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Last week, seven celebrities eliminated the Blackpool Tower | :00:10. | :00:15. | |
ballroom. Some took the judges on a Big Dipper ride to remember. That | :00:16. | :00:22. | |
was a table topping show stopper! Others proved more disappointing | :00:23. | :00:25. | |
than a rail replacement bus service. You looks like you were playing | :00:26. | :00:31. | |
hopscotch in an all girls' school. And after the battle of the | :00:32. | :00:34. | |
Olympians' dance-off, Greg packed his bucket and spade and left. This | :00:35. | :00:40. | |
week, with the addition of the Cha Cha Challenge, our celebrities are | :00:41. | :00:44. | |
working around the clock preparing two dances. I'm apprehensive. Going | :00:45. | :00:50. | |
to get some last-minute practice in. A tough week ahead. Sangakkara I | :00:51. | :00:54. | |
never thought Strictly would take over my life. We cannot afford to be | :00:55. | :00:57. | |
complacent. Live from the BBC, this is Strictly | :00:58. | :01:53. | |
Come Dancing! Please welcome your hosts... Tess Daly. And Claudia | :01:54. | :01:58. | |
Winkleman! Hello and welcome to Strictly Come | :01:59. | :02:23. | |
Dancing! In last week's Blackpool special, we witnessed some truly | :02:24. | :02:26. | |
magnificent performances. Everyone was blown away, even Craig, who | :02:27. | :02:29. | |
dished out his first ten of the series. It was our two Olympians, | :02:30. | :02:35. | |
Greg and Claudia, who went head to head in the dance-off. Sadly, it was | :02:36. | :02:41. | |
Greg who lost out. We are now left with just six celebrities who will | :02:42. | :02:43. | |
have to raise their game once more because tonight, as well as | :02:44. | :02:46. | |
performing a new routine, they will be taking part in our first Cha Cha | :02:47. | :02:53. | |
Challenge. Six couples competing against each other at the same time | :02:54. | :02:58. | |
on this very dance floor. It's going to be one busy ballroom. And | :02:59. | :03:03. | |
watching closely will be four people who never miss a trick. Please | :03:04. | :03:09. | |
welcome the judges. Bruno Tonioli, Craig Revel Horwood, Darcey Bussell | :03:10. | :03:14. | |
and Len Goodman. The judges, everyone. Slick! Our | :03:15. | :03:36. | |
couples are waiting in the wings, limbering up for a night of double | :03:37. | :03:41. | |
dancing. Let's bring them out here on the double. Please welcome our | :03:42. | :03:49. | |
Strictly stars. TV presenter and singer Louise Redknapp and her | :03:50. | :03:53. | |
partner Kevin Clifton. Star of Judge Rinder, Robert Rinder and his | :03:54. | :03:58. | |
partner Oksana Platero. Olympic gymnast Claudia Fragapane and her | :03:59. | :04:03. | |
partner AJ Pritchard. BBC Sport presenter Ore Oduba and his partner | :04:04. | :04:07. | |
Joanne Clifton. Former Shadow Chancellor Ed Balls and his partner | :04:08. | :04:12. | |
Katya Jones. And finally, actor Danny Mac and his partner Oti | :04:13. | :04:13. | |
Mabuse. Our sensational six, all eager to | :04:14. | :04:35. | |
entertain and impress not once, but twice tonight and with a place in | :04:36. | :04:39. | |
next week's quarterfinal up for grabs, the pressure is on. You will | :04:40. | :04:43. | |
be able to vote for your favourite later. Your votes will be added to | :04:44. | :04:47. | |
the judges' scores to decide which two couples will face the dance-off | :04:48. | :04:51. | |
in tomorrow night's results show. It is then down to the judges to decide | :04:52. | :04:55. | |
who stays in the competition. Dancing for tonight is Danny and his | :04:56. | :05:05. | |
partner Oti. Last week, they scored the first perfect 40 of the series | :05:06. | :05:09. | |
and ever since they got back from Blackpool, they have been out | :05:10. | :05:13. | |
partying. But they were not just celebrating, they were training for | :05:14. | :05:21. | |
tonight's samba. What a night, dancing along with backing dancers | :05:22. | :05:25. | |
in front of that audience. Words cannot describe the feeling. | :05:26. | :05:36. | |
Fantastic. Fabulous! 40 at Blackpool! To entertain people is | :05:37. | :05:42. | |
all I ever want to do. I am so grateful I had the chance and I am | :05:43. | :05:48. | |
grateful to do it again. Keep it slow. This week, Danny and I will be | :05:49. | :05:53. | |
dancing the samba. I am trying to make it a little less carnival and a | :05:54. | :06:01. | |
bit more jungle, ethnic and tribal. Stop laughing at me! Oti wasn't | :06:02. | :06:07. | |
laughing at me. As she likes to celebrate the Lidl describe it, she | :06:08. | :06:11. | |
was celebrating the movement of my body(!). I believe you. To hopefully | :06:12. | :06:18. | |
get to grips with the dance, Oti has brought me to meet the London School | :06:19. | :06:21. | |
of samba, because they know a lot more about it than I do. It even | :06:22. | :06:26. | |
though their style is different, it is about having fun. That boy can | :06:27. | :06:36. | |
really check his hips. I just hope we can bring that level of fun to | :06:37. | :06:43. | |
Saturday night. Dancing the samba, Danny Mac and Oti Mabuse. | :06:44. | :06:48. | |
Listen to that reaction from the audience. Have a look around, Danny. | :06:49. | :09:01. | |
Tell you what, it's hot in the jungle. Congratulations, storming | :09:02. | :09:08. | |
start, so different to last week's Charlton. Is there nothing your boy | :09:09. | :09:15. | |
can't do, Oti? He worked so hard before we hear what the judges | :09:16. | :09:18. | |
thought, let's welcome our wonderful live singers Hayley, Lance, Andrea, | :09:19. | :09:24. | |
