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Last week Strictly went to the movies. Some delivered a blockbuster | :00:12. | :00:24. | |
performance. I understand how good that was. Others went straight to | :00:25. | :00:32. | |
DVD. I cannot believe what I have just seen. A shock dance-off saw | :00:33. | :00:41. | |
Tameka failing to make the final cut. With Hollywood a distant | :00:42. | :00:50. | |
memory, it is back to reality. After last week we know we are not safe. | :00:51. | :00:55. | |
We have to work so hard to be back next week. You are amazing. I cannot | :00:56. | :01:06. | |
stomach the dance-off. This is Strictly Come Dancing. | :01:07. | :01:53. | |
Live from the BBC this is Strictly Come Dancing! | :01:54. | :01:57. | |
Please welcome your hosts Tess Daly and Claudia Winkleman. | :01:58. | :02:06. | |
Hello and Welcome to Strictly Come Dancing! | :02:07. | :02:31. | |
We saw some incredible routines, including Hollywood, | :02:32. | :02:35. | |
Bollywood, Robin Hood, and Ed Balls doing that Samba. | :02:36. | :02:38. | |
But sadly Tameka and Gorka were eliminated from the competition | :02:39. | :02:42. | |
after losing out to Laura and Giovanni in the Dance Off. | :02:43. | :02:47. | |
And Tameka wasn't the only celebrity we've had to say goodbye to. | :02:48. | :02:50. | |
As many of you may know Will Young has withdrawn from the competition | :02:51. | :02:53. | |
Will, if you are watching we wish you all the best. | :02:54. | :03:01. | |
Tonight our remaining twelve couples will be pulling out all the stops | :03:02. | :03:04. | |
to entertain - and impress four very important people. | :03:05. | :03:08. | |
Our celebrities have spent the last seven days preparing | :03:09. | :03:41. | |
Now they're ready to come out and deliver | :03:42. | :03:46. | |
So please welcome our Strictly stars. | :03:47. | :03:53. | |
TV presenter and singer Louise Redknapp and her | :03:54. | :03:56. | |
Star of Judge Rinder, Robert Rinder, and his | :03:57. | :04:00. | |
Actress Lesley Joseph and her partner Anton Du Beke. | :04:01. | :04:08. | |
Olympic gymnast Claudia Fragapane and her partner AJ Pritchard. | :04:09. | :04:12. | |
BBC sports presenter Ore Oduba and his partner Joanne Clifton. | :04:13. | :04:17. | |
Model Daisy Lowe and her partner Aljaz Skorjanec. | :04:18. | :04:22. | |
From BBC Breakfast, Naga Munchetty and her partner Pasha Kovalev. | :04:23. | :04:27. | |
World Champion long jumper Greg Rutherford and his | :04:28. | :04:29. | |
Former Shadow Chancellor Ed Balls and his partner Katya Jones. | :04:30. | :04:37. | |
TV host Laura Whitmore and her partner Giovanni Pernice. | :04:38. | :04:41. | |
Actor Danny Mac and his partner Oti Mabuse. | :04:42. | :04:46. | |
Singer Anastacia and her partner Brendan Cole. | :04:47. | :05:09. | |
There they are, our tremendous twelve. | :05:10. | :05:13. | |
The group may be getting smaller but we're all expecting big things | :05:14. | :05:16. | |
You will be able to vote for your favourite later on. | :05:17. | :05:22. | |
Your votes will be added to the judge's scores to decide | :05:23. | :05:25. | |
which two couples will face the Dance Off in tomorrow night's | :05:26. | :05:28. | |
It will then be down to the judges alone to decide who stays | :05:29. | :05:32. | |
And dancing first to win your votes is Greg Rutherford and his partner | :05:33. | :05:42. | |
While learning his new routine, he injured his wrist in training. | :05:43. | :05:52. | |
But he's not going to let that stop him performing his Salsa | :05:53. | :05:55. | |
Never did I expect I would love dancing as much as I did last week. | :05:56. | :06:20. | |
Prince of thieves, you are Prince Charming. It was a bull's-eye, well | :06:21. | :06:25. | |
done. When I really enjoy something I can let go and have fun with it. | :06:26. | :06:33. | |
This week we have the salsa and we are doing it to Lismore is' Wrapped | :06:34. | :06:42. | |
Up. We are doing the most ridiculous moves. They need to be executed | :06:43. | :06:46. | |
personally or they will go horribly wrong. | :06:47. | :06:51. | |
After suffering an injury Greg heads to the doctor's for advice. I am | :06:52. | :06:56. | |
nervous and the dance is approaching at speed and I need to be ready. We | :06:57. | :07:02. | |
are hoping by Saturday it will have gone down and he should be able to | :07:03. | :07:07. | |
do what he wants to do. We have done so much training and we have to move | :07:08. | :07:13. | |
on and up our game. It has been a difficult start, but a surprise | :07:14. | :07:16. | |
visit to the training room will help their spirits. That was the loudest | :07:17. | :07:25. | |
scream I have ever heard. I absolutely love him, unbelievable. I | :07:26. | :07:31. | |
have heard that they are doing my son. Can I see the routine? We had | :07:32. | :07:39. | |
to adapt it, Ollie has seen it and he likes it. I love that. Bosch. | :07:40. | :07:45. | |
Dancing the Salsa, Greg Rutherford and his partner Natalie Lowe. | :07:46. | :07:53. | |
A sensational salsa. You were very brave, Natalie. How is | :07:54. | :09:54. | |
your wrist? He is holding his wrist. That was an epic left at the end. | :09:55. | :09:56. | |
While you two cool down let's welcome our fabulous | :09:57. | :10:00. | |
live singers Hayley, Lance, Andrea, Tommy | :10:01. | :10:01. | |
and of course Dave Arch and his brilliant orchestra. | :10:02. | :10:03. | |
Let's go to the judges. Did that happen all the fun of the fair? It | :10:04. | :10:18. | |
was a bit like candy floss, it was tasty mostly, but a bit sticky in | :10:19. | :10:24. | |
the footwork. Your toes town in a little bit, a bit flat-footed, but | :10:25. | :10:31. | |
your bottom was going to town. Plenty of rhythm going. It is not | :10:32. | :10:35. | |
your best, but it is certainly not your worst. That you, Len. The | :10:36. | :10:41. | |
ladies in the audience were shouting, nice bottom. Keep going, | :10:42. | :10:48. | |
Tiger. Hurricane Greg hits the south that and shakes it for all it is | :10:49. | :10:57. | |
worth. Oh, you are an animal. Must do squats tomorrow. I will take you | :10:58. | :11:02. | |
for a session. I could not take my eyes off it. You had hip action. You | :11:03. | :11:10. | |
have so much energy that at times it is uncontrolled and you lose your | :11:11. | :11:16. | |
timing. Your footwork when slightly off because you were so keen to get | :11:17. | :11:22. | |
at it. You spent so much time in the air, you need a flying licence. But | :11:23. | :11:28. | |
I appreciate the effort you put in your performance. Just clean it up a | :11:29. | :11:31. | |
little bit. APPLAUSE | :11:32. | :11:38. | |
. It needed a lot more rotation in the hip department. It was very | :11:39. | :11:43. | |
square. However upstairs, your shimmies were absolutely great. You | :11:44. | :11:49. | |
are treading too heavily in the dance for my liking, which lost a | :11:50. | :11:55. | |
bit of fluidity. You lost a bit of dignity, darling, when you did that | :11:56. | :12:05. | |
bottom grind here. It was totally unnecessary. But I love your | :12:06. | :12:13. | |
enthusiasm and your energy and that lift at the end was brilliant. The | :12:14. | :12:25. | |
energy just flows out of you. Sometimes even Natalie comes off her | :12:26. | :12:31. | |
feet as you grab her. She flew out. But that is exactly what it needs, | :12:32. | :12:36. | |
and plenty of energy. You can calm it down a bit, but the lifts were | :12:37. | :12:45. | |
perfect for best dance. And the exit as well, you are totally in control | :12:46. | :12:54. | |
of those. You have lifted all of us. Good night for you, Greg. Off to | :12:55. | :12:58. | |
Claudia's fun house. Very well done. Opening the show is | :12:59. | :13:17. | |
terrifying. But what I love is you said, I feel like a doughnut when I | :13:18. | :13:21. | |
do dancing and you do that and you are amazing. Thank you, it is so far | :13:22. | :13:27. | |
out of my comfort zone, every time I do something I think I look stupid. | :13:28. | :13:32. | |
But this one has been teaching me every day and she is doing well. | :13:33. | :13:37. | |
Also Rob has given me a lot of stick. It is really lovely and we | :13:38. | :13:43. | |
got it right today and I am so happy. And you had Lismore is come | :13:44. | :13:50. | |
and visit you. She was more excited about him. Ladies and gentlemen, the | :13:51. | :13:57. | |
judges have their scores. You are all right with that. We will | :13:58. | :14:17. | |
If you don't want Greg and Natalie to leave | :14:18. | :14:20. | |
the competition, all the details are on your screen now. | :14:21. | :14:23. | |
Now it's everyone's favourite part of the show. | :14:24. | :14:25. | |
Please welcome the Barber Shop Quartet. | :14:26. | :14:41. | |
Easy does it. We will do this together. You begin. | :14:42. | :14:47. | |
access charge, and please ask the bill payer's permission. | :14:48. | :14:55. | |
I hope you are very every Saturday before Christmas. | :14:56. | :15:11. | |
where you will also find terms and conditions. | :15:12. | :15:14. | |
Voting won't open until all our couples have danced. | :15:15. | :15:16. | |
So please don't call yet as your vote won't | :15:17. | :15:18. | |
