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Tonight, Strictly is off to the seaside. Strictly is coming to | :00:10. | :00:18. | |
Blackpool. Fabulous. So excited. Strictly is back in Blackpool. | :00:19. | :00:25. | |
Fabulous. Love it. Strictly is coming to Blackpool. The home of | :00:26. | :00:34. | |
ballroom. Back in the ballroom where it belongs. | :00:35. | :00:41. | |
Keep dancing. Watch out Blackpool, Strictly is in town. | :00:42. | :02:57. | |
Live, from Blackpool, the home of ballroom, this is Strictly Come | :02:58. | :04:54. | |
Dancing. Please welcome your hosts, Sir Bruce | :04:55. | :04:58. | |
Forsyth and Tess Daly. Oh my goodness! | :04:59. | :05:17. | |
This is it. Stay here for a while. Put me down. I have a choice | :05:18. | :05:24. | |
tonight. Two legs instead of one. Good evening, ladies and gentlemen | :05:25. | :05:29. | |
and children, welcome to Strictly Come Dancing. It's nice to see you, | :05:30. | :05:35. | |
to see you nice! It's nice to see you Bruce. It's | :05:36. | :05:39. | |
lovely to be back in Blackpool. Isn't it just. I can smell the | :05:40. | :05:44. | |
pickled eggs from here. Lovely, lovely. Well done last night with | :05:45. | :05:55. | |
the ?31 million. APPLAUSE | :05:56. | :05:59. | |
Thank you very much. Are you having a good time in Blackpool. I am all | :06:00. | :06:04. | |
right now but last time I went out to get some dinner and I was walking | :06:05. | :06:08. | |
along the seafront and I was mugged for my fish and chips. I really was. | :06:09. | :06:14. | |
There were four of them and they were big. They sneaked up on me and | :06:15. | :06:19. | |
wham, took me completely by surprise. Did you give the police a | :06:20. | :06:25. | |
description? Of course not, seagulls... | :06:26. | :06:32. | |
APPLAUSE They all look the same, seagulls. | :06:33. | :06:39. | |
Grey with a bit of white. One of them had a big beak, a bit like | :06:40. | :06:45. | |
Tommy Cooper. Last week we had to say farewell to our Hairy Biker Dave | :06:46. | :06:51. | |
Myers and his parter Karen Hauer. Their Tango was unable to save them | :06:52. | :06:56. | |
against Mark and Iveta. It was a shame, a great shame. He was my | :06:57. | :07:03. | |
favourite as well. I know. I'll get over it. I'm over it. | :07:04. | :07:12. | |
The show must go on. Tonight our stars will dance in the world-famous | :07:13. | :07:20. | |
Blackpool Tower Ballroom. We have nine couples beside the | :07:21. | :07:24. | |
seaside beside the sea and they are ready to do battle in the home of | :07:25. | :07:27. | |
ballroom. I thought you were going to do a song then. So what are we | :07:28. | :07:34. | |
waiting for? Oh, me! It's time to meet the stars of our | :07:35. | :07:36. | |
show. Pop Princess Sophie Ellis-Bextor and | :07:37. | :07:48. | |
her partner Brendan Cole. Star of stage and screen, Mark | :07:49. | :07:54. | |
Benton and partner Iveta Lukosiute. Breakfast present presenter Susanna | :07:55. | :08:00. | |
Reid and Kevin Clifton. Ben Cohen and Kristina Rihanoff. Coronation | :08:01. | :08:05. | |
Street star, Gumede and her partner Artem Chigvinstev. Model abbey | :08:06. | :08:21. | |
Clancy and her partier Aljaz Scornajec. Ashley Taylor Dawson and | :08:22. | :08:27. | |
Ola Jordan. Patrick Robinson and Anya Garnis. | :08:28. | :08:36. | |
Bond girl Fiona Fullerton and Anton du Beke. | :08:37. | :08:41. | |
There they are in all their glory. Just look at you. Welcome to | :08:42. | :08:47. | |
Blackpool, you have only been here for a day and look at those | :08:48. | :08:53. | |
wonderful tans. But you all look fantastic, especially you Anton. Did | :08:54. | :09:02. | |
you drive the bus up here? Tickets please. The competition is hotting | :09:03. | :09:10. | |
up and the the couples have their eye on the prize but what have they | :09:11. | :09:13. | |
got in store tonight. Let's find out. Our first couple tonight is | :09:14. | :09:17. | |
Sophie and her partner Brendan. They are dance dancing to The Lady | :09:18. | :09:32. | |
is a Tramp, one of my favourite songs, all about manners and | :09:33. | :09:37. | |
etiquette. I hate people with bad manners, don't you, dancers? Shut | :09:38. | :09:46. | |
up! I'm talking. So rude. Here they are in training. | :09:47. | :09:55. | |
Before I danced I felt like I was about to do something I never | :09:56. | :10:00. | |
thought I would be able to do. In last week's dance it went well, | :10:01. | :10:04. | |
lovely comments from the judges but a general note to start bringing | :10:05. | :10:07. | |
more character to the performance. I like more passion coming out. She's | :10:08. | :10:13. | |
got the right attitude, she wants to be here and deliver superb | :10:14. | :10:18. | |
performances. It was always going to be special coming to Blackpool, my | :10:19. | :10:23. | |
mum and I used to watch Come Dancing. It will mean the world to | :10:24. | :10:28. | |
me to be out on that dance floor. My mum trained as an actress, she is in | :10:29. | :10:32. | |
touch with her emotions, very theatrical. I am hoping she will | :10:33. | :10:38. | |
give me some tips on making my performance extra characterful on | :10:39. | :10:42. | |
Saturday night. I need to start performing it a bit. Your feet are | :10:43. | :10:46. | |
fine, give your head permission to be fine. In other words, have fun. | :10:47. | :10:50. | |
It is a nice thing when you are doing something and you feel it | :10:51. | :10:54. | |
first and somebody responds, that is what performance is all about. It's | :10:55. | :10:59. | |
been so nice you have been able to come to the performances? It is | :11:00. | :11:03. | |
amazing, you start dancing and it is you and me. You might as well be ten | :11:04. | :11:07. | |
years Noeled your ballet show and I feel beyond proud actually. I am | :11:08. | :11:13. | |
happy I made it to Blackpool. We went there when you were little and | :11:14. | :11:18. | |
I remember going to the ballroom, and little thinking you would be | :11:19. | :11:25. | |
dancing there one day. It was lovely to see my mum today and getting her | :11:26. | :11:32. | |
advice. Dancing the quickstep, Sophie Ellis-Bextor and Brendan | :11:33. | :11:34. | |
Cole. APPLAUSE | :11:35. | :13:19. | |
How about that! How about that! | :13:20. | :13:25. | |
Great job, both of you. You must be so thrilled. It was amazing! It | :13:26. | :13:36. | |
looked good and if it felt good, you are there. Let's welcome our judges. | :13:37. | :13:49. | |
Earlier today in order to exercise his hip, Craig went for a long walk. | :13:50. | :13:55. | |
