Week 7 Strictly Come Dancing


Week 7

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Last week on Strictly: The celebrities entered the cauldron of

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judgment for our Hallowe'en extravaganza. I have to admit, I was

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slightly distracted. The judges were spellbound. This was magic! Others

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failed to enchant. Houston, we have a problem. For Rachel, it was her

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final countdown and the dreaded dance-off revealed that no-one is

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safe. Our couples are feeling the pressure. Why are you shouting at me

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all day today? The competition is fierce. I can't do it! I'm doing my

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best. They all want to keep dancing. I want to go to Blackpool. The game

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is on! Blackpool! Live from the strick -- Strictly

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Ballroom, this is Strictly Come Dancing. Please welcome your hosts,

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Tess Daly and Claudia Winkleman. That was nice. We will be dancing

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next series! Good evening and welcome to Strictly Come Dancing. A

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very special welcome to our guests from Headley Court Defence Military

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Rehabilitation Centre. Lovely to have you with us tonight. Thank you

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for joining us. Now, the girls are running the show tonight. We are

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putting on the glitz because for our stars, it is all to dance for. Last

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weekend's Results Show saw Rachel and Abbey go head-to-head in the

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dance-off and, sadly, we had to say goodbye to Rachel and Pasha. That's

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right. Tonight, all of our couples are desperate to make it to the

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world-famous Blackpool Tower Ballroom next week. You and I will

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be slightly livid if they don't pull out all the stops. Ladies and

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gentlemen, are you ready? AUDIENCE: Yes! That was a yes. Shall

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we do it? Let's. Let's meet... Come on, let me snuggle in. The stars of

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our show! Pop princess Sophie Ellis-Bextor and her partner,

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Brendan Cole. Star of stage and screen, Mark Benton, and his

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partner, Iveta Lukosiute. BBC Breakfast presenter, Susanna Reid,

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and her partner, Kevin Clifton. England rugby hero, Ben Cohen, and

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his partner, Kristina Rihanoff. Model and TV presenter, Abbey Clancy

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and her partner, Aljaz Skornajec. From Hollyoaks, Ashley Taylor Dawson

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and his partner, Ola Jordan. Casualty star, Patrick Robinson, and

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his partner, Anya Garnis. TV chef and Hairy Biker, Dave Myers, and his

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partner, Karen Hauer. And finally Bond girl and author, Fiona

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Fullerton, and her partner, Anton Du Beke. Yes! Come on! Gorgeous. There

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they are. As you have seen, we are missing a couple tonight. Sadly,

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Natalie was taken ill during today's dress rehearsal and won't be dancing

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on tonight's show. We will give you an update on that later on. All of

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our couples are desperate to dance their way through to next week. The

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Tower Ballroom's Wurlitzer organ is calling us. Can you hear it? I love,

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however, the person who said, "Yes!" There are only enough seats on the

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bus for nine of our couples. This week, that means your votes are more

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important than ever. They will be added to our judges' scores. I

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cannot bear it. Let us begin. Let's. Our first couple is Big Ben and his

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partner, Kristina. APPLAUSE Last week, Ben stripped off his

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shirt for a passionate rumba. This week, he is dressed as a sailor.

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Stay calm! Stay calm, Bruno. Here is what happened to them this week.

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Last weekend, the paso, I enjoyed it. It was something that I could

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get involved in. I really enjoyed it. It was a bit strange to get your

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top off. It suited the dance. I was hoping for fireworks, but there were

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no fireworks. Len said there were no fireworks and I thought... Then he

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said... It was an explosion! I think the atmosphere every week has been

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absolutely incredible. It's really strange. You can't explain it. It is

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something that you can feel in the air. It is a pleasure to be

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involved. This jive is incredibly quick. Quicker! Quicker feet. It is

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the fastest dance of the Latin dances. We are really struggling. I

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need a sit down. This jive is kind of our little bridge to the

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Blackpool week. He needs to go back to his rugby roots. I haven't done

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this for years! Just like in jive. You are so light and quick on your

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feet. Incredible! That's it. Rugby was helpful. I'm planning a big

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trick for this weekend and I need a bit of help. Thanks ever so much.

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Ben has asked me to help him do a back flick. Lift your arms up and

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grab your legs. He has been a great help. I have a lot more confidence.

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I'm loving the Strictly experience. It is a once in a lifetime

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opportunity. I hope this will be enough to get me to Blackpool.

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Dancing the jive, Ben Cohen and Kristina Rihanoff.

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Oh yes! Wow, wow, wow! Big Ben is back! They are on their feet. Look

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at that. Hello, sailor! Hello, gorgeous. What a way to start the

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show. It wouldn't be a show without them. Let's say hello to Judge

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Bruno, Judge Len, Judge Darcey and Judge Dredd! LAUGHTER Len, what did

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you make of Big Ben? Anchors away! Mostly, smooth sailing. I love your

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commitment. And you are a very competent dancer. You are turning

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out really good. You need to just work a bit more on your feet. It was

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a bit like a trifle, fruity up top and a bit of sponge down the bottom.

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Jive's a hard dance, especially for big guys. You came out and worked

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it. This audience know what they are looking at, a standing ovation, well

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done! APPLAUSE Did our sailor float your boat, Bruno? I don't know why,

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but I have this irresistible urge to join the Navy. Quite a few w girls

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have -- a few girls have signed up already! It was a bit wobbly at the

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bottom. The jive is all about the sharpness of the kicks and the

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flicks. Especially side to side, it is very evident. You really have to

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hit the beat at the same time as your partner. You have to be on your

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toes, yeah? If you do another jive, stay on your toes and sharpen up

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your feet. Otherwise, as always impressive. Craig? The best part of

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it was the back somersault! I thought you did that beautifully

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cleanly. It was a bit too leaden, a bit too laboured, as I expected. You

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are carrying some very heavy equipment. You expected that and so

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you got it in your mind so you were going to get it! APPLAUSE That is so

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untrue. I know you are carrying heavy muscles there. That is

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difficult... Nothing wrong with that. It is difficult to keep up the

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pace of this dance and the last kick section was completely out of time.