count and you may still be charged! | :15:19. | :15:20. | |
Our next couple is Laura Whitmore and her partner, Giovanni Perniche. | :15:21. | :15:29. | |
After last week's salsa landed her in the dance-off, | :15:30. | :15:38. | |
Laura is determined to do better with her quickstep tonight. | :15:39. | :15:41. | |
So this week in training she enlisted the help | :15:42. | :15:43. | |
Apparently - with a couple of treats and a tummy rub! | :15:44. | :15:54. | |
I enjoyed the performance on Saturday. I just wanted to go out | :15:55. | :15:59. | |
there with as much energy as possible and show something a little | :16:00. | :16:03. | |
bit different than the week before. That show girl has got va-va-voom. | :16:04. | :16:10. | |
This is one of the hottest, everything I like salsas that I've | :16:11. | :16:14. | |
ever seen. How did you feel in the dance-off? It's not a nice feeling. | :16:15. | :16:19. | |
I tried to let it give me a boost to keep my place. Laura and Giovanni. I | :16:20. | :16:27. | |
want to fight for this. This week we're learning the quickstep, like | :16:28. | :16:32. | |
fast. How quick? We need a lot of stamina. We need endurance. I think | :16:33. | :16:36. | |
I know someone who can help. Who? He's got great moves. Who's that? | :16:37. | :16:45. | |
Mick Jagger. The Rolling Stones are the best band ever apparently Mick | :16:46. | :16:50. | |
Jagger is coming here to help us with the quickstep. Wow! Joe, Mick's | :16:51. | :17:00. | |
here. Here he is. Me and dog, not really best friend. I brought my dog | :17:01. | :17:06. | |
to rehearsals. He has a lot of stamina, great moves. I couldn't | :17:07. | :17:11. | |
believe how excited Giovanni was. Apparently he thought he was going | :17:12. | :17:14. | |
to be someone else. It's not the same from the Rolling Stones. This | :17:15. | :17:19. | |
one is a dog. Mick, what do you think? Yes! I was | :17:20. | :17:27. | |
thrilled when Mick gave us ten points, because if anyone knows | :17:28. | :17:30. | |
anything about the quickstep, it's my dog Mick Jagger. | :17:31. | :17:33. | |
Dancing the quickstep, Laura Whitmore and her partner, | :17:34. | :17:35. | |
CHEERING AND APPLAUSE Oh, wow. That was fast. You've come | :17:36. | :19:29. | |
back fighting. That was really fun. It hasn't dented your confidence. | :19:30. | :19:33. | |
Good girl. Bruno, you loved Laura's routine last week. You scored her a | :19:34. | :19:36. | |
nine. What do you think tonight? Are you kidding me? There are no speed | :19:37. | :19:42. | |
limits on Strictly. You did that down the M 1, you lose your license. | :19:43. | :19:47. | |
I think I felt a sonic boom. That was so fast, so complicated, so | :19:48. | :19:54. | |
difficult, yet performed with such ease. It was fantastic. | :19:55. | :19:58. | |
APPLAUSE There is one section there, where | :19:59. | :20:04. | |
you went from a charleston into a pendulum, brilliant. The | :20:05. | :20:08. | |
acceleration across, it just was fantastic, darling, you deserve to | :20:09. | :20:14. | |
be here. I'm telling you. Thank you. Craig? I thought you both covered | :20:15. | :20:18. | |
the floor very, very well. The charleston section I have to say was | :20:19. | :20:22. | |
absolutely stand-outish, wonderful moment. I did, at times, think you | :20:23. | :20:27. | |
were fighting each other a little bit in hold. That's only because of | :20:28. | :20:33. | |
the speed of it. Then I was thinking about that head banging moment. I | :20:34. | :20:37. | |
didn't know whether that was a love or hate section. I decided at the | :20:38. | :20:43. | |
end to love it. Well done. What a relief. So glad you said that. | :20:44. | :20:48. | |
Darcey, they were in the dance-off last week, better tonight? Oh, yes. | :20:49. | :20:53. | |
Laura, fabulously fast. My God, it was busy down below, wasn't it! Was | :20:54. | :21:00. | |
it? On the stage, that was definitely my favourite bit. When | :21:01. | :21:03. | |
you're on the spot moving like, that stunning. When you travelled, I do | :21:04. | :21:09. | |
believe, for me, in the top line, just your right shoulder seems to | :21:10. | :21:11. | |
roll in. That's where you take the effort. My gosh, you were | :21:12. | :21:15. | |
travelling. That was fast. Very impressive. Well done, thank you | :21:16. | :21:24. | |
Bruno. Len? Your head got a little bit overexaggerated at times. It was | :21:25. | :21:30. | |
a little bit strained. However, having said that, plenty of lights, | :21:31. | :21:35. | |
plenty of cameras, plenty of action. Honestly, flat out, no larking | :21:36. | :21:39. | |
about. If you're in the bottom two this week, I'm going to pickle my | :21:40. | :21:45. | |
walnuts - I promise you! APPLAUSE | :21:46. | :21:49. | |
Looks like you're a ballroom girl to me. Thank you judges, positive | :21:50. | :21:52. | |
comments all round. Off you go to Claudia. | :21:53. | :21:55. | |
APPLAUSE Well done, baby. You know what we | :21:56. | :22:08. | |
all completely love about you, sometimes being in the dance-off, | :22:09. | :22:11. | |
bit of a shock. You spend like a couple of days bringing yourself | :22:12. | :22:14. | |
back. You didn't. You were like, right, fine. Kind of want to prove | :22:15. | :22:19. | |
yourself to be here and everyone's so good any way. This man is | :22:20. | :22:23. | |
brilliant. He worked me hard during the week. Thank you. That was so | :22:24. | :22:29. | |
fast. Lovely to hear when Bruno is like, "You are fantastic." I saw | :22:30. | :22:33. | |
your face. Oh, OK. Thanks very much. The scores are in. | :22:34. | :22:57. | |
Well done. Are you over the moon? That's your highest score. Yeah. | :22:58. | :23:03. | |
Very well done. Thanks very much. Quite emotional. Lovely. | :23:04. | :23:05. | |
If you think they blitzed that ballroom routine, vote for them, | :23:06. | :23:08. | |
all the details are on your screen now and voting opens | :23:09. | :23:11. | |
Still to come, Claudia and AJ are dancing students. | :23:12. | :23:18. | |
Still to come, Ed Balls dances with a dragon. | :23:19. | :23:23. | |
Dancing next is Anastacia and her partner, Brendan Cole. | :23:24. | :23:26. | |
She's dancing the first rumba of the series. | :23:27. | :23:32. | |
Head Judge Len, what should we be looking out for in this dance? | :23:33. | :23:36. | |
You know, I know certain members of this gang here like it a bit | :23:37. | :23:42. | |
raunchy, I think it's like a developing love story. It's a | :23:43. | :23:47. | |
courtship. I don't like it if it's too raunchy. You want to see nice | :23:48. | :23:51. | |
hip action. You want to see chemistry. You want to see lovely | :23:52. | :23:54. | |
foot work. I'm looking forward to it. I think Anastacia will do a good | :23:55. | :23:59. | |
job, that's my feeling. So am I. Good. Thank you very much. | :24:00. | :24:01. | |
Let's see how they got on in training. | :24:02. | :24:08. | |
Good weekend. Thank you. You too, big daddy. It was a massive way to | :24:09. | :24:23. | |
come back. A good dance, a very, very clean, classy, confident dance. | :24:24. | :24:28. | |
You've come back with an enormous sense of confidence. I think that is | :24:29. | :24:31. | |
brilliant. Positivity coming our way. I love that feeling. I think we | :24:32. | :24:38. | |
can use that. It was great. This week we have the rumba. It is a very | :24:39. | :24:43. | |
soft, emotional, passionate dance. Lovely to feel that confidence when | :24:44. | :24:48. | |
you're in your comfort zone with the microphone in your hand and apply | :24:49. | :24:52. | |
that to the dance. To tap into the passion and confidence, Anastacia is | :24:53. | :24:55. | |
putting on a one-woman performance for Brendan. I'm going to sing you a | :24:56. | :24:59. | |
song because I can do that in my sleep. You don't have to pay. This | :25:00. | :25:04. | |
is a free concert. I am very at home singing. I feel very at one with who | :25:05. | :25:10. | |
I am, with what I'm sharing. # And you know I'm doing the rumba | :25:11. | :25:14. | |
this week # And I just don't know the | :25:15. | :25:18. | |
technique# So good to see Anastacia doing what | :25:19. | :25:22. | |
she's really passionate about. She's so in the moment. We have to get | :25:23. | :25:26. | |
that and her into what we do. # I don't want to go, yeah baby. # | :25:27. | :25:33. | |
Thank you for my applause. You're welcome. The rumba is about passion. | :25:34. | :25:38. | |
You're amazing! I'm extremely passionate when I sing. So if I | :25:39. | :25:43. | |
could bring that to the dance floor, thumbs up. | :25:44. | :25:46. | |
Dancing the rumba, Anastacia and Brendan Cole. | :25:47. | :25:49. | |
MUSIC: The Way We Were by Barbara Streisand. | :25:50. | :27:29. | |
Yes, you lovely lady. You look gorgeous. Thank you. Delightful. You | :27:30. | :27:42. | |
showed your vulnerable side there. Lovely. You wanted to bring the | :27:43. | :27:47. | |
passion, didn't you? I was just trying to bring something. Are you | :27:48. | :27:52. | |
feeling the love, Craig? Yes. Half-and-half really. The four, one | :27:53. | :27:57. | |
section of it, where you go through the movement, I thought you lost a | :27:58. | :28:02. | |
