Week 5 Strictly Come Dancing


Week 5

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Last week on Strictly: 13 celebrities danced for their lives.

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Some soar to dizzy heights. A-maz-ing. Others hit rock bottom.

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You lose control of your body. In the end it was julienne who walked

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the catwalk for the last time. -- Julien.

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This week, the competition gets even tougher. It's every celebrity for

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themselves. The gloves are off. But who is shaping up to be a real

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contender? who is shaping up to be a real

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Please welcome your hosts, Bruce Forsyth and Tess Daly.

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Please welcome your hosts, Bruce looking pleased with yourself. I am.

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This woman rang me looking pleased with yourself. I am.

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want your body. No! Who

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Back stage we still have a dozen couples ready to perform. Shall we

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see what they have in store for us? Why not, yes. It's time to meet -

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don't point. I'll try not to. Pick out somebody. The stars of our show:

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Pop star Sophie Ellis-Bextor and her partner Brendan Cole. Star of stage

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and screen Mark Benton and his partner Iveta Lukosiute. BBC

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Breakfast presenter Susanna Reid and her partner Kevin Clifton. England

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rugby hero Ben Cohen and his partner Kristina Rihanoff. Coronation Street

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Star Natalie Gumede and her partner Artem Chigvintsev. Model and TV

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presenter Abbey Clancy and her partner Aljaz Skornajec. From

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Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan. Star of

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Dragon's Den Deborah Meaden and her partner Robin Windsor. Casualty star

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Patrick Robinson and his partner Anya Garnis. Countdown presenter

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Rachel Riley and her partner Pasha Kovalev. TV Chef and Hairy Biker

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Dave Myers and his partner Karen Hauer. And Bond girl and author

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Fiona Fullerton and her partner Anton du Beke.

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You look wonderful. There they all are. Some aches and pains, a few

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niggles, some very tired legs, but overall, looking fantastic. But

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enough about me... LAUGHTER

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How are you lot bearing up? Eight hours a day - people don't believe

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that you do work as hard as you do. Well done. Training very hard. All

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our couples are hoping to impress the judges. And you at home. As

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weeks go by, the stakes get higher and higher. Nobody wants to face the

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dreaded dance-off. No, they don't. Our first couple tonight is Natalie

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and her partner, Artem. APPLAUSE

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Natalie is young, current and with it. She asked if I knew what

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twerking is. LAUGHTER

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I said, "Of course I know what twerking is. It's what Yorkshire

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people do to earn a living. They go t'work.

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Don't they? APPLAUSE

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There's Tess here. What did you come here for? T'work. That's it. Vernon

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goes t'work as well. Here they are in training.

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Last week, I was thrilled to be on the dance floor after what had been

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a scary week. You have had a lot of problems with your back this week.

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How did it feel tonight? My back is now on the mend. I'm looking forward

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to putting all that behind me. I can't believe you delivered a dance

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of this standard in such a short time. Stunning. We were thrilled

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with the score from last week. I love that time on the dance floor.

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It's a joy like no other. This week we are dancing the samba. It should

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be really simple and it's really not. Yeah, that's not going to work.

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It feels like walking. I can do this, but I can't do this. The thing

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that we're missing is the character and the feel of the dance. I've

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never been to mainland Spain. I'm not sure what we're going to bring

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to this routine to get it authentic. Look at me. I decide to bring Spain

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here. Look at those hips moving.

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Did I have fun? No. Did it help the routine? Yes. The rung up has

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finally got me. CHEERING AND APPLAUSE

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What about this? What a start! That was so good. I wish you could have

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seen it while you were doing it, it was that good.

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I tell you, you are a natural. Of course, we have our judges, Craig,

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Darcey, Len and Bruno. APPLAUSE

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how are you feeling, Craig? Fantastically well actually. I think

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you're very brave to be here, I must say.

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APPLAUSE I would miss it, darling, for the

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world. Even Bruno. All right then. Last

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week all the male judges gave such concise, constructive comments.

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Craig told Rachel to clench her buttocks. Len said Susanna was all

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bounce, bum and bongos. And Bruno fell off his chair.

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That's what I like and love about this show, class, elegance and

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sophistication. When are we going to get some? That's what I want to

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know. Len, what did you think? You won't get any from me. I was %

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operating and flap lating, I'm telling you.

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That was terrific. I loved that choreography. I thought you danced

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it brilliantly well. Could have had a tad more bounce here and there.

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But overall, I'm telling you, Natalie, that was great. The

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choreography, the way you dance together. Absolutely. Hypnotic,

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exotic, with a touch of the erotic. The sensuality in those hips, I'm

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telling you, you could sell it and make a fortune. Apart from that,

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there's one thing that ip love about you, you extend your lines to the

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limit, right to the last beat of the bar without missing a beat with your

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legs and arms. I love seeing those things. This is what makes dancing

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exciting and it really is exciting watching you.

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Thank you so much. You really do. You dance with the

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music. It's very hard to do for some people. Craig? I think you need to

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heighten your double bounce action. That was something that escaped you.

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That gives this dance its character. That was missing. Your elbows a

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little bit on the free arms are a bit too close to your body. I'm

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being picky because she's very good. Your hips were fantastic though.

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Timing, as always, brilliant. Is there nothing you can't do, darling?

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Amazing. Darcey? What a lovely opening

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performance. Thank you. And the flamenco style really suits you. I

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think Spain is your place. You have to do more of that. It's very nice.

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I would only say on the kick, just watch when you try I to get that

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height, don't let the supporting leg bend. Great performance.

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No more to say. You can't beat that really. Go on. Off you go.

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Yes! Safe to say, these guys know how to get the party started. Great

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comments and a standing ovation. How much are you enjoying the Strictly

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experience now? It's just magic, I want it eat it. And the back, is it

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all better now? It's much better. I'm still on a few pain killers, but

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much better than I was. Not as many? Not as many. I'm much more pleasant

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today. Unlike Artem who fractured his nose in the dress run today, did

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you? Just a little. Took an injury earlier today in the

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studio. Don't worry that beautiful face still looks perfect.

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Look at that smile. Scores are in. ( Wow! Great score. Fabulous start to

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the show. If that brought a smile to your face call from your mobile or

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land line and you can vote online. You can register at

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bbc.co.uk/Strictly. Voting lines don't open until all our couples

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have danced. Please don't call now. If you do your vote won't count and

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you may be charged. The couples with the lowest combined scores will be

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in the dance-off tomorrow night. Motorbike wants to be there --

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nobody wants to be there. Now for our next couple, Abbey

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Clancy and her partner, Aljaz. Lovely looking couple these two.

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What beautiful people they are. Abbey has a two-and-a-half-year-old

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little girl, Sophia. She always watches the show. This week, I'm

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going to do a joke for Sophia. Ready? Good. What did the snail say

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when he was riding on the back of a tortoise? Weeeee! I hope you're

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laughing. It got a good laugh here and I didn't expect it. I tell you,

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we'll do more of those! Here they are in training.

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You are a formidable couple. Score 9, 9, 9 and 8. I was so nervous. I

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can't describe how terrifying it is. I had to do this sweep with my leg

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and I couldn't lean on my other leg because I was trembling that much.

