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APPLAUSE Ladies and gentlemen, please welcome | :01:02. | :03:53. | |
your hosts Tess daily and -- Daly and Claudia Winkleman. That's one | :03:54. | :04:14. | |
way to beat the trafficy. Quite. What an amazing opening number. We | :04:15. | :04:19. | |
have got a brilliant Hallowe'en results show for you. But for one of | :04:20. | :04:24. | |
our couples the Strictly spell will be broken and they must say a | :04:25. | :04:30. | |
grewsome goodbye tonight. That's right. Your votes have been combined | :04:31. | :04:36. | |
and the two couples with the lowest scores will face the most | :04:37. | :04:43. | |
frightening thing this Hallowe'en, the dance-off. The decision lies | :04:44. | :04:46. | |
with the judges. Please welcome the dark Lords and lady of the dance, | :04:47. | :04:56. | |
Craig, Darcy, Len and Bruno. Also on the show, madness will be here. The | :04:57. | :05:05. | |
judges and I will scrutinise Saturday's performances with lens's | :05:06. | :05:14. | |
lens. -- lens's lens Len's Lens. Here is a look at the magic that | :05:15. | :05:19. | |
swept through the ballroom on Saturday night. It's time for | :05:20. | :05:27. | |
Strictly. Come on. It's Hallowe'en week, so I'm going to be playing a | :05:28. | :05:37. | |
few pranks on a few contestants. I get wait to get out there. I'm a | :05:38. | :05:47. | |
ghoul. Almost ready. Going down. I'm going to jump and try to get someone | :05:48. | :05:52. | |
to come over to the microwave and out you come. We're going to find | :05:53. | :06:02. | |
out now who is frightening and who's frightful. I feel really anxious for | :06:03. | :06:08. | |
everybody. Do you want to go dancing? Yes. Five minutes and we're | :06:09. | :06:13. | |
live. I think something bad might happen. I'm just walking the | :06:14. | :06:20. | |
tightrope. Hi. I'm doing the jive. You'll get the full. 6.30. Keep it | :06:21. | :06:28. | |
lean. I've just won first prize in a Danny Baker look-alike competition. | :06:29. | :06:40. | |
Two minutes until we go. Follow the yellow brick road. I'm a lady. Show | :06:41. | :06:49. | |
time. The nerves are here. Let's get the show on the road. Look at this | :06:50. | :06:59. | |
girl. Counting to air in ten, nine, eight, seven, six, five, four, | :07:00. | :07:12. | |
three, two, one. Zero. On air. If you're in the dance-off tonight I'm | :07:13. | :07:18. | |
going to pickle my walnuts. Patrick, that was fast. Two nines. You know | :07:19. | :07:30. | |
what I mean. Hallowe'en at Doris Day's house. I thought the whole | :07:31. | :07:34. | |
dance was too dance and well behaved. I thought it was a proper | :07:35. | :07:41. | |
Charlston. Fantastic. I loved doing that. I was slightly distracted. | :07:42. | :07:50. | |
There were no fireworks. It was an explosion. A nine from Len! Yes! | :07:51. | :07:56. | |
Yes. Thank you, thank you, thank you. You need to come out with more | :07:57. | :08:02. | |
confidence. Get out there and attack it. It's annoying, because it was | :08:03. | :08:07. | |
better in dress run. Your knees are bent. It's a real shame. I hope I | :08:08. | :08:15. | |
get a chance to dance again. This was magic. You are fab-u-lus. The | :08:16. | :08:31. | |
conviction and attack is all there. Long on performance, but short on | :08:32. | :08:35. | |
technique. I'm sorry. We loved it. We loved the pass doBle. -- paso | :08:36. | :08:44. | |
doble. Welcome back, darling, into the competition. Yes! Your best | :08:45. | :08:57. | |
dance yet. I can't believe I got two eights. I'm really attracted to the | :08:58. | :09:02. | |
evil Ashley. Dark and mysterious, I really loved it. Come on. Come on. | :09:03. | :09:17. | |
You are amazing. You've got me and I tell you, you're here to stay. We | :09:18. | :09:27. | |
got 35. High five. High five. It was a little like the weather, grey and | :09:28. | :09:34. | |
a little bit dismal. I like a trier. I want you to come out and try. I | :09:35. | :09:44. | |