That's nice to know you are getting along, what a shame Blackpool hasn't | :13:56. | :14:03. | |
got any short piers! That was cruel. | :14:04. | :14:06. | |
I did like doing it. Len, how about that? I am telling | :14:07. | :14:10. | |
you what, shut up, close the door and call me Mary, you've come out | :14:11. | :14:16. | |
and full of character, it was full of intent, full of involvement. You | :14:17. | :14:21. | |
were flying around that floor. Your hair was wafting out like you were | :14:22. | :14:26. | |
walking down the prom on a windy afternoon. It was spot on, fast, | :14:27. | :14:31. | |
clean, clear, well done. I am so happy for you. Bruno, what do you | :14:32. | :14:40. | |
have to say? This lady definitely is not a tramp. You are a tease. You | :14:41. | :14:45. | |
were working those boys. Breakfast, lunch, dinner, book in advance to | :14:46. | :14:51. | |
avoid disappointment! I think this place worked its magic because your | :14:52. | :14:55. | |
performance level tonight was so much better, full of character. You | :14:56. | :15:00. | |
were playing the occasion, plague the audience. The tenning - playing | :15:01. | :15:06. | |
the audience, just check the top line, that is the only thing. | :15:07. | :15:15. | |
Craig. I loved the story, the fact that the moments you dance around | :15:16. | :15:19. | |
the table, the wonderful little things, very, very nice. However, | :15:20. | :15:24. | |
your top line I thought you lost on occasion. It was a little bit loose, | :15:25. | :15:32. | |
jagged the whole dance. And also you sometimes forgot about your left | :15:33. | :15:37. | |
hand, darling. But, I have to agree with Bruno, the story-telling was | :15:38. | :15:43. | |
absolutely phenomenal. APPLAUSE | :15:44. | :15:49. | |
The story-telling was round the chair we'll eat later. | :15:50. | :15:54. | |
You came alive Sophie, it was so beautiful. It was spirited and | :15:55. | :15:58. | |
energetic dance, just what I wanted from you. It's only that top line | :15:59. | :16:04. | |
with the arch, if you pulled out of your waist you would get more arch | :16:05. | :16:10. | |
up here, but divine, well done. Can't do better than that. Let me | :16:11. | :16:15. | |
tell you how wonderful you are, and you, what a team, what a start to | :16:16. | :16:18. | |
the show! APPLAUSE | :16:19. | :16:29. | |
First out on the floor tonight, what a routine, what does it feel like to | :16:30. | :16:33. | |
have a standing ovation in the Tower Ballroom? I have to change my CV. | :16:34. | :16:40. | |
This is such a special room, the atmosphere is incredible. It is very | :16:41. | :16:43. | |
special. Brendan, your girl has done you proud. I have a little twinkle | :16:44. | :16:47. | |
in my eye at the moment, I feel moist in the eye, because that was | :16:48. | :16:53. | |
delightful, young lady. You're a star. Craig said more story-telling. | :16:54. | :17:04. | |
I love this dance, I wanted to let people know that. Did you get the | :17:05. | :17:09. | |
message Blackpool, she loved it, did you? The scores are in. | :17:10. | :17:30. | |
Great score to kick off this evening. Did you like that, if you | :17:31. | :17:37. | |
did and want to see Sophie and Brendan quickstep into next week, | :17:38. | :17:39. | |
call: Please get permission from whoever | :17:40. | :17:55. | |
pays the bill. Voeting lines don't open until all the couples have | :17:56. | :18:00. | |
danced. The couple with the lowest scores | :18:01. | :18:04. | |
will be dancing off in tomorrow night's results show. Nobody wants | :18:05. | :18:09. | |
to be there. Definitely not. We are in for a big night. | :18:10. | :18:15. | |
For our next couple, Patrick and his partner Anya. | :18:16. | :18:29. | |
What a lovely couple as well. Remember their dance last week. | :18:30. | :18:34. | |
Patrick used to be a member of the Royal Shakespeare Company. I starred | :18:35. | :18:39. | |
in Macbeth once. A dark and powerful production, about an evil man | :18:40. | :18:44. | |
Macbeth who kills king Duncan, then commits many more bloody murders, | :18:45. | :18:51. | |
becomes paranoid, then descends into madness and his ultimate death. It | :18:52. | :18:56. | |
is the worst pantomime I have ever been in! | :18:57. | :19:00. | |
Here they are in training. All the hard work from during the | :19:01. | :19:10. | |
week definitely paid off and I loved the music and loved the choreography | :19:11. | :19:15. | |
and loved doing it. That was exquisite, you are the best male | :19:16. | :19:20. | |
celebrity in this competition. I don't think you knew how to take | :19:21. | :19:24. | |
that. You are my movie star. He gave me 150%. It's been | :19:25. | :19:38. | |
inkretible to get those remarks -- incredible to get those marks from | :19:39. | :19:42. | |
the judges. It was incredible getting a ten last week and if I am | :19:43. | :19:45. | |
going to get better the samba has to be big enough to fill the Blackpool | :19:46. | :19:54. | |
Tower Ballroom. The quickest challenge is the rhythm between the | :19:55. | :20:00. | |
quick and slow. It's like a pulse. Patrick has a lot of natural rhythm | :20:01. | :20:05. | |
so I have to find a way how to channel that. Something to inspire | :20:06. | :20:10. | |
us, to help us get the groove. Bring the party, the full energy. Anya | :20:11. | :20:20. | |
took me to see a samba. When I came through the door and heard the | :20:21. | :20:25. | |
drumming beat, all I wanted to do was dance. Dancing with the band, | :20:26. | :20:31. | |
hearing the music, my rhythm was right there. You should give it a | :20:32. | :20:37. | |
go. If you insist! I can't wait to bring the carnival | :20:38. | :20:44. | |
to the Blackpool Tower Ballroom. Dancing the samba, Patrick Robinson | :20:45. | :20:47. | |
and Anya Garnis. APPLAUSE | :20:48. | :22:36. | |
How about that! That was wonderful. Acknowledge this | :22:37. | :22:44. | |
and enjoy it. What a professional you are. The way | :22:45. | :22:51. | |
you got out of that and carried on was wonderful. Not many people can | :22:52. | :22:56. | |
do it as well as that. Whilst you get your breath back it | :22:57. | :23:00. | |
is a good time to give a Blackpool welcome to our fabulous singers, | :23:01. | :23:05. | |
Dave Arch and his wonderful, wonderful ar chest tra. -- | :23:06. | :23:08. | |
orchestra. They are great. | :23:09. | :23:15. | |
APPLAUSE Bruno, would you like to start off. | :23:16. | :23:19. | |
Patrick, that really was a blistering, hot samba. You captured | :23:20. | :23:26. | |
