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Cheering cheering AR Clear Please welcome your hosts, Tess Daly and | :01:08. | :04:14. | |
Claudia Winkleman. A huge thank you to our fabulous professional | :04:15. | :04:18. | |
dancers. Amazing. They never disappoint. On Saturday night, our | :04:19. | :04:23. | |
12 dancers danced like their lives depended on it. Only 11 couples can | :04:24. | :04:27. | |
continue to shine, because one must sadly leave tonight. That's right. | :04:28. | :04:32. | |
After combining the judges' scores with all of your votes, we'll reveal | :04:33. | :04:39. | |
the bottom two couples for whom the dreaded dance-off beckons. Their | :04:40. | :04:43. | |
fate lies in the hands of our judges. Please welcome them. Also, | :04:44. | :04:49. | |
on the show tonight, turning the ballroom into a Boogie Wonderland, | :04:50. | :04:56. | |
disco legends, Earth Wind Fire are here. The judges and I will look at | :04:57. | :05:02. | |
the details of last night's performances in Len's Lens. I'll | :05:03. | :05:06. | |
reveal the first couple in danger. Before that, here's a recap of what | :05:07. | :05:10. | |
went on in front of and behind the cameras on Saturday night. | :05:11. | :05:18. | |
Week five! Another day in bar dice! Oh, the problems we had getting | :05:19. | :05:26. | |
through the Dartford Tunnel with this. Fly on, my man! It's 10.00am | :05:27. | :05:36. | |
and I'm about to show you what's back stage. Rachel and Pasha are do | :05:37. | :05:42. | |
youing their band run. Injury. Let's not going on about it. Don't try to | :05:43. | :05:47. | |
escape now. I've hurt my hair. It's quite painful today. This is where | :05:48. | :05:51. | |
I've spent the last hour getting this face painted on. They take the | :05:52. | :05:56. | |
very beautiful Natalie. Have you seen me side-ways. They are out | :05:57. | :06:02. | |
here. They turn that into the even more beautiful Natalie. Fantastic. | :06:03. | :06:08. | |
I've got to go now, because I've got that dance -- gotta dance. I'm last | :06:09. | :06:18. | |
one to perform. It's gone 4.00 and now it's time to have something to | :06:19. | :06:25. | |
eat. What are you eating? Creamy chicken. My fish pie is actually | :06:26. | :06:35. | |
better that Marco peer white's -- Pierre White's. It's show-time! This | :06:36. | :06:44. | |
is going to kick-off tonight. Count to air, ten. I'll give it my best | :06:45. | :06:51. | |
shot. Where is Ashley? Five, four, three, two, one. That was terrific. | :06:52. | :07:01. | |
Felt really good out there. Yeah. Hypnotic, exotic, with a touch of | :07:02. | :07:08. | |
the erotic. I've never been accused of being erotic before. Beautiful. | :07:09. | :07:16. | |
Wave after wave of effortless movement around the floor. I hope | :07:17. | :07:22. | |
that was OK for you, because it's your favourite dance. To me it was a | :07:23. | :07:30. | |
ten. You have the ability of never letting your left leg know what your | :07:31. | :07:41. | |
right leg is doing. Bottom of the leaderboard. Top of the world. It's | :07:42. | :07:44. | |
an improvement on last week, so well done. Much more confident, much more | :07:45. | :07:52. | |
fluid. An inproximity. After last week I'm really pleased with the 27. | :07:53. | :08:00. | |
You did a really good job under terrible circumstances. Well done. | :08:01. | :08:05. | |
You still could have got the flow with one arm. Thank you, brilliant | :08:06. | :08:14. | |
start. You flew around the floor and you were most definitely back in the | :08:15. | :08:22. | |
room. I feel so relieved. At last! You are Smiley Reilly and it didn't | :08:23. | :08:30. | |
quite work. You had all the content there, but it was the vegetarian | :08:31. | :08:44. | |
option. I liked it. You danced it simply, effectively and with feeling | :08:45. | :08:48. | |
and emotion and I was just -- it was just beautiful to see. Terrific | :08:49. | :08:56. | |
effort. Well done. I enjoyed dancing that. That was good. That wasn't | :08:57. | :09:03. | |
safe or placed. It was brilliant. That's good. Really important. It is | :09:04. | :09:13. | |
always sunny in Susanna land. Gorgeous. Yeah! What you did you did | :09:14. | :09:27. | |
