Week 9 Strictly Come Dancing


Week 9

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Last week Strictly brought a ballroom blitz to Blackpool.

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Everybody rose to the occasion. Fantastic! Spectacular. Mark

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survived the dance-off for a second time. But Bond girl Fiona lost her

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licence to thrill. This week, the competition is taking its toll.

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Everybody is prepared to do anything to get ahead.

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Will the celebrities' scheming pay off on the dance floor tonight?

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APPLAUSE AND CHEERING Live from the Strictly ballroom,

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this is Strictly Come Dancing! Please welcome your hosts, Sir Bruce

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Forsyth and Tess Daly. A new routine! Look at that. Did you

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see that? Well done, darling. Lovely. And in white, what a vision

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you are. A vision! Good evening, ladies and gentlemen, and children,

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welcome to Strictly Come Dancing. It's nice to see you, to see you...

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Nice! They're good. Nice to see you, Bruce. I have warmed this lot up.

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You have indeed. Warmed up and ready. You are looking pleased with

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yourself. I am pleased with myself. I have been asked to be the new

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voice on a sat-nav. Why did they ask you? What do you mean? Because I am

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perfect for it, that's why. When the driver gets in the car they hear me

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say, nice to see you, to see you... Nice! Not as many as that in the

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car! And if the speed is too low I say, higher. If the speed is too

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high I say... Lower! You see, if they reach their final destination

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without getting lost I say, didn't you do well!

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APPLAUSE They were good! We will keep you. I

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didn't rehearse. Did I? No! Last week we took the Strictly ballroom

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to Blackpool for our most spectacular show yet. But we had to

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leave one couple behind in the Tower Ballroom. Yes, poor Fiona and Anton

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lost out to Mark and Iveta in the dance-off. That still leaves eight

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couples fighting to get one step closer to the final. That's right.

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With four weeks to go it's all to dance for. Shall we get them out,

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Bruce? I can't see anything against it. I am feeling very strong

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tonight. I can see that. Clearly! It's time to meet the stars of our

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show. Pop star Sophie Ellis-Bextor and her

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partner Brendan Cole. Star of stage and screen Mark Benton and his

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partner Iveta Lukosiute. BBC Breakfast presenter Susanna Reid

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and her partner Kevin Clifton. England rugby hero Ben Cohen and his

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partner Kristina Rihanoff. Coronation Street star Natalie

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Gumede and her partner Artem Chigvintsev.

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Model and TV presenter Abbey Clancy and her partner Aljaz Skornajec.

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From Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan.

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And Casualty star Patrick Robinson and his partner Anya Garnis.

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APPLAUSE AND CHEERING There's going to be a few spaces

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now. But there they all are. Celebrities and dancers, we know how

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hard you work on the show, but be honest, it's better than being in

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the jungle eating insects. That's true. Good luck, Vincent! Yes. Very

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good luck to Vincent. APPLAUSE

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For this lot it's no time to take things easy. If they want to make it

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through to next week's musical special they're going to have to

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dance their little hearts out. They're dancing for our judges'

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points and your votes at home. They'll meet plenty... Did I say

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that? Clearly. Oh, good. Did anybody hear it? They'll need plenty of

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votes to avoid the dance-off... LAUGHTER

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Shut up! APPLAUSE.

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Sues's done that a few times. To avoid the dance-off in tomorrow's

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results show. The stakes are high but so is the standard of dancing.

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Who has the pleasure of going first tonight? First couple tonight is

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Susanna Reid and her partner, Kevin. They're hot to trot tonight, Bruce.

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Susanna told me she's the first Breakfast television presenter to

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have ever scored 39 points. I said, actually, that's not true. Fiona

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Phillips got 39 points, you see, if you add up all the points for the

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four weeks she was here, that's 39 points. It's a funny joke! I thought

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they'd all gone. Here they are in training. Good luck.

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Saturday night that paso on the Blackpool Tower floor I don't think

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I will have a moment like that again. I have said to Kevin I am not

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a 10 sort of person, so I can't really believe it. It was like an

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out of body experience. I will never forget that. Thank you. Lying on the

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floor at the end of the dance I just felt people's reaction. My heart was

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fit to burst. It was incredible. This week we are dancing

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cha-cha-cha. I can't do it. You have to nail the walks. I can't do it!

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Who invented cha-cha walks? I want to see them now. I can run more than

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26 miles in one go. That's impressive. I find walking so

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challenging. I have noticed that. I have a plan. We are here for this.

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You sort of walk like you just got off your horse. It's a little, you

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know, tricky to get on. Can you get on now? Yeah. One in front of the

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other. That's called walking. So much better. Actually genuinely

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good. These are the best cha-cha walks you have done all day. All

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right, let's see you get off then. I thought I would try something like

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this. There we go. Time to get back to training, I think. My feet have

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barely touched the ground. But I am hoping that my new technique will

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leave the judges beaming on Saturday.

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Dancing the cha-cha-cha, Susanna Reid and Kevin Clifton.

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APPLAUSE AND CHEERING What about that!

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Oh, Susanna! I never knew you could shimmy like that. You like it, as

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well. I don't usually require that on the Breakfast sofa. By the way,

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let's welcome our judges. APPLAUSE AND CHEERING

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They all had a few drinks after the show in Blackpool. Bruno went out

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with the professional dancers because he gets on well with them.

