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Last weekend in the ballroom, dreams really did come true. | :00:09. | :00:14. | |
But for some, their world was turned upside down. Not much good | :00:14. | :00:19. | |
on her feed. Perhaps she's better on her head. Others had their nose | :00:19. | :00:25. | |
put out of joint. Sexless, cold and stiff. Whispering sweet nothings | :00:25. | :00:32. | |
and the shout of. Ten! First class. Our favourite comedian left us with | :00:32. | :00:40. | |
his last impression. Nice to see you, to see you... NICE! Tonight, | :00:40. | :00:46. | |
it's the monster's ballroom. It's a Hallowe'en spectacular. Who'll keep | :00:46. | :00:50. | |
their wits about them? I ain't afraid of no ghosts. And who will | :00:50. | :00:55. | |
turn into quivering wrecks? It's time to turn up the lights and hold | :00:55. | :01:05. | |
:01:05. | :01:05. | ||
Apology for the loss of subtitles for 40 seconds | :01:05. | :01:45. | |
on tight. It's fright night on Live from Television Centre, | :01:46. | :01:49. | |
Hallowe'en special, it's Strictly Come Dancing. Please welcome your | :01:49. | :01:59. | |
:01:59. | :01:59. | ||
Apology for the loss of subtitles for 40 seconds | :01:59. | :03:11. | |
Live from Television Centre, please welcome your hosts... Bruce Forsyth | :03:11. | :03:21. | |
:03:21. | :03:35. | ||
The dress will allow no more. a state. Any way, good evening | :03:35. | :03:39. | |
ladies and gentleman and children. It's Hallowe'en and the time of | :03:39. | :03:45. | |
year, I didn't expect that! The time of year when the living dead | :03:45. | :03:51. | |
rise from their grave, stalk to the earth and say "nice to see you, to | :03:51. | :03:57. | |
see you... NICE! "Aren't you good. It's nice to see you Brucie. It is | :03:58. | :04:02. | |
Hallowe'en. Hope you're not scared. I am a bit scared. This week, I had | :04:02. | :04:10. | |
the biggest fright of my life. It was dark and stormy. THUNDER CLAPS | :04:10. | :04:15. | |
I was alone in the house, when there was a knock at the door. | :04:15. | :04:22. | |
I got up to open the door. CREEKING NOISE | :04:22. | :04:26. | |
That was me getting up. LAUGHTER | :04:26. | :04:36. | |
:04:36. | :04:37. | ||
Then I opened the door. CREEKING Who was there? A tall man in a | :04:37. | :04:41. | |
cloak. He said Forsyth, face the facts, it's time to pass over to | :04:41. | :04:46. | |
the other side. What a horrible thing to say! I know, I've told him | :04:46. | :04:53. | |
before, I'm not going back to ITV! APPLAUSE | :04:53. | :05:01. | |
Thank you. I don't care what Simon says. I don't care what he says. | :05:01. | :05:05. | |
Tonight, in the ballroom, we're in for a monster treat. Oh, yes. | :05:05. | :05:10. | |
our 11 stars give us more thrills and chill that's you can shake a | :05:10. | :05:14. | |
wooden stake at. That was difficult to say, wasn't it? Tonight was not | :05:14. | :05:19. | |
for the faint hearted. One couple will face the unthinkable terror of | :05:19. | :05:23. | |
being eliminated from the competition. I can hear teeth | :05:23. | :05:29. | |
chattering, nerves jangling. Shall we unleash them? Yes, consider them | :05:29. | :05:39. | |
:05:39. | :05:39. | ||
Apology for the loss of subtitles for 40 seconds | :05:39. | :06:46. | |
unleashed. It's time to meet the CHEERING AND APPLAUSE There they | :06:46. | :06:52. | |
all are, looking like zombies and the undead. I trust you've all | :06:52. | :06:56. | |
recovered from last week? Goodness gracious. Robbie hurt his nose. | :06:56. | :07:02. | |
Aneat -- and needed an ice back. Russell hurt his knee and needed an | :07:02. | :07:07. | |
ice pack. When Alex wore that sexy cat suit, I needed an ice pack. We | :07:07. | :07:13. | |
had to put Len in the fridge, didn't we? Exactly. Where's Craig? | :07:13. | :07:23. | |
:07:23. | :07:44. | ||
THUNDER CLAP SINISTER LAUGHING | :07:44. | :07:54. | |
:07:54. | :07:57. | ||
The traffic was a complete and APPLAUSE | :07:57. | :08:02. | |