might be doing it again. Plenty of tricks and treats. Well done. Your | :09:45. | :09:58. | |
energy level is incredible. Spooktacula. Hallowe'en night, | :09:59. | :10:03. | |
absolutely fabulous. First tens in the series for Natalie. Poor old | :10:04. | :10:08. | |
Dave, great entertainment, but not such a great dancer. What an amazing | :10:09. | :10:20. | |
night. 11 couples have danced to keep their place in the competition, | :10:21. | :10:26. | |
but who will go bump in the night and into the dance-off? I have the | :10:27. | :10:33. | |
results. In no particular order the first couple safely through to next | :10:34. | :10:58. | |
week is... Patrick and Anya. Also back are... Sophie and Brendan. | :10:59. | :11:19. | |
Thank you very much, everybody. Fantastic. Well done. Surviving here | :11:20. | :11:34. | |
again next week are... Fiona and Anton. Thank you. Also returning | :11:35. | :12:12. | |
are... Ben and Kristina. Now, the first couple who must fight for | :12:13. | :12:26. | |
survival in the dance-off is... Abbey and Aljaz. Please come and | :12:27. | :12:34. | |
join me. For the rest of you, you'll have to wait a little longer to | :12:35. | :12:48. | |
discover your fate. Come on my darling, stand here. So, Abbey and | :12:49. | :12:53. | |
Aljaz are the first couple in the dance-off. Big shock here, Craig, | :12:54. | :12:57. | |
it's safe to say. You said one, impressive. How can they further | :12:58. | :13:02. | |
improve and get through? Well, to do exactly what they did before. I | :13:03. | :13:05. | |
thought you both danced magnificently and I really cannot | :13:06. | :13:10. | |
quite believe that the audience at home have put you in this position. | :13:11. | :13:15. | |
Certainly, not the judges. So I can only stress to people at home to | :13:16. | :13:21. | |
start judging with informed choices, because clearly you are fantastic | :13:22. | :13:29. | |
and I really would love to see you go further. Nobody is safe without | :13:30. | :13:34. | |
the audience vote. You do get very nervous before you dance. How will | :13:35. | :13:39. | |
you cope? Oh, God, I'm going to have to do me best and see what happens. | :13:40. | :13:43. | |
Do what you did the first time around. Thank you both very much. | :13:44. | :13:48. | |
APPLAUSE I am here with the saved couples. | :13:49. | :13:51. | |
They've all survived Hallowe'en week. You must be relieved. Sophie, | :13:52. | :13:56. | |
I think you're in shock? Everyone here is slightly in shock. Very much | :13:57. | :14:01. | |
so. Abbey's a beautiful dancer and I screwed up my dance so I felt I | :14:02. | :14:05. | |
should be doing it again. Patrick you did brilliantly. How amazing was | :14:06. | :14:10. | |
your week? The dance was fantastic. Are you over the moon? Brilliantly | :14:11. | :14:16. | |
choreography from Anya. I wanted to try to do it justice and get out | :14:17. | :14:21. | |
there. I loved it. That was the key. That hand is eerie. Fiona and Anton, | :14:22. | :14:27. | |
that is my favourite reaction in the 900 years I've been watching you do | :14:28. | :14:33. | |
this. You didn't even go yippee, you said, "I'm sorry, go again." You | :14:34. | :14:39. | |
were convinced? I was convinced. I'm very, very relieved. Good, because | :14:40. | :14:45. | |
the judges weren't over the moonment Len was. Ben, well done. Your | :14:46. | :14:50. | |
highest score. Let's have applause for Ben. | :14:51. | :14:53. | |
APPLAUSE Are you happy? Ecstatic. We put in a | :14:54. | :15:01. | |
lot of hard work in and to get that was really great and happy. Up next, | :15:02. | :15:07. | |
a track that is out of this world, performing their single it's Madness | :15:08. | :15:11. | |
with LA spBS Luna. -- La Luna. Of all the places I remember from | :15:12. | :15:43. | |
the moment I was born # From bat see to Birmingham | :15:44. | :15:48. | |
# Memories forlorn # It's just fate not nostalgia | :15:49. | :15:56. | |
blowing gently on the breeze # I sit among the evergreen of all I | :15:57. | :16:06. | |