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Len went out with the male celebrities because he gets on well

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with them. Darcey went out with the female celebrities because she gets

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on with them. And Craig had room service. And he saw Match of the

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Day! Can you imagine that? Len, what did you think of that? May I just

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say before that, not only to you Susanna, but all our couples, that

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we are getting down now to the nitty gritty, not far to go. The standard

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is high and the competition close. Things that we overlooked a little

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bit in the past, we are going to be really picking up on. We want to see

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the best get through to the final and move on. Having said that,

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that's what I am looking for. I am really going to be picking up

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everything. I thought the timing was good. I like the mix of steps. Your

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problem in this dance was your leg action. You didn't get that

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straightening leg. It wasn't sharp and crisp and because of that you

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lost hip action. It was acceptable, but... BOOING It wasn't exceptional,

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it was good enough, I guess. But got to be much crisper in future. I

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think we have a message there. Bruno. Susanna, you house trained -

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I wouldn't expect anything else. Your performances fly off the shelf

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like mince pies at Christmas. Tonight, Len was right. There is a

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distinctive hip action that has to happen in the cha-cha. It wasn't as

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pronounced as it could have been. The performances are always up there

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but next time really get the hips going because it's so important.

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Otherwise, great fun. You were never keen on doing the cha-cha, were you?

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I have to say, cha-cha and I have found it hard to make friends. It's

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been a difficult one for you. Craig. I liked the vampy beginning, that

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got off to a great start. Timing as Len said very good. Always you

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supply personality which I love. For me it did not pop, it did not zing

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and you need to think about almost hyperextending your body, you have

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to go a lot further. I could see you were trying hard to straighten your

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legs and get hip action but for me it was all a little bit mumsy,

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darling. Stop it, Bruno, behave! Darcey, finish us off. The boys are

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right, it's a shame. It's that technique and getting a quicker

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straighter leg as much as you can. You know, it's a difficult dance and

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it wasn't yours tonight. It's a shame that the glamour of Blackpool

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Ballroom is over and we have to get, as the boys said, more picky. But

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you still give 100%. It's lovely. Straighten your legs, that's what

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they all said. But don't do it going up the stairs! It was lovely. Don't

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worry about it. Come here you. I have a bone to pick

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with Craig, he said you were mumsy. As a mother, I would say anything

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but mumsy. There's nothing wrong with being mumsy when you have three

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boys. Nothing at all. I would say one sassy hot mamma tonight. I

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didn't know that about the 39 points, Breakfast presenters. Well

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you are on a high after last week. I don't think so today. I get the

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impression! After that it must be a confidence boost after the high last

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week. It was. Last weekend was phenomenal. Yeah, brilliant. With

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the cha-cha I knew there was no chance of matching that. I am glad I

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have gone out and done it and it was great fun. It was. The scores are

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in. Sassy 31 points. It's not all bad

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news. You know what I am really happy with 31. That's amazing. What

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do you think? If you want to throw these Hound Dogs a bone, then vote

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for them: Voting won't open until all our

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couples have danced. Please don't call now, if you do, your vote won't

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count and you may be charged. All our couples need your votes, nobody

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is safe without you. Back to you, Bruce.

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Now our next couple, Ashley and his partner Ola. Very popular couple.

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His name is Ashley Taylor Dawson. It's one of those celebrities with

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three names. Ashley told me it sounds dignified and sophisticated

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to have three names. I said who told you that? He said, Anton Du Beke.

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Poor Anton. I do miss him, I don't know why, but I do miss him. Here

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they are in training. Performing at Blackpool was

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something very special. The standing ovation was incredible. It was like

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wow! I could not take my eyes off you. It was a great score but I need

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to break into 10, everybody else is doing it. I am very proud, very

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happy. This week I am dancing the waltz. Why are you not looking at

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me? You put me off. He has to be gliding across the floor this week.

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Stop it! What are the key parts of the waltz? Rise and fall. Heel

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leads. Lovely posture. You have got to be light on your feet. I have got

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a little plan. Are we here to watch sharks swimming? No, we are here to

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do it with them. What? Looking good. Zip me up. We are going to go in

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that water and I want you to feel how to be weightless. I am thinking

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I am going to leave him in there by himself.

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It was incredible doing down there dancing with Ola. The arms were

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really good. Craig will be proud. Thank you. Being under the water did

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help me feel weightless and I understand now what Ola is on about.

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I like it in there, can't hear a word you say! Can I get one for

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dance training? Dancing the waltz, Ashley Taylor

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Dawson and Ola Jordan. APPLAUSE AND CHEERING

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Wonderful. Absolutely wonderful. That was great. Well done. And what

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a routine and the rise and fall and the feel, I don't know what they're

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going to say, but I thought it was great. Bruno. Beautifully handled. I

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am so impressed. The music and the timing in that song was so

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difficult. The phrasing was incredibly difficult. You could

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hardly have a down beat and yet you glided through with incredible

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poise, ease of movement, elegant. You set the mood so well. I thought

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it was a wonderful, wonderful waltz. Great. You danced with the music.

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And your posture, oh! Craig. You coped well as Bruno said with the

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cross phrasing because it's difficult music. Your expression

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throughout was very, very good. However, your head is driving me

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absolutely mad, darling. It keeps inclining to the right. It's

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particularly noticeable, darling, through the sounding spin. You have

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to sort that out. Oh, really? I never noticed that. I was away in

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the emotion of the whole thing. Darcey, darling. It was so slick,

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ashy. -- Ashley. The control, and you really rose to the occasion. It

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wasn't easy. You glided effortlessly across that dance floor. Well done.

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For me, I think it was one of your best dances. Craig's right, when you

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tense up on a turn you do a little tilt. When you are going to turn,

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just relax. You just get a little tense. Ashley, well done. Really

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good. The rise and fall, I have never seen it better on this show.

