Week 10 Strictly Come Dancing


Week 10

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Last week, seven celebrities eliminated the Blackpool Tower

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ballroom. Some took the judges on a Big Dipper ride to remember. That

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was a table topping show stopper! Others proved more disappointing

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than a rail replacement bus service. You looks like you were playing

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hopscotch in an all girls' school. And after the battle of the

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Olympians' dance-off, Greg packed his bucket and spade and left. This

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week, with the addition of the Cha Cha Challenge, our celebrities are

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working around the clock preparing two dances. I'm apprehensive. Going

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to get some last-minute practice in. A tough week ahead. Sangakkara I

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never thought Strictly would take over my life. We cannot afford to be

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complacent. Live from the BBC, this is Strictly

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Come Dancing! Please welcome your hosts... Tess Daly. And Claudia

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Winkleman! Hello and welcome to Strictly Come

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Dancing! In last week's Blackpool special, we witnessed some truly

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magnificent performances. Everyone was blown away, even Craig, who

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dished out his first ten of the series. It was our two Olympians,

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Greg and Claudia, who went head to head in the dance-off. Sadly, it was

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Greg who lost out. We are now left with just six celebrities who will

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have to raise their game once more because tonight, as well as

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performing a new routine, they will be taking part in our first Cha Cha

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Challenge. Six couples competing against each other at the same time

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on this very dance floor. It's going to be one busy ballroom. And

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watching closely will be four people who never miss a trick. Please

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welcome the judges. Bruno Tonioli, Craig Revel Horwood, Darcey Bussell

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and Len Goodman. The judges, everyone. Slick! Our

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couples are waiting in the wings, limbering up for a night of double

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dancing. Let's bring them out here on the double. Please welcome our

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Strictly stars. TV presenter and singer Louise Redknapp and her

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partner Kevin Clifton. Star of Judge Rinder, Robert Rinder and his

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partner Oksana Platero. Olympic gymnast Claudia Fragapane and her

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partner AJ Pritchard. BBC Sport presenter Ore Oduba and his partner

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Joanne Clifton. Former Shadow Chancellor Ed Balls and his partner

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Katya Jones. And finally, actor Danny Mac and his partner Oti

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Mabuse. Our sensational six, all eager to

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entertain and impress not once, but twice tonight and with a place in

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next week's quarterfinal up for grabs, the pressure is on. You will

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be able to vote for your favourite later. Your votes will be added to

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the judges' scores to decide which two couples will face the dance-off

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in tomorrow night's results show. It is then down to the judges to decide

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who stays in the competition. Dancing for tonight is Danny and his

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partner Oti. Last week, they scored the first perfect 40 of the series

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and ever since they got back from Blackpool, they have been out

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partying. But they were not just celebrating, they were training for

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tonight's samba. What a night, dancing along with backing dancers

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in front of that audience. Words cannot describe the feeling.

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Fantastic. Fabulous! 40 at Blackpool! To entertain people is

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all I ever want to do. I am so grateful I had the chance and I am

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grateful to do it again. Keep it slow. This week, Danny and I will be

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dancing the samba. I am trying to make it a little less carnival and a

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bit more jungle, ethnic and tribal. Stop laughing at me! Oti wasn't

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laughing at me. As she likes to celebrate the Lidl describe it, she

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was celebrating the movement of my body(!). I believe you. To hopefully

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get to grips with the dance, Oti has brought me to meet the London School

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of samba, because they know a lot more about it than I do. It even

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though their style is different, it is about having fun. That boy can

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really check his hips. I just hope we can bring that level of fun to

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Saturday night. Dancing the samba, Danny Mac and Oti Mabuse.

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Listen to that reaction from the audience. Have a look around, Danny.

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Tell you what, it's hot in the jungle. Congratulations, storming

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start, so different to last week's Charlton. Is there nothing your boy

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can't do, Oti? He worked so hard before we hear what the judges

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thought, let's welcome our wonderful live singers Hayley, Lance, Andrea,

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Tommy and of course Dave Arch and his brilliant orchestra. Well, you

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brought the heat, but I know you wanted to bring fun to the dance

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floor tonight. Len, did he? Oh, he's a tease. You started slow. Hello, I

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thought. A stationary samba walk, hint of a role, and then suddenly,

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wallop! Into those promenades, flying around. Natural roles, I tell

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you, your hips were like a snake, honestly! It was fierce like a puma,

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and hotter and steamier than the Amazonian jungle. It was fabulous!

