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Last week Strictly brought a ballroom blitz to Blackpool. | :00:08. | :00:13. | |
Everybody rose to the occasion. Fantastic! Spectacular. Mark | :00:14. | :00:24. | |
survived the dance-off for a second time. But Bond girl Fiona lost her | :00:25. | :00:29. | |
licence to thrill. This week, the competition is taking its toll. | :00:30. | :00:34. | |
Everybody is prepared to do anything to get ahead. | :00:35. | :00:50. | |
Will the celebrities' scheming pay off on the dance floor tonight? | :00:51. | :01:45. | |
APPLAUSE AND CHEERING Live from the Strictly ballroom, | :01:46. | :01:56. | |
this is Strictly Come Dancing! Please welcome your hosts, Sir Bruce | :01:57. | :02:00. | |
Forsyth and Tess Daly. A new routine! Look at that. Did you | :02:01. | :02:19. | |
see that? Well done, darling. Lovely. And in white, what a vision | :02:20. | :02:24. | |
you are. A vision! Good evening, ladies and gentlemen, and children, | :02:25. | :02:27. | |
welcome to Strictly Come Dancing. It's nice to see you, to see you... | :02:28. | :02:33. | |
Nice! They're good. Nice to see you, Bruce. I have warmed this lot up. | :02:34. | :02:36. | |
You have indeed. Warmed up and ready. You are looking pleased with | :02:37. | :02:42. | |
yourself. I am pleased with myself. I have been asked to be the new | :02:43. | :02:50. | |
voice on a sat-nav. Why did they ask you? What do you mean? Because I am | :02:51. | :02:55. | |
perfect for it, that's why. When the driver gets in the car they hear me | :02:56. | :03:00. | |
say, nice to see you, to see you... Nice! Not as many as that in the | :03:01. | :03:09. | |
car! And if the speed is too low I say, higher. If the speed is too | :03:10. | :03:16. | |
high I say... Lower! You see, if they reach their final destination | :03:17. | :03:21. | |
without getting lost I say, didn't you do well! | :03:22. | :03:29. | |
APPLAUSE They were good! We will keep you. I | :03:30. | :03:37. | |
didn't rehearse. Did I? No! Last week we took the Strictly ballroom | :03:38. | :03:42. | |
to Blackpool for our most spectacular show yet. But we had to | :03:43. | :03:49. | |
leave one couple behind in the Tower Ballroom. Yes, poor Fiona and Anton | :03:50. | :03:55. | |
lost out to Mark and Iveta in the dance-off. That still leaves eight | :03:56. | :03:58. | |
couples fighting to get one step closer to the final. That's right. | :03:59. | :04:03. | |
With four weeks to go it's all to dance for. Shall we get them out, | :04:04. | :04:08. | |
Bruce? I can't see anything against it. I am feeling very strong | :04:09. | :04:14. | |
tonight. I can see that. Clearly! It's time to meet the stars of our | :04:15. | :04:17. | |
show. Pop star Sophie Ellis-Bextor and her | :04:18. | :04:28. | |
partner Brendan Cole. Star of stage and screen Mark Benton and his | :04:29. | :04:31. | |
partner Iveta Lukosiute. BBC Breakfast presenter Susanna Reid | :04:32. | :04:35. | |
and her partner Kevin Clifton. England rugby hero Ben Cohen and his | :04:36. | :04:40. | |
partner Kristina Rihanoff. Coronation Street star Natalie | :04:41. | :04:42. | |
Gumede and her partner Artem Chigvintsev. | :04:43. | :04:46. | |
Model and TV presenter Abbey Clancy and her partner Aljaz Skornajec. | :04:47. | :04:49. | |
From Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan. | :04:50. | :04:52. | |
And Casualty star Patrick Robinson and his partner Anya Garnis. | :04:53. | :05:10. | |
APPLAUSE AND CHEERING There's going to be a few spaces | :05:11. | :05:19. | |
now. But there they all are. Celebrities and dancers, we know how | :05:20. | :05:23. | |
hard you work on the show, but be honest, it's better than being in | :05:24. | :05:31. | |
the jungle eating insects. That's true. Good luck, Vincent! Yes. Very | :05:32. | :05:39. | |
good luck to Vincent. APPLAUSE | :05:40. | :05:42. | |
For this lot it's no time to take things easy. If they want to make it | :05:43. | :05:45. | |
through to next week's musical special they're going to have to | :05:46. | :05:49. | |
dance their little hearts out. They're dancing for our judges' | :05:50. | :05:58. | |
points and your votes at home. They'll meet plenty... Did I say | :05:59. | :06:03. | |
that? Clearly. Oh, good. Did anybody hear it? They'll need plenty of | :06:04. | :06:17. | |
votes to avoid the dance-off... LAUGHTER | :06:18. | :06:22. | |
Shut up! APPLAUSE. | :06:23. | :06:26. | |
Sues's done that a few times. To avoid the dance-off in tomorrow's | :06:27. | :06:31. | |
results show. The stakes are high but so is the standard of dancing. | :06:32. | :06:34. | |
Who has the pleasure of going first tonight? First couple tonight is | :06:35. | :06:44. | |
Susanna Reid and her partner, Kevin. They're hot to trot tonight, Bruce. | :06:45. | :06:52. | |
Susanna told me she's the first Breakfast television presenter to | :06:53. | :06:56. | |
have ever scored 39 points. I said, actually, that's not true. Fiona | :06:57. | :07:02. | |
Phillips got 39 points, you see, if you add up all the points for the | :07:03. | :07:12. | |
four weeks she was here, that's 39 points. It's a funny joke! I thought | :07:13. | :07:18. | |
they'd all gone. Here they are in training. Good luck. | :07:19. | :07:33. | |
Saturday night that paso on the Blackpool Tower floor I don't think | :07:34. | :07:35. | |
I will have a moment like that again. I have said to Kevin I am not | :07:36. | :07:41. | |
a 10 sort of person, so I can't really believe it. It was like an | :07:42. | :07:45. | |
out of body experience. I will never forget that. Thank you. Lying on the | :07:46. | :07:50. | |
floor at the end of the dance I just felt people's reaction. My heart was | :07:51. | :08:00. | |
fit to burst. It was incredible. This week we are dancing | :08:01. | :08:04. | |
cha-cha-cha. I can't do it. You have to nail the walks. I can't do it! | :08:05. | :08:10. | |
Who invented cha-cha walks? I want to see them now. I can run more than | :08:11. | :08:15. | |
26 miles in one go. That's impressive. I find walking so | :08:16. | :08:18. | |
challenging. I have noticed that. I have a plan. We are here for this. | :08:19. | :08:24. | |
You sort of walk like you just got off your horse. It's a little, you | :08:25. | :08:28. | |
know, tricky to get on. Can you get on now? Yeah. One in front of the | :08:29. | :08:34. | |
other. That's called walking. So much better. Actually genuinely | :08:35. | :08:38. | |
good. These are the best cha-cha walks you have done all day. All | :08:39. | :08:42. | |
right, let's see you get off then. I thought I would try something like | :08:43. | :08:50. | |
this. There we go. Time to get back to training, I think. My feet have | :08:51. | :08:54. | |
