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Last week on Strictly: Our dancing dozen did their best to impress. | :00:00. | :00:11. | |
Some dazzled the judges with their tricks. Others failed to provide any | :00:12. | :00:16. | |
tricks. Others failed to provideany any treats. Here and fight! In the | :00:17. | :00:21. | |
end our dragon was slain in the dance-off. | :00:22. | :00:25. | |
This week, it's Hallowe'en and the nightmares have begun. I'm sorry. | :00:26. | :00:30. | |
It's a bit like flying on a budget airline. It's like a disaster movie. | :00:31. | :00:35. | |
Lots of sugar and in the a lot of spice. | :00:36. | :00:41. | |
It was a zafrter, darling. -- Disaster darling. Who's hoping their | :00:42. | :00:45. | |
dreams will come true? Wonderful. Terrific. Just perfect. Gorgeous. | :00:46. | :00:50. | |
Wake up, are you having a nightmare? On the contrary, that's the best 40 | :00:51. | :00:52. | |
winks I've had for weeks. For the first time ever, I'm scared | :00:53. | :01:51. | |
darlings. Why? It's Hallowe'en! HOWLING It's a spooky Hallowe'en | :01:52. | :04:58. | |
special, it's Strictly Come Dancing! Please welcome your hosts, Sir Bruce | :04:59. | :05:05. | |
Forsyth and Tess Daly. APPLAUSE | :05:06. | :05:21. | |
What a lovely dress. Why, thank you. Not bad yourself. Beautiful. Good | :05:22. | :05:29. | |
evening, sit down, sit down, please. Smile at the same time. Right, good | :05:30. | :05:33. | |
evening ladies and gentleman and children, welcome to spooky come | :05:34. | :05:38. | |
dancing. It's rotten to see you, to see you... Rotten! Yes. And it's | :05:39. | :05:43. | |
rotten to see you. That's a horrible thing to say. It's Hallowe'en. I | :05:44. | :05:48. | |
know, I said it to them, but no need to say it to me. It's Hallowe'en. Go | :05:49. | :05:55. | |
on then. What a Goolish start to -- ghoulish start to our Hallowe'en | :05:56. | :05:59. | |
special. Have you had a good day? Yes, this afternoon I had 40 winks | :06:00. | :06:04. | |
in a coffin. LAUGHTER | :06:05. | :06:13. | |
Then, I had a charge of electricity. A small glass of bat's blood.. | :06:14. | :06:18. | |
You're really getting into the Hallowe'en spirit. It's nothing to | :06:19. | :06:21. | |
do with Hallowe'en, I do it every week. | :06:22. | :06:29. | |
It's not easy coming here. APPLAUSE | :06:30. | :06:31. | |
It's not easy coming here every Saturday making a fool of yourself | :06:32. | :06:36. | |
up and down the stairs. Spooky. That's the word. Last week, two | :06:37. | :06:40. | |
couples went head to head in the deadly dance-off, Patrick and Anya | :06:41. | :06:44. | |
survived. But our dragon Deborah danced out of the competition and | :06:45. | :06:51. | |
continues to haunt the ballroom. Oh, Lady GaGa is our guest star! But | :06:52. | :06:59. | |
on this scariest night of Strictly we still have 11 couples desperate | :07:00. | :07:05. | |
to dance in our haunted ballroom. Yes, we do. They're dancing to save | :07:06. | :07:10. | |
their souls from the judges whose scores combine with your votes and | :07:11. | :07:16. | |
the two couples with face a fate worse than death. We both have it | :07:17. | :07:21. | |
tonight. If it was recorded we could cut all that out. But this is live! | :07:22. | :07:25. | |
Don't start that again. You'll get over it, don't worry, because it's | :07:26. | :07:32. | |
time to meet the stars of our spooky show. | :07:33. | :07:38. | |
Pop star Sophie Ellis-Bextor and her partner Brendan Cole. Star of stage | :07:39. | :07:43. | |
and screen Mark Benton and his partner Iveta Lukosiute. BBC | :07:44. | :07:46. | |
Breakfast presenter Susanna Reid and her partner Kevin Clifton. England | :07:47. | :07:52. | |
rugby hero Ben Cohen and his partner Kristina Rihanoff. Coronation Street | :07:53. | :07:56. | |
Star Natalie Gumede and her partner Artem Chigvintsev. Model and TV | :07:57. | :08:00. | |
presenter Abbey Clancy and her partner Aljaz Skornajec. From | :08:01. | :08:05. | |
Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan. Casualty | :08:06. | :08:10. | |
star Patrick Robinson and his partner Anya Garnis. Countdown | :08:11. | :08:14. | |
presenter Rachel Riley and her partner Pasha Kovalev. Chef and | :08:15. | :08:20. | |
Hairy Biker Dave Myers and his partner Karen Hauer. And Bond girl | :08:21. | :08:25. | |
and author Fiona Fullerton and her partner Anton du Beke. | :08:26. | :08:38. | |
CHEERING AND APPLAUSE There they all are. Look at them! I | :08:39. | :08:48. | |
can't recognise anybody. I tell you that. This year, it's been so close. | :08:49. | :08:54. | |
Based on past performances, Natalie, you could be in the top, you could | :08:55. | :08:58. | |
be the top of the tree, really good. And Sophie, you could be the top of | :08:59. | :09:03. | |
the leaderboard. Abbey, you could be the top of the leaderboard, hello | :09:04. | :09:14. | |
Dave, how are you? Give it some welly. | :09:15. | :09:19. | |
They might look terrifying, but they're the ones who are scared | :09:20. | :09:25. | |
because this week our 11 will become 10. Thereby -- there will be wailing | :09:26. | :09:28. | |
and screaming. It's Patrick Robinson and his partner Anya. | :09:29. | :09:36. | |
APPLAUSE I see them in the back row. | :09:37. | :09:41. | |
Patrick and Anya, before you dance, I just want to warn you, in fact I | :09:42. | :09:46. | |
want to warn everyone actually - during the show, if you hear a bump | :09:47. | :09:50. | |
in the night, don't worry, it will be Bruno falling off his chair | :09:51. | :09:55. | |
again. LAUGHTER | :09:56. | :10:01. | |
He'll do anything for a laugh. Any way, here they are in training. | :10:02. | :10:09. | |
Last Saturday, I was trying to do the best job I could do with salsa | :10:10. | :10:14. | |
and one hand. I just had to say, that's the way it goes. Hit it. The | :10:15. | :10:20. | |
general consensus was that it was stop-start. It was like a switch | :10:21. | :10:26. | |
going on and off tonight. I was slightly disappointed, even though I | :10:27. | :10:29. | |
thought, it's the best I could do. To be in the bottom two for the | :10:30. | :10:35. | |
first time, absolutely indescribable feeling. To be voted by all the | :10:36. | :10:41. | |
judges, that's fantastic. As hard work as it is, you get out what you | :10:42. | :10:45. | |