well. I'm just happy I didn't make a mistake. We know you can do it. Now | :09:28. | :09:32. | |
we want The Full Monty, my darling. Good job! I don't think you got into | :09:33. | :09:39. | |
that dance at all. It was all too sort of staged and put up. You | :09:40. | :09:43. | |
almost fell over and lost your dance. I didn't mind it actually. I | :09:44. | :09:47. | |
thought it was rather good. Good job, babe. Oh, what a start to the | :09:48. | :09:58. | |
show. Natalie - fantastic. And then Abbey and down the bottom, oh, no, | :09:59. | :10:06. | |
Dave. Oh, Cuban Pete, it was fabulous! Here, look at my face, was | :10:07. | :10:12. | |
I laughing? Yes, I was. The bottom line - it was a good night, wasn't | :10:13. | :10:21. | |
it? What a sensational night of ballroom. 12 couples have danced to | :10:22. | :10:25. | |
keep their place in the competition, but who is safe and sound? Who could | :10:26. | :10:30. | |
be home-ward bound? I have the results. In no particular order, the | :10:31. | :10:40. | |
first couple safely true to -- through to next week is... Fiona and | :10:41. | :11:00. | |
Anton. Thank you very much! Also back are... Susanna and Kevin. | :11:01. | :11:22. | |
APPLAUSE Surviving here again next week | :11:23. | :11:46. | |
are... Natalie and Artem. APPLAUSE | :11:47. | :12:03. | |
Also returning are... Mark and Iveta. | :12:04. | :12:08. | |
APPLAUSE Back to dance again next Saturday | :12:09. | :12:36. | |
are... Rachel and Pasha. APPLAUSE | :12:37. | :12:39. | |
The first couple who must fight for survival in the dance-off is... | :12:40. | :12:53. | |
Deborah and Robin. Please come and join me. For the rest of you, you'll | :12:54. | :12:57. | |
have to wait a little longer to see if you're route to next week. I'm | :12:58. | :13:04. | |
sorry. I'm sorry that you should find yourself standing here next to | :13:05. | :13:09. | |
me. Len, you said, once they got cracking they did really well. How | :13:10. | :13:14. | |
can they improve? InseeRle I'm in shock, because I thought you would | :13:15. | :13:20. | |
be safe and sound. For me, your Viennese Waltz was as good as any | :13:21. | :13:24. | |
dance you've done this series, so my advice would be just to come out and | :13:25. | :13:29. | |
trust in your partner, Robin and come out and give it your all. | :13:30. | :13:37. | |
Deborah, I know how much you love being in the ballroom. How are you | :13:38. | :13:46. | |
feeling right now? I don't know. I just don't want it to end. I want to | :13:47. | :13:50. | |
put a good enough dance in to repay this guy who has taught me to dance. | :13:51. | :13:55. | |
APPLAUSE He doesn't want it to end. Thank | :13:56. | :14:00. | |
you, Deborah. We'll see you in the dance-off. Claudia, over to you. | :14:01. | :14:05. | |
Thank you. I'm here with the gorgeous saved couples. Huge | :14:06. | :14:09. | |
congratulations. Mark, you won over Craig on Saturday night. How happy | :14:10. | :14:14. | |
were you? Amazed. It was lovely. So nice for me to hear those comments. | :14:15. | :14:19. | |
I was shocked. So happy. As is Anton. Look at his face. I've never | :14:20. | :14:25. | |
seen him happier. Rachel, you were like, what did she get it right? I | :14:26. | :14:31. | |
went through my routine 17,000 times in my head. I'm just so pleased. | :14:32. | :14:37. | |
Thank you British public. You did absolutely brilliantly. Susanna, you | :14:38. | :14:41. | |
are through. Such a relief, but always such a shame, Deborah in the | :14:42. | :14:45. | |
dance-off. I know, she is so sweet. It's so true. We'll change the mood. | :14:46. | :14:52. | |
Let's dance, let us feel joy. OK, it's now time for music. If you like | :14:53. | :14:57. | |
it boogie you will be in your element. Please welcome the very | :14:58. | :14:59. | |
brilliant Earth Wind Fire. # Let's groove tonight | :15:00. | :15:27. | |
# It's all right # All right | :15:28. | :15:39. | |
# It's all right # You find peace of mind on the | :15:40. | :15:42. | |
floor # Come with me | :15:43. | :15:46. | |