Tommy and of course Dave Arch and his brilliant orchestra. Well, you | :09:25. | :09:31. | |
brought the heat, but I know you wanted to bring fun to the dance | :09:32. | :09:37. | |
floor tonight. Len, did he? Oh, he's a tease. You started slow. Hello, I | :09:38. | :09:45. | |
thought. A stationary samba walk, hint of a role, and then suddenly, | :09:46. | :09:50. | |
wallop! Into those promenades, flying around. Natural roles, I tell | :09:51. | :10:00. | |
you, your hips were like a snake, honestly! It was fierce like a puma, | :10:01. | :10:07. | |
and hotter and steamier than the Amazonian jungle. It was fabulous! | :10:08. | :10:15. | |
It was steamy, all right. Bruno, they had the perfect score last | :10:16. | :10:20. | |
week. How did they do to make? What are you doing to me? At this time at | :10:21. | :10:28. | |
night, look at the state of me. I am hyperventilating. I don't know if I | :10:29. | :10:32. | |
need a doctor, a pill, a drink, a cold shower. It was like watching a | :10:33. | :10:41. | |
Pagan mating ritual. Between magnificent, exotic species. Every | :10:42. | :10:46. | |
sinew of the body was stretched to the limit, slave to the rhythm. | :10:47. | :10:53. | |
Those hips were popping off your pelvis! Even for him, that is | :10:54. | :11:07. | |
excited. By contrast, look at Craig's face. I found the open shirt | :11:08. | :11:15. | |
a slight distraction, darling. But I have to say, your hip action, we | :11:16. | :11:19. | |
never get that from a male celebrity. It was incredible. I | :11:20. | :11:30. | |
loved the tribal nature of it, the isolation was absolutely excellent. | :11:31. | :11:37. | |
Brilliant. Brilliant from Craig. Darcey? Danny, you have certainly | :11:38. | :11:41. | |
put the hours in. To achieve that in one week, he has done it. It really | :11:42. | :11:49. | |
showed. It was like the most perfect samba masterclass. Clean isolations, | :11:50. | :11:56. | |
travelling, using the dance floor. Outstanding. You cannot top those | :11:57. | :12:04. | |
comments. Off you go, congratulations. Danny and Oti. That | :12:05. | :12:11. | |
was so much fun! Oti, I have never seen the samba | :12:12. | :12:32. | |
like that. Normally, a samba is like a small parrot. That was | :12:33. | :12:36. | |
extraordinary. And you look surprised when you get such good | :12:37. | :12:40. | |
comments. You don't know what to expect. We worked all week for it, | :12:41. | :12:43. | |
but you genuinely don't know what will come from those guys, and they | :12:44. | :12:48. | |
are the experts. When it is good, it's amazing. The scores are in. The | :12:49. | :12:52. | |
judges' scores are in. Are you OK? Listen to the audience. | :12:53. | :13:29. | |
Thank you, gang. That is the first 40 in Strictly history for a samba. | :13:30. | :13:36. | |
It has never happened. Well done. If you thought Danny and Oti were the | :13:37. | :13:40. | |
jungle VIPs, all the information you need is on your screen now, so you | :13:41. | :13:43. | |
can vote for them when the vote opens at the end of the show. Fans | :13:44. | :13:47. | |
of the terms and conditions. While I read them, it's the perfect | :13:48. | :13:51. | |
opportunity for everyone to practise for the tartan challenge. Cue the | :13:52. | :13:56. | |
cha-cha music. Calls cost 50p plus any network access charge. | :13:57. | :14:03. | |
The vote will not open until after the charter challenge. Please don't | :14:04. | :14:09. | |
vote until I tell you. If you do, your vote will not count and you may | :14:10. | :14:11. | |
still be charged. Tess. What a start to the show and a | :14:12. | :14:23. | |
little bit of Strictly history with it. | :14:24. | :14:26. | |
Dancing next it's Ore and his partner Joanne. | :14:27. | :14:28. | |
Ore's gone from being top of the leaderboard, | :14:29. | :14:31. | |
to being in the dance-off to scoring three tens for last week's | :14:32. | :14:34. | |
Viennese Waltz but can he stay near the top | :14:35. | :14:36. | |
I cannot get over that night. Cool, sophisticated, slick. Brilliant. | :14:37. | :14:55. | |
Three 10s, who would have thought? And to do it in Blackpool ballroom. | :14:56. | :15:00. | |
I don't think I would have changed a single moment of that night. | :15:01. | :15:05. | |
Blackpool is awesome, I'm coming back! We have the Paso Doble this | :15:06. | :15:12. | |
week There have been so many incredible ones this series, we have | :15:13. | :15:16. | |
to somehow make ours stand out. We haven't done a dance yet where we | :15:17. | :15:20. | |
have to be angry with each other. Amazing. I am not a very angry | :15:21. | :15:25. | |
person. This is going to be a little bit of a challenge. Paso is | :15:26. | :15:34. | |
exhausting. So much to take in. Step-wise there will be a lot of | :15:35. | :15:40. | |
stamps. And there will be a lot of flamenco hands and wrists and also | :15:41. | :15:47. | |
the posture which is of a Mateador. You have to maintain that. The | :15:48. | :15:52. | |
pelvis forward, back up. Lead with this frame. There's so much to | :15:53. | :15:57. | |
remember with this Paso. One step wrong could be curtains. We have to | :15:58. | :16:00. | |
make sure we get it absolutely right on Saturday. | :16:01. | :16:05. | |
Dancing the Paso Doble, Ore Oduba and Joanne Clifton. | :16:06. | :16:08. | |
MUSIC: Everybody Wants To Rule The World. | :16:09. | :17:53. | |
Just brilliant. They're on their feet. Come on over. | :17:54. | :18:21. | |
Oh! Just brilliant. Goose pimples throughout that | :18:22. | :18:23. | |
performance. That was fierce. You are usually such a pussycat, where | :18:24. | :18:29. | |
