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MUSIC: "Fame" by Michael Gore and Dean Pitchford | :01:38. | :03:31. | |
please welcome your host, test daily and Claudia Winkleman. | :03:32. | :03:53. | |
I was planning to wear this anyway. Good evening and welcome to this | :03:54. | :04:12. | |
week's results show. On Saturday, a chorus line took to the dance floor, | :04:13. | :04:16. | |
but only six places remain and one couple must take their final curtain | :04:17. | :04:22. | |
call tonight. Your votes have then combined with the judges' and two | :04:23. | :04:31. | |
couples will have debated the dreaded dance-off will stop the | :04:32. | :04:36. | |
judges will then have the ultimate decision of who stays and who goes. | :04:37. | :04:48. | |
Please welcome our judges! Also singing, Alfie Boe will be here. And | :04:49. | :04:56. | |
I will be reliving the sell-out performances last night with the | :04:57. | :05:02. | |
judges. But before we revealed the first couple to face the dance-off, | :05:03. | :05:09. | |
let's remind us how they all got on last night. It is musical night and | :05:10. | :05:32. | |
I cannot wait to get started. Jazz hands! Snigger beak, you can see all | :05:33. | :05:57. | |
the studio. -- sneak a peak. Just taking my magic carpet out for a | :05:58. | :06:07. | |
little plight. It almost builds a bit naughty. Freestyle week, it's | :06:08. | :06:24. | |
finally here. It just feels like a really special night. Everyone is so | :06:25. | :06:28. | |
excited. I'm looking forward to it, I love it. Showtime! I'm going to go | :06:29. | :06:39. | |
and get ready. This is the best week about. Five seconds, four, three, | :06:40. | :07:01. | |
two, one. You have set the mark so I tonight, well done. | :07:02. | :07:12. | |
It was absolutely sublime. Incredible all stop --. Technically, | :07:13. | :07:29. | |
your best to date. You are just a bundle of joy. The hills are alive | :07:30. | :07:49. | |
with a vision of duty. The chemistry between you is amazing. That was | :07:50. | :08:10. | |
great. Amazing. I'm just gobsmacked. I really and truly loved it. It was | :08:11. | :08:20. | |
really good, very good. That's all I needed to hear. Susanna Reid closed | :08:21. | :08:31. | |
the show with a blockbuster of a quick step will stop --. It was an | :08:32. | :08:41. | |
epic number. We had a great time doing it all week. It was amazing. | :08:42. | :08:51. | |
What a show. Musical night was fantastic. Craig got the ten paddle | :08:52. | :09:04. | |
out for the first time. Down the bottom of the leader barred, Mark | :09:05. | :09:17. | |
and Susanna. Your votes have now been added to the judges' scores and | :09:18. | :09:24. | |
it is buying -- time to find out. I have the results. In no particular | :09:25. | :09:33. | |
order, the first couple safely through to next week is: | :09:34. | :09:47. | |
Abbey are now jazz. -- Abbey and Aljaz. Also back are... | :09:48. | :10:14. | |
And the first couple who must fight for survival is... Mark and Iveta. | :10:15. | :10:49. | |
Please come and join me. You will find out if you are through a little | :10:50. | :11:02. | |
later on. Here we go again. You said that Mark squeezes every ounce of | :11:03. | :11:06. | |
performance value out of everything. He's been here before, what does he | :11:07. | :11:10. | |
need to do to survive? Your performance level can never be | :11:11. | :11:22. | |
altered. There was an elusive Samba band 's -- samba bounce that we | :11:23. | :11:28. | |
didn't see. Try to be lighter with the footwork. Good luck. Have you | :11:29. | :11:36. | |
got what it takes? Were going to have fun like we whizz do. Just go | :11:37. | :11:46. | |