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I think, my darling, despite your best seaman efforts, that is a

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failure. I disagree. APPLAUSE Don't worry, darling. It wasn't that bad.

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Darcey? I did believe you were going to have a hard time with this style.

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You proved us wrong. Because it is a neat and light and the energy for a

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big boy, I would have presumed it was going to be hard. You kept it

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contained. You gave it great attack. There was great energy all the way

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through. You enjoyed it. I enjoyed it. Thank you. APPLAUSE Thank you.

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Off you go. Ben and Kristina! APPLAUSE

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You did great. Craig was grumpy. You did a massive triple backflip. Be

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proud of him. I am. It was a tough week. There were lots of things and

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injuries. He did so well. I'm very proud of you. It's been a

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frustrating week. That is a tough dance. You have muscle and you have

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all of that business. He is a big boy. When you started - I don't want

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to rain on your parade - you couldn't move and now you can!

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Thanks ever so much(!) That was meant to come out differently. The

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scores are in. What's your reaction - 4? What is

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that about? You can only control the controllable. We have worked

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incredibly hard. We kicked off the show and hopefully it will carry on

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being great. Absolutely. Brilliant. The numbers you need to keep Ben

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dancing are: Please get permission from whoever

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pays the bill. The vote won't open until all our couples have danced so

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please don't vote now. If you do, your vote won't count, you may be

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charged - it is lose, lose! Ben and Kristina have kicked off the show.

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Back to you, Tess. Next up we have Fiona and Anton. There they are.

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Last week, Fiona and Anton went all cutesy with the Charleston and

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divided the judges. Tonight, they are doing the rock 'n' roll paso

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doble and it's a dance they are determined to grab by the horns.

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Last week we danced the Charleston and I loved it. The judges did

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mention my timing. You have to be aware of timing. That was a bit

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disappointing. The whole dance was too light and well behaved. It

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probably was a bit polite. That is the way I was brought up. If I get

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through this week, Blackpool beckons. I will be the first one on

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that coach! The paso doble is a re-enactment of the bullfight. That

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is the whole premise. I am trying to find a new character, you know, some

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very fiery woman who is going to give Anton hell! I have been

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practising, but I don't seem to have got it yet. For Fiona to get into

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character, I thought I would surprise her. Come with me. I wanted

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to give you the essence of the bullfight. Yeah? And here it is!

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Voila! First thing you have to do is square up to your opponent. Grrr! Be

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more fearsome! Go on, be fearsome! Argh! I'm hoping that the character

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that I discovered on the back of that bull, I can really bring to the

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dance on Saturday night. Dancing the paso doble, Fiona

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Fullerton and Anton Du Beke. What about that, then? Paso doble to

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one of the greatest songs ever, quite possibly. Anton, you are full

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of surprises. I'm a big surprise to her. I forgot a bit at the end! She

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was getting on marvellously! He said, "You don't know what you are

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doing?" At this moment in time, I didn't! What a routine. Get your

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breath back. Let's welcome the best live band on television, Dave Arch

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and his orchestra and our sensational singers. Yes! APPLAUSE

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That was fierce. You were positively fierce. You do so well when you have

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a character to play? Thank you. Was that passionate for you, Bruno? Good

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job I have to score her and not YOU! I like your dark side. When you go

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dark and aggressive and a bit cranky with a skirt. I like it. I don't. I

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like it. I don't. You went for it. Seriously, your timing was better

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than his. It was. You kept it going. You kept it going when something

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went wrong and it takes a lot, you know. Your lines were better, your

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timing was better. Be careful, sometimes you arch your shoulders.

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By doing so, you lose the lovely Spanish line and it was very

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comfortable. I would like to see some Flamenco influences. Well done.

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Well done for carrying on. Craig? I thought you had a good use of your

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skirt, darling. Your timing was precise. You did, however, lose your

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neck as Bruno was suggesting so you do need to pull the shoulders back.

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For me, it was a bit indifferent. It was average. It was a little bit

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indifferent. I have to say, forgettable! I don't know if I agree

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with that fully. Darcey? Fiona, you are a dramatic diva. You have to

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tell the story. All the way through it - the arms, you created nice

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shapes with the arms. Bruno is right. I would have liked to have

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seen it come from the back. If Anton, if you could get hold of her

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shoulder blades, that would create that shape. It is really important.

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Generally, I loved what you did with it. You created energy and attack.

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Very nice. Lots of attack. Len? Please talk. My turn. I must say

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there was plenty of wafting going on. I did see an element of

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Flamenco. Funnily enough, I'm a bit out of step with my colleagues. I

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thought you could have given it a bit more of a fire, a little bit

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more aggression and a bit more of a wow. What you did, you did very

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We loved it. We were going nuts. I well. I would have just liked you to

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We loved it. We were going nuts. I don't know what they were watching.

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For your knee slide, that was worth a 11. In my head, you are having a

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crumpet at home, are you throwing on Blur Song 2? Now and again. It is my

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ringtone. What I loved most is it's taken you all week to get over the

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shock of making it in last week? Yes. Did you love that? I loved it.

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I like the bit when he went wrong! We all did. I thought I would add a

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bit of emotion to the dance to see the fire. No more words. The scores

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are in. Happy with that? Yes. If you enjoyed

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seeing Anton dancing to Song 2 by Blur, call:

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Still, lots more to come tonight, including Dave wearing tartan and

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Mark will be holding a cat. I'm being serious. Back to you, Tess.

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Can't wait. Our third couple tonight is Abbey and her partner, Aljaz.

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Last week, despite scoring 34, they ended nup the dance-off. This week,

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she is back with a tricky Charleston, but has she been able to

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turn that frown upside-down? Last Saturday, I felt like it went

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well and I did my best. Craig said one word. Impressive. I always like

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to impress Craig. I was so happy with the score of 34. What happened

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next to be in the bottom two... Abbey and Aljaz. Being in the

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dance-off was the most terrifying thing. It is heartbreaking. It could

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have been the last time I was ever going to dance. It is the most

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amazing experience. It has made me quite scared now. I don't want it to

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end. I was really down after being in the bottom two last week. This

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week, I'm dancing the Charleston so I have to cheer up, keep smiling and

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get on the dancefloor. The Charleston is such a happy dance. If

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you get the steps perfect, without the smile, the story is not

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complete. Smile. In order to make me smile more, Aljaz has had a few

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tricks up his sleeves. One, sell taping my mouth into a smile. Two,

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drawing a smile on with lipstick. That is how big the smile needs to

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be. The best trick was to put a picture of my gorgeous baby up.