bit of fluidity. It became somewhat stilled, not over the top stealthed, | :28:03. | :28:10. | |
just -- stilted. You kicked Brendan's toe on the sweep through. | :28:11. | :28:17. | |
The Ronde was very strong. I loved that section. Hand shaping is | :28:18. | :28:23. | |
exquisite, darling. Lovely story telling. That's a lot coming from | :28:24. | :28:29. | |
him. He's a hands man. Darcey. You have such stressive arms. They're | :28:30. | :28:32. | |
beautiful. It's like you're playing the music with your arms and your | :28:33. | :28:40. | |
hands. They really read really well. You have lovely shapes as well. I | :28:41. | :28:48. | |
would love the body to undulate. Oh, hello. I'll let you know later. Just | :28:49. | :28:54. | |
so we get one move flowing into the next. Just the moments of staticness | :28:55. | :29:00. | |
where I would love to see the continuity. We can do that. | :29:01. | :29:05. | |
Len, did you get what you were looking for? To a degree. I didn't | :29:06. | :29:12. | |
mind it at all. There was a lot of lines and there was a lot of | :29:13. | :29:16. | |
wiggles. I didn't - don't get aggressive, I know what you're like. | :29:17. | :29:20. | |
I would have liked a tad more rumba content in there. No, yes. But we | :29:21. | :29:26. | |
didn't get that quite. But what I did like was the lovely, fluid arms. | :29:27. | :29:33. | |
I liked the light and shade, the speed of them pivots, stopped, move | :29:34. | :29:36. | |
on, lovely. You could straighten your legs on the swivels. I never | :29:37. | :29:42. | |
talk about you Brendan, because you're perfect. Of course he is! It | :29:43. | :29:48. | |
wasn't great, but I tell you what it was very, very good. Well done. | :29:49. | :29:53. | |
Thank you Len. Bruno, finish us off. Very lady like. Very glamorous. Very | :29:54. | :30:01. | |
subtle. It was like watching a series of movie stars images, Rita | :30:02. | :30:10. | |
Hayworth Eva Gardener. I like that. You got into these looks very, very | :30:11. | :30:13. | |
well. I tend to agree with my colleagues, you hit one thing, but | :30:14. | :30:19. | |
it has to flow, as Len said earlier, into another continuously. There is | :30:20. | :30:24. | |
never a sense of stopping in rumba. It is relentless, it's like wave | :30:25. | :30:30. | |
upon wave beating you, driven by passion and sex appeal. Actually I | :30:31. | :30:33. | |
could have done with a bit more of that. You know like the first week, | :30:34. | :30:39. | |
when you went... Ha-ha. For me, that is to my taste. I have to say, it | :30:40. | :30:46. | |
was tasteful. And very romantic. Lots of love in | :30:47. | :30:49. | |
this room for you tonight. Thank you very much. Off you go to Claudia. | :30:50. | :30:53. | |
Anastacia and Brendan. APPLAUSE | :30:54. | :31:06. | |
Well done. The rumba is the hardest dance. Everybody can see everything | :31:07. | :31:18. | |
because it is so slow. It is quite intimidating and I am dancing to | :31:19. | :31:22. | |
Barbra Streisand and you cannot make out that way. You have to keep a | :31:23. | :31:28. | |
simple and classy. Done job. And you did. The scores are in. | :31:29. | :31:46. | |
The same as last week, happy with that? Yes. | :31:47. | :31:53. | |
If you enjoyed that routine to a song about memories, | :31:54. | :31:57. | |
All the details are on your screen now and voting opens | :31:58. | :32:02. | |
Still to come, Naga climbs out of a giant clown. I hope she does not | :32:03. | :32:12. | |
pull a muscle! Next to the floor is | :32:13. | :32:18. | |
Claudia Fragapane and her Last week's jaw-dropping | :32:19. | :32:21. | |
Charleston saw them joint They even got a nine from Craig, | :32:22. | :32:25. | |
either that or he was so blown away, he accidentally held his | :32:26. | :32:31. | |
six upside down. That was absolutely brilliant. I was | :32:32. | :32:45. | |
really happy, I enjoyed it so much and I am in my element. Getting nine | :32:46. | :32:55. | |
from Craig was incredible. I was so ecstatic, all 49 as much. I am so | :32:56. | :33:00. | |
grateful to be through and I am loving all my time here. This week | :33:01. | :33:07. | |
we have got the foxtrot. Will it be slow? Yes. It will be a challenge. | :33:08. | :33:16. | |
The concept is in the school corridor with lockers, it will be | :33:17. | :33:20. | |
incredible. AJ has lined up a surprise visit for cloudier's | :33:21. | :33:25. | |
teachers. I hope she has done her homework. I left school at couple of | :33:26. | :33:31. | |
years ago and I was stunned that they came. They liked your work, so | :33:32. | :33:37. | |
I thought I would see what they thought of your dancing. Having | :33:38. | :33:43. | |
taught her PE at school it is great to see her carrying through with her | :33:44. | :33:47. | |
gymnastics and now with her Strictly Come Dancing career. Her foxtrot was | :33:48. | :33:53. | |
amazing and I was stunned by how graceful she was on the dance floor. | :33:54. | :34:01. | |
Time for the Judge's scores. Please be nice. Wonderful. Fabulous | :34:02. | :34:10. | |
darling. They scored us all tens. I am so proud of you, you get a gold | :34:11. | :34:13. | |
I am so proud of you, you get a gold star. | :34:14. | :34:16. | |
Dancing the foxtrot, Claudia Fragapane and AJ Pritchard. | :34:17. | :34:22. | |
MUSIC: I Really Like You by Carly Rae Jepsen. | :34:23. | :35:53. | |
You two are adorable. I think the audience really like you two. | :35:54. | :36:13. | |
Darcey, did you? It is the story you create, that young love all the way | :36:14. | :36:17. | |
through. You have really stretched her. I was .txt that they knew to | :36:18. | :36:22. | |
travel and collide and what is stunning is that top line. You have | :36:23. | :36:28. | |
the strongest form. To be able to sustain that every time you get into | :36:29. | :36:32. | |
hold is a strong point that you have and that is impressive. You really | :36:33. | :36:40. | |
put your mind to it and I can see you have been working really hard as | :36:41. | :36:49. | |
well. Len, joint top of the Leader Board lastly, how did she do this | :36:50. | :36:54. | |
week? I thought she did very well. What you have to understand is you | :36:55. | :36:58. | |
are young and modern. I am old and traditional. I am not that old. | :36:59. | :37:05. | |
There is a bit of a conflict. It is a foxtrot. It had a flavour of | :37:06. | :37:13. | |
American Smooth going into that dance. However, I must say you | :37:14. | :37:17. | |
pleased me greatly over here because you did a lovely he'll turn in your | :37:18. | :37:23. | |
hover across. I thought your footwork was terrific. Overall, for | :37:24. | :37:28. | |
your class I am going to say first rate, well done. Goldstar, A+ from | :37:29. | :37:38. | |
her teacher. Look at them, the ideal teenage dream team. They are so | :37:39. | :37:45. | |
enthusiastic and keen to please. I could see how much you tried to get | :37:46. | :37:50. | |
the technique of the foxtrot and hold. All the steps perfectly | :37:51. | :37:57. | |
placed. But something happened, you were out of an underarm turn and you | :37:58. | :38:02. | |
went on the wrong foot or something. No. No, it is me, I need to go to | :38:03. | :38:10. | |
Spec Savers! But when you try so hard, make sure that you do not show | :38:11. | :38:15. | |
it. You should never look angular. You should always look flowing. You | :38:16. | :38:22. | |
are so good, but you can always get better. Greg. There was a bit of | :38:23. | :38:32. | |
gapping and it lacked for me grace and elegance. Over here it looked | :38:33. | :38:40. | |
like an acrobatic move rather than something beautiful. I did not think | :38:41. | :38:44. | |
the burst out of hold represented the foxtrot or misrepresented the | :38:45. | :38:51. | |
foxtrot entirely. It was not for me. It was all going so well until we | :38:52. | :38:57. | |
got to you, Greg. Cloudier is upstairs. That was amazing. We | :38:58. | :39:10. | |
absolutely love it up here and you have been working so hard. You said | :39:11. | :39:17. | |
she worked hard under enormous pressure. Is he a difficult task | :39:18. | :39:23. | |
master? Yes, definitely. He will turn small steps into big steps. I | :39:24. | :39:30. | |
think Len said hovercraft. I am going to check that. | :39:31. | :39:33. | |
If you loved that routine, then vote for Claudia and AJ. | :39:34. | :39:55. | |
All the details are on your screen now, and voting opens | :39:56. | :39:57. | |
If you want to vote online, you'll need to sign in or register | :39:58. | :40:02. | |
The routine is being approached with gusto, it is fast and fun and there | :40:03. | :40:19. | |
is a great story and I am looking forward to it. Today is the first | :40:20. | :40:26. | |
day I have ever twirled a cape round in a dance studio. This foxtrot | :40:27. | :40:34. | |
looks smooth and elegant, but there is so much going into it. I am | :40:35. | :40:43. | |
having so much fun, it is happy and cheery and it is good for me and I | :40:44. | :40:46. | |
am the most excited about this one than I have been for any of the | :40:47. | :40:49. | |
He's going to be a conductor of a band, and the whole thing | :40:50. | :40:57. | |
Our next couple is Ed Balls and his partner, Katya Jones. | :40:58. | :41:24. | |
