Week 10 Strictly Come Dancing


Week 10

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Last week on Strictly: The ballroom reached boiling point as the

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competition intensified. The judges took no prisoners in their quest for

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perfection. Things that we've overlooked, we're going to be really

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picking up on. Pull it out next time. No-one escaped unscathed. It

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lacked drama. Mark survived his third dance-off by beating Ben. This

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week, Strictly brushes off its top hat and tails for a night at the

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musicals. # Luck be a lady tonight #

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It's musicals week on Strictly Come Dancing. Please welcome your hosts,

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Sir Bruce Forsyth and Tess Daly. APPLAUSE

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A standing ovation, all for us. All for us, that is. Sit down, please.

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What an opening. Wasn't it just! Tapping their feet. Good evening

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ladies and gentleman and children, welcome to Strictly Come Dancing,

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it's nice to see you, to see you... Nice! It's nice to see you Brucie.

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What an opener. It's going to be a great show tonight, all about the

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musicals. I'm glad you mentioned that because only this week, I went

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to a West End producer with an idea for turning Strictly Come Dancing

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into a musical. Me and you Tess, in a musical. Oh, really? What did they

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say? They said it's a good idea but they've got a show already called

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Beauty and the Beast. APPLAUSE

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Isn't that terrible, Tess, how dare they call you a beast.

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LAUGHTER You're not a beast. ROARS

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APPLAUSE The beast within.

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Excuse me. That was lovely. Yeah. Last week, the judges pulled no

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punches after a tough night in the ballroom, Mark and Iveta faced Ben

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and Kristina in the dance-off. Mark reigned supreme and Big Ben had to

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leave the competition. I'm so sad about that, I really am. That leaves

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seven brides for seven brothers to take on tonight's musicals

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spectacular. Our chorus line will be treading the boards to songs from

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some of the greatest ever musicals. Let's see what our guys and dolls

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have in store. Let's have a look. Goodness me. It's time to meet - I'm

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trying to build the tension - the stars of our show!

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Star Sophie Ellis-Bextor and her partner Brendan Cole.

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Star of stage and screen Mark Benton and his partner Iveta Lukosiute.

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BBC Breakfast presenter Susanna Reid and her partner Kevin Clifton.

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Coronation Street Star Natalie Gumede and her partner Artem

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Chigvintsev. Model and TV presenter Abbey Clancy

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and her partner Aljaz Skornajec. From Hollyoaks, Ashley Taylor Dawson

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and his partner Ola Jordan. And Casualty star Patrick Robinson

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and his partner Anya Garnis. There they are! What about them.

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There they all are. All ready to face our judges, but hang on,

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there's one judge missing. Where's Craig? Where is he?

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APPLAUSE Well! Didn't he move well. With his

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new metal hip, and Craig, it goes so well with your heart of stone.

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I can't believe after four weeks you are now moving around. I can highly

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recommend it darling. I think I'll check in on Monday, I really will.

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Tonight the competition is tougher than ever and so are our judges. Our

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Magnificent 7 will high kick their way through their numbers for our

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judges' scores and your votes at home. We're just three weeks away

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from the Grand Final. None of our couples want to exit stage left.

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That's right, or rather left. Are you doing the jokes? I tried! Who's

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our first couple? Our first couple tonight is Patrick - where are you?

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There you are. And not just Patrick, but Anya, wonderful dancers. Do you

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mind going first? No robs. -- probs. Are you sure? Anybody else want to

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go first? Because everybody hates going first.

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They really do. Who's going last, then? Susanna, you're last? Do you

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want to swap and go first? OK, Patrick, there you are, I did try,

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good luck. Here you are in training. I loved doing the Viennese waltz.

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The choreography was beautiful. However, last week wasn't our best

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week, because the finals are looming. The judges are getting more

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strict. Bad standing spin and I didn't like the ending thing, that

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was ugly. I expect so much from you now. Just pull it out next time. The

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judges want to push everyone. We're four weeks from the final, everybody

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needs to step up the game. We have to do something special to stay in

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the competition. This week, we are dancing the charleston. It's to

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Chitty Chitty Bang Bang. At this stage in the competition, it's

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important to take risks. I know we've done lifts before, but this

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time, they need to be perfect. I know I can't afford to do any

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mistakes. Where are you so nervous. The pressure is on. I hope Patrick

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is ready to bring his A game because I have a lot of faith in him. Do you

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remember this song? I remember the flying car. Everybody wanted to fly

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in the car. What a beautiful day for a drive in the English countryside.

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Let's see what this car can really do.

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Wow, we're flying. You look truly scrumptuous in that bonnet. It's

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time to charleston. We need to wow the judges. Hopefully the charleston

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will help us fly through to next week.

