Browse content similar to Week 9 Results. Check below for episodes and series from the same categories and more!
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MUSIC: If I Knew You Were Comig I'd've Baked A Cake | :01:01. | :02:19. | |
MUSIC: If I Knew You Were Comig I'd've Baked A Cake | :02:20. | :03:20. | |
Please welcome your hosts, Tess Daly and Claudia Winkleman. | :03:21. | :03:49. | |
APPLAUSE Welcome to our Sunday's results | :03:50. | :03:53. | |
show. Would you like one? Yes, please. Thank you very much. My two | :03:54. | :03:57. | |
favourite things, dancing and cake. Thank you to our incredible | :03:58. | :04:03. | |
professional dancers and the icing on the cake, bake-off Queen herself, | :04:04. | :04:09. | |
Mary Berry. I love her. On Saturday night eight exceptional couples | :04:10. | :04:14. | |
danced to keep their place in the competition. But there are only | :04:15. | :04:19. | |
seven places in next week's Strictly's musical special which | :04:20. | :04:22. | |
means one couple must leave the show tonight. | :04:23. | :04:26. | |
You are right. Your votes have been counted, combined with the judges' | :04:27. | :04:28. | |
scores and the two couples with the lowest overall points will go | :04:29. | :04:32. | |
head-to-head. The judges will then have to decide who stays and who | :04:33. | :04:36. | |
goes. Please welcome the lovely, Craig, Darcey, Len and Bruno. | :04:37. | :04:42. | |
Don't let them have our cake. No. Also on the show tonight: | :04:43. | :04:53. | |
SuperstarsIl Divo will be here. And you will be talking to the | :04:54. | :05:00. | |
judges Saturday he night's performances in Len's Lens. Before | :05:01. | :05:06. | |
we reveal the couple in the bottom two, let's remind ourselves of the | :05:07. | :05:14. | |
dance drama on Saturday night. I can't hang about. Bruce la sow ga | :05:15. | :05:17. | |
zealer, shuls. Sack eye. Pock pock auto auto auto a a auto | :05:18. | :05:19. | |
e??FORCEDWHITare inaed a letter behind me. Time for Strictly. Come | :05:20. | :05:20. | |
on. A quick bit of breakfast. | :05:21. | :05:59. | |
Giving Mark the pre-match warm-up Here la sow ga zealer, shuls. Sack | :06:00. | :06:05. | |
eye. Pock pock auto auto auto a a auto e??FORCEDWHITare inaed a letter | :06:06. | :06:07. | |
our fabulous audience. Let's go look at the judges' table. | :06:08. | :06:32. | |
We are not trying to influence the judges or anything. Susanna this | :06:33. | :06:41. | |
will work. I promise you. You can he will foot nerves. | :06:42. | :06:44. | |
Ashley. Ashley. I don't know what to say, I'm so | :06:45. | :07:02. | |
scared. Ten, nine, eight, seven, six, five, | :07:03. | :07:08. | |
four, three, two, one It wasn't exceptional. It was good enough, I | :07:09. | :07:09. | |
guess. A difficu dance. It just wasn't | :07:10. | :07:26. | |
yours. I thouted you did a terrific job. The waltz la sow ga zealer, | :07:27. | :07:29. | |
shuls. Sack eye. Pock pock auto auto auto a a auto e??FORCEDWHITare inaed | :07:30. | :07:32. | |
a letter not an easy dance. Your head la sow ga zealer, shuls. Sack | :07:33. | :07:35. | |
eye. Pock pock auto auto auto a a auto e??FORCEDWHITare inaed a letter | :07:36. | :07:37. | |
driving me mad, darling. 9. A great score. Brilliant. | :07:38. | :08:02. | |
I enjoyed it, good fun. It lacked a bit of flare here and there. -- | :08:03. | :08:16. | |
flair. I like my rumba. Raugsier. I'm happy with my ro man take one, | :08:17. | :08:21. | |
my dad and granny are out there. -- romantic one. | :08:22. | :08:28. | |
The lifts were brilliant. Not the most electrifying Charleston I have | :08:29. | :08:31. | |
ever seen. Fantastic, after the hard work I | :08:32. | :08:35. | |
have put in. I loved the dance, I thought it was | :08:36. | :08:38. | |
great. You should be proud of yourself. | :08:39. | :08:42. | |