the flavour so well. I felt like I was in Rio. It was so hot at times, | :23:27. | :23:32. | |
a lady there was panting. The steps, the variety of steps, the rhythm, | :23:33. | :23:38. | |
everything was close to perfection, except you messed up a pass and | :23:39. | :23:45. | |
there was a tiny incident that just, oh, what a shame, stops me giving it | :23:46. | :23:51. | |
the perfect score, but you are one of the best male samba dancers we | :23:52. | :23:57. | |
have ever had. He wouldn't say that if he doesn't didn't mean it. Craig, | :23:58. | :24:03. | |
how about you? I have to agree actually with Bruno, I do think you | :24:04. | :24:07. | |
are one of the best, it is unfortunate it all went horribly | :24:08. | :24:15. | |
wrong. I just hope you get to do this again in the semi-finals | :24:16. | :24:22. | |
darling, or the final, because you are really a rit mick dancer, | :24:23. | :24:28. | |
confidence and that could have been dazzling, darling, it was almost | :24:29. | :24:38. | |
there. It was one step, Craig. He lost confidence. It was han | :24:39. | :24:45. | |
extraordinarily difficult dance, you came out and gave us a fast, pure | :24:46. | :24:49. | |
technical Sam bachlt there were a couple of faults, but it was superb, | :24:50. | :24:51. | |
well done. That's a wamba, you whammed it. | :24:52. | :25:11. | |
You just messed up one step, you got a little bit excited, but we were | :25:12. | :25:15. | |
all excited. You were out there, I am telling you what, shaking and | :25:16. | :25:21. | |
baking. It was fantastic, honestly. You are a terrific dancer Patrick, | :25:22. | :25:31. | |
please believe me. Get excited. It was wonderful. They all loved it, we | :25:32. | :25:33. | |
loved it, off you go. Well done. APPLAUSE | :25:34. | :25:51. | |
You brought the ballroom to life, that was a party dance, how did it | :25:52. | :25:59. | |
feel? I loved it, fantastic. Apart from me. That was beyond your | :26:00. | :26:06. | |
control, a wardrobe malfunction. It didn't happen in the dress run. He | :26:07. | :26:15. | |
is a natural Latin dancer. He tried to channel it. Bruno said that was | :26:16. | :26:19. | |
one of the best samba dances we have had. Craig wants to see you in the | :26:20. | :26:23. | |
semifinal. That would be fantastic. Scores are in. | :26:24. | :26:43. | |
A great score. If you thought Patrick and Anya brought Brazil to | :26:44. | :26:51. | |
Blackpool, then go coconuts and call: | :26:52. | :26:59. | |
We still have loads to come tonight in our seaside special. Fiona and | :27:00. | :27:04. | |
Anton are taking to the skies. Next up it's Big Ben time. Yes, Big | :27:05. | :27:12. | |
Ben is here! And his lovely partner Kristina. | :27:13. | :27:27. | |
Tonight Ben can't make up his mind, should he dance with his shirt off? | :27:28. | :27:31. | |
AUDIENCE: ! | :27:32. | :27:35. | |
Are there any ladies that want Ben to dance with his shirt off? | :27:36. | :27:39. | |
AUDIENCE: ! Nobody, nobody? Shame, I am sorry | :27:40. | :27:48. | |
Ben, but I did ask. Here they are in training. | :27:49. | :27:55. | |
The jive was a fast-moving dance, I found it incredibly hard. To go out | :27:56. | :27:59. | |
there and have fun with it was the most important thing and I really | :28:00. | :28:03. | |
enjoyed it. Getting a four from Craig was disappointing. It was too | :28:04. | :28:09. | |
laboured. I tried my hardest and this weekend it will ab good | :28:10. | :28:13. | |
performance. To get through to Blackpool was amazing and experience | :28:14. | :28:17. | |
the home of ballroom dancing, fantastic. It is like me going to | :28:18. | :28:22. | |
play at the home of English rugby at Twickenham. Hopefully I will do the | :28:23. | :28:29. | |
ballroom justice. This week we are dancing the American Smooth, to | :28:30. | :28:38. | |
Fallin' by Alicia Keyes. Today we did more laughing than anything | :28:39. | :28:45. | |
else. I have lost my competitive edge, so Kristina brought in some | :28:46. | :28:51. | |
board games to bring out my competitive spirit. I was hanging | :28:52. | :28:58. | |
plastic sachels on a plastic donkey. Ben was in the zone. Never mind | :28:59. | :29:03. | |
lined up against the All Blacks, getting my foot on the red and hand | :29:04. | :29:09. | |
on the green was pretty intense! I lost both games. I won. | :29:10. | :29:21. | |
Winning Kristina's final challenge, hopefully has brought out some of | :29:22. | :29:31. | |
the competitive nature in me. Dancing the American Smooth, Ben | :29:32. | :29:33. | |
Cohen and Kristina Rihanoff. APPLAUSE | :29:34. | :31:34. | |
Ben, well done. When you look back over the weeks, I can't stop them, | :31:35. | :31:39. | |
Ben. I can't stop them. They all love you. | :31:40. | :31:46. | |
Craig, start us off. Big Ben is back, darling, in the ballroom. | :31:47. | :31:55. | |
Thankfully. Very quick convenient ease that was, you were motoring | :31:56. | :31:59. | |
around that floor. I would like to see more style, particularly out of | :32:00. | :32:01. | |
hold, but a vast improvement. Nice to see you so happy Craig. Ben | :32:02. | :32:16. | |
you carried that off with ease, that was an air and flow to some of those | :32:17. | :32:24. | |
moves and it really worked, especial especially what an attentive partner | :32:25. | :32:28. | |
you were, so controlled in the lifts, that is very difficult, you | :32:29. | :32:31. | |
made it look simple. I love that. It is true when you come out of hold, | :32:32. | :32:36. | |
you have to chor io graph those moves, think about what you are | :32:37. | :32:39. | |
going to do with your arms, especially when you are reaching for | :32:40. | :32:43. | |
Kristina. Such an improvement. Brilliant. He doesn't have to reach, | :32:44. | :32:52. | |
she's there. Len. For me, Craig saying you are back, you never went | :32:53. | :32:57. | |
away. Honestly, I thought last week the jive was fabulous. You have come | :32:58. | :33:02. | |
out again, fully committed yourself. Kristina I admire the fact that you | :33:03. | :33:07. | |
tried to teach him foot work, he was driving on those natural turns on a | :33:08. | :33:11. | |
heel lead which you don't see very often. When you are out of hold, it | :33:12. | :33:18. | |
gets a bit too whimsical in a way, but lovely, well done. When you look | :33:19. | :33:28. | |
back over the weeks, transformation. That was a performance, it had such | :33:29. | :33:34. | |
warmth. And involvement. The way you look after your partner, they are | :33:35. | :33:40. | |
right. And the most difficult part of it you did very, very well. What | :33:41. | :33:46. | |
