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Last week on Strictly we were treated to a night at the musicals. | :00:00. | :00:11. | |
It was full of rave reviews. Fantastic. Absolutely sublime. We | :00:12. | :00:18. | |
had our first 40 of the series. Ashley had to face the music. But it | :00:19. | :00:26. | |
was Mark's last dance. Tonight, our six remaining couples fight for the | :00:27. | :00:31. | |
right to compete in the semifinals. They've come a long way. The | :00:32. | :00:35. | |
pressure is on and nobody wants to go home. I don't know any of those | :00:36. | :00:43. | |
steps. Every time I do it I get it wrong. I can't do this! Focus. Are | :00:44. | :00:52. | |
you focussed? Come on, Brendan! I believe in you! | :00:53. | :01:44. | |
Live from the Strictly ballroom, this is Strictly Come Dancing. | :01:45. | :01:55. | |
Please welcome your hosts, Tess Daly and Claudia Winkleman. | :01:56. | :02:09. | |
APPLAUSE AND CHEERING Good evening and welcome to | :02:10. | :02:17. | |
Strictly. It's the quarter-finals! I am beside myself and you will be too | :02:18. | :02:22. | |
after you have seen what's in store tonight. Oh, yes. Last week's | :02:23. | :02:28. | |
musicals extravaganza saw Mark and Iveta in the dance-off, they proved | :02:29. | :02:35. | |
no match for Ashley and Ola's Aladdin-inspired rumba. That leaves | :02:36. | :02:39. | |
us with six couples. Not only will they be dance ago new routine, | :02:40. | :02:44. | |
they'll be going head-to-head in the swing-a-thon. The swing-a-thon is | :02:45. | :02:48. | |
back. There is a whole lot of dancing to be done. It's time to | :02:49. | :02:56. | |
meet... Come on. Snuggle in. The stars of our show. | :02:57. | :03:04. | |
Pop star Sophie Ellis-Bextor and her partner Brendan Cole. BBC Breakfast | :03:05. | :03:07. | |
presenter Susanna Reid and her partner Kevin Clifton. Coronation | :03:08. | :03:09. | |
Street star Natalie Gumede and her partner Artem Chigvintsev. Model and | :03:10. | :03:13. | |
TV presenter Abbey Clancy and her partner Aljaz Skornajec. From | :03:14. | :03:17. | |
Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan. And, | :03:18. | :03:21. | |
Casualty star Patrick Robinson and his partner Anya Garnis. | :03:22. | :03:39. | |
APPLAUSE AND CHEERING Don't let those smiles fool you. | :03:40. | :03:46. | |
After 11 weeks of dancing they're all tired and emotional emotional so | :03:47. | :03:52. | |
we thought we would cheer them up with a treat. As a gift from us, we | :03:53. | :03:56. | |
are giving you two dances. Don't thank us, it's an early Christmas | :03:57. | :04:01. | |
present. After each couple has danced once all our couples will | :04:02. | :04:03. | |
take to the floor together and dance for additional judges' points in the | :04:04. | :04:07. | |
swing-a-thon. I am exhausted even thinking about it. Let's start the | :04:08. | :04:12. | |
dancing so I can have a lie down in your area. Let's do it. The first | :04:13. | :04:17. | |
couple dancing tonight is Ashley and his partner, Ola. | :04:18. | :04:30. | |
Last week Ashley and Ola flew through the dance-off on the magic | :04:31. | :04:38. | |
carpet. Will Ashley be able to swivel his way through the salsa? | :04:39. | :04:42. | |
Here's how they got on. Saturday night was a rollercoaster. The | :04:43. | :04:46. | |
chemistry was there but you need to work more on your hips. 35 again! | :04:47. | :04:50. | |
It's very, very frustrating. It would be nice to improve. At the | :04:51. | :05:00. | |
moment I am plat toe eauing. It would mean the world to get to the | :05:01. | :05:03. | |
semifinals. I have come this far, I don't want it to end now. Wow, the | :05:04. | :05:13. | |
salsa. It's full-on. It's fast hands, fast feet, fast everything. | :05:14. | :05:18. | |
The judges want to see more hips. I have to come up with something which | :05:19. | :05:27. | |
will make your hips go crazy. Hi. What's going on? Dance around. | :05:28. | :05:44. | |
Ashley! I organised one more surprise. A load of my friends from | :05:45. | :05:56. | |
Hollyoaks. Terrifying thing, dancing in front of your friends like that. | :05:57. | :06:03. | |
I would like to thank them all for coming. Three points. Come on! | :06:04. | :06:10. | |
Getting through this week we are going to smash it and not give them | :06:11. | :06:12. | |
a choice apart from giving us a 10. Dancing the salsa, Ashley | :06:13. | :06:24. | |
Taylor-Dawson and Ola Jordan. APPLAUSE AND CHEERING | :06:25. | :08:14. | |
Yes, that's how you start a show! Great way to start the show. He is | :08:15. | :08:20. | |
after a glass of water, he is worn out! Thirsty work this dancing. You | :08:21. | :08:26. | |
know how to get the party started. Did it put the judges in a party | :08:27. | :08:30. | |
mood? Let's say hello to the four people with the best seats in the | :08:31. | :08:36. | |
house, except for Darcey. She's next to Craig. It's our judges! How was | :08:37. | :08:45. | |
that for an opening, Len? That's a way to get the party started. Plenty | :08:46. | :08:50. | |
of tricks. There was a couple of little moments but I am telling you, | :08:51. | :08:53. | |
it's such a full-on routine. It's so fast. There was so much happening. | :08:54. | :08:58. | |
You are entitled to have a tiny little slip during it. My main | :08:59. | :09:05. | |
concern was, and it needed more hip action. I am sorry. Too big a step | :09:06. | :09:12. | |
sometimes and because of that you are not being able to settle over | :09:13. | :09:16. | |
