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# Sing, sing, sing # Now you're singing with us | :01:19. | :01:24. | |
# Sing, sing, sing, sing # Everybody's got to sing | :01:25. | :01:31. | |
# Oh, oh, now you're singing with us # When the music goes around | :01:32. | :01:35. | |
# Everybody goes to town # Something you should know | :01:36. | :01:41. | |
# Oh, baby, oh, oh, # Sing, sing, sing, sing | :01:42. | :01:45. | |
# Everybody start to sing # Now you're singing with a swing | :01:46. | :01:50. | |
# Swing, swing, swing, swing # Listen to the trumpets swing | :01:51. | :02:00. | |
# Blow, blow, blow, blow # Listen to those trum bones blow | :02:01. | :02:08. | |
# When the music goes around # Everybody goes to town | :02:09. | :02:13. | |
# That is something you should know # Oh, baby, oh, oh | :02:14. | :02:17. | |
# Sing, sing, sing, sing # Everybody start to sing | :02:18. | :02:22. | |
# Oh, wa-oh # Everybody go | :02:23. | :02:53. | |
# Come on and sing, sing, sing # Everybody start to sing | :02:54. | :03:00. | |
# Start singing # Start swinging | :03:01. | :03:03. | |
# Now you're singing with us Please welcome your hosts, Tess Daly | :03:04. | :03:15. | |
and Claudia Winkleman. Hello and welcome to our Sunday | :03:16. | :03:47. | |
night results show and what a swinging opening and a thank you to | :03:48. | :03:52. | |
the amazing Puppini Sisters and of course, our fabulous professional | :03:53. | :03:57. | |
dancers. Absolutely brilliant! On Saturday night our couples danced | :03:58. | :04:01. | |
for your vote in a bid to make it to Blackpool and perform in the | :04:02. | :04:05. | |
world-famous tower ballroom. With only nine places we must say goodbye | :04:06. | :04:10. | |
to one of our couples tonight. That is right - the judges have scored. | :04:11. | :04:15. | |
The two couples with the lowest combined points will face each other | :04:16. | :04:20. | |
in the dreaded danceoff. The responsibility lies with our judges. | :04:21. | :04:30. | |
Please welcome our judges. We have four gorgeous guys with | :04:31. | :04:36. | |
voices to match - the almighty Tenors will be here. Ly the in | :04:37. | :04:46. | |
inside scope from the judges in Len's lens. Here is a reminder of | :04:47. | :04:51. | |
the action on Saturday night. It was a good show, wasn't it? | :04:52. | :04:53. | |
Yes! It is week seven. Strictly is about | :04:54. | :05:05. | |
to start. Where is Darcey? It would be awful to go out this week. | :05:06. | :05:11. | |
Experience Blackpool - the mother of ballroom dancing. They keep trying | :05:12. | :05:17. | |
to make me dance. I have to keep a straight face. I am trying to remain | :05:18. | :05:22. | |
serious. It is like one big computer games room I is complicated. I am | :05:23. | :05:26. | |
lost in here. I probably shouldn't be in here. This is the master at | :05:27. | :05:32. | |
work. They put every single one of these on by hand. That is how much | :05:33. | :05:37. | |
detail goes into these costumes. It is a full-on competition. Natalie | :05:38. | :05:44. | |
was rehearsing and she passed out. It was upsetting to see. At the | :05:45. | :05:47. | |
moment Natalie is in the dressing room with the medics and they are | :05:48. | :05:51. | |
trying to figure out who is going on. We are all devastated about what | :05:52. | :05:56. | |
happened to Natalie. It was shocking. As she would say herself - | :05:57. | :06:03. | |
the show does have to go on! Ten minutes until we're on the studio | :06:04. | :06:15. | |
floor. Show time! Five, four, three, two... On air. It is like a trifle, | :06:16. | :06:26. | |
chunky up top... For me it was too laboured! | :06:27. | :06:30. | |
I would just have liked you to have stepped it up a notch. Good job! | :06:31. | :06:40. | |
Well done! It was adequate, I have to say, my | :06:41. | :06:46. | |
darling. But forgettable. I am disappointed. It was loud, my | :06:47. | :06:53. | |
darling and it was... Well done, you have made a true dancer out of | :06:54. | :07:00. | |
Abbey. Top score! Highest score so far. You | :07:01. | :07:07. | |
