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Last week on Strictly: The ballroom reached boiling point as the | :00:00. | :00:11. | |
competition intensified. The judges took no prisoners in their quest for | :00:12. | :00:15. | |
perfection. Things that we've overlooked, we're going to be really | :00:16. | :00:18. | |
picking up on. Pull it out next time. No-one escaped unscathed. It | :00:19. | :00:25. | |
lacked drama. Mark survived his third dance-off by beating Ben. This | :00:26. | :00:29. | |
week, Strictly brushes off its top hat and tails for a night at the | :00:30. | :00:33. | |
musicals. # Luck be a lady tonight # | :00:34. | :00:48. | |
It's musicals week on Strictly Come Dancing. Please welcome your hosts, | :00:49. | :04:24. | |
Sir Bruce Forsyth and Tess Daly. APPLAUSE | :04:25. | :04:40. | |
A standing ovation, all for us. All for us, that is. Sit down, please. | :04:41. | :04:49. | |
What an opening. Wasn't it just! Tapping their feet. Good evening | :04:50. | :04:54. | |
ladies and gentleman and children, welcome to Strictly Come Dancing, | :04:55. | :04:57. | |
it's nice to see you, to see you... Nice! It's nice to see you Brucie. | :04:58. | :05:03. | |
What an opener. It's going to be a great show tonight, all about the | :05:04. | :05:06. | |
musicals. I'm glad you mentioned that because only this week, I went | :05:07. | :05:11. | |
to a West End producer with an idea for turning Strictly Come Dancing | :05:12. | :05:16. | |
into a musical. Me and you Tess, in a musical. Oh, really? What did they | :05:17. | :05:22. | |
say? They said it's a good idea but they've got a show already called | :05:23. | :05:24. | |
Beauty and the Beast. APPLAUSE | :05:25. | :05:36. | |
Isn't that terrible, Tess, how dare they call you a beast. | :05:37. | :05:40. | |
LAUGHTER You're not a beast. ROARS | :05:41. | :05:53. | |
APPLAUSE The beast within. | :05:54. | :05:58. | |
Excuse me. That was lovely. Yeah. Last week, the judges pulled no | :05:59. | :06:03. | |
punches after a tough night in the ballroom, Mark and Iveta faced Ben | :06:04. | :06:10. | |
and Kristina in the dance-off. Mark reigned supreme and Big Ben had to | :06:11. | :06:13. | |
leave the competition. I'm so sad about that, I really am. That leaves | :06:14. | :06:17. | |
seven brides for seven brothers to take on tonight's musicals | :06:18. | :06:22. | |
spectacular. Our chorus line will be treading the boards to songs from | :06:23. | :06:25. | |
some of the greatest ever musicals. Let's see what our guys and dolls | :06:26. | :06:31. | |
have in store. Let's have a look. Goodness me. It's time to meet - I'm | :06:32. | :06:37. | |
trying to build the tension - the stars of our show! | :06:38. | :06:45. | |
Star Sophie Ellis-Bextor and her partner Brendan Cole. | :06:46. | :06:50. | |
Star of stage and screen Mark Benton and his partner Iveta Lukosiute. | :06:51. | :06:53. | |
BBC Breakfast presenter Susanna Reid and her partner Kevin Clifton. | :06:54. | :06:57. | |
Coronation Street Star Natalie Gumede and her partner Artem | :06:58. | :07:01. | |
Chigvintsev. Model and TV presenter Abbey Clancy | :07:02. | :07:07. | |
and her partner Aljaz Skornajec. From Hollyoaks, Ashley Taylor Dawson | :07:08. | :07:11. | |
and his partner Ola Jordan. And Casualty star Patrick Robinson | :07:12. | :07:13. | |
and his partner Anya Garnis. There they are! What about them. | :07:14. | :07:37. | |
There they all are. All ready to face our judges, but hang on, | :07:38. | :07:42. | |
there's one judge missing. Where's Craig? Where is he? | :07:43. | :07:50. | |
APPLAUSE Well! Didn't he move well. With his | :07:51. | :08:20. | |
new metal hip, and Craig, it goes so well with your heart of stone. | :08:21. | :08:30. | |
I can't believe after four weeks you are now moving around. I can highly | :08:31. | :08:35. | |
recommend it darling. I think I'll check in on Monday, I really will. | :08:36. | :08:39. | |
Tonight the competition is tougher than ever and so are our judges. Our | :08:40. | :08:43. | |
Magnificent 7 will high kick their way through their numbers for our | :08:44. | :08:47. | |
judges' scores and your votes at home. We're just three weeks away | :08:48. | :08:51. | |
from the Grand Final. None of our couples want to exit stage left. | :08:52. | :08:57. | |
That's right, or rather left. Are you doing the jokes? I tried! Who's | :08:58. | :09:03. | |
our first couple? Our first couple tonight is Patrick - where are you? | :09:04. | :09:13. | |
There you are. And not just Patrick, but Anya, wonderful dancers. Do you | :09:14. | :09:20. | |
mind going first? No robs. -- probs. Are you sure? Anybody else want to | :09:21. | :09:25. | |
go first? Because everybody hates going first. | :09:26. | :09:29. | |
They really do. Who's going last, then? Susanna, you're last? Do you | :09:30. | :09:36. | |
want to swap and go first? OK, Patrick, there you are, I did try, | :09:37. | :09:39. | |
good luck. Here you are in training. I loved doing the Viennese waltz. | :09:40. | :09:51. | |
The choreography was beautiful. However, last week wasn't our best | :09:52. | :09:55. | |
week, because the finals are looming. The judges are getting more | :09:56. | :10:00. | |
strict. Bad standing spin and I didn't like the ending thing, that | :10:01. | :10:04. | |
was ugly. I expect so much from you now. Just pull it out next time. The | :10:05. | :10:10. | |
judges want to push everyone. We're four weeks from the final, everybody | :10:11. | :10:14. | |
needs to step up the game. We have to do something special to stay in | :10:15. | :10:19. | |
the competition. This week, we are dancing the charleston. It's to | :10:20. | :10:25. | |
Chitty Chitty Bang Bang. At this stage in the competition, it's | :10:26. | :10:28. | |