your supporting leg. It lacked a little bit of hips but I tell you | :09:17. | :09:23. | |
what the energy was incredible. Bruno, what did you make of it? | :09:24. | :09:28. | |
Ashley, that was a salsa with so much bite. Ola, I am surprised you | :09:29. | :09:34. | |
are still in one piece. I thought he was going to break you into two! My | :09:35. | :09:38. | |
heart was pounded because I really thought he is never going to get | :09:39. | :09:44. | |
through with this. It went from kind of subtle flirting to possession and | :09:45. | :09:48. | |
domination. Down she goes, up she goes, in the air. There is one thing | :09:49. | :09:53. | |
I really have to admire the fact that you approach this quarter-final | :09:54. | :09:58. | |
with such intent. That is the way to do it. He is right, there were a | :09:59. | :10:05. | |
couple of incidents and your hips still need to get more lubrication. | :10:06. | :10:13. | |
But I am telling you, this is the right attitude. Craig, everyone's | :10:14. | :10:18. | |
going to up their game tonight. Dance-off last week, what about this | :10:19. | :10:23. | |
week? It actually put a smile on my face, darling. Someone's got to. You | :10:24. | :10:33. | |
do have hip action, sadly it's only side-to-side. You need the rotation | :10:34. | :10:36. | |
in the forward and back basic. It was a little frenetic for me and | :10:37. | :10:40. | |
lacked a certain ease this dance should have. I thought it was a very | :10:41. | :10:44. | |
ambitious routine, Ola. I have to commend you, those lifts were | :10:45. | :10:54. | |
absolutely incredible. They were Incredible. Darcey. It was packed | :10:55. | :11:00. | |
full of energy. You were going for it and very strong lifts. I did | :11:01. | :11:05. | |
believe if the timing went wrong you would have decapitated Ola. The last | :11:06. | :11:12. | |
one, to get the timing right, really impressive. Just quicken up the | :11:13. | :11:17. | |
footwork. Make it more compact and cleaner. I get too excited. It was | :11:18. | :11:24. | |
fast and fun. Thank you judges. Impressive comments. Great start. | :11:25. | :11:30. | |
Well done, off you go to Claudia. Ashley and Ola! | :11:31. | :11:39. | |
We were going nuts up here. Is that your favourite routine? Definitely. | :11:40. | :11:48. | |
I loved it. Well done, Ola. Did you think I am being overambitious? I am | :11:49. | :11:55. | |
happy I am still alive! And you made Craig smile. What a start. The | :11:56. | :11:57. | |
scores are in. Are you OK with that? No Are you | :11:58. | :12:23. | |
disappointed? I am going to have a word with them after. Huge | :12:24. | :12:28. | |
congratulations. If you were shaking your body and doing the conga and | :12:29. | :12:32. | |
just can't control yourself any longer, then vote. | :12:33. | :12:40. | |
If you have already registered you just have to sign in. Calls cost 15p | :12:41. | :12:50. | |
from a mobile and BT landline, please get permission from whoever | :12:51. | :12:58. | |
pays the bill. The vote won't open until after all our couples have | :12:59. | :13:04. | |
danced in the swing-a-thon. Tess, who is next? | :13:05. | :13:08. | |
Our next couple tonight is Natalie and Artem. Natalie and Artem have | :13:09. | :13:13. | |
been consistently high on the leaderboard, topping it no less than | :13:14. | :13:17. | |
six times. It's not about past performances here on Strictly, it's | :13:18. | :13:21. | |
all about tonight. It means it's time for them to get passionate in | :13:22. | :13:28. | |
the paso doble. Last Saturday it was literally the | :13:29. | :13:33. | |
best moment of my life. For me the dance got lost in the performance. I | :13:34. | :13:37. | |
will take on any advice Len has to give because he is the King of | :13:38. | :13:41. | |
ballroom but I loved the dance. To make it to the semifinal I would | :13:42. | :13:46. | |
count myself very lucky. Going into Saturday I will dance it like it's | :13:47. | :13:52. | |
my last. This week we are dancing the paso doble. I know Artem will be | :13:53. | :13:56. | |
upping the ante. I think I will have a lot to take in. I don't know what | :13:57. | :14:01. | |
I am doing, sorry. Did anyone tell you how pretty you look in a skirt? | :14:02. | :14:05. | |
No, but thank you. After last week we need to impress Len. I am going | :14:06. | :14:10. | |
to stick to as traditional as possible. It's all about flamenco, | :14:11. | :14:16. | |
for to you get into character we will watch a performance. You will | :14:17. | :14:25. | |
be like a sponge. It's like a training room. We will take notes | :14:26. | :14:35. | |
and back tomorrow to dance. What you need to look for is the arm | :14:36. | :14:40. | |
placements. Look at the hands. It's the continued rotation. | :14:41. | :14:51. | |
If I can incorporate a bit of flamenco, who knows, maybe you can | :14:52. | :15:00. | |
drag me into the semifinals. Come on semifinals! | :15:01. | :15:10. | |
Dancing the paso doble, Natalie Gumede and Artem Chigvintsev. | :15:11. | :15:21. | |
APPLAUSE AND CHEERING What about that for drama? Relax for | :15:22. | :16:57. | |
a second. You deserve it. More air, more water! Let's welcome Dave Arch | :16:58. | :17:06. | |
and his incredible orchestra and our show-stopping singers. They're the | :17:07. | :17:11. | |
best in the business. Let's see if that scored a bull's-eye with the | :17:12. | :17:18. | |