out there and do our best. We will see you later on and find out who | :11:47. | :11:57. | |
you are up against. Your face when they said your name! You don't just | :11:58. | :12:01. | |
look happy, you look like you might explode. You came down in a flying | :12:02. | :12:14. | |
car, couldn't be better? I can't say anything, I'm just overwhelmed. You | :12:15. | :12:26. | |
don't speak then. Anya, Are you worried about the two dancers next | :12:27. | :12:33. | |
week's definitely going to take one dance at a time. You! 40! 40! You | :12:34. | :12:49. | |
looked so excited and shocked. I imagined when you did that dance, | :12:50. | :12:54. | |
him in the white suit, did you think to yourself, I will probably get | :12:55. | :12:59. | |
full marks's not at all. The standard was so high. To get full | :13:00. | :13:12. | |
marks, I'm gobsmacked. Next up, please give it up for Alfie Boe. | :13:13. | :13:27. | |
# God on high. # Hear my prayer. | :13:28. | :13:45. | |
# In my need. # You have always been there. | :13:46. | :13:57. | |
# He is young. # He's afraid. | :13:58. | :14:10. | |
# Let him rest. # Heaven blessed. | :14:11. | :14:21. | |
# Bring him home. # Bring him home. | :14:22. | :14:35. | |
# He's like the son I might have known. | :14:36. | :14:43. | |
# If God had granted me a son. # The summers die. | :14:44. | :14:47. | |
# One by one. # How soon they fly. | :14:48. | :14:52. | |
# On and on. # And I am old. | :14:53. | :15:05. | |
# And will be gone. # Bring him peace. | :15:06. | :15:18. | |
# Bring him joy. # He is young. | :15:19. | :15:31. | |
# He is only a boy. # You can take. | :15:32. | :15:43. | |
# You can give. # Let him be. | :15:44. | :15:54. | |
# Let him live. # If I die. | :15:55. | :16:06. | |
# Let me die. # Let him live. | :16:07. | :16:18. | |
# Bring him home. # Bring him home. | :16:19. | :16:25. | |
# Bring him home. # Absolutely brilliant. Please welcome | :16:26. | :17:06. | |
our judges, Len, Darcey, Bruno and Craig. Welcome all. Thank you so | :17:07. | :17:11. | |
much for those beautiful moves! Thank you for coming up here. This | :17:12. | :17:18. | |
is where we dissect what happened on Saturday night. Let's welcome Len's | :17:19. | :17:29. | |
Lens. Len's Lens! Look at him. Yes, as I said, this is when you can talk | :17:30. | :17:33. | |
over the details of Saturday night. I'd like to begin with the most | :17:34. | :17:38. | |
beautiful, the most stunning spins of the night. It took the audience's | :17:39. | :17:42. | |
breath away on Saturday. Let's have a look. There you go! Look at him! | :17:43. | :17:58. | |
Pif vot! -- Pivot! Another one. Such Majesty! I'm ready for my close-up! | :17:59. | :18:09. | |
Your hip... I was pulling up, darling. Very well done! Let us | :18:10. | :18:15. | |
begin with Natalie and Artem. I don't understand, you gave them an | :18:16. | :18:20. | |
eight because you wanted much more foxtrot and less swishing. This | :18:21. | :18:22. | |
looks like the foxtrot American Smooth to me. There was - there was | :18:23. | :18:31. | |
three bars - one, two, three, three, two, three, four. Out he comes - | :18:32. | :18:36. | |
wallop! That is all we got. I do understand. You want the performance | :18:37. | :18:41. | |
level to be high. But, you know, it is an American Smooth, which I | :18:42. | :18:45. | |
understand, it is much freer. I just like to see a little bit more of the | :18:46. | :18:51. | |
foxtrot if it is an American Smooth foxtrot. If it is an American Smooth | :18:52. | :18:55. | |
waltz, I want to see more in the hold. As lovely as it was, for me, | :18:56. | :18:59. | |
it lacked a little bit of foxtrot feel. Fair enough. Darcey, let me | :19:00. | :19:04. | |
ask you about Ashley's rumba. It is a very difficult dance. He did | :19:05. | :19:11. | |