did that come from? I don't have much to be angry about, but you try | :18:30. | :18:31. | |
to channel it for a minute-and-a-half. We are used to a | :18:32. | :18:36. | |
softer side, what about his angry side? Goose bumps, it was achingly | :18:37. | :18:42. | |
stylish and original. Different. It was almost like Tom Ford's film | :18:43. | :18:49. | |
Nocturnal Animals. It was a different take. It was modern and | :18:50. | :18:57. | |
captured the zeitgeist of now. Yet every element was clear in display. | :18:58. | :19:03. | |
The lines, the shaping. The attitude. It's different and I | :19:04. | :19:08. | |
praise you, Joanne, for that. Because it's good reinventing | :19:09. | :19:11. | |
something that's been around for such a long time and giving it a | :19:12. | :19:16. | |
modern actual valid twist. Brilliant. | :19:17. | :19:23. | |
So original. Craig, are we looking at a contender for the | :19:24. | :19:27. | |
quarter-finals? Potentially. There was an unsure moment down here where | :19:28. | :19:31. | |
you looked a little bit lost and I didn't believe you. Also, you need | :19:32. | :19:36. | |
to watch in the Spanish line that the wrist is get towards the body. | :19:37. | :19:46. | |
But I have to say, it had strength and style and power and the whole | :19:47. | :19:50. | |
story was extremely engaging, darling. Well done. | :19:51. | :19:58. | |
Darcey. Ore it certainly was, it was dramatic, intense. The focus was | :19:59. | :20:02. | |
there from the beginning to end. What you have is a very supple upper | :20:03. | :20:07. | |
body, that back which really helps to produce those shapes and curves, | :20:08. | :20:12. | |
and then you have those lovely long arms to get that nice rounded shape | :20:13. | :20:19. | |
which really worked. Very, very nice. Len. Atmosphere, a dance of | :20:20. | :20:25. | |
power and purpose. I don't think I have ever seen anyone get that | :20:26. | :20:30. | |
amount of shaping during the twist and turns and the cape. They were so | :20:31. | :20:36. | |
strong. Unfortunately, on that second cape a little incident | :20:37. | :20:41. | |
occurred, I think. Maybe I am wrong. But you can only go... Are you going | :20:42. | :20:46. | |
to boo me for telling the truth? It was a wonderful Paso Doble. You | :20:47. | :20:50. | |
showed a totally different side to your character and I congratulate | :20:51. | :20:55. | |
you. Well done. Congratulations, you can't be angry | :20:56. | :20:58. | |
after those comments. The smile is back. Off you go. Beautiful job. Ore | :20:59. | :21:05. | |
and Joanne! . APPLAUSE AND | :21:06. | :21:13. | |
CHEERING Well done. The judges called it | :21:14. | :21:19. | |
dramatic, intense, a different kind of Paso Doble and also you are the | :21:20. | :21:23. | |
friendliest boy in the whole world. Did you find it hard all week? I | :21:24. | :21:31. | |
look at Jo and she has such an angry face, am I doing something wrong? I | :21:32. | :21:36. | |
am biting my lip not to smile. The judges' scores are in. | :21:37. | :21:57. | |
Well done. Still an excellent score. If you | :21:58. | :22:05. | |
would like to keep Ore and Joe avn in the competition all the details | :22:06. | :22:08. | |
are on the screen now and you can vote when voting opens at the end of | :22:09. | :22:16. | |
the show. Still to come judge Rinder pretends to be a dance student and | :22:17. | :22:23. | |
Oksana pretends to be his teacher. Dancing next in the ballroom | :22:24. | :22:27. | |
is Louise and her partner Kevin. It's been wonderful watching | :22:28. | :22:30. | |
Louise's Strictly transformation. So who better to join her | :22:31. | :22:32. | |
in training this week than the man who's been supporting her every inch | :22:33. | :22:37. | |
of the way - her husband Jamie. How was Blackpool for you? It was | :22:38. | :22:45. | |
even more special in real life. You ales feel a little bit special when | :22:46. | :22:51. | |
you get a 10 from Len. Head judge Len. You smashed it. This week we | :22:52. | :22:59. | |
are dancing the waltz. It's a romantic dance. I am not really | :23:00. | :23:06. | |
romantic at the best of times. Kevin has arranged for somebody to come in | :23:07. | :23:13. | |
and help me get romantic. Fingers crossed it's George Clooney. Hey | :23:14. | :23:19. | |
guys. You thought it was Clooney. Kevin has invited me to try to bring | :23:20. | :23:25. | |
romance to Louise. Let's get into character. Last week you were | :23:26. | :23:29. | |
fierce, this week you have to be romantic. Is he really as close as | :23:30. | :23:38. | |
that? Other foot. Are you not feeling romantic? It's made me | :23:39. | :23:43. | |
laugh. Stop laughing. I have already died inside. Stop laughing, we want | :23:44. | :23:49. | |
romance. For the first time in years me and Jamie danced together, but | :23:50. | :23:54. | |
giggling but still danced together. Stop laughing, get romantic! Kevin, | :23:55. | :23:59. | |
take over. Good luck. We are so proud of you. The boys and I will be | :24:00. | :24:02. | |
watching on Saturday night cheering you on. | :24:03. | :24:08. | |
Dancing the Waltz, Louise Redknapp and Kevin Clifton. | :24:09. | :24:10. | |
Oh, so, so graceful, Louise. Beautiful. Like a Princess. | :24:11. | :26:15. | |
Gorgeous. I am sure you made Jamie and the boys proud. Craig, Louise is | :26:16. | :26:19. | |
the highest scoring female of the series so far. Did she maintain that | :26:20. | :26:25. | |
standard tonight? Louise always maintains standards. Absolutely love | :26:26. | :26:30. | |