judges? Bruno. It was the essence of classic Spain, apart from a slip-up, | :17:19. | :17:23. | |
it was such a shame. If you kept this down to a series of pictures | :17:24. | :17:26. | |
everyone would have been a masterpiece. I would like to see | :17:27. | :17:31. | |
that again done at the full potential because that tiny little - | :17:32. | :17:38. | |
you slipped. It's such a shame. I am telling you it was fantastic. It | :17:39. | :17:44. | |
really was. Don't beat yourself up. Craig, what did you make of it? I | :17:45. | :17:48. | |
totally agree with Bruno. It was classy, it was clean. It was | :17:49. | :17:52. | |
precise. It's almost too slick. I know that sounds bizarre. Is there | :17:53. | :18:00. | |
such a thing? There lax an element of danger and surprise. You put too | :18:01. | :18:04. | |
much weight on your outside leg and it went underneath you, which was a | :18:05. | :18:11. | |
real shame. But that was just too much, brilliant. Darcey, was it | :18:12. | :18:16. | |
enough to see them through to the semifinals? It was glorious, as the | :18:17. | :18:21. | |
boys said, it was classic pure choreography. The shaping was | :18:22. | :18:27. | |
superb. The arms and the body, I am being picky now because I want you | :18:28. | :18:35. | |
in those finals. If we could have a stronger story and I know I have | :18:36. | :18:38. | |
asked this from you before and it's just a relationship between you, | :18:39. | :18:42. | |
especially from a paso, I would have loved that and it would have been a | :18:43. | :18:47. | |
finished performance for me. But beautiful work. Len, they kept it | :18:48. | :18:52. | |
traditional tonight for you, are you happy? No, they didn't. That... | :18:53. | :18:57. | |
Listen, I like the intensity. I loved the passion. I loved the focus | :18:58. | :19:02. | |
of the whole thing. There's no getting away, you are a wonderful | :19:03. | :19:05. | |
dancer. I never thought you were going to touch her. There was so | :19:06. | :19:12. | |
much, three - three-quarters, like you didn't want to each each other. | :19:13. | :19:18. | |
I have this picture of you now, Natalie, swoosh around and past, | :19:19. | :19:23. | |
then I thought, hello, he is going into hold. You teased me. You did | :19:24. | :19:29. | |
one twist and turn and a hint and off like that. Listen, you know what | :19:30. | :19:35. | |
I like. I like to see a little bit of what I recognise, twist and | :19:36. | :19:51. | |
turns, capes, promenades. Too much apes Artem, I wouldn't lie to you. | :19:52. | :19:56. | |
You have to up your game in the swing-a-thon. For me you are in | :19:57. | :20:02. | |
jeopardy after this dance. The cards are on the table. You heard it from | :20:03. | :20:06. | |
the judges. Controversial. We loved it here. Off you go to Claudia. | :20:07. | :20:19. | |
Well done. Huge well done. You must be incredibly shocked. Len used the | :20:20. | :20:28. | |
word jeopardy. You were trying to impress Len. You were going full, | :20:29. | :20:34. | |
classic. Traditional, music and costumes. There were a lot of paso | :20:35. | :20:39. | |
steps. There wasn't too much in hold. It was about a fight and... If | :20:40. | :20:48. | |
you took any snapshot it was creating beautiful lines. Did you | :20:49. | :20:52. | |
enjoy it? I loved it, loved being fires and fiery. Just for me, will | :20:53. | :20:57. | |
you wear that for Christmas? I will. Just a small gift to myself. The | :20:58. | :20:59. | |
scores are in. Are you all right? Disappointed with | :21:00. | :21:22. | |
the 8? Well, Len has his own reasons. We will take the 8. Huge | :21:23. | :21:26. | |
congratulations. I am thrilled. The judges think it's all about them and | :21:27. | :21:30. | |
their paddles, but it isn't. Your votes could make or break Natalie's | :21:31. | :21:33. | |
dancing dreams. Still to come, Sophie and Brendan | :21:34. | :21:48. | |
are taking us back to the 80s with their tango and Abbey and Aljaz are | :21:49. | :21:58. | |
dancing to Delilah. Result! Back to you, Tess. Next tonight is Patrick | :21:59. | :22:03. | |
and Anya. Last week they were flying high with a Charleston to Chitty | :22:04. | :22:08. | |
Chitty Bang Bang. This week they're cosy cosying up for an intimate | :22:09. | :22:13. | |
rumba. Will it be enough to get them through to the semifinal? Here's | :22:14. | :22:17. | |
what they've been up to. The Charleston is a real physical busy | :22:18. | :22:22. | |
and energetic dance. You have to give it 100%. Getting a standing | :22:23. | :22:28. | |
ovation was incredible. They were on their feet. You have set the mark so | :22:29. | :22:34. | |
high tonight. It was fantastic. Patrick did an amazing job. 58 and | :22:35. | :22:43. | |
you go right, that's the level -- the first was 8 and you go right, | :22:44. | :22:50. | |
that's the level. I have been on theed aage of one dance at a time. | :22:51. | :22:55. | |
This week we are dancing the rumba. I am worried about the rumba. It's | :22:56. | :23:00. | |
one of the hardest dances for male celebrities. It's so random. The | :23:01. | :23:05. | |
movement is so stable, like you have to look you are presenting your | :23:06. | :23:09. | |
woman and dancing with her. I can't latch on to anything. For Patrick | :23:10. | :23:14. | |
not to pick up as other dances probably a little bit of | :23:15. | :23:17. | |
frustration, but I just need to snap him out of it somehow. I want you to | :23:18. | :23:22. | |
remember your kids are out there supporting you. The rumba has been | :23:23. | :23:28. | |