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It was steamy, all right. Bruno, they had the perfect score last

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week. How did they do to make? What are you doing to me? At this time at

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night, look at the state of me. I am hyperventilating. I don't know if I

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need a doctor, a pill, a drink, a cold shower. It was like watching a

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Pagan mating ritual. Between magnificent, exotic species. Every

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sinew of the body was stretched to the limit, slave to the rhythm.

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Those hips were popping off your pelvis! Even for him, that is

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excited. By contrast, look at Craig's face. I found the open shirt

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a slight distraction, darling. But I have to say, your hip action, we

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never get that from a male celebrity. It was incredible. I

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loved the tribal nature of it, the isolation was absolutely excellent.

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Brilliant. Brilliant from Craig. Darcey? Danny, you have certainly

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put the hours in. To achieve that in one week, he has done it. It really

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showed. It was like the most perfect samba masterclass. Clean isolations,

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travelling, using the dance floor. Outstanding. You cannot top those

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comments. Off you go, congratulations. Danny and Oti. That

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was so much fun! Oti, I have never seen the samba

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like that. Normally, a samba is like a small parrot. That was

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extraordinary. And you look surprised when you get such good

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comments. You don't know what to expect. We worked all week for it,

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but you genuinely don't know what will come from those guys, and they

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are the experts. When it is good, it's amazing. The scores are in. The

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judges' scores are in. Are you OK? Listen to the audience.

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Thank you, gang. That is the first 40 in Strictly history for a samba.

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It has never happened. Well done. If you thought Danny and Oti were the

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jungle VIPs, all the information you need is on your screen now, so you

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can vote for them when the vote opens at the end of the show. Fans

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of the terms and conditions. While I read them, it's the perfect

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opportunity for everyone to practise for the tartan challenge. Cue the

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cha-cha music. Calls cost 50p plus any network access charge.

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The vote will not open until after the charter challenge. Please don't

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vote until I tell you. If you do, your vote will not count and you may

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still be charged. Tess. What a start to the show and a

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little bit of Strictly history with it.

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Dancing next it's Ore and his partner Joanne.

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Ore's gone from being top of the leaderboard,

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to being in the dance-off to scoring three tens for last week's

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Viennese Waltz but can he stay near the top

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I cannot get over that night. Cool, sophisticated, slick. Brilliant.

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Three 10s, who would have thought? And to do it in Blackpool ballroom.

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I don't think I would have changed a single moment of that night.

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Blackpool is awesome, I'm coming back! We have the Paso Doble this

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week There have been so many incredible ones this series, we have

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to somehow make ours stand out. We haven't done a dance yet where we

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have to be angry with each other. Amazing. I am not a very angry

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person. This is going to be a little bit of a challenge. Paso is

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exhausting. So much to take in. Step-wise there will be a lot of

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stamps. And there will be a lot of flamenco hands and wrists and also

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the posture which is of a Mateador. You have to maintain that. The

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pelvis forward, back up. Lead with this frame. There's so much to

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remember with this Paso. One step wrong could be curtains. We have to

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make sure we get it absolutely right on Saturday.

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Dancing the Paso Doble, Ore Oduba and Joanne Clifton.

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MUSIC: Everybody Wants To Rule The World.

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Just brilliant. They're on their feet. Come on over.

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Oh! Just brilliant. Goose pimples throughout that

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performance. That was fierce. You are usually such a pussycat, where

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did that come from? I don't have much to be angry about, but you try

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to channel it for a minute-and-a-half. We are used to a

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softer side, what about his angry side? Goose bumps, it was achingly

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stylish and original. Different. It was almost like Tom Ford's film

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Nocturnal Animals. It was a different take. It was modern and

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captured the zeitgeist of now. Yet every element was clear in display.

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The lines, the shaping. The attitude. It's different and I

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praise you, Joanne, for that. Because it's good reinventing

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something that's been around for such a long time and giving it a

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modern actual valid twist. Brilliant.

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So original. Craig, are we looking at a contender for the

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quarter-finals? Potentially. There was an unsure moment down here where

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you looked a little bit lost and I didn't believe you. Also, you need

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to watch in the Spanish line that the wrist is get towards the body.

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But I have to say, it had strength and style and power and the whole

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story was extremely engaging, darling. Well done.