your dancing. You need to watch your shoulders raising slightly through | :26:31. | :26:33. | |
the jazz sections, they still need to be down. But grace, fluidity, | :26:34. | :26:39. | |
style. Movement around the floor was absolutely incredible. I just could | :26:40. | :26:44. | |
watch you all night. I really could. Craig could watch you all night. So | :26:45. | :26:48. | |
could we. Darcey. It's effortless, your style, the two of you together. | :26:49. | :26:52. | |
I think what's lovely is the narrative is told through your | :26:53. | :26:55. | |
steps. It's like this relationship building as the waltz builds. You | :26:56. | :26:59. | |
don't get him to hold until the very end. It's really a piece of magic | :27:00. | :27:04. | |
and what's even better is the artistry of how you play with the | :27:05. | :27:10. | |
music is even more divine. It really is. And those finger turns, to have | :27:11. | :27:17. | |
that beautiful concession right to the end and not losing balance and | :27:18. | :27:22. | |
being straight on the line, straight on the money. Fabulous. Len, you | :27:23. | :27:28. | |
scored Louise a 10 last week. Is she still your top girl? I tell you | :27:29. | :27:39. | |
this, we have been treated to three fantastic dances. That dance could | :27:40. | :27:46. | |
be one of your five-a--day. It's so good to watch. It was cracking. | :27:47. | :27:53. | |
Don't listen up there... What's he on about? It was brilliant. | :27:54. | :28:02. | |
Brilliant. Bruno, what do you think? Strictly beautiful, my darling. | :28:03. | :28:05. | |
Quality of movement, the interpretation of the music. Above | :28:06. | :28:11. | |
all, it's your phrasing. Your musical phrasing is impeccable. | :28:12. | :28:17. | |
Impeccable. You must be on cloud nine after those comments. Let's | :28:18. | :28:21. | |
hope for some 10s. Off you go, Louise and Kevin! | :28:22. | :28:25. | |
APPLAUSE AND CHEERING | :28:26. | :28:36. | |
Well done, darling. I know you found this week quite difficult going back | :28:37. | :28:41. | |
into hold. You kept going, we saw you with your husband, adorable. You | :28:42. | :28:45. | |
found it tricky. For me it was the hardest week. I don't know what it | :28:46. | :28:49. | |
was. You have to be controlled and I think I possibly drove Kevin | :28:50. | :28:53. | |
slightly mad this week. So, thank you. Never, it's not possible. The | :28:54. | :28:55. | |
scores are in. A beautiful 10. | :28:56. | :29:05. | |
From Len, a 10. Well done. 39. If you want to see | :29:06. | :29:28. | |
Louise and Kevin waltz into next week's musical special all the | :29:29. | :29:32. | |
details are on the screen now. You can vote for them after the cha-cha | :29:33. | :29:36. | |
challenge. If you want to vote online you will need to sign in or | :29:37. | :29:39. | |
register if you haven't already. We still have all of this to come. | :29:40. | :29:49. | |
Because this dance is slow, you're a lot more exposed in your technique, | :29:50. | :29:55. | |
so the technique has to be really good. It's awesome. The tango is not | :29:56. | :30:04. | |
only sharp and staccato, but also quite low and driving and stamping | :30:05. | :30:08. | |
along. We can't stop for lunch. It's going to be wild. Argentine tango | :30:09. | :30:17. | |
has to be very strong, fierce, passionate. That just feels weird. | :30:18. | :30:25. | |
Just get it out there. I am looking forward to all of that. What have | :30:26. | :30:29. | |
you got there, Claud? Is the camera that Ed will be using for his | :30:30. | :30:33. | |
routine. I want to take a selfie, but I don't know how it works. Why | :30:34. | :30:39. | |
don't you just use my smartphone? That is genius! Thank you. Hello, | :30:40. | :30:46. | |
Ed. Can you show me how your camera works, please? All right, meet you | :30:47. | :30:56. | |
there. Thanks, Tess. Next tonight, Judge Rinder and his partner Oksana. | :30:57. | :31:03. | |
This week, they are doing the rumba, the dance of love, which is perfect | :31:04. | :31:08. | |
for the judge. He loves dancing, he loves being on Strictly and he loves | :31:09. | :31:13. | |
having Oksana as a partner. Let's just hope our judges are feeling the | :31:14. | :31:22. | |
love as well. How did you feel about the Blackpool experience? I will | :31:23. | :31:27. | |
never forget it. I have never seen a guy shake their cheeks as well as | :31:28. | :31:37. | |
that. I thought it was hiptastic. I forgot the steps but I felt like I | :31:38. | :31:42. | |
was having a party. What a way of ending such a fantastic night. | :31:43. | :31:49. | |
Uplifting, fabulous. This week, we are doing the rumba and I was a bit | :31:50. | :31:54. | |
apprehensive about it. But the dance Oksana has choreographed is | :31:55. | :31:58. | |
genuinely so beautiful. It is a story of how a teacher can come into | :31:59. | :32:02. | |
your life and make you a dancer. All you have to do is lead on her. From | :32:03. | :32:08. | |
the dance that I was most nervous about, it has quickly become the | :32:09. | :32:13. | |
dance I am most looking forward to expressing. There is somebody I want | :32:14. | :32:18. | |
Oksana to meet. She was a special teacher to me and this seems like a | :32:19. | :32:22. | |
perfect opportunity. She is the person who did all the school plays | :32:23. | :32:28. | |
and opened my eyes to the world. When I see Rob dance, I am so proud. | :32:29. | :32:33. | |
It's been such a privilege to have two such amazing teachers who | :32:34. | :32:38. | |
believe in me. And when the teachers believe, you can do anything. | :32:39. | :32:44. | |