put in. I'm going to go for it. This week, we are dancing the quickstep. | :10:46. | :10:51. | |
It's a very difficult dance. With an injured hand. Can't grab. Dodgy | :10:52. | :10:57. | |
knees, he's a bit of a broken man. I decided to fix all of that and | :10:58. | :11:01. | |
turning him no a dancing monster. Good afternoon, Patrick, please step | :11:02. | :11:06. | |
into my office. You've been beaten, you've been bruised, you've been | :11:07. | :11:11. | |
hurt. Don't you worry, by the time I've finished, you'll be a dancing | :11:12. | :11:13. | |
machine. Dancing the quivering Quickstep, | :11:14. | :11:45. | |
Patrick Robinson and Anya "Gruesome" Garnis. | :11:46. | :11:51. | |
That was so good. Lovely. Well done Patrick and Anya. | :11:52. | :13:50. | |
That was marvellous. Let's welcome our judges. Come on. | :13:51. | :13:56. | |
APPLAUSE Now, Craig's a bit grumpy tonight. | :13:57. | :14:01. | |
He's been having trouble sleeping because of his hip. Evidently his | :14:02. | :14:06. | |
leg isn't strong enough for him to hang upside down on the ceiling... | :14:07. | :14:12. | |
LAUGHTER Shame. OK, Len, what due think of | :14:13. | :14:17. | |
that? I was bewitched, bothered and bewildered. Bewitched by the routine | :14:18. | :14:21. | |
and the performance. A little bit bothered with the lack of body | :14:22. | :14:25. | |
contact. But absolutely bewildered by the energy, the speed, the joy of | :14:26. | :14:34. | |
the dance. N if that's not the dance of the | :14:35. | :14:38. | |
night, I'm going to pickle my walnuts. | :14:39. | :14:42. | |
What about you Bruno? You don't need his walnuts, because I tell you, the | :14:43. | :14:46. | |
magic spell you concocted had all the right ingredients. That was a | :14:47. | :14:54. | |
spooky riot of a quickstep. You put more content in your dance tonight | :14:55. | :14:58. | |
than you've ever had, overall it was actually very good. Len is right, | :14:59. | :15:01. | |
because of the body contact, your frame sometimes was a bit loose. You | :15:02. | :15:06. | |
have to maintain the frame and the content at the same time. The | :15:07. | :15:11. | |
difference from last week was outstanding. How about Craig? I can | :15:12. | :15:20. | |
only but agree. The energy was phenomenal. I loved the whole | :15:21. | :15:26. | |
theatricality of the whole performance. Tighter frame | :15:27. | :15:31. | |
absolutely. I loved the charleston elements. It was full of character, | :15:32. | :15:34. | |
your timing, as always, exceptional. Great work. | :15:35. | :15:42. | |
Darcey? Anya, you've worked with Patrick's strengths all the way | :15:43. | :15:53. | |
through. The choreography was brilliant. Patrick, that was fast. | :15:54. | :16:00. | |
Great work. Well done. Well done indeed. | :16:01. | :16:03. | |
Off you go, wonderful. APPLAUSE | :16:04. | :16:08. | |
Come and join me! No breath. I'm not surprised. How is | :16:09. | :16:27. | |
the wrist? It's healing and it's coming along nicely. You forgot all | :16:28. | :16:31. | |
about it during that. You have to try. Amazing comments from the | :16:32. | :16:35. | |
judges, spell binding they said. You were in the dance-off last week, | :16:36. | :16:39. | |
have you got the energy to come back fighting this week? I think I'd | :16:40. | :16:47. | |
dance every week. That's how it is. Spectacular. What do your kids think | :16:48. | :16:51. | |
when they see their dad dancing on telly every week? I have to say | :16:52. | :16:56. | |
hello to Olivia Grace. She didn't get here on the family day. Hope you | :16:57. | :17:01. | |
enjoyed it tonight, darling. The scores are in: | :17:02. | :17:23. | |
Come on! That is easily your best to date. Really well done. What a start | :17:24. | :17:31. | |
to the show. Make no bones about it, Patrick's worst nightmare is the | :17:32. | :17:34. | |
dance-off again. He doesn't want to be there. Absolutely. Definitely | :17:35. | :17:43. | |
doesn't want to be there. Call from your mobile or your land line or | :17:44. | :17:48. | |
vote for free online at bbc.co.uk/Strictly. | :17:49. | :17:57. | |
Voting lines don't open until our couples have danced. Don't vote now. | :17:58. | :18:03. | |
Wasn't that a start to the show. Sensational. | :18:04. | :18:11. | |
Now, for our next couple, Fiona Fullerton and her partner, Anton. | :18:12. | :18:21. | |
APPLAUSE They're going to be scarecrows that | :18:22. | :18:25. | |
come to life. Children you'll love this. When I heard about it, I | :18:26. | :18:31. | |
rushed around to the costume department before they could turn | :18:32. | :18:36. | |
Anton into a scarecrow. You see, for the past ten years, I've been dying | :18:37. | :18:48. | |
to say Anton, go and get stuffed. APPLAUSE | :18:49. | :18:50. | |
Ten years I've waited. Here they are in training. | :18:51. | :18:57. | |
Last week was absolutely fantastic. I loved every minute of it. It is | :18:58. | :19:05. | |
just a really joyous experience. Finally fabulous Fiona. It was such | :19:06. | :19:09. | |
a relief to get lovely comments. Because I really felt as if I was | :19:10. | :19:14. | |
getting my final warning. More confidence plus more focus equals | :19:15. | :19:19. | |
more points. I don't think I've completely conquered my nerves, but | :19:20. | :19:23. | |
I'm so grateful that I've had this opportunity to be part of the | :19:24. | :19:29. | |
Hallowe'en week. It's Hallowe'en week. Yes! What's your fear? To let | :19:30. | :19:39. | |
the judges down. I know what will help you. Look what I've got. Why so | :19:40. | :19:49. | |
many pumpkins? It's the judges! How are these going to be the judges? | :19:50. | :19:55. | |
Let's get carving. Anton actually turned out to be really good at | :19:56. | :19:58. | |
carving the pumpkins. They turned out brilliantly. Your challenge | :19:59. | :20:03. | |
today is to turn these grumpy judges into happy judges. | :20:04. | :20:17. | |
Look! Wow. Look. They're all smiling. I just really hope that I | :20:18. | :20:26. | |
can do the same thing on Saturday night and see four judges smiling | :20:27. | :20:33. | |
back at me. Dancing the chilling Charleston, | :20:34. | :20:35. | |
Fiona Fullerton and Anton "Deathly" Du Beke. | :20:36. | :20:40. | |
Lovely. That was a very jolly, it really was. I didn't mean it about | :20:41. | :22:33. | |