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When I had to touch Aljaz my hand was shaking. It doesn't get any

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easier. This week we have the foxtrot. I noticed on Saturday that

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you were shaking a lot. I don't think it could possibly ever get any

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easier. Stay focussed, of course, but don't let your nerves get over

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you. I think knowing my family is watching at home, especially my

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little baby, Sophia, it does give you some strength to try and do it

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well. I always come home and she's like, "What have you done today? I

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try to teach her some of the dance. She's got the bug for dancing

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herself. I want to be a dancer like mummy. I'm used to being with my

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baby 24 hours a day. To send her to my mum's or my brother in law's is

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quite tough. I'll be thinking of Sophia on

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Saturday night and doing a dance for you, won't I, baby?

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CHEERING AND APPLAUSE Lovely! That was wonderful, both of

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you. Abbey, if you must send me secret messages, be a bit more

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subtle about it. I will next time. Sorry. Oh, dear. You must be so

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careful. It's a good time to welcome our fabulous singers, Dave Arch and

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his wonderful orchestra! APPLAUSE

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Get the pork pie in. Now then, we start off with Bruno.

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What a beauty. That really had the feel of a love letter set to music.

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The chemistry between - That's what I said. I repeat it because it was

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so good. The chemistry between you two is literally tangible. Are you

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so in tune. You were graceful, elegant. You attempted three under

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arm spins, which you know, it's very hard because the spinning is not

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your forte. You did it my darling, that was almost picture perfect.

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Beautiful. It was wonderful. Now then, what did Craig think? I loved

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the story that continued all the way through the dance. That was

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absolutely beautiful. Fantastic control in those under-arm turns.

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You need to extend your top line a little bit more. Sometimes it's

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there and sometimes it just disappears for a fraction. I'm being

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really picky now. Yes, I am. You're letting your foot sickle on your

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back steps as well. But that is like minuscule. Fantastic.

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Now then Darcey, my darling? The boys are right, you bring a

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wonderful understanding to the role and I know that's not just down to

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Aljaz. You are really thinking about who you're playing and it really

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comes across. For me, you create a perfect line in your upper body. The

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arch is divine. Now you can indulge in your lower leg and get more

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stretch on the back leg. Aljaz has got you and you could extend that.

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Don't listen to him. Then it would be all perfectly matched. And

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beautiful. Really beautiful. I love that. Don't listen to him! OK Len?

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Don't listen to old ironside at the end here. Ironside! Don't start.

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What I love is that you are consistent. Whatever dance you've

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had so far, you've done to a very high level and this was no

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exception, just it was like a sea. Wave after wave of effortless

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movement round the floor. We've seen a samba full of bounction and verve

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-- bounce and verve, and the most elegant foxtrot and both equally

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beautiful. You're right. You've done so well. And Peter scored a goal

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today! This is live. Off you go. Well done.

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APPLAUSE You had your highest score last

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week, 35. Yeah. High praise from the judges tonight. I'm shocked. A lot

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to live up to, or does it put more pressure on you. No, I'm made up

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with it. How are the nerves? OK. Better tonight? I think everyone

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aterrified to be honest -- everyone is terrified. Are you helping her

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with the nerves? A little bit. Your Sophia is gorgeous. Hi baby! Mwah.

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The judges' scores are in: Re! -- yes! You've had two high

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scoring dances. Did you love the foxtrot? You have to vote. Call from

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your mobile or from your land line. Or you can vote online. There's so

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much more glitz to grace the dance floor including Deborah and Robin.

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After an injury in training will Patrick be dance fit? We'll find out

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soon. Who's next? Next up is Dave Myers and his

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partner, Karen. APPLAUSE

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I was talking to Dave about driving the other day. I said, "How often do

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you change gear on a motorcycle? He said, "Never, I always wear the same

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outfit." LAUGHTER

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You can't beat him. Here they are in training.

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When I finally got out onto the floor on Saturday night, it felt

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fantastic. I knew the dance was in my head. I'd say that was your

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personal best. Yes! I felt I was really starting to

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dance properly. One thing that would help is posture. Darcey said I

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needed to improve my posture. I think Karen has got some rather

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interesting plans for this week. I've got a little surprise for you.

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After Darcey's comments about Dave's posture last week, I managed to

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arrange an antigravity yoga class to stretch his upper body and release

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his chest and posture. Suspended, free of gravity, it was lovely.

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Leave me here for a day or two. Every part of me is caressed and

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held bit fabric of life. Then the hard work started! Next thing I

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knew, I was on a skiing tour, then I was a vampire. I was everything. I

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was like a locust, upside down and a cruciform position. My back felt

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brilliant. I was ten feet tall when I walked out. Do you think we've

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done enough to get the edge? Definitely.

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Dancing makes me hungry. LAUGHTER

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Dancing makes me hungry! I'm glad you got rid of the maracas because

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it was going to cramp your style. Why does it always have to be Craig

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first? Perhaps you should have considered or explored the

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possibility of re-maining on the fruit trolley throughout? BOO

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The Konga music came in and... The Konga step. I started to get excited

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and then... Craig you were laughing. I can see you're laughing. You are!

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Look, he is laughing. Salsa is a party Craig. You have to get down

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there and get with it. LAUGHTER

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OK Darcey, darling. Erm...... I think sadly, it's beginning,

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balancing on that fruit trolley, you didn't have fun with the maracas, I

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think you were worried about falling over. No, no. Jim Kay doesn't do

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that. It's like that. It's just you...

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LAUGHTER It was choreographed that way.

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Really. You were out of sync all the way through. It's never luckily a

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boring performance. APPLAUSE

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When the trolley came on, I thought Craig was going to jump on it.

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Len? You know, Dave, you've got a unique ability of never letting your

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left leg know what your right leg's going to do.

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LAUGHTER I I know you need separation in the

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legs, so that's what I'm working on. LAUGHTER

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The bottom line, it's not top quality dancing. But it's top

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quality fun and entertainment. CHEERING

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He is turning this into an entertainment show. Bruno? I tell

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you what it is, ladies and gentleman, Strictly Come Dancing

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presents crackers with maracas stew, a folly off the trolley. I don't

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think anybody up till now has managed to be off time all the way

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through. It's unique. It's an achievement you see. You'll be in

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the Guinness Book of Records. He is unique. That's what my mother said.

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And are you still my favourite. Off you go.

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Top quality fun said Len. We are all about entertainment. Dave, you give

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it us in bucket loads. I loved it. I've always had a bit of the

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lavidaloca about me. Was it fun after the more serious waltz last

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week, being Cuban Pete and having a laugh? I suspect my dancing was more

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formalised last week. I may have busted a few more shapes this week.

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The audience were on their feet. We know Dave is putting in serious

:31:46.:31:50.

hours training. Definitely. Is he a serious contender? Yeah, of course.

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Look at him! I'm seeing it. He's a contender.

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Scores are in: It's been worse, Tess. It has been

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worse. Did Dave's fast and fruity ally get you shaking your maracas?

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Then call: or you can vote online to keep our Latin love biker with the

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cheeky cheeky boom boom in the competition. Don't go ving until

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after our couples have danced. Who is next, Bruce?

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Oh, dear, oh, dear. I'll be all right in a minute. Our next couple

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is Deborah Meaden and her partner, Robin.

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APPLAUSE A very popular lady. Now Deborah is

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really enjoying this whole experience. So I told the dragon

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from Dragon's Den, there's no business like show business. Here

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they are in training. I struggled with the jive. There

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were a lot of steps. They just weren't all going in. It just wasn't

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your dance. The technique wasn't strong enough. I completely agree.

:33:22.:33:27.

There was very little spring in your step and the kicks were lame.