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Len. Well, you are like your initials ATD - attention to detail.

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Footwork was good. I loved that chassis you did early on. It had

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light and shade. As the music built you went into it. I thought you did

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a terrific job. The waltz is not an easy dance. It's a big dance. Big

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flowing movement. The head thing is a little thing you have to work on a

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tad. But, overall, I am telling you, that was terrific. What did I tell

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you? Go on, off you go. It was wonderful!

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APPLAUSE AND CHEERING Ashley! Craig hates your head. I

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know, I hate my head now, as well. I am sick of my head! It's a lovely

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head. It is lovely. I will shop for a new one, see what happens. Darcey

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thinks it's one of your best dances. That's high praise. Are you gagging

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for your first 10? It would be rude to say I wasn't, I am. Four weeks

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from the final, it's getting closer. Would you say the atmosphere back

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stage has changed? There's been a lot of time today you are told to be

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here and there, there's too much time to think. It's getting more

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competitive. Bring on the competition. The scores are in.

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No 10 but a great score. I am very happy. Teacher is happy. A wonderful

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waltz. The number to call when lines open is:

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Or you can vote online. He is keeping this head! Loads more to

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come, Sophie and Brendan are giving us a romantic rumba and can our

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Latin King Patrick pull off the perfect Viennese waltz? Time will

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tell. Next up is Natalie and her partner

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Artem. Such good couples. This week in training they visited a local

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school. Because of the war I didn't go to school very much at all. It

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really was. Most of my time was spent entertaining the troops. They

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used to drop me behind enemy lines to tell jokes to the Germans. I did

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my bit, don't you worry! Here they are in training.

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The audience in Blackpool gave us so much energy. It was spine-chilling.

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Spectacular. Wasn't expecting to get 39. I cannot be more happy. I have

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been humbled by people's response to what we have done and for people

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to... Appreciate it... This week we are dancing the tango.

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We do a lot of this. Blackpool was awesome. One of the special moments

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was the massive group number we did. You see the little kids dancing and

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it was quite special. They showed up all the contestants. I thought we

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could go to a school and show them what we have been up to. It's a

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chance to give back and show how brilliant dancing can be. Looking

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forward to meeting the kids. Maybe some of them are going to be

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futurely Strictly professionals. Somebody might show you up. Let's

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hope not! Hi! Does anybody want to see some dancing? I was blown away.

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I couldn't believe it, I thought it was a dream. She looked so

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beautiful. I wish I could be her. I am going to grab you here. And lift

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you up! We give them a 10! Today has been a joy and just seeing the way

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the kids engage with dancing will give me that extra boost for

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Saturday night. Dancing the tango, Natalie Gumede

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and Artem Chigvintsev. APPLAUSE AND CHEERING

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Oh, wonderful. Are you all right? Oh, dear. Good job that didn't

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happen when you were doing it. I was trying to be a lady. A standing

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occasion from a few here. While you get your breath back. , it's a good

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time to welcome our singers and Dave Arch and his wonderful, wonderful

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orchestra! And our wonderful singers and orchestra. Great. I think we

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start off with you, Craig. I am going to be really picky. Your left

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hand, my darling, was facing up, instead of palm to the floor.

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Sometimes got into the correct position but mainly it was in the

:30:12.:30:14.

wrong position. You need to sort that out. You hopped around in one

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of those pivot steps, I don't know whether it was to do with the dress

:30:20.:30:22.

or something, but that was a bit of a disaster. The whole thing lacked a

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little bit of drama. What? Are you out of your mind? Lacked a bit of

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drama? Sorry, it's getting crazy. Darcey. Ignore Craig. I love that

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classic tango. The intensity when you were fixed in that hold was

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beautiful. There was only one thing for me, if you could overexaggerate

:30:50.:30:53.

and push away further from the waist in your top line from Artem, that

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would be the only thing and it would be perfection. It was beautiful. It

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was very dramatic. Len. You look like my favourite Quality Street,

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and I have to say that was a quality performance. My only criticism in

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the links sometimes you lowered your head a little bit but again that's

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being... He has told me already. Told me every day. But fabulous,

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well done. Bruno. For me you set off like the tango express! Destination,

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the final! We are going to take you there with great style. For me it

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was fabulous! There we are. Say no more. Get off before he changes his

:31:42.:31:45.

mind. Off you go. Well done, Natalie. Good luck. Artem, that was

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wonderful. Up the stairs you go! APPLAUSE AND CHEERING

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Yes, truly a quality performance. Nothing to do with the dress. The

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dress was... The quality's a bit downhill. You always get the most

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amazing response from the audience. First standing ovation of the

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evening. How does it feel to get that reaction from them? It's

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absolutely mind-blowing. You cannot really take it in when the dance is

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finished but we are so grateful for the support. Thank you. Feels good I

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bet. The scores are in. A 10. Well, do you agree with our

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judges? They might be riding high with the

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judges but they still need your votes like everybody else. Time now

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for more dancing. Back to my main man, Bruce.

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Our next couple is Mark and Iveta. Last week Mark wanted to get his

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palm read by a fortune teller. I went to one, as well. She looked at

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my right hand and looked up here. And right here, around the back of

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me and right down the other arm. I said, what are you doing? She said,

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looking at your lifeline. APPLAUSE

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She said, it goes on forever. I said, I do hope so! Here they are in

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training. Before the show last week I was really excited. It's such a

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wonderful place that ballroom that I was really looking forward to the

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dance. Big, brash and fabulous to watch. Len gets what I am about,

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which is trying to entertain people. We got 8s, which was brilliant. I

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had a feeling we were going to be in the dance-off. It was the second

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time in the bottom it wasn't as scary as the first one. The dance

:34:19.:34:23.

went well. I thought it was the end when Craig saved Fiona. As the

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results went on Len decided to save us, I thought it was our last dance

:34:31.:34:35.

so I was thrilled. This week we are going to do a foxtrot. Mark has been

:34:36.:34:39.

criticised for his lack of technique. Don't you think that...