what I said. Five years I've waited! Whilst you get your breath back, | :22:34. | :22:38. | |
it's a good time to welcome our spooky singers, Dave Arch and his | :22:39. | :22:51. | |
wonderful rotten orchestra. APPLAUSE | :22:52. | :22:56. | |
I think you start us off Bruno. There was nothing creepy about that. | :22:57. | :23:00. | |
It was so nice and prim and proper, it was Hallowe'en at Doris Day's | :23:01. | :23:04. | |
house. Everything was nicely placed and neatly done. But it lacked that | :23:05. | :23:10. | |
kind of fire in the crazy energy that the charleston has. There's a | :23:11. | :23:13. | |
lot of time you have to really be aware of timing, Fiona. This is one | :23:14. | :23:17. | |
of the things that in the fast dances always lets you down. It's | :23:18. | :23:22. | |
the truth, darling. You really have to count... | :23:23. | :23:26. | |
BOO I'm not blind! You have to keep on | :23:27. | :23:32. | |
time. When you go out of sync with Anton, it really shows. Sorry. | :23:33. | :23:36. | |
Oh, I see. Let's see what the others say. He's absolutely right. I | :23:37. | :23:41. | |
thought the whole dance was just too polite and well behaved. Back in the | :23:42. | :23:49. | |
20s, they had signs up, "PCQ" Which meant please charleston quietly. It | :23:50. | :23:54. | |
should be going completely against that sign. The timing was out. When | :23:55. | :23:58. | |
you do the monkey step, just a small detail, you need to have your hands | :23:59. | :24:02. | |
near your knees. That was out of place. But on the good side, you do | :24:03. | :24:07. | |
have a fantastic amount of swifl and I'm looking for that -- swivel and | :24:08. | :24:22. | |
I'm always looking for that. Dave? Darcey. | :24:23. | :24:31. | |
But Dave will do... It says Dave. I know. It's Hallowe'en. She looks | :24:32. | :24:40. | |
particularly butch today, I know. Be careful Fred. For me, what you do | :24:41. | :24:44. | |
brilliantly is when you tell a story, everything comes together. I | :24:45. | :24:51. | |
loved actually how clean and placed you were. | :24:52. | :24:53. | |
APPLAUSE What you did, you did particularly | :24:54. | :24:57. | |
well. You played a lovely character, nice and cheeky. I enjoyed it. The | :24:58. | :25:03. | |
boys are right, are you out of time and out of sync with Anton | :25:04. | :25:06. | |
occasionally. But you are still on your way up. So keep working. | :25:07. | :25:17. | |
Now then, just a minute, George. LAUGHTER | :25:18. | :25:23. | |
For me, I don't agree with these people. I thought it was a proper | :25:24. | :25:29. | |
charleston. OK, maybe it could have had a bit | :25:30. | :25:34. | |
more wow in it, I don't know. Very few charston you see them in the | :25:35. | :25:38. | |
correct swivel action through their feet. You had that beautifully. As | :25:39. | :25:43. | |
much as maybe they're right, I think I'm right. That was a proper | :25:44. | :25:49. | |
charleston. Well done. I'm so glad. It was a lovely | :25:50. | :25:51. | |
charleston. Off you go. I don't care what those judges said, | :25:52. | :26:12. | |
we thought that was the cutest charleston we've ever seen. I loved | :26:13. | :26:15. | |
it. Len said it was a proper charleston. He's in your corner. I | :26:16. | :26:18. | |
know you wanted to impress the judges this week, how do you feel? | :26:19. | :26:22. | |
I'm really disappointed, because I thought we did everything as we were | :26:23. | :26:27. | |
told. Len's your favourite judge and you've got his vote of confidence. | :26:28. | :26:33. | |
They were shouting at the judges saying, "She did great. She was | :26:34. | :26:38. | |
fantastic." You twisted your ankle this week, is that a big deal? No, | :26:39. | :26:44. | |
not a big deal. A small dislocation, it was fine (! ) Once I stuck it | :26:45. | :26:48. | |
back in, it was all right. The scores are in: | :26:49. | :27:09. | |
Head judge Len is in your corner. The numbers to call are: Or vote | :27:10. | :27:24. | |
online. Make a note. Tell them. Indeed, make a note. Loads more | :27:25. | :27:30. | |
spooky goings on. Sophie and Brendan's bone-jangling jive and | :27:31. | :27:35. | |
Rachel is going to cast a spell on Pasha. | :27:36. | :27:38. | |
Who's next to haunt our ballroom? The next people to haunt us get | :27:39. | :27:45. | |
ready ladies, get ready, it's Big Ben time. | :27:46. | :27:50. | |
APPLAUSE With his lovely partner Kristina. | :27:51. | :27:55. | |
They're dancing a romantic paso doble. He's going to be the ice king | :27:56. | :28:01. | |
and she's going to be the ice queen. In a freezing ice kingdom, Ben asked | :28:02. | :28:06. | |
me if I liked the cold. I said, "Yes, I do. I love it when it's so | :28:07. | :28:12. | |
cold, I can see my own breath." It proves I'm still alive. | :28:13. | :28:19. | |
Shut up! Get off for goodness sake. Don't worry, you'll all be dead one | :28:20. | :28:24. | |
day. If you live that long. Right here they are in training. | :28:25. | :28:34. | |
I put in really long hours in learning the quickstep. I wasn't | :28:35. | :28:40. | |
expecting you to be so light on your feet. You made it look like a walk | :28:41. | :28:46. | |
in the park. A quarter of the waif through and my calves were on fire. | :28:47. | :28:50. | |
You've been teasing us for weeks with your ability. We know you can | :28:51. | :28:55. | |
do it. Now we want the full Monty. It's about challenging and pushing | :28:56. | :28:59. | |
yourself. Hopefully we can take it a step further this weekend doing the | :29:00. | :29:04. | |
paso doble. It's Hallowe'en week and my biggest | :29:05. | :29:10. | |
fear is not looking fierce and serious enough for the paso doble. | :29:11. | :29:15. | |
What do you want me to do - angry eyes, scary eyes in All of it. Stop | :29:16. | :29:21. | |
laughing. As it's Hallowe'en, my kids are trick or treating, it's a | :29:22. | :29:27. | |
great opportunity to tag along and test out my paso doble face. | :29:28. | :29:40. | |
Ring the doorbell girls. Trick or tweet? -- treat? Trick or treat? | :29:41. | :29:54. | |
Happy Hallowe'en. Run, quick! quick! ! What's wrong? I'm not even in | :29:55. | :30:02. | |
costume yet. Dancing the petrifying Paso Doble, | :30:03. | :30:11. | |
Ben Cohen and Kristina "Rancid" Rihanoff. | :30:12. | :30:14. | |
What have you done, Ben? CHEERING | :30:15. | :32:11. | |