had God on your fingers but lead in your bum! | :07:08. | :07:11. | |
-- gold on your fingers but lead in your bum You were like a fishfinger, | :07:12. | :07:16. | |
darling. I feel we have much more fun to offer! | :07:17. | :07:24. | |
You light up my life! Fabulous! A romantic waltz! I loved it! | :07:25. | :07:37. | |
Amazing! You are stomping around like the beast of burden! | :07:38. | :07:42. | |
Unmissable! If I could get to Blackpool I would be as chuffed as | :07:43. | :07:47. | |
nuts! That was tailor-made. Spit and | :07:48. | :07:54. | |
polish and the sparks are flying. Eight... Nine... . 35! | :07:55. | :08:04. | |
I would like a little bit more passion coming out in it. I | :08:05. | :08:10. | |
absolutely loved the routine. It was... Oh, a positive note! | :08:11. | :08:15. | |
I am happy for me. I had a lovely time out there! | :08:16. | :08:24. | |
See you in Blackpool. You are the best male celebrity in this | :08:25. | :08:26. | |
competition. That was a show! | :08:27. | :08:41. | |
Top of the leaderboard - Patrick and Anya. Down the bottom we have Fiona, | :08:42. | :08:46. | |
Mark and we've got Dave. I am telling you, the top ones danced | :08:47. | :08:53. | |
great and the bottom ones were wonderful entertainment! Absolutely | :08:54. | :08:57. | |
brilliant. Oh, what a lucky boy sitting there watching them! | :08:58. | :09:00. | |
Brilliant! So, that is how things stood on | :09:01. | :09:05. | |
Saturday night. Now, sadly Natalie wasn't able to dance. Under the | :09:06. | :09:10. | |
rules of Strictly she was granted a by. If she is passed as medically | :09:11. | :09:15. | |
fit next week, she will perform live in the spiritual home of dance - | :09:16. | :09:20. | |
Blackpool. All want to make it through to Blackpool, but who will | :09:21. | :09:24. | |
be on the bus to blook pool and who will be on -- Blackpool and who will | :09:25. | :09:28. | |
be on their bike? I have the results. In no particular order, the | :09:29. | :09:34. | |
first couple through safely to next week is... Susanna and Kevin. | :09:35. | :10:02. | |
Surviving here again next week are... Abbey and Aljaz. | :10:03. | :10:53. | |
And now the first couple who must fight for survival in the dance-off | :10:54. | :11:13. | |
is... Dave and Karen. Dave and Karen, please come and join | :11:14. | :11:17. | |
me. You'll have to wait to discover your fate. | :11:18. | :11:22. | |
Come on over, you two! Oh, dear me! Right, Dave and Karen, | :11:23. | :11:28. | |
our first couple in the dance-off. Len you said they were | :11:29. | :11:33. | |
unforgettable, unmissable - what can they do to make it through to | :11:34. | :11:37. | |
Blackpool? I thought your routine last night was possibly the one that | :11:38. | :11:41. | |
had the most content that I have seen, you know! I felt you got the | :11:42. | :11:46. | |
character of it. I am just going to tell you to come out with that same | :11:47. | :11:50. | |
attitude - come out and attack that dance. | :11:51. | :11:54. | |
You can do that, Dave! Give it beans! | :11:55. | :11:57. | |
Give it welly! Dave! I know how desperate you are | :11:58. | :12:03. | |
to get to Blackpool! What is going through your mind right now? As I | :12:04. | :12:07. | |
have done the whole competition - I know I am not the best dancer. I | :12:08. | :12:11. | |
have always tried. I will give it my best and see what happens. Give it | :12:12. | :12:15. | |
your best! OK - you attack it! | :12:16. | :12:21. | |
We will see you in the dance-off. Thank you. I am here with all our | :12:22. | :12:26. | |
safe couples going to Blackpool. Huge congratulations. You have so | :12:27. | :12:33. | |
happy - I have never met a happier human! You are the king of dance. | :12:34. | :12:40. | |
Your parents are a wonderful dancer, your sister is a wonderful dancer. | :12:41. | :12:46. | |
Blackpool is what all dancers strive for all year long. It is the biggest | :12:47. | :12:50. | |
competition in the world to. Go and experience that with Susanna is | :12:51. | :12:54. | |
amazing. I want her to experience what we experience. Well, we are all | :12:55. | :12:59. | |
