strong with yourself. Even if I go wrong? If you go wrong, I don't want | :49:22. | :49:26. | |
to know about it, the audience don't want to know about it. You can show | :49:27. | :49:30. | |
them how good you are. You can do that. Positive mental attitude. What | :49:31. | :49:35. | |
did I get wrong? Nothing. It was perfect. Suddenly the penny drops. I | :49:36. | :49:40. | |
am feeling so much happier. It's coming. Lovely. Last week's show was | :49:41. | :49:44. | |
a real wake-up call. Now it top it all off, I've had a message from a | :49:45. | :49:49. | |
really special friend. Hi Fiona, you're doing so well. I wish you all | :49:50. | :49:52. | |
the luck in the world for Saturday night. | :49:53. | :49:58. | |
MUSIC: If My Friends Could See Me Now | :49:59. | :51:36. | |
CHEERING AND APPLAUSE Oh, Fiona! Fiona, look at this. | :51:37. | :51:52. | |
Oh, Fiona. You have made us all happy. Anton as well. That was so | :51:53. | :51:56. | |
beautiful. Thank you. You must have worked very | :51:57. | :52:02. | |
hard. She did. You're right. Bruno, what did you think? Oh, yes, Fiona | :52:03. | :52:06. | |
finally putting on the glitz. High spirits in high society. Such flare. | :52:07. | :52:11. | |
You played it so well. You moved better. And there were a couple of | :52:12. | :52:14. | |
mistakes in the foot work, but you covered it. So we didn't notice. You | :52:15. | :52:21. | |
played it beautifully. That's the way to go. Great. Absolutely. What | :52:22. | :52:27. | |
did you think Craig? I certainly noticed the upstage corner section | :52:28. | :52:31. | |
in the charleston. That seems to go it completely awry darling. I | :52:32. | :52:38. | |
thought you might. It didn't look like it was meant to bement but you | :52:39. | :52:44. | |
flew around that floorened you -- floor and you were definitely back | :52:45. | :52:50. | |
in the room. We are so happy for you. OK, there | :52:51. | :52:56. | |
we are Darcey. Finally fabulous Fiona, thank you. You were light on | :52:57. | :53:00. | |
your feet. You're beautifully confident. Keep that focus. Your | :53:01. | :53:10. | |
best chance. And Len? More confident, plus more focus, plus | :53:11. | :53:15. | |
more content equals more points. Well done. Well done. Off you go. | :53:16. | :53:26. | |
Sow much -- so much goodwill for you in the room. You've done it. Have | :53:27. | :53:45. | |
you overcome your nerves? I think so. I turned a corner this week. | :53:46. | :53:50. | |
Hopefully. It felt good. It felt lovely. A great routine. You were | :53:51. | :53:55. | |
amazing. Well done. Fiona had a lot to prove tonight. Did she do you | :53:56. | :54:00. | |
proud She did me proud. But she done herself proud. Last week a little | :54:01. | :54:03. | |
disappointed. This week, thrilled. Well done you. You've done a great | :54:04. | :54:07. | |
job. Well done. Positive mental attitude goes a long | :54:08. | :54:11. | |
way. Darcey said your best dance yet. Let's see if your best score: | :54:12. | :54:35. | |
They're very happy. I haven't had an eight since 1972! If you thought | :54:36. | :54:49. | |
that was the quintessential quickstep call: Or go online and | :54:50. | :55:00. | |
vote. Voting opens later. We're all a bit | :55:01. | :55:04. | |
giddy. We're at the halfway point. There's still all this to feast your | :55:05. | :55:15. | |
eyes on: Out, in, out, in. I'm just hopping-tastic. Up the apples and | :55:16. | :55:23. | |
pears. Way too fast, by the way. You should make this slower. One, two... | :55:24. | :55:27. | |
, oh, dear. Nah, nah. OK. Our next couple is Rachel Riley | :55:28. | :55:50. | |
and her partner Pasha. APPLAUSE | :55:51. | :55:56. | |
Now after being in the dance-off last week, Rachel has been praying | :55:57. | :56:01. | |
she isn't in the dance-off again this week. I said, "I'm sorry, but | :56:02. | :56:07. | |
if I've said it once, I've said it a million times - you don't get | :56:08. | :56:16. | |
anything for a prayer." Not in here! Much better than rehearsal. It's | :56:17. | :56:29. | |
live, you see. This is live. APPLAUSE | :56:30. | :56:36. | |
Here they are in training. The quickstep all week had been a really | :56:37. | :56:40. | |
hard dance. I wasn't very happy with my performance. Once I missed one | :56:41. | :56:44. | |
step, it was hard to catch up. You need is control. I blew it really. | :56:45. | :56:49. | |
You have to get focussed. I have to do it all again. Let's not do that, | :56:50. | :56:53. | |