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Darcey. Ore it certainly was, it was dramatic, intense. The focus was

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there from the beginning to end. What you have is a very supple upper

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body, that back which really helps to produce those shapes and curves,

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and then you have those lovely long arms to get that nice rounded shape

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which really worked. Very, very nice. Len. Atmosphere, a dance of

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power and purpose. I don't think I have ever seen anyone get that

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amount of shaping during the twist and turns and the cape. They were so

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strong. Unfortunately, on that second cape a little incident

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occurred, I think. Maybe I am wrong. But you can only go... Are you going

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to boo me for telling the truth? It was a wonderful Paso Doble. You

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showed a totally different side to your character and I congratulate

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you. Well done. Congratulations, you can't be angry

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after those comments. The smile is back. Off you go. Beautiful job. Ore

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and Joanne! . APPLAUSE AND

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CHEERING Well done. The judges called it

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dramatic, intense, a different kind of Paso Doble and also you are the

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friendliest boy in the whole world. Did you find it hard all week? I

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look at Jo and she has such an angry face, am I doing something wrong? I

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am biting my lip not to smile. The judges' scores are in.

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Well done. Still an excellent score. If you

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would like to keep Ore and Joe avn in the competition all the details

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are on the screen now and you can vote when voting opens at the end of

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the show. Still to come judge Rinder pretends to be a dance student and

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Oksana pretends to be his teacher. Dancing next in the ballroom

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is Louise and her partner Kevin. It's been wonderful watching

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Louise's Strictly transformation. So who better to join her

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in training this week than the man who's been supporting her every inch

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of the way - her husband Jamie. How was Blackpool for you? It was

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even more special in real life. You ales feel a little bit special when

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you get a 10 from Len. Head judge Len. You smashed it. This week we

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are dancing the waltz. It's a romantic dance. I am not really

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romantic at the best of times. Kevin has arranged for somebody to come in

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and help me get romantic. Fingers crossed it's George Clooney. Hey

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guys. You thought it was Clooney. Kevin has invited me to try to bring

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romance to Louise. Let's get into character. Last week you were

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fierce, this week you have to be romantic. Is he really as close as

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that? Other foot. Are you not feeling romantic? It's made me

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laugh. Stop laughing. I have already died inside. Stop laughing, we want

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romance. For the first time in years me and Jamie danced together, but

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giggling but still danced together. Stop laughing, get romantic! Kevin,

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take over. Good luck. We are so proud of you. The boys and I will be

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watching on Saturday night cheering you on.

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Dancing the Waltz, Louise Redknapp and Kevin Clifton.

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Oh, so, so graceful, Louise. Beautiful. Like a Princess.

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Gorgeous. I am sure you made Jamie and the boys proud. Craig, Louise is

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the highest scoring female of the series so far. Did she maintain that

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standard tonight? Louise always maintains standards. Absolutely love

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your dancing. You need to watch your shoulders raising slightly through

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the jazz sections, they still need to be down. But grace, fluidity,

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style. Movement around the floor was absolutely incredible. I just could

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watch you all night. I really could. Craig could watch you all night. So

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could we. Darcey. It's effortless, your style, the two of you together.

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I think what's lovely is the narrative is told through your

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steps. It's like this relationship building as the waltz builds. You

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don't get him to hold until the very end. It's really a piece of magic

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and what's even better is the artistry of how you play with the

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music is even more divine. It really is. And those finger turns, to have

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that beautiful concession right to the end and not losing balance and

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being straight on the line, straight on the money. Fabulous. Len, you

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scored Louise a 10 last week. Is she still your top girl? I tell you

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this, we have been treated to three fantastic dances. That dance could

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be one of your five-a--day. It's so good to watch. It was cracking.

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Don't listen up there... What's he on about? It was brilliant.

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Brilliant. Bruno, what do you think? Strictly beautiful, my darling.

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Quality of movement, the interpretation of the music. Above

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all, it's your phrasing. Your musical phrasing is impeccable.

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Impeccable. You must be on cloud nine after those comments. Let's

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hope for some 10s. Off you go, Louise and Kevin!

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APPLAUSE AND CHEERING

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Well done, darling. I know you found this week quite difficult going back

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into hold. You kept going, we saw you with your husband, adorable. You

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found it tricky. For me it was the hardest week. I don't know what it

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was. You have to be controlled and I think I possibly drove Kevin

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slightly mad this week. So, thank you. Never, it's not possible. The

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scores are in. A beautiful 10.

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From Len, a 10. Well done. 39. If you want to see

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Louise and Kevin waltz into next week's musical special all the

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details are on the screen now. You can vote for them after the cha-cha

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challenge. If you want to vote online you will need to sign in or

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register if you haven't already. We still have all of this to come.

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Because this dance is slow, you're a lot more exposed in your technique,

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so the technique has to be really good. It's awesome. The tango is not

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only sharp and staccato, but also quite low and driving and stamping

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along. We can't stop for lunch. It's going to be wild. Argentine tango

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has to be very strong, fierce, passionate. That just feels weird.