going. You've had the best birthday week ever! | :13:00. | :13:02. | |
You got tens on Saturday night, you are through. There's nothing I can | :13:03. | :13:08. | |
say. Say nothing! Quite! Abbey, your face, you were so nervous, weren't | :13:09. | :13:13. | |
you? I cannot believe I'm through. I was so nervous. I am made up that I | :13:14. | :13:22. | |
get to dance in Blackpool. Thank you. To mark Remembrance | :13:23. | :13:30. | |
Sunday the team went to assist the British legion collecting for Poppy | :13:31. | :13:35. | |
Day. Here is how they got on at that special event. | :13:36. | :13:39. | |
We are here to show our Strictly support to those who have sacrificed | :13:40. | :13:44. | |
so much for us. Today is special because the British legion are | :13:45. | :13:47. | |
trying to raise ?1 million in one day. | :13:48. | :13:52. | |
Come on! Have you got a Poppy? Would you like one? Oh, wow! You get this! | :13:53. | :13:58. | |
Thank you. The Poppy Appeal has enormous | :13:59. | :14:02. | |
significance for me because I am an army girl. My father passed away a | :14:03. | :14:07. | |
few years ago, but he was a serving officer for 40-odd years in the | :14:08. | :14:11. | |
British Army. He was very, very proud to serve his country, so, I am | :14:12. | :14:17. | |
doing this for my dad. Come on, boys, deep dig. I grew newspaper the | :14:18. | :14:23. | |
post war generation. -- grew up in the post war generation. It give us | :14:24. | :14:28. | |
freedom. There are a lot of young people who give a lot on behalf of | :14:29. | :14:32. | |
the rest of us. The Poppy is a symbol I shows we have not forgotten | :14:33. | :14:38. | |
them. As members of the Armed Forces we don't get to meet the public very | :14:39. | :14:41. | |
often. Days like this are very important for me. My morale has | :14:42. | :14:52. | |
increased no end. The response has been lovely. People have been so | :14:53. | :14:57. | |
generous. It reminds you how wonderful the British people can be | :14:58. | :15:01. | |
when they put their minds to it. It is lovely to see the support and to | :15:02. | :15:05. | |
see the different dances going on. Everybody here - the atmosphere is | :15:06. | :15:09. | |
just wonderful. Thank you for coming today. Not at | :15:10. | :15:16. | |
all! Snoo very nice. Compared to what everybody has given up. For us | :15:17. | :15:20. | |
to arrive back from Afghanistan in the summer and see the guys and | :15:21. | :15:24. | |
girls from Strictly promoting our cause - it has been touching and | :15:25. | :15:29. | |
really appreciated! Keep dancing! | :15:30. | :15:34. | |
Thank you so much to the British Legion for letting Strictly be part | :15:35. | :15:42. | |
of your day. Welcome the dignitaries of dance - our judges! | :15:43. | :15:45. | |
Thank you. Thank you so much for popping up | :15:46. | :15:50. | |
here: We cannot do this section alone. It would be ridiculous to | :15:51. | :15:55. | |
think we could. Let's be joined by Len's Lens! | :15:56. | :16:00. | |
This is where we look at the details of Saturday night. Perhaps you | :16:01. | :16:06. | |
couldment elaborate on. We -- couldn't elaborate on. Let's start | :16:07. | :16:12. | |
with this. Talk to me about the endless pivoting. How is that? That | :16:13. | :16:16. | |
is what I liked about the dance - the light and shade. The speed and | :16:17. | :16:21. | |
then into the fastest and this got faster and faster and the way they | :16:22. | :16:26. | |
just came out of it effortlessly. They stopped, held, into a little | :16:27. | :16:31. | |
hover and then on with the dance, slow and beautiful tell you what - | :16:32. | :16:36. | |
it was gorgeous. I know you want to talk about Sophie's ar again tin | :16:37. | :16:42. | |
tango and the special lift he did. It is a control-lift. She has her | :16:43. | :16:50. | |
leg wrapped around his. He goes to the ground with control and speed I | :16:51. | :16:55. | |
was very, very impressive. She held her composure all the way through. | :16:56. | :17:02. | |
You gave Patrick a ten. His dance blew the roof off! What is important | :17:03. | :17:08. | |