because that means you're going to be in the bottom two. | :56:54. | :56:57. | |
The first couple, Rachel and Pasha. It's terrifying. Who would you like | :56:58. | :57:05. | |
to save? Rachel. Rachel. Rachel. I'm going to come back fighting. | :57:06. | :57:08. | |
After being in the bottom two, doing the paso doble is a risk. It's so | :57:09. | :57:12. | |
strong. You have to be totally in character. I need to act and I have | :57:13. | :57:16. | |
no acting experience at all. Pasha brought in an acting coach to help | :57:17. | :57:20. | |
me get the character of the paso doble. You want the anger, the | :57:21. | :57:24. | |
connection between the fierce legs and the movement and face. I had to | :57:25. | :57:29. | |
get into paso doble mode. Try to focus and keep that face as fierce | :57:30. | :57:32. | |
as possible. . They were going to distract me out of it. Quickly I | :57:33. | :57:39. | |
lost my concentration. You have to train to keep the focus. Then I got | :57:40. | :57:45. | |
into the zone. You need to match the dance with your emotions and focus | :57:46. | :57:49. | |
your anger through the muscles in your face and everything you do. I | :57:50. | :57:52. | |
think it did help. I'm putting everything into this dance. I hope | :57:53. | :57:56. | |
I've done enough to not be in the bottom two this week. | :57:57. | :58:01. | |
Well done, both of you. It's over. Lovely. I felt the story. I think | :58:02. | :00:02. | |
I'm full now. Why didn't you get him a ladder and a little bell? Next | :00:03. | :00:08. | |
week. Craig? There was so much tension in | :00:09. | :00:12. | |
that. I felt like it was a whole heap of trees being felled really. | :00:13. | :00:17. | |
It was too stiff and too solid. The drama that you set up the top I | :00:18. | :00:23. | |
didn't find compelling enough because you don't dance it well | :00:24. | :00:27. | |
enough, alone. It would have been safer to get into hold. The kicks | :00:28. | :00:32. | |
need finishing off. You need to arch your back, broader arms and shapes. | :00:33. | :00:36. | |
There were balance issues. Littered with a bit of disaster, I'm afraid. | :00:37. | :00:44. | |
BOO Oh, Darcey darling. I can see you've | :00:45. | :00:53. | |
worked so hard. Yes, you have. It's so much tougher for the girl. It's | :00:54. | :00:57. | |
easy for the boy to be a matta tore. It's -- matador. It's hard for the | :00:58. | :01:03. | |
girl. You are a lovely person. It's difficult for you to be hard. I know | :01:04. | :01:10. | |
you have to be crisper and sharper. If you could focus with your eyes, | :01:11. | :01:14. | |
and change direction with your spot and everything will come together, I | :01:15. | :01:17. | |
think. I know it's the core, but maybe the eyes. | :01:18. | :01:25. | |
Good advice. Thank you. Len? I feel bad because I know that you've | :01:26. | :01:30. | |
really worked hard and you're coming out and you really want to try your | :01:31. | :01:34. | |
best and do your best and you're just hoping it all goes great. Well, | :01:35. | :01:39. | |
unfortunately, this wasn't a dance that suits your personality. You're | :01:40. | :01:44. | |
smiley Riley. You had to come out with a lot of aggression and a lot | :01:45. | :01:49. | |
of clean lines and clean footwork. It just didn't quite work. That's a | :01:50. | :01:56. | |
great pity. Bruno? Bless you my darling. It's hard being a maneater. | :01:57. | :02:01. | |
It's hard, aggression. It's difficult. It's hard. I can do it. | :02:02. | :02:08. | |
Listen, my darling... Don't go there. You had all the content | :02:09. | :02:12. | |
there, but it was a vegetarian option. You have to put and the | :02:13. | :02:17. | |
blood and guts and let the character take over. Len is right you're a | :02:18. | :02:21. | |
nice girl. Forget about nice, come here and fight, fight for your place | :02:22. | :02:27. | |
on Strictly. Go for it. Don't feel bad about it. Go on. | :02:28. | :02:31. | |
You're wonderful. We loved you. Go on. Away you go. | :02:32. | :02:40. | |
APPLAUSE Smiley Riley, you have been | :02:41. | :02:54. | |
channelling mean and moody. I've been trying mean and moody. She was | :02:55. | :03:00. | |
so in character all day. You were in character. It wasn't enough for the | :03:01. | :03:04. | |
judges. Is it enough to keep you out of the dance-off this week? I really | :03:05. | :03:09. | |