# Baby let's see inside # I'll be there | :15:47. | :15:47. | |
# If you want my love # I'll be there | :15:48. | :16:16. | |
# Baby since we met # Soul to soul | :16:17. | :16:21. | |
# When day by day our hearts intwine until I can't can't tell yours from | :16:22. | :16:29. | |
mine # I want to make this our last time | :16:30. | :16:40. | |
# I'll always be around # My promise to you | :16:41. | :17:00. | |
# I promise to always care for you # I'm all alone | :17:01. | :17:10. | |
# I'll be right there # Giving you my heart... | :17:11. | :17:22. | |
# Dance, Boogie Wonderland APPLAUSE | :17:23. | :18:53. | |
Absolutely brilliant. Please welcome the keepers of the paddles, our | :18:54. | :19:02. | |
judges. Unfortunately, Craig is stranded downstairs due to his | :19:03. | :19:05. | |
recent hip operation. He wouldn't let me give him a piggy bag. -- | :19:06. | :19:13. | |
piggy back. Thank goodness you're still there. Luckily, we are not | :19:14. | :19:17. | |
alone. We couldn't do this alone. It would be ridiculous and just a chat. | :19:18. | :19:26. | |
This has to be magical. Let's welcome Len's Lens. This is when we | :19:27. | :19:30. | |
look at the close-ups and maybe the things we didn't talk about on | :19:31. | :19:34. | |
Saturday night. My first topic is the following - just how adorable | :19:35. | :19:40. | |
and this is a genuine question is Anton Du Beke? Just look at this | :19:41. | :19:43. | |
point. Look at his little face and his brilliant partner dabbing him | :19:44. | :19:48. | |
down. Len, did you love it? Listen, I love Anton. I think he's such a | :19:49. | :19:52. | |
character and he's marvellous and this dance, I loved the character | :19:53. | :19:56. | |
that he got into it. Both of them did. It was absolutely great. Look | :19:57. | :20:08. | |
at him. Wide shoulders, flat back. Proud as a peacock. Darcy, can I | :20:09. | :20:15. | |
talk to you about Ashley's split? Here he goes. He only trained for | :20:16. | :20:19. | |
about four minutes this week. Look at him. You know what's great, he | :20:20. | :20:25. | |
doesn't look like he put any strain on Ola, which is brilliant. He | :20:26. | :20:29. | |
didn't point his feet. He came forward. He came forward. It's the | :20:30. | :20:33. | |
art of pitching it forward. Not having the weight too far back. He | :20:34. | :20:39. | |
did do well? Look at that. Terrific. I've got to show you this. Artem | :20:40. | :20:44. | |
unfortunately really badly fractured his nose. I have a clip. We have | :20:45. | :20:51. | |
zoomed in. Look at this. They did a beautiful dance and went for this. | :20:52. | :20:57. | |
That was bad. Fortunately, he doesn't need a sense of smell to | :20:58. | :21:02. | |
dance. Quite. Talking about being a master and carrying on. Patrick did | :21:03. | :21:09. | |
so brilliantly. He can't form and Anya totally dechoreographed -- | :21:10. | :21:15. | |
rechoreographed the dance. Straight on. Go on girl, up you go. I tell | :21:16. | :21:21. | |
you what. The look of the lines, that was a great moment. Absolutely | :21:22. | :21:26. | |
beautiful. Last one is, can we just have a conversation with Dave's | :21:27. | :21:32. | |
hair. Oh, my God. Did you love it? There was more movement in the hair | :21:33. | :21:37. | |
than there was in the feet. Come on, he did brilliantly. I did love it, | :21:38. | :21:42. | |
but it was a unique experience. We have to admit. That Thank you for | :21:43. | :21:45. | |
that closer inspection. Let's hear it for the judges. | :21:46. | :21:48. | |
APPLAUSE Now, it hasn't been the same without | :21:49. | :21:53. | |
Craig, but I'm sure he's feeling positively miserable to be missing | :21:54. | :21:58. | |
out. Oh, darling, oh, thank you. This is better than Len's Lens, | :21:59. | :22:05. | |
dear! Send him back up here after. Aljaz, turn around and be a love. | :22:06. | :22:09. | |
Remember, you can head to the website for even more exclusives | :22:10. | :22:14. | |
like this one. Come on, fruit salad. It's delicious! It's time to find | :22:15. | :22:17. | |
out who is going to make it through to next week. Over to you, test. -- | :22:18. | :22:26. | |
Tess. Six couples are waiting to find out if they're safe. It's time | :22:27. | :22:36. | |
to reveal all. In no particular order, safely through to next week | :22:37. | :23:00. | |