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That's guaranteed a smile from me. You need to have her in your head

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for the Charleston. She is in there. Aljaz has given me some homework. I

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have to practise my facial expression. I would love to get to

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Blackpool and I never saw myself dancing full stop, never mind in

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Blackpool. I have realised just how precious my time on Strictly is. It

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is the best experience I have ever had in my life. I'm determined to

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come back this week with a bang! Dancing the Charleston, Abbey Clancy

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and Aljaz Skornajec. She is back with a bang! Back with a

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bang! They are on their feet. Look. Well done. Yes. Team Abbjaz! Craig,

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has she done enough to get to Blackpool? I think she has. I loved

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the stylisation, the enormous attention to detail was incredible

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in that dance routine. I loved the hop, pull-backslides that you did.

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That fantastic step at the end. You did not Charleston quietly. It was

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loud, my darling, and it was proud! Well done. APPLAUSE You enjoyed

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that, didn't you? Yes. Darcey? I love the gorgeously mad side of

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Abbey. This is brilliant. I loved it. So unusual with what you did to

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that prop. To have a hat and do all those things, that was brilliant. It

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was the leg action, it was fast and furious. That monkey step at the

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end, it was great. I enjoyed that. Well done, Aljaz, you have made a

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true dancer out of Abbey. Has she come back fighting? It was a

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Charleston. It was going back to the '20s, and that is AA - you don't

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need the AA - that didn't breakdown at all! That was a beautiful journey

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and stay in that car, get up the M1, I will see you next week in

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Blackpool! APPLAUSE Bruno? I couldn't agree more. It is Abbey the

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IT-girl with a huge hit in her hands. You combined the roles. It

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was a Charleston, but you had the Bob Fosse influence. You had some

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nice touches which I found exciting and you really deserve to come to

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Blackpool. This was wonderful. Thank you. Thank you, judges. You nailed

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it! Off you go to Claudia. APPLAUSE Are you so happy? Yes, I'm half dead

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after that! It looked very - you can turn round. You were so sad to be in

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the dance-off. Then I know you tried really hard. Was your little girl in

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your head? She was. The whole experience has been amazing. I was

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trying to do my best so I can stay in. What is the monkey step? I don't

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know what that is! Never mind. The scores are in.

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Are you happy? Made up. Now, remember every couple tonight needs

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your votes. Please call: Here's the thing - life isn't a

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cabaret. Unless you are dancing on this show! Let's hand back to Tess.

:30:49.:30:53.

Thank you very much. For our next couple, it is Mark and his partner,

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Iveta. Tonight, Mark is taking on the role of a James Bond villain.

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Before he hatches a cunning plan to take over the world, first he's got

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to master the romantic rumba. Here is what Mark and his henchwoman

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Iveta got up to this week. When it gets to Saturday, everybody knows

:31:17.:31:20.

the dance. It is being able to do the dances with those four judges

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staring at you. I have never experienced nerves like it. I

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thought it was heavy, stompy. It was long on performance, and short on

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technique. Every week I try and do my best. All the things they have

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said this week, hopefully I can work on it the best I can and it won't be

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stompy and short on technique and I will get higher marks next week. I

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know the rumba is one of Iveta's favourite dances. I will do my best

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to get it right. # I'm sexy and I know it. #

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It has hip action and the relationship between the man and the

:32:05.:32:08.

woman. We have a relationship that is a proper friendship.

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# Just the two of us. # He makes me laugh every day. OK. I'm

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in England. I don't have any family here. Mark is my family. I'm on to

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you! Although I do have fun, our number one priority is to dance. Get

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the footwork, hip action. You have to work to make an improvement.

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Yeah. I will. I never want anyone to think I'm not taking the dancing

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seriously. That is the reason I'm here. Everybody is raising their

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game. We have to as well. Especially because it is my birthday next

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Saturday. I would love to spend it in the Blackpool Tower Ballroom.

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Dancing the rumba, Mark Benton and Iveta Lukosiute.

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Our crowd-pleasers have done it again! I have been expecting you.

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Fabulous costumes. I will have to borrow that later on. Darcey? Did

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that leave you shaken and stirred? Well, the rumba is a dance of love.

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It should be sensual, earthy, with seamless moves. If only you had

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stroked the floor with your foot like you stroked your wite pussy

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cat, it would have been a stronger rumba. I don't know. You did create

:35:14.:35:23.

some nice lines, but it was a bit too bitty for me. Bruno, stop it!

:35:24.:35:29.

You always set the scene and you always create an interesting story.

:35:30.:35:35.

Not bad. Creates a story. A crowd-pleaser, you two. Len? Well,

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you have got gold in your finger and lead in your bum! The rumba is a

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very, very difficult dance for men. You either become all too soft and

:35:52.:35:55.

floppy, or you become too stiff and starchy. To get that balance right

:35:56.:36:00.

is tricky. The other thing - what I love - you are an actor and every

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dance you play a part. You come out with the character and you come out

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and work hard. Well done. Bruno? You tried Goldfinger, it ended up a

:36:21.:36:26.

Fish-finger, darling! Slightly off. I agree with Len. I always enjoy

:36:27.:36:31.

what you do. Your characterisations are always spot on. The problem is

:36:32.:36:36.

that the rumba is a dance of perpetual motion. It never ever

:36:37.:36:40.

stops. There was a lot of attitude and posturing, but the movement

:36:41.:36:44.

didn't flow. And in the rumba it has to flow. It is hard for men and

:36:45.:36:50.

there wasn't much movement there. Dr Evil was present - ha ha ha! Scary.

:36:51.:36:57.

He wants to spend his birthday in Blackpool. Will he? I hope he does.

:36:58.:37:03.