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There's one thing I'm focussing on this week, making sure I am

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technically better. This week I'm dancing the veen yeets

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waltz to -- Viennese waltz to This is a Man's World. If you can show me

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in the boardroom on your game plan, I think the return on your

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investment will be phenomenal. Why make it up here, let's go back into

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the boardroom. There couldn'ter more inspiration than getting back here

:33:59.:34:00.

and remembering how it feels and getting some power back. Tell me,

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what would your business plan be for our Viennese waltz. This is me last

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week. What are we aiming for next week? 8s and 9s. How will we get

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there? Had Music, we need choreography, we need technique. If

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we can pull it off, we can close the deal. We're now reaching the

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business end of the competition. I just hope that on Saturday night, I

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can go out there and sell it to the audience, to the judges.

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Look at this! How lovely for you. How very lovely for you. You don't

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get that in Dragon's Den. But that was really lovely. Darcey? It was an

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interesting twist to a Viennese waltz, but I liked it. I really

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enjoyed the power game you had going. Of course, as soon as you got

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into hold, you had that controlled elegance. The turns are very hard,

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but you handled it well. I would just say, think of wearing a

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jewelled necklace, just to keep hold of that top line, because that's the

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only thing that lets you down now and then. If you imagine that,

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you'll lift out of your waist. But the confidence is all back. Well

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done. Len? You know, the Viennese waltz is

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a romantic sort of a dance. When you were in hold, I did see a touch of

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romance, a touch of Mills Boob. The beginning was more like meals on

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wheels. I never thought you were ever going to stop pushing the

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trolley around. It's an improvement on last week, so well done.

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Indeed. Bruno? Yes, Deborah, romance went

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out of the window. It was a bitter divorce, give me the table, I'll

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have it! Get off the table and get moving. Because actually, once up

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started moving, it was better. You were more at ease. The footwork was

:38:05.:38:08.

good. They are right, have you to work on your posture, but much more

:38:09.:38:17.

confident and flowy. An improvement. Craig? I suppose the table did prove

:38:18.:38:21.

that you can actually push a table and waltz in time. There is a gift

:38:22.:38:25.

there if you're into that. I agree the top line was an absolute

:38:26.:38:32.

disaster tonight. Your left arm was really lagging. I really like the

:38:33.:38:36.

fact that you did a Spanish paso centrepiece to that, which was very,

:38:37.:38:40.

very nice. I thought that was intuitive.

:38:41.:38:43.

I'll settle for that. I'll take that.

:38:44.:38:46.

The people loved it. Off you go. Robin, well done the pair of you.

:38:47.:38:51.

APPLAUSE You said you wanted to sell it and

:38:52.:39:04.

you sold it. I meant it. Yes! I was having that table, if it was the

:39:05.:39:06.

last thing that happened. We believed you. The judges said huge

:39:07.:39:11.

improvement on last week. A standing ovation. A standing ovation from the

:39:12.:39:16.

audience is amazing. Five weeks in now, you're training hard. You look

:39:17.:39:21.

a lot fitter. Do you feel fitter? Ten hours a day dancing makes you a

:39:22.:39:26.

lot fitter from nothing to ten hours a day, yeah. That is a lot of

:39:27.:39:29.

dancing. I'm impressed. Scores are in:

:39:30.:39:53.

Great score. You're starting to feel as at home in the ballroom as the

:39:54.:39:59.

boardroom. If you think this competition will be nothing without

:40:00.:40:04.

Deborah and Robin call to vote: Or head to the website. Lots more in

:40:05.:40:07.

store tonight with Susanna and Kevin. They're hoping for some

:40:08.:40:10.

sunshine. Aren't we all? And Rachel is becoming a man eater.

:40:11.:40:17.

Grrr. Back to the dance floor. We're ready, our fifth couple is

:40:18.:40:24.

Patrick and his partner Anya. APPLAUSE

:40:25.:40:29.

Very popular people. Patrick used to be a member of the Royal Shakespeare

:40:30.:40:35.

Company. I told him I once starred in that comedy Hamlet. He said,

:40:36.:40:39.

"Hamlet isn't a comedy, it's a tragedy." I said not when I did it!

:40:40.:40:45.

I wore these pink tights... LAUGHTER

:40:46.:40:52.

I got screams and yells, then I got fired. Any way, here they are in

:40:53.:40:57.

training. I know, for me, there wasn't a wrong

:40:58.:41:03.

step anywhere. I was chuffed to get through that one on the night, when

:41:04.:41:08.

it really mattered. At the end of the dance, I stood there out of

:41:09.:41:12.

breath and the first comment was Craig's. Absolutely brilliant. For

:41:13.:41:21.

me, it's absolutely brilliant, so thank you very much. This week we

:41:22.:41:25.

are dancing the salsa. Salsa is super energetic. It should look like

:41:26.:41:29.

fun. Actually, it is a lot of fun. It is. Jo what do you do for fun?

:41:30.:41:37.

Rollerskate. Salsa skating fun. Here we go. Let's bring this sense of fun

:41:38.:41:44.

on Saturday night. If I make it to Saturday night! I just heard from

:41:45.:41:49.

Patrick he hurt his wrist last night. I knew when I went into work

:41:50.:41:53.

I would see the medical advisor and he said, you need an extra. I have

:41:54.:41:58.

come for emotional support. I've had a look at your scans, the bone we

:41:59.:42:03.

were worried about has not fractured, so as far as using the

:42:04.:42:08.

wrist is concerned, it's a case of using it as pain allows. The injury

:42:09.:42:12.

on my hand has had a big impact on the dance. The routine has been

:42:13.:42:16.

changed drastically. I will be there Saturday night trying to do it.

:42:17.:42:23.

CHEERING AND APPLAUSE Lovely, really lovely. You did very

:42:24.:44:20.

well with that, spran is it? When you did the lift I was really

:44:21.:44:24.

worried for you. Well done. A great routine. Len? You should feel right

:44:25.:44:31.

at home, what with your wrist and casualty, let me tell you, you did a

:44:32.:44:35.

wonderful job in changing that all around and giving Patrick a routine

:44:36.:44:39.

that he could really just do with one hand. I thought Patrick, you did

:44:40.:44:47.

great as well. Very difficult. The hold was brilliant. You did a really

:44:48.:44:50.

good job under terrible circumstances.

:44:51.:44:53.

Well done. Well said, Len.

:44:54.:44:58.

Bruno? You gave me a terrible fright. I thought you got ereck

:44:59.:45:05.

tricuted for a -- ereck tricuted for a -- electricuted! For some moments,

:45:06.:45:11.

you were doing it and you were happy, then you got stiff. It was on

:45:12.:45:17.

and off and on and off. Oh, my God, he's giving me palpitation. It felt

:45:18.:45:23.

slightly unfunished. I understand the circumstances, they were not in

:45:24.:45:26.

your favour. You can sell it, I'm sure if you come back, you will show

:45:27.:45:31.

yourself at your maximum advantage. It was slightly loose and unfinished

:45:32.:45:35.

tonight. But very difficult circumstances. Craig? I have to

:45:36.:45:40.

agree, it was very stoppy, very starty. That sort of ruined it.

:45:41.:45:43.