important to take risks. I know we've done lifts before, but this | :10:29. | :10:33. | |
time, they need to be perfect. I know I can't afford to do any | :10:34. | :10:37. | |
mistakes. Where are you so nervous. The pressure is on. I hope Patrick | :10:38. | :10:42. | |
is ready to bring his A game because I have a lot of faith in him. Do you | :10:43. | :10:46. | |
remember this song? I remember the flying car. Everybody wanted to fly | :10:47. | :10:51. | |
in the car. What a beautiful day for a drive in the English countryside. | :10:52. | :10:55. | |
Let's see what this car can really do. | :10:56. | :11:08. | |
Wow, we're flying. You look truly scrumptuous in that bonnet. It's | :11:09. | :11:14. | |
time to charleston. We need to wow the judges. Hopefully the charleston | :11:15. | :11:18. | |
will help us fly through to next week. | :11:19. | :11:32. | |
CHEERING AND APPLAUSE What about that? ! What about it, | :11:33. | :13:24. | |
hey. Incredible. Come here. Look at this. You've set the place | :13:25. | :13:42. | |
alight. You really have. Would you like a sip of this? I would, thank | :13:43. | :13:46. | |
you vment -- Thank you. It's vodka! I'm only | :13:47. | :13:55. | |
kidding. Let's welcome our judges. Come on. | :13:56. | :13:55. | |
APPLAUSE it's not very often I'm sincere | :13:56. | :14:06. | |
about our judges, but in my opinion, you're all so talented. You could | :14:07. | :14:12. | |
all star in a musical. You really could. If last week's comments and | :14:13. | :14:16. | |
scores are anything to go by, you'd all be perfect for Les Miserables. | :14:17. | :14:26. | |
APPLAUSE Yes, that's from the heart. Len, I | :14:27. | :14:32. | |
tell you, well, what about that? I tell you what that was - that was | :14:33. | :14:39. | |
full of flash, bang, wallop. It's a show stopper. It was fantastic! I | :14:40. | :14:51. | |
salute you. Ure Len. -- you are right, Len. It was a show stopper. | :14:52. | :15:01. | |
Right, OK, Bruno? Talk about va-va-voom. That was Chitty Chitty | :15:02. | :15:06. | |
Bang Bang retuned by McLaren, driven by Lewis Hamilton going for the | :15:07. | :15:12. | |
Grand Prix. From what I'm concerned, you won it. What a lovely routine. I | :15:13. | :15:17. | |
can't tell you enough times. Craig? Well, I absolutely loved that first | :15:18. | :15:23. | |
rollover lift. That was brilliant. I loved the vaudevillian nature of it. | :15:24. | :15:27. | |
It was full of character. You packed that out. It was extremely fast. I | :15:28. | :15:30. | |
don't know how you kept up. That made you a little bit flat footed. | :15:31. | :15:35. | |
Also, you lost a little bit of stability in the last lift going | :15:36. | :15:38. | |
around into the lobster claw, darling. But I did love the polka | :15:39. | :15:45. | |
session and the whole routine was spectacular. You know how to turn it | :15:46. | :15:53. | |
around in the end. OK, Darcey? It was fast, wild and such difficult | :15:54. | :15:58. | |
timing. But you hit it on the nail. That was amazing. You have set the | :15:59. | :16:06. | |
mark so high tonight. Well done. Be so proud of yourselves. A | :16:07. | :16:10. | |
wonderful start. Thank you. You want to leave that with me, OK? | :16:11. | :16:16. | |
Whoa Patrick, oxygen. What a way to start the show. How are you feeling? | :16:17. | :16:33. | |
Is that a silly question? Keep doing that, that will help me. You must be | :16:34. | :16:37. | |
exhausted, even Australian ya, the pro -- Anya, the pro, you're | :16:38. | :16:41. | |
breathing heavy. I don't know how he did it. A very physical routine, did | :16:42. | :16:46. | |
you enJo I it? Loved it -- Enjoy it? Loved it. The pros were saying, | :16:47. | :16:50. | |
"That was the dance of the series. Anton was saying that, Karen too. I | :16:51. | :16:59. | |
know it must be a dream come true, a flying car. How much do you want to | :17:00. | :17:04. | |
be in the final with Patrick? It would be amazing just to, the first | :17:05. | :17:08. | |
year here, I can't even speak, still! To have you, thank you. The | :17:09. | :17:12. | |
judges loved it. Let's have a look at the scores: | :17:13. | :17:42. | |
CHEERING Three 10s, a standing ovation and | :17:43. | :17:49. | |
the pros' dance of the series. Feel good? Extremely good. Thank you. If | :17:50. | :17:54. | |
Patrick and his find four fendered friend, the car, made your day, | :17:55. | :18:03. | |
call: Or you can vote online for free. | :18:04. | :18:13. | |
The votes won't open until all our couples have danced. Don't call now, | :18:14. | :18:17. | |
if you do, your vote won't count and you may be charged. Patrick, you've | :18:18. | :18:22. | |
set the bar really high! Who's going to follow that? Time for more music | :18:23. | :18:25. | |
and dancing. I'm glad I'm not following it. I | :18:26. | :18:29. | |
tell you that. Now for our next couple, wait a minute, look who's | :18:30. | :18:33. | |
coming up, it's Natalie and her partner, Artem. | :18:34. | :18:42. | |
Natalie is dancing to a song from Dreamgirls, the musical that was | :18:43. | :18:50. | |
loosely based the story of The Supremes. Natalie asked if I was | :18:51. | :18:54. | |
trendy enough to appreciate The Supremes. I said, of course I am! | :18:55. | :19:00. | |
She asked which supreme I thought was the best. I said, the seven-inch | :19:01. | :19:07. | |
stuffed crust. APPLAUSE | :19:08. | :19:13. | |
Do I fancy one now, I tell you that. They never give me a break. Here | :19:14. | :19:20. | |
they are in training. I was feeling pretty nervous before | :19:21. | :19:23. | |
the dance. We really noticed that the judges were being a lot harder | :19:24. | :19:28. | |
on everyone. I thought the whole thing lacks a bit of drama. Are you | :19:29. | :19:35. | |
out of your mind? Mistakes deaf -- the stakes are getting higher. From | :19:36. | :19:41. | |