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Just get it out there. I am looking forward to all of that. What have

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you got there, Claud? Is the camera that Ed will be using for his

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routine. I want to take a selfie, but I don't know how it works. Why

:30:34.:30:39.

don't you just use my smartphone? That is genius! Thank you. Hello,

:30:40.:30:46.

Ed. Can you show me how your camera works, please? All right, meet you

:30:47.:30:56.

there. Thanks, Tess. Next tonight, Judge Rinder and his partner Oksana.

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This week, they are doing the rumba, the dance of love, which is perfect

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for the judge. He loves dancing, he loves being on Strictly and he loves

:31:09.:31:13.

having Oksana as a partner. Let's just hope our judges are feeling the

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love as well. How did you feel about the Blackpool experience? I will

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never forget it. I have never seen a guy shake their cheeks as well as

:31:28.:31:37.

that. I thought it was hiptastic. I forgot the steps but I felt like I

:31:38.:31:42.

was having a party. What a way of ending such a fantastic night.

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Uplifting, fabulous. This week, we are doing the rumba and I was a bit

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apprehensive about it. But the dance Oksana has choreographed is

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genuinely so beautiful. It is a story of how a teacher can come into

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your life and make you a dancer. All you have to do is lead on her. From

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the dance that I was most nervous about, it has quickly become the

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dance I am most looking forward to expressing. There is somebody I want

:32:14.:32:18.

Oksana to meet. She was a special teacher to me and this seems like a

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perfect opportunity. She is the person who did all the school plays

:32:23.:32:28.

and opened my eyes to the world. When I see Rob dance, I am so proud.

:32:29.:32:33.

It's been such a privilege to have two such amazing teachers who

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believe in me. And when the teachers believe, you can do anything.

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Dancing the rumba, Judge Rinder and Oksana Platero.

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Well done! You looked like you were lost in the dance. Did we lose you

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for a moment? You really did. Definitely not the best dance, but

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I've got the best teacher. Lovely! Did he embraced the character in the

:35:03.:35:06.

story of the dance, Darcey? It's difficult, because the narrative you

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were playing was slightly different for a rumba especially on the

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relationship between you. For me, I don't think it gave a purpose to all

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those moves. The narrative didn't follow through for me. That was a

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shame. It is incredibly difficult for a man to feel that fluid and

:35:25.:35:29.

have that confidence in those fluid moves. You created some nice

:35:30.:35:33.

extensions and nice lines, and you were using the floor. But I didn't

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feel comfortable. The wait was a bit far back at times. You didn't look

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as steady on your feet. It wasn't your best dance. Len? Not your best

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dance, but it certainly wasn't your best dance. I thought you had nice

:35:55.:35:59.

fluidity through your arm. New managed to get the hip action.

:36:00.:36:11.

Funnily enough, it looked a bit taut. It lacked a bit of naturalness

:36:12.:36:16.

to it. It was like, put that on there. That was what I felt. But

:36:17.:36:25.

this is a terrifically difficult dance for the men and I thought you

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coped admirably. Bruno? Don't worry, darling, everything is beautiful at

:36:35.:36:39.

the ballet. And you took your ballet lessons seriously. Of course at

:36:40.:36:43.

times, you did look like the dying swan. There was a lot of plunging

:36:44.:36:49.

and swaying, and very lyrical. But sometimes, you turned into a funky

:36:50.:36:54.

chicken. Instead of keeping it going, you were going kind of

:36:55.:36:58.

staccato, with the white backwards. That stopped the beautiful lyricism

:36:59.:37:03.

that at times, you had through your arms. It is very hard. It was a

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brave attempt to, my darling. Have you got a bit of love for the judge,

:37:13.:37:17.

Craig? I thought most of it was a bit too spiky. By thought it looked

:37:18.:37:24.

a bit awkward on you, to be honest. And I felt that your individual body

:37:25.:37:27.

parts were moving independently of your core, which was a shame. You

:37:28.:37:33.

need to be able to bring the whole thing together and you would have a

:37:34.:37:38.

lovely dance. What I love about you is that you are earnest, and that is

:37:39.:37:50.

commendable. Mixed comments from the judges, but we love you. Off you go.

:37:51.:37:52.

Judge Rinder and Oksana. I don't want you to be disheartened.

:37:53.:38:09.

You were worried about this dance, but then you loved the story. I

:38:10.:38:16.

loved it so much. And your teacher is here, Wendy. Not Wendy, she is

:38:17.:38:26.