Really you have achieved a lot in this competition. | :08:43. | :08:49. | |
Not your best, but certainly not your worst. So, somewhere in the | :08:50. | :08:56. | |
middle. I expect so much from you now. Pull it out next time. 8. 8. 8. | :08:57. | :09:06. | |
. 8. Very, very good. Oh, there was plenty going on | :09:07. | :09:10. | |
tonight, I'm telling you. Top of the leaderboard, Natalie and Ashley. | :09:11. | :09:16. | |
Down the bottom, big Ben. The dance-off looms. Oh, what la sow ga | :09:17. | :09:19. | |
zealer, shuls. Sack eye. Pock pock auto auto auto a a auto | :09:20. | :09:21. | |
e??FORCEDWHITare inaed a letter going to happen? I don't know. | :09:22. | :09:33. | |
Who has come up trumps and who has come up short? I have the results. | :09:34. | :09:42. | |
In no particular ordered. The first couple safely through to next week | :09:43. | :09:45. | |
la sow ga zealer, shuls. Sack eye. Pock pock auto auto auto a a auto | :09:46. | :09:46. | |
e??FORCEDWHITare inaed a letter... Jo LEAR Surviving again and will be | :09:47. | :09:55. | |
dancing again next week are... And now the first couple who must | :09:56. | :11:10. | |
fight for survival in the dance-off la sow ga zealer, shuls. Sack eye. | :11:11. | :11:13. | |
Pock pock auto auto auto a a auto e??FORCEDWHITare inaed a letter... | :11:14. | :11:19. | |
am Mark and Yvette at that. Mark and Yvette at that please come and join | :11:20. | :11:29. | |
me. The rest of you, you will find out if you are through a little | :11:30. | :11:31. | |
later on. Come on own, you two. Here we are | :11:32. | :12:12. | |
again. I am just going to really enjoy it. We will see you later on | :12:13. | :12:25. | |
in the dance off. I am here with the couples who have made it through to | :12:26. | :12:29. | |
musicals week. That was incredibly tense. Normally people come up here | :12:30. | :12:36. | |
and they are very nervous. You were practically in tears. A little bit | :12:37. | :12:44. | |
in tears. Are you relieved? I am just so happy for whoever voted, | :12:45. | :12:52. | |
thank you so much. You are top of the leaderboard. How excited are you | :12:53. | :12:55. | |
to make it through to the musicals week? To be into next week is just | :12:56. | :13:03. | |
so exciting. The judges were so strict on Saturday night. You were | :13:04. | :13:09. | |
so happy. You never know what is going to happen, so thank you. I am | :13:10. | :13:21. | |
gripping onto Kevin. That was the most tense moment in the whole of | :13:22. | :13:27. | |
the programme for me this season. You are doing the quickstep. We are | :13:28. | :13:33. | |
doing good morning from singing in the rain. Now it is time for some | :13:34. | :13:42. | |
music. Tonight's act has sold 26 million albums worldwide. | :13:43. | :14:09. | |
Dash-mac tonight, tonight, tonight there will be no morning Star. | :14:10. | :14:31. | |
# tonight, tonight, I will see my love tonight and the stars will stop | :14:32. | :14:50. | |
where they are. # the hours go so slowly and still | :14:51. | :15:24. | |
the sky is light. # Tonight, tonight, won't be just | :15:25. | :15:31. | |
any night. # Tonight there will be no morning | :15:32. | :15:41. | |
star. # Tonight, tonight, I'll see my love | :15:42. | :15:45. | |
tonight, and for us, stars will stop where they are. | :15:46. | :15:48. | |
# Today the minutes seem like hours, the hours go so slowly, and still | :15:49. | :15:56. | |
the sky is light. # Oh moon, grow bright, and make | :15:57. | :16:01. | |
this endless day endless night. # Tonight. # but here you are and | :16:02. | :16:23. | |
what was just a world is a star, tonight. | :16:24. | :16:44. | |
Absolutely brilliant. Now it is time to welcome our masters of a | :16:45. | :16:58. | |