It is largely due to the audience at home, but my point is your arms, my

:37:04.:37:09.

dear fellow. On the end of your arms are hands. It is your hands that

:37:10.:37:15.

need shaping. It is all very well to have beautiful arms, which you

:37:16.:37:19.

achieved gorgeously. Unfortunately, there is no shaping, they are just

:37:20.:37:24.

sort of like wet spatulas at the moment! You need to sort that out

:37:25.:37:28.

and Bruno is right. The transitions need to be smoother. I think it is

:37:29.:37:37.

the concept that saved this dance. We loved the entertainment value.

:37:38.:37:43.

Give it up for Mark and Iveta. APPLAUSE Thank you, guys.

:37:44.:37:56.

Come on! Mark, I love you. Awesome. Twins! Huge admirer. Are you

:37:57.:38:11.

disappointed by that? You worked so incredibly hard. They said your arms

:38:12.:38:18.

were beautiful. If I could get the forms right, -- the arms right and

:38:19.:38:26.

the feet - but getting them right together. Can I say thank you to

:38:27.:38:34.

Brian in make-up for this? Tell me you wear that to the supermarket?

:38:35.:38:39.

You should see what I wear when I go out. The scores are in.

:38:40.:38:59.

To help save Mark and Iveta, please call:

:39:00.:39:09.

Or use your gold finger to click on our website. They have their

:39:10.:39:26.

Goldeneye on getting to Blackpool. Tess. Our next couple dancing for

:39:27.:39:32.

their place in Blackpool is Susanna and her partner, Kevin. We are now

:39:33.:39:39.

at the halfway point and we all know that the competition is getting

:39:40.:39:42.

tougher. When the dancing gets tough, the tough get a visit from a

:39:43.:39:45.

former Strictly champion. I'm so excited. Can you imagine

:39:46.:39:55.

doing the Charleston with Kevin dressed as a Weirwolf? Plenty of

:39:56.:40:01.

tricks 'n' treats. To get great comments and to get a nine - I love

:40:02.:40:07.

you Len. I get a bit overwhelmed sometimes when the comments are

:40:08.:40:11.

positive. I love dancing and if that shows, that makes me love it even

:40:12.:40:20.

more. This week, we are dancing the waltz. Follow me. Kevin and I have

:40:21.:40:28.

become really good friends. That means that when we approach

:40:29.:40:32.

something romantic and intimate, it is a little harder for me! Be

:40:33.:40:37.

emotional You will get emotion in a minute. We expected it to be me and

:40:38.:40:44.

Kevin. Around the corner comes the incredible Strictly champion Chris

:40:45.:40:49.

Hollins. There is a lot of talking. He's been a friend of mine for a

:40:50.:40:55.

long time. How are you getting on? What are your tips for a lovely,

:40:56.:41:00.

romantic waltz? You have the facials. It was lovely to sit with

:41:01.:41:05.

Chris and have a good chat with him. Try and get to Blackpool. That is

:41:06.:41:08.

the most incredible place. Don't tell anybody. That is still up there

:41:09.:41:14.

doing a foxtrot, I still get goosebumps. Just go out and enjoy

:41:15.:41:19.

it. It could be the last second. You never know when you are going out.

:41:20.:41:22.

Let me see the hold. She loves the show. She loves being part of it.

:41:23.:41:27.

Good luck. Enjoy it. Seeing Chris and having him visit the training

:41:28.:41:31.

room has given me a confidence boost for Saturday night. Dancing the

:41:32.:41:38.

waltz, Susanna Reid and Kevin Clifton.

:41:39.:41:42.

What a beautiful waltz. Absolutely gorgeous! Come over, Susanna. Have a

:41:43.:43:36.

look around you. Everyone is on their feet. Gorgeous. You two are

:43:37.:43:45.

adorable. Joyful watching you dance. A traditional waltz, that should

:43:46.:43:49.

please you? It did. I was listening to Jeremy Paxman on the Steve Wright

:43:50.:43:54.

Radio Show saying he doesn't understand why newsreaders go on

:43:55.:44:00.

Strictly. Well, Paco, this is why. You get the most fantastic dance.

:44:01.:44:10.

You lit up this ballroom. Fabulous! Bruno? It had such a wonderful sense

:44:11.:44:17.

of timeless elegance. Deeply romantic. Those spins were heavenly.

:44:18.:44:22.

You spun everybody into heaven with you this one, my darling. It was

:44:23.:44:31.

beautiful. It was. Craig? I could not agree more. You brought that

:44:32.:44:37.

frock to life. It was absolutely fantastic. The hesitation moments

:44:38.:44:46.

were beautifully held, a full circle of pivots. I loved it. All good so

:44:47.:44:51.

far. Will she be waltzing into next week, Darcey? She sure will. The

:44:52.:44:56.

boys are right. The precision in your tumble turns at the beginning,

:44:57.:45:01.

those pivots, that is so hard to hold your frame. Beautifully done.

:45:02.:45:07.

The only thing - because I'm getting fussy - I know you have it all. I

:45:08.:45:11.

would love you to stretch even further, don't look comfortable any

:45:12.:45:17.

time. Stretch further the length of your leg. A beautiful, romantic

:45:18.:45:23.

waltz. Loved it. They loved it. We all loved it. Well done. Go on up to

:45:24.:45:29.

Claudia. Susanna and Kev Kev, ladies and gentlemen! -- and Kevin, ladies

:45:30.:45:33.

and gentlemen! Congratulations. You over the moon?

:45:34.:45:46.

So grateful to Kevin because his choreography was a dream to dance.

:45:47.:45:49.

He's a wonderful dream to dance with. Thank you. You are the best

:45:50.:45:54.

partner. When the judges are nice, you said it makes you emotional. I

:45:55.:45:59.

do feel emotional. You want to go to Blackpool. You are dance royalty! If

:46:00.:46:03.

we go to Blackpool with you, can you get us whatever we want? Absolutely.

:46:04.:46:10.

We want green rock! I hope you make it there. That was beautiful. The

:46:11.:46:12.

scores are in. Are you happy? Really happy. That's

:46:13.:46:39.

the highest we've got. I'm so grateful. Thank you so much. If you

:46:40.:46:45.

want these adorable humans to avoid the dance-off, call:

:46:46.:46:57.