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CHEERING AND APPLAUSE What about that? ! What about it,

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hey. Incredible. Come here. Look at this. You've set the place

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alight. You really have. Would you like a sip of this? I would, thank

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you vment -- Thank you. It's vodka! I'm only

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kidding. Let's welcome our judges. Come on.

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APPLAUSE it's not very often I'm sincere

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about our judges, but in my opinion, you're all so talented. You could

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all star in a musical. You really could. If last week's comments and

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scores are anything to go by, you'd all be perfect for Les Miserables.

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APPLAUSE Yes, that's from the heart. Len, I

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tell you, well, what about that? I tell you what that was - that was

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full of flash, bang, wallop. It's a show stopper. It was fantastic! I

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salute you. Ure Len. -- you are right, Len. It was a show stopper.

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Right, OK, Bruno? Talk about va-va-voom. That was Chitty Chitty

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Bang Bang retuned by McLaren, driven by Lewis Hamilton going for the

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Grand Prix. From what I'm concerned, you won it. What a lovely routine. I

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can't tell you enough times. Craig? Well, I absolutely loved that first

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rollover lift. That was brilliant. I loved the vaudevillian nature of it.

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It was full of character. You packed that out. It was extremely fast. I

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don't know how you kept up. That made you a little bit flat footed.

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Also, you lost a little bit of stability in the last lift going

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around into the lobster claw, darling. But I did love the polka

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session and the whole routine was spectacular. You know how to turn it

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around in the end. OK, Darcey? It was fast, wild and such difficult

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timing. But you hit it on the nail. That was amazing. You have set the

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mark so high tonight. Well done. Be so proud of yourselves. A

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wonderful start. Thank you. You want to leave that with me, OK?

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Whoa Patrick, oxygen. What a way to start the show. How are you feeling?

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Is that a silly question? Keep doing that, that will help me. You must be

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exhausted, even Australian ya, the pro -- Anya, the pro, you're

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breathing heavy. I don't know how he did it. A very physical routine, did

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you enJo I it? Loved it -- Enjoy it? Loved it. The pros were saying,

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"That was the dance of the series. Anton was saying that, Karen too. I

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know it must be a dream come true, a flying car. How much do you want to

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be in the final with Patrick? It would be amazing just to, the first

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year here, I can't even speak, still! To have you, thank you. The

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judges loved it. Let's have a look at the scores:

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CHEERING Three 10s, a standing ovation and

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the pros' dance of the series. Feel good? Extremely good. Thank you. If

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Patrick and his find four fendered friend, the car, made your day,

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call: Or you can vote online for free.

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The votes won't open until all our couples have danced. Don't call now,

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if you do, your vote won't count and you may be charged. Patrick, you've

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set the bar really high! Who's going to follow that? Time for more music

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and dancing. I'm glad I'm not following it. I

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tell you that. Now for our next couple, wait a minute, look who's

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coming up, it's Natalie and her partner, Artem.

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Natalie is dancing to a song from Dreamgirls, the musical that was

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loosely based the story of The Supremes. Natalie asked if I was

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trendy enough to appreciate The Supremes. I said, of course I am!

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She asked which supreme I thought was the best. I said, the seven-inch

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stuffed crust. APPLAUSE

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Do I fancy one now, I tell you that. They never give me a break. Here

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they are in training. I was feeling pretty nervous before

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the dance. We really noticed that the judges were being a lot harder

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on everyone. I thought the whole thing lacks a bit of drama. Are you

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out of your mind? Mistakes deaf -- the stakes are getting higher. From

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this point onwards, every dance could be your last. This week, we

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are dancing the American smooth. They expect to see something

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unbelievable lift-wise. It's daunting as hell. I do tend to panic

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a bit when my feet come off the ground. I know it's a bit scary, but

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I have a surprise for you. Here we are to face your fear of lifts.

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That's so high. I already don't want to do it.

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You don't mind if I just... If you can do this, then lifts on Saturday

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night will be, "I've got it. I don't want to do. This I can't. I really

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can't do it. Your body is going - why are we doing this? That's the

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scariest thing I've ever done. I can't do it.

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I honestly thought I was going to have a heart attack. Rubbish -

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lifts? If I can conquer the that pees, I can conquer anything. I hope

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now our American smooth will have some extra lift on Saturday.

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MUSIC: And I'm Telling You I'm Not Going

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What about it? The dancing this year, Artem and Natalie, oh, you

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should be so thrilled. The emotion here in the studio was incredible

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during that dance. Whilst you get your breath back, it's a good time

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to welcome our fabulous singers, Dave Arch and his wonderful

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orchestra! APPLAUSE

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And the music tonight! That last song, the arrangements and

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everything. Bruno, you start. Natalie, you danced like a true

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dream girl. I'm telling you, the flow, the sweep, the shapes,

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sometimes it look as if they turn into a fluid and all the accent in

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the music, you interpreted with a great drama beneath it. It was like

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a story being told. I lived every moment with you. It was absolutely

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sublime. I couldn't have said it better

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myself. I can't believe you gave Patrick an

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8! I'm going to mark you for your entrance when you were phantom. I'm

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giving you a two. APPLAUSE

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That's two more than I deserve, I'm sure.