movement, the judges. Welcome. We can do this alone. It would be | :16:59. | :17:03. | |
ridiculous to think that we could. We need the help of Len's lens. This | :17:04. | :17:11. | |
is when we look at the details from Saturday night. First, a little clip | :17:12. | :17:18. | |
from this evening. I do not know what was happening to Bruno. Torque | :17:19. | :17:24. | |
whilst you watch this. There is Mary. It is Bruno with a confetti | :17:25. | :17:46. | |
gun. It was too stiff to be true. What was sweet, anybody else would | :17:47. | :17:51. | |
have gone, never mind. But you are like, no. Len, let me ask you about | :17:52. | :17:58. | |
Mark and Yvette. You said you did not think there was enough swing. It | :17:59. | :18:05. | |
is very square. May I stand for a fraction? When you dance F there has | :18:06. | :18:17. | |
to be this. There has to be a swing. This is a swing and this is a sway. | :18:18. | :18:27. | |
I love that guy, he is fun. But he has to have a bit of a swing and a | :18:28. | :18:32. | |
sway. That demonstration was mesmerising. Let me ask you about | :18:33. | :18:39. | |
Ben and Christina because you were impressed by the lifting and the | :18:40. | :18:42. | |
storytelling. Here they are on Saturday night. He is throwing | :18:43. | :18:49. | |
everything at it. He has added so much more to it. He always has dance | :18:50. | :18:56. | |
content, but now he has become a personality. In the Charleston you | :18:57. | :19:00. | |
have to have that. All the celebrities have to give that story | :19:01. | :19:03. | |
they are telling through the dance. It is essential. I want to talk to | :19:04. | :19:11. | |
you about Ashley and the head inclined. This clip shows that. It | :19:12. | :19:16. | |
is like somebody has a drawstring and somebody pulls it in his back | :19:17. | :19:21. | |
and the tendon in his neck shortens and becomes inclined. You get a bit | :19:22. | :19:27. | |
tense when you are trying to hide and turning is very hard. He just | :19:28. | :19:38. | |
tips as he goes around. Bruno! Sorry, he did incredibly well. Give | :19:39. | :19:44. | |
credit to people who worked so hard and deliver wonderful performances. | :19:45. | :19:53. | |
Bruno you have only used a ten once. You gave it to Natalie. Why did they | :19:54. | :20:02. | |
deserve a ten? That was a proper tango. The determination and the | :20:03. | :20:09. | |
effort. It was a classic, proper, beautiful tango. It was the dance of | :20:10. | :20:14. | |
the night. The audience agrees with you, but you do not agree. I agree | :20:15. | :20:22. | |
it is a beautiful dance, but we have to be picky. We are coming up to the | :20:23. | :20:26. | |
quarterfinals and the final and we want the done thing to be | :20:27. | :20:29. | |
spectacular and perfect and I will not give a ten unless it is | :20:30. | :20:35. | |
absolutely perfect. Thank you very much, the judges. They are very | :20:36. | :20:42. | |
strict. If you want more behind-the-scenes access go to our | :20:43. | :20:49. | |
website. The couples have made it through to next week, but who will | :20:50. | :20:51. | |
be joining them? It's time to reveal all. | :20:52. | :21:09. | |
In no particular order, safely through to next week, are... Patrick | :21:10. | :21:21. | |
and Anya. Back to dance again next Saturday | :21:22. | :21:31. | |
are... Abbey and Aljaz. So, that means Sophie and Brendon | :21:32. | :22:08. | |
and Ben and Kristina, one of you la sow ga zealer, shuls. Sack eye. Pock | :22:09. | :22:11. | |
pock auto auto auto a a auto e??FORCEDWHITare inaed a | :22:12. | :22:35. | |
Congratulations, you are through to next Saturday. Come over here and | :22:36. | :22:45. | |
join me. I am sorry to see you here. Bruno, you said in the Charleston | :22:46. | :22:52. | |
Ben's timing was good, but his feet could be sharper. What does he have | :22:53. | :23:00. | |