This week Ed is doing the paso doble, and he'll be taking | :41:25. | :41:27. | |
on the role of a knight rescuing a damsel in distress. | :41:28. | :41:30. | |
Can our Sir Lancelot turn into Sir dance a lot? | :41:31. | :41:32. | |
Last Saturday went really well and you were amazing. That is me, I had | :41:33. | :41:53. | |
to go for it. You are not the best dancer, but you are definitely the | :41:54. | :42:00. | |
most fun. When we were finished the crowd went wild. You feel the energy | :42:01. | :42:04. | |
in the room and that is what keeps you going. The hard work paid off. | :42:05. | :42:10. | |
The scores are much higher than I thought I would ever achieve, so I | :42:11. | :42:16. | |
am proud of getting 23 and 24. In the paso doble to the Bonnie Tyler | :42:17. | :42:25. | |
song, there is a maiden and she needs and night to rescue her. Help, | :42:26. | :42:32. | |
where is my hero? I am a novice knight, but she has got a plan. Get | :42:33. | :42:37. | |
ready to be suited and booted, you are off for some training. You are | :42:38. | :42:44. | |
going to learn the skills that you need to be able to save me. I can | :42:45. | :42:53. | |
hardly move. Stop complaining, you have to do some combat training to | :42:54. | :43:01. | |
save me from the Dragon. When I watched him a fight with the sword | :43:02. | :43:05. | |
in his hand he looked so handsome and brave. I think this Dragon is in | :43:06. | :43:13. | |
big trouble. I have done my training and now I can save my princess. I | :43:14. | :43:22. | |
can now finally slay that paso doble on Saturday. | :43:23. | :43:25. | |
Dancing the paso doble, Ed Balls and Katya Jones. | :43:26. | :43:32. | |
MUSIC: Holding Out for a Hero by Bonnie Tyler. | :43:33. | :45:09. | |
Sir Dance-a-lot. Ole! What a marvellous night. -- what a | :45:10. | :45:39. | |
marvellous knight you make. I know a few little things went wrong. A few | :45:40. | :45:43. | |
things went wrong. Was that a knight to remember? ? I don't know about | :45:44. | :45:48. | |
holding out for a hero. I was holding out for a paso. BOO Don't be | :45:49. | :45:56. | |
so cruel. Give over. Oi, give over. Do you know Ed, over the years | :45:57. | :46:00. | |
there's been quite a few balls on Strictly. We had Zoe Ball, Johnny | :46:01. | :46:06. | |
Ball, Bobby Ball did the Christmas special. We even had Michael Ball | :46:07. | :46:09. | |
last week singing and not one of them has picked up the Glitterball. | :46:10. | :46:14. | |
I'm not sure that you are, but I tell you this, you won't lose it for | :46:15. | :46:19. | |
lack of trying. CHEERING | :46:20. | :46:21. | |
Because you come out and give it your all. Well done. | :46:22. | :46:29. | |
Got to be commended for that. Bruno. Mr Ed Balls present the dragon | :46:30. | :46:34. | |
slayer. A true epic, tinged in tragedy, mostly because of the | :46:35. | :46:42. | |
shaping. I mean, keep going. It was like you were directing traffic. | :46:43. | :46:46. | |
That's not paso doble, that's a deemented traffic war don. Then you | :46:47. | :46:50. | |
had a tantrum with the cape. You didn't know where the hell it was | :46:51. | :46:54. | |
going to end up. It looked like a spin drier. For a strange reason, | :46:55. | :47:01. | |
somehow I liked it. But I have to... APPLAUSE | :47:02. | :47:05. | |
We all liked it. Entertaining. You're not going to | :47:06. | :47:10. | |
get a high score, though. Craig, you scored Ed a measly four last week. | :47:11. | :47:17. | |
How about tonight? Oh, dear. I don't think it's going anywhere | :47:18. | :47:22. | |
near a four tonight. You were mincing around that stage, darling, | :47:23. | :47:31. | |
like you were in an episode of Some Mothers Do' Ave' EmU made Frank | :47:32. | :47:34. | |
Spencer look butch. The shaping was terrible. It was stompy. There | :47:35. | :47:40. | |
wasn't a hint of any Mata corps in there -- madador in there, | :47:41. | :47:48. | |
gesticulating wildly, passion-less. Dreadful, really dreadful. Darcey? | :47:49. | :47:57. | |
There was plenty of performance in there, just some of the wrong | :47:58. | :48:00. | |
performance, but that's fine. There was gusto. You were going for it. | :48:01. | :48:04. | |
That's what we expect now, which is fabulous. Thank you for that. It is | :48:05. | :48:14. | |
a shame that you made that balls up. But it was the armography that was | :48:15. | :48:19. | |
the most upsetting. I'm sure you have created better armography than | :48:20. | :48:24. | |
that. It was very hard and straight. No surf, no shape. Next time. I will | :48:25. | :48:35. | |
work on that. Please. Definitely. You're a good knight, you've given | :48:36. | :48:41. | |
us a great night. Sir Balls and lady Katya. | :48:42. | :48:42. | |
APPLAUSE We went nuts for it up here. Did you | :48:43. | :49:00. | |
hear them stamping. You go home and watch the comments and then you take | :49:01. | :49:03. | |
it seriously. Of course, because you have to learn and do better every | :49:04. | :49:06. | |
week. That's what I've been trying to do. Today was not the best. We | :49:07. | :49:09. | |
were so much better in rehearsals. I'm still learning and doing my | :49:10. | :49:16. | |
best. Thank you so much. The scores are in: | :49:17. | :49:35. | |
Goodness me. Never mind that. That's not the lowest paso score. That's | :49:36. | :49:44. | |
fair. You're saying it's fair. Everyone cuddle him. | :49:45. | :49:45. | |
If Ed is the hero you've been holding out for, | :49:46. | :49:48. | |
all the details are on your screen now, so you can vote | :49:49. | :49:51. | |
for them when voting opens at the end of the show. | :49:52. | :49:54. | |
Well done, Ed. Louise and Kevin are watching television, if it's in the | :49:55. | :50:04. | |
night garden, please don't tell me what happens, I taped it. | :50:05. | :50:06. | |
Dancing next is Naga Munchetty and her partner, Pasha Kovalev. | :50:07. | :50:10. | |
Their Charleston is set under water to a song called | :50:11. | :50:14. | |
Naga is the mermaid and Pasha is a deep-sea diver. | :50:15. | :50:18. | |
Fingers crossed the judges will fall for them - | :50:19. | :50:20. | |
Good job last weekend. Thanks. I know it was quite... Intense. A | :50:21. | :50:34. | |
stressful Glynning. The -- beginning. The buckle didn't want to | :50:35. | :50:39. | |
unbuckle. Well recovered. Enjoyed it though. You are better than you | :50:40. | :50:43. | |
think you are. You've got to come out and show us. That really | :50:44. | :50:48. | |
resonated. I need to believe that I can do the dances and not worry | :50:49. | :50:51. | |
about comparing myself to other people. And just focus on us, go out | :50:52. | :50:56. | |
and enjoy it. Good job. This week in her | :50:57. | :51:04. | |
charleston Naga is looking forward to playing a mermaid. Pasha wants | :51:05. | :51:14. | |
thatta out of the training -- Naga out of the training room. I'm here. | :51:15. | :51:19. | |
You took it quite literal. We're thot getting in the water. Amazing. | :51:20. | :51:24. | |
It's quite good. I wanted you to meet your new friends. Hi. Make | :51:25. | :51:27. | |
yourself comfortable and get ready for the dance. So we can make a | :51:28. | :51:33. | |
splash with this dance, can't we? What? Dancing in an under water | :51:34. | :51:42. | |
tunnel gave us the chance to feel how it would be dancing on the water | :51:43. | :51:46. | |
with the fish around us. I think I could stay here for hours. I know we | :51:47. | :51:51. | |
are finished here. We have to go back to flipping - I mean dancing. | :51:52. | :51:58. | |
This has really helped me. I'm channelling my inner mermaid for | :51:59. | :52:00. | |
Saturday night. I think it's going to go swimmingly. | :52:01. | :52:04. | |
Dancing the Charleston, Naga Munchetty and Pasha Kovalev. | :52:05. | :52:07. | |
MUSIC: Minnie the Mermaid by Firehouse Five Plus Two. | :52:08. | :53:35. | |
CHEERING AND APPLAUSE Oh, that was wonderful. Well done. | :53:36. | :53:51. | |
They're on their feet over there. That made a big splash with the | :53:52. | :53:56. | |
audience. I love the wig. First time you've had to embrace comedy. Well | :53:57. | :53:59. | |
done, my lovely. What do you think, Bruno? Fun under water, a bit | :54:00. | :54:05. | |
slippery on dry land, but then again, from a mermaid you would | :54:06. | :54:09. | |
expect that. I was finding my legs. I have to say, most of the time, you | :54:10. | :54:13. | |
were on it. Not all the way through, because the charleston is all about | :54:14. | :54:17. | |
keeping the very, very sharp scissor action. You lost timing in a little | :54:18. | :54:22. | |
section in the middle, but great fun and great character. | :54:23. | :54:31. | |
Thank you. Craig. Yes, the timing was off, sadly. It was very messy. | :54:32. | :54:35. | |
It wasn't clean enough. There was no cross, there was no swivel. You put | :54:36. | :54:40. | |
your body into it, unfortunately it wasn't translated to the feet. Did | :54:41. | :54:47. | |
it make you smile? The smile was wonderful, darling. But it didn't | :54:48. | :54:52. | |
stop the lift looking like she was being harpooned. It was messy. | :54:53. | :54:58. | |
You're a mermaid. He's a bit crabby. Really you have worked so hard at | :54:59. | :55:03. | |