barely touched the ground. But I am hoping that my new technique will | :08:55. | :08:58. | |
leave the judges beaming on Saturday. | :08:59. | :09:04. | |
Dancing the cha-cha-cha, Susanna Reid and Kevin Clifton. | :09:05. | :09:21. | |
APPLAUSE AND CHEERING What about that! | :09:22. | :10:58. | |
Oh, Susanna! I never knew you could shimmy like that. You like it, as | :10:59. | :11:04. | |
well. I don't usually require that on the Breakfast sofa. By the way, | :11:05. | :11:09. | |
let's welcome our judges. APPLAUSE AND CHEERING | :11:10. | :11:16. | |
They all had a few drinks after the show in Blackpool. Bruno went out | :11:17. | :11:19. | |
with the professional dancers because he gets on well with them. | :11:20. | :11:22. | |
Len went out with the male celebrities because he gets on well | :11:23. | :11:26. | |
with them. Darcey went out with the female celebrities because she gets | :11:27. | :11:30. | |
on with them. And Craig had room service. And he saw Match of the | :11:31. | :11:43. | |
Day! Can you imagine that? Len, what did you think of that? May I just | :11:44. | :11:47. | |
say before that, not only to you Susanna, but all our couples, that | :11:48. | :11:53. | |
we are getting down now to the nitty gritty, not far to go. The standard | :11:54. | :11:57. | |
is high and the competition close. Things that we overlooked a little | :11:58. | :12:01. | |
bit in the past, we are going to be really picking up on. We want to see | :12:02. | :12:06. | |
the best get through to the final and move on. Having said that, | :12:07. | :12:10. | |
that's what I am looking for. I am really going to be picking up | :12:11. | :12:13. | |
everything. I thought the timing was good. I like the mix of steps. Your | :12:14. | :12:17. | |
problem in this dance was your leg action. You didn't get that | :12:18. | :12:21. | |
straightening leg. It wasn't sharp and crisp and because of that you | :12:22. | :12:26. | |
lost hip action. It was acceptable, but... BOOING It wasn't exceptional, | :12:27. | :12:39. | |
it was good enough, I guess. But got to be much crisper in future. I | :12:40. | :12:44. | |
think we have a message there. Bruno. Susanna, you house trained - | :12:45. | :12:58. | |
I wouldn't expect anything else. Your performances fly off the shelf | :12:59. | :13:04. | |
like mince pies at Christmas. Tonight, Len was right. There is a | :13:05. | :13:07. | |
distinctive hip action that has to happen in the cha-cha. It wasn't as | :13:08. | :13:13. | |
pronounced as it could have been. The performances are always up there | :13:14. | :13:17. | |
but next time really get the hips going because it's so important. | :13:18. | :13:26. | |
Otherwise, great fun. You were never keen on doing the cha-cha, were you? | :13:27. | :13:29. | |
I have to say, cha-cha and I have found it hard to make friends. It's | :13:30. | :13:35. | |
been a difficult one for you. Craig. I liked the vampy beginning, that | :13:36. | :13:39. | |
got off to a great start. Timing as Len said very good. Always you | :13:40. | :13:44. | |
supply personality which I love. For me it did not pop, it did not zing | :13:45. | :13:52. | |
and you need to think about almost hyperextending your body, you have | :13:53. | :13:55. | |
to go a lot further. I could see you were trying hard to straighten your | :13:56. | :13:59. | |
legs and get hip action but for me it was all a little bit mumsy, | :14:00. | :14:07. | |
darling. Stop it, Bruno, behave! Darcey, finish us off. The boys are | :14:08. | :14:12. | |
right, it's a shame. It's that technique and getting a quicker | :14:13. | :14:15. | |
straighter leg as much as you can. You know, it's a difficult dance and | :14:16. | :14:22. | |
it wasn't yours tonight. It's a shame that the glamour of Blackpool | :14:23. | :14:27. | |
Ballroom is over and we have to get, as the boys said, more picky. But | :14:28. | :14:35. | |
you still give 100%. It's lovely. Straighten your legs, that's what | :14:36. | :14:39. | |
they all said. But don't do it going up the stairs! It was lovely. Don't | :14:40. | :14:41. | |
worry about it. Come here you. I have a bone to pick | :14:42. | :15:00. | |
with Craig, he said you were mumsy. As a mother, I would say anything | :15:01. | :15:05. | |
but mumsy. There's nothing wrong with being mumsy when you have three | :15:06. | :15:10. | |
boys. Nothing at all. I would say one sassy hot mamma tonight. I | :15:11. | :15:16. | |
didn't know that about the 39 points, Breakfast presenters. Well | :15:17. | :15:19. | |
you are on a high after last week. I don't think so today. I get the | :15:20. | :15:26. | |
impression! After that it must be a confidence boost after the high last | :15:27. | :15:31. | |
week. It was. Last weekend was phenomenal. Yeah, brilliant. With | :15:32. | :15:34. | |
the cha-cha I knew there was no chance of matching that. I am glad I | :15:35. | :15:39. | |
have gone out and done it and it was great fun. It was. The scores are | :15:40. | :15:40. | |
in. Sassy 31 points. It's not all bad | :15:41. | :16:04. | |
news. You know what I am really happy with 31. That's amazing. What | :16:05. | :16:12. | |
do you think? If you want to throw these Hound Dogs a bone, then vote | :16:13. | :16:15. | |
for them: Voting won't open until all our | :16:16. | :16:29. | |
couples have danced. Please don't call now, if you do, your vote won't | :16:30. | :16:34. | |
count and you may be charged. All our couples need your votes, nobody | :16:35. | :16:37. | |
is safe without you. Back to you, Bruce. | :16:38. | :16:44. | |
Now our next couple, Ashley and his partner Ola. Very popular couple. | :16:45. | :16:52. | |
His name is Ashley Taylor Dawson. It's one of those celebrities with | :16:53. | :16:58. | |
three names. Ashley told me it sounds dignified and sophisticated | :16:59. | :17:06. | |
to have three names. I said who told you that? He said, Anton Du Beke. | :17:07. | :17:17. | |
Poor Anton. I do miss him, I don't know why, but I do miss him. Here | :17:18. | :17:23. | |
they are in training. Performing at Blackpool was | :17:24. | :17:26. | |
something very special. The standing ovation was incredible. It was like | :17:27. | :17:34. | |
wow! I could not take my eyes off you. It was a great score but I need | :17:35. | :17:39. | |
to break into 10, everybody else is doing it. I am very proud, very | :17:40. | :17:48. | |
happy. This week I am dancing the waltz. Why are you not looking at | :17:49. | :17:52. | |
me? You put me off. He has to be gliding across the floor this week. | :17:53. | :17:57. | |
Stop it! What are the key parts of the waltz? Rise and fall. Heel | :17:58. | :18:01. | |