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I loved that crucifix lift at the beginning, very, very strong. It was

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sharp. It was clean all the way through. I thought it flowed from

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one move to the other beautifully. I would like to see a little more in

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hold. You have a tendency to look down before you enter lifts. You

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need to get out of that habit, because it indicates that you're

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going into a lift. It would be so lovely if you had your chin up, but

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incredible. That's right. Incredible. That's the

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word I wanted him to say. Darcey? It's true, the fluidity and just,

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the mirroring between you, I mean, that step coming forward was

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stunning, really stunning and the light and shade, you really use the

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music both of you. Artem, beautifully choreographed. You

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really worked well together. It's true, just watch the very last lift,

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you didn't need to grab to come out of that, it would have been just

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perfect. You could have slid off the back of him. That would be the only

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thing I would say, stunning, stunning.

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All these points that you have to think about. The atmosphere was...

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Go on. It was a stunning performance. The dance got lost in

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the performance. There was so much swirling and whooshing -- swooshing

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it didn't feel like a foxtrot. I'm a wind up in a digital world. I'm an

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old ballroom teacher and dancer, I needed to see a little bit - it's a

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great performance, Natalie, you're a wonderful dancer. For me, too much

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swooshing and not enough foxtrotting.

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Don't even think too much about that because your ovation and the

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atmosphere you created in this studio was remarkable.

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Wow. Our very own dream girl. Such a powerful performance, powerful song,

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beautifully sung by our Andrea by the way. Incredible. Powerful

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routine, very emotional? Are you feeling that? Very much so. How did

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it feel? Amazing. I'm so thrilled to be here and to dance with you. That

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song just... It all came together. I can't quite speak. The lifts were

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brave because you were nervous about those. Terrified. No wonder you were

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looking at the floor a bit, Craig. Artem, Len wanted more in hold. What

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do you think about that? It's possible, but I decide not to

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because I want to tell the story. So it's the chances you take really.

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You told a beautiful story. The audience loved it. Scores:

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Come on Bruno, that's what we want! That's more like it. Still a great

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score despite Len's controversial eight. It's you who needs to vote.

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Call from your mobile or land line. Or vote online. Still to come, in

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our musicals extravaganza, Sophie and Brendan are hoping the his are

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alive with the sound of tens. And Abbey and Aljaz are bringing some

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disco to the dance floor, disco moves everybody.

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Funky. Back to you, Sir Bruce. Next up, it's Mark and I -- Iveta.

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Every couple is popular, so popular. They're dancing to a song from The

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Lion King. They will be dancing a samba. Now look, surely, if they're

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dancing to a song from The Lion King, it should be called a Simba.

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LAUGHTER In the a samba. Nobody asks me, do

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they? Here they are in training. It was really nice to go out and do

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a foxtrot which was all foxtrot, there was no gimmicks. I loved it.

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The judges' comments were so lovely. You bring the sun to Strictly. It's

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the little touches that make me smile. I'm in shock from the Results

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Show. Usually people in a dance-off, three times in a row, on the third

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time, they usually go home. When the judges were giving the results, I

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assumed Len was going to say Ben and Kristina. On this performance, I

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have to save Mark and Iveta. I was in shock. To get this far, it's such

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a wonderful thing. Week ten - I mean that's madness. This week we're

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doing a samba to I Just Can't Wait To Be King. The competition is

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getting tougher. We need to up our game. No-one has survived four

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dance-offs. I am determined to not be there this week. I'm Mark with

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technique. But I feel it will help us if we go to see The Lion King. I

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hope Simba can help me with my samba. When you see the guys doing

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it, it's so exciting. Hopefully we can get some of that in our dance.

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We were shown some of the choreography. You go left, right,

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push. We did a bit of the dance. There's one more thing I want you to

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see, this is Simba. Could I try it on? I don't see why not. Wow. Do you

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mind if we keep it? Seeing the show after was the cream on the cake. I

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hope we can take that inspiration and I can be king of the dance floor

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and not king of the dance-offs. That was lovely, the pair of you.

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You have done some lovely dances this series, you really have. Thank

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you. Iveta suits you. She's brilliant. You have a marvellous

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time together, Craig. Full of shimmies, full of rhythm, full of

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camp, darling, which appeals to my nature, of course. Would like to

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have seen a little more double bounce action, bit flat footed but I

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think that really is technically your best to date. Oh! Your best.