this point onwards, every dance could be your last. This week, we | :19:42. | :19:50. | |
are dancing the American smooth. They expect to see something | :19:51. | :19:53. | |
unbelievable lift-wise. It's daunting as hell. I do tend to panic | :19:54. | :19:57. | |
a bit when my feet come off the ground. I know it's a bit scary, but | :19:58. | :20:02. | |
I have a surprise for you. Here we are to face your fear of lifts. | :20:03. | :20:08. | |
That's so high. I already don't want to do it. | :20:09. | :20:18. | |
You don't mind if I just... If you can do this, then lifts on Saturday | :20:19. | :20:24. | |
night will be, "I've got it. I don't want to do. This I can't. I really | :20:25. | :20:29. | |
can't do it. Your body is going - why are we doing this? That's the | :20:30. | :20:33. | |
scariest thing I've ever done. I can't do it. | :20:34. | :20:39. | |
I honestly thought I was going to have a heart attack. Rubbish - | :20:40. | :20:46. | |
lifts? If I can conquer the that pees, I can conquer anything. I hope | :20:47. | :20:51. | |
now our American smooth will have some extra lift on Saturday. | :20:52. | :21:08. | |
MUSIC: And I'm Telling You I'm Not Going | :21:09. | :22:29. | |
What about it? The dancing this year, Artem and Natalie, oh, you | :22:30. | :22:53. | |
should be so thrilled. The emotion here in the studio was incredible | :22:54. | :22:58. | |
during that dance. Whilst you get your breath back, it's a good time | :22:59. | :23:02. | |
to welcome our fabulous singers, Dave Arch and his wonderful | :23:03. | :23:05. | |
orchestra! APPLAUSE | :23:06. | :23:12. | |
And the music tonight! That last song, the arrangements and | :23:13. | :23:18. | |
everything. Bruno, you start. Natalie, you danced like a true | :23:19. | :23:24. | |
dream girl. I'm telling you, the flow, the sweep, the shapes, | :23:25. | :23:29. | |
sometimes it look as if they turn into a fluid and all the accent in | :23:30. | :23:34. | |
the music, you interpreted with a great drama beneath it. It was like | :23:35. | :23:38. | |
a story being told. I lived every moment with you. It was absolutely | :23:39. | :23:46. | |
sublime. I couldn't have said it better | :23:47. | :23:50. | |
myself. I can't believe you gave Patrick an | :23:51. | :23:56. | |
8! I'm going to mark you for your entrance when you were phantom. I'm | :23:57. | :24:01. | |
giving you a two. APPLAUSE | :24:02. | :24:05. | |
That's two more than I deserve, I'm sure. | :24:06. | :24:09. | |
I loved that crucifix lift at the beginning, very, very strong. It was | :24:10. | :24:12. | |
sharp. It was clean all the way through. I thought it flowed from | :24:13. | :24:20. | |
one move to the other beautifully. I would like to see a little more in | :24:21. | :24:24. | |
hold. You have a tendency to look down before you enter lifts. You | :24:25. | :24:29. | |
need to get out of that habit, because it indicates that you're | :24:30. | :24:32. | |
going into a lift. It would be so lovely if you had your chin up, but | :24:33. | :24:37. | |
incredible. That's right. Incredible. That's the | :24:38. | :24:44. | |
word I wanted him to say. Darcey? It's true, the fluidity and just, | :24:45. | :24:49. | |
the mirroring between you, I mean, that step coming forward was | :24:50. | :24:53. | |
stunning, really stunning and the light and shade, you really use the | :24:54. | :24:57. | |
music both of you. Artem, beautifully choreographed. You | :24:58. | :25:01. | |
really worked well together. It's true, just watch the very last lift, | :25:02. | :25:06. | |
you didn't need to grab to come out of that, it would have been just | :25:07. | :25:09. | |
perfect. You could have slid off the back of him. That would be the only | :25:10. | :25:12. | |
thing I would say, stunning, stunning. | :25:13. | :25:18. | |
All these points that you have to think about. The atmosphere was... | :25:19. | :25:23. | |
Go on. It was a stunning performance. The dance got lost in | :25:24. | :25:28. | |
the performance. There was so much swirling and whooshing -- swooshing | :25:29. | :25:38. | |
it didn't feel like a foxtrot. I'm a wind up in a digital world. I'm an | :25:39. | :25:43. | |
old ballroom teacher and dancer, I needed to see a little bit - it's a | :25:44. | :25:48. | |
great performance, Natalie, you're a wonderful dancer. For me, too much | :25:49. | :25:53. | |
swooshing and not enough foxtrotting. | :25:54. | :26:02. | |
Don't even think too much about that because your ovation and the | :26:03. | :26:05. | |
atmosphere you created in this studio was remarkable. | :26:06. | :26:09. | |
Wow. Our very own dream girl. Such a powerful performance, powerful song, | :26:10. | :26:30. | |
beautifully sung by our Andrea by the way. Incredible. Powerful | :26:31. | :26:33. | |
routine, very emotional? Are you feeling that? Very much so. How did | :26:34. | :26:38. | |
it feel? Amazing. I'm so thrilled to be here and to dance with you. That | :26:39. | :26:44. | |
song just... It all came together. I can't quite speak. The lifts were | :26:45. | :26:47. | |
brave because you were nervous about those. Terrified. No wonder you were | :26:48. | :26:52. | |
looking at the floor a bit, Craig. Artem, Len wanted more in hold. What | :26:53. | :26:56. | |
do you think about that? It's possible, but I decide not to | :26:57. | :27:00. | |
because I want to tell the story. So it's the chances you take really. | :27:01. | :27:04. | |
You told a beautiful story. The audience loved it. Scores: | :27:05. | :27:27. | |
Come on Bruno, that's what we want! That's more like it. Still a great | :27:28. | :27:35. | |
score despite Len's controversial eight. It's you who needs to vote. | :27:36. | :27:44. | |
Call from your mobile or land line. Or vote online. Still to come, in | :27:45. | :27:49. | |