There should be a flow to it. You still could have got that with one

:45:44.:45:49.

arm actually. Stop making him laugh. The isolation in the last shimmy,

:45:50.:45:53.

you need to isolate the shoulder rather than putting the whole thing

:45:54.:46:00.

together. You do naturally have fantasticically -- fantastically

:46:01.:46:07.

good hips, great rhythm. To do the whole dance with that kind of thing

:46:08.:46:11.

is very difficult. For me, I think you directed Anya brilliantly. I

:46:12.:46:16.

love to see a man in control of the dance and for me, you gave me that.

:46:17.:46:20.

Just be conscious of mirroring Anya and finishing off the arms. That

:46:21.:46:24.

would be the only thing. Exactly very impressive from all the changes

:46:25.:46:28.

you've gone through, that was a very impressive show.

:46:29.:46:31.

Be impressed! Off you go. come on up here. You can see in your

:46:32.:46:51.

face, when you're dancing that you love the Latin. Oh, yeah. Your hips

:46:52.:46:56.

love it too. That injury meant that you had to change your entire

:46:57.:47:00.

routine as of yesterday. It must have been nervewracking. Yeah, yeah.

:47:01.:47:04.

You know, Anya is brilliant basically. That was very clever.

:47:05.:47:09.

One-arm choreography. That lift was so impressive. How did Patrick cope?

:47:10.:47:14.

Amazing. Thank you so much for working so hard and switching. The

:47:15.:47:16.

scores reflect that, they're in: Not your best score, but not

:47:17.:47:44.

surprising really. Call to vote: or you can online if you want to see

:47:45.:47:49.

Patrick and Anya fly through to next week. Your votes make the difference

:47:50.:47:52.

between who stays and who goes. No-one wants to leave.

:47:53.:47:58.

Do you? No. Patrick has danced through the pain so whos next to --

:47:59.:48:03.

who's next? Our next couple is Fiona Fullerton and her partner, Anton Du

:48:04.:48:05.

Beke. Snment They are going to do the quickstep.

:48:06.:48:16.

I said to Anton, "I'm so pleased for you." He said, "Because I'm doing

:48:17.:48:23.

the quickstep? I said "No, it's week five and you're still here." Can't

:48:24.:48:28.

believe it! Here they are in training.

:48:29.:48:35.

When I get out there, I'm really excited. I really, really, really

:48:36.:48:39.

want to do well. Then something happens. It is immensely

:48:40.:48:45.

frustrating. There are a few serious issues. It's almost as if there's a

:48:46.:48:49.

voice in my head saying, "You can't do this." I have to concentrate.

:48:50.:48:56.

This week, we are dancing the quickstep. Step hop, step hop. It's

:48:57.:49:01.

fine. She's nervous. I can understand it completely. I'm trying

:49:02.:49:06.

to complicate it. Yeah. I suggest it's already difficult enough. I

:49:07.:49:09.

don't think it's nerves any more. I can't keep saying that. I want it to

:49:10.:49:15.

be perfect. And if it's not, my brain goes bleurgh. I need you to be

:49:16.:49:21.

strong with yourself. Even if I go wrong? If you go wrong, I don't want

:49:22.:49:26.

to know about it, the audience don't want to know about it. You can show

:49:27.:49:30.

them how good you are. You can do that. Positive mental attitude. What

:49:31.:49:35.

did I get wrong? Nothing. It was perfect. Suddenly the penny drops. I

:49:36.:49:40.

am feeling so much happier. It's coming. Lovely. Last week's show was

:49:41.:49:44.

a real wake-up call. Now it top it all off, I've had a message from a

:49:45.:49:49.

really special friend. Hi Fiona, you're doing so well. I wish you all

:49:50.:49:52.

the luck in the world for Saturday night.

:49:53.:49:58.

MUSIC: If My Friends Could See Me Now

:49:59.:51:36.

CHEERING AND APPLAUSE Oh, Fiona! Fiona, look at this.

:51:37.:51:52.

Oh, Fiona. You have made us all happy. Anton as well. That was so

:51:53.:51:56.

beautiful. Thank you. You must have worked very

:51:57.:52:02.

hard. She did. You're right. Bruno, what did you think? Oh, yes, Fiona

:52:03.:52:06.

finally putting on the glitz. High spirits in high society. Such flare.

:52:07.:52:11.

You played it so well. You moved better. And there were a couple of

:52:12.:52:14.

mistakes in the foot work, but you covered it. So we didn't notice. You

:52:15.:52:21.

played it beautifully. That's the way to go. Great. Absolutely. What

:52:22.:52:27.

did you think Craig? I certainly noticed the upstage corner section

:52:28.:52:31.

in the charleston. That seems to go it completely awry darling. I

:52:32.:52:38.

thought you might. It didn't look like it was meant to bement but you

:52:39.:52:44.

flew around that floorened you -- floor and you were definitely back

:52:45.:52:50.

in the room. We are so happy for you. OK, there

:52:51.:52:56.

we are Darcey. Finally fabulous Fiona, thank you. You were light on

:52:57.:53:00.

your feet. You're beautifully confident. Keep that focus. Your

:53:01.:53:10.

best chance. And Len? More confident, plus more focus, plus

:53:11.:53:15.

more content equals more points. Well done. Well done. Off you go.

:53:16.:53:26.

Sow much -- so much goodwill for you in the room. You've done it. Have

:53:27.:53:45.

you overcome your nerves? I think so. I turned a corner this week.

:53:46.:53:50.

Hopefully. It felt good. It felt lovely. A great routine. You were

:53:51.:53:55.

amazing. Well done. Fiona had a lot to prove tonight. Did she do you

:53:56.:54:00.

proud She did me proud. But she done herself proud. Last week a little

:54:01.:54:03.

disappointed. This week, thrilled. Well done you. You've done a great

:54:04.:54:07.

job. Well done. Positive mental attitude goes a long

:54:08.:54:11.

way. Darcey said your best dance yet. Let's see if your best score:

:54:12.:54:35.

They're very happy. I haven't had an eight since 1972! If you thought

:54:36.:54:49.

that was the quintessential quickstep call: Or go online and

:54:50.:55:00.

vote. Voting opens later. We're all a bit

:55:01.:55:04.

giddy. We're at the halfway point. There's still all this to feast your

:55:05.:55:15.

eyes on: Out, in, out, in. I'm just hopping-tastic. Up the apples and

:55:16.:55:23.

pears. Way too fast, by the way. You should make this slower. One, two...

:55:24.:55:27.

, oh, dear. Nah, nah. OK. Our next couple is Rachel Riley

:55:28.:55:50.

and her partner Pasha. APPLAUSE

:55:51.:55:56.

Now after being in the dance-off last week, Rachel has been praying

:55:57.:56:01.

she isn't in the dance-off again this week. I said, "I'm sorry, but

:56:02.:56:07.

if I've said it once, I've said it a million times - you don't get

:56:08.:56:16.

anything for a prayer." Not in here! Much better than rehearsal. It's

:56:17.:56:29.

live, you see. This is live. APPLAUSE

:56:30.:56:36.

Here they are in training. The quickstep all week had been a really

:56:37.:56:40.

hard dance. I wasn't very happy with my performance. Once I missed one

:56:41.:56:44.

step, it was hard to catch up. You need is control. I blew it really.

:56:45.:56:49.

You have to get focussed. I have to do it all again. Let's not do that,

:56:50.:56:53.

because that means you're going to be in the bottom two.

:56:54.:56:57.

The first couple, Rachel and Pasha. It's terrifying. Who would you like

:56:58.:57:05.

to save? Rachel. Rachel. Rachel. I'm going to come back fighting.