hope so. I have worked so hard. I was scowling all day. She has worked | :03:10. | :03:17. | |
incredibly hard. Trained 30 hours this week. Is she improving? Every | :03:18. | :03:21. | |
week we're going for something more difficult for the -- than the week | :03:22. | :03:25. | |
before. She delivers. I was there with her and she almost ate me | :03:26. | :03:30. | |
alive. She was fierce. The scores are in: | :03:31. | :03:52. | |
That's what the judges thought. But what do you think? Did Rachel pass | :03:53. | :04:04. | |
the test? If so call to vote: Or go online to save her from the | :04:05. | :04:07. | |
dance-off. Get dialling and clicking as soon as the vote opens. Who's | :04:08. | :04:09. | |
next? Oh, yes, it's Mark Benton and his | :04:10. | :04:17. | |
partner, Iveta. APPLAUSE | :04:18. | :04:20. | |
He's been marvellous. Last week, Mark started off his dance by | :04:21. | :04:24. | |
strutting around with a massive boom box on his shoulder, you remember? | :04:25. | :04:28. | |
He asked me if I've ever done it. I said, "I did it once walking down | :04:29. | :04:33. | |
the street with a boom box on my shoulder, but I felt such a fool | :04:34. | :04:38. | |
listening to the Archers. " LAUGHTER | :04:39. | :04:42. | |
Shut up. Here they are in training. | :04:43. | :04:49. | |
The cha cha last Saturday was my favourite dance so far. When the | :04:50. | :04:53. | |
dance finished we got such an amazing reaction. We felt really | :04:54. | :04:56. | |
happy and then Craig's comments burst that bubble. It was all very | :04:57. | :05:01. | |
floot foot and stompy. It makes you sad when had you work so hard on | :05:02. | :05:05. | |
something. This week, I'm trying my best to put a smile on Craig's face. | :05:06. | :05:09. | |
Hopefully when the paddle comes out it won't say 3. I'm going to have to | :05:10. | :05:13. | |
work on the grace and elegance of the waltz. I could probably do with | :05:14. | :05:19. | |
a bit of help. Look what I have for you I am Colonelingly invited -- | :05:20. | :05:30. | |
codially invited... She made me say, how now brown cow. Try to roll it | :05:31. | :05:34. | |
off your tongue. That was going to help me with my facial expressions. | :05:35. | :05:40. | |
I have heard of a problem with stompy feet. I do. I'm so sorery. -- | :05:41. | :05:47. | |
sorry. Keep your head up, keep your shoulders back, walk from your hips, | :05:48. | :05:52. | |
swing your arms, belly in. I have a problem with my balance. One good | :05:53. | :05:56. | |
exercise is walking with a book on your head. Very good. Thank you so | :05:57. | :06:05. | |
much. Congratulations. Thank you, hopefully come Saturday night, what | :06:06. | :06:08. | |
I've learned today will help me with the waltz. | :06:09. | :06:14. | |
CHEERING AND APPLAUSE Very good. They loved it. Iveta, how | :06:15. | :08:08. | |
could you leave him like that? Too late. Any way, it was lovely. A | :08:09. | :08:13. | |
lovely mood to it. Darcey start us off. You transported me. One week | :08:14. | :08:17. | |
you're the Latin man and now you're this real elegant gentleman. Your | :08:18. | :08:23. | |
top line is so much better. The rise and fall could just have been a bit | :08:24. | :08:28. | |
better on the balance. But overall, how you hold Iveta, your tenderness, | :08:29. | :08:35. | |
care, I liked it. You do act the part so well. Your | :08:36. | :08:42. | |
dancing has a naturalness about it. It's not forced. It's easy on the | :08:43. | :08:46. | |
eye. Unfortunately your left arm went a bit forward, which spoiled | :08:47. | :08:49. | |
your frame a little bit. You lifted your shoulders a bit, which | :08:50. | :08:53. | |
unfortunately, you lost your posture a bit. But what I love, you just | :08:54. | :08:58. | |
come out with this lovely, naturalness about you, which I think | :08:59. | :09:02. | |
is terrific. So right, Len. So true. OK, now then | :09:03. | :09:11. | |
Bruno? Everything is so effective because it's so deeply felt. It's | :09:12. | :09:14. | |
extremely well played. I believe everything you do is like a top | :09:15. | :09:18. | |
politician. You put your spin and we believe it. It's a good quality. Len | :09:19. | :09:22. | |
is right tonight was a question of posture and top line, which is tough | :09:23. | :09:27. | |
in the waltz. It's so evident in such simple dance, but great | :09:28. | :09:30. | |
performance. There we are. OK then, Craig? I've | :09:31. | :09:37. | |