leads. Lovely posture. You have got to be light on your feet. I have got | :18:02. | :18:07. | |
a little plan. Are we here to watch sharks swimming? No, we are here to | :18:08. | :18:18. | |
do it with them. What? Looking good. Zip me up. We are going to go in | :18:19. | :18:22. | |
that water and I want you to feel how to be weightless. I am thinking | :18:23. | :18:29. | |
I am going to leave him in there by himself. | :18:30. | :18:38. | |
It was incredible doing down there dancing with Ola. The arms were | :18:39. | :18:46. | |
really good. Craig will be proud. Thank you. Being under the water did | :18:47. | :18:49. | |
help me feel weightless and I understand now what Ola is on about. | :18:50. | :18:54. | |
I like it in there, can't hear a word you say! Can I get one for | :18:55. | :18:59. | |
dance training? Dancing the waltz, Ashley Taylor | :19:00. | :19:01. | |
Dawson and Ola Jordan. APPLAUSE AND CHEERING | :19:02. | :20:56. | |
Wonderful. Absolutely wonderful. That was great. Well done. And what | :20:57. | :21:04. | |
a routine and the rise and fall and the feel, I don't know what they're | :21:05. | :21:10. | |
going to say, but I thought it was great. Bruno. Beautifully handled. I | :21:11. | :21:14. | |
am so impressed. The music and the timing in that song was so | :21:15. | :21:18. | |
difficult. The phrasing was incredibly difficult. You could | :21:19. | :21:24. | |
hardly have a down beat and yet you glided through with incredible | :21:25. | :21:29. | |
poise, ease of movement, elegant. You set the mood so well. I thought | :21:30. | :21:34. | |
it was a wonderful, wonderful waltz. Great. You danced with the music. | :21:35. | :21:43. | |
And your posture, oh! Craig. You coped well as Bruno said with the | :21:44. | :21:47. | |
cross phrasing because it's difficult music. Your expression | :21:48. | :21:51. | |
throughout was very, very good. However, your head is driving me | :21:52. | :21:57. | |
absolutely mad, darling. It keeps inclining to the right. It's | :21:58. | :22:02. | |
particularly noticeable, darling, through the sounding spin. You have | :22:03. | :22:07. | |
to sort that out. Oh, really? I never noticed that. I was away in | :22:08. | :22:11. | |
the emotion of the whole thing. Darcey, darling. It was so slick, | :22:12. | :22:20. | |
ashy. -- Ashley. The control, and you really rose to the occasion. It | :22:21. | :22:24. | |
wasn't easy. You glided effortlessly across that dance floor. Well done. | :22:25. | :22:31. | |
For me, I think it was one of your best dances. Craig's right, when you | :22:32. | :22:38. | |
tense up on a turn you do a little tilt. When you are going to turn, | :22:39. | :22:45. | |
just relax. You just get a little tense. Ashley, well done. Really | :22:46. | :22:50. | |
good. The rise and fall, I have never seen it better on this show. | :22:51. | :22:59. | |
Len. Well, you are like your initials ATD - attention to detail. | :23:00. | :23:06. | |
Footwork was good. I loved that chassis you did early on. It had | :23:07. | :23:10. | |
light and shade. As the music built you went into it. I thought you did | :23:11. | :23:18. | |
a terrific job. The waltz is not an easy dance. It's a big dance. Big | :23:19. | :23:22. | |
flowing movement. The head thing is a little thing you have to work on a | :23:23. | :23:27. | |
tad. But, overall, I am telling you, that was terrific. What did I tell | :23:28. | :23:35. | |
you? Go on, off you go. It was wonderful! | :23:36. | :23:44. | |
APPLAUSE AND CHEERING Ashley! Craig hates your head. I | :23:45. | :23:50. | |
know, I hate my head now, as well. I am sick of my head! It's a lovely | :23:51. | :23:56. | |
head. It is lovely. I will shop for a new one, see what happens. Darcey | :23:57. | :24:00. | |
thinks it's one of your best dances. That's high praise. Are you gagging | :24:01. | :24:06. | |
for your first 10? It would be rude to say I wasn't, I am. Four weeks | :24:07. | :24:10. | |
from the final, it's getting closer. Would you say the atmosphere back | :24:11. | :24:16. | |
stage has changed? There's been a lot of time today you are told to be | :24:17. | :24:20. | |
here and there, there's too much time to think. It's getting more | :24:21. | :24:24. | |
competitive. Bring on the competition. The scores are in. | :24:25. | :24:43. | |
No 10 but a great score. I am very happy. Teacher is happy. A wonderful | :24:44. | :24:53. | |
waltz. The number to call when lines open is: | :24:54. | :24:59. | |
Or you can vote online. He is keeping this head! Loads more to | :25:00. | :25:08. | |
come, Sophie and Brendan are giving us a romantic rumba and can our | :25:09. | :25:17. | |
Latin King Patrick pull off the perfect Viennese waltz? Time will | :25:18. | :25:20. | |
tell. Next up is Natalie and her partner | :25:21. | :25:28. | |
Artem. Such good couples. This week in training they visited a local | :25:29. | :25:33. | |
school. Because of the war I didn't go to school very much at all. It | :25:34. | :25:38. | |
really was. Most of my time was spent entertaining the troops. They | :25:39. | :25:42. | |
used to drop me behind enemy lines to tell jokes to the Germans. I did | :25:43. | :25:52. | |
my bit, don't you worry! Here they are in training. | :25:53. | :26:03. | |
The audience in Blackpool gave us so much energy. It was spine-chilling. | :26:04. | :26:10. | |
Spectacular. Wasn't expecting to get 39. I cannot be more happy. I have | :26:11. | :26:14. | |
been humbled by people's response to what we have done and for people | :26:15. | :26:26. | |
to... Appreciate it... This week we are dancing the tango. | :26:27. | :26:35. | |
We do a lot of this. Blackpool was awesome. One of the special moments | :26:36. | :26:38. | |
was the massive group number we did. You see the little kids dancing and | :26:39. | :26:44. | |
it was quite special. They showed up all the contestants. I thought we | :26:45. | :26:48. | |
could go to a school and show them what we have been up to. It's a | :26:49. | :26:52. | |
chance to give back and show how brilliant dancing can be. Looking | :26:53. | :26:55. | |
forward to meeting the kids. Maybe some of them are going to be | :26:56. | :26:58. | |
futurely Strictly professionals. Somebody might show you up. Let's | :26:59. | :27:09. | |
hope not! Hi! Does anybody want to see some dancing? I was blown away. | :27:10. | :27:14. | |
I couldn't believe it, I thought it was a dream. She looked so | :27:15. | :27:20. | |
beautiful. I wish I could be her. I am going to grab you here. And lift | :27:21. | :27:28. | |
you up! We give them a 10! Today has been a joy and just seeing the way | :27:29. | :27:31. | |