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Don't stroke him with your pah! . -- paw. Sadly the ability to be able to

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bounce for you is difficult and technically it's difficult when it's

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such a steady samba, which that was, not easy at all. You are still, the

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cheeky king of the show tonight. Thank you very much.

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Len? Mark, I tell you what, you are just a great big bundle of joy to

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watch. Well done. Thank you. The cuddliest lion I have

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ever seen, a pussy cat of a lion. You have a great ability. You

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squeeze every ounce of performance value out of any situation. You sell

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it beautifully. The story telling was good and there was plenty of

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samba content there. You did it, of course, the bounce could have been

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better, but I really enjoyed it. Mark, you're a performer, that's

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what he's saying and you are wonderful and lovely lady. Off you

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go. Great comments from the youngs --

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judges. Technically your best dance to date from Craig. Amazing. Just

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really, sorry, really nice. You're getting emotional on us? You

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big softie. Now then, king of the jungle, king

:34:14.:34:19.

of the dance-off, you've been there three times. Due think you'd get

:34:20.:34:24.

this far? No, it's amazing. Sorry, I can't speak. It's the first time

:34:25.:34:27.

I've seen you lost for words actually. Last question, Iveta...

:34:28.:34:37.

He's my king. You've yet to break 30, do you think

:34:38.:34:43.

tonight might be the night? Yes. Fingers crossed, let's find out.

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Scores are in: 29! Nearly. So close.

:34:46.:35:08.

That's still your joint highest score. That's great. And the

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comments were lovely. They were indeed. Mark does not want to be in

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the dance-off again. Call from your mobile or landline or vote online.

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Keep him dancing through to next week. Everyone's in the musical mood

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tonight, Susanna and Kevin are hoping their quickstep will leave

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them Singin' In The Rain and Ashley and Ola are off for a magic carpet

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ride. Our next couple tonight is Sophie

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and her partner Brendan. What a night tonight is. The song is

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Favourite Things from The Sound of Music. That's Sophie's favourite

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film. I've promised Sophie I won't make any silly jokes about The Sound

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of Music, all right don't worry you can trust me. I will keep my Von

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Trapp shut. Here they are in training.

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When it came to the performance on the Saturday night, I tried to

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forget that anyone else was in the room and just tried to get that feel

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back where it was just the two of you very connected. I was

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disappointed the judges didn't enjoy it more. I found it a bit cold. It

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didn't have enough chemistry for me. The competition is heating up. It's

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obvious the judges are looking for perfection. You always have to give

:36:42.:36:45.

your best every week because it might be your last. This week is

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musicals week. We're dancing the Viennese waltz to Favourite Things

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from The Sound of Music. I can't wait.

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# These are a few of my favourite things #

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Are you excited about musical week, but I didn't realise how much of a

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fan you were. Particularly The Sound of Music. It's the soundtrack to my

:37:08.:37:12.

childhood. The Viennese waltz is ridiculously

:37:13.:37:17.

demanding because of the amount of spin. It's inevitable that you will

:37:18.:37:21.

be dizzy. I have an idea to take you out of the studio and get you used

:37:22.:37:27.

to it in a whole different area. Brendan took me to a fair ground. We

:37:28.:37:33.

could go on the spiniest ride there is, the waltzer. It was a similar

:37:34.:37:37.

sensation to some of the spins in our dancing. It is just about

:37:38.:37:41.

letting go and enjoying it rather than fighting the spins I suppose.

:37:42.:37:45.

It's been fun to do some spiny rides. I say bring on the Viennese

:37:46.:37:50.

waltz. I hope it works and I do a lovely dance on Saturday night.

:37:51.:37:56.

Incredible. I don't believe we've ever had a nicer dance.

:37:57.:40:00.

CHEERING AND APPLAUSE You're the Duke and Duchess of the

:40:01.:40:10.

Viennese waltz. It was so elegant. Darcey, darling. Sophie, I feel

:40:11.:40:14.

dizzy watching you. I can't imagine what you must be feeling. But you

:40:15.:40:18.

kept your composure all the way through. Your style was stunning.

:40:19.:40:23.

And those fast beautiful pave ots as well. -- pivots as well. Just watch

:40:24.:40:29.

the back of your neck when you're constantly spinning, lengthen the

:40:30.:40:34.

back of your neck. But a classic Viennese waltz. For me, you're going

:40:35.:40:39.

to be spinning into the quarter finals, I can't wait to see you

:40:40.:40:41.

there. Brendan, so proud of you two. Len?

:40:42.:40:52.