Dancing the rumba, Judge Rinder and Oksana Platero. | :32:45. | :32:49. | |
Well done! You looked like you were lost in the dance. Did we lose you | :32:50. | :34:57. | |
for a moment? You really did. Definitely not the best dance, but | :34:58. | :35:02. | |
I've got the best teacher. Lovely! Did he embraced the character in the | :35:03. | :35:06. | |
story of the dance, Darcey? It's difficult, because the narrative you | :35:07. | :35:11. | |
were playing was slightly different for a rumba especially on the | :35:12. | :35:17. | |
relationship between you. For me, I don't think it gave a purpose to all | :35:18. | :35:20. | |
those moves. The narrative didn't follow through for me. That was a | :35:21. | :35:24. | |
shame. It is incredibly difficult for a man to feel that fluid and | :35:25. | :35:29. | |
have that confidence in those fluid moves. You created some nice | :35:30. | :35:33. | |
extensions and nice lines, and you were using the floor. But I didn't | :35:34. | :35:37. | |
feel comfortable. The wait was a bit far back at times. You didn't look | :35:38. | :35:45. | |
as steady on your feet. It wasn't your best dance. Len? Not your best | :35:46. | :35:54. | |
dance, but it certainly wasn't your best dance. I thought you had nice | :35:55. | :35:59. | |
fluidity through your arm. New managed to get the hip action. | :36:00. | :36:11. | |
Funnily enough, it looked a bit taut. It lacked a bit of naturalness | :36:12. | :36:16. | |
to it. It was like, put that on there. That was what I felt. But | :36:17. | :36:25. | |
this is a terrifically difficult dance for the men and I thought you | :36:26. | :36:34. | |
coped admirably. Bruno? Don't worry, darling, everything is beautiful at | :36:35. | :36:39. | |
the ballet. And you took your ballet lessons seriously. Of course at | :36:40. | :36:43. | |
times, you did look like the dying swan. There was a lot of plunging | :36:44. | :36:49. | |
and swaying, and very lyrical. But sometimes, you turned into a funky | :36:50. | :36:54. | |
chicken. Instead of keeping it going, you were going kind of | :36:55. | :36:58. | |
staccato, with the white backwards. That stopped the beautiful lyricism | :36:59. | :37:03. | |
that at times, you had through your arms. It is very hard. It was a | :37:04. | :37:12. | |
brave attempt to, my darling. Have you got a bit of love for the judge, | :37:13. | :37:17. | |
Craig? I thought most of it was a bit too spiky. By thought it looked | :37:18. | :37:24. | |
a bit awkward on you, to be honest. And I felt that your individual body | :37:25. | :37:27. | |
parts were moving independently of your core, which was a shame. You | :37:28. | :37:33. | |
need to be able to bring the whole thing together and you would have a | :37:34. | :37:38. | |
lovely dance. What I love about you is that you are earnest, and that is | :37:39. | :37:50. | |
commendable. Mixed comments from the judges, but we love you. Off you go. | :37:51. | :37:52. | |
Judge Rinder and Oksana. I don't want you to be disheartened. | :37:53. | :38:09. | |
You were worried about this dance, but then you loved the story. I | :38:10. | :38:16. | |
loved it so much. And your teacher is here, Wendy. Not Wendy, she is | :38:17. | :38:26. | |
Miss! All right, Miss! It has been the story of our journey, but it is | :38:27. | :38:30. | |
true. Our teachers are amazing. The scores are in. | :38:31. | :38:52. | |
We just have to win the Cha Cha Challenge. Of course! If you loved | :38:53. | :39:01. | |
Judge Rinder and Oksana's rumba and want to see them back to dance again | :39:02. | :39:04. | |
next week, all the details are on your screen. You can vote for them | :39:05. | :39:08. | |
when voting opens at the end of the show. Still to come, Claudia dance | :39:09. | :39:14. | |
is on a six foot cube. It is what you could call a square dance. Tess. | :39:15. | :39:19. | |
Dancing next in the ballroom is Ed and his partner Katya. | :39:20. | :39:27. | |
During his time on Strictly, Ed has embraced quite a few challenges, | :39:28. | :39:31. | |
rescuing a damsel in distress, flying a piano and doing a salsa - | :39:32. | :39:38. | |
Gangnam Style! Tonight, he will be a male model on a photo shoot. We | :39:39. | :39:47. | |
can't wait to see him strike a pose. It was the greatest privilege to | :39:48. | :39:49. | |
dance in Blackpool, coming down from the ceiling playing flaming piano | :39:50. | :39:59. | |
was fabulous. You made Blackpool rock. We didn't manage to impress | :40:00. | :40:05. | |
Craig, though. It looked like you were playing hopscotch in an all | :40:06. | :40:10. | |
girls' school. We will just have to work hard. Let's smash it. This | :40:11. | :40:16. | |
week, we are back to ballroom, doing tango. The character you are going | :40:17. | :40:22. | |
to be playing is a male model. I'm excited because I have brought in a | :40:23. | :40:28. | |
male model, Paul, to help add get into character for the tango. I am | :40:29. | :40:35. | |
pleased you are here. Let's see what you have got. I was thinking | :40:36. | :40:39. | |
something like... To sell this tango, I have got to get character | :40:40. | :40:44. | |
with toys and determination. Paul has got to tell me how he does it. | :40:45. | :40:50. | |
He just lay down, and he looked cool. I gave him some pointers. | :40:51. | :41:00. | |
Hopefully, everything I have learned today, I can put into practice on | :41:01. | :41:10. | |
the catwalk on Saturday night. Dancing the tango, Ed Balls and | :41:11. | :41:11. | |
Katya Jones. Oh, Ed! On their feet. It is always | :41:12. | :43:27. | |
a joy, isn't it? Shaking your little tush on the catwalk. Nice pout, by | :43:28. | :43:32. | |