tricky, my children have come down to give me a spirited boost. Getting | :23:29. | :23:36. | |
a text from you guys kept me going. It's impressive that you are 50 and | :23:37. | :23:39. | |
going up against people in their 20s. Aren't you the oldest male | :23:40. | :23:44. | |
celebrity to make it this far? You should be proud, we are. Getting | :23:45. | :23:48. | |
support from my children is one of the most precious bits of support I | :23:49. | :23:52. | |
can get, that hopefully will get me through the rumba this week. | :23:53. | :24:01. | |
Dancing the rumba, Patrick Robinson and Anya Garnis. | :24:02. | :24:12. | |
APPLAUSE AND CHEERING What about that then! Come on over | :24:13. | :25:54. | |
you two. I think we all need a cold shower after that. Steamy! The | :25:55. | :25:58. | |
audience loved it. Are the judges feeling the love? Craig. Yes, I am | :25:59. | :26:07. | |
feeling the love. The hip action was very good, albeit economical, | :26:08. | :26:11. | |
darling, but that's probably a good thing. It was understated. | :26:12. | :26:15. | |
Fantastically strong framework there. You are in the right place at | :26:16. | :26:20. | |
the right time for those catches and stuff. It was a little bit, dare I | :26:21. | :26:28. | |
say, desperate and aggressive. I think if you had just calmed it down | :26:29. | :26:33. | |
ever so slightly, it would have come across more as love, rather than, | :26:34. | :26:38. | |
you know, you were having an argument with your wife, darling of | :26:39. | :26:45. | |
ten years. Passion. You are passionate. That's me. Just a little | :26:46. | :26:51. | |
sort of desperate. That's Patrick being passionate. The rumba is a | :26:52. | :26:54. | |
difficult dance for male celebrities. Did Patrick deliver? | :26:55. | :27:03. | |
Very much so. You were in pursuit of your lady. You were in control of | :27:04. | :27:07. | |
your lady. I mean, the tension between you and the focus you gave | :27:08. | :27:11. | |
Anya, it was like none of us existed in this room. I loved it. I loved | :27:12. | :27:16. | |
seeing a different side to you. You really gave us something I haven't | :27:17. | :27:25. | |
seen before. Well done. Len. I like the fact you were attempting to get | :27:26. | :27:30. | |
light and shade in there, a bit of fast and then into slow. | :27:31. | :27:35. | |
Occasionally I found it too intense, if I am honest. It all got... It's a | :27:36. | :27:42. | |
ballroom, not a bedroom. He is an actor! Too sort of full-on. The | :27:43. | :27:55. | |
rumba... My feeling is it's a developing romance. It's a romance. | :27:56. | :27:59. | |
It's not too full-on. Having said that, you got your hip action going | :28:00. | :28:03. | |
pretty good there. The bottom line, I thought you did really well with a | :28:04. | :28:08. | |
dance that is very difficult for male celebrities. Well done. Indeed. | :28:09. | :28:15. | |
Bruno. Well, I don't care what anybody else thinks, passion works. | :28:16. | :28:24. | |
Take passion out of life you might as well shoot yourself now. Totally | :28:25. | :28:28. | |
immersed in the role. You were intense, you had focus. You looked | :28:29. | :28:32. | |
after her beautifully. And what it had, I thought it was extraordinary, | :28:33. | :28:36. | |
it felt sometimes like you were watching a movie. It went into deep | :28:37. | :28:42. | |
close-up and wonderful wides. Moments of intimacy and then a | :28:43. | :28:46. | |
wonderful moment, it almost looked like a waltz. I thought it had light | :28:47. | :28:53. | |
and shade. I said it had light and shade! Why don't you like it then? I | :28:54. | :29:09. | |
think you got the feeling that I liked it. Thank you judges. Off you | :29:10. | :29:19. | |
go. APPLAUSE AND CHEERING | :29:20. | :29:25. | |
Well done. You created a row with the judges. Yeah, that was good fun. | :29:26. | :29:31. | |
Really passionate. Darcey loved it. Yeah, fantastic! I love the fact you | :29:32. | :29:37. | |
were chatting to me, normally you have nothing to say. I have a bit | :29:38. | :29:43. | |
more breath. Clever boy. The scores are in. | :29:44. | :30:01. | |
Well done. Are you happy? Yeah, that's good. Beautiful choreography. | :30:02. | :30:10. | |
These are the numbers to help keep Patrick and Anya dancing. | :30:11. | :30:19. | |
Or you can vote online. Please do not vote until after the | :30:20. | :30:29. | |
swing-a-thon. Look at Ashley and Ola. They're changed already. | :30:30. | :30:37. | |
Adorable. They look 11! There is more dancing, thank good nsz. Ness | :30:38. | :30:47. | |
-- thank goodness. Over to you, Tess. Our next couple is Susanna and | :30:48. | :30:54. | |
Kevin. This week Susanna and Kevin are performing the Argentine tango. | :30:55. | :30:59. | |
Not only is this a new dance for Susanna but Kevin has never | :31:00. | :31:04. | |
performed the Argentine tango before either. Here's how they coped with | :31:05. | :31:09. | |
this new dance. The quickstep on Saturday wasn't the one we planned. | :31:10. | :31:19. | |
Something had gone out of sync. Susanna closed the show with a | :31:20. | :31:23. | |
blockbuster of a quickstep. The footwork was rather sloppy. Never | :31:24. | :31:29. | |
felt more like a non-dancer. To end up near the bottom of the | :31:30. | :31:33. | |
leaderboard, we knew we were in the danger zone when we were left to the | :31:34. | :31:37. | |