is how professional you can be when things catch you out. In every lift, | :17:09. | :17:13. | |
he was able to sustain it. He's had an injury with his hand. He's been | :17:14. | :17:17. | |
incredibly professional about this. There was a slip with the dress and | :17:18. | :17:21. | |
everything, but he was able to save it. I think that, for me, gives ten. | :17:22. | :17:31. | |
Good! Let's talk about Abbey and Aljaz. Look at the smily face. They | :17:32. | :17:39. | |
are mirroring each other. Look at the precision on the footwork. How | :17:40. | :17:43. | |
they hit the beat at the same time. Apart from that, she played it | :17:44. | :17:51. | |
beautifully. She was acting beautifully. Every part of oh her | :17:52. | :17:57. | |
body was moving. -- every part of her body was moving. You and Len | :17:58. | :18:03. | |
disagreed - look at this clip. Look at this here. It is slow motion. | :18:04. | :18:10. | |
That neck-drop... Could have pointed the foot on the way over! | :18:11. | :18:16. | |
It would have been nicer if it was a straighter leg. It is like a broken | :18:17. | :18:20. | |
record! That dance was not going to suit | :18:21. | :18:26. | |
him. Go on, Len! When you watch any performance, if you want to be | :18:27. | :18:32. | |
totally per Dan tick you can find faults with anything and | :18:33. | :18:37. | |
everything... . Absolutely! And the difference tonight - I | :18:38. | :18:41. | |
always look for the good. He always looks for the bad. | :18:42. | :18:49. | |
OK! That's it. The final comment because you all loved mark's -- | :18:50. | :18:56. | |
Mark's characterisation. It is amazing. It is. More than amazing. | :18:57. | :19:03. | |
It is frightening! Come on - he's a great actor. | :19:04. | :19:10. | |
Dance is a performance art, so 50% is performance, 50% is technique. If | :19:11. | :19:13. | |
the performance is not there, you can have all the technique in the | :19:14. | :19:18. | |
world and it means nothing. Boring! I am pleased we had this | :19:19. | :19:26. | |
chat - quite heated! The judges! APPLAUSE | :19:27. | :19:29. | |
If you alled wow like more -- if you would like some more Strictly news | :19:30. | :19:35. | |
Go to our website. That is lovely! | :19:36. | :19:39. | |
We have seen three couples make it through to Blackpool. What will be | :19:40. | :19:43. | |
joining them. Over to you! The rest of our couples are | :19:44. | :19:46. | |
anxiously waiting to learn their fate. One will face Dave and Karen | :19:47. | :19:52. | |
in the face-off. Who will it be? It is time to find out. | :19:53. | :19:58. | |
Safely through to next week are... Sophie and Brendan. | :19:59. | :20:36. | |
To dance again next Saturday are... Ben and Christine that. | :20:37. | :20:41. | |
-- Kristina. So that means Fiona and Anton and | :20:42. | :21:16. | |
Mark and Iveta, one of you is safe and one in the bottom two. The | :21:17. | :21:21. | |
couple who will compete in the dance-off tonight is... Mark and | :21:22. | :21:34. | |
Iveta. So congratulations - you are through | :21:35. | :21:39. | |
to Blackpool! Mark and Iveta, please come down and | :21:40. | :21:42. | |
join me. Come on! Craig, the audience loved their | :21:43. | :21:57. | |
routine, but you said he had lovely arms, but his hands needed shaping. | :21:58. | :22:02. | |
What else does he need to do? He needs to smooth out all of the | :22:03. | :22:06. | |
transitions and suggest what Len suggested, more hip action. It is | :22:07. | :22:10. | |
your hands that are the most alarming point of reference, | :22:11. | :22:14. | |
darling. Get that done. I have to say, you can dance and you're | :22:15. | :22:18. | |
actually fantastic and you are a brilliant actor. I really want you | :22:19. | :22:26. | |
to do well, so enjoy it! You have a lovely bond and have such | :22:27. | :22:33. | |
fun. Are you disappointed to be in this position? Everybody is going to | :22:34. | :22:38. | |
be here sooner or later. I am disappointed we are against Dave. I | :22:39. | :22:45. | |
love him. You are good mates. Yeah. Thank you. I am here with the rest | :22:46. | :22:49. | |