the way. Was that a model performance? You were dancing to | :43:33. | :43:37. | |
great's signature song, I can't get no satisfaction! Ed Balls, you are | :43:38. | :43:41. | |
more like lottery balls. You never know what is going to come out next. | :43:42. | :43:46. | |
But I've got to say, plenty of tango content. It wasn't just larking | :43:47. | :43:55. | |
about and messing around. Listen, you're not always the judges' number | :43:56. | :44:00. | |
one choice, but 100%, you're the people's champion. Bruno. You make | :44:01. | :44:12. | |
Zoolander look like a beginner! But I have to say, Ed, Ed Balls' weekly | :44:13. | :44:19. | |
fix always hits the spot. You're like junk food. You know you | :44:20. | :44:23. | |
shouldn't have it, but you can't help wanting more! | :44:24. | :44:30. | |
Do you want more, Craig? No, thank you. Thank you for the rose, | :44:31. | :44:37. | |
darling, but that's not going to save you on this occasion. Your | :44:38. | :44:46. | |
frame, you are completely hunched over, splayed hands, sloppy feet on | :44:47. | :44:51. | |
kick ball changes. I have to say, committed. I think, darling, after | :44:52. | :44:59. | |
that you should be committed. Darcey. At the beginning your focus | :45:00. | :45:04. | |
was great. That was outstanding. Then you started to lose it. I think | :45:05. | :45:09. | |
you got carried away, whoever you were channelling, was it Mick | :45:10. | :45:13. | |
Jagger? Lovely clipped movements and I did see, as Len said, some tango | :45:14. | :45:18. | |
there. Suddenly you lost focus and that was a shame because I really | :45:19. | :45:22. | |
thought there was going to be something good here. It's weird, | :45:23. | :45:27. | |
just the stalking moments got a little bit bouncy, got to soften | :45:28. | :45:31. | |
those knees, keep the shoulders down. I think you got carried away | :45:32. | :45:37. | |
with your character, but nice. He loves a character. Throws himself | :45:38. | :45:42. | |
into it. Can't fault the commitment. Thank you, off to Claudia. Ed and | :45:43. | :45:48. | |
Katya! APPLAUSE AND | :45:49. | :45:54. | |
CHEERING Ed, we think you are magnificent. | :45:55. | :46:01. | |
You have to follow Gangnam and then coming in on a piano and then that. | :46:02. | :46:07. | |
You work really hard. Male model, it's not really me. You say that, | :46:08. | :46:10. | |
you look magnificent. We loved it. The scores are in. | :46:11. | :46:31. | |
Same score as last week. You do - you focus on the good. That was a | :46:32. | :46:38. | |
nice 7 from Len. Fabulous. Excellent and you have the cha-cha challenge. | :46:39. | :46:43. | |
Which I think we might win. We all think that, Ed. If you think Ed has | :46:44. | :46:48. | |
moves like Jagger and want to see hm and Katya back next week all the | :46:49. | :46:51. | |
information is on the screen now. You can vote for them at the end of | :46:52. | :46:55. | |
the show. You don't have long to wait. There is only one couple left | :46:56. | :46:58. | |
to dance before the cha-cha challenge. | :46:59. | :47:03. | |
The next couple is Claudia and her partner AJ. | :47:04. | :47:05. | |
This week they're doing a dramatic Argentine Tango and after the shock | :47:06. | :47:11. | |
of being in last week's dance-off, poor Claudia knows all about drama. | :47:12. | :47:21. | |
Last Saturday was a little bit nerve-wracking because we were | :47:22. | :47:25. | |
starting first and I wanted to do well. I wanted to get the party | :47:26. | :47:29. | |
started. It was full-on, it was sharp. There was a little moment | :47:30. | :47:33. | |
early on. Mistakes happen to the best of us, you picked it up and | :47:34. | :47:37. | |
continued. Being in the dance-off was horrible. I knew you had an even | :47:38. | :47:42. | |
better performance in you. To get saved and to be there another week I | :47:43. | :47:45. | |
feel grateful for that and I do not want to be in that dance-off again. | :47:46. | :47:53. | |
The Argentine tango is an epic dance, it's speed, quick turns and | :47:54. | :47:58. | |
fast footwork, that's why I am going to take you go-carting. You do know | :47:59. | :48:03. | |
I can't drive. Treat it like the dance floor, attack corners but keep | :48:04. | :48:10. | |
the precision. Don't lose tempo, most importantly, don't finish last. | :48:11. | :48:15. | |
I was so nervous because I never drove before. Which one is to go? | :48:16. | :48:22. | |
Also I wanted to win. Claudia was so slow at driving. I must have lapped | :48:23. | :48:30. | |
her at least four times. Aj! I was trying to be really competitive. I | :48:31. | :48:34. | |
am upset I got beaten but I took it like a true Olympian. Let's hope I | :48:35. | :48:38. | |
am better at dancing than driving on Saturday night. | :48:39. | :48:45. | |
Dancing the Argentine Tango, Claudia Fragapane and AJ Pritchard. | :48:46. | :48:47. | |
Breathtaking! Incredible performance. You put your heart and | :48:48. | :51:09. | |
soul... She's back with a powerful performance. She doesn't want to be | :51:10. | :51:14. | |
in the dance-off again. How did she do tonight? Those lifts, my darling, | :51:15. | :51:20. | |
it was a tour de force. I can like a Red Arrow in a spectacular aerial | :51:21. | :51:24. | |
display. I thought you were never going to land! When you land you are | :51:25. | :51:29. | |
always strong, controlled, precise. Always very well placed and what I | :51:30. | :51:34. | |
like to see now and you are doing it tonight, you are developing a | :51:35. | :51:38. | |