the characterisation. It was fun, it was quirky. There was lots of energy | :55:04. | :55:07. | |
through. It I think you got so excited that everything was working | :55:08. | :55:10. | |
so well, it's just when you came out of the lift you went wrong with the | :55:11. | :55:13. | |
timing. Understandably, because it has made such an improvement, well | :55:14. | :55:17. | |
done. Well done. Naga did have confidence | :55:18. | :55:23. | |
issues, you thought last week, Len, did you think better tonight? 100%. | :55:24. | :55:27. | |
You certainly came out of your shell. Honestly. Plenty of motion in | :55:28. | :55:35. | |
the ocean. I remember once you, Craig, saying, I didn't like the | :55:36. | :55:38. | |
charleston because it was too neat and precise. Now you've changed your | :55:39. | :55:44. | |
mind, this is too slapstick and fun. I don't get what you're on about. | :55:45. | :55:48. | |
I'm telling you, you came out, you sold it. First time I've seen you | :55:49. | :55:52. | |
really confident. First time I think I've seen you smile. You really came | :55:53. | :55:56. | |
out and give it a good go. Well done. | :55:57. | :55:59. | |
We all really enjoy seeing your fun side. Keep smiling. Off you go to | :56:00. | :56:03. | |
Claudia. Naga and Pasha! | :56:04. | :56:04. | |
APPLAUSE Very, very well done you two. It's | :56:05. | :56:17. | |
like a new Naga. It was like the char son you went, oh, my God this | :56:18. | :56:22. | |
whole thing... It's so much fun. Loved it all week. Been the best | :56:23. | :56:23. | |
week. Well done. The scores are in: 24, Brendan Cole shouting "under | :56:24. | :56:53. | |
marked" best eyebrows I've ever seen in many my life -- in my life. | :56:54. | :56:55. | |
If you liked the sheer scale of that Mermaid routine and you don't | :56:56. | :56:58. | |
want this half-woman, half-fish to go, all the details | :56:59. | :57:00. | |
are on your screen now, and voting opens at the end | :57:01. | :57:03. | |
Still to come, Danny is conducting an orchestra. Bizarre job swap | :57:04. | :57:08. | |
moment. Dave Arch is doing a quickstep - we haven't told him. | :57:09. | :57:10. | |
Dancing next and hoping to impress is Louise Redknapp | :57:11. | :57:13. | |
APPLAUSE In their routine Louise uses a TV | :57:14. | :57:24. | |
remote to control Kevin and make him dance with her. | :57:25. | :57:26. | |
We could re-wind him back to the last time he said something nice... | :57:27. | :57:35. | |
Last week, for me, was like one of those moments I'll never forget. The | :57:36. | :57:48. | |
bit where I went to the judges, Bruno was actually doing the same | :57:49. | :57:53. | |
move I was doing. I could feel my smile getting bigger and bigger. I | :57:54. | :57:58. | |
think I knew most of the steps. You passed the audition. You were great. | :57:59. | :58:03. | |
That in itself made my night. Really proud of you. You smashed it. Every | :58:04. | :58:07. | |
day there's a bigger spring in my step. I love it a little bit more | :58:08. | :58:17. | |
each day. It's Tuesday. I'm on my way to go and meet Kevin. I'm doing | :58:18. | :58:21. | |
the foxtrot, which is all back in hold. Ballroom shoes at the ready. | :58:22. | :58:29. | |
Fortunately for you, you've come into Strictly on a year where the | :58:30. | :58:33. | |
standard is so incredibly high. I'm struggling with lots. But the heel | :58:34. | :58:38. | |
spin, definitely. Means that we've got to keep the pressure on in | :58:39. | :58:43. | |
training as much as possible. Come on, I can do this. Foxtrot is | :58:44. | :58:47. | |
different to anything we've done so far. It's a new set of rules for | :58:48. | :58:51. | |
Louise There's so much going into it. I'm pretty exhausted. Feet and | :58:52. | :58:58. | |
calves will be killing tonight. I am practising at all hours. I spent all | :58:59. | :59:02. | |
last week having straight legs. This week's all about getting down into | :59:03. | :59:07. | |
my knees, making it smooth. Need to push through and technically nail | :59:08. | :59:12. | |
the foxtrot. Now it's like you feel more comfortable being there. I'm | :59:13. | :59:16. | |
practising here. I'm practising loads at home. I really hope it all | :59:17. | :59:18. | |
pays off on Saturday night. Dancing the foxtrot, | :59:19. | :59:22. | |
Louise Redknapp and Kevin Clifton. MUSIC: Tears Dry on Their Own | :59:23. | :59:24. | |
by Amy Winehouse. APPLAUSE | :59:25. | :01:18. | |
Just gorgeous. Come here, sweetheart. You look | :01:19. | :01:23. | |
beautiful. I know you have been working so hard, dancing day and | :01:24. | :01:28. | |
night, dancing at home. Did she learn it technically? I really and | :01:29. | :01:35. | |
truly enjoyed that performance. You have a fantastic sense of rhythm and | :01:36. | :01:40. | |
musicality and it was clean and engaging, gorgeous. I loved how you | :01:41. | :01:51. | |
set the scene from the beginning because the narrative went into the | :01:52. | :01:57. | |
dance and you continued that and how you extended. Sometimes you look | :01:58. | :02:01. | |
incredibly comfortable. I think it is because you are an natural | :02:02. | :02:06. | |
dancer. I would love if Kevin could push you because the confidence is | :02:07. | :02:11. | |
flowing. You just get a little bit relying on that natural quality that | :02:12. | :02:15. | |
you have, which is stunning, that now I want you to drive her. I can | :02:16. | :02:20. | |
see all the ability there, but I want a little bit more. Show it off. | :02:21. | :02:30. | |
Len. Excellent footwork. Very well done. You must have worked very | :02:31. | :02:38. | |
hard. You were even on occasions drawing back of your heel. The | :02:39. | :02:43. | |
problem was you got a little bit too far on Kevin's right side. Instead | :02:44. | :02:49. | |
of being right to right centre, you were absolutely on his right side, | :02:50. | :02:55. | |
which made your right arm stretched out a little bit. Well, it is the | :02:56. | :03:00. | |
truth. What is the matter with you? I am going to give you a good mark | :03:01. | :03:08. | |
because the footwork you nailed it. A lady that hot will always win the | :03:09. | :03:16. | |
argument. It was a delicious soap opera set to music, danced | :03:17. | :03:21. | |
exquisitely. The storytelling was brilliant. You execute every move | :03:22. | :03:27. | |
with such grace and ease and you play the part stunningly. What more | :03:28. | :03:33. | |
can I say? It was great. We have high expectations for you. Off you | :03:34. | :03:35. | |
go to Claudia. Well done. CHEERING | :03:36. | :03:51. | |
Well done, you must have been over the moon. | :03:52. | :03:54. | |
Len said excellent footwork and I know you tried so hard. I did. You | :03:55. | :04:01. | |
are doing it on the school run. I was doing it in my slippers in the | :04:02. | :04:09. | |
morning. You got on my feet. I was watching your mother and your mother | :04:10. | :04:13. | |
in law's phase and they were holding hands. The scores are in. | :04:14. | :04:18. | |
That is your first nine and your highest scorer. | :04:19. | :04:41. | |
If you want them to be on TV next week and not | :04:42. | :04:44. | |
All the details are on your screen now, so you can vote for them | :04:45. | :04:49. | |
when voting opens at the end of the show. | :04:50. | :04:51. | |
Still to come, Daisy dances to a George Michael song | :04:52. | :04:54. | |
Apparently she's been careless with her Whispa. | :04:55. | :05:06. | |
Our next couple is Danny Mac and his partner Oti Mabuse. | :05:07. | :05:09. | |
Last week Danny wowed the judges with his Paso Doble. | :05:10. | :05:11. | |
Len was particularly impressed when he did the Coup de Pique. | :05:12. | :05:14. | |
But after the flying start he's had to the series, | :05:15. | :05:18. | |
has Danny 'Coup de peaked' too soon. | :05:19. | :05:27. | |
Last week was the hardest routine we had. Did you enjoy it? Yes, until | :05:28. | :05:38. | |
the judges started speaking. The timing, the shaping, the lines were | :05:39. | :05:46. | |
excellent. It was incredible. 49s, I am so happy. It made it all | :05:47. | :05:54. | |
worthwhile. This week's style is the quick step which I know nothing | :05:55. | :06:00. | |
about. It is a very fun dance and people are supposed to jump up and | :06:01. | :06:05. | |
enjoy it. The character he is playing is a conductor of an | :06:06. | :06:09. | |
orchestra. I have a surprise for you and it is right in here. Are you | :06:10. | :06:21. | |
ready? I think so. Hello. I brought Danny here because we have a quick | :06:22. | :06:25. | |
step and he has to be the conductor of an orchestra. You have come to | :06:26. | :06:32. | |
the right place. What do I do? Conducting is interpreting the music | :06:33. | :06:36. | |
and conveying it through gesture, or dancing in your case. It turns out I | :06:37. | :06:46. | |
am a terrible conductor. I think this young lady was a bit off, but | :06:47. | :06:53. | |
apart from that it was ace. Let me go. Needless to say, she was | :06:54. | :07:01. | |
marvellous. Conducting may not be my forte, but hopefully I will have no | :07:02. | :07:06. | |