:34:40.:34:48.

Don't give up on me now. I won't. Mark is working so hard even when he

:34:49.:34:54.

is not in the training room. Here I am trying to brush up on a bit of

:34:55.:34:59.

ballroom. Foxtrot, here we come. He hardly gets to spend any time with

:35:00.:35:03.

his family. I had a brilliant surprise today. My amazing wife

:35:04.:35:09.

Sarah came to see us. I am here to support Mark and show him how proud

:35:10.:35:12.

we are of him. We have been together nearly 23 years and he has always

:35:13.:35:16.

been a shy person. For him it was always about letting people see the

:35:17.:35:20.

real him. What you see with Mark is what you get, which is joy and just

:35:21.:35:23.

pure genuine character and that's what I love about him. Our foxtrot

:35:24.:35:30.

is a happy dance. I want to dedicate it to Sarah because she's been there

:35:31.:35:37.

for us every step of the way. Dancing the foxtrot, Mark Benton and

:35:38.:35:52.

Iveta Lukosiute. APPLAUSE AND CHEERING

:35:53.:37:28.

Well, you made it a beautiful night! That was so joyful. So lovely. Well

:37:29.:37:37.

done. Right, Darcey, what do you think? Mark, you always make me

:37:38.:37:40.

smile in everything, I love it. You were charming. You obviously got out

:37:41.:37:45.

of bed on the right side today, it was beautiful. Your top line has

:37:46.:37:49.

improved so much. You create a beautiful shape there. It's only

:37:50.:37:52.

technical, I would have loved to have seen more flow and more travel

:37:53.:37:58.

across the dance floor. But I loved that performance. OK. Len. For me

:37:59.:38:08.

you have been trained, but never tamed. There's always little chey

:38:09.:38:16.

moments I like, little touches. It makes me smile. You were like a

:38:17.:38:23.

Dalek really, you moved smoothly but there was no - you got to get swing.

:38:24.:38:31.

It's Dr Who tonight. You got that! You got to get more swing. But

:38:32.:38:42.

always fun to watch. It was joyful. Bruno. Rise and shine, you bring the

:38:43.:38:50.

sun on Strictly really. Side to side it was theatrical. It stopped a

:38:51.:38:54.

little bit on hold. It's hard to lead a foxtrot, it's difficult. But

:38:55.:39:00.

always jolly and pleasant. A lovely move. OK, Craig. All the main points

:39:01.:39:06.

were missing, the flow, movement, swing, sway. And too much side by

:39:07.:39:14.

side. Is that all you have to say! I got off lightly! Yeah, he ran out of

:39:15.:39:21.

breath. It was beautiful. We all loved it. Off you go up the stairs.

:39:22.:39:37.

APPLAUSE AND CHEERING Come here, Mark. Up to safety. Craig

:39:38.:39:43.

wasn't keen. He wasn't. But Len said always fun to watch. You have been

:39:44.:39:48.

in the dance-off now twice in a row. Yeah. What would it mean to avoid it

:39:49.:39:55.

this week? To? Avoid it. I am looking forward to it! Don't say

:39:56.:40:00.

that, Mark. You really want to be there again? No, we don't. OK, good.

:40:01.:40:05.

Definitely not. I am glad we cleared that up. Iveta, mark's come a long

:40:06.:40:11.

way and improved a lot. Has he got more to give? He does. He has a lot

:40:12.:40:17.

more to give. A lot more. Right? Listen to the lady. The scores are

:40:18.:40:19.

in. 28 from the judges. Yes. Well, it's

:40:20.:40:42.

a beautiful day, but did you think that was a beautiful foxtrot? Then

:40:43.:40:50.

get out of bed and call: Or you can vote online later.

:40:51.:40:57.

Still to dance, Abbey and Aljaz prove they've got the love in their

:40:58.:41:06.

powerful paso and will Big Ben bring out the big guns for the Charleston?

:41:07.:41:11.

Check out Kristina, never mind Ben! Who is next, Bruce?

:41:12.:41:17.

Our next couple is Sophie and her partner, Brendan. Now they will be

:41:18.:41:23.

doing the rumba and it's going to be set in the most romantic city in the

:41:24.:41:28.

world, Venice. My wife said it's the most romantic city she's ever been

:41:29.:41:32.

to. I will have to go with her next time. What's wrong with that? Oh, I

:41:33.:41:47.

see, yes. Here they are in training. Blackpool was a really special thing

:41:48.:41:51.

for me. Before I came out I thought this is once in a lifetime, so I

:41:52.:41:56.

want to get out there and have a lovely quickstep around that floor.

:41:57.:41:59.

I kind of feel Sophie really stepped up on the performance level and I

:42:00.:42:04.

think Sophie danced marvellously. Len was the person I really hoped

:42:05.:42:08.

would like it because Len knows his ballroom. Shut up, close the door!

:42:09.:42:15.

It was spot on. If he is picking up on that, that's brilliant. It's not

:42:16.:42:20.

the easiest thing, but it is a lovely thing. If they are getting a

:42:21.:42:24.

sense of how much I love it, then that's great.

:42:25.:42:28.