great, didn't he? What he got was being sensual and fluid without | :19:12. | :19:15. | |
looking too feminine. It is very easy to look feminine. But he was | :19:16. | :19:24. | |
very strong and loving towards her. Everything was directed at her. He | :19:25. | :19:28. | |
was very masculine in the role. That is not easy. Bruno, let me ask you | :19:29. | :19:36. | |
about Abbey and Aljaz. The first perfect - they got four tens. You | :19:37. | :19:43. | |
couldn't tell who was the professional dancer? She performed | :19:44. | :19:48. | |
like a leading lady. We have two professional dancers there. Your | :19:49. | :19:52. | |
eyes are drawn to her. Talk about blossoming. This is an incredible | :19:53. | :19:57. | |
achievement. The girl, the confidence, she really gave the | :19:58. | :20:00. | |
performance of the night for me. Brilliant. Craig, we were all aghast | :20:01. | :20:06. | |
because you got out the ten. For you, because it is dusty, when you | :20:07. | :20:12. | |
pull it out, you want to go, "Look what I'm doing!" Look at your face. | :20:13. | :20:24. | |
Livid. Is it because of the gravitas of the situation? No, I don't know | :20:25. | :20:28. | |
why that is. Or do you hate being happy? I love being happy. Claudia, | :20:29. | :20:37. | |
I'm there to do a job, it is to hold paddles from 1 to 10. I don't have | :20:38. | :20:41. | |
to get excited about it. It is part of the job, darling. I have to ask | :20:42. | :20:48. | |
you about Patrick and Anya. You only gave them an eight. Do you think you | :20:49. | :20:52. | |
could have given them a bit more? No, I believe I'm right. He was | :20:53. | :20:57. | |
flat-footed. I loved the polka section. He is very good at that. It | :20:58. | :21:02. | |
was fast, furious, it was clean. But there was a lift that I thought was | :21:03. | :21:08. | |
a little bit unstable. When she landed, he overspun her ever so | :21:09. | :21:16. | |
slightly. Oh God! Stop! No, OK, don't have a go at him. It is that | :21:17. | :21:22. | |
time. I know. It is being picky. And there's being unfair. No, mine was a | :21:23. | :21:26. | |
fair comment, actually. It's true. OK. Next week, there's the | :21:27. | :21:33. | |
swing-a-thon. Oh yes! Can you remind everybody what does that mean? All | :21:34. | :21:38. | |
the six remaining couples come on to the floor and they do a cross | :21:39. | :21:42. | |
between Lindyhop, jive, swing dancing and one by one, they get | :21:43. | :21:46. | |
voted off. The first one out gets one extra point. Second one out two | :21:47. | :21:51. | |
and so on. The one that's remaining at the end of the whole thing gets | :21:52. | :21:57. | |
six extra judges' points which can make so much difference. It is truly | :21:58. | :22:02. | |
an exhausting dance! To confirm, it is you four that decide, you judge | :22:03. | :22:06. | |
together as you watch? We do, indeed. There will be arms flying | :22:07. | :22:11. | |
around! I can only imagine that! Let's hear it for the judges. | :22:12. | :22:18. | |
CHEERING AND APPLAUSE So far, two couples have secured their place in | :22:19. | :22:22. | |
next week's Strictly swing-a-thon. Who will be joining them? Over to | :22:23. | :22:29. | |
you, Tess. Thank you, Claudia. Now, four couples are still waiting to | :22:30. | :22:34. | |
learn their fate. One will join Mark and Iveta. Who will be the critics' | :22:35. | :22:39. | |
choice and who is waking up to bad reviews? Time to reveal all. | :22:40. | :22:44. | |
In no particular order, safely through to next week are Sophie and | :22:45. | :23:03. | |
Brendan. Thank you very much. Well done. | :23:04. | :23:07. | |