our musicals extravaganza, Sophie and Brendan are hoping the his are | :27:50. | :27:53. | |
alive with the sound of tens. And Abbey and Aljaz are bringing some | :27:54. | :27:57. | |
disco to the dance floor, disco moves everybody. | :27:58. | :28:01. | |
Funky. Back to you, Sir Bruce. Next up, it's Mark and I -- Iveta. | :28:02. | :28:11. | |
Every couple is popular, so popular. They're dancing to a song from The | :28:12. | :28:16. | |
Lion King. They will be dancing a samba. Now look, surely, if they're | :28:17. | :28:21. | |
dancing to a song from The Lion King, it should be called a Simba. | :28:22. | :28:30. | |
LAUGHTER In the a samba. Nobody asks me, do | :28:31. | :28:33. | |
they? Here they are in training. It was really nice to go out and do | :28:34. | :28:42. | |
a foxtrot which was all foxtrot, there was no gimmicks. I loved it. | :28:43. | :28:47. | |
The judges' comments were so lovely. You bring the sun to Strictly. It's | :28:48. | :28:51. | |
the little touches that make me smile. I'm in shock from the Results | :28:52. | :28:55. | |
Show. Usually people in a dance-off, three times in a row, on the third | :28:56. | :28:59. | |
time, they usually go home. When the judges were giving the results, I | :29:00. | :29:03. | |
assumed Len was going to say Ben and Kristina. On this performance, I | :29:04. | :29:07. | |
have to save Mark and Iveta. I was in shock. To get this far, it's such | :29:08. | :29:14. | |
a wonderful thing. Week ten - I mean that's madness. This week we're | :29:15. | :29:20. | |
doing a samba to I Just Can't Wait To Be King. The competition is | :29:21. | :29:23. | |
getting tougher. We need to up our game. No-one has survived four | :29:24. | :29:26. | |
dance-offs. I am determined to not be there this week. I'm Mark with | :29:27. | :29:31. | |
technique. But I feel it will help us if we go to see The Lion King. I | :29:32. | :29:38. | |
hope Simba can help me with my samba. When you see the guys doing | :29:39. | :29:41. | |
it, it's so exciting. Hopefully we can get some of that in our dance. | :29:42. | :29:45. | |
We were shown some of the choreography. You go left, right, | :29:46. | :29:51. | |
push. We did a bit of the dance. There's one more thing I want you to | :29:52. | :29:55. | |
see, this is Simba. Could I try it on? I don't see why not. Wow. Do you | :29:56. | :30:02. | |
mind if we keep it? Seeing the show after was the cream on the cake. I | :30:03. | :30:05. | |
hope we can take that inspiration and I can be king of the dance floor | :30:06. | :30:08. | |
and not king of the dance-offs. That was lovely, the pair of you. | :30:09. | :32:06. | |
You have done some lovely dances this series, you really have. Thank | :32:07. | :32:11. | |
you. Iveta suits you. She's brilliant. You have a marvellous | :32:12. | :32:15. | |
time together, Craig. Full of shimmies, full of rhythm, full of | :32:16. | :32:19. | |
camp, darling, which appeals to my nature, of course. Would like to | :32:20. | :32:24. | |
have seen a little more double bounce action, bit flat footed but I | :32:25. | :32:29. | |
think that really is technically your best to date. Oh! Your best. | :32:30. | :32:40. | |
Don't stroke him with your pah! . -- paw. Sadly the ability to be able to | :32:41. | :32:45. | |
bounce for you is difficult and technically it's difficult when it's | :32:46. | :32:49. | |
such a steady samba, which that was, not easy at all. You are still, the | :32:50. | :32:55. | |
cheeky king of the show tonight. Thank you very much. | :32:56. | :33:04. | |
Len? Mark, I tell you what, you are just a great big bundle of joy to | :33:05. | :33:11. | |
watch. Well done. Thank you. The cuddliest lion I have | :33:12. | :33:17. | |
ever seen, a pussy cat of a lion. You have a great ability. You | :33:18. | :33:21. | |
squeeze every ounce of performance value out of any situation. You sell | :33:22. | :33:25. | |
it beautifully. The story telling was good and there was plenty of | :33:26. | :33:29. | |
samba content there. You did it, of course, the bounce could have been | :33:30. | :33:33. | |
better, but I really enjoyed it. Mark, you're a performer, that's | :33:34. | :33:38. | |
what he's saying and you are wonderful and lovely lady. Off you | :33:39. | :33:40. | |
go. Great comments from the youngs -- | :33:41. | :34:01. | |
judges. Technically your best dance to date from Craig. Amazing. Just | :34:02. | :34:10. | |
really, sorry, really nice. You're getting emotional on us? You | :34:11. | :34:13. | |
big softie. Now then, king of the jungle, king | :34:14. | :34:19. | |
of the dance-off, you've been there three times. Due think you'd get | :34:20. | :34:24. | |
this far? No, it's amazing. Sorry, I can't speak. It's the first time | :34:25. | :34:27. | |
I've seen you lost for words actually. Last question, Iveta... | :34:28. | :34:37. | |
He's my king. You've yet to break 30, do you think | :34:38. | :34:43. | |
tonight might be the night? Yes. Fingers crossed, let's find out. | :34:44. | :34:45. | |
Scores are in: 29! Nearly. So close. | :34:46. | :35:08. | |
That's still your joint highest score. That's great. And the | :35:09. | :35:12. | |
comments were lovely. They were indeed. Mark does not want to be in | :35:13. | :35:19. | |
the dance-off again. Call from your mobile or landline or vote online. | :35:20. | :35:25. | |
Keep him dancing through to next week. Everyone's in the musical mood | :35:26. | :35:29. | |
tonight, Susanna and Kevin are hoping their quickstep will leave | :35:30. | :35:33. | |
them Singin' In The Rain and Ashley and Ola are off for a magic carpet | :35:34. | :35:40. | |
ride. Our next couple tonight is Sophie | :35:41. | :35:41. | |
and her partner Brendan. What a night tonight is. The song is | :35:42. | :35:58. | |