This week I am dancing the rumba. Rumba is kind of the one is like on

:42:29.:42:32.

the horizon as a potential dance that you are slightly intimidated by

:42:33.:42:37.

because it's the sexy one. People generally think of rumba as a sexy

:42:38.:42:42.

dance but for me it's more about the emotion. Your day job is singing and

:42:43.:42:47.

that's what we need. You are trying to tell a story so the emotion is

:42:48.:42:52.

important. We are taking a trip to the studio. With rumba probably more

:42:53.:42:56.

than any of the other dances you do it's very emowingal -- emotional,

:42:57.:43:04.

it's romantic. I normally have words to help articulate that, it will be

:43:05.:43:09.

nice to remind myself of how I connect with what I am doing. Sophie

:43:10.:43:14.

is singing and the passion and love for what she's doing is sensational.

:43:15.:43:18.

It's been lovely showing Brendan what I do for a change. I hope it

:43:19.:43:21.

works for me on Saturday night and helps me to do an even more

:43:22.:43:27.

passionate rumba. Dancing the rumba, sroe fee Ellis

:43:28.:43:37.

Becks -- Sophie Ellis Bextor and Brendan Cole.

:43:38.:43:46.

MUSIC: Will You Still Love Me Tomorrow?

:43:47.:45:14.

APPLAUSE AND CHEERING A standing ovation, a big one! A big

:45:15.:45:31.

standing ovation. Well done. Oh, Sophie! You are so thrilled. That

:45:32.:45:40.

was so... It was beautiful. I was expecting you to melt into the

:45:41.:45:42.

floor. Oh, dear. Control yourself. Right, Len. Well, it was a very,

:45:43.:45:48.

very pretty dance. Good lines. I love some of the shapes, the

:45:49.:45:52.

transitions were pretty good. It's what I have said before, it just

:45:53.:45:56.

lacked a little bit of flair here and there. Didn't have enough

:45:57.:46:04.

chemistry for me. BOOING. Brendan, your choreography gave it the flair.

:46:05.:46:09.

OK. I totally agree with Len. I think it was so pretty. It was

:46:10.:46:17.

almost balletic. It has a wonderful classical feel to it. I like my

:46:18.:46:28.

rumba a bit raunchier People think rumba is about sex, let's say. This

:46:29.:46:35.

is about... It's about intimacy and a beautiful story. It was upmarket.

:46:36.:46:48.

I did like the double spin. You handled that very nicely. But I have

:46:49.:46:56.

to agree, I found it a bit cold. Rubbish! Moments you smiled and that

:46:57.:47:01.

came away from your face as soon as you did a turn without spotting. It

:47:02.:47:10.

was in and out for me. It's difficult, because I think maybe

:47:11.:47:16.

with you you have to overexaggerate. Your eyes are down quite a lot. I

:47:17.:47:23.

missed the intensity and sensuality between you. I just wanted that

:47:24.:47:27.

intense eye focus within you both. It looks a little shy, that's all.

:47:28.:47:31.

But you create beautiful lines with your body and shape. The lines were

:47:32.:47:38.

lovely. And you are beautiful. What about the standing ovation? Don't

:47:39.:47:47.

forget that. Thank you. APPLAUSE AND CHEERING

:47:48.:47:59.

We could feel the chemistry up here. OK. It was beautiful. Well, it felt

:48:00.:48:04.

intimate to me. I only really saw Brendan in the room which is what I

:48:05.:48:11.

was hoping for with that. Bruno wanted a raunchier rumba. Your

:48:12.:48:14.

husband was on his feet cheering you on. He was. It was good enough for

:48:15.:48:19.

him. I saw him and it was brilliant. I don't know, it's confusing. You

:48:20.:48:23.

are great mates, aren't you? We tell stories out there. It's about

:48:24.:48:28.

creating a piece of choreography that you can touch with and I don't

:48:29.:48:35.

know, I don't want to give filthy dirty rumbas. I just want to do a

:48:36.:48:38.

lovely clean beautiful classic rumba. This girl delivered that.

:48:39.:48:47.

Sorry if I have offended anybody. Bad boy Brendan might be making a

:48:48.:48:51.

re-appearance! When my husband said it in training he said it was the

:48:52.:48:55.

sort of rumba he felt happy with me doing. The scores are in, we loved

:48:56.:48:59.

it! 31 for that rumba. Brendan is not

:49:00.:49:22.

impressed I am a little over the whole, we need more performance,

:49:23.:49:26.

that was a performance and a proper rumba performance. We are in your

:49:27.:49:29.

corner, Brendan! We agree. If you want this pair to still love you

:49:30.:49:32.

tomorrow, then you need to vote for them.

:49:33.:49:39.

Or you can vote online. The vote won't start until the dancing stops.

:49:40.:49:44.

Hold your horses for now. Because we have three more couples ready to

:49:45.:49:47.

burn up the dance floor. Who is next?

:49:48.:49:54.

Next couple is... Oh, get ready, especially ladies. It's Big Ben

:49:55.:50:00.

time! Of course with his lovely partner, Kristina. For their routine

:50:01.:50:05.

Ben will be a weightlifter. I tried to be a weightlifter once, I grabbed

:50:06.:50:10.

the bar and I lifted it up with all my might and I finally got it above

:50:11.:50:17.

my head and then I dropped it. The instructor said, that was very good.

:50:18.:50:20.

Now let's see what you can do with some weights on. So I walked away

:50:21.:50:29.

and left him lying there! Right, here they are in training.

:50:30.:50:40.