the kids engage with dancing will give me that extra boost for | :27:32. | :27:37. | |
Saturday night. Dancing the tango, Natalie Gumede | :27:38. | :27:47. | |
and Artem Chigvintsev. APPLAUSE AND CHEERING | :27:48. | :29:37. | |
Oh, wonderful. Are you all right? Oh, dear. Good job that didn't | :29:38. | :29:41. | |
happen when you were doing it. I was trying to be a lady. A standing | :29:42. | :29:47. | |
occasion from a few here. While you get your breath back. , it's a good | :29:48. | :29:53. | |
time to welcome our singers and Dave Arch and his wonderful, wonderful | :29:54. | :29:58. | |
orchestra! And our wonderful singers and orchestra. Great. I think we | :29:59. | :30:02. | |
start off with you, Craig. I am going to be really picky. Your left | :30:03. | :30:07. | |
hand, my darling, was facing up, instead of palm to the floor. | :30:08. | :30:11. | |
Sometimes got into the correct position but mainly it was in the | :30:12. | :30:14. | |
wrong position. You need to sort that out. You hopped around in one | :30:15. | :30:19. | |
of those pivot steps, I don't know whether it was to do with the dress | :30:20. | :30:22. | |
or something, but that was a bit of a disaster. The whole thing lacked a | :30:23. | :30:27. | |
little bit of drama. What? Are you out of your mind? Lacked a bit of | :30:28. | :30:38. | |
drama? Sorry, it's getting crazy. Darcey. Ignore Craig. I love that | :30:39. | :30:45. | |
classic tango. The intensity when you were fixed in that hold was | :30:46. | :30:49. | |
beautiful. There was only one thing for me, if you could overexaggerate | :30:50. | :30:53. | |
and push away further from the waist in your top line from Artem, that | :30:54. | :30:59. | |
would be the only thing and it would be perfection. It was beautiful. It | :31:00. | :31:06. | |
was very dramatic. Len. You look like my favourite Quality Street, | :31:07. | :31:10. | |
and I have to say that was a quality performance. My only criticism in | :31:11. | :31:14. | |
the links sometimes you lowered your head a little bit but again that's | :31:15. | :31:20. | |
being... He has told me already. Told me every day. But fabulous, | :31:21. | :31:28. | |
well done. Bruno. For me you set off like the tango express! Destination, | :31:29. | :31:35. | |
the final! We are going to take you there with great style. For me it | :31:36. | :31:41. | |
was fabulous! There we are. Say no more. Get off before he changes his | :31:42. | :31:45. | |
mind. Off you go. Well done, Natalie. Good luck. Artem, that was | :31:46. | :31:54. | |
wonderful. Up the stairs you go! APPLAUSE AND CHEERING | :31:55. | :32:04. | |
Yes, truly a quality performance. Nothing to do with the dress. The | :32:05. | :32:10. | |
dress was... The quality's a bit downhill. You always get the most | :32:11. | :32:13. | |
amazing response from the audience. First standing ovation of the | :32:14. | :32:16. | |
evening. How does it feel to get that reaction from them? It's | :32:17. | :32:20. | |
absolutely mind-blowing. You cannot really take it in when the dance is | :32:21. | :32:23. | |
finished but we are so grateful for the support. Thank you. Feels good I | :32:24. | :32:25. | |
bet. The scores are in. A 10. Well, do you agree with our | :32:26. | :33:00. | |
judges? They might be riding high with the | :33:01. | :33:05. | |
judges but they still need your votes like everybody else. Time now | :33:06. | :33:08. | |
for more dancing. Back to my main man, Bruce. | :33:09. | :33:20. | |
Our next couple is Mark and Iveta. Last week Mark wanted to get his | :33:21. | :33:25. | |
palm read by a fortune teller. I went to one, as well. She looked at | :33:26. | :33:31. | |
my right hand and looked up here. And right here, around the back of | :33:32. | :33:34. | |
me and right down the other arm. I said, what are you doing? She said, | :33:35. | :33:43. | |
looking at your lifeline. APPLAUSE | :33:44. | :33:48. | |
She said, it goes on forever. I said, I do hope so! Here they are in | :33:49. | :33:58. | |
training. Before the show last week I was really excited. It's such a | :33:59. | :34:02. | |
wonderful place that ballroom that I was really looking forward to the | :34:03. | :34:06. | |
dance. Big, brash and fabulous to watch. Len gets what I am about, | :34:07. | :34:10. | |
which is trying to entertain people. We got 8s, which was brilliant. I | :34:11. | :34:14. | |
had a feeling we were going to be in the dance-off. It was the second | :34:15. | :34:18. | |
time in the bottom it wasn't as scary as the first one. The dance | :34:19. | :34:23. | |
went well. I thought it was the end when Craig saved Fiona. As the | :34:24. | :34:30. | |
results went on Len decided to save us, I thought it was our last dance | :34:31. | :34:35. | |
so I was thrilled. This week we are going to do a foxtrot. Mark has been | :34:36. | :34:39. | |
criticised for his lack of technique. Don't you think that... | :34:40. | :34:48. | |
Don't give up on me now. I won't. Mark is working so hard even when he | :34:49. | :34:54. | |
is not in the training room. Here I am trying to brush up on a bit of | :34:55. | :34:59. | |
ballroom. Foxtrot, here we come. He hardly gets to spend any time with | :35:00. | :35:03. | |
his family. I had a brilliant surprise today. My amazing wife | :35:04. | :35:09. | |
Sarah came to see us. I am here to support Mark and show him how proud | :35:10. | :35:12. | |
we are of him. We have been together nearly 23 years and he has always | :35:13. | :35:16. | |
been a shy person. For him it was always about letting people see the | :35:17. | :35:20. | |
real him. What you see with Mark is what you get, which is joy and just | :35:21. | :35:23. | |
pure genuine character and that's what I love about him. Our foxtrot | :35:24. | :35:30. | |
is a happy dance. I want to dedicate it to Sarah because she's been there | :35:31. | :35:37. | |
for us every step of the way. Dancing the foxtrot, Mark Benton and | :35:38. | :35:52. | |
Iveta Lukosiute. APPLAUSE AND CHEERING | :35:53. | :37:28. | |
Well, you made it a beautiful night! That was so joyful. So lovely. Well | :37:29. | :37:37. | |
done. Right, Darcey, what do you think? Mark, you always make me | :37:38. | :37:40. | |
smile in everything, I love it. You were charming. You obviously got out | :37:41. | :37:45. | |
of bed on the right side today, it was beautiful. Your top line has | :37:46. | :37:49. | |
improved so much. You create a beautiful shape there. It's only | :37:50. | :37:52. | |
technical, I would have loved to have seen more flow and more travel | :37:53. | :37:58. | |
across the dance floor. But I loved that performance. OK. Len. For me | :37:59. | :38:08. | |
you have been trained, but never tamed. There's always little chey | :38:09. | :38:16. | |