of our saved couples who will perform at the Tower Ballroom. The | :22:50. | :22:55. | |
judges were about an hour on Saturday night. Are you relieved? I | :22:56. | :23:01. | |
am excited to go to Blackpool limit be like a school trip. We go on a | :23:02. | :23:07. | |
bus. Me and Tess drive it! I am kidding! Are you worried because you | :23:08. | :23:10. | |
did haven't the Best Scores on Saturday night. I watched your faces | :23:11. | :23:16. | |
- were you nervous? That four was ridiculous, I thought. I was so | :23:17. | :23:20. | |
worried. Thank you so much to everybody who voted for the both of | :23:21. | :23:25. | |
us. Fantastic! You had a brilliant dance on Saturday night. It felt | :23:26. | :23:30. | |
really good. You are going to Blackpool. They kept you there to | :23:31. | :23:39. | |
the last minute. I thought I was going to be in the dance-off, I | :23:40. | :23:44. | |
really did. We are grateful to everybody. How amazing it is? It is | :23:45. | :23:49. | |
a tremendous show from Blackpool I goes up another level somehow. | :23:50. | :23:54. | |
Absolutely! Now it is time for some music. It will be classic with their | :23:55. | :24:01. | |
single Forever Young, welcome The Tenors. | :24:02. | :24:17. | |
# May your wishes come through Let -- true. | :24:18. | :24:24. | |
# Let others do for you # May you build a ladder to the sky | :24:25. | :24:30. | |
# Climb on every rung # May you stay forever unioning | :24:31. | :24:47. | |
May you grow up to be righteous # May you grow up to be true | :24:48. | :24:51. | |
# May you always know the truth and see the light surrounding you | :24:52. | :24:59. | |
# May you always be courageous # Stand upright and be strong | :25:00. | :25:09. | |
# May you stay # Forever young | :25:10. | :25:40. | |
# May you stay forever... # May your hands always be busy | :25:41. | :25:46. | |
# May your feet always be swift # May you have a strong foundation | :25:47. | :25:54. | |
when the winds of changes shift # May your heart always be joyful | :25:55. | :26:00. | |
# May your song always be sung # And may you stay forever young | :26:01. | :26:22. | |
# Forever young Forever young | :26:23. | :26:39. | |
# May you stay forever young # And may you stay | :26:40. | :26:59. | |
# May your wishes all come true # And may you stay | :27:00. | :27:07. | |
# Forever young CHEERING AND APPLAUSE | :27:08. | :27:33. | |
That was brilliant! A huge thanks there to The Tenors. Next Friday I | :27:34. | :27:39. | |
will help to host Children In Need, featuring a Strictly special with | :27:40. | :27:46. | |
Jean Torville and Chris fer Dean. They will swap the ice rink for the | :27:47. | :27:52. | |
ballroom floor. It is Children In Need. We have an audience full of | :27:53. | :27:58. | |
children. It is no longer Torvill and Dean, but they verse each other! | :27:59. | :28:07. | |
You were nice on ice, but I am telling you, you're good on wood! | :28:08. | :28:19. | |
It is absolutely brilliant! Children In Need will be on next Friday from | :28:20. | :28:25. | |
7. 30pm. You are both about to face the dance-off for the first time. I | :28:26. | :28:30. | |
am genuinely miserable you are both here. Any last tips for Dave before | :28:31. | :28:34. | |
he does it? Give it all the beans you've got, baby! | :28:35. | :28:40. | |
All the beans you have! I had Haricot and a whole lot, I | :28:41. | :28:46. | |
tell you! Will you go down there and give it | :28:47. | :28:51. | |
welly? It could be the last time I dance in public. Don't be silly! | :28:52. | :28:58. | |
Enormous luck to Dave and Karen. Down you go, darling! | :28:59. | :29:10. | |
CHEERING AND APPLAUSE You are proper friends. How horrible | :29:11. | :29:17. | |
is it for you to dance against him? It is not very nice. I wish him all | :29:18. | :29:22. | |
the luck in the world. Did you have a feeling you would be in the | :29:23. | :29:26. | |
dance-off? I did, yes. I was looking... I found it a difficult | :29:27. | :29:31. | |
dance to do. I am sorry. Enormous luck when you do it. With the | :29:32. | :29:35. | |