Miss! All right, Miss! It has been the story of our journey, but it is

:38:27.:38:30.

true. Our teachers are amazing. The scores are in.

:38:31.:38:52.

We just have to win the Cha Cha Challenge. Of course! If you loved

:38:53.:39:01.

Judge Rinder and Oksana's rumba and want to see them back to dance again

:39:02.:39:04.

next week, all the details are on your screen. You can vote for them

:39:05.:39:08.

when voting opens at the end of the show. Still to come, Claudia dance

:39:09.:39:14.

is on a six foot cube. It is what you could call a square dance. Tess.

:39:15.:39:19.

Dancing next in the ballroom is Ed and his partner Katya.

:39:20.:39:27.

During his time on Strictly, Ed has embraced quite a few challenges,

:39:28.:39:31.

rescuing a damsel in distress, flying a piano and doing a salsa -

:39:32.:39:38.

Gangnam Style! Tonight, he will be a male model on a photo shoot. We

:39:39.:39:47.

can't wait to see him strike a pose. It was the greatest privilege to

:39:48.:39:49.

dance in Blackpool, coming down from the ceiling playing flaming piano

:39:50.:39:59.

was fabulous. You made Blackpool rock. We didn't manage to impress

:40:00.:40:05.

Craig, though. It looked like you were playing hopscotch in an all

:40:06.:40:10.

girls' school. We will just have to work hard. Let's smash it. This

:40:11.:40:16.

week, we are back to ballroom, doing tango. The character you are going

:40:17.:40:22.

to be playing is a male model. I'm excited because I have brought in a

:40:23.:40:28.

male model, Paul, to help add get into character for the tango. I am

:40:29.:40:35.

pleased you are here. Let's see what you have got. I was thinking

:40:36.:40:39.

something like... To sell this tango, I have got to get character

:40:40.:40:44.

with toys and determination. Paul has got to tell me how he does it.

:40:45.:40:50.

He just lay down, and he looked cool. I gave him some pointers.

:40:51.:41:00.

Hopefully, everything I have learned today, I can put into practice on

:41:01.:41:10.

the catwalk on Saturday night. Dancing the tango, Ed Balls and

:41:11.:41:11.

Katya Jones. Oh, Ed! On their feet. It is always

:41:12.:43:27.

a joy, isn't it? Shaking your little tush on the catwalk. Nice pout, by

:43:28.:43:32.

the way. Was that a model performance? You were dancing to

:43:33.:43:37.

great's signature song, I can't get no satisfaction! Ed Balls, you are

:43:38.:43:41.

more like lottery balls. You never know what is going to come out next.

:43:42.:43:46.

But I've got to say, plenty of tango content. It wasn't just larking

:43:47.:43:55.

about and messing around. Listen, you're not always the judges' number

:43:56.:44:00.

one choice, but 100%, you're the people's champion. Bruno. You make

:44:01.:44:12.

Zoolander look like a beginner! But I have to say, Ed, Ed Balls' weekly

:44:13.:44:19.

fix always hits the spot. You're like junk food. You know you

:44:20.:44:23.

shouldn't have it, but you can't help wanting more!

:44:24.:44:30.

Do you want more, Craig? No, thank you. Thank you for the rose,

:44:31.:44:37.

darling, but that's not going to save you on this occasion. Your

:44:38.:44:46.

frame, you are completely hunched over, splayed hands, sloppy feet on

:44:47.:44:51.

kick ball changes. I have to say, committed. I think, darling, after

:44:52.:44:59.

that you should be committed. Darcey. At the beginning your focus

:45:00.:45:04.

was great. That was outstanding. Then you started to lose it. I think

:45:05.:45:09.

you got carried away, whoever you were channelling, was it Mick

:45:10.:45:13.

Jagger? Lovely clipped movements and I did see, as Len said, some tango

:45:14.:45:18.

there. Suddenly you lost focus and that was a shame because I really

:45:19.:45:22.

thought there was going to be something good here. It's weird,

:45:23.:45:27.

just the stalking moments got a little bit bouncy, got to soften

:45:28.:45:31.

those knees, keep the shoulders down. I think you got carried away

:45:32.:45:37.

with your character, but nice. He loves a character. Throws himself

:45:38.:45:42.

into it. Can't fault the commitment. Thank you, off to Claudia. Ed and

:45:43.:45:48.

Katya! APPLAUSE AND

:45:49.:45:54.

CHEERING Ed, we think you are magnificent.

:45:55.:46:01.

You have to follow Gangnam and then coming in on a piano and then that.

:46:02.:46:07.