trouble on Saturday night. My jokes always fall flat! | :07:07. | :07:09. | |
Dancing the quickstep Danny Mac and Oti Mabuse. | :07:10. | :07:17. | |
MUSIC: I Won't Dance by Fred Astaire. | :07:18. | :08:45. | |
CHEERING You certainly did dance. | :08:46. | :09:07. | |
So much complicated content in there. Well done. It just keeps on | :09:08. | :09:14. | |
going. It was pure class. How was it? That was pure class. When you | :09:15. | :09:22. | |
were up on the stage I could not wait for it to start. What you | :09:23. | :09:28. | |
produce up there I wanted you to get on the dance floor and I thought, | :09:29. | :09:33. | |
yes, and he could do it and you sailed. It was outstanding. You led | :09:34. | :09:40. | |
her, you were in control of the dance and that is something that is | :09:41. | :09:44. | |
very difficult for a male celebrity to be able to do. That is one of the | :09:45. | :09:50. | |
best, classic, quickstep 's I have ever seen. Len? There were some | :09:51. | :09:58. | |
lovely touches and you got a bit of subway going which you do not see | :09:59. | :10:04. | |
happening. Up on there it got on my wick in the end. It was a tad too | :10:05. | :10:10. | |
long. But once you came down here you looked good and you danced good | :10:11. | :10:20. | |
and by Godley, you did good. He did as all good. The talented Danny in a | :10:21. | :10:30. | |
dazzling display of dancing. It was exciting, right up there with Fred | :10:31. | :10:35. | |
Astaire. I love that style and it has been revived with such energy | :10:36. | :10:40. | |
and you performed it with such zest. It was like being back in these | :10:41. | :10:46. | |
Hollywood movies. It was absolutely wonderful. We will stop at Fred | :10:47. | :11:01. | |
Astaire. Danny Mac, you are on fire, darling! Craig is applauding. I | :11:02. | :11:11. | |
think I might need a lie down. Off you go to Claudia. | :11:12. | :11:24. | |
CHEERING Well done, I want to talk about the | :11:25. | :11:30. | |
dance, but can I confirm your magnificent man dresses her dogs, | :11:31. | :11:37. | |
Bailey and Barney, to match the outfits every week. | :11:38. | :11:45. | |
This is tonight. Word as Rowell last week? This is amazing, can you send | :11:46. | :11:51. | |
in everything you have. You wanted to do the quickstep. And I was a kid | :11:52. | :11:57. | |
I have wanted to dress up like this and dance like that and I have | :11:58. | :12:01. | |
always wanted to try, so that was an amazing feeling. | :12:02. | :12:07. | |
Well done. The same as last week. Very well done, the highest score of | :12:08. | :12:32. | |
the night. That is ridiculous. Your dancing is ridiculous. | :12:33. | :12:34. | |
If you thought Danny and Oti hit the right notey, | :12:35. | :12:39. | |
all the details are on your screen now, so you can vote | :12:40. | :12:42. | |
for them when voting opens at the end of the show. | :12:43. | :12:44. | |
If you want to vote online, you'll need to sign in or register | :12:45. | :12:48. | |
I love learning to dance. I am having such a joy doing it. Every | :12:49. | :13:00. | |
week I say, this is my favourite dance. Anyone who can waltz can do a | :13:01. | :13:06. | |
marathon. This dance is so much more open than I thought it was going to | :13:07. | :13:12. | |
be. Even now I am panting like a dog in the desert, I am enjoying it. I | :13:13. | :13:21. | |
am loving the experience so much, everyone is so exceptional at | :13:22. | :13:24. | |
dancing it is making me quite scared this week. | :13:25. | :13:29. | |
Yes, I can't wait to see Daisy's routine. | :13:30. | :13:33. | |
She's dancing to the George Michael song Careless something. | :13:34. | :13:35. | |
(Whispers) She's dancing to the George Michael | :13:36. | :13:38. | |
It's Daisy Lowe her dance partner, Aljaz Skorjanec. | :13:39. | :13:50. | |
Last week, Daisy danced as the children's favourite Mary Poppins. | :13:51. | :13:54. | |
Tonight she's getting all grown up with an intimate rumba. | :13:55. | :13:58. | |
But will this passionate performance get our judges all loved up? | :13:59. | :14:09. | |
Last Saturday, I was so excited that we got to do a movie of our | :14:10. | :14:19. | |
quickstep. We look so good. My favourite part was clicking my | :14:20. | :14:23. | |
fingers and then you appeared, I was really chuffed with that. It was the | :14:24. | :14:30. | |
neatest footwork I have seen. That was special feedback because I am | :14:31. | :14:37. | |
completely in love with her. Super colour of a tool is that a | :14:38. | :14:43. | |
commission mark good job. Thanks. This week I am excited about doing | :14:44. | :14:50. | |
the rumba. At the moment we are putting more attention into the | :14:51. | :14:55. | |
technique. Keep your toes on the floor. I am going to have to be a | :14:56. | :15:03. | |
bit strict this week. I would have thought it would be difficult to | :15:04. | :15:07. | |
take Al-Jazeera you see when he is cracking the whip, but he is quite | :15:08. | :15:12. | |
scary. When he is found, you know he means business. I really want to | :15:13. | :15:17. | |
push her because I know we can go a step higher. I have been doing some | :15:18. | :15:22. | |
homework. It is frustrating getting it wrong. Over and over again. Let's | :15:23. | :15:31. | |
do this again. I feel she has so much potential and talent and I want | :15:32. | :15:35. | |
to dig into that and make sure we deliver a beautiful dance this | :15:36. | :15:41. | |
weekend. And again. I am happy I have put the hard work in this | :15:42. | :15:45. | |
weekend, I am happy to get on that dance floor and do it justice. | :15:46. | :15:50. | |
Dancing the rumba, Daisy Lowe and Aljaz Skorjanec. | :15:51. | :15:53. | |
MUSIC: Careless Whisper by George Michael. | :15:54. | :17:27. | |
Walk those lovely legs over here, lady. | :17:28. | :17:44. | |
You didn't just walk it, you stalked it. It was gorgeous, nothing | :17:45. | :17:50. | |
careless about that, darling. Rumbas are notoriously difficult. What did | :17:51. | :17:54. | |
you think? You're totally correct. It's a bit like Len's lens. It's | :17:55. | :17:59. | |
slowed so you see any plunders. You're not lazy, Daisy, because you | :18:00. | :18:04. | |
have worked hard. I love, see, little things please me. I can't | :18:05. | :18:08. | |
help myself. I love that forward half, then out to fan. Then you even | :18:09. | :18:14. | |
got the eighth a turn as you closed. Yes, shut up. And into another. I | :18:15. | :18:19. | |
love all that little. The things that get passed by. I liked them. I | :18:20. | :18:24. | |
thought it was a terrifically difficult dance and you did a | :18:25. | :18:27. | |
terrifically good job. Thank you so much. Careless whispers, more like | :18:28. | :18:38. | |
breathless judge. I am tingling all overment I'm shivering. I'm panting | :18:39. | :18:41. | |
to the point of turning. Oh, you do things to me. Your intint in the | :18:42. | :18:48. | |
dance was just spectacular. -- intent. Seriously now, we talk about | :18:49. | :18:54. | |
content a lot. You had in there every single rumba step that you | :18:55. | :18:59. | |
would want to see in a rumba. You didn't skip out anything. Even the | :19:00. | :19:02. | |
most difficult. You kept the flow going most of it. Just at one time | :19:03. | :19:07. | |
you stopped a little bit the flow, maybe because you felt a little bit | :19:08. | :19:11. | |
insecure, but I'm telling you what you put into this dance is what we | :19:12. | :19:15. | |
should see in every rumba. Next time, be more fluid, all the way | :19:16. | :19:20. | |
through. Not just in some moves. I loved it. | :19:21. | :19:27. | |
Hard work is paying off. Craig. I thought your free arm lacked a | :19:28. | :19:33. | |
little direction and definition. By that I mean a tone and resistance as | :19:34. | :19:38. | |
the arm goes out. It seems to just land there and then waft around a | :19:39. | :19:41. | |
bit without any sort of strength behind it. You have to be able to | :19:42. | :19:46. | |
make it fluid and not stiff, obviously, but have tone and | :19:47. | :19:52. | |
resistance. I do think it lacked a little bit of chemistry for me. | :19:53. | :19:56. | |
What? I know my colleagues probably don't agrow with me. But I -- agree | :19:57. | :20:00. | |
with me. I think there could have been more of an emotional | :20:01. | :20:03. | |
connection. Goodness me. I was feeling it. I don't. Darcey | :20:04. | :20:13. | |
disagrees. I do not agree with you. You use your whole body to stress | :20:14. | :20:18. | |
that emotion without doubt. Long, languid moves. Very difficult to | :20:19. | :20:22. | |
control and sustain. To get that balance every time you stretched | :20:23. | :20:26. | |
out, very impressive. I mean, really. That is a very difficult | :20:27. | :20:34. | |
dance. Do not listen to him. A lot of love for the judges. We've fallen | :20:35. | :20:39. | |
in love with your rumba. Off you go to Claudia, well done, darling. | :20:40. | :20:42. | |
Daisy and Aljaz! APPLAUSE | :20:43. | :20:52. | |
Very, very well done. You know what's so adorable, I heard you say | :20:53. | :20:58. | |
this week, Strictly is the best experience of your life It is. | :20:59. | :21:02. | |