you have to be careful of, when you are out of hold, side by side, | :33:47. | :33:50. | |
extend those lines, because of course you are very muscular, but it | :33:51. | :33:57. | |
has to be extended, keep the wonderful flow you have in hold | :33:58. | :34:04. | |
outside of hold as well. Well done. Get off quick, wonderful! | :34:05. | :34:11. | |
About Big Ben is back, that deserves a hug. Your competitive side has | :34:12. | :34:23. | |
kicked in, the competition is getting tougher. Have you got your | :34:24. | :34:28. | |
eye on the prize? I enjoyed it out there and I am embracing it as much | :34:29. | :34:32. | |
as I can. I am enjoying every moment of it. A vast improvement as Craig | :34:33. | :34:37. | |
and Darcey said. Last week you were unsurprisingly appalled by that four | :34:38. | :34:40. | |
from Craig, do you think Ben has done enough to better it this week? | :34:41. | :34:42. | |
I hope so. Scores are in. That is your top score for with the | :34:43. | :35:06. | |
Paso I believe. As well as watching the action on | :35:07. | :35:28. | |
the dance floor, you can go to the website for the back stage gossip | :35:29. | :35:32. | |
from this evening. Blackpool, are you ready for our next couple? | :35:33. | :35:38. | |
APPLAUSE You are ready for Ashley and his | :35:39. | :35:41. | |
partner Ola. Ashley has decided he's going to be | :35:42. | :35:52. | |
a cowboy and he will be dressed like a cowboy. I wouldn't mind but when | :35:53. | :35:58. | |
he told the costume department to get him a pair of wrinkly old chaps | :35:59. | :36:02. | |
they immediately sent for me and Len! | :36:03. | :36:12. | |
Why us? Why us? Grumpy old men, yes, both admit to that. But here they | :36:13. | :36:19. | |
are in training. Last week was a great week. My | :36:20. | :36:24. | |
posture was good and I did enjoy the dance. Ashley Taylor Dawson that was | :36:25. | :36:31. | |
tailor made. Len's comment was brilliant. To get it right on the | :36:32. | :36:36. | |
night was amazing. I think I made Ola proud as well. Ashley did so | :36:37. | :36:41. | |
well. As long as I keep on improving, I am going in the right | :36:42. | :36:44. | |
direction but that puts pressure on this week. This week I am doing a | :36:45. | :36:51. | |
Paso Doble and I have a Wild West theme. Ashley has to be powerful, | :36:52. | :37:02. | |
dark, cowboy. I don't take myself very seriously. Serious, you are a | :37:03. | :37:08. | |
bad cowboy. I was trying to get Ashley into a character so I brought | :37:09. | :37:16. | |
a lass soo in. Let's do it again. I really want to get it right. It's | :37:17. | :37:21. | |
not working. I have something in store in Blackpool. Where are you | :37:22. | :37:26. | |
taking me? Wait and see. I am going to turn you into a bad cowboy. Here | :37:27. | :37:31. | |
you go, this is yours. That's better. If I can get the | :37:32. | :37:49. | |
steps, the cape and character right on Saturday night, I am going to | :37:50. | :37:59. | |
smash it, we're going for a ride! Dancing the Paso Doble, Ashley | :38:00. | :38:00. | |
Taylor Dawson and Ola Jordan. Last week was good, but look at | :38:01. | :40:07. | |
this, Ola and Ashley, look at that. They're nearly jumping out of the | :40:08. | :40:12. | |
boxes. That was great. You can see how hard you have worked. You must | :40:13. | :40:17. | |
have worked very hard on that. Well the Paso Doble is all about the man | :40:18. | :40:24. | |
and his strong attitude, the cowboy will do nicely, it wasn't a matador | :40:25. | :40:29. | |
but you had that attack, you created some strong lines, the shapes, the | :40:30. | :40:33. | |
tuck was there, the shaping in the arms. Everything. I would have loved | :40:34. | :40:41. | |
more drama in that kill. That is the only thing. By the end for me... I | :40:42. | :40:49. | |
didn't want to kill her. By the end, it went down a bit for me. From the | :40:50. | :40:55. | |
beginning, it was brilliant. You didn't want to kill her. I thought | :40:56. | :41:06. | |
you got stronger and stronger. Ashley, I am telling you what, two | :41:07. | :41:11. | |
in a row, last week you were fabulous, you have come back | :41:12. | :41:15. | |
stronger than ever. What I love about the Paso Doble when I see the | :41:16. | :41:20. | |
speed and the stillness, whip in and wait and move on, and that is what I | :41:21. | :41:26. | |
saw. Ashley, it takes a lot to get me shocked. I am surprised how | :41:27. | :41:30. | |
powerfully you danced that Paso, well done. | :41:31. | :41:38. | |
Oh, yes, the lone ranger is back with a vengeance, I am telling you | :41:39. | :41:47. | |
that was fully loaded, powerful plenty of thrust. Those lines, I | :41:48. | :41:52. | |
agree with Len, you had the light and shade and you never lost the | :41:53. | :41:56. | |
focus. I did agree with them, I think you were on it all the way | :41:57. | :42:03. | |
through. Especially when you danced with two professional boys side to | :42:04. | :42:07. | |
side and I could not take my eyes off you. That takes some doing. That | :42:08. | :42:16. | |
makes all the difference. Craig. Cowboy defending himself with a cape | :42:17. | :42:20. | |
doesn't really do it for me, I have to be honest. Each to his own, | :42:21. | :42:29. | |
darling. The idea was a bit bizarre but I am into the bizarre and | :42:30. | :42:33. | |
extraordinary and that was extraordinary, darling! | :42:34. | :42:45. | |
It was wonderful, they were all on their feet, everybody loved it, off | :42:46. | :42:47. | |
you go, well done! The lone ranger is back with a | :42:48. | :43:02. | |
vengeance. A northern boy dancing in the north, how do you feel it went? | :43:03. | :43:05. | |
It is great to be in the north west again. A powerful Paso, said Len and | :43:06. | :43:14. | |
Craig said it was extraordinary. Amazing. Blackpool is a big deal in | :43:15. | :43:19. | |
the dance world. How proud are you to make it this far? Very proud. Can | :43:20. | :43:23. | |
he go further? Yes, yes! 35, that is your joint highest | :43:24. | :43:53. | |
score. Was Ashley's Wild West routine the perfect Paso, call: | :43:54. | :44:08. | |
Our fifth couple is Fiona and her partner Anton. | :44:09. | :44:21. | |
What a great couple. Their routine is set in an airport and Anton will | :44:22. | :44:26. | |
be the pilot and Fiona will be a first-class passenger. I would just | :44:27. | :44:30. | |
like to say, I hope you don't leave the competition this week, but if | :44:31. | :44:35. | |
you do, the exits are here, here and here. | :44:36. | :44:40. | |