to do? The content is great. Just sharper on the swivels. A bit more | :23:01. | :23:05. | |
energy on the feet. That is all you have to do and enjoy it, because you | :23:06. | :23:13. | |
did very well. Great content, just sell it. It is your first time in | :23:14. | :23:20. | |
the dance off. How do you feel? I have had a classy time and I have | :23:21. | :23:23. | |
enjoyed every moment of it and I have been on borrowed time for a | :23:24. | :23:30. | |
while. Ben, it is not over yet. Are you going to sell it? I am going to | :23:31. | :23:38. | |
try my hardest. We will see you a bit later on. I am here with the | :23:39. | :23:48. | |
rest of the safe couples, all delighted to be through to next | :23:49. | :23:52. | |
week. Congratulations. I know that was incredibly tense. Abby came over | :23:53. | :24:01. | |
and said, have you got any wine? I do not right now. What are you going | :24:02. | :24:06. | |
to do in musicals week? Chitty Chitty Bang Bang. Can we have a clap | :24:07. | :24:14. | |
for that. I do not know whether you know, but you noted and you were | :24:15. | :24:24. | |
thinking, I know. I was thinking, let's get ready to rumba. Are you | :24:25. | :24:31. | |
relieved? I am relieved because it is another chance to dance again and | :24:32. | :24:39. | |
I am excited about musicals week. On that subject, a deep breath. | :24:40. | :24:44. | |
Somewhere over the rainbow our chorus line awaits, you may laugh, | :24:45. | :24:50. | |
wait to dance to the Sound of music. Next week is going to be truly | :24:51. | :24:54. | |
wicked because strictly is going to the musicals. I am so excited. Me | :24:55. | :25:04. | |
too, I love musicals. Dash-mac I hear everybody has been getting in | :25:05. | :25:13. | |
the mood for it. Shall we stop for lunch? Let me get the door for you, | :25:14. | :25:24. | |
darling. Do you want to go for a coffee? I am really tired and I | :25:25. | :25:27. | |
would like a break now. I can't get the steps right. | :25:28. | :25:38. | |
I just can't wait to dance on Saturday night. # | :25:39. | :25:46. | |
?WHITE Thank goodness they are going to be | :25:47. | :25:58. | |
dancing, and not singing. Now, sadly only one of these couples can make | :25:59. | :26:03. | |
it through to Strictly Musicals Week. Mark and Iveta, Ben and | :26:04. | :26:07. | |
Kristina, you are in the dance-off. Mark, on Saturday night you said you | :26:08. | :26:11. | |
looked forward dancing it again. Are you taking it back? I feel like I'm | :26:12. | :26:17. | |
a veteran now. Any time I get to dance with Yvette at that la sow ga | :26:18. | :26:20. | |
zealer, shuls. Sack eye. Pock pock auto auto auto a a auto | :26:21. | :26:22. | |
e??FORCEDWHITare inaed a letter good times. I will look forward to it | :26:23. | :26:24. | |
again. -- Iveta. Qulr Good luck. Ben and Christ Tina. | :26:25. | :26:55. | |
This is your first time here. Did you think you might be in the | :26:56. | :26:59. | |
dance-off? Well, with the scores. Yes. Awful scores, obviously. I | :27:00. | :27:01. | |
thought it was your best dance yet. You have total faith I in him, don't | :27:02. | :27:15. | |
you? Absolutely. She is the best. OK. Enormous luck when you do your | :27:16. | :27:21. | |
dance later. Both couples want it stay in the competition but the | :27:22. | :27:25. | |
judges can be only safe one. Dancing to safe their place, please go nuts | :27:26. | :27:27. | |
for Mark and Iveta. It's a beautiful day. You may not | :27:28. | :28:46. | |
believe this fire inside, it burns too bright. It's a beautiful day and | :28:47. | :28:58. | |
I cannot stop myself from smiling. They have done all they can and now | :28:59. | :29:29. | |
it is the turn for their competitors. This dance could make | :29:30. | :29:34. | |