Favourite Things from The Sound of Music. That's Sophie's favourite | :35:59. | :36:01. | |
film. I've promised Sophie I won't make any silly jokes about The Sound | :36:02. | :36:06. | |
of Music, all right don't worry you can trust me. I will keep my Von | :36:07. | :36:13. | |
Trapp shut. Here they are in training. | :36:14. | :36:21. | |
When it came to the performance on the Saturday night, I tried to | :36:22. | :36:26. | |
forget that anyone else was in the room and just tried to get that feel | :36:27. | :36:31. | |
back where it was just the two of you very connected. I was | :36:32. | :36:33. | |
disappointed the judges didn't enjoy it more. I found it a bit cold. It | :36:34. | :36:38. | |
didn't have enough chemistry for me. The competition is heating up. It's | :36:39. | :36:41. | |
obvious the judges are looking for perfection. You always have to give | :36:42. | :36:45. | |
your best every week because it might be your last. This week is | :36:46. | :36:52. | |
musicals week. We're dancing the Viennese waltz to Favourite Things | :36:53. | :36:56. | |
from The Sound of Music. I can't wait. | :36:57. | :36:58. | |
# These are a few of my favourite things # | :36:59. | :37:02. | |
Are you excited about musical week, but I didn't realise how much of a | :37:03. | :37:07. | |
fan you were. Particularly The Sound of Music. It's the soundtrack to my | :37:08. | :37:12. | |
childhood. The Viennese waltz is ridiculously | :37:13. | :37:17. | |
demanding because of the amount of spin. It's inevitable that you will | :37:18. | :37:21. | |
be dizzy. I have an idea to take you out of the studio and get you used | :37:22. | :37:27. | |
to it in a whole different area. Brendan took me to a fair ground. We | :37:28. | :37:33. | |
could go on the spiniest ride there is, the waltzer. It was a similar | :37:34. | :37:37. | |
sensation to some of the spins in our dancing. It is just about | :37:38. | :37:41. | |
letting go and enjoying it rather than fighting the spins I suppose. | :37:42. | :37:45. | |
It's been fun to do some spiny rides. I say bring on the Viennese | :37:46. | :37:50. | |
waltz. I hope it works and I do a lovely dance on Saturday night. | :37:51. | :37:56. | |
Incredible. I don't believe we've ever had a nicer dance. | :37:57. | :40:00. | |
CHEERING AND APPLAUSE You're the Duke and Duchess of the | :40:01. | :40:10. | |
Viennese waltz. It was so elegant. Darcey, darling. Sophie, I feel | :40:11. | :40:14. | |
dizzy watching you. I can't imagine what you must be feeling. But you | :40:15. | :40:18. | |
kept your composure all the way through. Your style was stunning. | :40:19. | :40:23. | |
And those fast beautiful pave ots as well. -- pivots as well. Just watch | :40:24. | :40:29. | |
the back of your neck when you're constantly spinning, lengthen the | :40:30. | :40:34. | |
back of your neck. But a classic Viennese waltz. For me, you're going | :40:35. | :40:39. | |
to be spinning into the quarter finals, I can't wait to see you | :40:40. | :40:41. | |
there. Brendan, so proud of you two. Len? | :40:42. | :40:52. | |
My favourite things in the Viennese waltz is rotation, I like to see | :40:53. | :40:58. | |
lots of natural turns to the right, reverse turns, pivots everywhere, | :40:59. | :41:04. | |
fleckerls, Darcey is right, with the speed of it, you lost a little bit | :41:05. | :41:07. | |
of toning through your neck, but I tell you what, Brendan, wonderful | :41:08. | :41:15. | |
routine. Beautifully done. Could not agree more. Bruno? Oh, | :41:16. | :41:21. | |
yes, the his are alive with a vision of beauty. It's true because I like | :41:22. | :41:26. | |
the purity of style of that Viennese waltz. As he said, it was a proper, | :41:27. | :41:31. | |
classic Viennese waltz. You kept the rotation going. You looked stylish, | :41:32. | :41:34. | |
elegant. You have confidence. I would like to see you maintaining | :41:35. | :41:39. | |
this confidence in the Latin dances, because when you are yourself and | :41:40. | :41:44. | |
you exude that radiant beauty, you're stunning. Just don't doubt | :41:45. | :41:47. | |
yourself in the Latin side, because you're great, you really are. | :41:48. | :41:55. | |
You're great. Now then, Craig? Your arms need a little more tone when | :41:56. | :42:01. | |
they're out of hold. It's true, we've all gone on about it, you lost | :42:02. | :42:05. | |
your neck on occasion. But the chemistry between you was fantastic | :42:06. | :42:14. | |
in that. Absolutely brilliant. Craig said it was brilliant! You are | :42:15. | :42:18. | |
brilliant. Go on. Off you go. | :42:19. | :42:22. | |
Wow, absolutely gorgeous. A night of standing ovations, you have to be | :42:23. | :42:39. | |
proud of her. I am ridiculously proud of this girl. She's the reason | :42:40. | :42:44. | |
we're doing so well. She's such an inspiration. How are you feeling | :42:45. | :42:48. | |
after all those spins? A little dizzy? It felt crazy and I was | :42:49. | :42:53. | |
saying at the end, I'm glad my head stayed on. I checked it was still | :42:54. | :42:56. | |
attach. You should be spinning into the quarter finals with that. That | :42:57. | :43:00. | |
would be lovely. I love the fact that you're so giddy about musicals. | :43:01. | :43:02. | |
The scores are in: That's your joint highest score. | :43:03. | :43:29. | |
It's the same score you got for that charleston. Well done you two. That | :43:30. | :43:35. | |
legendary charleston. Was that one of your favourite things, the number | :43:36. | :43:44. | |
to call is: Or vote online. All of our couples will need your votes to | :43:45. | :43:48. | |
make it through to next week. Not only will they dance again, but the | :43:49. | :43:51. | |
six remaining stars compete in a head to head in a swing-a-thon. Yes, | :43:52. | :43:57. | |