last two couples. There is a sense of relief. It would be terrific to | :31:38. | :31:40. | |
get to the semifinals. I never thought I would make it this far. | :31:41. | :31:45. | |
This week we are doing Argentine tango. Which foot now? Not only is | :31:46. | :31:50. | |
Susanna having to learn another new dance but so my. It's not a dance I | :31:51. | :31:54. | |
have done. I am not afraid of a bit of danger. Quarter-finals is a | :31:55. | :31:59. | |
tricky stage to be doing this. It's a dance that is outside the usual | :32:00. | :32:04. | |
ten dances. Five ballroom and five Latin. This is a dance we are going | :32:05. | :32:07. | |
to be performing for the first time. It's all about danger. It's a little | :32:08. | :32:12. | |
bit of extra peril. On top of that, we are dancing to one of Kevin's | :32:13. | :32:16. | |
favourite Michael Jackson songs. Kevin has to do signature moves. We | :32:17. | :32:21. | |
got brilliant dancers from Thriller to help channel that spirit. I hope | :32:22. | :32:26. | |
I can do it justice. A lot of people try Michael Jackson stuff and it can | :32:27. | :32:30. | |
never live up to the King. It's a drag slide. You have got it. It's | :32:31. | :32:35. | |
more difficult in heels. It's harder in heels. You have one chance to get | :32:36. | :32:39. | |
to the semifinal. This is it, fingers crossed it comes together on | :32:40. | :32:46. | |
Saturday night. Dancing the Argentine tango, Susanna | :32:47. | :32:48. | |
Reid and Kevin Clifton. APPLAUSE AND CHEERING | :32:49. | :34:43. | |
Yes, how about that! A first for them both. Come on over. Well done. | :34:44. | :34:57. | |
Who knew Michael Jackson? Smooth Criminals, have they stolen the | :34:58. | :35:01. | |
show, Darcey? The Argentine tango, you have that eye contact and you | :35:02. | :35:05. | |
gave that. I love that bit when you were stuck forehead to forehead and | :35:06. | :35:13. | |
the passion and attack was there. Crisper maybe in the moves. There | :35:14. | :35:18. | |
was plenty of arm moves around the dancefloor. I just missed that | :35:19. | :35:24. | |
steamy effect an Argentine tango gives. I lost that flavour. That's | :35:25. | :35:30. | |
the only thing that was missing. It's hard when it's that fast. Len. | :35:31. | :35:35. | |
I wasn't transported to a sort of Smokey bar in Buenos Aires, | :35:36. | :35:40. | |
unfortunately. The steps were there, but it lacked mood and atmosphere | :35:41. | :35:45. | |
for me. Bruno, are you moved? I tell you, I think a lot of the time you | :35:46. | :35:50. | |
were left there strutting your stuff and you did it well, my darling, I | :35:51. | :35:55. | |
am waiting, Kevin. It has to have the feel of a conversation. It's all | :35:56. | :35:59. | |
about action and reaction. It has to be surprising and unexpected, sexy, | :36:00. | :36:04. | |
deeply felt. A lot of the time you did it, you placed it well but it | :36:05. | :36:07. | |
was slightly a little bit mechanical. I would have liked to | :36:08. | :36:12. | |
have seen it much more involved with each other. I think maybe it was... | :36:13. | :36:17. | |
Sometimes things happen, you know. Craig, do you disagree? I disagree | :36:18. | :36:26. | |
with the rest of the judges. There is something a bit strange seeing a | :36:27. | :36:30. | |
newsreader run her hands up her legs, though, darling. That was a | :36:31. | :36:36. | |
bit uncomfortable. But the adornments should be improvised and | :36:37. | :36:43. | |
you should be looser of leg. You did a great job with that particular | :36:44. | :36:51. | |
music. Well done guys. A great effort. Off you go to Claudia. | :36:52. | :37:01. | |
Well done. Well done. A bit dispointed with those comments? I | :37:02. | :37:08. | |
feel like I was in a different dance to the one that the judges were | :37:09. | :37:14. | |
watching. I felt so kind of intense with it. I felt a lot of passion, if | :37:15. | :37:19. | |
I am honest with you. Let's get the scores. | :37:20. | :37:36. | |
That's OK. No, no, it's all right. You still have the swing-a-thon. | :37:37. | :37:42. | |
Everything can change in the swing-a-thon. Don't have that | :37:43. | :37:46. | |
disappointed face. I can't bear it. Cuddle her immediately. Did you | :37:47. | :37:51. | |
think that was Smooth? It would be Criminal not to vote. It gets so | :37:52. | :37:56. | |
much worse! Brace yourselves. Don't make them Beat It. They've been | :37:57. | :38:01. | |
working Day and Night. Don't make them History. I have 20 minutes of | :38:02. | :38:06. | |
this, do we not have time? Call me if you want more. | :38:07. | :38:14. | |
Or you can vote online. Please don't vote until after the swing-a-thon. | :38:15. | :38:23. | |
Tess, I have to be honest, the way you make me feel... Careful, | :38:24. | :38:26. | |
Claudia, you are going to be starting something. It's time for | :38:27. | :38:31. | |
our next couple. It's Abbey and her partner Aljaz. Last week they topped | :38:32. | :38:39. | |
the leaderboard and achieved the first perfect 40 of the series. | :38:40. | :38:42. | |
They're not going to improve on that but a week ahead of the semifinals | :38:43. | :38:46. | |
can they maintain the standard? Here's what they've been up to. | :38:47. | :38:54. | |
Salsa was amazing. I absolutely loved it. We had fantastic comments. | :38:55. | :39:01. | |
That was great. Mesmerising performance. Amazing! I can't | :39:02. | :39:09. | |
believe we are the first people to get 40. It completely blew me away. | :39:10. | :39:15. | |