got to say it's so much better than that ghastly dance you did last | :09:38. | :09:41. | |
week! Much, much nicer on the eye to watch. I thought you danced it | :09:42. | :09:46. | |
simply, effectively and with feeling and emotion. It was beautiful. Get | :09:47. | :09:51. | |
off quick, before they change their minds! Off you go. | :09:52. | :09:56. | |
wow. Such an emotive waltz. I had a tear in my eye. I thought you were | :09:57. | :10:16. | |
getting teary then. Oh, yeah. You've done some real crowd pleasing | :10:17. | :10:19. | |
routines. Is it more of a challenge getting serious? It is. But we loved | :10:20. | :10:22. | |
it. I wanted to do something different and not just be funny | :10:23. | :10:26. | |
every week. You wanted to prove Craig wrong this week. I did and he | :10:27. | :10:30. | |
was lovely. He was! I think you were hoping for more than a three this | :10:31. | :10:35. | |
week. Oh, please! Shall we see if it is more than three? The scores are | :10:36. | :10:37. | |
in: 28! Way more than a three from Craig | :10:38. | :11:03. | |
and your highest score to date. Brilliant! It is brilliant. If you | :11:04. | :11:08. | |
love Mark and Iveta's waltz, no need to apologise, just vote: | :11:09. | :11:16. | |
or vote online. As well as the action on the floor, there's loads | :11:17. | :11:22. | |
going on behind-the-scenes. Check us out on Facebook and Twitter. #who's | :11:23. | :11:30. | |
next #... No it isn't. Our next couple is | :11:31. | :11:36. | |
Ashley and Ola. APPLAUSE | :11:37. | :11:39. | |
They're doing so well. Now, because Ashley's on the show Hollyoaks. I | :11:40. | :11:48. | |
must say I found it so depressing. It was so mys rib. I had -- | :11:49. | :11:55. | |
miserable. I had to watch EastEnders to cheer myself up. I did really! | :11:56. | :12:00. | |
APPLAUSE Here they are in training. | :12:01. | :12:08. | |
Before last week's show I was excited about the Viennese waltz. On | :12:09. | :12:13. | |
the night the nerves got to me. I stiffened up. It needed a bit more | :12:14. | :12:20. | |
gusto to it. A bit more government you! You need more oomph. It was | :12:21. | :12:25. | |
fair. A fair score. It's left me wanting more. I felt deflated. I let | :12:26. | :12:30. | |
myself down again. Maybe next week I'll sort that out. Who knows. This | :12:31. | :12:34. | |
week, I've got the jive. There's nowhere to hide in the jive. Step, | :12:35. | :12:40. | |
step. Help me! We really have to go for it this week. Because Ashley is | :12:41. | :12:44. | |
so busy, I have to squeeze in 30 hours worth of work into ten hours. | :12:45. | :12:52. | |
I got up at about 5. 30am. Morning! We did Lorraine. My next guest | :12:53. | :12:59. | |
Ashley Taylor Dawson... I did phone interviews for a couple of hours. | :13:00. | :13:05. | |
Then we went off to do a photo shoot. I went to It Takes Two. You | :13:06. | :13:14. | |
look gorgeous. Five minutes to practice. Then raining. Last | :13:15. | :13:23. | |
Saturday the judges told me to give it some oomph. If I make it through | :13:24. | :13:24. | |
the week I will give it to them. CHEERING AND APPLAUSE | :13:25. | :15:20. | |
I should think so. Well done. That's it Ashley. Ola, a great | :15:21. | :15:28. | |
routine. Plenty of oomph, maybe too much. Len, what did you think? It | :15:29. | :15:35. | |
had speed, energy, plenty of Gotye! -- gotta! You lost your technique | :15:36. | :15:38. | |
here and there. But a terrific effort. Well done. Oh, yes, all | :15:39. | :15:48. | |
rock-and-roll. Was it Elvis or shaking Stephens? I'm not sure. But | :15:49. | :15:52. | |
the feel is right. Len is right, you had the foot on the accelerator all | :15:53. | :15:55. | |
the way through. Be careful, kicks and flicks have to be much sharper | :15:56. | :16:03. | |
and cleaner. Right. Craig? I'm glad no-one saw you recovering from your | :16:04. | :16:10. | |
knee slide, that was a bit ungainly. That's got that on camera somewhere | :16:11. | :16:14. | |
else for It Takes Two. Have you to be aware that you have feet at the | :16:15. | :16:19. | |
end of those feet. They need pointing. But I loved it. I did love | :16:20. | :16:26. | |
it. What a tempo. Darcey? That wasn't safe, that wasn't placed. It | :16:27. | :16:32. | |
was brilliant! I love the energy. You had spring. All the way through | :16:33. | :16:37. | |
you kept it up. That's what we need. But the feet needed to point. I | :16:38. | :16:44. | |