My favourite things in the Viennese waltz is rotation, I like to see

:40:53.:40:58.

lots of natural turns to the right, reverse turns, pivots everywhere,

:40:59.:41:04.

fleckerls, Darcey is right, with the speed of it, you lost a little bit

:41:05.:41:07.

of toning through your neck, but I tell you what, Brendan, wonderful

:41:08.:41:15.

routine. Beautifully done. Could not agree more. Bruno? Oh,

:41:16.:41:21.

yes, the his are alive with a vision of beauty. It's true because I like

:41:22.:41:26.

the purity of style of that Viennese waltz. As he said, it was a proper,

:41:27.:41:31.

classic Viennese waltz. You kept the rotation going. You looked stylish,

:41:32.:41:34.

elegant. You have confidence. I would like to see you maintaining

:41:35.:41:39.

this confidence in the Latin dances, because when you are yourself and

:41:40.:41:44.

you exude that radiant beauty, you're stunning. Just don't doubt

:41:45.:41:47.

yourself in the Latin side, because you're great, you really are.

:41:48.:41:55.

You're great. Now then, Craig? Your arms need a little more tone when

:41:56.:42:01.

they're out of hold. It's true, we've all gone on about it, you lost

:42:02.:42:05.

your neck on occasion. But the chemistry between you was fantastic

:42:06.:42:14.

in that. Absolutely brilliant. Craig said it was brilliant! You are

:42:15.:42:18.

brilliant. Go on. Off you go.

:42:19.:42:22.

Wow, absolutely gorgeous. A night of standing ovations, you have to be

:42:23.:42:39.

proud of her. I am ridiculously proud of this girl. She's the reason

:42:40.:42:44.

we're doing so well. She's such an inspiration. How are you feeling

:42:45.:42:48.

after all those spins? A little dizzy? It felt crazy and I was

:42:49.:42:53.

saying at the end, I'm glad my head stayed on. I checked it was still

:42:54.:42:56.

attach. You should be spinning into the quarter finals with that. That

:42:57.:43:00.

would be lovely. I love the fact that you're so giddy about musicals.

:43:01.:43:02.

The scores are in: That's your joint highest score.

:43:03.:43:29.

It's the same score you got for that charleston. Well done you two. That

:43:30.:43:35.

legendary charleston. Was that one of your favourite things, the number

:43:36.:43:44.

to call is: Or vote online. All of our couples will need your votes to

:43:45.:43:48.

make it through to next week. Not only will they dance again, but the

:43:49.:43:51.

six remaining stars compete in a head to head in a swing-a-thon. Yes,

:43:52.:43:57.

it's back. I love a plot twist. Back to you.

:43:58.:44:02.

Right, our fifth couple is Abbey and her partner Aljaz. ? Vment -- Aljaz.

:44:03.:44:12.

They are dancing to a song from Saturday Night Fever. I knew you'd

:44:13.:44:20.

like it. I said to Abbey, "That's my favourite musical. It has to be my

:44:21.:44:25.

favourite song. I sing it three or four times every night before I go

:44:26.:44:31.

to bed." She said, "What song? I said, "Stayin' Alive." It's wicked

:44:32.:44:41.

to mock the aged! Here they are in training.

:44:42.:44:45.

I loved the choreography for the paso doble. I was really excited,

:44:46.:44:52.

really happy. Then I kept slipping everywhere. On occasion you just

:44:53.:44:55.

lost a bit of control. I think the judges are really pushing for

:44:56.:45:00.

perfection now. The competition is really heating up. It could be

:45:01.:45:03.

anybody who goes each week. No-one is safe. I think we just have to go

:45:04.:45:08.

out there, give it our all and hopefully, secure our place for next

:45:09.:45:13.

week. It's musical week and we're dancing

:45:14.:45:17.

the salsa to a song from Saturday Night Fever. We've got three lifts

:45:18.:45:20.

in our dance and I'm really nervous, because it's quite scary being up

:45:21.:45:24.

there. I don't want to be dropped. I want to do it right. I'm really

:45:25.:45:27.

worried about doing these lifts. Lifts are really important. You do

:45:28.:45:32.

need to get them right. But, as well, you need to get into the

:45:33.:45:38.

character of the 70s and do justice to Saturday Night Fever. I love the

:45:39.:45:43.

70s, the fashion, the whole era. Are you thinking what I'm thinking?

:45:44.:45:49.

In order to get into that 70s vibe, we went it a karaoke bar and blasted

:45:50.:45:57.

out some classic disco hits. # Night fever, night fever #

:45:58.:46:02.

It was a great idea to take my mind off all the worrying. Because it is

:46:03.:46:05.

about fun. # You are a dancing queen #

:46:06.:46:10.

I've got my 70s groove on, I hope I can stay in character for Saturday

:46:11.:46:12.

night for my salsa. CHEERING AND APPLAUSE

:46:13.:48:19.