moments I like, little touches. It makes me smile. You were like a | :38:17. | :38:23. | |
Dalek really, you moved smoothly but there was no - you got to get swing. | :38:24. | :38:31. | |
It's Dr Who tonight. You got that! You got to get more swing. But | :38:32. | :38:42. | |
always fun to watch. It was joyful. Bruno. Rise and shine, you bring the | :38:43. | :38:50. | |
sun on Strictly really. Side to side it was theatrical. It stopped a | :38:51. | :38:54. | |
little bit on hold. It's hard to lead a foxtrot, it's difficult. But | :38:55. | :39:00. | |
always jolly and pleasant. A lovely move. OK, Craig. All the main points | :39:01. | :39:06. | |
were missing, the flow, movement, swing, sway. And too much side by | :39:07. | :39:14. | |
side. Is that all you have to say! I got off lightly! Yeah, he ran out of | :39:15. | :39:21. | |
breath. It was beautiful. We all loved it. Off you go up the stairs. | :39:22. | :39:37. | |
APPLAUSE AND CHEERING Come here, Mark. Up to safety. Craig | :39:38. | :39:43. | |
wasn't keen. He wasn't. But Len said always fun to watch. You have been | :39:44. | :39:48. | |
in the dance-off now twice in a row. Yeah. What would it mean to avoid it | :39:49. | :39:55. | |
this week? To? Avoid it. I am looking forward to it! Don't say | :39:56. | :40:00. | |
that, Mark. You really want to be there again? No, we don't. OK, good. | :40:01. | :40:05. | |
Definitely not. I am glad we cleared that up. Iveta, mark's come a long | :40:06. | :40:11. | |
way and improved a lot. Has he got more to give? He does. He has a lot | :40:12. | :40:17. | |
more to give. A lot more. Right? Listen to the lady. The scores are | :40:18. | :40:19. | |
in. 28 from the judges. Yes. Well, it's | :40:20. | :40:42. | |
a beautiful day, but did you think that was a beautiful foxtrot? Then | :40:43. | :40:50. | |
get out of bed and call: Or you can vote online later. | :40:51. | :40:57. | |
Still to dance, Abbey and Aljaz prove they've got the love in their | :40:58. | :41:06. | |
powerful paso and will Big Ben bring out the big guns for the Charleston? | :41:07. | :41:11. | |
Check out Kristina, never mind Ben! Who is next, Bruce? | :41:12. | :41:17. | |
Our next couple is Sophie and her partner, Brendan. Now they will be | :41:18. | :41:23. | |
doing the rumba and it's going to be set in the most romantic city in the | :41:24. | :41:28. | |
world, Venice. My wife said it's the most romantic city she's ever been | :41:29. | :41:32. | |
to. I will have to go with her next time. What's wrong with that? Oh, I | :41:33. | :41:47. | |
see, yes. Here they are in training. Blackpool was a really special thing | :41:48. | :41:51. | |
for me. Before I came out I thought this is once in a lifetime, so I | :41:52. | :41:56. | |
want to get out there and have a lovely quickstep around that floor. | :41:57. | :41:59. | |
I kind of feel Sophie really stepped up on the performance level and I | :42:00. | :42:04. | |
think Sophie danced marvellously. Len was the person I really hoped | :42:05. | :42:08. | |
would like it because Len knows his ballroom. Shut up, close the door! | :42:09. | :42:15. | |
It was spot on. If he is picking up on that, that's brilliant. It's not | :42:16. | :42:20. | |
the easiest thing, but it is a lovely thing. If they are getting a | :42:21. | :42:24. | |
sense of how much I love it, then that's great. | :42:25. | :42:28. | |
This week I am dancing the rumba. Rumba is kind of the one is like on | :42:29. | :42:32. | |
the horizon as a potential dance that you are slightly intimidated by | :42:33. | :42:37. | |
because it's the sexy one. People generally think of rumba as a sexy | :42:38. | :42:42. | |
dance but for me it's more about the emotion. Your day job is singing and | :42:43. | :42:47. | |
that's what we need. You are trying to tell a story so the emotion is | :42:48. | :42:52. | |
important. We are taking a trip to the studio. With rumba probably more | :42:53. | :42:56. | |
than any of the other dances you do it's very emowingal -- emotional, | :42:57. | :43:04. | |
it's romantic. I normally have words to help articulate that, it will be | :43:05. | :43:09. | |
nice to remind myself of how I connect with what I am doing. Sophie | :43:10. | :43:14. | |
is singing and the passion and love for what she's doing is sensational. | :43:15. | :43:18. | |
It's been lovely showing Brendan what I do for a change. I hope it | :43:19. | :43:21. | |
works for me on Saturday night and helps me to do an even more | :43:22. | :43:27. | |
passionate rumba. Dancing the rumba, sroe fee Ellis | :43:28. | :43:37. | |
Becks -- Sophie Ellis Bextor and Brendan Cole. | :43:38. | :43:46. | |
MUSIC: Will You Still Love Me Tomorrow? | :43:47. | :45:14. | |
APPLAUSE AND CHEERING A standing ovation, a big one! A big | :45:15. | :45:31. | |
standing ovation. Well done. Oh, Sophie! You are so thrilled. That | :45:32. | :45:40. | |
was so... It was beautiful. I was expecting you to melt into the | :45:41. | :45:42. | |
floor. Oh, dear. Control yourself. Right, Len. Well, it was a very, | :45:43. | :45:48. | |
very pretty dance. Good lines. I love some of the shapes, the | :45:49. | :45:52. | |
transitions were pretty good. It's what I have said before, it just | :45:53. | :45:56. | |
lacked a little bit of flair here and there. Didn't have enough | :45:57. | :46:04. | |
chemistry for me. BOOING. Brendan, your choreography gave it the flair. | :46:05. | :46:09. | |
OK. I totally agree with Len. I think it was so pretty. It was | :46:10. | :46:17. | |
almost balletic. It has a wonderful classical feel to it. I like my | :46:18. | :46:28. | |
rumba a bit raunchier People think rumba is about sex, let's say. This | :46:29. | :46:35. | |
is about... It's about intimacy and a beautiful story. It was upmarket. | :46:36. | :46:48. | |
I did like the double spin. You handled that very nicely. But I have | :46:49. | :46:56. | |
to agree, I found it a bit cold. Rubbish! Moments you smiled and that | :46:57. | :47:01. | |
came away from your face as soon as you did a turn without spotting. It | :47:02. | :47:10. | |
was in and out for me. It's difficult, because I think maybe | :47:11. | :47:16. | |
with you you have to overexaggerate. Your eyes are down quite a lot. I | :47:17. | :47:23. | |
missed the intensity and sensuality between you. I just wanted that | :47:24. | :47:27. | |
intense eye focus within you both. It looks a little shy, that's all. | :47:28. | :47:31. | |
But you create beautiful lines with your body and shape. The lines were | :47:32. | :47:38. | |
lovely. And you are beautiful. What about the standing ovation? Don't | :47:39. | :47:47. | |