are... Sophie and Brendan. APPLAUSE | :23:01. | :23:01. | |
Back to dance again next Saturday are... Ashley and Ola. | :23:02. | :23:25. | |
APPLAUSE Also safe are... Abbey and Aljaz. | :23:26. | :23:48. | |
APPLAUSE Returning next week will be... Dave | :23:49. | :24:11. | |
and Karen. APPLAUSE | :24:12. | :24:13. | |
That means Ben and Christina and Patrick and Anya one of you is safe | :24:14. | :24:18. | |
and one of you is in the dance-off. I can reveal the puple who will | :24:19. | :24:31. | |
compete in the dance-off is... Patrick and Anya. Ben and Christina | :24:32. | :24:39. | |
you are through to next Saturday. Patrick and Anya, please come over | :24:40. | :24:46. | |
and join me. APPLAUSE | :24:47. | :24:50. | |
Come and join me. I'll talk to Darcy. You said that Patrick and | :24:51. | :24:55. | |
Anya's salsa was impressive. What does he need to do? I'm sorry, it's | :24:56. | :25:00. | |
crazy. I'm shocked you're here. I don't know what to say. I'm amazed. | :25:01. | :25:04. | |
To be able to change everything in just one day and be able to perform | :25:05. | :25:08. | |
what you did on Saturday night, people don't realise, it would phase | :25:09. | :25:13. | |
so many people out. You weren't phased. That shows what a natural | :25:14. | :25:20. | |
dancer you are. Patrick, it has been a really tough week for you. You | :25:21. | :25:26. | |
soldiered on. What are you going to do differently? Just do it again. He | :25:27. | :25:31. | |
did that after 24 hours, so just do it again. Very best of luck. Best of | :25:32. | :25:37. | |
luck. See you in the dance-off. Claudia, over to you. Thank you. I'm | :25:38. | :25:43. | |
here with the rest of the saved couples. Your reaction when Tess | :25:44. | :25:49. | |
said your name. My blood pressure dropped throw the floor. Loving | :25:50. | :25:53. | |
feeling. Abbey, how happy are you because you get so nervous? I'm so | :25:54. | :25:57. | |
thrilled to be here another week. It's amazing. Very well done. | :25:58. | :26:03. | |
Ashley, you are the busiest man on planet Earth. They're going to make | :26:04. | :26:07. | |
you T-shirts that say that. How relieved are you? You did the split | :26:08. | :26:14. | |
and trained for half an hour? I'm so happy to be through. It's been a | :26:15. | :26:17. | |
tough week, so thank you to everyone out there. So sweet. Ben, you two | :26:18. | :26:26. | |
Kristina, you do the face which is, "I am going." That is not even your | :26:27. | :26:35. | |
voice, but you were down to the last two. Did you think this is it? It's | :26:36. | :26:44. | |
the most nerve racking thing. It was so ba Thanks to people who voted at | :26:45. | :26:48. | |
home. Please don't do that again. You were also incredibly relieved? | :26:49. | :26:52. | |
I'm sure I was going to what what what again. Thank you so much to | :26:53. | :26:55. | |
everybody who voted. Lovely to be dancing again. Well done to all of | :26:56. | :26:59. | |
you. The elimination is a scary time for all our celebrities. But with | :27:00. | :27:06. | |
Hallowe'en next week it's going to get even scarier. | :27:07. | :27:43. | |
What you running away for? It's only me. Where have you gone? Hello. | :27:44. | :27:54. | |
Hello. Sadly, only one of these couples can make it through to | :27:55. | :27:58. | |
Hallowe'en week. Deborah and Robin and Patrick and Anya, you are about | :27:59. | :28:03. | |
to face the dance-off. I'm so sad that both of you are here, if that's | :28:04. | :28:09. | |
at all helpful, which it isn't. Are you going to do it differently? You | :28:10. | :28:15. | |
know it could be - it could well be my last dance, so I'm going to give | :28:16. | :28:21. | |
it everything and enjoy it. OK. Robin, you love it don't you? | :28:22. | :28:25. | |
Absolutely. I've been dancing with Deborah and it's been amazing. I | :28:26. | :28:30. | |
don't want it to end. You'll do it well. Enormous luck. Please go and | :28:31. | :28:40. | |
get into position. APPLAUSE | :28:41. | :28:43. | |
You've had the most difficult week. How dispointing is it for you to be | :28:44. | :28:48. | |
in this position? Well, it's a shame, but that's what happens. This | :28:49. | :28:52. | |