Arriving in the Blackpool Tower Ballroom was spectacular. I loved

:50:41.:50:44.

every moment and I have to say I loved it and it was an honour and

:50:45.:50:47.

probably something I will only do once in my lifetime. Ben did his

:50:48.:50:54.

best, the lifts were incredible. It was a magical night. Big Ben is

:50:55.:51:01.

back. It was lovely to get recognition for what you do from the

:51:02.:51:09.

judges. I am improving every week. Kick, kick. This week is the

:51:10.:51:15.

Charleston. The toughest thing for Ben will be to be animated. I will

:51:16.:51:21.

find it difficult to do these faces and be an actor. I will embrace it

:51:22.:51:27.

as much as I can. Show me some facial expresses. We have to get

:51:28.:51:33.

help on that one. We have Richard, a mime artist, come in today to do

:51:34.:51:44.

help. Picking an apple, eating it, being hungry, beg pregnant at one --

:51:45.:51:49.

being pregnant at one stage. Sometimes you need to be bigger to

:51:50.:51:54.

tell a story, exaggerate the motions. You get a 10 from Len. And

:51:55.:52:00.

a three from Craig. I really enjoyed working with Richard today. It puts

:52:01.:52:04.

a perspective on things. Hopefully I can get this face and the footwork

:52:05.:52:10.

right for this weekend's dance. Dancing the Charleston, Ben Cohen

:52:11.:52:20.

and Kristina Rihanoff. APPLAUSE AND CHEERING

:52:21.:54:12.

A standing ovation! All right, Ben. Are you happy? Thank

:54:13.:54:18.

you very much everybody. When you think back all those weeks, oh, you

:54:19.:54:22.

are a dancer, you really are. Bruno. The strongest man on earth! Imagine

:54:23.:54:28.

Charles Atlas doing the Charleston or was it Arnold? I am not sure. The

:54:29.:54:33.

Charleston is quite hard because you have to be light on your feet. It

:54:34.:54:38.

has to be extremely sharp and tight, especially on the feet. Your timing

:54:39.:54:43.

was good. The feet and the swivel action could be a little bit

:54:44.:54:47.

sharper. I think for a guy of your size it is wonderful what you are

:54:48.:54:51.

doing. Incredible. I take my hat off to

:54:52.:54:58.

you. Craig. It wasn't the most electrifying Charleston I think I

:54:59.:55:03.

have ever seen, that's for sure. It's been incredibly hard for me and

:55:04.:55:12.

I really did enjoy it. My heart bleeds for you, darling! A good

:55:13.:55:17.

amount of swivel but no cross whatsoever. You lacked any sort of

:55:18.:55:21.

freedom of movement and that's what this is about, quirkiness. Darcey.

:55:22.:55:29.

Well, I have to say all that story-telling really worked. And you

:55:30.:55:36.

are always upping the dance content each week, you are putting more in

:55:37.:55:39.

there which is brilliant. It's strange, it looks careful on you,

:55:40.:55:43.

that's the only thing. I think it's your concentration. You are really

:55:44.:55:46.

concentrating and it's the only thing you have to try and hide. And

:55:47.:55:51.

the attack into those lifts was brilliant. The improvement over all

:55:52.:55:59.

these weeks is amazing. Len. You are a Time Lord, it was on time

:56:00.:56:03.

throughout that dance. I liked the swivel action in that bit of

:56:04.:56:07.

Charleston. The lifts were great, it did lack a bit of freedom in the

:56:08.:56:13.

movement as Craig said, I never agree with Craig, but there you are!

:56:14.:56:17.

It needed more going on, but very good. No mistakes. You did a good

:56:18.:56:26.

job. Well done. Off you go.

:56:27.:56:38.

APPLAUSE AND CHEERING Strong man Ben, show us your guns!

:56:39.:56:46.

Look at Kristina's. They were real weights by the way. Very heavy. The

:56:47.:56:52.

audience went wild for your performance. Did you enjoy it? I

:56:53.:56:57.

loved it. It's been a good week. It was a dance you could really let go.

:56:58.:57:02.

It was out of my comfort zone completely. I enjoyed it. Every

:57:03.:57:07.

woman watching is wondering how it feels to be lifted that high by Ben,

:57:08.:57:09.

impressive. The scores are in. Well, those scores certainly do not

:57:10.:57:31.

reflect the audience reaction in here tonight. What do you think? Did

:57:32.:57:42.

our strongman Ben's Charleston lift your spirits?

:57:43.:57:45.

It's been an incredible night. There's even more going on behind

:57:46.:57:50.

the scenes. You can get all the gossip on Facebook or Twitter or

:57:51.:57:54.

head to the website. Two more couples left. You wowed us all. Who

:57:55.:57:57.

is next? Our next couple is Abbey and her

:57:58.:58:03.

partner Aljaz. That quickstep they did last week was fantastic. Abbey

:58:04.:58:09.

is, let me remind you, is married to the footballer Peter Crouch. He is

:58:10.:58:13.

6'7". He was at Blackpool with her last week and he went for a paddle

:58:14.:58:17.

in the sea. But only up to his knees. I said, how far did he get?

:58:18.:58:31.

She said, Ireland. Silly joke! But I hope funny. Here they nr training.

:58:32.:58:35.

-- here they are in training. Dancing in Blackpool was

:58:36.:58:42.

breath-takingly beautiful. To perform there was amazing. I was so

:58:43.:58:49.

proud, proudest teacher ever. To get three 10s, I was just over the moon.

:58:50.:58:54.

Just could not believe it. I am actually shocked at how much I am

:58:55.:58:58.

loving Strictly. I am obsessed. I am so excited that my journey on

:58:59.:59:04.