forget that. Thank you. APPLAUSE AND CHEERING | :47:48. | :47:59. | |
We could feel the chemistry up here. OK. It was beautiful. Well, it felt | :48:00. | :48:04. | |
intimate to me. I only really saw Brendan in the room which is what I | :48:05. | :48:11. | |
was hoping for with that. Bruno wanted a raunchier rumba. Your | :48:12. | :48:14. | |
husband was on his feet cheering you on. He was. It was good enough for | :48:15. | :48:19. | |
him. I saw him and it was brilliant. I don't know, it's confusing. You | :48:20. | :48:23. | |
are great mates, aren't you? We tell stories out there. It's about | :48:24. | :48:28. | |
creating a piece of choreography that you can touch with and I don't | :48:29. | :48:35. | |
know, I don't want to give filthy dirty rumbas. I just want to do a | :48:36. | :48:38. | |
lovely clean beautiful classic rumba. This girl delivered that. | :48:39. | :48:47. | |
Sorry if I have offended anybody. Bad boy Brendan might be making a | :48:48. | :48:51. | |
re-appearance! When my husband said it in training he said it was the | :48:52. | :48:55. | |
sort of rumba he felt happy with me doing. The scores are in, we loved | :48:56. | :48:59. | |
it! 31 for that rumba. Brendan is not | :49:00. | :49:22. | |
impressed I am a little over the whole, we need more performance, | :49:23. | :49:26. | |
that was a performance and a proper rumba performance. We are in your | :49:27. | :49:29. | |
corner, Brendan! We agree. If you want this pair to still love you | :49:30. | :49:32. | |
tomorrow, then you need to vote for them. | :49:33. | :49:39. | |
Or you can vote online. The vote won't start until the dancing stops. | :49:40. | :49:44. | |
Hold your horses for now. Because we have three more couples ready to | :49:45. | :49:47. | |
burn up the dance floor. Who is next? | :49:48. | :49:54. | |
Next couple is... Oh, get ready, especially ladies. It's Big Ben | :49:55. | :50:00. | |
time! Of course with his lovely partner, Kristina. For their routine | :50:01. | :50:05. | |
Ben will be a weightlifter. I tried to be a weightlifter once, I grabbed | :50:06. | :50:10. | |
the bar and I lifted it up with all my might and I finally got it above | :50:11. | :50:17. | |
my head and then I dropped it. The instructor said, that was very good. | :50:18. | :50:20. | |
Now let's see what you can do with some weights on. So I walked away | :50:21. | :50:29. | |
and left him lying there! Right, here they are in training. | :50:30. | :50:40. | |
Arriving in the Blackpool Tower Ballroom was spectacular. I loved | :50:41. | :50:44. | |
every moment and I have to say I loved it and it was an honour and | :50:45. | :50:47. | |
probably something I will only do once in my lifetime. Ben did his | :50:48. | :50:54. | |
best, the lifts were incredible. It was a magical night. Big Ben is | :50:55. | :51:01. | |
back. It was lovely to get recognition for what you do from the | :51:02. | :51:09. | |
judges. I am improving every week. Kick, kick. This week is the | :51:10. | :51:15. | |
Charleston. The toughest thing for Ben will be to be animated. I will | :51:16. | :51:21. | |
find it difficult to do these faces and be an actor. I will embrace it | :51:22. | :51:27. | |
as much as I can. Show me some facial expresses. We have to get | :51:28. | :51:33. | |
help on that one. We have Richard, a mime artist, come in today to do | :51:34. | :51:44. | |
help. Picking an apple, eating it, being hungry, beg pregnant at one -- | :51:45. | :51:49. | |
being pregnant at one stage. Sometimes you need to be bigger to | :51:50. | :51:54. | |
tell a story, exaggerate the motions. You get a 10 from Len. And | :51:55. | :52:00. | |
a three from Craig. I really enjoyed working with Richard today. It puts | :52:01. | :52:04. | |
a perspective on things. Hopefully I can get this face and the footwork | :52:05. | :52:10. | |
right for this weekend's dance. Dancing the Charleston, Ben Cohen | :52:11. | :52:20. | |
and Kristina Rihanoff. APPLAUSE AND CHEERING | :52:21. | :54:12. | |
A standing ovation! All right, Ben. Are you happy? Thank | :54:13. | :54:18. | |
you very much everybody. When you think back all those weeks, oh, you | :54:19. | :54:22. | |
are a dancer, you really are. Bruno. The strongest man on earth! Imagine | :54:23. | :54:28. | |
Charles Atlas doing the Charleston or was it Arnold? I am not sure. The | :54:29. | :54:33. | |
Charleston is quite hard because you have to be light on your feet. It | :54:34. | :54:38. | |
has to be extremely sharp and tight, especially on the feet. Your timing | :54:39. | :54:43. | |
was good. The feet and the swivel action could be a little bit | :54:44. | :54:47. | |
sharper. I think for a guy of your size it is wonderful what you are | :54:48. | :54:51. | |
doing. Incredible. I take my hat off to | :54:52. | :54:58. | |
you. Craig. It wasn't the most electrifying Charleston I think I | :54:59. | :55:03. | |
have ever seen, that's for sure. It's been incredibly hard for me and | :55:04. | :55:12. | |
I really did enjoy it. My heart bleeds for you, darling! A good | :55:13. | :55:17. | |
amount of swivel but no cross whatsoever. You lacked any sort of | :55:18. | :55:21. | |
freedom of movement and that's what this is about, quirkiness. Darcey. | :55:22. | :55:29. | |
Well, I have to say all that story-telling really worked. And you | :55:30. | :55:36. | |
are always upping the dance content each week, you are putting more in | :55:37. | :55:39. | |
there which is brilliant. It's strange, it looks careful on you, | :55:40. | :55:43. | |
that's the only thing. I think it's your concentration. You are really | :55:44. | :55:46. | |
concentrating and it's the only thing you have to try and hide. And | :55:47. | :55:51. | |
the attack into those lifts was brilliant. The improvement over all | :55:52. | :55:59. | |
these weeks is amazing. Len. You are a Time Lord, it was on time | :56:00. | :56:03. | |
throughout that dance. I liked the swivel action in that bit of | :56:04. | :56:07. | |
Charleston. The lifts were great, it did lack a bit of freedom in the | :56:08. | :56:13. | |
movement as Craig said, I never agree with Craig, but there you are! | :56:14. | :56:17. | |
It needed more going on, but very good. No mistakes. You did a good | :56:18. | :56:26. | |
job. Well done. Off you go. | :56:27. | :56:38. | |
APPLAUSE AND CHEERING Strong man Ben, show us your guns! | :56:39. | :56:46. | |
Look at Kristina's. They were real weights by the way. Very heavy. The | :56:47. | :56:52. | |
audience went wild for your performance. Did you enjoy it? I | :56:53. | :56:57. | |
loved it. It's been a good week. It was a dance you could really let go. | :56:58. | :57:02. | |