Back to dance again, next Saturday are Natalie and Artem. Thank you. | :23:08. | :23:26. | |
So that means Susanna and Kevin and Ashley and Ola. One of you is safe, | :23:27. | :23:39. | |
one of you is in the dance-off. I can reveal that the couple in the | :23:40. | :23:42. | |
bottom two tonight who will compete in the dance-off is Ashley and Ola. | :23:43. | :23:57. | |
So, Susanna and Kevin, congratulations, you are through to | :23:58. | :24:03. | |
next Saturday! Thank you. Thank you. Ashley and Ola, please come over and | :24:04. | :24:08. | |
join me. Come on over. Sorry to see you guys here. Stand here. Craig, | :24:09. | :24:13. | |
you said on the night that you really loved Ashley and Ola's rumba. | :24:14. | :24:18. | |
What do you want to see them do differently? A little bit more hip | :24:19. | :24:22. | |
action. If you put the slightest amount in, that will please all four | :24:23. | :24:27. | |
of us. I said about more expression in your free arm, you are so | :24:28. | :24:32. | |
busyworking some of the turns, you sometimes forget the free arm. So | :24:33. | :24:36. | |
try and engage one or two moments of that in this dance-off. You did do a | :24:37. | :24:43. | |
brilliant job. Do exactly the same. Your first time in this position. | :24:44. | :24:50. | |
How are you feeling? Oh... Nervous. Ready to fly the magic carpet again? | :24:51. | :24:56. | |
I have to go up there again! Very nervous, but you can only do your | :24:57. | :24:59. | |
best. Yes. We wish you the best of luck. We will see you later on. | :25:00. | :25:04. | |
Claudia, over to you. Thank you, Tess. I'm here with the rest of our | :25:05. | :25:11. | |
saved couples. They are giddy, all coming up here. Sometimes you come | :25:12. | :25:15. | |
up here and it is really tense, but you are cuddling each other. How | :25:16. | :25:18. | |
much did you love dancing to that song on Saturday night? I would | :25:19. | :25:22. | |
happily dance it again. Before they announced my name, I changed my | :25:23. | :25:27. | |
mind! Natalie and Artem, you were emotional on Saturday night because | :25:28. | :25:31. | |
I know it was a big old performance and it was an emotional song. How | :25:32. | :25:37. | |
happy are you that you are through? Delighted. Saturday night was | :25:38. | :25:41. | |
literally the best night of my life! Was it? I was so thrilled to be | :25:42. | :25:46. | |
dancing again. I'm so happy for you. You are not crying, which is good? | :25:47. | :25:51. | |
No, no. I don't totally mean that! I don't want you to cry. I like it | :25:52. | :25:55. | |
when you are happy crying! I will stop speaking! How will you cope | :25:56. | :26:03. | |
with two dances next week? You have working, babies - will you be | :26:04. | :26:06. | |
alright? I hope so. I want to say thank you to everyone who voted for | :26:07. | :26:10. | |
us because although the dance, from my point of view, I didn't dance it | :26:11. | :26:15. | |
perfectly, if it made someone smile, I'm so grateful. I know. You were | :26:16. | :26:19. | |
down in the bottom two. You were touching heads. It was so cute. | :26:20. | :26:26. | |
Meerkats do that! If all that Saturday Night Fever wasn't enough | :26:27. | :26:29. | |
for you, don't panic because here is the gorgeous Zoe! | :26:30. | :26:39. | |
# You can tell # By the way I walk... # | :26:40. | :27:03. | |
It Takes Two gives you dance fever every night of the week! It Takes | :27:04. | :27:13. | |
Two is on every week night on BBC Two at 6.30pm. Mark and Iveta and | :27:14. | :27:19. | |
Ashley and Ola, you are about to face the dance-off. I feel like we | :27:20. | :27:23. | |
have been here before, Mark. You got emotional on Saturday night. You | :27:24. | :27:27. | |