Strictly can continue. This week we have the paso doble. I am really

:59:05.:59:10.

struggling and it's starting to frustrate me. Paso walk. I have been

:59:11.:59:32.

doing it in the kitchen, the bathroom before bed. He erce if I do

:59:33.:59:36.

my homework he is going to give me a surprise. That was much better. I

:59:37.:59:38.

can see you have been doing your homework. I am really happy. The

:59:39.:59:46.

surprise was a message from her nana. She's 96, the Queen of our

:59:47.:59:53.

family. This is nana. I am over the moon the way everything has gone

:59:54.:00:06.

with you. You are A1 in my heart. It's given me more determination to

:00:07.:00:10.

go out on Saturday and do an amazing paso. Dancing the paso doble, Abbey

:00:11.:00:16.

Clancy and Aljaz Skornajec. APPLAUSE AND CHEERING

:00:17.:02:07.

Oh, yes, here we go again. That was lovely. Don't look like that, your

:02:08.:02:16.

nana loved it. Look at them all! That was great. Really good. OK.

:02:17.:02:23.

Nana loved it, I am sure. Craig. Your free arm was a little loose at

:02:24.:02:27.

times and just overshooting the lines, that's only on occasion. A

:02:28.:02:33.

little bit more body tension and resistance would have been great. A

:02:34.:02:38.

little bit cutesy, but I loved the dance. Good. Happy ending. Darcey.

:02:39.:02:45.

Well, that was a very difficult paso. Aljaz, you gave her a lot to

:02:46.:02:50.

think about. I would have liked a harder, stronger woman from you.

:02:51.:02:54.

There was drama in your face and I did see that. You did create some

:02:55.:02:57.

very nice shapes, one very impressive back bend over Aljaz's

:02:58.:03:02.

arm. It was beautiful. I just wanted a bit more. I wanted to see

:03:03.:03:05.

something different from you. Something more dramatic. Oh, dear.

:03:06.:03:11.

OK. Len. I love the shapes, I like the choreography, twist, turns,

:03:12.:03:16.

things I like to see. More me, on occasions, you lost a bit of

:03:17.:03:21.

control. I was slipping everywhere. There you are, it is what it is. I

:03:22.:03:26.

enjoyed the dance, I would have liked to have seen it a little bit

:03:27.:03:31.

cleaner. All right. Abbey, you should be proud of yourself. I tell

:03:32.:03:34.

you, some of the things you did tonight from a non-dancer were

:03:35.:03:38.

incredibly beautiful. You played it in a wonderful seductive way. It

:03:39.:03:44.

ended with a kiss, instead of a kill. You were working incredibly

:03:45.:03:48.

hard and I think what happened is because of the few slips you lost

:03:49.:03:53.

control, but you shouldn't put yourself down, Abbey. Really, you

:03:54.:03:57.

have achieved a lot in this competition. Don't put yourself

:03:58.:04:02.

down. And nana loved it! Give her my love. Off you go then.

:04:03.:04:19.

APPLAUSE AND CHEERING Bruno pointed out you have achieved

:04:20.:04:23.

a lot in the nine weeks of the competition. Four weeks away from

:04:24.:04:27.

the final, how much do you want to stay and thereby? I just -- and be

:04:28.:04:32.

there? I don't want it to end, I am having the time of my life. She

:04:33.:04:37.

doesn't want to leave. Aljaz, there are no words. The scores.

:04:38.:04:57.

32. Not your highest score, not bad. The judges are getting tougher. Are

:04:58.:05:03.

you happy? I am happy. I loved that dance. Did my best. You have been

:05:04.:05:08.

practising the walk all night, the fierce walk. If you got the love and

:05:09.:05:13.

want to see them through to next week then call:

:05:14.:05:20.

Or you can vote online. It's nearly time to cast your votes, but not

:05:21.:05:23.

until our final couple has performed. Who is last to take to

:05:24.:05:26.

the floor, Bruce? Right, our final couple this evening

:05:27.:05:32.

is Patrick and his partner, Anya. They were so wonderful last week.

:05:33.:05:39.

The dance last week was beautiful. Dr Who will be starting soon. I have

:05:40.:05:44.

been told to hurry up a bit. It's a great show tonight. Evidently it

:05:45.:05:48.

features all the doctors, I wish I had been in it, just think of all

:05:49.:05:55.

the doctor, doctor jokes, I could have done. I have a few here. Doctor

:05:56.:06:00.

it hurts when I do this. Don't do it. Doctor, when I drink a cup of

:06:01.:06:12.

tea I get a stabbing pain in the eye. Well, take the spoon out.

:06:13.:06:17.

Doctor, I have a strawberry in my ear. Don't worry, I have a cream for

:06:18.:06:23.

that. Forget it, mustn't keep the doctor waiting! Here is Patrick and

:06:24.:06:32.

Anya in their training. Dancing on the Blackpool floor was

:06:33.:06:37.

quite incredible. The pressure was on, it was an amazing show. The

:06:38.:06:42.

audience were really up for it. There was a slight hiccup. I got

:06:43.:06:46.

caught in my skirt. It's disappointing. I felt I was letting

:06:47.:06:51.

him down. Thank you for being there. We are a team! You came out and

:06:52.:07:00.

whammed it! It was great. It was an unbelievable feeling. It was a

:07:01.:07:03.

moment to remember. Next one is going to be even better.

:07:04.:07:09.

Viennese waltz has to be soft, flowing, elegant and romantic. In my

:07:10.:07:14.

opinion it's one of the most romantic dances. Patrick needs to

:07:15.:07:19.

reflect on all his romantic roles hey -- he has done in the past and

:07:20.:07:24.

bring that to our Viennese waltz. You need to bring that leading man.