It is surreal. I can't work out what is going on. This isn't real. It is

:46:58.:47:05.

all the pivots! This is a home video. Tess? Thank you very much.

:47:06.:47:10.

Next tonight is Dave and his partner, Karen. Dave and Karen are

:47:11.:47:18.

desperate to get to Blackpool. This week, he ended up in Scotland. Yet

:47:19.:47:23.

again, he's gone a tad too far! This is what they did to get in the

:47:24.:47:30.

Scottish frame of mind. Last Saturday night was epic. Obviously,

:47:31.:47:34.

the dancing was nerve-racking but I enjoyed the jive. It was kind of

:47:35.:47:39.

funny but the jive really was non-existent. I know I wasn'tel viz,

:47:40.:47:47.

but it was -- wasn't Elvis, but it was a jive. To get to Blackpool has

:47:48.:47:52.

always been my goal. I used to go to blam pool Blackpool Tower Ballroom

:47:53.:48:00.

with my mum. This week, it is the tango and it is to the Proclaimers

:48:01.:48:07.

500 Miles. It means a lot to me because of its Scottish roots. I

:48:08.:48:11.

lived there for 15 years. I love Scotland. I have deep roots and

:48:12.:48:15.

friends there. I love Scotland so much, I even got married in a kilt.

:48:16.:48:19.

The Scots are a passionate race of people. I'd love to bring that

:48:20.:48:25.

passion into the dance. Wow! The first thing you need is some

:48:26.:48:34.

Highland wear. You can't go into battle without having a rousing set

:48:35.:48:41.

of pipes. Nothing is coming out! Dave, stop. You will need to save

:48:42.:48:51.

all your breath. There is nothing symbolises Scottish food more than

:48:52.:48:55.

the haggis. It is made from lungs, heart, liver and you boil it in a

:48:56.:49:05.

sheep's stomach. Here we go. Mmm... You are never going to take away my

:49:06.:49:07.

dancing shoes! Dancing the tango, Dave Myers and

:49:08.:49:12.

Karen Hauer. What about that! That was special.

:49:13.:51:07.

Come on over, Dave and Karen. I loved it. Alright, you might need a

:51:08.:51:17.

brave heart for this. Judges? Bruno? Dave, oh my God, too much haggis and

:51:18.:51:26.

not enough Argentina! It wasn't an Argentinian tango. It wasn't any

:51:27.:51:31.

tango at all! Listen, you were stomping around like a bees of

:51:32.:51:35.

burden! You were dragging that poor girl. It was like John Sergeant all

:51:36.:51:41.

over again. It was passion. What passion? It was in my eyes! I

:51:42.:51:49.

couldn't feel any. It wasn't so much danced, it was walked. You have to

:51:50.:52:01.

go - it just is - it is very funny. But as a tango... It was a tango. It

:52:02.:52:07.

is not funny either. Dave is trying his hardest and training very hard.

:52:08.:52:12.

Craig? I think you could possibly now write a book on how to survive a

:52:13.:52:18.

grizzly bear attack! I really do. It was a little rough around the edges.

:52:19.:52:23.

Your hands were hideously splayed at times as well. It was very stompy.

:52:24.:52:28.

You obviously have been learning tango and there were a lot of tango

:52:29.:52:32.

steps in there. So well done, really. All credit where it's due.

:52:33.:52:41.

Darcey? There was so much more dance content than in any other dance.

:52:42.:52:47.

There was intent, attack and a fire of passion. We saw the passion! I

:52:48.:52:52.

felt the passion. It is true, it just gets a bit broken and stompy in

:52:53.:52:57.

places. But this is one of your better dances. One of your best

:52:58.:53:02.

dances. Thank you. Thanks, Darcey. Len? A bit of leg and a flash of

:53:03.:53:08.

knicker turns me on a bit. Not so sure on this one! I know why you are

:53:09.:53:16.

called the Hairy Biker! You needed a bit more Irn-Bru. You are

:53:17.:53:24.

unmissable. Well done. Thank you, Len. I would have walked 500 miles

:53:25.:53:32.

to watch that. You rock! Thanks, Tess. Go up to Claudia. Dave and

:53:33.:53:45.

Karen! APPLAUSE Come on. Yes! Unmissable, said Len. You happy? I

:53:46.:53:49.

enjoyed that. I don't know about anybody else. Magnificent. The whole

:53:50.:53:54.

audience were on their feet, they were screaming, hanging off the

:53:55.:54:00.

ceiling. I wanted to go for it! You did. They loved it. Especially when

:54:01.:54:09.

you were... Like mules. The scores are in.

:54:10.:54:24.

You alright? I am with that. We are in the 20s. Dreamy. The only way is

:54:25.:54:36.

up. Quite. Dave and Karen want your votes. Call:

:54:37.:54:45.

Dave would walk 500 miles and 500 more - but it would be easier for

:54:46.:54:53.

him to get on the bus to Blackpool. Your votes can get him a seat! Still

:54:54.:54:59.

to come: Sophie and Brendan dancing the first Argentine tango of the

:55:00.:55:02.

series and Patrick is doing something wonderful. Tess? Thank

:55:03.:55:06.

you. As we said earlier on, Natalie and Artem will not be dancing this

:55:07.:55:11.

evening. Natalie had been rehearsing all week for a jive but she was

:55:12.:55:21.

taken ill earlier today. On Saturday night, you are feeling this churning

:55:22.:55:25.

nerves but I know I'm experiencing the best opportunity of my life.

:55:26.:55:36.

Fab-u-lous. You never disappoint. To receive a comment like that is a

:55:37.:55:42.

huge compliment. What's wrong with me? 10! We were blown away. You have

:55:43.:55:48.

to treat every dance as if it is your last and enjoy it as if it is

:55:49.:55:55.

your last. This week, we are dancing the jive and we are dancing to Tina

:55:56.:56:02.