You are lovely. This is marvellous. Absolutely marvellous. Did you heat

:48:20.:48:22.

the place up. Get your breath back. Len, did you

:48:23.:48:27.

like that? Saturday Night Fever, I tell you what, there's fever in this

:48:28.:48:30.

ballroom. Everyone has upped their game. Now listen, in my life, I've

:48:31.:48:36.

lost and forgotten many things, I haven't forgotten what a great dance

:48:37.:48:37.

looks like. That was great! He wouldn't lie to you. Bruno?

:48:38.:48:51.

Abbey, the disco diva. Seriously, my darling, I have to make a point, you

:48:52.:48:56.

were dancing at a moment between two professional girls, I could not tell

:48:57.:49:01.

the difference. Good point. Well done. Craig? Could

:49:02.:49:12.

you tell the difference? Yes. I thought it was absolutely a-maz-ing.

:49:13.:49:26.

I thought he'd gone to sleep. Darcey, darling? Mesmerising

:49:27.:49:31.

performance. Finally, you are oozing confidence in the Latin, a five-star

:49:32.:49:41.

routine. Well done. We've never had a time like this on

:49:42.:49:45.

this show. At this stage of the show, we've never had a night like

:49:46.:49:50.

this. Thanks to you and all the other wonderful dancers. Abbey and

:49:51.:49:52.

Aljaz! CHEERING AND APPLAUSE

:49:53.:50:07.

Everybody's upped their game. Mesmerising said Darcey. I can't

:50:08.:50:10.

believe it. I love her. Do you feel like a disco diva? I do now after

:50:11.:50:15.

them comments. It's good. It's getting tougher. Everybody's upped

:50:16.:50:19.

their game. How much does it mean to have got to this stage in the

:50:20.:50:22.

competition? I can't believe I'm still here. I just don't want it to

:50:23.:50:28.

end. I'm loving it. Has Strictly fever taken over your

:50:29.:50:31.

family. Are you dancing with that with your Pete around the kitchen? I

:50:32.:50:35.

was practising that lift with him at home, yeah. Oh, broken furniture. I

:50:36.:50:40.

didn't think anyone could pull off a white suit, but wow. The scores are

:50:41.:50:43.

in: Wow! What about that? The first 40

:50:44.:51:20.

of the series. Tell me what it feels like? Amazing. I don't think I've

:51:21.:51:28.

ever seen anyone quite as excited. I can't believe it, can you? No. Did

:51:29.:51:34.

that give you - I'm overcome. Did that give you Saturday Night Fever?

:51:35.:51:39.

If you think Abbey and Aljaz should be dancing next week call: Or vote

:51:40.:51:48.

online. Just two couples left to take the stage.

:51:49.:51:52.

That was phenomenal. This is like a final! Isn't it?

:51:53.:51:57.

APPLAUSE Now for our next couple, Ashley and

:51:58.:52:05.

his partner Ola. Another pair! They're dancing to A Whole New World

:52:06.:52:09.

from Aladdin. He's going to be flying on a magic carpet. He will be

:52:10.:52:19.

way up there on a carpet Hoovering. What's that? Oh, do it again? Oh,

:52:20.:52:25.

yeah, up there on a carpet, hovering. Here they are in training.

:52:26.:52:31.

I am over the moon about getting through another week. The waltz went

:52:32.:52:38.

really well. A few distant problems came back to haunt me. Your head is

:52:39.:52:43.

driving me absolutely mad. You've got to sort that out. I've got 35

:52:44.:52:48.

points for the third week in a row. I am determined to get more. The

:52:49.:52:53.

competition is definitely really strong now. It has become all very

:52:54.:52:57.

real. The judges are being harder with their scores. So I do have to

:52:58.:53:06.

show that I have what it takes. This week is musical week. I'm going to

:53:07.:53:11.

be doing a rumba. This rumba has got to be graceful and some of the

:53:12.:53:15.

movements are not very pretty at the moment. We really have to up our

:53:16.:53:19.

game. The judges are being really picky. We have to make sure

:53:20.:53:27.

everything is perfect. Because we're doing Aladdin, Buddy is going to

:53:28.:53:32.

love it. I can't let him down. "Once upon a time there was a boy called

:53:33.:53:36.

Aladdin." If you could have three wishes, what would they be? Daddy

:53:37.:53:41.

winning Strictly, would that be a wish? Who do you want to win? Go on

:53:42.:53:48.

daddy! The pressure is really on. I've got to get my steps right, the

:53:49.:53:53.

character right, make my son proud and flying on a magic carpet, what

:53:54.:53:55.

could possibly go wrong? Sorry Ola. Lovely. Really lovely. Ola and

:53:56.:56:12.