What have you done, Kristina? What an ovation. | :32:12. | :32:18. | |
A standing ovation. Cover yourself up for goodness sake. Get that woman | :32:19. | :32:27. | |
out. That's my mum. Do you ever use | :32:28. | :32:31. | |
string vests? LAUGHTER | :32:32. | :32:34. | |
I used to, but I kept falling through them. | :32:35. | :32:38. | |
Right. APPLAUSE | :32:39. | :32:43. | |
Craig, it would be you, but Craig, what about that? I've got to admit, | :32:44. | :32:50. | |
I was slightly distracted... LAUGHTER | :32:51. | :32:56. | |
I didn't look too much at the footwork. Full of power and | :32:57. | :33:03. | |
machismo, that's for sure. It was a little bit blocky and without shape. | :33:04. | :33:07. | |
But I think Kristina, you choreographed it brilliantly. I | :33:08. | :33:17. | |
really enjoyed it. Now then, Darcey? Well, Ben, the | :33:18. | :33:25. | |
attack, the concentration and, as was said, the dance content, so much | :33:26. | :33:29. | |
more. Such an improvement. I didn't find I was too distracted with your | :33:30. | :33:33. | |
chest. But if you're going to show it off and we can see that waste, | :33:34. | :33:37. | |
you've got to use it, especially at the beginning, use it, yes? Use the | :33:38. | :33:42. | |
waste right to the sides. But you gave me a great lasting image, thank | :33:43. | :33:49. | |
you very much. Would you like Darcey to do that | :33:50. | :33:51. | |
again? Yes, please. Len, what did you think? Looking at | :33:52. | :34:04. | |
you, we've got so much in common, Ben, honestly. I was hoping for | :34:05. | :34:09. | |
fireworks, but unfortunately, there were no fireworks. It was an | :34:10. | :34:11. | |
explosion! Exuberant attack, focus, OK, it | :34:12. | :34:25. | |
could have had a little more attack, but for sheer guts, get out there | :34:26. | :34:34. | |
son, fabulous! Well done, Ben. Big Ben lives. Bruno? Now I'm starting | :34:35. | :34:41. | |
to get it. I'm telling you, with all that muscle power, you can out bull | :34:42. | :34:50. | |
of mine tore. -- Minotaur. The power was incredible. The thing is, she's | :34:51. | :34:54. | |
right, you have to shape it a bit more. But it's this, how am I going | :34:55. | :34:59. | |
to show that. I have to. You have to keep... Go on then. You have to keep | :35:00. | :35:08. | |
the hips forward. CHEERING | :35:09. | :35:22. | |
Can I change my score? ! Don't fall again. | :35:23. | :35:26. | |
For goodness sake, Bruno! Control yourself. You want it change your | :35:27. | :35:31. | |
score? Yeah, can I? It was wonderful. We loved it. Off you go. | :35:32. | :35:38. | |
APPLAUSE Wow! Standing ovation, I'm not sure | :35:39. | :35:52. | |
if it was for the chest or the dancing, but for both. Clearly | :35:53. | :35:56. | |
impressed buno. Len said -- Bruno. Len said it was an explosion. | :35:57. | :36:01. | |
Clearly you're embrarsing Strictly -- embracing Strictly now. A little | :36:02. | :36:05. | |
bit. A lot. Are you starting to feel like a dancer? I won't get carried | :36:06. | :36:09. | |
away, but yeah, slowly getting there. | :36:10. | :36:12. | |
You started as a novice. You've come a long way. Your top score to date | :36:13. | :36:18. | |
has been 31. Do you think you might beat that tonight? Hopefully. I | :36:19. | :36:20. | |
don't know. ? In Let's find out. You've beaten your high score. | :36:21. | :36:55. | |
Congratulations. Well deserved. Call to vote or go online to vote. It's a | :36:56. | :37:03. | |
night of tricks and treats tonight. It's going to be frightfully good. | :37:04. | :37:08. | |
Our next couple is Sophie Ellis-Bextor and her partner | :37:09. | :37:20. | |
Brendan. Another popular couple. In rehearsals today, Sophie screamed, | :37:21. | :37:24. | |
when all the lights suddenly went out. She was gripped by an ice cold | :37:25. | :37:33. | |
boney hand. I do apologise. I get scared at Hallowe'en. I had to grab | :37:34. | :37:37. | |
hold of someone. Any way, here they are in training. ? | :37:38. | :37:41. | |
Last week I had the cha cha cha. It maybe wasn't the dance I felt the | :37:42. | :37:51. | |
most at home in. Len wasn't the biggest fan. I didn't feel it had | :37:52. | :37:57. | |
that tick and it wasn't cheeky. I was really pleased and happy with | :37:58. | :38:02. | |
the scores I got. I feel like the judges overall were pretty kind and | :38:03. | :38:03. | |
generous, actually. This week, I've got a bit of a | :38:04. | :38:14. | |
challenge because I'm not just learning the jive, I have to be a | :38:15. | :38:18. | |
predatory vampire on the dance floorment If -- Floor. If you want | :38:19. | :38:26. | |
me to get into character, maybe a Hallowe'en party with my | :38:27. | :38:29. | |
girlfriends. Nice. I trust my friends' advice more than anyone | :38:30. | :38:33. | |
else. If they can't help me get into character, no-one else can. | :38:34. | :38:40. | |
Trick or treat? You're going to look powerful, cool and you're going to | :38:41. | :38:50. | |
look dead. Ta-da. Can you help me get into character. First focus on | :38:51. | :38:55. | |
your prey. Eyes on the prize. Stick your clause in. When you have him | :38:56. | :39:02. | |
pinned, sink your teeth in. I don't think it's quite there. There's | :39:03. | :39:10. | |
something missing. I know! Where am I? | :39:11. | :39:19. | |
Dancing the nerve-jangling Jive, Sophie Ellis Bextor and Brendan | :39:20. | :39:21. | |
"Creepy" Cole. what a bit of fun that was. Out you | :39:22. | :41:25. | |
come. That was lovely. He looked exhausted. You look fresh as a | :41:26. | :41:31. | |
cucumber. Darcey? Sophie, the jive is a fast, high-energy, with massive | :41:32. | :41:38. | |
bounce and sharp kicks. The only problem with your knees, all the way | :41:39. | :41:42. | |
through are bent which is a real shame. Because they're beautiful | :41:43. | :41:47. | |
when they work. But they didn't get into strong, sharp kicks. That's | :41:48. | :41:50. | |
what I was missing. That was the only thing letting me down. You | :41:51. | :41:53. | |
still have the most fabulous entertainment value and style and | :41:54. | :42:01. | |
energy is there. Len, what did you think? You are a | :42:02. | :42:05. | |
very, very competent dancer, know that first of all. The things that | :42:06. | :42:10. | |