Where would you like to us stick the broom stick? And the first one | :08:02. | :08:05. | |
who tells him, will go straight through to next week. No vote off, | :08:06. | :08:10. | |
nothing, straight through. Tonight, it is bone chilling | :08:10. | :08:14. | |
ballroom all the way. Our stars will be dancing, the judges scoring | :08:14. | :08:24. | |
:08:24. | :08:27. | ||
and the crumbs will be ranked on the leaderboard. Those score -- | :08:27. | :08:32. | |
dancers will be ranked on the leaderboard. We also have West End | :08:32. | :08:42. | |
star Adam Garcia with us. Just press the red button. | :08:42. | :08:47. | |
first couple is Russell Grant and his partner, Flavia. | :08:47. | :08:53. | |
APPLAUSE Russell is doing the samba. He was | :08:53. | :08:57. | |
going to copy a great star from the past, Carmen Miranda, you remember | :08:57. | :09:02. | |
the lady who used to dance with a bowl of fruit on her head? Apples, | :09:02. | :09:08. | |
bananas and grapes and Russell said, "No pears?" I said "Certainly not, | :09:08. | :09:15. | |
you don't get anything for a pair!" How soon they forget. We'll do that | :09:15. | :09:22. | |
again. You don't get anything for a pair! Any way, here they are, good | :09:22. | :09:32. | |
:09:32. | :09:39. | ||
Last week's performance I actually really enjoyed. In 90 seconds it | :09:39. | :09:44. | |
told the most amazing nocturnal drama. That's what it was. It was a | :09:45. | :09:53. | |
nightmare. From Shreeping Beauty to night terror. It all went on in | :09:53. | :10:03. | |
:10:03. | :10:07. | ||
your mind. He got it. It was brilliant! What nobody knew at that | :10:07. | :10:11. | |
time is I was having trouble with my legs. But this Hallowe'en, | :10:11. | :10:16. | |
nothing's going to stop me from dancing the samba. | :10:16. | :10:23. | |
When we first started training here, I heard my name being called. Due | :10:23. | :10:29. | |
hear that? I heard some kind of baby cry. It's up there. I looked | :10:29. | :10:36. | |
up and I saw this presence. Look, see? There's a vibration here that | :10:36. | :10:42. | |
definitely requires psychic investigation. Russell thinks this | :10:42. | :10:48. | |
place is haunted. I ain't afraid of no ghost. I'm not going to let him | :10:48. | :10:58. | |
:10:58. | :11:05. | ||
down. What is going on? Got you! I knew | :11:05. | :11:15. | |
:11:15. | :11:15. | ||
Apology for the loss of subtitles for 40 seconds | :11:15. | :13:11. | |
it was Flavia all the time. Are you CHEERING AND APPLAUSE What a pair | :13:11. | :13:21. | |
:13:21. | :13:21. | ||
you! You she devil. Any way, whilst you two get your breath back, it's | :13:22. | :13:26. | |
a good time to welcome our fabulous singers, Dave Arch and his | :13:26. | :13:29. | |
wonderful orchestra. APPLAUSE | :13:29. | :13:34. | |
Not forgetting our judges. Welcome all of you. | :13:34. | :13:39. | |
Now if anyone is watching, is worried that we broke health and | :13:40. | :13:44. | |
safety regulations because we flew Craig into the studio ain broom | :13:44. | :13:48. | |
stick, let me assure you, he did have a safety harness... Round his | :13:48. | :13:53. | |
neck. LAUGHTER | :13:53. | :13:57. | |
Even Craig liked that one. Len, what did you think of that? I think | :13:57. | :14:00. | |
when you came through that flame, you caught your bum alight because | :14:00. | :14:05. | |
you really started dancing. I tell you, there was a few mistakes wents | :14:05. | :14:09. | |
on unfortunately, I tell you, don't worry about the X Factor, you have | :14:09. | :14:19. | |
:14:19. | :14:21. | ||
the feel-good factor. Thank you Len. Now Alesha, my love. | :14:21. | :14:25. | |
The music of Kylie and Russell Grant, what more do we want on | :14:25. | :14:29. | |
Strictly Come Dancing? You have a great bounce action. The samba | :14:29. | :14:34. | |
suits you. I know you've had some trouble with your knee, my darling, | :14:34. | :14:39. | |
but you got the Hallowe'en party started. Well done. And now Bruno? | :14:39. | :14:49. | |