have seen # The raise are breaking through | :16:07. | :16:12. | |
# And out come the twinkling stars shining down on you | :16:13. | :16:19. | |
# Well I'm in and out the window # My mind a wandering star | :16:20. | :16:28. | |
# So many chances I put right over the bar | :16:29. | :16:32. | |
# Easy, you make a daily break # Long way ahead | :16:33. | :16:37. | |
# You don't even know where # But the places you remember you'll | :16:38. | :16:47. | |
always still be there # Always still be be there... | :16:48. | :17:13. | |
# The rays are breaking through # Yeah, out come the the stars | :17:14. | :17:20. | |
shining down on you # There's children singing songs out | :17:21. | :17:27. | |
in the street below # Squeezing the last drops of fading | :17:28. | :17:33. | |
light, before it's time to go # Easy, the kids make the daily | :17:34. | :17:37. | |
bread # I'm in your head | :17:38. | :17:42. | |
# You don't even know where # But the places you remember will | :17:43. | :17:45. | |
always still be there shining up for you... # | :17:46. | :19:08. | |
APPLAUSE Welcome the judges. Thank you so | :19:09. | :19:11. | |
much for coming up here. We can't do this alone. We had to do it without | :19:12. | :19:16. | |
Craig last week. I have my crutch now, darling. Look how glamorous it | :19:17. | :19:30. | |
is. We have to be joined by the masterful Len's Lens. This is what | :19:31. | :19:31. | |
we look at the details. We noticed one of you in particular | :19:32. | :19:44. | |
had the time of their lives. Have a look at this. Look at this. Len | :19:45. | :19:52. | |
Goodman, you loved it, didn't you? It's about the only dance I can do | :19:53. | :20:02. | |
any more! So adorable. What hasn't made you happy, you've noticed there | :20:03. | :20:06. | |
have been quite a few illegal lifts. Some examples. Talk us through it. | :20:07. | :20:11. | |
Why is this? The thing is, there are about four of the couples that were | :20:12. | :20:18. | |
doing lifts. And I've been lenient about it and let it go, but the | :20:19. | :20:24. | |
trouble with the pros if you let it go they'll try more and more you | :20:25. | :20:28. | |
know it's a lift-fest. I'm warning them, I realise that the lifts are | :20:29. | :20:32. | |
going on and if you're not allowed to do them in certain dances cut | :20:33. | :20:39. | |
them out, otherwise I'll be grumpy. My favourite bit, you were smiling | :20:40. | :20:43. | |
and then this happened. Have a look. He comes right up to you. Like, | :20:44. | :20:54. | |
thank you very much. Let me talk about Sophie's knees, because you | :20:55. | :21:00. | |
said they were bendy. Here's a clip. I would just love them to straighten | :21:01. | :21:09. | |
and pull up the knee. It's just all a bit soft. You wanted a boot, like | :21:10. | :21:16. | |
you're going to dislocate it. Yep. She's got the most beautiful legs. | :21:17. | :21:21. | |
Absolutely, let me talk about you two giving the tens. First tens in | :21:22. | :21:27. | |
Strictly 2013. You were very pleased with yourselves. Let's look. You | :21:28. | :21:37. | |
feel it. It comes from within. The performance was just outstanding. | :21:38. | :21:40. | |
We'll talk about this. We have a clip here. Was it faultless? For me, | :21:41. | :21:47. | |
it just touched all the points. Look at that. Look at the expression. | :21:48. | :21:52. | |
Look at the quality of movement. I couldn't fault it. Absolutely | :21:53. | :21:57. | |
beautiful. Craig, looking at that, did you think you were silly and | :21:58. | :22:01. | |
should have given it a ten? No, she wobbled at one stage. Obviously you | :22:02. | :22:05. | |
were blinking at the time, Bruno. Craig, we'll talk about Rachel. It | :22:06. | :22:10. | |
was her best score. We'll have a reminder. What was so great about | :22:11. | :22:17. | |
it? The transitions into lifts are very difficult to get the elevation. | :22:18. | :22:21. | |
I gave her a four last week, which was not good. So, this week it was a | :22:22. | :22:26. | |
seven and it was worth it. I thought she did really well to come back | :22:27. | :22:29. | |