all the difference. Please give it up for a Ben and Christina. | :29:35. | :31:22. | |
Yes, they gave it their absolute all. Well done to both of you. We | :31:23. | :31:32. | |
won a found out who will be back to dance next week. Judges, it is time | :31:33. | :31:40. | |
to decide. I am about to ask you the name of the couple you think | :31:41. | :31:44. | |
deserves to be saved. The couple with the most votes will stay in the | :31:45. | :31:48. | |
competition, the other couple is out. In the event of a tie, the head | :31:49. | :31:53. | |
judge, Len, will have the casting result. Craig, who would you like to | :31:54. | :32:04. | |
save? Both couples made mistakes, but I would like to save then and | :32:05. | :32:09. | |
Christina. Congratulations, that is one vote for you. Dicey, who do you | :32:10. | :32:16. | |
think deserves to stay? The couple I would like to save based on | :32:17. | :32:20. | |
tonight's performance is Mark and Yvette. You are back in the running. | :32:21. | :32:32. | |
Bruno, who do you want to stay? Both enduring and very entertaining, but | :32:33. | :32:37. | |
the mistakes were obvious. I have to say Mark and Yvette. It is 2-1. Head | :32:38. | :32:48. | |
judge, Len, you have the casting vote. Whichever couple you choose, | :32:49. | :32:53. | |
will stay in the competition. They both went wrong, but one made a | :32:54. | :33:00. | |
small mistake, the other one made to quite blatant mistakes. On that | :33:01. | :33:05. | |
basis and on this performance I have to say Mark and Yvette. We are about | :33:06. | :33:17. | |
to say goodbye to Ben and Christina. Congratulations, you are through to | :33:18. | :33:25. | |
next Saturday. Then and Christina, come on over. We are so sorry to see | :33:26. | :33:38. | |
you go. They are on their feet in the studio. Our audience is on their | :33:39. | :33:46. | |
feet. It has been a real pleasure for all of us watching you dance. | :33:47. | :33:50. | |
You came here never having dance before. How have you enjoyed the | :33:51. | :33:56. | |
whole experience? It has been a great experience and Christina has | :33:57. | :34:01. | |
great. I have enjoyed it and you do not get to dress like this every | :34:02. | :34:07. | |
day. And all the nice comment I have been getting, the support has been | :34:08. | :34:13. | |
amazing and I have had a great time. I will dance at my kids' parties. | :34:14. | :34:19. | |
Christina has been great and I have thrown her around a little bit and I | :34:20. | :34:24. | |
have dropped a few times. She has been great. Thank you ever so much | :34:25. | :34:31. | |
for putting up with me. Christina, is there anything you would like to | :34:32. | :34:39. | |
say? If I gave a trophy for the best person, it would go to you. You | :34:40. | :34:44. | |
started at zero and you made me so proud every week and I had the best | :34:45. | :34:49. | |
time and the most rewarding time. And somebody with no experience and | :34:50. | :34:58. | |
you are here. We will miss you. Off you go, thank you so much for taking | :34:59. | :35:08. | |
part. Tears. I know, everyone on their feet. What an incredible | :35:09. | :35:15. | |
couple they have been. Please remember to join us at 6:30pm on BBC | :35:16. | :35:22. | |
Two. And we will be back next Saturday at seven o'clock for the | :35:23. | :35:27. | |
musicals special. We are bringing Broadway to the ballroom. It is | :35:28. | :35:31. | |
going to be fun, it is to be fantastic. Dancing us out of this | :35:32. | :35:39. | |
evening are Ben and Christina. Please show your support for Ben and | :35:40. | :35:48. | |
Christina. Dash-mac let's dance the last dance tonight. | :35:49. | :36:08. | |
Come on, baby, dance that dance. Come on, baby, dance that dance. | :36:09. | :36:17. | |
Let's dance tonight. | :36:18. | :36:25. |