Wasn't expecting that. It would be sensational to get to the | :39:16. | :39:18. | |
semifinals. Just don't want this experience to end. I am having the | :39:19. | :39:22. | |
time of my life and I want it to keep going on and on. | :39:23. | :39:34. | |
We are dancing the Viennese waltz to Delilah by Tom Jones. It's Stoke's | :39:35. | :39:43. | |
anthem, the team my husband plays for. So I need to do it justice. | :39:44. | :39:49. | |
Will we go to a Tom Jones concert? I didn't have that in mind. We thought | :39:50. | :39:53. | |
it would be a good idea to go to Stoke City and experience the song | :39:54. | :39:56. | |
for ourselves and get in the mood for Saturday. This is the tunnel | :39:57. | :40:00. | |
where the players and my hubby come out every week. We thought it would | :40:01. | :40:03. | |
be a great idea to have a little practice on the pitch while Delilah | :40:04. | :40:11. | |
played throughout the stands. After having a dance on the pitch we | :40:12. | :40:14. | |
needed to see what the song meant to all the fans of Stoke. Good luck | :40:15. | :40:25. | |
from all the Stoke fans. # Why, why, why Delilah. I hope our waltz is top | :40:26. | :40:30. | |
of the league on Saturday and doesn't get us relegated. | :40:31. | :40:36. | |
Dancing the Viennese waltz, Abbey Clancy and Aljaz Skorjanec. | :40:37. | :40:48. | |
APPLAUSE AND CHEERING My, my, my, what a waltz you two. | :40:49. | :42:28. | |
Trust you two to make a Viennese waltz sexy. What are they like? | :42:29. | :42:33. | |
Let's see if it got the judges in a spin. Len? I love the fact there's | :42:34. | :42:38. | |
no gimmicks, it's a proper waltz. There was one or two issues with | :42:39. | :42:41. | |
your footwork which I haven't time to go into. If you come up to my | :42:42. | :42:45. | |
dressing room after... I will explain it fully. You old smoothy! | :42:46. | :42:53. | |
Bruno. Delightful Delilah, totally charmed. Ask anything you want, you | :42:54. | :42:57. | |
shall have it. You look like a movie star and dance like a goddess. Have | :42:58. | :43:06. | |
the A-team done it again? Yes, I have to say you are the biggest | :43:07. | :43:10. | |
surprise of this competition. Brilliant. Thank you. High praise. | :43:11. | :43:17. | |
Darcey. That was perfection. The arch you created in that top line | :43:18. | :43:22. | |
was beautiful. You get better and better. Just beautiful. Thank you. | :43:23. | :43:26. | |
Great comments from the judges. You must be a lucky charm, Stoke City | :43:27. | :43:34. | |
will want you down again, they beat Chelsea and your hubby scored. Go | :43:35. | :43:41. | |
and celebrate with Claude -- with Claudia. Off you go. | :43:42. | :43:47. | |
Huge congratulations. Are you over the moon? A lot of | :43:48. | :43:51. | |
pressure, you did so well and then it's your husband's football team | :43:52. | :43:55. | |
song, did you love it? I love it. I love the ballroom dances. Gorgeous. | :43:56. | :44:01. | |
I know, quite. Twirling. Scores are in. | :44:02. | :44:25. | |
Are you so happy? I am so happy. Well done. Does that leave your head | :44:26. | :44:33. | |
spinning in a Goodway? Then why, why, why wouldn't you vote? | :44:34. | :44:46. | |
That swing-a-thon is getting closer. My excitement levels are reaching an | :44:47. | :44:52. | |
all-time high. Luckily, I can internalise all of it. One more | :44:53. | :44:56. | |
couple to go. Who is it? Our final couple this evening are | :44:57. | :45:02. | |
Sophie and her partner Brendan. After the dizzying spins of last | :45:03. | :45:06. | |
week's Viennese waltz this week's routine has Sophie starting off | :45:07. | :45:12. | |
standing dead still. She's even been practising by pretending to be a | :45:13. | :45:18. | |
shop window mannequin? Mannequin. Can she pull it off? Of course she | :45:19. | :45:25. | |
can. Our Sophie's no dummy. Bruce gave me that gag. Here's what | :45:26. | :45:28. | |
happened when Sophie and Brendan gave Christmas shoppers more than | :45:29. | :45:32. | |
they bargained for. Musicals week for me was lovely. It felt kind of | :45:33. | :45:37. | |
incredible. I could see the studio lights whizzing past and I could | :45:38. | :45:40. | |
hear the crowd. I was like wow, this is quite a moment for me. The | :45:41. | :45:46. | |
chemistry was fantastic between you. Four 9s, that feels pretty good. | :45:47. | :45:50. | |
Reaching the semifinals would be incredible. I would feel very proud, | :45:51. | :45:55. | |
very dpieted -- excited. The stakes are higher than ever, I suppose. | :45:56. | :46:02. | |
There's not really room for error. This week Brendan and I are doing a | :46:03. | :46:07. | |
tango to Material Girl and we begin and end with me in a shop window as | :46:08. | :46:11. | |
a mannequin. The trick is holding this still for the first few seconds | :46:12. | :46:14. | |
while the music is going and the audience are going. What if I get | :46:15. | :46:20. | |
the giggles? That's not good. We need to get an audience to practise | :46:21. | :46:29. | |
on. I have brought you to your window. We will get you to stand in | :46:30. | :46:33. | |
there and try and convince everybody that you are the mannequin. I was | :46:34. | :46:39. | |
able to go into the shop window and practise being a mannequin. Happy? | :46:40. | :46:44. | |
Yes. Going into the shop window felt a little bizarre. Lots of shoppers | :46:45. | :46:50. | |
stopping and having a look. I just seen these people and it's like | :46:51. | :46:56. | |