You work really hard. Male model, it's not really me. You say that,

:46:08.:46:10.

you look magnificent. We loved it. The scores are in.

:46:11.:46:31.

Same score as last week. You do - you focus on the good. That was a

:46:32.:46:38.

nice 7 from Len. Fabulous. Excellent and you have the cha-cha challenge.

:46:39.:46:43.

Which I think we might win. We all think that, Ed. If you think Ed has

:46:44.:46:48.

moves like Jagger and want to see hm and Katya back next week all the

:46:49.:46:51.

information is on the screen now. You can vote for them at the end of

:46:52.:46:55.

the show. You don't have long to wait. There is only one couple left

:46:56.:46:58.

to dance before the cha-cha challenge.

:46:59.:47:03.

The next couple is Claudia and her partner AJ.

:47:04.:47:05.

This week they're doing a dramatic Argentine Tango and after the shock

:47:06.:47:11.

of being in last week's dance-off, poor Claudia knows all about drama.

:47:12.:47:21.

Last Saturday was a little bit nerve-wracking because we were

:47:22.:47:25.

starting first and I wanted to do well. I wanted to get the party

:47:26.:47:29.

started. It was full-on, it was sharp. There was a little moment

:47:30.:47:33.

early on. Mistakes happen to the best of us, you picked it up and

:47:34.:47:37.

continued. Being in the dance-off was horrible. I knew you had an even

:47:38.:47:42.

better performance in you. To get saved and to be there another week I

:47:43.:47:45.

feel grateful for that and I do not want to be in that dance-off again.

:47:46.:47:53.

The Argentine tango is an epic dance, it's speed, quick turns and

:47:54.:47:58.

fast footwork, that's why I am going to take you go-carting. You do know

:47:59.:48:03.

I can't drive. Treat it like the dance floor, attack corners but keep

:48:04.:48:10.

the precision. Don't lose tempo, most importantly, don't finish last.

:48:11.:48:15.

I was so nervous because I never drove before. Which one is to go?

:48:16.:48:22.

Also I wanted to win. Claudia was so slow at driving. I must have lapped

:48:23.:48:30.

her at least four times. Aj! I was trying to be really competitive. I

:48:31.:48:34.

am upset I got beaten but I took it like a true Olympian. Let's hope I

:48:35.:48:38.

am better at dancing than driving on Saturday night.

:48:39.:48:45.

Dancing the Argentine Tango, Claudia Fragapane and AJ Pritchard.

:48:46.:48:47.

Breathtaking! Incredible performance. You put your heart and

:48:48.:51:09.

soul... She's back with a powerful performance. She doesn't want to be

:51:10.:51:14.

in the dance-off again. How did she do tonight? Those lifts, my darling,

:51:15.:51:20.

it was a tour de force. I can like a Red Arrow in a spectacular aerial

:51:21.:51:24.

display. I thought you were never going to land! When you land you are

:51:25.:51:29.

always strong, controlled, precise. Always very well placed and what I

:51:30.:51:34.

like to see now and you are doing it tonight, you are developing a

:51:35.:51:38.

dramatic persona. You are starting to play the part more. Engage with

:51:39.:51:44.

the character, not just... Continue to do that. That's the way to

:51:45.:51:51.

progress for you. Craig. I thought your legs could be a little bit

:51:52.:51:58.

looser for the gaunchos, I felt you were placing your legs in positions

:51:59.:52:01.

rather than being reactionary, but it didn't stop me loving it. Clean,

:52:02.:52:07.

precise, incredible. Incredible. Darcey. What Craig said, your

:52:08.:52:15.

balance, your control, no wonder - you were turning during those,

:52:16.:52:20.

nobody could do that. The strength to be able to produce those lifts,

:52:21.:52:26.

so stunningly, keeping the topline so calm is really impressive. I was

:52:27.:52:35.

totally taken aback. And, sorry, and, you were creating a - producing

:52:36.:52:40.

a sultry, moody character that now is a good, good thing. OK. This is a

:52:41.:52:46.

new Claudia we are seeing. This relationship has to build. I want to

:52:47.:52:53.

see more. A We like it. Len. What I love, you have total control over

:52:54.:52:57.

what you are doing. It was a mix of frisky and risky. Frisky in the

:52:58.:53:02.

movement. Risky lifts. Pulled them all off. I thought it was a knockout

:53:03.:53:08.

routine. I thought you did a great job. Amazing performance and amazing

:53:09.:53:14.

comments. What a way to bounce back after last week's dance-off. We

:53:15.:53:21.

loved it. Claudia and AJ, well done. APPLAUSE AND

:53:22.:53:21.