competition heating up, no-one wants to go home. Up first and fight stay | :29:36. | :29:41. | |
in Strictly Come Dancing, please show massive support for Dave and | :29:42. | :29:46. | |
Karen. MUSIC: | :29:47. | :30:19. | |
THE Proclaimers - I'm Gonna Be. There is everything to play for. | :30:20. | :31:33. | |
Dave and Karen have given it all they can. Now dancing to save their | :31:34. | :31:39. | |
place, please give it up for Mark and Iveta! | :31:40. | :31:41. | |
CHEERING AND APPLAUSE Well done to both of you! | :31:42. | :33:35. | |
Did you see how hard they tried? Danced their hearts out. We will | :33:36. | :33:38. | |
find out which of you will be back again to dance next week. Judges, | :33:39. | :33:41. | |
it's time to decide! We will ask each of you the name of | :33:42. | :33:51. | |
the couple you think deserves to be saved. | :33:52. | :33:57. | |
In the event of a tie, judge Len, you as ever, will have the casting | :33:58. | :34:00. | |
vote. This is it! | :34:01. | :34:07. | |
Craig, who are you going to save? I would like to save the better mover | :34:08. | :34:12. | |
and the better mover, in my opinion, is Mark and Iveta. | :34:13. | :34:18. | |
Congratulations - that is one go to you. Darcey, who do you think | :34:19. | :34:25. | |
deserves to stay in Strictly? I have found it incredibly hard to choose. | :34:26. | :34:29. | |
They both did a better performance. I fell in love with both of them. It | :34:30. | :34:34. | |
comes down to the couple, Mark and Iveta. That is two votes for you. If | :34:35. | :34:43. | |
Bruno picks you, you will then be safe. Who do you think deserves to | :34:44. | :34:48. | |
be in the competition? Vy say, apart from my judge as --vy to say, apart | :34:49. | :34:54. | |
from my job as a judge, I do appreciate everything you've done. | :34:55. | :34:58. | |
It has been wonderful. The couple who have engaged me the most tonight | :34:59. | :35:03. | |
have been Mark and Iveta. That means we will have to say goodbye to you. | :35:04. | :35:18. | |
Mark and Iveta ux we'll see you in Blackpool. Did you agree? I did not | :35:19. | :35:22. | |
agree with my colleagues here. Mark, you had a lot of mistakes going on | :35:23. | :35:27. | |
throughout that dance and if it had come down to me, I would have saved | :35:28. | :35:31. | |
you, Dave. You got Len's vote. | :35:32. | :35:38. | |
Off you go. We will see you in Blackpool. Dave, we are so sorry to | :35:39. | :35:44. | |
see you go. You have brought so much fun to the dance floor. Unmissable | :35:45. | :35:48. | |
performances. How much have you enjoyed yourself? I've had the time | :35:49. | :35:53. | |
of my life. I have met some wonderful friends. Everything is | :35:54. | :35:59. | |
down to our Karen! A wonderful teacher. | :36:00. | :36:01. | |
APPLAUSE I did come to this and I have never | :36:02. | :36:06. | |
danced before, well, only pointed my feet and banged my head. The first | :36:07. | :36:11. | |
dancing lesson, it is like your first driving lesson, but they give | :36:12. | :36:16. | |
you a Ferrari. You are bound to crunch the gears, but she's still in | :36:17. | :36:24. | |
one piece. We have all made the most wonderful friends. | :36:25. | :36:31. | |
I've had a good run. What do you say to our Dave? I love you. You've | :36:32. | :36:36. | |
given everything. I thank you for that because every day... . Tears! | :36:37. | :36:46. | |
I love you. I love you too. A lot of genuine affection here. We'll miss | :36:47. | :36:50. | |
the pair of you. That is genuine as well. Off you go to have your last | :36:51. | :36:55. | |
dance. APPLAUSE | :36:56. | :36:58. | |
They have been a brilliant couple. Dave and Karen will join Zoe on It | :36:59. | :37:05. | |
Takes Two. 6. 30pm on BBC Two. Next Saturday, Strictly is going to | :37:06. | :37:10. | |
Blackpool where our remaining couples will battle it out in the | :37:11. | :37:15. | |
beautiful ballroom. See Strictly at its best. I cannot wait. Me too! | :37:16. | :37:22. | |
Dancing us out now it is the brilliant Dave and Karen. | :37:23. | :37:25. | |
We'll miss you, Dave! | :37:26. | :37:30. |