Turner so it will be wild. It is fast and furious, this jive. There

:56:03.:56:06.

is no let-up. At the moment, I kind of fade out about two-thirds of the

:56:07.:56:14.

way through. Earlier today, in studio rehearsals... We were dancing

:56:15.:56:17.

the routine. It was good and she was smiling. Then the next second she

:56:18.:56:22.

stopped and started walking off. Next thing I see Natalie fainted. I

:56:23.:56:28.

was radioed to come to the dancefloor. When I got there, it was

:56:29.:56:34.

quite apparent she had fainted. She collapsed. The medic was there. We

:56:35.:56:39.

couldn't pick her up. She was shaking a lot. And crying. We moved

:56:40.:56:46.

her to her dressing room. I have advised her to continue to eat and

:56:47.:56:49.

drink and hopefully, she will be able to dance tonight. Just worried.

:56:50.:56:55.

Natalie thinks she can perform and b obviously we will have to -- and

:56:56.:57:00.

obviously we will have to wait and see how she feels closer to the

:57:01.:57:06.

time. Natalie continued to feel unwell during dress rehearsals. She

:57:07.:57:11.

has been examined and she will be getting a further check-up later.

:57:12.:57:15.

Under the rules of Strictly, the contestant is granted a bye. This

:57:16.:57:20.

means they will not dance tonight so please don't try to vote for them.

:57:21.:57:27.

If she is past as being medically fit next week, they will perform

:57:28.:57:32.

live in Blackpool. How disappointed are you? I am really upset for

:57:33.:57:37.

Natalie. She was really looking forward to performing this dance. It

:57:38.:57:41.

looked incredible. I am gutted for her. Is she OK? I don't know. She

:57:42.:57:51.

was left at the hospital. She is doing such a great job. Please get

:57:52.:57:58.

better and hopefully, you know, next week. Alright. We send all our love.

:57:59.:58:02.

Please get well soon and we hope to see you next week. Tess? Thank you.

:58:03.:58:07.

Get well soon from all of us. Our next couple is Ashley and Ola. There

:58:08.:58:16.

they go. There they are. Last week, Ashley was praised by the judges but

:58:17.:58:20.

they all picked up on his poor posture. This week, he's been

:58:21.:58:24.

bending over backwards to get it right. Last week, I loved the dance

:58:25.:58:31.

we had. It was a character and I think when I'm in character it takes

:58:32.:58:36.

away a lot of the pressure. Watch that neck. I have this weird habit

:58:37.:58:41.

of going with my neck and my shoulders come in. The technique is

:58:42.:58:45.

all there, but I know you can polish it. That's given me the confidence

:58:46.:58:49.

to go forward and make sure I have polish, I have shine and I have the

:58:50.:58:57.

finer details down. Quickstep this week is the hardest dance I have

:58:58.:59:01.

done so far. I don't like the posture. Sorry. The judges have told

:59:02.:59:04.

me that. My biggest problem has been posture. You need to practise

:59:05.:59:08.

everywhere you go. Sit like that and it will come naturally. We don't

:59:09.:59:12.

have that much time so I have decided to go to Hollyoaks set to

:59:13.:59:17.

get that bit more time with him. Here I am on the Hollyoaks set to

:59:18.:59:21.

see what is happening behind-the-scenes and if Ashley's

:59:22.:59:28.

practising his steps. Action. I went around Hollyoaks... Look what I have

:59:29.:59:32.

found. Danny. I got to dance with one of the boys, a bit of a hunk.

:59:33.:59:37.

Lovely posture. I might have to take you on Saturday rather than Ashley!

:59:38.:59:44.

Yes. I saw him in action. I hope she rots in hell. Just waiting for

:59:45.:59:48.

Ashley to come off the set. Hopefully, I can do a couple of

:59:49.:59:56.

steps with him. Hello. Nice posture. I'm a lad from the North West. It

:59:57.:00:01.

would mean a lot for me to dance on Strictly back at home. Good look,

:00:02.:00:10.

Ash. Get the posture right, kid! Dancing the quickstep, Ashley Taylor

:00:11.:00:13.

Dawson and Ola Jordan. They are on their feet in the

:00:14.:01:58.

studio! Have a look around. Have a look at that then. You absolutely

:01:59.:02:03.

attacked that. Listen to them in the studio. Wow. Are you going to be his

:02:04.:02:12.

griRl after -- girl after that, Darcey? That was amazing. The

:02:13.:02:18.

quickstep, the origins come from the jazz era and it should have no

:02:19.:02:22.

bounce and it should have light, trotting footwork. You gave us so

:02:23.:02:25.

much of that and it was consistent all the way through. You didn't die

:02:26.:02:30.

on us. It is a difficult step. You kept it going all the way through.

:02:31.:02:35.

And the improvement in the angle of your head and your top line...

:02:36.:02:42.

APPLAUSE You kept it. You kept it. It is so easy to get tired. You know

:02:43.:02:47.

that is where it shows first. Well done. Len? You kept your energy up

:02:48.:02:58.

throughout the dance. I know how tiring this dance is. I don't think

:02:59.:03:01.

people realise how difficult it is to do a quickstep. There's so many

:03:02.:03:06.

elements. You have to keep the hold, posture and movement, the top line

:03:07.:03:11.

has got to stay quiet, while down in your feet and legs it is fast and

:03:12.:03:15.

hectic. I tell you, Ashley Taylor Dawson, that was tailormade!

:03:16.:03:25.

APPLAUSE Bruno? You see, Ashley, a bit of spit-and-polish and the

:03:26.:03:30.

sparks are flying! I mean, really the difference. The control all over

:03:31.:03:34.

the dance was right there. You were skimming around like two

:03:35.:03:40.

dragonflies. You had a little twinkle in your eyes. You enjoyed

:03:41.:03:44.

it. Your frame was better. Your footwork was better. Your timing was

:03:45.:03:50.

better. Wonderful. Better all round. Craig? Yes, some really sharp

:03:51.:03:56.

opening moves there. Your frame and posture now is fixed. All you have

:03:57.:04:01.

to do now is fix all the gapping throughout, darling. It is a small

:04:02.:04:07.

thing. I loved the scissor step and getting back into hold and going off

:04:08.:04:11.

on your journey. Fantastic energy. You took a bit of your footwork

:04:12.:04:16.

impact into your upper body, but a small thing. I thought it was

:04:17.:04:24.

amazing. Amazing. Well done, you. Off you go. APPLAUSE Ashley and Ola!