it's back. I love a plot twist. Back to you. | :43:58. | :44:02. | |
Right, our fifth couple is Abbey and her partner Aljaz. ? Vment -- Aljaz. | :44:03. | :44:12. | |
They are dancing to a song from Saturday Night Fever. I knew you'd | :44:13. | :44:20. | |
like it. I said to Abbey, "That's my favourite musical. It has to be my | :44:21. | :44:25. | |
favourite song. I sing it three or four times every night before I go | :44:26. | :44:31. | |
to bed." She said, "What song? I said, "Stayin' Alive." It's wicked | :44:32. | :44:41. | |
to mock the aged! Here they are in training. | :44:42. | :44:45. | |
I loved the choreography for the paso doble. I was really excited, | :44:46. | :44:52. | |
really happy. Then I kept slipping everywhere. On occasion you just | :44:53. | :44:55. | |
lost a bit of control. I think the judges are really pushing for | :44:56. | :45:00. | |
perfection now. The competition is really heating up. It could be | :45:01. | :45:03. | |
anybody who goes each week. No-one is safe. I think we just have to go | :45:04. | :45:08. | |
out there, give it our all and hopefully, secure our place for next | :45:09. | :45:13. | |
week. It's musical week and we're dancing | :45:14. | :45:17. | |
the salsa to a song from Saturday Night Fever. We've got three lifts | :45:18. | :45:20. | |
in our dance and I'm really nervous, because it's quite scary being up | :45:21. | :45:24. | |
there. I don't want to be dropped. I want to do it right. I'm really | :45:25. | :45:27. | |
worried about doing these lifts. Lifts are really important. You do | :45:28. | :45:32. | |
need to get them right. But, as well, you need to get into the | :45:33. | :45:38. | |
character of the 70s and do justice to Saturday Night Fever. I love the | :45:39. | :45:43. | |
70s, the fashion, the whole era. Are you thinking what I'm thinking? | :45:44. | :45:49. | |
In order to get into that 70s vibe, we went it a karaoke bar and blasted | :45:50. | :45:57. | |
out some classic disco hits. # Night fever, night fever # | :45:58. | :46:02. | |
It was a great idea to take my mind off all the worrying. Because it is | :46:03. | :46:05. | |
about fun. # You are a dancing queen # | :46:06. | :46:10. | |
I've got my 70s groove on, I hope I can stay in character for Saturday | :46:11. | :46:12. | |
night for my salsa. CHEERING AND APPLAUSE | :46:13. | :48:19. | |
You are lovely. This is marvellous. Absolutely marvellous. Did you heat | :48:20. | :48:22. | |
the place up. Get your breath back. Len, did you | :48:23. | :48:27. | |
like that? Saturday Night Fever, I tell you what, there's fever in this | :48:28. | :48:30. | |
ballroom. Everyone has upped their game. Now listen, in my life, I've | :48:31. | :48:36. | |
lost and forgotten many things, I haven't forgotten what a great dance | :48:37. | :48:37. | |
looks like. That was great! He wouldn't lie to you. Bruno? | :48:38. | :48:51. | |
Abbey, the disco diva. Seriously, my darling, I have to make a point, you | :48:52. | :48:56. | |
were dancing at a moment between two professional girls, I could not tell | :48:57. | :49:01. | |
the difference. Good point. Well done. Craig? Could | :49:02. | :49:12. | |
you tell the difference? Yes. I thought it was absolutely a-maz-ing. | :49:13. | :49:26. | |
I thought he'd gone to sleep. Darcey, darling? Mesmerising | :49:27. | :49:31. | |
performance. Finally, you are oozing confidence in the Latin, a five-star | :49:32. | :49:41. | |
routine. Well done. We've never had a time like this on | :49:42. | :49:45. | |
this show. At this stage of the show, we've never had a night like | :49:46. | :49:50. | |
this. Thanks to you and all the other wonderful dancers. Abbey and | :49:51. | :49:52. | |
Aljaz! CHEERING AND APPLAUSE | :49:53. | :50:07. | |
Everybody's upped their game. Mesmerising said Darcey. I can't | :50:08. | :50:10. | |
believe it. I love her. Do you feel like a disco diva? I do now after | :50:11. | :50:15. | |
them comments. It's good. It's getting tougher. Everybody's upped | :50:16. | :50:19. | |
their game. How much does it mean to have got to this stage in the | :50:20. | :50:22. | |
competition? I can't believe I'm still here. I just don't want it to | :50:23. | :50:28. | |
end. I'm loving it. Has Strictly fever taken over your | :50:29. | :50:31. | |
family. Are you dancing with that with your Pete around the kitchen? I | :50:32. | :50:35. | |
was practising that lift with him at home, yeah. Oh, broken furniture. I | :50:36. | :50:40. | |
didn't think anyone could pull off a white suit, but wow. The scores are | :50:41. | :50:43. | |
in: Wow! What about that? The first 40 | :50:44. | :51:20. | |
of the series. Tell me what it feels like? Amazing. I don't think I've | :51:21. | :51:28. | |
ever seen anyone quite as excited. I can't believe it, can you? No. Did | :51:29. | :51:34. | |
that give you - I'm overcome. Did that give you Saturday Night Fever? | :51:35. | :51:39. | |
If you think Abbey and Aljaz should be dancing next week call: Or vote | :51:40. | :51:48. | |
online. Just two couples left to take the stage. | :51:49. | :51:52. | |
That was phenomenal. This is like a final! Isn't it? | :51:53. | :51:57. | |
APPLAUSE Now for our next couple, Ashley and | :51:58. | :52:05. | |
his partner Ola. Another pair! They're dancing to A Whole New World | :52:06. | :52:09. | |
from Aladdin. He's going to be flying on a magic carpet. He will be | :52:10. | :52:19. | |
way up there on a carpet Hoovering. What's that? Oh, do it again? Oh, | :52:20. | :52:25. | |
yeah, up there on a carpet, hovering. Here they are in training. | :52:26. | :52:31. | |
I am over the moon about getting through another week. The waltz went | :52:32. | :52:38. | |
really well. A few distant problems came back to haunt me. Your head is | :52:39. | :52:43. | |