It was out of my comfort zone completely. I enjoyed it. Every | :57:03. | :57:07. | |
woman watching is wondering how it feels to be lifted that high by Ben, | :57:08. | :57:09. | |
impressive. The scores are in. Well, those scores certainly do not | :57:10. | :57:31. | |
reflect the audience reaction in here tonight. What do you think? Did | :57:32. | :57:42. | |
our strongman Ben's Charleston lift your spirits? | :57:43. | :57:45. | |
It's been an incredible night. There's even more going on behind | :57:46. | :57:50. | |
the scenes. You can get all the gossip on Facebook or Twitter or | :57:51. | :57:54. | |
head to the website. Two more couples left. You wowed us all. Who | :57:55. | :57:57. | |
is next? Our next couple is Abbey and her | :57:58. | :58:03. | |
partner Aljaz. That quickstep they did last week was fantastic. Abbey | :58:04. | :58:09. | |
is, let me remind you, is married to the footballer Peter Crouch. He is | :58:10. | :58:13. | |
6'7". He was at Blackpool with her last week and he went for a paddle | :58:14. | :58:17. | |
in the sea. But only up to his knees. I said, how far did he get? | :58:18. | :58:31. | |
She said, Ireland. Silly joke! But I hope funny. Here they nr training. | :58:32. | :58:35. | |
-- here they are in training. Dancing in Blackpool was | :58:36. | :58:42. | |
breath-takingly beautiful. To perform there was amazing. I was so | :58:43. | :58:49. | |
proud, proudest teacher ever. To get three 10s, I was just over the moon. | :58:50. | :58:54. | |
Just could not believe it. I am actually shocked at how much I am | :58:55. | :58:58. | |
loving Strictly. I am obsessed. I am so excited that my journey on | :58:59. | :59:04. | |
Strictly can continue. This week we have the paso doble. I am really | :59:05. | :59:10. | |
struggling and it's starting to frustrate me. Paso walk. I have been | :59:11. | :59:32. | |
doing it in the kitchen, the bathroom before bed. He erce if I do | :59:33. | :59:36. | |
my homework he is going to give me a surprise. That was much better. I | :59:37. | :59:38. | |
can see you have been doing your homework. I am really happy. The | :59:39. | :59:46. | |
surprise was a message from her nana. She's 96, the Queen of our | :59:47. | :59:53. | |
family. This is nana. I am over the moon the way everything has gone | :59:54. | :00:06. | |
with you. You are A1 in my heart. It's given me more determination to | :00:07. | :00:10. | |
go out on Saturday and do an amazing paso. Dancing the paso doble, Abbey | :00:11. | :00:16. | |
Clancy and Aljaz Skornajec. APPLAUSE AND CHEERING | :00:17. | :02:07. | |
Oh, yes, here we go again. That was lovely. Don't look like that, your | :02:08. | :02:16. | |
nana loved it. Look at them all! That was great. Really good. OK. | :02:17. | :02:23. | |
Nana loved it, I am sure. Craig. Your free arm was a little loose at | :02:24. | :02:27. | |
times and just overshooting the lines, that's only on occasion. A | :02:28. | :02:33. | |
little bit more body tension and resistance would have been great. A | :02:34. | :02:38. | |
little bit cutesy, but I loved the dance. Good. Happy ending. Darcey. | :02:39. | :02:45. | |
Well, that was a very difficult paso. Aljaz, you gave her a lot to | :02:46. | :02:50. | |
think about. I would have liked a harder, stronger woman from you. | :02:51. | :02:54. | |
There was drama in your face and I did see that. You did create some | :02:55. | :02:57. | |
very nice shapes, one very impressive back bend over Aljaz's | :02:58. | :03:02. | |
arm. It was beautiful. I just wanted a bit more. I wanted to see | :03:03. | :03:05. | |
something different from you. Something more dramatic. Oh, dear. | :03:06. | :03:11. | |
OK. Len. I love the shapes, I like the choreography, twist, turns, | :03:12. | :03:16. | |
things I like to see. More me, on occasions, you lost a bit of | :03:17. | :03:21. | |
control. I was slipping everywhere. There you are, it is what it is. I | :03:22. | :03:26. | |
enjoyed the dance, I would have liked to have seen it a little bit | :03:27. | :03:31. | |
cleaner. All right. Abbey, you should be proud of yourself. I tell | :03:32. | :03:34. | |
you, some of the things you did tonight from a non-dancer were | :03:35. | :03:38. | |
incredibly beautiful. You played it in a wonderful seductive way. It | :03:39. | :03:44. | |
ended with a kiss, instead of a kill. You were working incredibly | :03:45. | :03:48. | |
hard and I think what happened is because of the few slips you lost | :03:49. | :03:53. | |
control, but you shouldn't put yourself down, Abbey. Really, you | :03:54. | :03:57. | |
have achieved a lot in this competition. Don't put yourself | :03:58. | :04:02. | |
down. And nana loved it! Give her my love. Off you go then. | :04:03. | :04:19. | |
APPLAUSE AND CHEERING Bruno pointed out you have achieved | :04:20. | :04:23. | |
a lot in the nine weeks of the competition. Four weeks away from | :04:24. | :04:27. | |
the final, how much do you want to stay and thereby? I just -- and be | :04:28. | :04:32. | |
there? I don't want it to end, I am having the time of my life. She | :04:33. | :04:37. | |
doesn't want to leave. Aljaz, there are no words. The scores. | :04:38. | :04:57. | |
32. Not your highest score, not bad. The judges are getting tougher. Are | :04:58. | :05:03. | |
you happy? I am happy. I loved that dance. Did my best. You have been | :05:04. | :05:08. | |
practising the walk all night, the fierce walk. If you got the love and | :05:09. | :05:13. | |
want to see them through to next week then call: | :05:14. | :05:20. | |
Or you can vote online. It's nearly time to cast your votes, but not | :05:21. | :05:23. | |
until our final couple has performed. Who is last to take to | :05:24. | :05:26. | |
the floor, Bruce? Right, our final couple this evening | :05:27. | :05:32. | |
is Patrick and his partner, Anya. They were so wonderful last week. | :05:33. | :05:39. | |
The dance last week was beautiful. Dr Who will be starting soon. I have | :05:40. | :05:44. | |
been told to hurry up a bit. It's a great show tonight. Evidently it | :05:45. | :05:48. | |
features all the doctors, I wish I had been in it, just think of all | :05:49. | :05:55. | |
the doctor, doctor jokes, I could have done. I have a few here. Doctor | :05:56. | :06:00. | |
it hurts when I do this. Don't do it. Doctor, when I drink a cup of | :06:01. | :06:12. | |
tea I get a stabbing pain in the eye. Well, take the spoon out. | :06:13. | :06:17. | |
Doctor, I have a strawberry in my ear. Don't worry, I have a cream for | :06:18. | :06:23. | |
that. Forget it, mustn't keep the doctor waiting! Here is Patrick and | :06:24. | :06:32. | |
Anya in their training. Dancing on the Blackpool floor was | :06:33. | :06:37. | |