APPLAUSE Here they are in training. | :44:41. | :44:48. | |
I am really thrilled with the way everything went on Saturday. I | :44:49. | :44:54. | |
really enjoyed the Paso Doble. I gave it lots of we willy so I was | :44:55. | :45:00. | |
really pleased. I was a little bit hurt when Craig said... I have to | :45:01. | :45:05. | |
say forgettable. I really don't want to do another dance that is | :45:06. | :45:09. | |
forgettable. I would like to do a dance that blows everybody away. I | :45:10. | :45:14. | |
am so excited about going to Blackpool because as a huge Strictly | :45:15. | :45:19. | |
fan to step inside that ballroom will probably take my breath away. I | :45:20. | :45:23. | |
am really, really excited about being there. This week we are | :45:24. | :45:29. | |
dancing the American Smooth. The most difficult part for me in the | :45:30. | :45:33. | |
American Smooth is going to be the lifts. Don't be frightened of it. | :45:34. | :45:38. | |
The thought of the lifts is terrifying me. The whole prospect is | :45:39. | :45:47. | |
perifying. -- terrifying. You don't need to worry about the lifts. I | :45:48. | :45:51. | |
have never done anything like that. I am all right with my feet on the | :45:52. | :45:55. | |
ground but I don't want to be lifted up there. I have something for you, | :45:56. | :45:59. | |
once you have done t you will feel like you are dancing on air. Wow! | :46:00. | :46:09. | |
Anton brought me up to the top of the Blackpool Tower and we did some | :46:10. | :46:13. | |
glancing on the glass platform. Going up the tower has really helped | :46:14. | :46:18. | |
me to cope with my fear of lifts. I hope I can be as calm as that on the | :46:19. | :46:21. | |
big night itself. Dancing the American Smooth, Fiona | :46:22. | :46:27. | |
Fullerton and Anton du Beke. Lovely. You did it! You did it in | :46:28. | :48:23. | |
that dress! Marvellous. Now we hope you enjoyed | :48:24. | :48:29. | |
your flight. If you didn't have any turbulence, I think you might get | :48:30. | :48:34. | |
some now! Len. I thought the attitude was | :48:35. | :48:40. | |
first-class. The movement was a little bit business class. And the | :48:41. | :48:46. | |
lifts were a little bit economy. Never! But it had an air of style | :48:47. | :48:59. | |
and class about it. You are a classy lady and. | :49:00. | :49:04. | |
VIP lounge for you my darling and we do not travel light. The more | :49:05. | :49:13. | |
luggage than Joan Collins. But you were elegant, very proper, very | :49:14. | :49:18. | |
dainty, you look wonderful. I love your solo you did in the middle. A | :49:19. | :49:23. | |
few moments still, when you change direction, sometimes you go, where | :49:24. | :49:28. | |
is my handbag, here we go, Anton is there, it is those times, you | :49:29. | :49:31. | |
understand what I am talking about, you have to iron out these tiny | :49:32. | :49:37. | |
seconds when your performance goes, OK I'm here. It happened a couple of | :49:38. | :49:42. | |
times through it. But I thought you looked really good, my darling. | :49:43. | :49:50. | |
I would liked to have seen it smoother throughout. The timing on | :49:51. | :49:58. | |
the back upset up to the stairs was completely out of whack | :49:59. | :50:03. | |
unfortunately. The last pivots you were grabbing on for dear life and | :50:04. | :50:09. | |
getting into the last lift was a complete and absolute disasser, as | :50:10. | :50:15. | |
we all managed to witness. First-class take-off I thought, | :50:16. | :50:20. | |
straight up there! You may think so, but there was a first-class element | :50:21. | :50:24. | |
and that was all the soft shoe in the middle, I loved that, gorgeous. | :50:25. | :50:32. | |
Darcey, darling. I love the style that you gave it, there were some | :50:33. | :50:36. | |
lovely details you gave that was really nice, especially with that | :50:37. | :50:41. | |
shuffle. It is the preparations into those lifts. If you can really be | :50:42. | :50:46. | |
exact with what you are doing, especially for Anton so he knows | :50:47. | :50:50. | |
what leg and the position in the lift, it was a little turned out, | :50:51. | :50:55. | |
you were really turned out in that last lift. That was for you. It is | :50:56. | :50:59. | |
only a couple of those things. It was most enjoyable. You look | :51:00. | :51:14. | |
lovely together. Get him off! | :51:15. | :51:29. | |
An air of style and class, said Len. I knew I was going to blow that | :51:30. | :51:37. | |
lift. You didn't blow it, you were genuinely terrified about the lift. | :51:38. | :51:41. | |
In dress run you didn't manage it. We were crossing our fingers back | :51:42. | :51:47. | |
stage. Anton got me up there somehow. King of ballroom s this | :51:48. | :51:54. | |
your spiritual home? Do you know what I feel like I have been here | :51:55. | :51:56. | |
all my life. Born here. APPLAUSE | :51:57. | :52:21. | |
That's more like it. Thank you very much. Happy with that I am very | :52:22. | :52:26. | |
happy with that. If you thought that was a first-class American Smooth, | :52:27. | :52:31. | |
set your tray tables into their upright positions and call: | :52:32. | :52:37. | |
It's been a roller costar night so far and there is lots to come, | :52:38. | :52:45. | |
including Mark and Iveta and Natalie is back with a bang. | :52:46. | :52:53. | |
For our next couple, abbey and her partner Aljaz. Another lovely | :52:54. | :53:01. | |
couple. What a pair these two are. I asked | :53:02. | :53:07. | |
Abbey if she had taken her daughter to a Punch and Judy show here in | :53:08. | :53:11. | |
Blackpool. She said no because her little girl didn't like Mr Punch. I | :53:12. | :53:17. | |
said how can anybody not like Mr Punch - an all round family | :53:18. | :53:26. | |
entertainer, with a big chin. LAUGHING. Stop making up your own | :53:27. | :53:31. | |
jokes, what's not to like about Mr Punch. Here they are in training. | :53:32. | :53:37. | |
I was in the bottom two the week before, even with high scores, so I | :53:38. | :53:43. | |
was thinking again anything can happen. Overall I think it went | :53:44. | :53:47. | |
well. I didn't think in a million years I would hear Darcey say | :53:48. | :53:54. | |
saying... Well done Aljaz, you have made a true dance dancer out of | :53:55. | :53:59. | |
Abbey. When I was a little girl I used to see the Blackpool | :54:00. | :54:02. | |
illuminations and we did every Christmas time. I never thought the | :54:03. | :54:06. | |
reason I would be heading Back To Black pool would be to dancing in | :54:07. | :54:10. | |