Sophie there, wow. There she is dancing with Brendan, what could be | :46:57. | :47:00. | |
better on your way home? Having a practice and posing in front of | :47:01. | :47:05. | |
these lovely shoppers will hopefully have given me that bit of traeks | :47:06. | :47:10. | |
confidence for Saturday night. -- extra confidence for Saturday night. | :47:11. | :47:14. | |
Dancing the tango, Sophie Ellis Bextor and Brendan Cole. | :47:15. | :47:21. | |
APPLAUSE AND CHEERING You certainly looked the part, | :47:22. | :49:09. | |
that's for sure and you sold that routine. Let's hope the judges are | :49:10. | :49:14. | |
buying it, Bruno. There's plenty of life in that mannequin. It's so good | :49:15. | :49:18. | |
to see you performing at full steam. It was quirky, it was campy, it was | :49:19. | :49:22. | |
different. It was a really unexpected treat of a tango. The | :49:23. | :49:27. | |
choreography, Brendan, that was fantastic. So original. So original. | :49:28. | :49:34. | |
You stumbled a few times, Sophie. Because I can see you... You work | :49:35. | :49:38. | |
very hard and put the performance level in but there was a few | :49:39. | :49:42. | |
stumbles in the routine. I am sure you can do it better. But I loved | :49:43. | :49:48. | |
it. Craig. Missing a little bit of the shaping but that choreography, | :49:49. | :49:51. | |
Brendan, I absolutely loved that routine. Darcey. I wanted attack | :49:52. | :50:01. | |
from you and you gave it, you came out and the intent was there. Same | :50:02. | :50:08. | |
as Craig, I would like to see more V between you, just lean away. It's a | :50:09. | :50:12. | |
little bit too upright and the shoulders move around. Fix that, but | :50:13. | :50:17. | |
otherwise, well done. Great attack. Good to see a feisty Sophie. Len? | :50:18. | :50:24. | |
The performance level was higher. It lacked a little bit of toning. You | :50:25. | :50:29. | |
wouldn't quite be with him... I am very strong, can't help myself. But | :50:30. | :50:32. | |
the one thing we have been asking for is a higher performance level | :50:33. | :50:37. | |
and that you gave. High praise from the judges. Congratulations. That | :50:38. | :50:38. | |
was wonderful. We loved it. Well done. Well done. Are you happy | :50:39. | :50:54. | |
with those comments? I am really thrilled. They adored your | :50:55. | :50:58. | |
choreography, does that feel fantastic to end the quarter-finals? | :50:59. | :51:02. | |
It does. I have had an amazing series with this girl and the | :51:03. | :51:06. | |
choreography is down to her, she's an inspiring girl. You still have | :51:07. | :51:10. | |
the swing-a-thon to go. First, let's have the scores. | :51:11. | :51:29. | |
Is that OK? Can I just tell you how much I love Ola, every time there | :51:30. | :51:38. | |
was an 8, I can hear her saying, come on! Has that left you pining | :51:39. | :51:46. | |
for the days of big hair and the Betamax, put down your Rubik's Cube | :51:47. | :51:57. | |
and call: You two, off you go. Please go and get ready. Three | :51:58. | :52:02. | |
minutes to get ready for the Strictly swing-a-thon. While they | :52:03. | :52:04. | |
get into something more comfortable, let's see how the leaderboard looks | :52:05. | :52:10. | |
before we start swinging. OK, up at the top Abbey and Aljaz. | :52:11. | :52:14. | |
At the bottom, Susanna and Kevin. With a maximum six points up for | :52:15. | :52:24. | |
grabs the endurance task that is the swing-a-thon could change all of | :52:25. | :52:28. | |
that. What exactly is the swing-a-thon? We need rules, we are | :52:29. | :52:32. | |
going to need diagrams and someone intelligent to explain the | :52:33. | :52:35. | |
intricacies of this dance battle. Hopefully for everyone concerned | :52:36. | :52:41. | |
that person isn't me. OK everyone. Settle down I am here | :52:42. | :52:46. | |
to give you a masterclass on how... Right, I have had enough of this. | :52:47. | :52:53. | |
Please, Sir, what is a swing-a-thon? I am going to explain it now! The | :52:54. | :52:57. | |
main thing about the swing-a-thon, you are all on the floor at the same | :52:58. | :53:03. | |
time. At the same time in Yes. And mind that lip, Gumede. All at the | :53:04. | :53:09. | |
same time fighting to be the last one dancing. It's based on lindy, | :53:10. | :53:17. | |
jive and swing. What is a lindy hop? What do you think I am? A | :53:18. | :53:20. | |
professional dancer. We are looking for kicks, flicks and tricks. Lifts | :53:21. | :53:24. | |
are allowed, anything goes. What are the rules? No rules. No rules? | :53:25. | :53:30. | |
Sorry, Robinson, that's the beauty, there are no rules. Get out there | :53:31. | :53:36. | |
and dance your socks off! But, Sir, what's it all for? This, the | :53:37. | :53:40. | |
swing-a-thon, this is the battle of the ballroom. You are going to be | :53:41. | :53:43. | |
judged by me and the other judges. We are going to see you side by | :53:44. | :53:48. | |
side. If you are not working hard enough, you will see the judges' | :53:49. | :53:52. | |
paddle come up and then you are out of the swing-a-thon. Out of the | :53:53. | :53:59. | |
swing-a-thon? Please, Sir. Oi! Hush, this is all about points. The first | :54:00. | :54:05. | |
couple out gets one point. Yes, Sir. The second couple oat gets two | :54:06. | :54:10. | |
points -- couple out gets two points. Who can work out what the | :54:11. | :54:16. | |