:57:06.:57:08.

After being in the bottom two, doing the paso doble is a risk. It's so

:57:09.:57:12.

strong. You have to be totally in character. I need to act and I have

:57:13.:57:16.

no acting experience at all. Pasha brought in an acting coach to help

:57:17.:57:20.

me get the character of the paso doble. You want the anger, the

:57:21.:57:24.

connection between the fierce legs and the movement and face. I had to

:57:25.:57:29.

get into paso doble mode. Try to focus and keep that face as fierce

:57:30.:57:32.

as possible. . They were going to distract me out of it. Quickly I

:57:33.:57:39.

lost my concentration. You have to train to keep the focus. Then I got

:57:40.:57:45.

into the zone. You need to match the dance with your emotions and focus

:57:46.:57:49.

your anger through the muscles in your face and everything you do. I

:57:50.:57:52.

think it did help. I'm putting everything into this dance. I hope

:57:53.:57:56.

I've done enough to not be in the bottom two this week.

:57:57.:58:01.

Well done, both of you. It's over. Lovely. I felt the story. I think

:58:02.:00:02.

I'm full now. Why didn't you get him a ladder and a little bell? Next

:00:03.:00:08.

week. Craig? There was so much tension in

:00:09.:00:12.

that. I felt like it was a whole heap of trees being felled really.

:00:13.:00:17.

It was too stiff and too solid. The drama that you set up the top I

:00:18.:00:23.

didn't find compelling enough because you don't dance it well

:00:24.:00:27.

enough, alone. It would have been safer to get into hold. The kicks

:00:28.:00:32.

need finishing off. You need to arch your back, broader arms and shapes.

:00:33.:00:36.

There were balance issues. Littered with a bit of disaster, I'm afraid.

:00:37.:00:44.

BOO Oh, Darcey darling. I can see you've

:00:45.:00:53.

worked so hard. Yes, you have. It's so much tougher for the girl. It's

:00:54.:00:57.

easy for the boy to be a matta tore. It's -- matador. It's hard for the

:00:58.:01:03.

girl. You are a lovely person. It's difficult for you to be hard. I know

:01:04.:01:10.

you have to be crisper and sharper. If you could focus with your eyes,

:01:11.:01:14.

and change direction with your spot and everything will come together, I

:01:15.:01:17.

think. I know it's the core, but maybe the eyes.

:01:18.:01:25.

Good advice. Thank you. Len? I feel bad because I know that you've

:01:26.:01:30.

really worked hard and you're coming out and you really want to try your

:01:31.:01:34.

best and do your best and you're just hoping it all goes great. Well,

:01:35.:01:39.

unfortunately, this wasn't a dance that suits your personality. You're

:01:40.:01:44.

smiley Riley. You had to come out with a lot of aggression and a lot

:01:45.:01:49.

of clean lines and clean footwork. It just didn't quite work. That's a

:01:50.:01:56.

great pity. Bruno? Bless you my darling. It's hard being a maneater.

:01:57.:02:01.

It's hard, aggression. It's difficult. It's hard. I can do it.

:02:02.:02:08.

Listen, my darling... Don't go there. You had all the content

:02:09.:02:12.

there, but it was a vegetarian option. You have to put and the

:02:13.:02:17.

blood and guts and let the character take over. Len is right you're a

:02:18.:02:21.

nice girl. Forget about nice, come here and fight, fight for your place

:02:22.:02:27.

on Strictly. Go for it. Don't feel bad about it. Go on.

:02:28.:02:31.

You're wonderful. We loved you. Go on. Away you go.

:02:32.:02:40.

APPLAUSE Smiley Riley, you have been

:02:41.:02:54.

channelling mean and moody. I've been trying mean and moody. She was

:02:55.:03:00.

so in character all day. You were in character. It wasn't enough for the

:03:01.:03:04.

judges. Is it enough to keep you out of the dance-off this week? I really

:03:05.:03:09.

hope so. I have worked so hard. I was scowling all day. She has worked

:03:10.:03:17.

incredibly hard. Trained 30 hours this week. Is she improving? Every

:03:18.:03:21.

week we're going for something more difficult for the -- than the week

:03:22.:03:25.

before. She delivers. I was there with her and she almost ate me

:03:26.:03:30.

alive. She was fierce. The scores are in:

:03:31.:03:52.

That's what the judges thought. But what do you think? Did Rachel pass

:03:53.:04:04.

the test? If so call to vote: Or go online to save her from the

:04:05.:04:07.

dance-off. Get dialling and clicking as soon as the vote opens. Who's

:04:08.:04:09.

next? Oh, yes, it's Mark Benton and his

:04:10.:04:17.

partner, Iveta. APPLAUSE

:04:18.:04:20.

He's been marvellous. Last week, Mark started off his dance by

:04:21.:04:24.

strutting around with a massive boom box on his shoulder, you remember?

:04:25.:04:28.

He asked me if I've ever done it. I said, "I did it once walking down

:04:29.:04:33.

the street with a boom box on my shoulder, but I felt such a fool

:04:34.:04:38.

listening to the Archers. " LAUGHTER

:04:39.:04:42.

Shut up. Here they are in training.

:04:43.:04:49.

The cha cha last Saturday was my favourite dance so far. When the

:04:50.:04:53.

dance finished we got such an amazing reaction. We felt really

:04:54.:04:56.

happy and then Craig's comments burst that bubble. It was all very

:04:57.:05:01.

floot foot and stompy. It makes you sad when had you work so hard on

:05:02.:05:05.

something. This week, I'm trying my best to put a smile on Craig's face.

:05:06.:05:09.

Hopefully when the paddle comes out it won't say 3. I'm going to have to

:05:10.:05:13.

work on the grace and elegance of the waltz. I could probably do with

:05:14.:05:19.

a bit of help. Look what I have for you I am Colonelingly invited --

:05:20.:05:30.

codially invited... She made me say, how now brown cow. Try to roll it

:05:31.:05:34.

off your tongue. That was going to help me with my facial expressions.

:05:35.:05:40.

I have heard of a problem with stompy feet. I do. I'm so sorery. --

:05:41.:05:47.

sorry. Keep your head up, keep your shoulders back, walk from your hips,

:05:48.:05:52.

swing your arms, belly in. I have a problem with my balance. One good

:05:53.:05:56.

exercise is walking with a book on your head. Very good. Thank you so

:05:57.:06:05.

much. Congratulations. Thank you, hopefully come Saturday night, what

:06:06.:06:08.

I've learned today will help me with the waltz.

:06:09.:06:14.

CHEERING AND APPLAUSE Very good. They loved it. Iveta, how

:06:15.:08:08.

could you leave him like that? Too late. Any way, it was lovely. A

:08:09.:08:13.

lovely mood to it. Darcey start us off. You transported me. One week

:08:14.:08:17.

you're the Latin man and now you're this real elegant gentleman. Your

:08:18.:08:23.

top line is so much better. The rise and fall could just have been a bit

:08:24.:08:28.

better on the balance. But overall, how you hold Iveta, your tenderness,

:08:29.:08:35.

care, I liked it. You do act the part so well. Your

:08:36.:08:42.

dancing has a naturalness about it. It's not forced. It's easy on the

:08:43.:08:46.

eye. Unfortunately your left arm went a bit forward, which spoiled

:08:47.:08:49.

your frame a little bit. You lifted your shoulders a bit, which

:08:50.:08:53.

unfortunately, you lost your posture a bit. But what I love, you just

:08:54.:08:58.

come out with this lovely, naturalness about you, which I think

:08:59.:09:02.

is terrific. So right, Len. So true. OK, now then

:09:03.:09:11.