you need, you need to come out with more confidence, more impact, come | :42:11. | :42:13. | |
out and really perform. It's better than last week, but there's so much | :42:14. | :42:17. | |
more in you that could come out on this dance floor. Get out there and | :42:18. | :42:24. | |
attack it! Embrace the dance. Don't hit me. Bruno? Vampira the man | :42:25. | :42:31. | |
eater, definitely have satisfied your blood lust. He needs a | :42:32. | :42:36. | |
transfusion after that. I think you had too much blood. You become a bit | :42:37. | :42:40. | |
heady and leggy. They're all right, I think what you do, you have a | :42:41. | :42:44. | |
wonderful sense of style, a great performance value, at this stage, | :42:45. | :42:48. | |
now, certain dances require much more precision. You're kicks and | :42:49. | :42:52. | |
flicks have to be on the beat. They have to be sharp. You have to really | :42:53. | :42:56. | |
point your feet and your timing tonight wasn't as good as it always | :42:57. | :43:02. | |
is. Very unfortunate because there were a couple of moments wrong feet, | :43:03. | :43:06. | |
it happens on a live show. You don't get a second chance. It's a shame. | :43:07. | :43:11. | |
The thing is, we're here, we're not just being nasty. We're here to | :43:12. | :43:15. | |
point out these things. It went off. I'm sorry. It wasn't as good as we | :43:16. | :43:20. | |
could have been. It didn't help the way she scratched you there. She's | :43:21. | :43:24. | |
like that, Bruce. The poor boy. We all loved it. Off you go. | :43:25. | :43:30. | |
APPLAUSE Len said that you need more | :43:31. | :43:43. | |
confidence. Are you nervous when you go out there? You seem so cool and | :43:44. | :43:49. | |
calm. I actually let nerves get the better of me, which is annoying, the | :43:50. | :43:54. | |
music starts and it kicks in. I don't know, tonight, it could be any | :43:55. | :43:57. | |
number of factors. I don't want to make excuses. We're all trying our | :43:58. | :44:01. | |
best. It's fine. I need that advice. It's OK. A few weeks ago we were | :44:02. | :44:05. | |
blown away by the legendary charleston, can you get back to that | :44:06. | :44:09. | |
standard? I hope I get the opportunity. Yeah, I think I can. Of | :44:10. | :44:12. | |
course you can! Scores are in: What did you say then? I said, | :44:13. | :44:38. | |
"Don't you worry." Can I take this opportunity, everybody back stage, | :44:39. | :44:43. | |
the costume, the make up, the props, the set, the lighting, we get the | :44:44. | :44:46. | |
glory because we're on this little show, but look at this. You guys are | :44:47. | :44:52. | |
amazing. Thank you very much. APPLAUSE | :44:53. | :44:57. | |
Where are your fangs? Never mind. Call to vote: Or vote online if you | :44:58. | :45:10. | |
thought that jive had bite. It deserves to keep these two vamps in | :45:11. | :45:15. | |
the competition. We have Mark and Iveta. They're planning an alien | :45:16. | :45:20. | |
invasion and Susanna is on the run from Kevin's wolfman. I might have | :45:21. | :45:22. | |
to hide behind the sofa. The next couple is Natalie Gumede | :45:23. | :45:26. | |
and her partner, Artem. Clap clap APPLAUSE | :45:27. | :45:40. | |
Their dance is set on a spooky lake shrouded in a ghostly mist and | :45:41. | :45:45. | |
bathed in eerie moonlight. I'm getting goose bumps thinking about | :45:46. | :45:52. | |
it. Here they are in training. Really, really enjoyed last woke's | :45:53. | :45:56. | |
show. It doesn't get any easier. It doesn't get any less terrifying, but | :45:57. | :46:00. | |
it was great it went so well on Saturday night. I was pal p Tating, | :46:01. | :46:07. | |
% operating and flatulating, I'm telling you. Is there nothing you | :46:08. | :46:14. | |
can't do darling? I was thrilled with what they said. It felt really | :46:15. | :46:20. | |
good. The comments were amazing. 35, that kept us on top of the | :46:21. | :46:23. | |
leaderboard. Couldn't wish for better. Very happy. That was so | :46:24. | :46:29. | |
good. I'm so proud of you. This week, we're dancing a Viennese | :46:30. | :46:34. | |
waltz. It's very haunting, sorry I didn't mean to do that. When it | :46:35. | :46:37. | |
comes to Strictly, everybody has different fears. There's one thing | :46:38. | :46:40. | |
I've been worrying about that I'm going to forget my steps. Every time | :46:41. | :46:44. | |
you're going to think you're forgetting the step, I'm going to be | :46:45. | :46:50. | |
there to remind you. Like I'm not spending enough time with him | :46:51. | :46:55. | |
already, he's now haunting my every waking hour. Cappuccino please. | :46:56. | :47:06. | |
I'm seeing Artem everywhere. Aahhhh... One, two, three. Two, two, | :47:07. | :47:09. | |
three. ? I can't get away from him. I'll | :47:10. | :47:22. | |
always have a fear of forgetting the steps, but with Artem everywhere I | :47:23. | :47:27. | |
go, hopefully I'll be haunting for the right reasons. | :47:28. | :47:31. | |
Dancing the vicious Viennese Waltz, Natalie Gumede and Artem "Chiller" | :47:32. | :47:32. | |
Chigvintsev. absolutely wonderful. Look! Look at | :47:33. | :49:34. | |
this crowd of people here. Lovely. Beautiful. I couldn't see the lake | :49:35. | :49:40. | |
for all the mist. But here's a bit of bread for the ducks. It's not | :49:41. | :49:44. | |
stale is it? No, dear, but you can have that for a bit of toast later. | :49:45. | :49:49. | |
Let me say that it was lovely. I think you're a wonderful dancer. But | :49:50. | :49:54. | |
each dance throws up its own challenges. Now the challenge in the | :49:55. | :50:00. | |
Viennese waltz is to stay in that hold, maintain your posture, and | :50:01. | :50:09. | |
keep that going bar after bar. The flickerly I loved, the reverse | :50:10. | :50:11. | |
turns, natural turns, it started to have the feeling almost of an | :50:12. | :50:14. | |
American smooth type of Viennese waltz. As much as I loved it, you | :50:15. | :50:19. | |
have to push this girl. Pick her up on those challenges, get her doing | :50:20. | :50:23. | |
the right dance to that right music. But it was lovely. Well done. | :50:24. | :50:28. | |
Put it on you Artem, a bit there. Don't know if you agree. Yeah. | :50:29. | :50:34. | |
That's good. Bruno? The lady of the lake emerges | :50:35. | :50:39. | |