can't point in these shoes. Good excuse. Not my choice. Not your | :16:45. | :16:52. | |
choice, OK, fine. You won't get the blame. Wonderful choreography. | :16:53. | :17:00. | |
They're a bit turned up on the end. It's just the shoes, not me. I dance | :17:01. | :17:06. | |
it well really. Lovely! | :17:07. | :17:09. | |
APPLAUSE Wow! That was a crowd pleasing jive. | :17:10. | :17:19. | |
Even Craig loved it. He's a bit of a perfectionist. Just like you. Did it | :17:20. | :17:23. | |
feel good? I enjoyed that. For the first time, I enjoyed dancing. How | :17:24. | :17:28. | |
did you learn a routine in just ten hours? I don't know. A great | :17:29. | :17:36. | |
teacher. I'm loving the weave. Fabulous. It's my new friend. | :17:37. | :17:39. | |
The scores are in. Loads of oomph. Did you think the | :17:40. | :18:06. | |
jive be good? Then call to vote. Or go online to send them straight | :18:07. | :18:11. | |
through to next week. Still to come: Big Ben has to prove he can be light | :18:12. | :18:16. | |
in his loafers in the quickstep and can queen of cool Sophie get cheeky | :18:17. | :18:20. | |
in the cha cha? Right, now for our next couple, | :18:21. | :18:25. | |
Susanna and her partner Kevin from Grimsby. | :18:26. | :18:32. | |
APPLAUSE Any way, after Susanna's raunchy | :18:33. | :18:38. | |
samba last week, we had a lot of letters from viewers complaining. In | :18:39. | :18:42. | |
answer to all those letters, I'm sorry, but no - she can't do it | :18:43. | :18:49. | |
again! I explained myself. Here they are in training. | :18:50. | :18:55. | |
Last week, Kevin and I just wanted to deliver something really big and | :18:56. | :19:01. | |
a bit crazy. I thought it was a bit muddy actually. It was a bit muddy | :19:02. | :19:07. | |
at the edges. I know what they mean. I quite like the idea of having done | :19:08. | :19:11. | |
a muddy samba on Strictly. We can clean up next week. Work. Sorry. | :19:12. | :19:17. | |
This week it's the American smooth. Keep going, keep going. Week by | :19:18. | :19:22. | |
week, I am loving dancing even more. Of course, that's down to Kevin. He | :19:23. | :19:26. | |
has grown up in a ballroom. His parents are former national | :19:27. | :19:29. | |
champions. I wanted to see where his love of dancing began. He took me to | :19:30. | :19:32. | |
Grimsby. I'm going to take you to a dance | :19:33. | :19:37. | |
studio that my mum and dad run where I started training. Let's go. | :19:38. | :19:42. | |
Five, six, seven, eight. Hello! Aren't you gorgeous. We | :19:43. | :19:50. | |
danced with some of the kids. It's like dancing with Kevin. Only so | :19:51. | :19:54. | |
much prettier. I even got the chance to dance with Kevin's dad. I feel as | :19:55. | :20:00. | |
though I'm young again. Maybe I'm dancing with the wrong Mr Clifton. | :20:01. | :20:06. | |
Group hug. Going to Grimsby has really boosted that friendship an I | :20:07. | :20:12. | |
-- and I hope it adds extra magic to our performance on Saturday night. | :20:13. | :20:14. | |
Keep dancing! CHEERING AND APPLAUSE | :20:15. | :22:11. | |
A beautiful song, beautifully danced. Bruno? It's always sunny in | :22:12. | :22:22. | |
Susanna land. It's so happy. You really exude happiness. It's joyful | :22:23. | :22:26. | |
watching you. You bring so much positive energy to what you do. It's | :22:27. | :22:31. | |
fantastic to watch. Nice in hold. Nice side by side. Stretch your leg | :22:32. | :22:35. | |
at the back and your foot and your extensions, good lifts, great | :22:36. | :22:43. | |
performance. Lovely. Craig? One word - gorgeous! | :22:44. | :22:52. | |
Great to have you back Craig. Darcey? The focus you give to each | :22:53. | :23:02. | |
dance is bang on. There is a film star in you. It's beautiful to | :23:03. | :23:07. | |
watch. Just watch the preparations into the lifts. That's the only | :23:08. | :23:10. | |
thing. Have confidence in your man. He has got you. Do not worry. That | :23:11. | :23:16. | |
would be the only thing, but lovely. Now then, Len? Last week, it was all | :23:17. | :23:22. | |
bounce, bum and Bonning yeses, this week it's smooth -- bongos, this | :23:23. | :23:28. | |
week it's smooth, suave and sophisticated. It was lovely. Off | :23:29. | :23:30. | |
you go and be proud! APPLAUSE | :23:31. | :23:47. | |
Cleaned up with the judges. Craig said it was "gorgeous" It's fabulous | :23:48. | :23:53. | |