the Tower Ballroom. I thought it would be to take my own daughter to | :54:11. | :54:16. | |
see the illuminations. I can't wait. I think dancing the quickstep is | :54:17. | :54:19. | |
going to be like stepping back in time. It needs a really specific | :54:20. | :54:24. | |
mind set. I think I have a good idea to make this happen. To get the | :54:25. | :54:29. | |
right feel for the old school dancing quickstep, such an | :54:30. | :54:33. | |
old-fashioned dance, I am going to take you to a tea dance. I need some | :54:34. | :54:40. | |
tips for my quickstep, can you give me advice. Stay close. | :54:41. | :54:45. | |
You want to be on your toes. Enjoy T In the tea dance we showed them a | :54:46. | :54:51. | |
bit of our squibbing step, which I was quite embarrassed by. I would | :54:52. | :54:56. | |
give them eight out of ten. Worth an eight at the moment. I would give | :54:57. | :55:01. | |
her nine! Since I have started Strictly I have completely fallen in | :55:02. | :55:05. | |
love with dancing and to come here has been amazing. I can't wait to | :55:06. | :55:09. | |
get to Blackpool and make myself proud and make everyone here proud. | :55:10. | :55:23. | |
Dancing the quickstep, abbey Clancy and Skornjaec. | :55:24. | :55:42. | |
They loved it! I loved it. That was so good. Are you all right? Yes. | :55:43. | :57:22. | |
Absolutely wonderful. Bruno I saw you jumping up and down. That was | :57:23. | :57:27. | |
really a quickstep on Pleasure Beach I tell you. You deserve a | :57:28. | :57:31. | |
refreshment. It can only be champagne for Abbey. | :57:32. | :57:37. | |
The content was absolutely out of this world. For a non-dance dancer | :57:38. | :57:42. | |
in the time you have had to do something like this is unbelievable! | :57:43. | :57:51. | |
It was. The speed of you, those little steps. There was a lot of | :57:52. | :57:58. | |
gapping throughout. Your chin was too far down in the standing spin, | :57:59. | :58:01. | |
you need to get your chin up a bit. The frame was loose throughout. | :58:02. | :58:05. | |
Especially through that jete section, you let it go completely | :58:06. | :58:10. | |
and you can't do that. In the Charleston sections you were | :58:11. | :58:14. | |
completely dancing with your both arms and your frame should be... | :58:15. | :58:20. | |
AUDIENCE: ! These are minor details darling, I | :58:21. | :58:27. | |
loved it, I thought it was great. Say so then! I think for a tall | :58:28. | :58:35. | |
leggy lady like you, you showed us from last week to this week how well | :58:36. | :58:40. | |
you handle those quick moves, it is extraordinary, because it is not | :58:41. | :58:46. | |
easy at all. There was only one tiny bit when you got excited and you are | :58:47. | :58:52. | |
elbow went up and down, but you travelled with control across that | :58:53. | :59:00. | |
ballroom, well done. Absolutely. Len. If you were a stick of block | :59:01. | :59:09. | |
pool rock, you would have "talent" written right through you. If you | :59:10. | :59:15. | |
look hard enough at anything, you can find faults but as far as I am | :59:16. | :59:18. | |
concerned, the way you moved around that floor, the speed, the clarity | :59:19. | :59:24. | |
of movement, that was blooming good. Well said! Listen to uncle Len. Off | :59:25. | :59:32. | |
you go. It was wonderful. We all loved it. | :59:33. | :59:45. | |
APPLAUSE The audience went wild for you, you | :59:46. | :59:49. | |
looked like you were loving every moment. Yes, I was trying to enjoy | :59:50. | :59:55. | |
it, yeah. Aljaz, is this your first time in Blackpool? Not the first | :59:56. | :00:02. | |
time but definitely the best time. Smooth! | :00:03. | :00:08. | |
Let's hope it is going to get better. That elusive ten, how would | :00:09. | :00:14. | |
it feel to get one in Blackpool. It would be amazing Aljaz has worked so | :00:15. | :00:16. | |
hard this week. Come on then! Our first tens in | :00:17. | :00:53. | |
Blackpool. Your face, you have gone a bit red. Speechless. For once. | :00:54. | :01:03. | |
Congratulations well deserved. If that dance brightened up your day, | :01:04. | :01:05. | |
call: Three more couples are limbering up | :01:06. | :01:17. | |
ready to wow the Blackpool crowd. Are you ready for more? ! | :01:18. | :01:24. | |
Get ready. Who's next. Seven, and three tens, still can't | :01:25. | :01:29. | |
believe that. Next up is Mark and his partner Iveta. | :01:30. | :01:36. | |
APPLAUSE As we all know Mark was in the | :01:37. | :01:41. | |
dance-off last week, it wasn't a bad dance, people just wanted to see | :01:42. | :01:46. | |
Iveta in that Catsuit again! Remember. It was revealing. One poor | :01:47. | :01:54. | |
man watching on his TV at home almost had a heart attack. I'm | :01:55. | :02:01. | |
feeling better now! It was really close. Here they are | :02:02. | :02:03. | |
in training. This weekend was a tough show. I | :02:04. | :02:13. | |
found the rhumba extremely hard to do. You have gold in your fingers | :02:14. | :02:19. | |
but a bit of led in your bum. You tried Goldfinger but ended up a fish | :02:20. | :02:24. | |
finger. I knew I would be in the dance off at some point. It was | :02:25. | :02:28. | |
horrible and I felt like I had let Iveta down. He was very upset after | :02:29. | :02:35. | |
the show. He tries to improve the dancing as much as he K She deserves | :02:36. | :02:40. | |
the best from me. I want to forget negativity, I want to do what we do | :02:41. | :02:45. | |
the best, have fun. I am going to give it 100%, and go for it. We are | :02:46. | :02:52. | |
doing the jive this week. It is a fast dance, physically demanding and | :02:53. | :02:57. | |
you need a lot of stamina. I am finding it hard to keep up with the | :02:58. | :03:03. | |
pace. We have to nail the technique, flicks bauns actions. I have a | :03:04. | :03:10. | |
bounce with my knees. I am trying my best. I know you are, try better! | :03:11. | :03:15. | |
Blackpool will be a real treat, I have special memories of going there | :03:16. | :03:24. | |
as a kid. We made it! I brought you a treat. My favourite. Do you know | :03:25. | :03:30. | |
what I can't believe we made it to this point. It is like a landmark on | :03:31. | :03:34. | |
this show. I am glad I did it with you. I am really excited about our | :03:35. | :03:41. | |
jive and can't wait to perform it in the tower. I hope everyone loves it | :03:42. | :03:48. | |
as much as we do. Dancing the jive, Mark Benton and Iveta Lukosiute. | :03:49. | :04:02. | |