driving me absolutely mad. You've got to sort that out. I've got 35 | :52:44. | :52:48. | |
points for the third week in a row. I am determined to get more. The | :52:49. | :52:53. | |
competition is definitely really strong now. It has become all very | :52:54. | :52:57. | |
real. The judges are being harder with their scores. So I do have to | :52:58. | :53:06. | |
show that I have what it takes. This week is musical week. I'm going to | :53:07. | :53:11. | |
be doing a rumba. This rumba has got to be graceful and some of the | :53:12. | :53:15. | |
movements are not very pretty at the moment. We really have to up our | :53:16. | :53:19. | |
game. The judges are being really picky. We have to make sure | :53:20. | :53:27. | |
everything is perfect. Because we're doing Aladdin, Buddy is going to | :53:28. | :53:32. | |
love it. I can't let him down. "Once upon a time there was a boy called | :53:33. | :53:36. | |
Aladdin." If you could have three wishes, what would they be? Daddy | :53:37. | :53:41. | |
winning Strictly, would that be a wish? Who do you want to win? Go on | :53:42. | :53:48. | |
daddy! The pressure is really on. I've got to get my steps right, the | :53:49. | :53:53. | |
character right, make my son proud and flying on a magic carpet, what | :53:54. | :53:55. | |
could possibly go wrong? Sorry Ola. Lovely. Really lovely. Ola and | :53:56. | :56:12. | |
Ashley, what a team you are. Bruno? Oh, so exotic with a touch of | :56:13. | :56:19. | |
the erotic. I love, but there's one thing you did so well, you framed | :56:20. | :56:23. | |
the object of your desire so well. You know, the rumba is a woman's | :56:24. | :56:27. | |
dance and you made her look wonderful, the chemistry was there, | :56:28. | :56:30. | |
the lines were beautiful. Just you need to work a little bit more on | :56:31. | :56:35. | |
your hips yeah, a bit more hip action, but beautifully done, | :56:36. | :56:38. | |
though. Very good, Craig? Yes, I totally | :56:39. | :56:43. | |
agree, a little more hip action. Your arms need a little bit more | :56:44. | :56:48. | |
expression. But I have to say, I really and truly loved it. It was a | :56:49. | :56:54. | |
terrible shame about you getting both legs caught. Darcey? You told a | :56:55. | :57:01. | |
very real story of love. It's not easy for a man in rumba to create | :57:02. | :57:06. | |
that convincingly. You created some strong masculine lines. Great, great | :57:07. | :57:14. | |
control, well done. OK Len? A whole new world, I saw a | :57:15. | :57:19. | |
whole new side to you. Itch thought you took command of that dance. You | :57:20. | :57:24. | |
came out and you -- I thought you took command of that dance. You came | :57:25. | :57:26. | |
out and really performed. You did need a bit more hip action here and | :57:27. | :57:31. | |
there, but well done, Ashley you're on a roll. I think you're dancing | :57:32. | :57:35. | |
terrific. All the time, lovely Ola. Lovely Ashley. Away you go. | :57:36. | :57:41. | |
CHEERING AND APPLAUSE The first person in Strictly history | :57:42. | :57:54. | |
to fly on a magic carpet. How did it feel? Very temperamental, those | :57:55. | :57:58. | |
carpets. I've had a few problems back stage with him. You drove it | :57:59. | :58:03. | |
well. Thanks. Your adorable son, his favourites were "Dave and Karen." | :58:04. | :58:10. | |
Can I just say hello. Miss you. He did well. Do you think you're his | :58:11. | :58:13. | |
favourite now? I hope so. Me too. | :58:14. | :58:17. | |
Hope so. Difficult dance for the male celeb, the rumba. You did so | :58:18. | :58:21. | |
well, very proud. Well deserved. Scores are in. | :58:22. | :58:40. | |
35, another one! Four weeks in a row. Yeah. That's OK. Anton was | :58:41. | :58:51. | |
shouting, "Your best judge yet." Did they whisk you off on a magic carpet | :58:52. | :58:58. | |
ride? If they did call: Or vote online as soon as everybody has | :58:59. | :59:01. | |
danced. Don't forget, find us on Facebook or Twitter. Head to the | :59:02. | :59:05. | |
website, pull back the curtain and see what goes on behind-the-scenes. | :59:06. | :59:09. | |
It's all there. Time for our final performance. Will it be a show | :59:10. | :59:14. | |
stopper? Let's find out. Our final couple tonight is Susanna | :59:15. | :59:16. | |
and her partner Kevin. Everybody loves this couple. | :59:17. | :59:28. | |
By the way, did you know Kevin is from Grimsby? | :59:29. | :59:30. | |
LAUGHTER I didn't know whether I'd mentioned | :59:31. | :59:39. | |
it. Susanna is dancing to a song from Singin' In The Rain, another | :59:40. | :59:42. | |
great music. I said, "In the film there was one lady and two men in | :59:43. | :59:47. | |
that number. You need another man, can I help out? She said, "Oh, yes | :59:48. | :59:52. | |
Bruce. That would be brilliant. Have you got Anton's phone number? | :59:53. | :59:57. | |
LAUGHTER He's always available. | :59:58. | :59:58. | |
Here they are in training. The cha cha and I struggled to love | :59:59. | :00:10. | |
each other. It was all a little bit mumsy, darling. My boys said, but | :00:11. | :00:16. | |
mum you're our mum. As a mother I would say anything but mumsy. We're | :00:17. | :00:19. | |
in the business end of the competition. They're looking for | :00:20. | :00:22. | |
really, really high quality dances. There's no safety. There's a | :00:23. | :00:28. | |
possibility anyone can be in the dance-off. This week it's musicals | :00:29. | :00:33. | |
week. We are dancing the quickstep. I don't get it. It is so quick. Oh, | :00:34. | :00:40. | |
I'm moving around so much. It's too fast. We really have to work on the | :00:41. | :00:43. | |
technique. There's no hiding in this dance. No. I've decided to rope in | :00:44. | :00:49. | |