from the depths and leaves us all spellbound. I don't think there is a | :50:40. | :50:43. | |
person in the country that's not screaming now, "This was magic! " | :50:44. | :50:57. | |
OK, Craig? You make me sick, darling. You are fab-u-lous! Well, | :50:58. | :51:11. | |
that couldn't be more emphatic. Darcey? I do expect so much from | :51:12. | :51:19. | |
you. But you never disappoint. It was beautiful. Everything is | :51:20. | :51:23. | |
lyrical, it flows. It's a dream. In the main they seem to love you | :51:24. | :51:25. | |
both. ?. Go on, off you go. ?. APPLAUSE | :51:26. | :51:47. | |
What about that? ! A fabulous from Craig. Bruno said it was magic. You | :51:48. | :51:50. | |
look so confident out there. It's hard to believe you're as nervous as | :51:51. | :51:55. | |
everybody else. Absolutely. It was really sick making tonight. You | :51:56. | :52:00. | |
really wouldn't know. A beautiful dance. Artem, nose better this week? | :52:01. | :52:09. | |
Yes, a little bit. Just there. Still beautiful. He's still milking. Len | :52:10. | :52:16. | |
wants you to push Natalie. How much further can you push her? We'll see. | :52:17. | :52:21. | |
Have to find out. That's really scary. | :52:22. | :52:22. | |
The scores are in: Two o 10s! Congratulations. Enjoy | :52:23. | :52:57. | |
that moment. The first 10s of the series. So well deserved. Thank you. | :52:58. | :53:04. | |
How does it feel? Pretty amazing. I've got the chills. Did you love | :53:05. | :53:09. | |
our lady of the lake's haunting waltz? If you did, then call to | :53:10. | :53:16. | |
vote. Or you can vote online when votings -- voting opens later. Still | :53:17. | :53:21. | |
to scare abbey's ghostly bride is looking for love and Dave and Karen | :53:22. | :53:25. | |
do the monster mash. Scream if you want to go faster, | :53:26. | :53:28. | |
Bruce. Yes, well the first 10 - wonderful. | :53:29. | :53:38. | |
For our next couple, it's Mark Benton and his partner Iveta. | :53:39. | :53:46. | |
So many lovely couples. For this dance, Mark will be a spaceman. | :53:47. | :53:52. | |
Iveta will be the beautiful being he falls in love with. You, the | :53:53. | :53:58. | |
audience, will be all the extras, a group of grotesque aliens. | :53:59. | :54:03. | |
LAUGHTER Yes, you'll do very nicely. Here | :54:04. | :54:10. | |
they are in training. I was really thrilled with our | :54:11. | :54:15. | |
performance of the waltz. I really felt like I'd met the challenge. It | :54:16. | :54:18. | |
feels lovely to do something that you're not making people laugh and | :54:19. | :54:21. | |
you're not doing tricks or anything. You're just dancing. I thought you | :54:22. | :54:25. | |
danced it simply and with feeling and emotion. That was just beautiful | :54:26. | :54:30. | |
to see. It makes all the hard work worth it. I liked his comments. It | :54:31. | :54:33. | |
was lovely. I hope this week being Hallowe'en doesn't revert to being a | :54:34. | :54:39. | |
ghoul again. This week it's the paso doble. It's our other worldly take | :54:40. | :54:44. | |
on Hallowe'en. Forget all about aliens versus predator. This is | :54:45. | :54:49. | |
alien versus matador. We're going back to having something quite | :54:50. | :54:57. | |
outlandish and fun. We are trying to impress the judges. Blahblahblah. | :54:58. | :55:08. | |
What? In order to impress the judges, prepare for liftoff. What am | :55:09. | :55:13. | |
I going to do? Are you about to fly. This is a bit scary. I'm about to go | :55:14. | :55:18. | |
in the air. I hope this is going to hold me. Going up, Mark. | :55:19. | :55:24. | |
Would-hoo. -- woo-hoo. That was brilliant, but | :55:25. | :55:27. | |
you have to improve your performance while you're flying. I know where to | :55:28. | :55:31. | |
take you. We went to the theatre to get advice on the flying. Snment -- | :55:32. | :55:40. | |
flying. Keep your shoulders back, and muscles tight. It's great seeing | :55:41. | :55:45. | |
what they do at Wicked. I hope I can take it to the ballroom on Saturday | :55:46. | :55:51. | |
night. Help! Dancing the poisonous Paso, Mark Benton and Iveta | :55:52. | :55:53. | |
"Loathsome" Lukosuite. MUSIC: I Lost My Heart To a Starship | :55:54. | :56:00. | |
Trooper CHEERING AND APPLAUSE | :56:01. | :57:50. | |
Mark, my boy! How about that. Are you pleased? Yeah. Great fun. | :57:51. | :57:57. | |
Were you a bit scared? I loved it. Can I do it again? So was I. They | :57:58. | :58:04. | |
told me I might have to catch you. Bruno? It's after row Dave doing the | :58:05. | :58:11. | |
disco, it's more space cadet than matador. Fun, but not quite the | :58:12. | :58:17. | |
right content, I think for - I'm sorry! I loved it, but it's not | :58:18. | :58:22. | |
really a paso. Well, Craig, what did you think? The paso element was a | :58:23. | :58:27. | |
little bit heavy, stompy, shapeless, your isolation is very, very good. | :58:28. | :58:33. | |
Your rung up -- rhythm, as always is fantastic. You have a dancer inside | :58:34. | :58:38. | |
you. Where the disco reference is in the paso, I have no clue, but I | :58:39. | :58:43. | |
didn't mind that. You've made him such a mover. The way this all | :58:44. | :58:47. | |
moves, it's all got a rhythm about it. It's wonderful. Darcey? The | :58:48. | :58:52. | |
entertainment and the conviction and the attack is all there. To help | :58:53. | :58:56. | |
with the shaping, especially in the arms, because they get a bit flat, | :58:57. | :59:01. | |
just curve them, especially from the elbow. That's all I was wanting. | :59:02. | :59:05. | |
Then it would be more convincing space matador. | :59:06. | :59:11. | |
Len? Well, Houston we've got a problem here. It was long on | :59:12. | :59:15. | |
performance but short on technique. Sorry. Oh, dear. Is that it? We've | :59:16. | :59:25. | |
been told to be quick. Oh, sorry. Sorry, Len. Get off! Off you go. | :59:26. | :59:34. | |
Comen. That was out of this world, was it terrifying up there? I loved | :59:35. | :59:52. | |
it. He loved. It Craig says you've got a dancer inside you. Is he | :59:53. | :59:56. | |
right? I hope so. I'm still trying to find him, though. He's emerging. | :59:57. | :00:01. | |
How much fun is it doing a disco doble with Mark? Working with Mark | :00:02. | :00:05. | |
is fun, 24 hours. I hear you have a lot of fun and do a mean impression | :00:06. | :00:13. | |