to have Craig back and in such a great mood. The medication. Your | :23:54. | :23:57. | |
first lifts of the series, did you feel safe? I was totally confident | :23:58. | :24:02. | |
actually. There wasn't a moment - yeah look at them. He's not going to | :24:03. | :24:05. | |
drop this sack of potatoes with a pair like that. Kevin we are five | :24:06. | :24:10. | |
weeks in now, to the competition, it's getting a bit more serious, do | :24:11. | :24:18. | |
you think Susanna can go the distance? You've got my vote. The | :24:19. | :24:20. | |
scores are in. Well done. If you thought Susanna | :24:21. | :24:47. | |
and Kevin were streets ahead, if so, call to vote. Or of course, you can | :24:48. | :24:55. | |
go online. Voting opens when everyone's danced. You don't have | :24:56. | :24:58. | |
long to wait. Right, our next couple... | :24:59. | :25:04. | |
LAUGHTER Is - I was complaining about all the | :25:05. | :25:09. | |
stairs I have to go up and down. Any way, the next couple is Ben Cohen | :25:10. | :25:17. | |
and his partner Kristina. APPLAUSE | :25:18. | :25:20. | |
Well, yes, it's Big Ben time, ladies. | :25:21. | :25:26. | |
Last week, Ben ran over and gave Darcey a hug. The week before he ran | :25:27. | :25:32. | |
over and gave Craig a hug. I just hope tonight he doesn't run over and | :25:33. | :25:40. | |
hug Bruno. We'll never get him back. No you won't! I know. I know you! | :25:41. | :25:51. | |
Here they are in training. Last weekend's dance was really a | :25:52. | :25:57. | |
good chance to let go a bit. I enjoyed throwing Kristina around. I | :25:58. | :26:02. | |
felt at home doing that. Dirty, oiled mechanic, it's ticking every | :26:03. | :26:06. | |
box. Yeah, it was lovely to get nice comments from Craig, of course. | :26:07. | :26:10. | |
Because he's not shy in giving bad ones. To get 31 was - I'm going to | :26:11. | :26:16. | |
play the lottery this week, put it that way. I've turned a corner now. | :26:17. | :26:23. | |
People think you're a serious contender now. I don't know about a | :26:24. | :26:27. | |
serious contender. You have to believe in yourself. Since I've | :26:28. | :26:34. | |
retired, I haven't really had that competitive edge like that. There is | :26:35. | :26:38. | |
a member of my family who is still quite competitive, my uncle George, | :26:39. | :26:44. | |
who won the '66 World Cup final. He's going to give me a pep talk. My | :26:45. | :26:50. | |
competition now is with myself. What advice do you have for me for the | :26:51. | :26:54. | |
rest of the competition. We've both won a World Cup. This is going to be | :26:55. | :26:57. | |
another medal, if you win. Can you imagine what it's going to be like | :26:58. | :27:01. | |
in the family, if you don't. Don't come home without a trophy. Don't | :27:02. | :27:05. | |
come home without the trophy. It was great to have a pep talk from uncle | :27:06. | :27:09. | |
George. I remember his words and see how they inspire me in the future. | :27:10. | :27:18. | |
CHEERING AND APPLAUSE Wonderful. Big Ben, oh, something on | :27:19. | :29:11. | |
your shoe. Who would have thought two months ago that you would be | :29:12. | :29:15. | |
here tonight doing a quickstep? I tell you, it's incredible. Craig? I | :29:16. | :29:19. | |
felt you were a little bit out of your comfort zone at the beginning | :29:20. | :29:23. | |
with all the snaps, it was a bit too Joey, not quite right there. I | :29:24. | :29:27. | |
didn't feel throughout the dance that you were actually leading. I | :29:28. | :29:31. | |
think that's my major problem with the whole thing. I loved your face. | :29:32. | :29:39. | |
Your face was an absolute picture. He is having fun. OK Darcey? | :29:40. | :29:45. | |
Actually, I disagree. I wasn't expecting you to be so light on your | :29:46. | :29:48. | |
feet. You made it look like a walk in the park. You didn't even get | :29:49. | :29:52. | |
tired. So I need you to now up the difficulty. Next week, make it | :29:53. | :29:58. | |
harder. Because I think he can be pushed. Darcey is being firm. OK, | :29:59. | :30:06. | |
Len? I agree, and I tell you the way to make it a little bit harder, and | :30:07. | :30:10. | |
this is not just a criticism of you, but throughout the evening, there's | :30:11. | :30:15. | |
been a lot of couples messing about. And I do understand that you've got | :30:16. | :30:19. | |
to fill up the time as a professional and how better than | :30:20. | :30:23. | |