into the competition and had the confidence to get up there and do a | :22:30. | :22:34. | |
great job. Final clip, I have to tell you I've never been more | :22:35. | :22:42. | |
scared. Look at this. I couldn't even look down. I was so scared. I | :22:43. | :22:50. | |
must just say and reiterate what Brendan said, the make-up and | :22:51. | :23:07. | |
costumes, come on. APPLAUSE | :23:08. | :23:10. | |
Go to the website for treats like this one. Come on. Who is not in | :23:11. | :23:15. | |
love with Mark? Anyone? Four couples have escaped the horror of the | :23:16. | :23:20. | |
dance-off but who could be in for a fright? Over to you, Tess. The rest | :23:21. | :23:27. | |
of our couples are frozen to the spot. It's time to reveal all. In no | :23:28. | :23:35. | |
particular order, safely through to next week are... | :23:36. | :25:17. | |
We apologise for the temporary loss of subtitles. The couple who will | :25:18. | :25:23. | |
compete in the dance-off tonight is... Rachel and Pasha. Come on | :25:24. | :25:49. | |
over. I'm sorry that we meet again. Len, you said this is Rachel's best | :25:50. | :25:54. | |
dance to date. Are you surprised to see her here and what does she need | :25:55. | :25:59. | |
to change? I am, because it was, without doubt, your best dance. I | :26:00. | :26:05. | |
know how hard you have worked. And the hours you've put in. You've done | :26:06. | :26:13. | |
so much for the show and it's absolutely not deserved. What can I | :26:14. | :26:19. | |
tell you? Just come out, enjoy the experience and focus and trust in | :26:20. | :26:26. | |
the passion of Pasha. Go on. You have been here before and you know | :26:27. | :26:31. | |
what to expect. What are you feeling right now? I love this competition. | :26:32. | :26:35. | |
I've loved it so much and loved dancing with Pasha. Abbey is a | :26:36. | :26:39. | |
beautiful dancer, so there could be my last dance, so I've got to enjoy | :26:40. | :26:43. | |
it and soak it all up. Don't talk yourself out of it yet. Thank you | :26:44. | :26:52. | |
very much. I'm here with our saved couples. You must all be incredibly | :26:53. | :26:57. | |
relieved to have avoided the red light? There is a feeling of relief. | :26:58. | :27:03. | |
Mark, your entrance, extraordinary. My favourite thing is when you came | :27:04. | :27:07. | |
up and said, "I loved it." You looked like you were having the time | :27:08. | :27:11. | |
of your life. Ashley, congratulations. The judges loved | :27:12. | :27:17. | |
it, but they want more polish. You have nine jobs, 17 children, and... | :27:18. | :27:25. | |
It was all part of the character, so they were wrong with the character. | :27:26. | :27:29. | |
I'm meant to look like that. We all are. Like small tortoises. You may | :27:30. | :27:36. | |
think our couples can relax. But it's not the case. There's always | :27:37. | :27:44. | |
someone watching. It's awkward! No, I'm still here. Someone is watching | :27:45. | :28:11. | |
me. Oh, what's this? Who's there? I'm always watching! Zoe is on every | :28:12. | :28:26. | |
night on BBC Two at 6.30pm. Abbey and Rachel, you are about to face | :28:27. | :28:31. | |
the dance-off. Abbey, are you in shock or did you think this might | :28:32. | :28:36. | |
happen? I just think - it's just made me realise how much I don't | :28:37. | :28:41. | |
want to leave and I don't want to be in it for Rachel because she is my | :28:42. | :28:46. | |
best friend as well. Listen, have a brilliant dance. Good luck. You are | :28:47. | :28:55. | |
so cute. Good luck. Good luck. Please go and get into position. | :28:56. | :29:04. | |
Rachel and Pasha, you have been here before. And I know you didn't like | :29:05. | :29:08. | |
it the first time. The judges said it was your best dance, so will you | :29:09. | :29:13. | |
give it more? I'll enjoy it. I said to Abbey, I think she can win the | :29:14. | :29:17. | |
competition, because it was beautiful, so I'm loving it and I | :29:18. | :29:21. | |