is a competition. In the end we just dance again. Fantastic. Enormous | :28:53. | :28:56. | |
luck. Both couples want to be back next week, but someone must leave | :28:57. | :29:01. | |
tonight. First to compete please show enormous support for Deborah | :29:02. | :29:12. | |
MUSIC MUSIC This is. | :29:13. | :29:16. | |
Man's World Deborah and Robin have done | :29:17. | :30:58. | |
everything they can and now fighting for their place, please put your | :30:59. | :31:00. | |
hands together for Patrick and Anya. So well done to both of you. We now | :31:01. | :33:03. | |
find out which of you will be back to dance again next week. Judges, | :33:04. | :33:12. | |
it's time to decide. We are about to ask each of you the name of the | :33:13. | :33:15. | |
couple that you think deserves to be safe. The couple with the most votes | :33:16. | :33:17. | |
will stay in the competition, meaning the other couple is out of | :33:18. | :33:24. | |
Strictly Come Dancing. In the event of a tie, head judge, Len, will have | :33:25. | :33:32. | |
the casting vote. Deborah and Robin and Patrick and Anya, this is it. | :33:33. | :33:37. | |
Craig? I would like to save the couple who did the best dancing in | :33:38. | :33:41. | |
the dance-off tonight and that couple is Patrick and Anya. Well | :33:42. | :33:48. | |
done. One vote for you. Darcy, who would you like to keep in the | :33:49. | :33:55. | |
competition? I just wish both of the couples weren't even here, it's so | :33:56. | :34:01. | |
hard. But I would like to save Patrick and Anya. That's two votes. | :34:02. | :34:09. | |
If Bruno now chooses to save you, that means you are indeed through to | :34:10. | :34:13. | |
next week. Bruno, who would you like to keep in Strictly Come Dancing? | :34:14. | :34:18. | |
Let me say, you both did a great job, but one of you had the edge for | :34:19. | :34:24. | |
me and the couple that had the edge, I would like to save is Patrick and | :34:25. | :34:29. | |
Anya. APPLAUSE | :34:30. | :34:34. | |
We have to say goodbye to Deborah and Robin. Patrick and Anya, we'll | :34:35. | :34:40. | |
see you next week. Len, would you have agreed? I would have agreed, | :34:41. | :34:45. | |
yes. They definitely did much better in the dance-off and my heart goes | :34:46. | :34:53. | |
out to you. You two have been a fantastic couple to watch. We are | :34:54. | :34:57. | |
genuinely sorry to see you go. I know you've had a ball. Is there | :34:58. | :35:00. | |
anything you would like to say to Robin? I can't tell you. This gave | :35:01. | :35:06. | |
me a give, but the big gift was this guy, to teach me to dance, to find | :35:07. | :35:11. | |
something I never even knew I could do and to make it the best. Oh, God. | :35:12. | :35:17. | |
He's done wonders. There's going to be tears. No, I'm a Dragon, there | :35:18. | :35:25. | |
will be no tears. We turned you into a pussy cat. Robin, is there | :35:26. | :35:31. | |
anything you would like to say? I'm so upset for ra. She -- Deborah. She | :35:32. | :35:39. | |
loved it so much. They got on so great. A fantastic partnership. On a | :35:40. | :35:45. | |
brighter note, you danced to some of your favourite songs and had a | :35:46. | :35:47. | |
wonderful reaction from the British public. What's been the highlight? | :35:48. | :35:51. | |
Oh, actually tonight. I loved my dance tonight. I loved my quickstep | :35:52. | :35:57. | |
and I'm sad to be going, because everybody knows I've just had a ball | :35:58. | :36:02. | |
and the best time. We've thoroughly enjoyed watching you both. Ing thank | :36:03. | :36:13. | |
you so much for taking part. We'll miss them. We bid a very fond | :36:14. | :36:24. | |
farewell to Deborah and Robin. They'll join Zoe on Strictly Come | :36:25. | :36:28. | |
Dancing: It Takes Two. We'll be back for the Hallowe'en special. We've | :36:29. | :36:33. | |
got a spectacular group performance and you can join in at home. Go to | :36:34. | :36:38. | |
the website to find out all about it. You won't want to miss it. It's | :36:39. | :36:42. | |
brilliant. But now, with their final dance, it's the marvellous Deborah | :36:43. | :36:52. | |
and Rob in. -- Robin. | :36:53. | :36:55. |