You're really enjoying yourself. Even when he gets strict like this | :21:03. | :21:05. | |
week. I think it's important that he's strict with me. I want to be | :21:06. | :21:11. | |
better. You did great. I can be stricter. | :21:12. | :21:12. | |
Scores are in. Same score as last week. You're so | :21:13. | :21:35. | |
cute. With the seven, you went, "That's OK. I'm pleased." | :21:36. | :21:38. | |
If that Careless Whisper routine had you shouting | :21:39. | :21:40. | |
All the details are on your screen now, so you can vote for them | :21:41. | :21:45. | |
when voting opens at the end of the show. | :21:46. | :21:47. | |
Still to come, Lesley and Anton dance to the song | :21:48. | :21:50. | |
Does anyone know what dance they're doing? | :21:51. | :21:52. | |
Dancing next is Judge Rinder and his partner Oksana Platero. | :21:53. | :22:00. | |
They're doing a Viennese Waltz to the song 'Boom Bang a Bang'. | :22:01. | :22:05. | |
It's the song that won Lulu the Eurovision Song Contest, | :22:06. | :22:10. | |
and our Judge is hoping, it won't get 'nil-point', | :22:11. | :22:12. | |
I'm going to give that a U certificate, you entertained, you | :22:13. | :22:25. | |
made us all smile but you made a few mistakes along the way. It's a shame | :22:26. | :22:29. | |
because the rehearsal was going so well. I want to do better next week. | :22:30. | :22:37. | |
You're very cute as a caveman. I want to say that made my day, but it | :22:38. | :22:42. | |
made my life really. Made me feel like I'm in competition. I think | :22:43. | :22:47. | |
he's cute. Two women competing for me. A phrase I never thought I'd | :22:48. | :22:51. | |
use, to be honest. This week it's the Viennese waltz to one of the | :22:52. | :22:54. | |
most beautiful and memorable songs of all time. It's Lulu's Boom Bang a | :22:55. | :23:02. | |
Bang. A personal favourite. What's really difficult about the Viennese | :23:03. | :23:06. | |
waltz? You need to make sure you're not going to get too dizzy and fall. | :23:07. | :23:11. | |
I'm very, very dizzy. Welcome to Viennese waltz. Making it round the | :23:12. | :23:17. | |
room is a challenge. You've got to go round and round, and round and | :23:18. | :23:20. | |
round - sorry, another question, I'm feeling a bit sick. The really hard | :23:21. | :23:24. | |
thing is to be calm enough to enjoy it and let it flow. That's hard when | :23:25. | :23:28. | |
you're as nervous as I am all the time. Think about it less. Relax. | :23:29. | :23:32. | |
OK. When it flows, it's effortless and beautiful. When it doesn't, it | :23:33. | :23:41. | |
looks like a horrible crash. I love the Viennese waltz. I want to get it | :23:42. | :23:44. | |
right. One thing I want more than anything is for the hearts of the | :23:45. | :23:47. | |
judges to go boom bang-a about bang. Dancing the Viennese Waltz, | :23:48. | :23:56. | |
Judge Rinder and Oksana Platero I'm loving the lederhosen. Isn't it | :23:57. | :25:56. | |
marvellous. It is. Like Boris Becker. I know! I look like a young | :25:57. | :26:01. | |
Boris Becker. LAUGHTER | :26:02. | :26:06. | |
He might beg to differ. Bruno, did that flow for you? I have to say, it | :26:07. | :26:11. | |
was unusually restrained by your usual standard. Don't you think? You | :26:12. | :26:17. | |
went straight in hold, lots of proper Viennese waltz content. You | :26:18. | :26:22. | |
did it quite well overall. Be careful don't swing your arms like | :26:23. | :26:27. | |
cow bells. I know, you know, a bit more fluid. A bit more graceful, I'm | :26:28. | :26:32. | |
sorry, I've got a cold. I have to say, I was impressed because you | :26:33. | :26:36. | |
don't have to do craziness all the time because you can actually dance | :26:37. | :26:40. | |
when you want to. You can dance. Did your heart go | :26:41. | :26:48. | |
boom bang-a--bang, Craig? No, it did not. But I can say this, your facial | :26:49. | :26:55. | |
expressions are on the up, darling. Improving. Until the second part, | :26:56. | :27:01. | |
where I think you lost that. You went into that goofy thing and the | :27:02. | :27:05. | |
open mouth scenario came back. You know, there is a dancer, a delicious | :27:06. | :27:10. | |
dancer actually hidden underneath all of that. I just can't wait to | :27:11. | :27:16. | |
see it, my love. He's teasing you. Darcey. It's true, | :27:17. | :27:21. | |
when you're in hold, you're actually in control of the dance. I really | :27:22. | :27:25. | |
feel there is going to be some lovely quality throughout. I | :27:26. | :27:32. | |
wouldn't say this to other people, I don't you to overexaggerate. It's | :27:33. | :27:37. | |
only when you come out of hold, don't get upset. It's only when you | :27:38. | :27:42. | |
come out of hold I see the preparation. I see you overthinking. | :27:43. | :27:46. | |
You don't need to. I mean, I think it grinded a bit with the narrative, | :27:47. | :27:50. | |
the story you were telling, but I don't think you need that. There's a | :27:51. | :27:53. | |
lot of quality in there, as the boys have said already. I think we want | :27:54. | :27:58. | |
to see that now. Bringing the dancer out. Len. I | :27:59. | :28:04. | |
liked it. I liked the rotation, natural turns, reverse turns. I | :28:05. | :28:09. | |
enjoyed that. I once told - trust me, I once told someone who was a | :28:10. | :28:18. | |
bit like you, a few committeedic elements -- comedic elements, you | :28:19. | :28:23. | |
are a about thor dancer. -- you are a better dancer. He cut them out and | :28:24. | :28:28. | |
he went home the next week! Do what you do. You have a great balance | :28:29. | :28:32. | |
between good dancing, a bit of fun and I enjoy it. | :28:33. | :28:38. | |
So great to watch. We all enjoy it. We love what you do. Keep doing it. | :28:39. | :28:43. | |
Take your lady and your lederhosen upstairs to Claudia. | :28:44. | :28:45. | |
APPLAUSE We absolutely loved it. Quite | :28:46. | :29:02. | |
differing views there. Some of them saying be serious. Then Len going, | :29:03. | :29:09. | |
you're hillarious, continue. You ask three lawyers the same question, you | :29:10. | :29:13. | |
get three different answers. Same with the judges. Isn't she | :29:14. | :29:18. | |
beautiful. My Heidi. I know. The scores are in. | :29:19. | :29:34. | |
27, are you all right with that? Same score as the last two weeks. | :29:35. | :29:37. | |
Well done. ( If you loved Judge Rinder | :29:38. | :29:40. | |
and Oksana, vote for them. All the details are on your screen | :29:41. | :29:42. | |
now, so you can vote for them when voting opens at the end | :29:43. | :29:45. | |
of the show. They really can. Still to come Ore | :29:46. | :29:54. | |
does something with a 1960s flavour, could be a jive or a crispy pancake | :29:55. | :29:57. | |
and Angel Delight. Right, now it's Lesley Joseph | :29:58. | :29:59. | |
and her partner, Anton Du Beke. This week they're | :30:00. | :30:01. | |
doing a Charleston. It's a dance that involves a lot | :30:02. | :30:05. | |
of cheeky moves, fun choreography I've got a feeling they could | :30:06. | :30:08. | |
be quite good at it. I really loved that dance. I thought | :30:09. | :30:26. | |
you were brilliant and I love what you did. You are a golden oldie from | :30:27. | :30:32. | |
the silver screen and I thought you were great. To be left literally to | :30:33. | :30:40. | |
the last to be told you are saved, I did not think it could be that nerve | :30:41. | :30:43. | |
wracking, but I am pleased we are through. This week's training takes | :30:44. | :30:50. | |
many miles away from Elstree in Malta due to her busy schedule. I am | :30:51. | :30:56. | |
here on holiday... Training. Leslie is filming and it is very exciting. | :30:57. | :31:01. | |
I don't know where she gets her energy from. How is it going? Very | :31:02. | :31:08. | |
well. I know you are busy, but this week we are doing the charleston. I | :31:09. | :31:16. | |
need you on set. I need to work. I went on set at five o'clock and I | :31:17. | :31:22. | |
worked off at eight o'clock and I was training for three hours. It was | :31:23. | :31:28. | |
exhausting. She is busy and she is a fitting it all in and doing a | :31:29. | :31:34. | |
tremendous job. They are all going to come and watch us do the number. | :31:35. | :31:38. | |
Do you know how nerve wracking that will be? If you can do it in front | :31:39. | :31:45. | |
of them, you can do it in front of everyone. You were fantastic. We are | :31:46. | :31:54. | |
really proud of her. She gives 100%. You are amazing, honestly. Good | :31:55. | :32:00. | |
luck, we are rooting for you, we are right behind you. You will be | :32:01. | :32:04. | |
brilliant, you always are. You will be brilliant, | :32:05. | :32:05. | |
you always are. Dancing the Charleston, | :32:06. | :32:07. | |
Lesley Joseph and Anton Du Beke. MUSIC: Won't You Charleston with me? | :32:08. | :32:10. | |
By The Boyfriend. APPLAUSE | :32:11. | :33:37. | |
Leslie and Anton, you have a very busy week, | :33:38. | :33:52. | |
but it does not slow you down. You do not disappoint. There she | :33:53. | :34:03. | |
keep surprising you, Craig? Yes, you do. That is shocking... Shockingly | :34:04. | :34:09. | |
good. I do not know how you get through it. I could never keep that | :34:10. | :34:15. | |