sitting on a settee throwing pop corn at each other or whatever else. | :30:24. | :30:27. | |
We moving a table about. I understand all that. But we're | :30:28. | :30:31. | |
getting into the nitty gritty now. Next week is week six. I want to see | :30:32. | :30:37. | |
really fuller routines from everyone, if I'm honest. What you | :30:38. | :30:41. | |
did, you did well. It's a tough dance for guys. Marvellous. Who | :30:42. | :30:47. | |
would have thought you would be able to do the quickstep. I'm with Len on | :30:48. | :30:51. | |
this one. If it carried on any longer, I would have joined in and | :30:52. | :30:55. | |
maybe bring ape pizza. We'll all join in together and have a great | :30:56. | :30:59. | |
time. You have been teasing us for weeks with your abilities. We know | :31:00. | :31:05. | |
you can do it. Now we want the full Monty, my darling. Break out of the | :31:06. | :31:08. | |
pack, show us what you can do. Because we know you can. It's just | :31:09. | :31:13. | |
not enough to give it oh, a little bit of this, it's all right, that's | :31:14. | :31:18. | |
all right. We want the full whack. Come on. | :31:19. | :31:27. | |
Don't tease Bruno. Well done. Off you go then! Well done. | :31:28. | :31:33. | |
APPLAUSE Big Ben moving across the floor, | :31:34. | :31:42. | |
we're five weeks in, you started as a novice, are you enjoying your | :31:43. | :31:47. | |
Strictly life? I am now. It's getting easier. My nerves and yeah | :31:48. | :31:52. | |
I'm enjoying it. How do you move that much muscle across the floor? | :31:53. | :31:58. | |
He was moving himself. The scores are in: | :31:59. | :32:17. | |
OK, if you want Ben and Kristina to always be there for you, the number | :32:18. | :32:21. | |
to call is: or get online to vote for your | :32:22. | :32:32. | |
dancing friends. It's been another night to remember in the ballroom. | :32:33. | :32:35. | |
There's still one more couple left to dance. | :32:36. | :32:40. | |
The pleasure is ours, our final couple tonight is Sophie and her | :32:41. | :32:46. | |
partner Brendan. APPLAUSE | :32:47. | :32:50. | |
Yes, a good couple. Ones to watch. I was chatting to Sophie about my | :32:51. | :32:56. | |
singing career. And I said, "It's always been my ambition to get a | :32:57. | :33:03. | |
platinum disc." She said, "Well, Craig's got a titanium hip. Go for | :33:04. | :33:09. | |
it." Yes, couldn't get to the end of the joke. You're so good tonight. | :33:10. | :33:13. | |
This is live! Here they are. -- here they are in training. | :33:14. | :33:21. | |
Before I danced, I was petrified. But as soon as the music started, | :33:22. | :33:26. | |
something kicked in. I loved the routine. I loved the dancing. What | :33:27. | :33:33. | |
more do you want? Fabulous. If Len liked it, that's a good sign. Even | :33:34. | :33:37. | |
now it makes my cheeks go pink. You really look like a Hollywood star | :33:38. | :33:42. | |
from the golden era. When you've had something go really well, I feel | :33:43. | :33:45. | |
it's inevitable that the next one isn't so good. Here we go, cha cha | :33:46. | :33:54. | |
cha - challenging. I'm dancing the cha cha this week. I find it so | :33:55. | :34:00. | |
fast! Because of the speed of this dance, I want to try something | :34:01. | :34:03. | |
different. We're going to have a race. If I can g her faster than me, | :34:04. | :34:08. | |
she can be faster than me in the studio and get her thinking fast | :34:09. | :34:12. | |
feet and legs. Cha cha is that. It's the first time I've ever set foot on | :34:13. | :34:16. | |
a running track. I think he wants me to run. Go! | :34:17. | :34:24. | |
I appeared to win, but I think Brendan slowed down. Beat me on the | :34:25. | :34:31. | |
track. So I know I've got a quick girl. The race is really useful. I | :34:32. | :34:34. | |
think I've got my speed up now. Bring on Saturday night. | :34:35. | :34:40. | |
CHEERING AND APPLAUSE Lovely. Lovely finish to the show. A | :34:41. | :36:32. | |
bit hot, yes? Lovely. Darcey? That was, you know, a cha cha has to be | :36:33. | :36:38. | |
lively, slick and cheeky dance with attitude. And you gave that. You | :36:39. | :36:42. | |
gave a lot of those things. I would say the only thing is your knees get | :36:43. | :36:47. | |
a little soft. You have such long legs, you have to work hard at | :36:48. | :36:52. | |