have formed a very special bond. What is your plan of action for | :27:28. | :27:31. | |
dance-off number four? I'm going to bounce! Are you? I'll try! Of course | :27:32. | :27:38. | |
you will do it. Enormous luck. You are brilliant. Thank you. Please get | :27:39. | :27:46. | |
into position. Good luck, Iveta. Ashley, this is your first time in | :27:47. | :27:52. | |
the dance-off. Are you gutted? Yes and it is what it is. I have to go | :27:53. | :27:56. | |
up there on the carpet again and have the time of my life. Hip | :27:57. | :28:00. | |
action? Oh yes, loads of that this time. You will do great. Enormous | :28:01. | :28:06. | |
luck. With the final just three weeks away, nobody wants to leave | :28:07. | :28:09. | |
the competition. Dancing to save their place, please go crazy for | :28:10. | :28:11. | |
Mark and Iveta. MUSIC: "I Just Can't Wait To Be | :28:12. | :28:16. | |
King" Mark and Iveta have done all they | :28:17. | :30:13. | |
can to win over the judges. Now Ashely and Ola are fighting to save | :30:14. | :30:14. | |
their place. Let's hear it for them. MUSIC: "A Whole New World" by Alan | :30:15. | :30:30. | |
Menken and Tim Rice well done to both of you. We will | :30:31. | :32:29. | |
now find out which of you will be back to dance next week. It is time | :32:30. | :32:39. | |
to decide. We are about to ask each of you the name of the couple you | :32:40. | :32:44. | |
think deserve to be saved. In the event of a tie, the head judge has | :32:45. | :32:53. | |
the deciding vote. Mark and Iveta and Ashely and Ola, this is it. | :32:54. | :33:01. | |
Craig? I would like to save Ashely and Ola. Darcey? Ashely and Ola. If | :33:02. | :33:27. | |
Bruno chooses you, you are safe. I would like to see Ashely and Ola | :33:28. | :33:34. | |
stayed. That means weird to say goodbye to Mark and Iveta. | :33:35. | :33:42. | |
Congratulations, you are through to next week. And I was in complete | :33:43. | :33:58. | |
agreement, Ashely and Ola. Here we are, it has been one heck of a | :33:59. | :34:02. | |
ride. You benefit us to couple to watch. -- you've been a fantastic | :34:03. | :34:10. | |
couple to watch. Have you enjoyed it? I've got to say thanks to my | :34:11. | :34:16. | |
dear friend and fantastic teacher. She is amazing all stop and my | :34:17. | :34:24. | |
amazing wife and children. The beautiful band and the judges, all | :34:25. | :34:31. | |
amazing. I've had a ball. And we've had one with you. Everybody is on | :34:32. | :34:40. | |
their feet. You've choreograph some great routines. What would you like | :34:41. | :34:47. | |
to say to mark? This is my first season and it couldn't be any more | :34:48. | :34:52. | |
special. Mark made it so special and memorable. I enjoyed every minute | :34:53. | :34:59. | |
with you. You made me laugh. I taught you dancing but you taught me | :35:00. | :35:03. | |
so many more things. Here's my family and we will stay in touch. | :35:04. | :35:17. | |
Isn't that lovely? What a guy. You two are magic together. You prepare | :35:18. | :35:28. | |
for your last dance. A very sad goodbye to Mark and Iveta but they | :35:29. | :35:32. | |
will be joining us on Monday at 6:30pm on BBC Two. For backstage | :35:33. | :35:40. | |
news, head to our website. Bruce is away next week so Claudia and I will | :35:41. | :35:46. | |
be back, me and you, at 7:10pm when our six couples will be battling out | :35:47. | :35:50. | |
for a place in the semifinal will stop not only will they have six ran | :35:51. | :35:54. | |
new routines but the strictly swingathon is back. For now, with | :35:55. | :36:01. | |
their final dance, show your support for Mark and Iveta. | :36:02. | :36:30. | |
MUSIC: "Always look on the bright side of life" | :36:31. | :36:37. |