dramatic persona. You are starting to play the part more. Engage with | :51:39. | :51:44. | |
the character, not just... Continue to do that. That's the way to | :51:45. | :51:51. | |
progress for you. Craig. I thought your legs could be a little bit | :51:52. | :51:58. | |
looser for the gaunchos, I felt you were placing your legs in positions | :51:59. | :52:01. | |
rather than being reactionary, but it didn't stop me loving it. Clean, | :52:02. | :52:07. | |
precise, incredible. Incredible. Darcey. What Craig said, your | :52:08. | :52:15. | |
balance, your control, no wonder - you were turning during those, | :52:16. | :52:20. | |
nobody could do that. The strength to be able to produce those lifts, | :52:21. | :52:26. | |
so stunningly, keeping the topline so calm is really impressive. I was | :52:27. | :52:35. | |
totally taken aback. And, sorry, and, you were creating a - producing | :52:36. | :52:40. | |
a sultry, moody character that now is a good, good thing. OK. This is a | :52:41. | :52:46. | |
new Claudia we are seeing. This relationship has to build. I want to | :52:47. | :52:53. | |
see more. A We like it. Len. What I love, you have total control over | :52:54. | :52:57. | |
what you are doing. It was a mix of frisky and risky. Frisky in the | :52:58. | :53:02. | |
movement. Risky lifts. Pulled them all off. I thought it was a knockout | :53:03. | :53:08. | |
routine. I thought you did a great job. Amazing performance and amazing | :53:09. | :53:14. | |
comments. What a way to bounce back after last week's dance-off. We | :53:15. | :53:21. | |
loved it. Claudia and AJ, well done. APPLAUSE AND | :53:22. | :53:21. | |
CHEERING Well done. What a comeback. I know | :53:22. | :53:34. | |
being in the dance-off is horrible. The pros said that was the best | :53:35. | :53:40. | |
chory for an Argentine tango, honestly, Natalie was blown away. | :53:41. | :53:45. | |
You liked being fierce. I loved it. I went for it so much, at the end my | :53:46. | :53:50. | |
toe popped out of my shoes. That's how much I went for it. It was | :53:51. | :53:54. | |
fantastic. AJ, you said this might be your best dance. I loved it, it | :53:55. | :53:58. | |
was the best week, doing the tricks and learning lifts, it was crazy and | :53:59. | :54:01. | |
to pull it off on the night. Thank you so much, it was amazing. You are | :54:02. | :54:03. | |
a great teacher. The scores are in. Same score you have had the last few | :54:04. | :54:31. | |
weeks. We would have all given it at least 90. Just so you know. If you | :54:32. | :54:34. | |
don't want Claudia and AJ crying a river all the details are on the | :54:35. | :54:40. | |
screen now. So you can vote for them when the vote opens after the Cha | :54:41. | :54:45. | |
Cha Challenge. You two have to get ready. You have approximately three | :54:46. | :54:46. | |
minutes. While they get changed | :54:47. | :54:57. | |
for the Cha-Cha Challenge, But with a maximum of 6 extra marks | :54:58. | :55:03. | |
up for grabs tonight, Over the years, we've had | :55:04. | :55:07. | |
a Waltzathon, we've had a Quickstepathon, but we've never | :55:08. | :55:10. | |
had a Cha-Cha Challenge. It's a Strictly first. But what | :55:11. | :55:17. | |
exactly is it, how does it work? And what does it even mean? Honestly, I | :55:18. | :55:23. | |
have no idea. But thankfully we know a man who does. Len. It's back. The | :55:24. | :55:32. | |
chance to see all six couples on the floor at the same time. This year | :55:33. | :55:39. | |
there is a Latin twist with all the couples dancing a cha-cha-cha. Hold | :55:40. | :55:43. | |
on, like any dancing competition, there are rules. There will be six | :55:44. | :55:49. | |
couples in the cha-cha challenge. The professionals have drawn out of | :55:50. | :55:52. | |
a hat which spot on the dance floor they're going to begin. So it's all | :55:53. | :55:57. | |
above board. Rule two, once the music starts they must keep dancing | :55:58. | :56:03. | |
for the duration of the music. Halfway through the challenge | :56:04. | :56:07. | |
couples will be told to switch positions with the couple next to | :56:08. | :56:11. | |
them. This way everyone gets the same amount of time in front of us, | :56:12. | :56:19. | |
the judges. Rule three, no lifts. If any couple is deemed to have done a | :56:20. | :56:25. | |
lift they will get no marks and will be disqualified. | :56:26. | :56:28. | |
Rule four, make sure you get your technique right. We want to see good | :56:29. | :56:34. | |
footwork, lovely hip action, rhythmic interpretation. So make | :56:35. | :56:38. | |
sure you get it right on the night. Lastly, they will get their scores | :56:39. | :56:41. | |
at the end of the dance. The weakest couple in the opinion of the judges | :56:42. | :56:47. | |
will get the score of one. However, the strongest couple will get a | :56:48. | :56:54. | |
score of six. The scoring will be added to the scores from the | :56:55. | :56:59. | |
previous dance. This has the potential to well and truly shake up | :57:00. | :57:05. | |
the leaderboard. Couples, get out there and cha-cha like you have | :57:06. | :57:11. | |
never done before. APPLAUSE | :57:12. | :57:14. | |
Thank you very much, Len. Whoever comes first in the cha-cha challenge | :57:15. | :57:19. | |
will get an extra six marks, second will get five marks and so on until | :57:20. | :57:22. | |
the bottom couple will receive the one extra mark. Those will be added | :57:23. | :57:27. | |
to the existing scores. Now, Len, this feels a bit harsh. Our couples | :57:28. | :57:30. | |
have never heard the music they're about to dance to. Why is that? | :57:31. | :57:36. | |