Bruno? Everything is so effective because it's so deeply felt. It's

:09:12.:09:14.

extremely well played. I believe everything you do is like a top

:09:15.:09:18.

politician. You put your spin and we believe it. It's a good quality. Len

:09:19.:09:22.

is right tonight was a question of posture and top line, which is tough

:09:23.:09:27.

in the waltz. It's so evident in such simple dance, but great

:09:28.:09:30.

performance. There we are. OK then, Craig? I've

:09:31.:09:37.

got to say it's so much better than that ghastly dance you did last

:09:38.:09:41.

week! Much, much nicer on the eye to watch. I thought you danced it

:09:42.:09:46.

simply, effectively and with feeling and emotion. It was beautiful. Get

:09:47.:09:51.

off quick, before they change their minds! Off you go.

:09:52.:09:56.

wow. Such an emotive waltz. I had a tear in my eye. I thought you were

:09:57.:10:16.

getting teary then. Oh, yeah. You've done some real crowd pleasing

:10:17.:10:19.

routines. Is it more of a challenge getting serious? It is. But we loved

:10:20.:10:22.

it. I wanted to do something different and not just be funny

:10:23.:10:26.

every week. You wanted to prove Craig wrong this week. I did and he

:10:27.:10:30.

was lovely. He was! I think you were hoping for more than a three this

:10:31.:10:35.

week. Oh, please! Shall we see if it is more than three? The scores are

:10:36.:10:37.

in: 28! Way more than a three from Craig

:10:38.:11:03.

and your highest score to date. Brilliant! It is brilliant. If you

:11:04.:11:08.

love Mark and Iveta's waltz, no need to apologise, just vote:

:11:09.:11:16.

or vote online. As well as the action on the floor, there's loads

:11:17.:11:22.

going on behind-the-scenes. Check us out on Facebook and Twitter. #who's

:11:23.:11:30.

next #... No it isn't. Our next couple is

:11:31.:11:36.

Ashley and Ola. APPLAUSE

:11:37.:11:39.

They're doing so well. Now, because Ashley's on the show Hollyoaks. I

:11:40.:11:48.

must say I found it so depressing. It was so mys rib. I had --

:11:49.:11:55.

miserable. I had to watch EastEnders to cheer myself up. I did really!

:11:56.:12:00.

APPLAUSE Here they are in training.

:12:01.:12:08.

Before last week's show I was excited about the Viennese waltz. On

:12:09.:12:13.

the night the nerves got to me. I stiffened up. It needed a bit more

:12:14.:12:20.

gusto to it. A bit more government you! You need more oomph. It was

:12:21.:12:25.

fair. A fair score. It's left me wanting more. I felt deflated. I let

:12:26.:12:30.

myself down again. Maybe next week I'll sort that out. Who knows. This

:12:31.:12:34.

week, I've got the jive. There's nowhere to hide in the jive. Step,

:12:35.:12:40.

step. Help me! We really have to go for it this week. Because Ashley is

:12:41.:12:44.

so busy, I have to squeeze in 30 hours worth of work into ten hours.

:12:45.:12:52.

I got up at about 5. 30am. Morning! We did Lorraine. My next guest

:12:53.:12:59.

Ashley Taylor Dawson... I did phone interviews for a couple of hours.

:13:00.:13:05.

Then we went off to do a photo shoot. I went to It Takes Two. You

:13:06.:13:14.

look gorgeous. Five minutes to practice. Then raining. Last

:13:15.:13:23.

Saturday the judges told me to give it some oomph. If I make it through

:13:24.:13:24.

the week I will give it to them. CHEERING AND APPLAUSE

:13:25.:15:20.

I should think so. Well done. That's it Ashley. Ola, a great

:15:21.:15:28.

routine. Plenty of oomph, maybe too much. Len, what did you think? It

:15:29.:15:35.

had speed, energy, plenty of Gotye! -- gotta! You lost your technique

:15:36.:15:38.

here and there. But a terrific effort. Well done. Oh, yes, all

:15:39.:15:48.

rock-and-roll. Was it Elvis or shaking Stephens? I'm not sure. But

:15:49.:15:52.

the feel is right. Len is right, you had the foot on the accelerator all

:15:53.:15:55.

the way through. Be careful, kicks and flicks have to be much sharper

:15:56.:16:03.

and cleaner. Right. Craig? I'm glad no-one saw you recovering from your

:16:04.:16:10.

knee slide, that was a bit ungainly. That's got that on camera somewhere

:16:11.:16:14.

else for It Takes Two. Have you to be aware that you have feet at the

:16:15.:16:19.

end of those feet. They need pointing. But I loved it. I did love

:16:20.:16:26.

it. What a tempo. Darcey? That wasn't safe, that wasn't placed. It

:16:27.:16:32.

was brilliant! I love the energy. You had spring. All the way through

:16:33.:16:37.

you kept it up. That's what we need. But the feet needed to point. I

:16:38.:16:44.

can't point in these shoes. Good excuse. Not my choice. Not your

:16:45.:16:52.

choice, OK, fine. You won't get the blame. Wonderful choreography.

:16:53.:17:00.

They're a bit turned up on the end. It's just the shoes, not me. I dance

:17:01.:17:06.

it well really. Lovely!

:17:07.:17:09.

APPLAUSE Wow! That was a crowd pleasing jive.

:17:10.:17:19.

Even Craig loved it. He's a bit of a perfectionist. Just like you. Did it

:17:20.:17:23.

feel good? I enjoyed that. For the first time, I enjoyed dancing. How

:17:24.:17:28.

did you learn a routine in just ten hours? I don't know. A great

:17:29.:17:36.

teacher. I'm loving the weave. Fabulous. It's my new friend.

:17:37.:17:39.

The scores are in. Loads of oomph. Did you think the

:17:40.:18:06.

jive be good? Then call to vote. Or go online to send them straight

:18:07.:18:11.

through to next week. Still to come: Big Ben has to prove he can be light

:18:12.:18:16.

in his loafers in the quickstep and can queen of cool Sophie get cheeky

:18:17.:18:20.

in the cha cha? Right, now for our next couple,

:18:21.:18:25.

Susanna and her partner Kevin from Grimsby.

:18:26.:18:32.

APPLAUSE Any way, after Susanna's raunchy

:18:33.:18:38.

samba last week, we had a lot of letters from viewers complaining. In

:18:39.:18:42.

answer to all those letters, I'm sorry, but no - she can't do it

:18:43.:18:49.

again! I explained myself. Here they are in training.

:18:50.:18:55.

Last week, Kevin and I just wanted to deliver something really big and

:18:56.:19:01.

a bit crazy. I thought it was a bit muddy actually. It was a bit muddy

:19:02.:19:07.

at the edges. I know what they mean. I quite like the idea of having done

:19:08.:19:11.

a muddy samba on Strictly. We can clean up next week. Work. Sorry.

:19:12.:19:17.

This week it's the American smooth. Keep going, keep going. Week by

:19:18.:19:22.

week, I am loving dancing even more. Of course, that's down to Kevin. He

:19:23.:19:26.

has grown up in a ballroom. His parents are former national

:19:27.:19:29.

champions. I wanted to see where his love of dancing began. He took me to

:19:30.:19:32.