If there was ever a dance that wasn't for you, it was this one, but | :04:03. | :05:52. | |
my golly, you really pulled it together. | :05:53. | :05:59. | |
I thought it was flatfooted and stompy to be honest. It looked like | :06:00. | :06:04. | |
you had flippers on the end of your legs, sadly. But I know it's | :06:05. | :06:10. | |
entertaining, I do know that, but I am really looking for a lot more | :06:11. | :06:15. | |
technique really. I have to be honest, but I loved the song and I | :06:16. | :06:22. | |
loved that middle Hairspray section, that was brilliant. Sometimes Craig | :06:23. | :06:30. | |
you remember, remind you of a funfair, you are no fun and you are | :06:31. | :06:38. | |
not fair! APPLAUSE | :06:39. | :06:42. | |
For a guy of this size to do a jive, it was quite something. It was a | :06:43. | :06:48. | |
show stopping performance, full of entertainment. If you could get your | :06:49. | :06:56. | |
weight forward it would be easy on the balls of your foot, but for me, | :06:57. | :07:03. | |
I loved it, you try really hard, and it was so much more dance content. | :07:04. | :07:13. | |
Well done. Blackpool is a place you come for fun and it was fun, | :07:14. | :07:18. | |
light-hearted, there was joy in the performance, it was like that might | :07:19. | :07:23. | |
mighty organ that comes up, big, brash noisy and fabulous to watch, | :07:24. | :07:25. | |
well done. My darling, what you gave us is a | :07:26. | :07:39. | |
fantastic fun ride that put the feel-good factor through the roof. | :07:40. | :07:46. | |
That takes some doing. And I danced more than you ever had, kicks and | :07:47. | :07:50. | |
flicks could have been sharper, but I had a wonderful time watching your | :07:51. | :07:58. | |
performance. I am still amazed at how you could do the jive like that, | :07:59. | :08:00. | |
be proud, be very proud. APPLAUSE | :08:01. | :08:15. | |
You bring the feel-good factor in bucket loads. You brought the | :08:16. | :08:19. | |
ballroom to life. It was great fun. A little bird told me it is your | :08:20. | :08:26. | |
birthday today. Happy birthday! How was that for a birthday present? It | :08:27. | :08:31. | |
was great, I have loved it all week, it's fun. We wanted to have a good | :08:32. | :08:36. | |
time. Last week you were in the dance-off, did you decide to come | :08:37. | :08:41. | |
back with a vengeance this week. Absolutely, I wanted to have fun | :08:42. | :08:43. | |
this week. Scores are in. That is actually your top score to | :08:44. | :09:10. | |
date. Amazing. Happy birthday to you. You don't want to face the | :09:11. | :09:14. | |
dance-off again. Give him the best birthday present ever, your votes, | :09:15. | :09:16. | |
call: The voet will be opening very soon | :09:17. | :09:27. | |
indeed. Our next couple is Susanna and her | :09:28. | :09:41. | |
partner Kevin from Grimsby. APPLAUSE | :09:42. | :09:50. | |
What a popular couple. They are doing a traditional Spanish Paso | :09:51. | :09:55. | |
Doble, Susanna told me she is going to close her eyes and imagine she is | :09:56. | :10:00. | |
in Madrid. I said that is a good idea but better still walk down | :10:01. | :10:03. | |
Blackpool High Street and imagine you are in Benidorm. A few locals | :10:04. | :10:12. | |
didn't like that. I have to be careful. Here they are in training. | :10:13. | :10:18. | |
Last Saturday we danced our waltz to a very beautiful piece of music. It | :10:19. | :10:24. | |
was one of those Strictly moments. You light up my life and you lit up | :10:25. | :10:29. | |
this ballroom. I love head judge Len, he lights up my life. Four of | :10:30. | :10:38. | |
your nines, including one from Craig! Speechless. We are doing a | :10:39. | :10:47. | |
Paso Doble. It's dramatic and we are dancing on the grandest stage of | :10:48. | :10:50. | |
them all. I grew up competing in ballroom competition which meant I | :10:51. | :10:55. | |
was always going to Blackpool. Don't smile at me then. | :10:56. | :10:59. | |
I have been to Blackpool before as a journalist, but I have never had a | :11:00. | :11:06. | |
fun day out. We are going to do all the fun things. Let's experience the | :11:07. | :11:11. | |
magic of Blackpool. There are certain things you have to do in | :11:12. | :11:15. | |
Blackpool. Stick of rock. Of course, Blackpool rock. You have been my | :11:16. | :11:21. | |
rock over the past few weeks. I have only ever been here before to cover | :11:22. | :11:25. | |
party political conferences as a journalist. Nice to see you, to see | :11:26. | :11:31. | |
you nice! We are about to go in. This place holds a lot of memories | :11:32. | :11:36. | |
for me. I want you to save our that moment when you walk in. Seeing it | :11:37. | :11:39. | |
was incredibly special. I don't think I can actually dance here! | :11:40. | :11:44. | |
I am going to show you something that few people get to see. If I can | :11:45. | :11:49. | |
capture all the magic of the ballroom and the excitement of that | :11:50. | :11:54. | |
day in Blackpool, and put it into our Paso, we are going to have an | :11:55. | :12:00. | |
amazing dance on Saturday night. Dancing the Paso Doble, Susanna Reid | :12:01. | :12:02. | |
and Kevin Clifton. I thought you had passed out! Come | :12:03. | :14:13. | |
here. I thought you had gone there, I was | :14:14. | :14:17. | |
really worried. Are you really from Grimsby? That was wonderfully | :14:18. | :14:24. | |
traditional Paso Doble. I loved it. You have to stretch - you have | :14:25. | :14:29. | |
stretched yourself tonight. The drama you gave, the dynamics, you | :14:30. | :14:31. | |
are a beautiful gypsy girl. It was like a buffet full of Spanish | :14:32. | :14:47. | |
tapas, right the way through, well done. It's Carmen, the temptress | :14:48. | :15:01. | |
from Seville, the flavour of Spain was there for all of us, it was just | :15:02. | :15:04. | |
fantastic! APPLAUSE | :15:05. | :15:18. | |
I think you were chanelling Anita from west side story, it was | :15:19. | :15:31. | |
absolutely fab-u-lous And proper music for the Paso Doble, | :15:32. | :15:34. | |
that is what I loved. Off you go. | :15:35. | :15:38. | |
APPLAUSE Susanna, you feisty girl, you threw | :15:39. | :15:53. | |
yourself into that. How is the atmosphere out there? It's magical. | :15:54. | :15:59. | |
It is very inspiring. Then I look over and I see a matador, straight | :16:00. | :16:06. | |
in front of me, there he is. It's you Kevin, you were in the zone. You | :16:07. | :16:12. | |
were raised in the ballroom, how does it feel to bring Susanna Back | :16:13. | :16:17. | |