Well, that's what you get in a normal ballroom or Latin | :57:37. | :57:40. | |
competition. There's no rehearsals, no knowing what the music is. You | :57:41. | :57:45. | |
have to take what you are given and get out there, stay on time. Keep | :57:46. | :57:52. | |
rhythmic and give it plenty of welly! All the couples have changed | :57:53. | :57:56. | |
positions midway through the challenge. Remind us why. It gives | :57:57. | :58:01. | |
us as judges another opportunity to see them from different angles so we | :58:02. | :58:06. | |
don't miss anything. Thank you very much. Bruno, what does it take to | :58:07. | :58:11. | |
win, what are you looking for? First, you have to stand out for the | :58:12. | :58:17. | |
right reasons. Ed. No, the thing you have to maintain the look of the | :58:18. | :58:22. | |
dance all the way through. You can not start doing improvisations | :58:23. | :58:27. | |
styles that are not the cha-cha. Obviously, timing, the correct | :58:28. | :58:30. | |
motion especially on elusive hip action, don't stop and start because | :58:31. | :58:35. | |
we are going to stop it. Impress the judges with your performance value. | :58:36. | :58:38. | |
Thank you very much. The wait is finally over. It's time | :58:39. | :58:42. | |
for the cha-cha challenge to commence. | :58:43. | :58:45. | |
Please welcome all the Can all couples please now change | :58:46. | :59:00. | |
positions. That was fantastic. Thank you all | :59:01. | :01:00. | |
very much. What a visual feast. Let's see what the judges thought. | :01:01. | :01:05. | |
Bruno, our first Cha Cha Challenge. What did you think? That was nerve | :01:06. | :01:10. | |
wracking for me, let alone you! First, let me say how wonderful it | :01:11. | :01:14. | |
is to see all of you having improved so much from which one. You all did | :01:15. | :01:23. | |
a very good job. And you all maintained a gnat truck cha-cha-cha. | :01:24. | :01:29. | |
You didn't go out in tangents. You could see it action going | :01:30. | :01:33. | |
everywhere. Not everyone had the correct timing, but you have to | :01:34. | :01:38. | |
expect in a situation like this, you never heard the music, but all of | :01:39. | :01:41. | |
you did a wonderful job. We are still discussing. Craig, how close | :01:42. | :01:49. | |
was it? To ask, they all looked magnificent. Oh, they weren't, | :01:50. | :01:56. | |
darling. Rest assured. No, it was actually very difficult. We were | :01:57. | :02:03. | |
screaming up here and having arguments about the whole thing. We | :02:04. | :02:07. | |
have only just sorted it out, but what fun. Bruno is right, it's | :02:08. | :02:13. | |
amazing to see so much wonderful hip action, all in this space. So, there | :02:14. | :02:20. | |
is an extra six marks up for grabs for the winning couple. This could | :02:21. | :02:25. | |
turn the leaderboard on its head. Solar, starting with sixth place, | :02:26. | :02:28. | |
please reveal the results of the Cha Cha Challenge. In sixth place is Ed | :02:29. | :02:40. | |
and Katya. This place is Judge Rinder and Oksana. Fourth place is | :02:41. | :02:51. | |
Claudia and AJ. Third place is Ore and Joanne. Second is Danny and Oti. | :02:52. | :03:02. | |
Which means our winner is Louise and Kevin. Oh, yes! Thank you very much, | :03:03. | :03:21. | |
the judges. So, Louise and Kevin came first in the Cha Cha Challenge | :03:22. | :03:26. | |
and get an extra six marks. Congratulations to you both. And | :03:27. | :03:29. | |
commiserations to add and Katya, who finished last and receive just one | :03:30. | :03:35. | |
extra mark. Let's see how those marks have affected the leaderboard. | :03:36. | :03:51. | |
But it is not about the judges' score tonight. You can change | :03:52. | :03:57. | |
everything by picking up the phone or going online to vote for your | :03:58. | :04:01. | |
favourites. Judges, I know you have worked hard tonight. You have been | :04:02. | :04:05. | |
mind-blowing, but I have one more job for you. Please help me out. | :04:06. | :04:10. | |
Audience, we will do it together. Three, two, one, the vote is... | :04:11. | :04:12. | |
Open! Thank you very much. The vote closes at 8.30 five. Please | :04:13. | :04:38. | |
don't try to vote if you are watching undermined. Here is a | :04:39. | :04:42. | |
reminder of our couples' routines and the all-important vote | :04:43. | :04:43. | |
information. It's been a busy night in the | :04:44. | :06:37. | |
ballroom. Our six stars have dazzled on the dance floor and now they are | :06:38. | :06:40. | |
relying on you, so pick up the phone or go online to give them your | :06:41. | :06:45. | |
support. Voting closes at 8.35 tonight, so you don't have much | :06:46. | :06:48. | |
longer to vote for your favourite couple. Your votes could help them | :06:49. | :06:52. | |
avoid the dance-off in tomorrow night's results show when sadly, one | :06:53. | :06:56. | |
more couple will be eliminated from stricter come dancing. Only five can | :06:57. | :07:00. | |
make it through to next week's quarterfinal, when Strictly goes to | :07:01. | :07:03. | |
the musicals, and no one wants to miss out. Also tomorrow, we have a | :07:04. | :07:09. | |
special performance from Ellie Goulding. And we have a spectacular | :07:10. | :07:14. | |
sports day themed routine from our professional dancers. I will | :07:15. | :07:18. | |
abbreviate if you bring the spoons. Michael McIntyre is coming up next. | :07:19. | :07:23. | |
Join us tomorrow night at the slightly later time of 7.20. In the | :07:24. | :07:27. | |
meantime... Keep dancing! | :07:28. | :07:32. |