:07:25.:07:27.

There's been many leading roles I have played which have been

:07:28.:07:31.

romantic. But the one that encapsulates this piece is Romeo. He

:07:32.:07:37.

is passionate and romantic. Going back on stage to get a little taste

:07:38.:07:41.

of that will help me in terms of the Viennese waltz. If you want more, go

:07:42.:07:51.

up to that first balcony. I get to be Juliet? See how she leans her

:07:52.:07:56.

cheek up on her hand. Oh, that I might touch that cheek. That's what

:07:57.:08:03.

we need for our Viennese waltz. Got the steps, got the role. Hopefully I

:08:04.:08:08.

can bring everything together on Saturday night.

:08:09.:08:12.

Dancing the Viennese waltz, Patrick Robinson and Anya Garnis.

:08:13.:08:25.

APPLAUSE AND CHEERING Wonderful. Absolutely wonderful.

:08:26.:10:03.

What grace and form you have there. Well done both of you. Darcey, start

:10:04.:10:08.

us off, dear. The Viennese waltz is such a hard dance. Constantly

:10:09.:10:12.

rotating and that was very difficult. Especially with those

:10:13.:10:16.

drags and that swivel at the end. You put a lot in there. It's a shame

:10:17.:10:21.

you don't look as comfortable and the shoulders went up on that

:10:22.:10:26.

standing spin in the top line. For me I expect so much from you now,

:10:27.:10:30.

and I am going to be picky because I want to see you here in four weeks'

:10:31.:10:35.

time. OK, pull it out next time, please. Len. The bad and the ugly I

:10:36.:10:43.

am going to say. Good movement, nice sway. Bad standing spins, both of

:10:44.:10:47.

them, I thought. I didn't like the ending thing. That was ugly. On the

:10:48.:10:53.

floor and then the splits. It was all rushed. Listen, it's not your

:10:54.:10:56.

best, but it's certainly not your worst. It's somewhere in the middle.

:10:57.:11:01.

Well, don't feel bad about that. Bruno. You were rising very well for

:11:02.:11:05.

a while and then the shame is at the end you crash landed. You actually

:11:06.:11:10.

put a lot into it. You were very, very - hold your shape and your

:11:11.:11:14.

frame. But I am with Len, that ending really, it was such a shame.

:11:15.:11:19.

It messed up the whole effect. I wasn't in a dream any more. But I am

:11:20.:11:23.

sure you will come back and will redeem yourself. Otherwise, it was

:11:24.:11:35.

good. Craig. You never disappoint rhythmically. Your head position is

:11:36.:11:42.

bothering me. Unfortunately, Anya's feet came off the floor and it

:11:43.:11:46.

became a lift at the end, sadly. I think all our judges - you are being

:11:47.:11:52.

more critical now because we are facing the fatal four weeks. OK, but

:11:53.:11:56.

it was great. We loved it. Off you go then.

:11:57.:12:11.

APPLAUSE AND CHEERING Well done. The professionals were

:12:12.:12:17.

shouting at the judges. I didn't hear Craig's last comment there.

:12:18.:12:23.

What came off... Your feet, apparently. Ola was disagreeing with

:12:24.:12:30.

that. Anya's feet, just to clear it up. Craig, come up and talk to us!

:12:31.:12:35.

The judges are tough across the board tonight. Craig said in the

:12:36.:12:39.

past you are the best male dancer in the competition. Is that a lot to

:12:40.:12:43.

live up to? I don't think about that. You are the King of Latin,

:12:44.:12:49.

safe to say. It depends on different opinions, if Anya is happy and the

:12:50.:12:55.

crowd, I have done a good job. It was beautiful. Darcey says she wants

:12:56.:13:00.

to see you in four weeks' time in the final. Can Patrick take you

:13:01.:13:04.

there? Absolutely. I am looking forward to it. She said it. The

:13:05.:13:06.

scores are in. Happy with that? Yeah. OK, you can

:13:07.:13:34.

ca or vote online if you want to see what Patrick and Anya can pull out

:13:35.:13:41.

of the hat for the musicals special. Voting will open in a few moments.

:13:42.:13:45.

First, let's look at the leaderboard.

:13:46.:14:04.

Remember, you can change all of that. You can pick up the phone or

:14:05.:14:08.

go online and vote for your favourite. Why wait? The voting is

:14:09.:14:18.

now open! They're easily pleased.

:14:19.:14:26.

You can vote online for free. You will also find full terms and

:14:27.:14:32.

continues. Lines will close at 8.15pm tonight. It's getting tougher

:14:33.:14:37.

to choose. They're all so good. Here is a reminder of their performances

:14:38.:14:39.

and those numbers you will need. Gorgeous dancing tonight, Bruce.

:14:40.:17:11.

Voting closes at 8.15pm this evening. Didn't they all do well?

:17:12.:17:15.

It's been another incredible night of ballroom, but unfortunately one

:17:16.:17:18.

of these eight couples will not be treading the boards in our special

:17:19.:17:22.

show featuring musicals next week. Sad, but true. Your votes are going

:17:23.:17:26.

to be added to the scores to determine which two couples will be

:17:27.:17:29.

in the dance-off in tomorrow night's results show. We will also have an

:17:30.:17:37.

incredible performance from Il Divo. We don't want to miss that! That's

:17:38.:17:47.

7.25pm tomorrow night. Stay tonight for The Day of The Doctor. It's on

:17:48.:17:54.

straight after us If they're short of time, I have plenty left! In the

:17:55.:17:58.

meantime,

:17:59.:18:00.

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