CHEERING Well done. What a comeback. I know

:53:22.:53:34.

being in the dance-off is horrible. The pros said that was the best

:53:35.:53:40.

chory for an Argentine tango, honestly, Natalie was blown away.

:53:41.:53:45.

You liked being fierce. I loved it. I went for it so much, at the end my

:53:46.:53:50.

toe popped out of my shoes. That's how much I went for it. It was

:53:51.:53:54.

fantastic. AJ, you said this might be your best dance. I loved it, it

:53:55.:53:58.

was the best week, doing the tricks and learning lifts, it was crazy and

:53:59.:54:01.

to pull it off on the night. Thank you so much, it was amazing. You are

:54:02.:54:03.

a great teacher. The scores are in. Same score you have had the last few

:54:04.:54:31.

weeks. We would have all given it at least 90. Just so you know. If you

:54:32.:54:34.

don't want Claudia and AJ crying a river all the details are on the

:54:35.:54:40.

screen now. So you can vote for them when the vote opens after the Cha

:54:41.:54:45.

Cha Challenge. You two have to get ready. You have approximately three

:54:46.:54:46.

minutes. While they get changed

:54:47.:54:57.

for the Cha-Cha Challenge, But with a maximum of 6 extra marks

:54:58.:55:03.

up for grabs tonight, Over the years, we've had

:55:04.:55:07.

a Waltzathon, we've had a Quickstepathon, but we've never

:55:08.:55:10.

had a Cha-Cha Challenge. It's a Strictly first. But what

:55:11.:55:17.

exactly is it, how does it work? And what does it even mean? Honestly, I

:55:18.:55:23.

have no idea. But thankfully we know a man who does. Len. It's back. The

:55:24.:55:32.

chance to see all six couples on the floor at the same time. This year

:55:33.:55:39.

there is a Latin twist with all the couples dancing a cha-cha-cha. Hold

:55:40.:55:43.

on, like any dancing competition, there are rules. There will be six

:55:44.:55:49.

couples in the cha-cha challenge. The professionals have drawn out of

:55:50.:55:52.

a hat which spot on the dance floor they're going to begin. So it's all

:55:53.:55:57.

above board. Rule two, once the music starts they must keep dancing

:55:58.:56:03.

for the duration of the music. Halfway through the challenge

:56:04.:56:07.

couples will be told to switch positions with the couple next to

:56:08.:56:11.

them. This way everyone gets the same amount of time in front of us,

:56:12.:56:19.

the judges. Rule three, no lifts. If any couple is deemed to have done a

:56:20.:56:25.

lift they will get no marks and will be disqualified.

:56:26.:56:28.

Rule four, make sure you get your technique right. We want to see good

:56:29.:56:34.

footwork, lovely hip action, rhythmic interpretation. So make

:56:35.:56:38.

sure you get it right on the night. Lastly, they will get their scores

:56:39.:56:41.

at the end of the dance. The weakest couple in the opinion of the judges

:56:42.:56:47.

will get the score of one. However, the strongest couple will get a

:56:48.:56:54.

score of six. The scoring will be added to the scores from the

:56:55.:56:59.

previous dance. This has the potential to well and truly shake up

:57:00.:57:05.

the leaderboard. Couples, get out there and cha-cha like you have

:57:06.:57:11.

never done before. APPLAUSE

:57:12.:57:14.

Thank you very much, Len. Whoever comes first in the cha-cha challenge

:57:15.:57:19.

will get an extra six marks, second will get five marks and so on until

:57:20.:57:22.

the bottom couple will receive the one extra mark. Those will be added

:57:23.:57:27.

to the existing scores. Now, Len, this feels a bit harsh. Our couples

:57:28.:57:30.

have never heard the music they're about to dance to. Why is that?

:57:31.:57:36.

Well, that's what you get in a normal ballroom or Latin

:57:37.:57:40.

competition. There's no rehearsals, no knowing what the music is. You

:57:41.:57:45.

have to take what you are given and get out there, stay on time. Keep

:57:46.:57:52.

rhythmic and give it plenty of welly! All the couples have changed

:57:53.:57:56.

positions midway through the challenge. Remind us why. It gives

:57:57.:58:01.

us as judges another opportunity to see them from different angles so we

:58:02.:58:06.

don't miss anything. Thank you very much. Bruno, what does it take to

:58:07.:58:11.

win, what are you looking for? First, you have to stand out for the

:58:12.:58:17.

right reasons. Ed. No, the thing you have to maintain the look of the

:58:18.:58:22.

dance all the way through. You can not start doing improvisations

:58:23.:58:27.

styles that are not the cha-cha. Obviously, timing, the correct

:58:28.:58:30.

motion especially on elusive hip action, don't stop and start because

:58:31.:58:35.

we are going to stop it. Impress the judges with your performance value.