Grimsby. I'm going to take you to a dance

:19:33.:19:37.

studio that my mum and dad run where I started training. Let's go.

:19:38.:19:42.

Five, six, seven, eight. Hello! Aren't you gorgeous. We

:19:43.:19:50.

danced with some of the kids. It's like dancing with Kevin. Only so

:19:51.:19:54.

much prettier. I even got the chance to dance with Kevin's dad. I feel as

:19:55.:20:00.

though I'm young again. Maybe I'm dancing with the wrong Mr Clifton.

:20:01.:20:06.

Group hug. Going to Grimsby has really boosted that friendship an I

:20:07.:20:12.

-- and I hope it adds extra magic to our performance on Saturday night.

:20:13.:20:14.

Keep dancing! CHEERING AND APPLAUSE

:20:15.:22:11.

A beautiful song, beautifully danced. Bruno? It's always sunny in

:22:12.:22:22.

Susanna land. It's so happy. You really exude happiness. It's joyful

:22:23.:22:26.

watching you. You bring so much positive energy to what you do. It's

:22:27.:22:31.

fantastic to watch. Nice in hold. Nice side by side. Stretch your leg

:22:32.:22:35.

at the back and your foot and your extensions, good lifts, great

:22:36.:22:43.

performance. Lovely. Craig? One word - gorgeous!

:22:44.:22:52.

Great to have you back Craig. Darcey? The focus you give to each

:22:53.:23:02.

dance is bang on. There is a film star in you. It's beautiful to

:23:03.:23:07.

watch. Just watch the preparations into the lifts. That's the only

:23:08.:23:10.

thing. Have confidence in your man. He has got you. Do not worry. That

:23:11.:23:16.

would be the only thing, but lovely. Now then, Len? Last week, it was all

:23:17.:23:22.

bounce, bum and Bonning yeses, this week it's smooth -- bongos, this

:23:23.:23:28.

week it's smooth, suave and sophisticated. It was lovely. Off

:23:29.:23:30.

you go and be proud! APPLAUSE

:23:31.:23:47.

Cleaned up with the judges. Craig said it was "gorgeous" It's fabulous

:23:48.:23:53.

to have Craig back and in such a great mood. The medication. Your

:23:54.:23:57.

first lifts of the series, did you feel safe? I was totally confident

:23:58.:24:02.

actually. There wasn't a moment - yeah look at them. He's not going to

:24:03.:24:05.

drop this sack of potatoes with a pair like that. Kevin we are five

:24:06.:24:10.

weeks in now, to the competition, it's getting a bit more serious, do

:24:11.:24:18.

you think Susanna can go the distance? You've got my vote. The

:24:19.:24:20.

scores are in. Well done. If you thought Susanna

:24:21.:24:47.

and Kevin were streets ahead, if so, call to vote. Or of course, you can

:24:48.:24:55.

go online. Voting opens when everyone's danced. You don't have

:24:56.:24:58.

long to wait. Right, our next couple...

:24:59.:25:04.

LAUGHTER Is - I was complaining about all the

:25:05.:25:09.

stairs I have to go up and down. Any way, the next couple is Ben Cohen

:25:10.:25:17.

and his partner Kristina. APPLAUSE

:25:18.:25:20.

Well, yes, it's Big Ben time, ladies.

:25:21.:25:26.

Last week, Ben ran over and gave Darcey a hug. The week before he ran

:25:27.:25:32.

over and gave Craig a hug. I just hope tonight he doesn't run over and

:25:33.:25:40.

hug Bruno. We'll never get him back. No you won't! I know. I know you!

:25:41.:25:51.

Here they are in training. Last weekend's dance was really a

:25:52.:25:57.

good chance to let go a bit. I enjoyed throwing Kristina around. I

:25:58.:26:02.

felt at home doing that. Dirty, oiled mechanic, it's ticking every

:26:03.:26:06.

box. Yeah, it was lovely to get nice comments from Craig, of course.

:26:07.:26:10.

Because he's not shy in giving bad ones. To get 31 was - I'm going to

:26:11.:26:16.

play the lottery this week, put it that way. I've turned a corner now.

:26:17.:26:23.

People think you're a serious contender now. I don't know about a

:26:24.:26:27.

serious contender. You have to believe in yourself. Since I've

:26:28.:26:34.

retired, I haven't really had that competitive edge like that. There is

:26:35.:26:38.

a member of my family who is still quite competitive, my uncle George,

:26:39.:26:44.

who won the '66 World Cup final. He's going to give me a pep talk. My

:26:45.:26:50.

competition now is with myself. What advice do you have for me for the

:26:51.:26:54.

rest of the competition. We've both won a World Cup. This is going to be

:26:55.:26:57.

another medal, if you win. Can you imagine what it's going to be like

:26:58.:27:01.

in the family, if you don't. Don't come home without a trophy. Don't

:27:02.:27:05.

come home without the trophy. It was great to have a pep talk from uncle

:27:06.:27:09.

George. I remember his words and see how they inspire me in the future.

:27:10.:27:18.

CHEERING AND APPLAUSE Wonderful. Big Ben, oh, something on

:27:19.:29:11.

your shoe. Who would have thought two months ago that you would be

:29:12.:29:15.

here tonight doing a quickstep? I tell you, it's incredible. Craig? I

:29:16.:29:19.

felt you were a little bit out of your comfort zone at the beginning

:29:20.:29:23.

with all the snaps, it was a bit too Joey, not quite right there. I

:29:24.:29:27.

didn't feel throughout the dance that you were actually leading. I

:29:28.:29:31.

think that's my major problem with the whole thing. I loved your face.

:29:32.:29:39.

Your face was an absolute picture. He is having fun. OK Darcey?

:29:40.:29:45.

Actually, I disagree. I wasn't expecting you to be so light on your

:29:46.:29:48.

feet. You made it look like a walk in the park. You didn't even get

:29:49.:29:52.

tired. So I need you to now up the difficulty. Next week, make it

:29:53.:29:58.

harder. Because I think he can be pushed. Darcey is being firm. OK,

:29:59.:30:06.

Len? I agree, and I tell you the way to make it a little bit harder, and

:30:07.:30:10.

this is not just a criticism of you, but throughout the evening, there's

:30:11.:30:15.

been a lot of couples messing about. And I do understand that you've got

:30:16.:30:19.

to fill up the time as a professional and how better than

:30:20.:30:23.

sitting on a settee throwing pop corn at each other or whatever else.

:30:24.:30:27.

We moving a table about. I understand all that. But we're

:30:28.:30:31.

getting into the nitty gritty now. Next week is week six. I want to see

:30:32.:30:37.

really fuller routines from everyone, if I'm honest. What you

:30:38.:30:41.

did, you did well. It's a tough dance for guys. Marvellous. Who

:30:42.:30:47.

would have thought you would be able to do the quickstep. I'm with Len on

:30:48.:30:51.

this one. If it carried on any longer, I would have joined in and

:30:52.:30:55.

maybe bring ape pizza. We'll all join in together and have a great

:30:56.:30:59.

time. You have been teasing us for weeks with your abilities. We know

:31:00.:31:05.

you can do it. Now we want the full Monty, my darling. Break out of the

:31:06.:31:08.

pack, show us what you can do. Because we know you can. It's just

:31:09.:31:13.

not enough to give it oh, a little bit of this, it's all right, that's

:31:14.:31:18.

all right. We want the full whack. Come on.