Ashley, what a team you are. Bruno? Oh, so exotic with a touch of

:56:13.:56:19.

the erotic. I love, but there's one thing you did so well, you framed

:56:20.:56:23.

the object of your desire so well. You know, the rumba is a woman's

:56:24.:56:27.

dance and you made her look wonderful, the chemistry was there,

:56:28.:56:30.

the lines were beautiful. Just you need to work a little bit more on

:56:31.:56:35.

your hips yeah, a bit more hip action, but beautifully done,

:56:36.:56:38.

though. Very good, Craig? Yes, I totally

:56:39.:56:43.

agree, a little more hip action. Your arms need a little bit more

:56:44.:56:48.

expression. But I have to say, I really and truly loved it. It was a

:56:49.:56:54.

terrible shame about you getting both legs caught. Darcey? You told a

:56:55.:57:01.

very real story of love. It's not easy for a man in rumba to create

:57:02.:57:06.

that convincingly. You created some strong masculine lines. Great, great

:57:07.:57:14.

control, well done. OK Len? A whole new world, I saw a

:57:15.:57:19.

whole new side to you. Itch thought you took command of that dance. You

:57:20.:57:24.

came out and you -- I thought you took command of that dance. You came

:57:25.:57:26.

out and really performed. You did need a bit more hip action here and

:57:27.:57:31.

there, but well done, Ashley you're on a roll. I think you're dancing

:57:32.:57:35.

terrific. All the time, lovely Ola. Lovely Ashley. Away you go.

:57:36.:57:41.

CHEERING AND APPLAUSE The first person in Strictly history

:57:42.:57:54.

to fly on a magic carpet. How did it feel? Very temperamental, those

:57:55.:57:58.

carpets. I've had a few problems back stage with him. You drove it

:57:59.:58:03.

well. Thanks. Your adorable son, his favourites were "Dave and Karen."

:58:04.:58:10.

Can I just say hello. Miss you. He did well. Do you think you're his

:58:11.:58:13.

favourite now? I hope so. Me too.

:58:14.:58:17.

Hope so. Difficult dance for the male celeb, the rumba. You did so

:58:18.:58:21.

well, very proud. Well deserved. Scores are in.

:58:22.:58:40.

35, another one! Four weeks in a row. Yeah. That's OK. Anton was

:58:41.:58:51.

shouting, "Your best judge yet." Did they whisk you off on a magic carpet

:58:52.:58:58.

ride? If they did call: Or vote online as soon as everybody has

:58:59.:59:01.

danced. Don't forget, find us on Facebook or Twitter. Head to the

:59:02.:59:05.

website, pull back the curtain and see what goes on behind-the-scenes.

:59:06.:59:09.

It's all there. Time for our final performance. Will it be a show

:59:10.:59:14.

stopper? Let's find out. Our final couple tonight is Susanna

:59:15.:59:16.

and her partner Kevin. Everybody loves this couple.

:59:17.:59:28.

By the way, did you know Kevin is from Grimsby?

:59:29.:59:30.

LAUGHTER I didn't know whether I'd mentioned

:59:31.:59:39.

it. Susanna is dancing to a song from Singin' In The Rain, another

:59:40.:59:42.

great music. I said, "In the film there was one lady and two men in

:59:43.:59:47.

that number. You need another man, can I help out? She said, "Oh, yes

:59:48.:59:52.

Bruce. That would be brilliant. Have you got Anton's phone number?

:59:53.:59:57.

LAUGHTER He's always available.

:59:58.:59:58.

Here they are in training. The cha cha and I struggled to love

:59:59.:00:10.

each other. It was all a little bit mumsy, darling. My boys said, but

:00:11.:00:16.

mum you're our mum. As a mother I would say anything but mumsy. We're

:00:17.:00:19.

in the business end of the competition. They're looking for

:00:20.:00:22.

really, really high quality dances. There's no safety. There's a

:00:23.:00:28.

possibility anyone can be in the dance-off. This week it's musicals

:00:29.:00:33.

week. We are dancing the quickstep. I don't get it. It is so quick. Oh,

:00:34.:00:40.

I'm moving around so much. It's too fast. We really have to work on the

:00:41.:00:43.

technique. There's no hiding in this dance. No. I've decided to rope in

:00:44.:00:49.

some help from some of your biggest fans. Little helpers! Hello boys.

:00:50.:00:54.

How come Kevin has roped you into this particular task? Skipping is

:00:55.:00:57.

going to help you with the quickstep. You will get four 10s.

:00:58.:01:03.

That sounds like a plan to me. Brilliant. Doing the skipping just

:01:04.:01:07.

reminds you to stay light on the balls of your feet to give you that

:01:08.:01:12.

lightness that you need in the quickstep. Good luck mummy, you're

:01:13.:01:15.

the best. We've worked on your foot work, I want to throw in something

:01:16.:01:19.

flash. Good morning, you're watching BBC Breakfast. Singin' In The Rain

:01:20.:01:25.

had an iconic moment in it. This week we're focussed on technique,

:01:26.:01:30.

skipping, the sofa, I hope that means Kevin and I can keep dancing

:01:31.:01:31.

into next week. MUSIC

:01:32.:01:34.