:04:25.:04:35.

Well done. That was a game changer. You did so well. Again, you do - you

:04:36.:04:45.

don't have long to train. A brand-new baby, you are at

:04:46.:04:49.

Hollyoaks. Are you happy? Over the moon. Very happy. Posture, posture,

:04:50.:04:55.

posture. We worked really hard. Are you over the moon? Very happy. And

:04:56.:05:00.

very proud. Well done. Alright. Enough of that. The scores are in.

:05:01.:05:22.

Are you happy? Amazing. Can I go home now? You can't. Well done. If

:05:23.:05:29.

you want Ashley and Ola to dance again, call:

:05:30.:05:39.

For all the sights and sounds of tonight, you can find us on Facebook

:05:40.:05:49.

or Twitter. Love you for nodding. There are still two more couples

:05:50.:05:54.

left to dance. Next up tonight is Sophie and Brendan. There they go.

:05:55.:06:01.

Last week, their jive failed to impress the judges but tonight,

:06:02.:06:05.

Sophie is hoping her Argentine tango will turn a few heads and not just

:06:06.:06:13.

her own! Here they are in training. I really enjoyed Saturday night,

:06:14.:06:17.

seeing everybody in their outfits and make-up was brilliant. My

:06:18.:06:21.

performance is really annoying. I did it wrong. There is so much more

:06:22.:06:26.

in you th could come out on this dancefloor. Get out there and attack

:06:27.:06:30.

it! Every week, I think is this the week when I do it wrong? It happened

:06:31.:06:37.

so I know that feeling. You have to deal with that because it is live.

:06:38.:06:44.

What can you do? This week we are dancing the Argentine tango.

:06:45.:06:54.

Audiences Loch love -- audiences love it. It is challenging. PoR

:06:55.:07:01.

passion, more fire. -- more passion, more fire. I'm not aware of the

:07:02.:07:06.

judges when I'm dancing. This time, I can see them out of the corner of

:07:07.:07:10.

my eye. It is you and me out there, that is it. The good news is I

:07:11.:07:15.

believe in you that you can do this. This is where we start getting into

:07:16.:07:18.

the character of the dance. It is passionate, power. If we can start

:07:19.:07:23.

it now, it will be there in buckets on Saturday. I have finished another

:07:24.:07:28.

session. Brendan keeps saying we need to attack it. So I'm making a

:07:29.:07:32.

promise - I will come in tomorrow and really go for it. I really want

:07:33.:07:37.

to do well this week. That was nice. Good girl. Lovely position. That is

:07:38.:07:43.

fantastic. This week has been a massive learning experience.

:07:44.:07:47.

Hopefully, I will do this dance justice and I will be dancing my way

:07:48.:07:53.

to Blackpool. Dancing the Argentine tango, Sophie Ellis-Bextor and

:07:54.:07:55.

Brendan Cole. Alright! Yes! They are on their feet

:07:56.:09:43.

in the studio, ladies and gentlemen. Back on form! I knew this dance was

:09:44.:09:49.

going to suit you. They are on their feet. Red hot. First Argentine tango

:09:50.:09:56.

of the series. Len? The ballroom tango is far more formal. You get

:09:57.:10:01.

into that hold and you have to stay in it throughout the dance. They say

:10:02.:10:05.

the ballroom tango is like a man dancing with his wife. The Argentine

:10:06.:10:09.

tango is like a man dancing with his mistress! It is a little bit more

:10:10.:10:14.

flirtatious. You can do lifts, you don't have to keep that hold, you

:10:15.:10:17.

can change the hold and the dynamic of the dance. It is far less formal.

:10:18.:10:25.

Brendan, old my gaze! Fantastic choreography. It was so interesting

:10:26.:10:34.

to watch. It was. All the ingredients were there. I loved the

:10:35.:10:38.

story of it, the lifts were great, the steps were great. Again, Sophie,

:10:39.:10:45.

I would like a bit more passion coming out in it and getting a bit

:10:46.:10:48.

more involved in the dance. I know that is awkward to do if you don't

:10:49.:10:52.

fancy doing it. That is what I would like to see a bit. But, I tell you

:10:53.:10:56.

what, it was a cracking routine and well done. Indeed. Bruno? You always

:10:57.:11:06.

have an incredibly stylish eye for wonderful detail. It was like yes,

:11:07.:11:12.

if you can afford it, you can join me. LAUGHTER High class all the way.

:11:13.:11:21.

We will see if we have time for you. The shapes, the choreography, the

:11:22.:11:27.

lines, wonderful. I tend to agree with Len. There is a gutsy feeling

:11:28.:11:32.

in the Argentine tango. It has to come from inside you. Release that

:11:33.:11:36.

fire. Sometimes it is good a bit of dirt, a bit of dirt sometimes

:11:37.:11:41.

doesn't hurt. We have to see that. Because it tends to be the same kind

:11:42.:11:46.

of character. Now we want to see another facet of you. The ability is

:11:47.:11:50.

there and the beauty of the dance is there. It needs a bit more strength

:11:51.:11:57.

and variety in the characterisation. Constructive. Thank you. Craig?

:11:58.:12:03.

There were a few unstable moments, for instance at the beginning you

:12:04.:12:09.

lost your balance a bit. You may not have noticed. I certainly did. You

:12:10.:12:14.

are supposed to be watching me! She was. Her leg got a bit stuck. When

:12:15.:12:21.

you did that wonderful hook spin lift, I loved that. Getting up from

:12:22.:12:28.

that, you looked a bit precarious. Mainly in all your stop moments, you

:12:29.:12:32.

were holding yourself so solid that you were about to fall over. I

:12:33.:12:39.

absolutely loved the routine. It's finished on a positive note. Thank

:12:40.:12:47.

goodness. Darcey? Sophie, each lift you got into you were in magic

:12:48.:12:53.

positions, beautiful lines. Brendan, that lift that went down to the

:12:54.:12:57.

ground smoothly and it was so clean. I have to say that was very

:12:58.:13:01.

difficult to do because every time he got you in there you hit it. I

:13:02.:13:06.

like that still stiffness that was created there. I think the boys are

:13:07.:13:14.

right. If you did what you do with your body and the shapes you create

:13:15.:13:21.

and you did then what you - the character and the face - we would

:13:22.:13:24.

have such a rounded performance. You have so much so I want to be picky

:13:25.:13:28.

with you because I know you have it in you. Keep pushing. I want to see

:13:29.:13:35.

you in Brighton. You will. Brie Brighton? -- Brighton? Let's hear it

:13:36.:13:42.

for Sophie and Brendan. APPLAUSE

:13:43.:13:53.