of Iveta. I'm Iveta lovely poo-poo. I'm dancer. I'm world champion. What | :00:14. | :00:20. | |
is this step? That's good. The judges scores are in: | :00:21. | :00:36. | |
The crowd absolutely loved it. Did you have a closent counter of the | :00:37. | :00:43. | |
Strictly kind? Don't phone home, call from your mobile or from your | :00:44. | :00:51. | |
land line, you can also vote online to keep our extra trest reels on | :00:52. | :00:57. | |
planet Strictly. Wait! Shhh... What was that noise? Something wicked | :00:58. | :01:00. | |
this way comes. I am the essence of dragon's breath. | :01:01. | :01:17. | |
One, two, three... I'll do Bruce. Yes, you will be Bruce. We are going | :01:18. | :01:23. | |
to do that in a minute. Shut up. Think I can do it? I don't think you | :01:24. | :01:31. | |
can do it. OK. You're out of time there. | :01:32. | :01:40. | |
OK, our sevenening couple is Rachel Riley and her partner -- seventh | :01:41. | :01:46. | |
couple is Rachel Riley and her partner Pasha. Another pair, a | :01:47. | :01:49. | |
lovely pair. For their dance Rachel is going to be a portrait that comes | :01:50. | :01:54. | |
to life in a haunted house. I spent a night in a haunted house once. I | :01:55. | :02:00. | |
cheered myself up by singing. I sang all night, sing, sing, sing. All the | :02:01. | :02:04. | |
songs from my album. In the morning, not only was I still alive, but all | :02:05. | :02:08. | |
the ghosts had gone.. LAUGHTER | :02:09. | :02:11. | |
That's not funny. Here they are in training. | :02:12. | :02:19. | |
Every week, I'm putting so much into it and it's so frustrating when you | :02:20. | :02:22. | |
don't do it on the night. Unfortunately, this wasn't a dance | :02:23. | :02:26. | |
that suits your personality. The only thing that I thought I actually | :02:27. | :02:30. | |
had done was keep in character. It was the vegetarian option. Ways -- I | :02:31. | :02:36. | |
was so disappointed. I was convinced we were going to be in the bottom | :02:37. | :02:40. | |
two again. The pressure is really building. We really have to fight to | :02:41. | :02:45. | |
keep our place in this competition. This week is Hallowe'en week and | :02:46. | :02:48. | |
we're dancing the American smooth. It's going very well. Of course, | :02:49. | :02:52. | |
there are things that need to be fixed. I just want to make sure I | :02:53. | :02:55. | |
can bring the good parts of training to the dance floor on Saturday | :02:56. | :02:59. | |
night. You had a lot of good comments from the judges, we just | :03:00. | :03:02. | |
have to get them all on our side.. Maybe we could make a potion. | :03:03. | :03:10. | |
Strictly potion? That's not what I had in mind. This | :03:11. | :03:15. | |
is where we mix up all the positive judges' comments to get a perfect | :03:16. | :03:18. | |
Hallowe'en American smooth. The potions won't be good without | :03:19. | :03:22. | |
glitter. I have a Glitterball first. We need perfect timing. Fancy foot | :03:23. | :03:28. | |
work. We need this one, Len's comments. Come out and give it | :03:29. | :03:33. | |
plenty of welly. That's good. That's adding to it. You're gorgeous love. | :03:34. | :03:39. | |
Which one is that? Very beautiful. This is precious stuff. It had a | :03:40. | :03:45. | |
beautiful flow. It's full of elegance. Everything we need for the | :03:46. | :03:49. | |
perfect Hallowe'en American smooth. Cheers. | :03:50. | :03:54. | |
Dancing the Abominable American Smooth, Rachel Riley and Pasha | :03:55. | :03:56. | |
"Killer" Kovalev. CHEERING AND APPLAUSE | :03:57. | :05:56. | |
Lovely, lovely. That was beautiful. By the way, that was not Rod Stewart | :05:57. | :06:01. | |
singing. It was our Tommy. | :06:02. | :06:10. | |
Mini wardrobe malfunction. Nothing to worry about. You carried on. | :06:11. | :06:15. | |
Craig, what did you think? Welcome back darling into the competition. ? | :06:16. | :06:26. | |
Vment -- competition. The difference from last week is brilliant. You | :06:27. | :06:29. | |
kept your form all the way through. I loved it. The transformation in | :06:30. | :06:36. | |
your top line - thank you. Rachel, what a come back. Point those feet | :06:37. | :06:45. | |
in the lifts. Len? Your best dance to date. | :06:46. | :06:53. | |
Pasha's so happy. Buno? The -- Bruno. Jo the zombie -- the zombie | :06:54. | :07:05. | |
bride has found her mojo. Congratulations. Off you go. | :07:06. | :07:11. | |
APPLAUSE Yes. You put a spell on all those | :07:12. | :07:24. | |
judges tonight. Well done you. Len said your best dance yet and Craig | :07:25. | :07:28. | |
said, "Welcome back to the competition." It must have boosted | :07:29. | :07:31. | |
your competition, because they've given you a battering in the past | :07:32. | :07:36. | |
few weeks. I love the ballroom, even though I have the blisters. You're | :07:37. | :07:41. | |
dofrd in blisters. The -- You're covered in blisters. The scores are | :07:42. | :07:43. | |
in: Enjoy it. I do believe that is your | :07:44. | :08:06. | |
highest score to date. Congratulations. My first eights. | :08:07. | :08:10. | |
Did that American smooth put a spell on you? If it did, call to vote or | :08:11. | :08:17. | |
tap your witch's fingers on the key board to vote online, but not until | :08:18. | :08:19. | |
our all couples have danced. The audience are wailing for more. | :08:20. | :08:30. | |
Who's next? Any way, our next couple is Ashley | :08:31. | :08:36. | |
Taylor Dawson and his partner, Ola. ? ? | :08:37. | :08:44. | |
Ashley used to be in a band called Allstars. They did the theme song | :08:45. | :08:53. | |
from that scary movie, Scooby Doo. My favourite Scooby Doo song is | :08:54. | :09:00. | |
Strangers in the Night. # Scooby Dooby Doo | :09:01. | :09:03. | |
# Exchanges glances # Scooby Dooby Doo... # | :09:04. | :09:09. | |
APPLAUSE I know the chorus. Here they are in | :09:10. | :09:18. | |
training. Last week before the jive, I was excited. The week before, Len | :09:19. | :09:23. | |
told me to give it loads of all that. It had speed, energy, it had | :09:24. | :09:31. | |
plenty of gotcha. I gave it loads. It was brilliant. It was great to | :09:32. | :09:34. | |
get positive praise off the judges. I found myself smiling naturally | :09:35. | :09:40. | |