quite incredible. The pressure was on, it was an amazing show. The | :06:38. | :06:42. | |
audience were really up for it. There was a slight hiccup. I got | :06:43. | :06:46. | |
caught in my skirt. It's disappointing. I felt I was letting | :06:47. | :06:51. | |
him down. Thank you for being there. We are a team! You came out and | :06:52. | :07:00. | |
whammed it! It was great. It was an unbelievable feeling. It was a | :07:01. | :07:03. | |
moment to remember. Next one is going to be even better. | :07:04. | :07:09. | |
Viennese waltz has to be soft, flowing, elegant and romantic. In my | :07:10. | :07:14. | |
opinion it's one of the most romantic dances. Patrick needs to | :07:15. | :07:19. | |
reflect on all his romantic roles hey -- he has done in the past and | :07:20. | :07:24. | |
bring that to our Viennese waltz. You need to bring that leading man. | :07:25. | :07:27. | |
There's been many leading roles I have played which have been | :07:28. | :07:31. | |
romantic. But the one that encapsulates this piece is Romeo. He | :07:32. | :07:37. | |
is passionate and romantic. Going back on stage to get a little taste | :07:38. | :07:41. | |
of that will help me in terms of the Viennese waltz. If you want more, go | :07:42. | :07:51. | |
up to that first balcony. I get to be Juliet? See how she leans her | :07:52. | :07:56. | |
cheek up on her hand. Oh, that I might touch that cheek. That's what | :07:57. | :08:03. | |
we need for our Viennese waltz. Got the steps, got the role. Hopefully I | :08:04. | :08:08. | |
can bring everything together on Saturday night. | :08:09. | :08:12. | |
Dancing the Viennese waltz, Patrick Robinson and Anya Garnis. | :08:13. | :08:25. | |
APPLAUSE AND CHEERING Wonderful. Absolutely wonderful. | :08:26. | :10:03. | |
What grace and form you have there. Well done both of you. Darcey, start | :10:04. | :10:08. | |
us off, dear. The Viennese waltz is such a hard dance. Constantly | :10:09. | :10:12. | |
rotating and that was very difficult. Especially with those | :10:13. | :10:16. | |
drags and that swivel at the end. You put a lot in there. It's a shame | :10:17. | :10:21. | |
you don't look as comfortable and the shoulders went up on that | :10:22. | :10:26. | |
standing spin in the top line. For me I expect so much from you now, | :10:27. | :10:30. | |
and I am going to be picky because I want to see you here in four weeks' | :10:31. | :10:35. | |
time. OK, pull it out next time, please. Len. The bad and the ugly I | :10:36. | :10:43. | |
am going to say. Good movement, nice sway. Bad standing spins, both of | :10:44. | :10:47. | |
them, I thought. I didn't like the ending thing. That was ugly. On the | :10:48. | :10:53. | |
floor and then the splits. It was all rushed. Listen, it's not your | :10:54. | :10:56. | |
best, but it's certainly not your worst. It's somewhere in the middle. | :10:57. | :11:01. | |
Well, don't feel bad about that. Bruno. You were rising very well for | :11:02. | :11:05. | |
a while and then the shame is at the end you crash landed. You actually | :11:06. | :11:10. | |
put a lot into it. You were very, very - hold your shape and your | :11:11. | :11:14. | |
frame. But I am with Len, that ending really, it was such a shame. | :11:15. | :11:19. | |
It messed up the whole effect. I wasn't in a dream any more. But I am | :11:20. | :11:23. | |
sure you will come back and will redeem yourself. Otherwise, it was | :11:24. | :11:35. | |
good. Craig. You never disappoint rhythmically. Your head position is | :11:36. | :11:42. | |
bothering me. Unfortunately, Anya's feet came off the floor and it | :11:43. | :11:46. | |
became a lift at the end, sadly. I think all our judges - you are being | :11:47. | :11:52. | |
more critical now because we are facing the fatal four weeks. OK, but | :11:53. | :11:56. | |
it was great. We loved it. Off you go then. | :11:57. | :12:11. | |
APPLAUSE AND CHEERING Well done. The professionals were | :12:12. | :12:17. | |
shouting at the judges. I didn't hear Craig's last comment there. | :12:18. | :12:23. | |
What came off... Your feet, apparently. Ola was disagreeing with | :12:24. | :12:30. | |
that. Anya's feet, just to clear it up. Craig, come up and talk to us! | :12:31. | :12:35. | |
The judges are tough across the board tonight. Craig said in the | :12:36. | :12:39. | |
past you are the best male dancer in the competition. Is that a lot to | :12:40. | :12:43. | |
live up to? I don't think about that. You are the King of Latin, | :12:44. | :12:49. | |
safe to say. It depends on different opinions, if Anya is happy and the | :12:50. | :12:55. | |
crowd, I have done a good job. It was beautiful. Darcey says she wants | :12:56. | :13:00. | |
to see you in four weeks' time in the final. Can Patrick take you | :13:01. | :13:04. | |
there? Absolutely. I am looking forward to it. She said it. The | :13:05. | :13:06. | |
scores are in. Happy with that? Yeah. OK, you can | :13:07. | :13:34. | |
ca or vote online if you want to see what Patrick and Anya can pull out | :13:35. | :13:41. | |
of the hat for the musicals special. Voting will open in a few moments. | :13:42. | :13:45. | |
First, let's look at the leaderboard. | :13:46. | :14:04. | |
Remember, you can change all of that. You can pick up the phone or | :14:05. | :14:08. | |
go online and vote for your favourite. Why wait? The voting is | :14:09. | :14:18. | |
now open! They're easily pleased. | :14:19. | :14:26. | |
You can vote online for free. You will also find full terms and | :14:27. | :14:32. | |
continues. Lines will close at 8.15pm tonight. It's getting tougher | :14:33. | :14:37. | |
to choose. They're all so good. Here is a reminder of their performances | :14:38. | :14:39. | |
and those numbers you will need. Gorgeous dancing tonight, Bruce. | :14:40. | :17:11. | |
Voting closes at 8.15pm this evening. Didn't they all do well? | :17:12. | :17:15. | |
It's been another incredible night of ballroom, but unfortunately one | :17:16. | :17:18. | |
of these eight couples will not be treading the boards in our special | :17:19. | :17:22. | |
show featuring musicals next week. Sad, but true. Your votes are going | :17:23. | :17:26. | |
to be added to the scores to determine which two couples will be | :17:27. | :17:29. | |
in the dance-off in tomorrow night's results show. We will also have an | :17:30. | :17:37. | |
incredible performance from Il Divo. We don't want to miss that! That's | :17:38. | :17:47. | |
7.25pm tomorrow night. Stay tonight for The Day of The Doctor. It's on | :17:48. | :17:54. | |
straight after us If they're short of time, I have plenty left! In the | :17:55. | :17:58. | |
meantime, | :17:59. | :18:00. |