last couple gets? A million. 15. Seven? I hope your dancing is better | :54:17. | :54:21. | |
than maths. The last couple gets six extra points. All right, everyone, | :54:22. | :54:28. | |
off you go. And remember, it's each couple for themselves. | :54:29. | :54:38. | |
To recap, whoever stays dancing the longest will score six. The second | :54:39. | :54:43. | |
couple eliminated will score two points and so on. The scores will be | :54:44. | :54:48. | |
added to the leaderboard. As always, head judge Len will have the | :54:49. | :54:55. | |
deciding say. What advice? This is a gruelling thing, you have to | :54:56. | :54:59. | |
maintain your energy. It's no good thinking I will start easy and build | :55:00. | :55:04. | |
to a frenzy near the end, because we are watching from the moment they | :55:05. | :55:08. | |
start. They've got to come out and attack every moment. This can be the | :55:09. | :55:13. | |
difference of going home or going on. The leaderboard can be totally | :55:14. | :55:20. | |
changed by it, you can be bottom of the leaderboard or wherever, and six | :55:21. | :55:24. | |
extra points. It's exciting, right? Up they go. It is, I love your | :55:25. | :55:28. | |
excitement. Darcey, this is your first time watching the | :55:29. | :55:31. | |
swing-a-thon, are you excited and who have you got your eye on I am | :55:32. | :55:35. | |
excited about getting them all on the dance floor together and that | :55:36. | :55:38. | |
competitive spirit and just seeing the standards. It will be so clear | :55:39. | :55:43. | |
to us as soon as they start moving. I don't want them to hold back. I | :55:44. | :55:47. | |
think it is, exactly as Len said, it's about extra points. Anybody | :55:48. | :55:51. | |
that's at the bottom, I would love to see Susanna go for it. Throw | :55:52. | :55:57. | |
herself into it. Come on. Thank you very much judges. Thank you. The | :55:58. | :56:01. | |
time for talk is over. It's time for hot dance action. Right, let's | :56:02. | :56:05. | |
welcome our six stars back on to the dance floor for the Strictly Come | :56:06. | :56:10. | |
Dancing swing-a-thon! Would all couples please take to the | :56:11. | :56:12. | |
floor for the swing-a-thon. Winning tonight's swing-a-thon are | :56:13. | :56:22. | |
Natalie and Artem. APPLAUSE AND CHEERING | :56:23. | :58:50. | |
That was brilliant. They look tired! The last couple standing with a | :58:51. | :58:54. | |
maximum score of six is Natalie and Artem. Come on over. If you can | :58:55. | :59:02. | |
still walk that is. OK, get your breath back. Please just breathe. | :59:03. | :59:06. | |
Take in air. Bruno, what did they have that the others didn't? | :59:07. | :59:11. | |
Stylistically they were spot on. In this dance you can have jive, lindy, | :59:12. | :59:19. | |
hop. They kept the transitions well, it was precision and timing and | :59:20. | :59:22. | |
standing out and maintaining it all the way through. It's the... You | :59:23. | :59:26. | |
know somebody has an awkward moment it catches your eye. Oh, that went | :59:27. | :59:31. | |
wrong. They really maintained it beautifully all the way through. | :59:32. | :59:36. | |
They stood out. Congratulations. Len, I have to ask you why were | :59:37. | :59:41. | |
Susanna and Kevin asked to leave first? I am a huge fan of Susanna | :59:42. | :59:47. | |
and Kevin. I wanted them, more than anyone, to get out there and really | :59:48. | :59:53. | |
give us a great score. But, you know, it's seconds that you have. | :59:54. | :59:59. | |
It's not a skien fantastic thing -- scientific thing. You look and who | :00:00. | :00:04. | |
is it, and I have these three shouting in my ear. Unfortunately, | :00:05. | :00:07. | |
Susanna was the first to go. Thank you very much judges. . While our | :00:08. | :00:13. | |
couples recover. Let's look at how the swing-a-thon affected the | :00:14. | :00:14. | |
leaderboard. Remember, you can change all of that | :00:15. | :00:32. | |
by picking up the phone or going online and voting for your | :00:33. | :00:35. | |
favourite. There is no time like the present. The voting lines, can we do | :00:36. | :00:39. | |
this together, I am going to hold on to you, the vote lines are now... | :00:40. | :00:43. | |
Open! You can vote online, where you will | :00:44. | :01:00. | |
also find full terms and conditions. I fell in love with terms and | :01:01. | :01:04. | |
conditions once. We went to Rome. There's no time to discuss it. It's | :01:05. | :01:11. | |
not the time. Lines will close at 8. 40pm tonight. To help you decide who | :01:12. | :01:21. | |
to vote for here is a reminder. I love you, Claudia. | :01:22. | :03:11. | |
Amazing. Voting closes at 8. 40pm. Please don't dilly-Daly. | :03:12. | :03:24. | |
All our couples want to make it to the semifinals. In tomorrow's | :03:25. | :03:30. | |
results show two of these couples will face each other in the | :03:31. | :03:34. | |
dance-off. Nobody wants to leave. Our couples' fate now lies in your | :03:35. | :03:37. | |
hands. If you want to ensure your favourite makes it through to the S | :03:38. | :03:41. | |
semi semifinal unscathed, then pick up the phone or go online and vote. | :03:42. | :03:45. | |
Join Tess and me tomorrow night in the results show at 7. 20pm. We will | :03:46. | :03:51. | |
also have a performance from pop Princesses The Saturdays. Tess, I | :03:52. | :03:55. | |
can't wait. It's that time. Ready? I am always ready for you, Claudia. | :03:56. | :03:58. | |
Let's do | :03:59. | :04:00. |