throughout the dance. I enjoyed dancing for the first time in my | :09:41. | :09:43. | |
life. I did make it through and I'm over the moon and it's Hallowe'en. | :09:44. | :09:47. | |
I'm excited about this week. It's going to be fun. Kiss. This week I'm | :09:48. | :09:56. | |
dancing a tango. Easy isn't it? I have a problem keeping serious | :09:57. | :10:02. | |
during rehearsals. He's still like a five-year-old. You've got to be | :10:03. | :10:05. | |
serious to get into the mood. I'm going to try to instruct you, but if | :10:06. | :10:12. | |
you smile or laugh, I will make you suffer. | :10:13. | :10:20. | |
Don't laugh. Did she look scary? No. Stop laughing. Stop laughing. It's | :10:21. | :10:30. | |
amazing how much fun someone can have with a sheet. | :10:31. | :10:36. | |
The last costume was my favourite. Don't laugh! This is a bit like your | :10:37. | :10:41. | |
posture in tango. The tactics didn't work. It was fun though and a bit of | :10:42. | :10:44. | |
light relief from the training sessions. Are you going to take the | :10:45. | :10:49. | |
tango seriously now? I've never been more serious in my life. | :10:50. | :10:55. | |
Dancing the terrible Tango, Ashley Taylor Dawson and Ola "Jabberwocky" | :10:56. | :10:57. | |
Jordan. Ola's pleased. Very pleased, I | :10:58. | :12:54. | |
should think so too. He threw you around like a rag doll. . Well done. | :12:55. | :13:00. | |
Darcey, what did you think? Everybody loved it. I'm really | :13:01. | :13:06. | |
attracted to the evil Ashley. That's good. It really suits you. Only in | :13:07. | :13:12. | |
turns and pave ots you have to -- pivots, you have to watch you don't | :13:13. | :13:16. | |
take the stress in the neck. Try to watch that. Clipped moved, | :13:17. | :13:23. | |
beautifully clipped, and the sta catto beat, very nice all the way | :13:24. | :13:28. | |
through. ? Vment Through. If you want to shine, you have to polish. | :13:29. | :13:32. | |
It's the detail that is missing. You've got the character going out | :13:33. | :13:36. | |
there. You have the feel of the dance. It's just the small things. | :13:37. | :13:41. | |
Get that top a little bit better. Crisper feet. Just those small | :13:42. | :13:45. | |
details that you have to work on. I know you're a busy boy, but try to | :13:46. | :13:56. | |
find time. Polish it up. The night stalker takes his prey. You played | :13:57. | :14:00. | |
it so well. It had that menacing power to it. Len is right, you're at | :14:01. | :14:04. | |
that level, your performance and what you put into it is very good. | :14:05. | :14:08. | |
Now you have to go to the next stage, which is polish the | :14:09. | :14:11. | |
technique. It's all there, but there are slightly little faults that you | :14:12. | :14:15. | |
somehow don't get you to the next level. I know you can and you will. | :14:16. | :14:23. | |
With your help Ola. Craig? Aggressive, dark, mysterious, I | :14:24. | :14:34. | |
really loved it. Sort your head up. I don't recognise you at all. Get | :14:35. | :14:38. | |
off. I don't even know you. Off you go! | :14:39. | :14:41. | |
APPLAUSE A standing O for that tango. You | :14:42. | :14:53. | |
more than anyone here tonight could not wait to get dressed up. I was a | :14:54. | :14:58. | |
bit giddy. You were. Is it fun being part of the Hallowe'en special? It's | :14:59. | :15:03. | |
been amazing today. Everyone has been having a laugh back stage. It | :15:04. | :15:06. | |
relaxes a bit. But you realise you still have to do this. It's scary. | :15:07. | :15:12. | |
The last three weeks, you've scored 31. Do you think you've done enough | :15:13. | :15:17. | |
to break that spell? We'll see. Let's find out: | :15:18. | :15:36. | |
You did it. Your highest score to date. Six weeks in, has your boy got | :15:37. | :15:46. | |
what it takes to be a contender? Yeah, he does. Did that terrifying | :15:47. | :15:52. | |
tango put the willies up you? To save them from the dance-off call to | :15:53. | :15:59. | |
vote from your mobile or land line, or go online. These couples keep on | :16:00. | :16:05. | |
coming. There's still three more to go. | :16:06. | :16:05. | |
Back to you Bruce. What was that? Now for our next | :16:06. | :16:14. | |
couple, Abbey Clancy and her partner, Aljaz. | :16:15. | :16:19. | |
These two are divine together. Right, for their dance, Abbey will | :16:20. | :16:26. | |
be taking on the role of Miss Haversham from that wonderful | :16:27. | :16:30. | |
Charles Dickens' novel. I haven't seen this dance, but I've got Great | :16:31. | :16:36. | |
Expectations... All right, it's not very funny. But it's clever, you | :16:37. | :16:43. | |
see? This is live. Here they are in training. I loved Saturday's show. I | :16:44. | :16:52. | |
love the ballroom dances. I feel so much more comfortable doing those. | :16:53. | :16:55. | |
You need to extend your top line a bit more. But fantastic. I think | :16:56. | :17:00. | |
Craig is right. We hopefully will improve each week and I'm just | :17:01. | :17:10. | |
trying my best. Thank you for that. It's Hallowe'en week this week. I'm | :17:11. | :17:15. | |
doing the rumba. I always get so nervous before a live show, to the | :17:16. | :17:20. | |
point where I'm trembling. I'm scared that you're not going to | :17:21. | :17:23. | |
catch me. I'm going to try to confront her with those fears. | :17:24. | :17:29. | |
Aljaz, where have you taken me? You just wait and see. I brought you to | :17:30. | :17:34. | |
the haunted house. If you can stay calm in this situation, the show | :17:35. | :17:40. | |
will be dead easy. No lights. Follow me. Hold my hand. It's pitch black. | :17:41. | :17:48. | |
There were loads of noises and knocks. I am genuinely scared. He | :17:49. | :17:58. | |
kept saying "keep calm". Keep calm. I'm trying. They say confront your | :17:59. | :18:04. | |
fears is the way to cure them, but I'm not too sure. | :18:05. | :18:08. | |
Where are you? Right here. It was horrendous. I heard a noise under | :18:09. | :18:16. | |
the table. Aljaz! I thought I knew how petrified one could be, but you | :18:17. | :18:21. | |
know, if I can survive the haunted house, I should be able to survive | :18:22. | :18:22. | |
Saturday night. Dancing the rotting Rumba, Abbey | :18:23. | :18:26. | |
Clancy and Aljaz "Scabby" Skorjanez. | :18:27. | :18:34. |