really locking those knees. But so beautifully musical. I really love | :36:53. | :36:59. | |
watching you. Very nice, Len? For me, it was | :37:00. | :37:03. | |
competent, but I can't agree with you. I don't think you got into that | :37:04. | :37:08. | |
dance at all. It was all too staged and put up. Listen, I only say what | :37:09. | :37:13. | |
I see. That's all I do. It's a little bit Brittle throughout. I | :37:14. | :37:18. | |
didn't feel it had that tick and it wasn't cheeky, it wasn't raunchy. I | :37:19. | :37:23. | |
didn't see a lot of interplay. I had some interplay, don't you worry | :37:24. | :37:27. | |
about that. You might have done when you were rehearsing, I didn't see a | :37:28. | :37:30. | |
lot out here any way. Bruno? I thought it was a bit of a saucy, | :37:31. | :37:37. | |
vixen, sacheting with style. You don't give it out immediately. Have | :37:38. | :37:41. | |
you to make him work for it. It was a different approach. You know, it | :37:42. | :37:47. | |
had a very stylish feel. Len is right - which is very hard, he's | :37:48. | :37:51. | |
right for tall people to stretch the back of the leg. Buff I thought it | :37:52. | :37:58. | |
was very nice. Thank you Bruno. And Len as well. Craig? Shall we skip | :37:59. | :38:04. | |
Craig? Make sure you keep dancing when you're walking and also spot | :38:05. | :38:07. | |
when you're turning, because you almost fell over. You lost your | :38:08. | :38:12. | |
balance there. If you hadn't spotted out -- if you had spotted out to the | :38:13. | :38:16. | |
side, you would have been fine. I thought it was rather good. Rather | :38:17. | :38:18. | |
good. Get off quick! Well done. APPLAUSE | :38:19. | :38:34. | |
You pretty young things. You did say that this was going to be cha cha | :38:35. | :38:39. | |
challenging. Yes I did. How did it feel for you? I always agree with | :38:40. | :38:43. | |
everything they say that's negative. I hear the voices in my head all | :38:44. | :38:48. | |
week. It was a very, very - don't be ridiculous. Looks amazing. A very | :38:49. | :38:53. | |
cool cha cha. Is Sophie too cool even for you? Sometimes I think she | :38:54. | :38:56. | |
is. She's a fantastic dancer and girl. In terms of working with | :38:57. | :39:00. | |
somebody day in, day out, I've loved it this series. She's a fantastic | :39:01. | :39:03. | |
partner. You guys are magic together. Couldn't ask for more. The | :39:04. | :39:06. | |
scores are in: If you want Sophie and Brendan to | :39:07. | :39:34. | |
avoid the dance-off call: Please, please. | :39:35. | :39:40. | |
Or vote online to keep these pretty young things in the competition and | :39:41. | :39:43. | |
out of the dance-off. That's it. Our dancing dozen have done all they | :39:44. | :39:46. | |
can. Our judges have had their say. Let's look at the leaderboard: | :39:47. | :40:00. | |
Remember the scores on the board are only half the story. It's your votes | :40:01. | :40:05. | |
that can make or break our couples' dancing dreams. You can start voting | :40:06. | :40:07. | |
now. The lines are open! Pipe down. You can vote online for | :40:08. | :40:25. | |
free at bbc.co.uk/Strictly. You will find the full terms and conditions | :40:26. | :40:29. | |
there as well. Lines close at 8. 40pm tonight. Here are all tonight's | :40:30. | :40:33. | |
performances and the numbers you need to call: | :40:34. | :44:03. | |
What about it? ! What about that for a show. Just to remind you one final | :44:04. | :44:12. | |
time, voting closes at 8. 40pm. Didn't they all do well? Yes. It's | :44:13. | :44:15. | |
been a fantastic evening of dance. Two of these couples will be in the | :44:16. | :44:22. | |
dreaded dance-off in tomorrow night's Results Show. Oohhh! Saying | :44:23. | :44:25. | |
goodbye is never easy. All our couples want to make it through to | :44:26. | :44:30. | |
next week's spook tack lar Hallowe'en special. One of our 12 | :44:31. | :44:34. | |
celebrities must leave the competition. Your votes will make a | :44:35. | :44:39. | |
difference. Join Tess and Claudia tomorrow night at 7. 20pm all will | :44:40. | :44:46. | |
be revealed. We will have an incredible performance from Earth | :44:47. | :44:54. | |
Wind Fire. I can't wait! I'll be watching. Craig, well done, thank | :44:55. | :44:57. | |
you so much for being here. It really was marvellous. | :44:58. | :45:09. | |
Oh, don't. In the meantime, get the rhythm - keep dancing! | :45:10. | :45:13. |