:58:36.:58:38.

Thank you very much. The wait is finally over. It's time

:58:39.:58:42.

for the cha-cha challenge to commence.

:58:43.:58:45.

Please welcome all the Can all couples please now change

:58:46.:59:00.

positions. That was fantastic. Thank you all

:59:01.:01:00.

very much. What a visual feast. Let's see what the judges thought.

:01:01.:01:05.

Bruno, our first Cha Cha Challenge. What did you think? That was nerve

:01:06.:01:10.

wracking for me, let alone you! First, let me say how wonderful it

:01:11.:01:14.

is to see all of you having improved so much from which one. You all did

:01:15.:01:23.

a very good job. And you all maintained a gnat truck cha-cha-cha.

:01:24.:01:29.

You didn't go out in tangents. You could see it action going

:01:30.:01:33.

everywhere. Not everyone had the correct timing, but you have to

:01:34.:01:38.

expect in a situation like this, you never heard the music, but all of

:01:39.:01:41.

you did a wonderful job. We are still discussing. Craig, how close

:01:42.:01:49.

was it? To ask, they all looked magnificent. Oh, they weren't,

:01:50.:01:56.

darling. Rest assured. No, it was actually very difficult. We were

:01:57.:02:03.

screaming up here and having arguments about the whole thing. We

:02:04.:02:07.

have only just sorted it out, but what fun. Bruno is right, it's

:02:08.:02:13.

amazing to see so much wonderful hip action, all in this space. So, there

:02:14.:02:20.

is an extra six marks up for grabs for the winning couple. This could

:02:21.:02:25.

turn the leaderboard on its head. Solar, starting with sixth place,

:02:26.:02:28.

please reveal the results of the Cha Cha Challenge. In sixth place is Ed

:02:29.:02:40.

and Katya. This place is Judge Rinder and Oksana. Fourth place is

:02:41.:02:51.

Claudia and AJ. Third place is Ore and Joanne. Second is Danny and Oti.

:02:52.:03:02.

Which means our winner is Louise and Kevin. Oh, yes! Thank you very much,

:03:03.:03:21.

the judges. So, Louise and Kevin came first in the Cha Cha Challenge

:03:22.:03:26.

and get an extra six marks. Congratulations to you both. And

:03:27.:03:29.

commiserations to add and Katya, who finished last and receive just one

:03:30.:03:35.

extra mark. Let's see how those marks have affected the leaderboard.

:03:36.:03:51.

But it is not about the judges' score tonight. You can change

:03:52.:03:57.

everything by picking up the phone or going online to vote for your

:03:58.:04:01.

favourites. Judges, I know you have worked hard tonight. You have been

:04:02.:04:05.

mind-blowing, but I have one more job for you. Please help me out.

:04:06.:04:10.

Audience, we will do it together. Three, two, one, the vote is...

:04:11.:04:12.

Open! Thank you very much. The vote closes at 8.30 five. Please

:04:13.:04:38.

don't try to vote if you are watching undermined. Here is a

:04:39.:04:42.

reminder of our couples' routines and the all-important vote

:04:43.:04:43.

information. It's been a busy night in the

:04:44.:06:37.

ballroom. Our six stars have dazzled on the dance floor and now they are

:06:38.:06:40.

relying on you, so pick up the phone or go online to give them your

:06:41.:06:45.

support. Voting closes at 8.35 tonight, so you don't have much

:06:46.:06:48.

longer to vote for your favourite couple. Your votes could help them

:06:49.:06:52.

avoid the dance-off in tomorrow night's results show when sadly, one

:06:53.:06:56.

more couple will be eliminated from stricter come dancing. Only five can

:06:57.:07:00.

make it through to next week's quarterfinal, when Strictly goes to

:07:01.:07:03.

the musicals, and no one wants to miss out. Also tomorrow, we have a

:07:04.:07:09.

special performance from Ellie Goulding. And we have a spectacular

:07:10.:07:14.

sports day themed routine from our professional dancers. I will

:07:15.:07:18.

abbreviate if you bring the spoons. Michael McIntyre is coming up next.

:07:19.:07:23.

Join us tomorrow night at the slightly later time of 7.20. In the

:07:24.:07:27.

meantime... Keep dancing!

:07:28.:07:32.

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