Good Morning Are you all right, my love.

:01:35.:03:33.

Everybody loved it, including me. It was sensational.

:03:34.:03:40.

Well done Kevin. And Susanna. It was lovely. That was a quicker tempo

:03:41.:03:45.

than in the film. Craig? I thought the foot work was rather sloppy.

:03:46.:03:51.

I've got to be honest. You looked completely out of sync with one

:03:52.:03:54.

another over here, when you were doing the kick stuff. It was a real

:03:55.:03:57.

shame because it was going rather well up until that point. When you

:03:58.:04:01.

did that last moment, I did think for a moment you overbalanced and I

:04:02.:04:05.

thought you were going to fall flat on your face and sadly... Well...

:04:06.:04:13.

That was a slip of his tongue. I'm glad you saved yourself. I said

:04:14.:04:20.

"sadly". He wanted her to fall. Darcey? You captured the role of the

:04:21.:04:27.

cheeky Debbie Roynolds perfectly. There was so much dance content in

:04:28.:04:31.

there. You were so light on your feet. It was a shame, there were a

:04:32.:04:35.

couple of mistakes. You did get out with Kevin. But, it is only about

:04:36.:04:40.

exaggerating some of the foot work and keeping it really crossed, it

:04:41.:04:44.

gets a little open. The energy all the way through was wonderful.

:04:45.:04:54.

Len? News flash: Musical night on Strictly Come Dancing, Susanna Reid

:04:55.:04:57.

closed the show with a blockbuster of a quickstep.

:04:58.:05:05.

Bruno? I wish I could have some of that any morning. You have so much

:05:06.:05:09.

zest, so much life, energy, it's great to see. You capture the spirit

:05:10.:05:14.

of the film perfectly. There were a couple of mistakes on the foot work,

:05:15.:05:20.

but that will improve. Newsreader by day, I tell you, a musical star by

:05:21.:05:26.

night. You did a wonderful part in a

:05:27.:05:32.

wonderful night. Who went on last, you did. Go on, off you go.

:05:33.:05:36.

CHEERING AND APPLAUSE What a blockbuster of musical star

:05:37.:05:49.

by night. Is a change of career in the works? I'm not sure about that,

:05:50.:05:52.

the breakfast viewers might complain. Week ten, and up put a lot

:05:53.:05:58.

of training in. How has Strictly affected the rest of your life? My

:05:59.:06:01.

family is seeing a little bit less of me. I'm seeing quite a lot of

:06:02.:06:05.

Kevin. I have to say, if you want to get fit and have a fabulous time,

:06:06.:06:09.

take up dancing, it is pure pleasure and I think we'd all agree about

:06:10.:06:14.

that. You are fitter than ever. The scores are in:

:06:15.:06:32.

Thank you Len and Bruno. Did that quickstep knock you off the couch?

:06:33.:06:43.

Get back up and call: Or vote online, if you think Susanna and

:06:44.:06:49.

Kevin deserve a place in next week's swing-a-thon. Fancy that? Oh, yeah.

:06:50.:06:53.

I'd love a bit of swing-a-thon. It's going to be fun. Chaos. That's it.

:06:54.:07:01.

Our fair ladies and Jersey Boys have danced all they can. Let's look at

:07:02.:07:03.

the leaderboard: Now remember, you, if you like, can

:07:04.:07:18.

change all that. Pick up the phone or go online and vote for your

:07:19.:07:22.

favourites. Why wait? The vote is now open.

:07:23.:07:36.

Lines will close at 8. 35 tonight. To help you decide, here's an encore

:07:37.:07:41.

of tonight's storming performances. What about that! Lines close at 8.

:07:42.:10:00.

35pm. A wonderful evening. Didn't they all do well? ! It certainly was

:10:01.:10:05.

a night to remember. The highest scoring night of the competition so

:10:06.:10:08.

far. However one of our seven musical stars must leave the

:10:09.:10:10.

competition and your votes will make a difference. If you don't want to

:10:11.:10:14.

see your favourite take their final bow, go online right now. Just three

:10:15.:10:20.

weeks from the final. All of our stars want to make it. We find out

:10:21.:10:27.

which two couples are in the dreaded dance-off with Tess and Claudia in

:10:28.:10:31.

the Results Show tomorrow night at 7. 7.30pm. They're going mad. Going

:10:32.:10:35.

wild in here. CHEERING AND APPLAUSE

:10:36.:10:39.

The dance-off tomorrow night will have another spectacular routine

:10:40.:10:43.

from our professionals. And the brilliant Alfie Boe will be here

:10:44.:10:46.

with a performance from Les Miserables. Sounds like critics

:10:47.:10:52.

choice to me. In the meantime, think positive. Keep dancing!

:10:53.:10:58.

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