some help from some of your biggest fans. Little helpers! Hello boys. | :00:50. | :00:54. | |
How come Kevin has roped you into this particular task? Skipping is | :00:55. | :00:57. | |
going to help you with the quickstep. You will get four 10s. | :00:58. | :01:03. | |
That sounds like a plan to me. Brilliant. Doing the skipping just | :01:04. | :01:07. | |
reminds you to stay light on the balls of your feet to give you that | :01:08. | :01:12. | |
lightness that you need in the quickstep. Good luck mummy, you're | :01:13. | :01:15. | |
the best. We've worked on your foot work, I want to throw in something | :01:16. | :01:19. | |
flash. Good morning, you're watching BBC Breakfast. Singin' In The Rain | :01:20. | :01:25. | |
had an iconic moment in it. This week we're focussed on technique, | :01:26. | :01:30. | |
skipping, the sofa, I hope that means Kevin and I can keep dancing | :01:31. | :01:31. | |
into next week. MUSIC | :01:32. | :01:34. | |
Good Morning Are you all right, my love. | :01:35. | :03:33. | |
Everybody loved it, including me. It was sensational. | :03:34. | :03:40. | |
Well done Kevin. And Susanna. It was lovely. That was a quicker tempo | :03:41. | :03:45. | |
than in the film. Craig? I thought the foot work was rather sloppy. | :03:46. | :03:51. | |
I've got to be honest. You looked completely out of sync with one | :03:52. | :03:54. | |
another over here, when you were doing the kick stuff. It was a real | :03:55. | :03:57. | |
shame because it was going rather well up until that point. When you | :03:58. | :04:01. | |
did that last moment, I did think for a moment you overbalanced and I | :04:02. | :04:05. | |
thought you were going to fall flat on your face and sadly... Well... | :04:06. | :04:13. | |
That was a slip of his tongue. I'm glad you saved yourself. I said | :04:14. | :04:20. | |
"sadly". He wanted her to fall. Darcey? You captured the role of the | :04:21. | :04:27. | |
cheeky Debbie Roynolds perfectly. There was so much dance content in | :04:28. | :04:31. | |
there. You were so light on your feet. It was a shame, there were a | :04:32. | :04:35. | |
couple of mistakes. You did get out with Kevin. But, it is only about | :04:36. | :04:40. | |
exaggerating some of the foot work and keeping it really crossed, it | :04:41. | :04:44. | |
gets a little open. The energy all the way through was wonderful. | :04:45. | :04:54. | |
Len? News flash: Musical night on Strictly Come Dancing, Susanna Reid | :04:55. | :04:57. | |
closed the show with a blockbuster of a quickstep. | :04:58. | :05:05. | |
Bruno? I wish I could have some of that any morning. You have so much | :05:06. | :05:09. | |
zest, so much life, energy, it's great to see. You capture the spirit | :05:10. | :05:14. | |
of the film perfectly. There were a couple of mistakes on the foot work, | :05:15. | :05:20. | |
but that will improve. Newsreader by day, I tell you, a musical star by | :05:21. | :05:26. | |
night. You did a wonderful part in a | :05:27. | :05:32. | |
wonderful night. Who went on last, you did. Go on, off you go. | :05:33. | :05:36. | |
CHEERING AND APPLAUSE What a blockbuster of musical star | :05:37. | :05:49. | |
by night. Is a change of career in the works? I'm not sure about that, | :05:50. | :05:52. | |
the breakfast viewers might complain. Week ten, and up put a lot | :05:53. | :05:58. | |
of training in. How has Strictly affected the rest of your life? My | :05:59. | :06:01. | |
family is seeing a little bit less of me. I'm seeing quite a lot of | :06:02. | :06:05. | |
Kevin. I have to say, if you want to get fit and have a fabulous time, | :06:06. | :06:09. | |
take up dancing, it is pure pleasure and I think we'd all agree about | :06:10. | :06:14. | |
that. You are fitter than ever. The scores are in: | :06:15. | :06:32. | |
Thank you Len and Bruno. Did that quickstep knock you off the couch? | :06:33. | :06:43. | |
Get back up and call: Or vote online, if you think Susanna and | :06:44. | :06:49. | |
Kevin deserve a place in next week's swing-a-thon. Fancy that? Oh, yeah. | :06:50. | :06:53. | |
I'd love a bit of swing-a-thon. It's going to be fun. Chaos. That's it. | :06:54. | :07:01. | |
Our fair ladies and Jersey Boys have danced all they can. Let's look at | :07:02. | :07:03. | |
the leaderboard: Now remember, you, if you like, can | :07:04. | :07:18. | |
change all that. Pick up the phone or go online and vote for your | :07:19. | :07:22. | |
favourites. Why wait? The vote is now open. | :07:23. | :07:36. | |
Lines will close at 8. 35 tonight. To help you decide, here's an encore | :07:37. | :07:41. | |
of tonight's storming performances. What about that! Lines close at 8. | :07:42. | :10:00. | |
35pm. A wonderful evening. Didn't they all do well? ! It certainly was | :10:01. | :10:05. | |
a night to remember. The highest scoring night of the competition so | :10:06. | :10:08. | |
far. However one of our seven musical stars must leave the | :10:09. | :10:10. | |
competition and your votes will make a difference. If you don't want to | :10:11. | :10:14. | |
see your favourite take their final bow, go online right now. Just three | :10:15. | :10:20. | |
weeks from the final. All of our stars want to make it. We find out | :10:21. | :10:27. | |
which two couples are in the dreaded dance-off with Tess and Claudia in | :10:28. | :10:31. | |
the Results Show tomorrow night at 7. 7.30pm. They're going mad. Going | :10:32. | :10:35. | |
wild in here. CHEERING AND APPLAUSE | :10:36. | :10:39. | |
The dance-off tomorrow night will have another spectacular routine | :10:40. | :10:43. | |
from our professionals. And the brilliant Alfie Boe will be here | :10:44. | :10:46. | |
with a performance from Les Miserables. Sounds like critics | :10:47. | :10:52. | |
choice to me. In the meantime, think positive. Keep dancing! | :10:53. | :10:58. |