:31:19.:31:27.

Don't tease Bruno. Well done. Off you go then! Well done.

:31:28.:31:33.

APPLAUSE Big Ben moving across the floor,

:31:34.:31:42.

we're five weeks in, you started as a novice, are you enjoying your

:31:43.:31:47.

Strictly life? I am now. It's getting easier. My nerves and yeah

:31:48.:31:52.

I'm enjoying it. How do you move that much muscle across the floor?

:31:53.:31:58.

He was moving himself. The scores are in:

:31:59.:32:17.

OK, if you want Ben and Kristina to always be there for you, the number

:32:18.:32:21.

to call is: or get online to vote for your

:32:22.:32:32.

dancing friends. It's been another night to remember in the ballroom.

:32:33.:32:35.

There's still one more couple left to dance.

:32:36.:32:40.

The pleasure is ours, our final couple tonight is Sophie and her

:32:41.:32:46.

partner Brendan. APPLAUSE

:32:47.:32:50.

Yes, a good couple. Ones to watch. I was chatting to Sophie about my

:32:51.:32:56.

singing career. And I said, "It's always been my ambition to get a

:32:57.:33:03.

platinum disc." She said, "Well, Craig's got a titanium hip. Go for

:33:04.:33:09.

it." Yes, couldn't get to the end of the joke. You're so good tonight.

:33:10.:33:13.

This is live! Here they are. -- here they are in training.

:33:14.:33:21.

Before I danced, I was petrified. But as soon as the music started,

:33:22.:33:26.

something kicked in. I loved the routine. I loved the dancing. What

:33:27.:33:33.

more do you want? Fabulous. If Len liked it, that's a good sign. Even

:33:34.:33:37.

now it makes my cheeks go pink. You really look like a Hollywood star

:33:38.:33:42.

from the golden era. When you've had something go really well, I feel

:33:43.:33:45.

it's inevitable that the next one isn't so good. Here we go, cha cha

:33:46.:33:54.

cha - challenging. I'm dancing the cha cha this week. I find it so

:33:55.:34:00.

fast! Because of the speed of this dance, I want to try something

:34:01.:34:03.

different. We're going to have a race. If I can g her faster than me,

:34:04.:34:08.

she can be faster than me in the studio and get her thinking fast

:34:09.:34:12.

feet and legs. Cha cha is that. It's the first time I've ever set foot on

:34:13.:34:16.

a running track. I think he wants me to run. Go!

:34:17.:34:24.

I appeared to win, but I think Brendan slowed down. Beat me on the

:34:25.:34:31.

track. So I know I've got a quick girl. The race is really useful. I

:34:32.:34:34.

think I've got my speed up now. Bring on Saturday night.

:34:35.:34:40.

CHEERING AND APPLAUSE Lovely. Lovely finish to the show. A

:34:41.:36:32.

bit hot, yes? Lovely. Darcey? That was, you know, a cha cha has to be

:36:33.:36:38.

lively, slick and cheeky dance with attitude. And you gave that. You

:36:39.:36:42.

gave a lot of those things. I would say the only thing is your knees get

:36:43.:36:47.

a little soft. You have such long legs, you have to work hard at

:36:48.:36:52.

really locking those knees. But so beautifully musical. I really love

:36:53.:36:59.

watching you. Very nice, Len? For me, it was

:37:00.:37:03.

competent, but I can't agree with you. I don't think you got into that

:37:04.:37:08.

dance at all. It was all too staged and put up. Listen, I only say what

:37:09.:37:13.

I see. That's all I do. It's a little bit Brittle throughout. I

:37:14.:37:18.

didn't feel it had that tick and it wasn't cheeky, it wasn't raunchy. I

:37:19.:37:23.

didn't see a lot of interplay. I had some interplay, don't you worry

:37:24.:37:27.

about that. You might have done when you were rehearsing, I didn't see a

:37:28.:37:30.

lot out here any way. Bruno? I thought it was a bit of a saucy,

:37:31.:37:37.

vixen, sacheting with style. You don't give it out immediately. Have

:37:38.:37:41.

you to make him work for it. It was a different approach. You know, it

:37:42.:37:47.

had a very stylish feel. Len is right - which is very hard, he's

:37:48.:37:51.

right for tall people to stretch the back of the leg. Buff I thought it

:37:52.:37:58.

was very nice. Thank you Bruno. And Len as well. Craig? Shall we skip

:37:59.:38:04.

Craig? Make sure you keep dancing when you're walking and also spot

:38:05.:38:07.

when you're turning, because you almost fell over. You lost your

:38:08.:38:12.

balance there. If you hadn't spotted out -- if you had spotted out to the

:38:13.:38:16.

side, you would have been fine. I thought it was rather good. Rather

:38:17.:38:18.

good. Get off quick! Well done. APPLAUSE

:38:19.:38:34.

You pretty young things. You did say that this was going to be cha cha

:38:35.:38:39.

challenging. Yes I did. How did it feel for you? I always agree with

:38:40.:38:43.

everything they say that's negative. I hear the voices in my head all

:38:44.:38:48.

week. It was a very, very - don't be ridiculous. Looks amazing. A very

:38:49.:38:53.

cool cha cha. Is Sophie too cool even for you? Sometimes I think she

:38:54.:38:56.

is. She's a fantastic dancer and girl. In terms of working with

:38:57.:39:00.

somebody day in, day out, I've loved it this series. She's a fantastic

:39:01.:39:03.

partner. You guys are magic together. Couldn't ask for more. The

:39:04.:39:06.

scores are in: If you want Sophie and Brendan to

:39:07.:39:34.

avoid the dance-off call: Please, please.

:39:35.:39:40.

Or vote online to keep these pretty young things in the competition and

:39:41.:39:43.

out of the dance-off. That's it. Our dancing dozen have done all they

:39:44.:39:46.

can. Our judges have had their say. Let's look at the leaderboard:

:39:47.:40:00.

Remember the scores on the board are only half the story. It's your votes

:40:01.:40:05.

that can make or break our couples' dancing dreams. You can start voting

:40:06.:40:07.

now. The lines are open! Pipe down. You can vote online for

:40:08.:40:25.

free at bbc.co.uk/Strictly. You will find the full terms and conditions

:40:26.:40:29.

there as well. Lines close at 8. 40pm tonight. Here are all tonight's

:40:30.:40:33.

performances and the numbers you need to call:

:40:34.:44:03.

What about it? ! What about that for a show. Just to remind you one final

:44:04.:44:12.

time, voting closes at 8. 40pm. Didn't they all do well? Yes. It's

:44:13.:44:15.

been a fantastic evening of dance. Two of these couples will be in the

:44:16.:44:22.

dreaded dance-off in tomorrow night's Results Show. Oohhh! Saying

:44:23.:44:25.

goodbye is never easy. All our couples want to make it through to

:44:26.:44:30.

next week's spook tack lar Hallowe'en special. One of our 12

:44:31.:44:34.

celebrities must leave the competition. Your votes will make a

:44:35.:44:39.

difference. Join Tess and Claudia tomorrow night at 7. 20pm all will

:44:40.:44:46.

be revealed. We will have an incredible performance from Earth

:44:47.:44:54.

Wind Fire. I can't wait! I'll be watching. Craig, well done, thank

:44:55.:44:57.

you so much for being here. It really was marvellous.

:44:58.:45:09.

Oh, don't. In the meantime, get the rhythm - keep dancing!

:45:10.:45:13.

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