To Black pool. I wanted her to experience what I have experienced, | :16:18. | :16:22. | |
it is the most magical place. Brought some of that magic back | :16:23. | :16:24. | |
tonight. Oh my goodness! | :16:25. | :17:02. | |
39, three tens, the highest score of the series. So far. Oh, my goodness. | :17:03. | :17:10. | |
I can feel her shaking. How do you feel? I kept saying to Kevin I am | :17:11. | :17:17. | |
not a ten sort of person. Oh, yes you are now. What do you think? Call | :17:18. | :17:19. | |
call: What a night it's been! That was | :17:20. | :17:41. | |
just incredible. Have we got tears? We have one more dance to go in the | :17:42. | :17:47. | |
show. Blackpool, are you ready for more? One more! | :17:48. | :17:54. | |
Our final couple tonight is Natalie and her partner Artem. | :17:55. | :18:00. | |
Last week Natalie fell ill during rehearsals. We all heard about that | :18:01. | :18:06. | |
and was unable to take part in the show. She was given a bye to this | :18:07. | :18:10. | |
week. She's got the all-clear from the dock to r tore and is dancing | :18:11. | :18:16. | |
tonight. Here is her very eventful week. Good luck Natalie. | :18:17. | :18:24. | |
Natalie was taken ill today and won't be dancing on tonight's show. | :18:25. | :18:29. | |
Last week on Saturday morning I fainted during rehearsals. As I was | :18:30. | :18:35. | |
going through the dance my body gave way and I blacked out. I couldn't | :18:36. | :18:40. | |
pick her up because she was shaking a lot and crying. I fainted again | :18:41. | :18:45. | |
during the dress run. I was checked again by the medic. I was advised | :18:46. | :18:49. | |
not to perform on that night's show. I went for a final check up with the | :18:50. | :18:53. | |
doctor to check that I was all clear to dance on Saturday. The verdict | :18:54. | :18:57. | |
was exhaustion and I have been declared fit and ready to go. After | :18:58. | :19:03. | |
last week, I am just so excited to still be a part of the show and I am | :19:04. | :19:08. | |
going to enjoy it whatever happens. I am just really sorry we didn't get | :19:09. | :19:12. | |
to do the jive. I feel like I have let you down. What are you talking | :19:13. | :19:17. | |
about. I was concerned. We were down last week but we are not out, we are | :19:18. | :19:21. | |
back and come back with a bang with this dance. We don't want to go 100% | :19:22. | :19:26. | |
right away. Thfrjts week is all about taking things one step at a | :19:27. | :19:30. | |
time. We are dancing the charl sfon and it is a very fast dance. Artem | :19:31. | :19:34. | |
has been so supportive and really looked after me. We have a couple of | :19:35. | :19:40. | |
tricks, which at the moment I am a bit scared of. There is going to be | :19:41. | :19:48. | |
lots of practising on lots of mats. It's been yet another challenging | :19:49. | :19:53. | |
week, but I am absolutely ecstatic to say I am fighting fit and ready | :19:54. | :19:57. | |
to go to Blackpool. Lancashire, I'm coming home. Dancing the Charleston, | :19:58. | :20:05. | |
Gumede and Artem Chigvinstev. It was brilliant. Come here the pair | :20:06. | :22:10. | |
of you. That was lovely. Acknowledge everybody, they loved you, including | :22:11. | :22:15. | |
me. Like the Blackpool illuminations, spectacular! | :22:16. | :22:24. | |
It was like watching the divine Josephine Bake Baker doing a great | :22:25. | :22:30. | |
gats by party, your party could go on forever. A super night here in -- | :22:31. | :22:41. | |
Blackpool. I loved the modern twist of that whole dance, the whole thing | :22:42. | :22:52. | |
was sensational. It's true, Natalie, you always give us beautiful, | :22:53. | :22:56. | |
beautiful details, again and again. But this time you added something | :22:57. | :23:01. | |
new, character and personality, it was a joy to watch, thank you. What | :23:02. | :23:07. | |
about Artem as well. What a team you are. Off you go. It was wonderful. | :23:08. | :23:14. | |
Like Bruno said, a suitable finale for Blackpool. I was worried about | :23:15. | :23:31. | |
you last week. Sorry to scare everyone, but we're back with fun | :23:32. | :23:36. | |
now. No more drama, no more fainting. No more broken noses, just | :23:37. | :23:42. | |
fun. She's back with a bang. You have to be proud of Natalie coming | :23:43. | :23:48. | |
back with a performance like that. I am really proud. High praise from | :23:49. | :23:52. | |
the judges. High hopes for the scores. | :23:53. | :24:14. | |
APPLAUSE Congratulations. You have equalled | :24:15. | :24:19. | |
Susanna's highest score of the series. Your top score. Natalie has | :24:20. | :24:24. | |
come back with a bang. If you were as impressed as the judges, call: | :24:25. | :24:32. | |
They have made it this far and none of our celebrities want to go home | :24:33. | :24:39. | |
now. But all good things must come to an end. This is how the | :24:40. | :24:44. | |
leaderboard looks in the north. Up there at the top in joint first | :24:45. | :24:48. | |
place Susanna and Natalie. Down in bottom spot, we have Fiona | :24:49. | :24:55. | |
and Mark. Remember it is going to be your | :24:56. | :25:04. | |
votes that make all the difference here on the golden mile tonight. You | :25:05. | :25:09. | |
can get dialling now because the vote is | :25:10. | :25:18. | |
This lot are going bonkers. You can vote online for free. | :25:19. | :25:30. | |
Lines close at eight. 25 tonight. Here is a reminder of all tonight's | :25:31. | :25:37. | |
performances and the all important numbers. | :25:38. | :28:17. | |
The competition is on now. What a fantastic show it's been in | :28:18. | :28:30. | |
the Blackpool Tower Ballroom. Didn't they all do well. It's been a | :28:31. | :28:36. | |
milestone for many tonight and now the Glitterball Trophy is just a few | :28:37. | :28:41. | |
weeks away. Vur votes will help our couples get one step closer to the | :28:42. | :28:46. | |
final, but two of them will end up in the dance-off in tomorrow's | :28:47. | :28:50. | |
results show. One of our nine stars must leave the competition. Your | :28:51. | :28:55. | |
votes will make a difference. Pick up the phone or go online to vote | :28:56. | :29:02. | |
for your favourite. Tomorrow's show will be earlier at seven. 7.15. | :29:03. | :29:07. | |
Don't be late for the incredible dance-off. We will have two | :29:08. | :29:12. | |
performances from Andre Rieu and the Princes of pop JLS are here. In the | :29:13. | :29:20. | |
meantime, stay in line, keep dancing! | :29:21. | :29:25. |