Well done. Well done. Very well done. I thought it was fiery. They

:13:54.:13:59.

talked a lot about dirt and fire and balance. We were all confused up

:14:00.:14:03.

here. That is quite nice to hear. I did feel - I felt like I was in @

:14:04.:14:08.

right zone. It -- I felt like I was in the right zone. You were

:14:09.:14:10.

brilliant. The scores are in. I'm slightly disappointed with 8. I

:14:11.:14:36.

think this girl is magical. The week I have had in training has been

:14:37.:14:43.

phenomenal. That felt phenomenal. Sweet Dreams are made of votes!

:14:44.:14:47.

Call: Only one more couple left to dance.

:14:48.:14:58.

Tess? That's right. Our final couple

:14:59.:14:59.

tonight is Patrick and Anya. This week, Patrick had two reasons

:15:00.:15:11.

to celebrate. Not only did he do a fantastic routine last Saturday, but

:15:12.:15:15.

on Wednesday he celebrated his 50th birthday. And what better way to

:15:16.:15:19.

celebrate than with a nice high score from the judges? Let's hope

:15:20.:15:25.

they are feeling generous. Yeah, that's you lot! This is his special

:15:26.:15:33.

week. For me, last Saturday was fantastic. The energy and the power

:15:34.:15:37.

and the drive came from having been in the dance-off the previous week.

:15:38.:15:42.

The judges' comments were fantastic. That was a spooky riot of a

:15:43.:15:46.

quickstep. The energy was phenomenal. Great work. Len's

:15:47.:15:52.

comments were very funny. I'm going to pickle my walnuts! Getting two 9s

:15:53.:16:01.

is fantastic. Hopefully, it will go up-and-up. When I think about

:16:02.:16:05.

Blackpool, it is like playing football at Wembley. It would mean

:16:06.:16:08.

everything in terms of doing this competition to get there. I'm

:16:09.:16:13.

pushing Patrick a lot. In the previous weeks, I have had to take

:16:14.:16:16.

the lifts out. Putting them in now, they are tricky, but spectacular.

:16:17.:16:22.

This week is Patrick's birthday. One of my goals was to be in Strictly on

:16:23.:16:27.

my 50th birthday. I'm here. It would be incredible to be the oldest

:16:28.:16:32.

winner of Strictly. He wants to rehearse, but celebration is in

:16:33.:16:38.

order. I'll 'm having a dripb -- I'm having a drink with my colleagues.

:16:39.:16:42.

# Happy birthday # Dear Patrick

:16:43.:16:44.

# Happy birthday # To you. # Anya threw me a surprise

:16:45.:16:57.

party in training. Look at the cake. Make a wish. What did you wish for?

:16:58.:17:07.

If I tell you, it won't come true. I've had an incredible birthday and

:17:08.:17:14.

to top it off would be getting through to Blackpool. Dancing the

:17:15.:17:18.

American Smooth, Patrick Robinson and Anya Garnis.

:17:19.:17:23.

A show stopper! Enjoy that standing ovation! It's a nice present. You

:17:24.:19:20.

smooth mover, you. Wow! That was pure Hollywood! Wasn't it just? All

:19:21.:19:26.

the dazzle of Tinseltown. What was amazing - you kept going through the

:19:27.:19:31.

jazzy sequences into the control and restraint of the foxtrot. It is so

:19:32.:19:37.

hard to do. To go full-out, back in, elegance, stylish. Out again. It was

:19:38.:19:43.

one of the best dances. You just happened at the end, you messed up!

:19:44.:19:55.

Let's not talk about it. Craig? An incredible save at the end. True

:19:56.:20:00.

professional, darling. That was exquisite. It was exciting. You are

:20:01.:20:05.

the best male celebrity in this competition. Oh my goodness! Doesn't

:20:06.:20:10.

get better than that from Craig. Darcey? Sorry. Craig is right. You

:20:11.:20:25.

ooze style. You are my movie star. Perfection. Even you showed no

:20:26.:20:32.

weaknesses in those lifts. Even though there was a fluff at the end,

:20:33.:20:38.

that didn't matter. I will see you in Blackpool. Thank you very much.

:20:39.:20:44.

Len? As Henry VIII would say, take him to the Tower! The Tower Ballroom

:20:45.:20:50.

in Blackpool! A joy. Thank you, judges. Incredible praise. Off you

:20:51.:20:54.

go. Happy birthday to you. APPLAUSE Well done. What a week. Happy

:20:55.:21:13.

birthday. That was so knock-out! Let's go to the scores.

:21:14.:21:37.

Thank you. Well done. Did you like that? You will need these numbers:

:21:38.:21:59.

It was magnificent. That is it. I feel emotionally drained. Let's have

:22:00.:22:06.

a look at where everyone is on the leaderboard. At the top, Patrick and

:22:07.:22:14.

Anya with 9 points. Then there is Abbey and Aljaz and Susanna.

:22:15.:22:23.

At the bottom is Dave and Karen with 3 points. Remember, you have the

:22:24.:22:31.

power to change all of that by picking up the phone. I have news.

:22:32.:22:35.

The vote is open. Calls cost 15p from a mobile. Other

:22:36.:22:50.

networks may vary. Please get the bill payer's permission before you

:22:51.:22:56.

call. Or you can vote online at bbc.co.uk/strictly. Guys, I'm

:22:57.:23:01.

reading. You will also find full terms and conditions. Lines close at

:23:02.:23:11.

#. -- 8.25pm tonight. Here is a reminder of tonight's performances.

:23:12.:23:14.

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