much stamina going for that length of time. It is absolutely | :34:16. | :34:20. | |
incredible. You shocked me each time. It was strong and vibrant. You | :34:21. | :34:25. | |
ran out of steam a little bit at the end with the swivel and the cross, | :34:26. | :34:29. | |
but I loved it. I was exhausted watching you. You bring such a | :34:30. | :34:36. | |
cheeky, fun, naughty, little girl to this. And the confidence, that | :34:37. | :34:41. | |
showed with the amount of dance content. Those high kicks and, | :34:42. | :34:46. | |
Anton, you are having a great time dancing with her. I could not keep | :34:47. | :34:56. | |
up dancing with her. It is your birthday this week I understand... | :34:57. | :34:58. | |
APPLAUSE That was definitely your best dance | :34:59. | :35:12. | |
to date and if you keep that up, you will have many happy returns! Well | :35:13. | :35:21. | |
done. You always deliver, you were the | :35:22. | :35:25. | |
perfect gangster mole. You looked like a 20-year-old out there. Apart | :35:26. | :35:30. | |
from the characterisation and the personality, you are great actor, so | :35:31. | :35:38. | |
you do that perfectly. Your timing was right on it and you were placed | :35:39. | :35:42. | |
correctly and you did not lose your time and your performance was very | :35:43. | :35:47. | |
high all the way through. I think you did a fantastic job, my darling. | :35:48. | :35:55. | |
Fantastic comets, what a lovely birthday present. This is the first | :35:56. | :35:58. | |
time I can talk, it has taken me until now. Many happy returns. | :35:59. | :36:22. | |
He is having the time of his life. What an extraordinary schedule. I am | :36:23. | :36:31. | |
up at five every morning filming and he has been out in Malta by the | :36:32. | :36:35. | |
swimming pool, and then we have been training. It is exhausting. It has | :36:36. | :36:41. | |
been very hectic. Your daughter is here. The scores are in. | :36:42. | :36:47. | |
Your highest score. She is a dream, dream! That you very much. If you | :36:48. | :37:28. | |
want to see them back next week, please vote for them. All the | :37:29. | :37:33. | |
details are on your screen. Just one more couple left to dance. | :37:34. | :37:34. | |
And our final couple is Ore Oduba and Joanne Clifton. | :37:35. | :37:39. | |
Last week, Ore's American Smooth wowed us all and he landed | :37:40. | :37:43. | |
This week, he's doing the jive, and we've got some tissues ready | :37:44. | :37:52. | |
Last Saturday was one of the best night of my life. Amazing, just | :37:53. | :38:09. | |
amazing. I am astounded how good that was. It was just such an | :38:10. | :38:17. | |
emotional night. So for me it has just lit up. I could not believe | :38:18. | :38:24. | |
Gene Kelly's widow coming. He would have been proud. I cannot believe | :38:25. | :38:34. | |
it. It was unbelievable. This week we are dancing the jive and you need | :38:35. | :38:39. | |
stamina and energy and loads of flips. This is not for the | :38:40. | :38:44. | |
faint-hearted or slow footed. What are we going to do to up my game? | :38:45. | :38:50. | |
There is one place I can take you where footwork, stamina, energy and | :38:51. | :38:56. | |
performance is important. You can practice all your kicks and your | :38:57. | :39:00. | |
stamina and your performance. Wow, Wembley. I have brought him to | :39:01. | :39:07. | |
Wembley Stadium to practice his kicks and his flips. We are at | :39:08. | :39:13. | |
Wembley. He came here today thinking he was going to have a kickabout | :39:14. | :39:19. | |
with a ball. No way. She has had me jiving everywhere, up the stairs and | :39:20. | :39:24. | |
in the dressing room and in the panel. I have not stopped jiving | :39:25. | :39:31. | |
since I got here. Yes! Are you having a nap. No, I am tired from | :39:32. | :39:40. | |
all the jiving. Unbelievable. Saturday night, I am coming to get | :39:41. | :39:41. | |
Saturday night, I am coming to get you. | :39:42. | :39:43. | |
Dancing the jive, Ore Oduba and Joanne Clifton. | :39:44. | :39:49. | |
Oh, my goodness me! Wow! I have not seen a reaction like this in a long | :39:50. | :41:59. | |
time in this studio. U2 better not run away anywhere, you are | :42:00. | :42:06. | |
brilliant. Antarctica. Dicey, your comments last week made him very | :42:07. | :42:10. | |
emotional, will he bring his tissues again? No, I will need those | :42:11. | :42:19. | |
tissues. How you understand each dance that is thrown at you, you | :42:20. | :42:25. | |
just take it on board. You are one athlete. The stamina is | :42:26. | :42:33. | |
unbelievable. To be able to get that retraction on each of those kicks. | :42:34. | :42:43. | |
And what you did over there, and none of them failed with the energy | :42:44. | :42:47. | |
and the attack that you gave them. Outstanding. You have set the so | :42:48. | :42:55. | |
high that jive. It was so impressive. It was show stopping, | :42:56. | :43:08. | |
jaw-dropping, eye-popping jive. Listen, I thought last week was | :43:09. | :43:16. | |
fantastic. You have had a week. A week or four days or five days. | :43:17. | :43:20. | |
Listen, move over, Jay. We might need tissues on stand-by. | :43:21. | :43:40. | |
Bruno, you were standing up. Ladies and gentlemen, a star is born. You | :43:41. | :43:49. | |
have a runaway jive as good as anybody you have ever seen. It is | :43:50. | :43:56. | |
the trinity of a jive with Jill, Jay and barley. The momentum and the | :43:57. | :44:05. | |
synchronicity. Again I have to congratulate you for putting very | :44:06. | :44:10. | |
imaginative touches into it. The swinging 60s, but you never lost the | :44:11. | :44:14. | |
jive. It drove through the dancer constantly. You never lost it. You | :44:15. | :44:26. | |
were on it. Trying so hard. Craig. The game has finally changed, | :44:27. | :44:31. | |
darling, you either to beat. You know what? I hope Danny Mac was | :44:32. | :44:39. | |
watching that because he has got a big load of competition. It is on. I | :44:40. | :44:47. | |
am so sorry I have got no tissues for you. You are trying so hard to | :44:48. | :44:51. | |
keep it in. You are amazing. CHEERING AND APPLAUSE | :44:52. | :45:09. | |
For you. For you. Not again! We really love you for it. It was all | :45:10. | :45:14. | |
about for you, you wanted to beat Jay. They said, "Move over Jay." | :45:15. | :45:21. | |
You're the one to beat. Well done. This is the dance I've loved the | :45:22. | :45:25. | |
most. Jo absolutely packed it full just because I know she wanted me to | :45:26. | :45:32. | |
remember it. You're so cute. Ah, stop crying! Very well done. The | :45:33. | :45:35. | |
scores are in. CHEERING Yes! Well done. | :45:36. | :46:15. | |
Are you all right? He's all right. No, I'm not. That is extraordinary. | :46:16. | :46:24. | |
Week four. Really, well done to you. We need tissues! We've got tissues. | :46:25. | :46:27. | |
Well done. If you enjoyed Ore and Joanne's jive | :46:28. | :46:29. | |
to Runaway Baby and want to see them dancing again in next week's show, | :46:30. | :46:33. | |
then vote for them, all the details are on your screen now and voting | :46:34. | :46:36. | |
opens in just a few moments' time. That was honestly, better than my | :46:37. | :46:48. | |
own wedding. All our couples have danced. It's | :46:49. | :46:52. | |
time to take a look at the - I do hope he's not watching - look at the | :46:53. | :46:55. | |
leaderboard: But remember you can change all that | :46:56. | :47:04. | |
by picking up the phone or going online and voting | :47:05. | :47:07. | |
for your favourite. And there's no time | :47:08. | :47:10. | |
like the present, Calls cost 15p plus any | :47:11. | :47:12. | |
network access charge. Please get the bill payer's | :47:13. | :47:16. | |
permission before you call. Or alternatively you | :47:17. | :47:18. | |
can vote online for free at bbc.co.uk/strictly | :47:19. | :47:21. | |
where you will also Please don't try to vote | :47:22. | :47:24. | |
if you're watching On Demand. To help you decide, here's | :47:25. | :47:31. | |
a reminder of tonight's performances and the all | :47:32. | :47:33. | |
important vote information. We've witnessed some | :47:34. | :51:11. | |
truly dazzling routines. Every one of our 12 couples have | :51:12. | :51:16. | |
given everything they've Don't forget voting closes | :51:17. | :51:21. | |
at 8.45pm, so you don't have long to vote | :51:22. | :51:24. | |
for your favourites. We'd love to keep them | :51:25. | :51:26. | |
all in the competition, but two couples will have to face | :51:27. | :51:29. | |
each other in the dance-off on tomorrow night's | :51:30. | :51:31. | |
Results Show at 7.15pm. And sadly one of those two | :51:32. | :51:33. | |
couples will be eliminated We also have an excellent | :51:34. | :51:36. | |
James Brown-inspired routine from our professional dancers, | :51:37. | :51:41. | |
and a performance from Suggs For all that, make sure you tune | :51:42. | :51:43. | |
in at 7.15pm tomorrow night. We'll see you then, | :51:44. | :51:51. | |
and in the meantime... Semi... ..finals. | :51:52. | :52:06. | |
I think the flavour's perfect. | :52:07. | :52:10. |