can go out there and enjoy it and give my all, which is what I've done | :29:22. | :29:26. | |
every week. We'll enjoy this one. It's never easy to say goodbye to | :29:27. | :29:30. | |
anyone in the competition, but for one couple, the end is near. Dancing | :29:31. | :29:34. | |
to save their place, it's Abbey and Aljaz. | :29:35. | :29:45. | |
MUSIC. Stay by Shakespeare's Sister. | :29:46. | :31:28. | |
APPLAUSE Double, double, toil and trouble. | :31:29. | :31:32. | |
Someone must leave the Strictly bubble. Abbey and Aljaz have done | :31:33. | :31:37. | |
all they can and now dancing for survival, give it up for Rachel and | :31:38. | :31:39. | |
Pasha. MUSIC: I Put A Spell On You by | :31:40. | :31:48. | |
Screamin' Jay Hawkins APPLAUSE | :31:49. | :33:40. | |
What about that? Really well done. We'll find out which of you will be | :33:41. | :33:44. | |
back to dance again next week. Judges, it's time to decide. We're | :33:45. | :33:54. | |
about to ask each of you the fame of the couple who you think should be | :33:55. | :33:57. | |
deserved. The couple with the most votes will stay, meaning the other | :33:58. | :34:01. | |
couple is out. In the event of the tie, head judge, Len, you will have | :34:02. | :34:06. | |
the casting vote. Abbey and Aljaz and Rachel and Pasha, this is it. | :34:07. | :34:13. | |
Craig, who would you like to save? I would like to save Abbey and Aljaz. | :34:14. | :34:27. | |
Daccey, Darcey, who do you think should stay in the competition? Both | :34:28. | :34:31. | |
couples performed better, it's very difficult, but the couple I have to | :34:32. | :34:38. | |
say is Abbey and Aljaz. Two votes. Broen know, if you vote to -- Bruno, | :34:39. | :34:43. | |
if you vote to save them, then they're through to next week. Who do | :34:44. | :34:47. | |
you want to stay? It's very difficult, because you both did | :34:48. | :34:51. | |
very, very well, but I would like for Abbey and Aljaz to stay. | :34:52. | :34:55. | |
APPLAUSE It means we will have to say goodbye | :34:56. | :35:01. | |
to Rachel and Pasha. Abbey and Aljaz, congratulations, you're | :35:02. | :35:04. | |
through to next Saturday. Len, I know it makes no difference, but | :35:05. | :35:09. | |
would you agree? I would have saved Abbey and Aljaz. Thank you very | :35:10. | :35:16. | |
much. APPLAUSE | :35:17. | :35:20. | |
Rachel, I know you so enjoyed it and we watched you grow as a dancer. | :35:21. | :35:24. | |
Have you enjoyed the whole experience? I haven't cried until | :35:25. | :35:31. | |
now. I've made some amazing friends. I really enjoyed tonight. I really | :35:32. | :35:36. | |
enjoyed yesterday's dance. I'm really pleased to go out on a high. | :35:37. | :35:40. | |
Abbey is just gorgeous and gorgeous dancer and girl, so no shame in | :35:41. | :35:45. | |
going out to her, but I've loved it from the make-up to the hair and to | :35:46. | :35:50. | |
the whole thing. Everyone. The audience. Thank you very much. You | :35:51. | :35:57. | |
are going out on a high. I haven't mentioned this one. Is there | :35:58. | :36:01. | |
anything you want to say to Rachel? We started from zero and look where | :36:02. | :36:05. | |
you are now. It was amazing to work you and I'm sorry it has to finish | :36:06. | :36:09. | |
this way. He's the nicest person in the world. He couldn't have looked | :36:10. | :36:12. | |
after me better. It's been an absolute pleasure. Thank you both so | :36:13. | :36:16. | |
much. It's been a pleasure for us all. Off you go and enjoy that last | :36:17. | :36:25. | |
dance. Thank you so much. They've been an amazing couple. We are so | :36:26. | :36:32. | |
sad so see them go. Rachel and Pasha will join Zoe on BBC Two. Bruce is | :36:33. | :36:36. | |
off next week, so join Claudia and myself at 6.30pm, when the ten | :36:37. | :36:41. | |
talented couples will be back with a bang. Dancing us out this weaning, | :36:42. | :36:42. | |
it's Rachel and Pasha. -- out this evening, it's Rachel and | :36:43. | :36:55. | |
Pasha. | :36:56. | :36:58. |