Russell, you've turned hell no a camp hefpb -- heaven. You went | :14:49. | :14:53. | |
wrong quite a few times because, you know why, you tried to put the | :14:53. | :14:58. | |
content in. It went wrong quite a lot. But the fun of it was great. | :14:58. | :15:08. | |
The fun was there. Well done. OK, finish us off, Craig? You are one | :15:08. | :15:13. | |
wig away darling from being Mystic Meg. There's so much clap on there. | :15:13. | :15:20. | |
The dancing sadly let you down this evening. The timing was out. Your | :15:20. | :15:24. | |
kick ball changes are all messed up. You have a great double bounce | :15:24. | :15:30. | |
action. That was good. That's not too bad. I'd settle for that if I | :15:30. | :15:34. | |
was you. Wonderful. What a start to the show. Thank you both. | :15:34. | :15:44. | |
:15:44. | :15:54. | ||
You cuddly little devil you. Kicking off the Hallowe'en special, | :15:54. | :15:57. | |
dancing the samba in front of 11 million people, how did that feel? | :15:57. | :16:06. | |
I love the samba, but I did a lot of steps that I shouldn't have done. | :16:06. | :16:11. | |
Sshhh. They didn't notice. judges did, darling. They're not | :16:11. | :16:17. | |
daft. The audience didn't. I love the samba and I love Flavia. | :16:17. | :16:22. | |
got the feel good factor. You've had knee trouble. It didn't show. | :16:22. | :16:27. | |
No, I've got it strapped up. I have a harness like most of the people | :16:27. | :16:32. | |
in the show tonight! I might be wheeled on in the future. No I'm | :16:32. | :16:42. | |
:16:42. | :17:02. | ||
A four from Craig, how do you feel about that snfrplts he's right. I | :17:02. | :17:08. | |
got too much wrong to warrant more than a four. He's right. I take -D | :17:08. | :17:14. | |
I'll take over 20. 22 is good. That was my first house in Wembley. | :17:14. | :17:24. | |
:17:24. | :17:35. | ||
a sign. OK. Who are you going to The couple with the lowest combined | :17:35. | :17:38. | |
judges scores and your votes will leave the competition. We're off. | :17:38. | :17:44. | |
Everyone's in high spirits tonight. Over to you, Bruce. | :17:44. | :17:51. | |
Now, for our next couple, Chelsee Healey and her partner Pasha. | :17:51. | :17:56. | |
APPLAUSE After finishing on top of the | :17:56. | :18:01. | |
leaderboard last week, with her quickstep, can Chelsee stay there | :18:01. | :18:08. | |
with her tango? Let's find out. Here they are in training. | :18:08. | :18:13. | |
How are you feeling? Nervous. Every week I'm scared before we go on. | :18:13. | :18:20. | |
The nerves were worth it last week. First class. Know thagt judges | :18:20. | :18:26. | |
enjoyed the performance, it was a bit of a confidence boost. To be | :18:26. | :18:32. | |
given such amazing scores, I was over the moon. I'm going to take it | :18:32. | :18:39. | |
week by week and try our hardest. Yes, dance by dance, week by week... | :18:39. | :18:49. | |
:18:49. | :18:52. | ||
This week we're dancing a spine tingling tango. It's a very | :18:53. | :18:57. | |
passionate dance. You should be precise but seductive. Oh, no I'm | :18:57. | :19:02. | |
not into that. It doesn't suit me. I'm not seductive or sexy. I'm out | :19:02. | :19:06. | |
of my comfort zone. We did really well last week. We cannot be | :19:06. | :19:10. | |
complacent. So we're going to a local school to see some truly | :19:10. | :19:17. | |
scary critics. Here we go. Hello! I had so much fun today | :19:17. | :19:24. | |
meeting the children. They were so nice. Everybody go inside. Scary | :19:24. | :19:28. | |
scream, come on. It was scarier dancing in front of the children | :19:28. | :19:33. | |
than in front of the judges. The children don't care what they say. | :19:33. | :19:38. | |
That routine was a horror show was ghastly, darling. I'm going to | :19:38. | :19:44. | |
give it a spooky... Seven! If I can face them, I'm sure I can face the | :19:44. | :19:54. | |
:19:54. | :19:54. | ||
Apology for the loss of subtitles for 40 seconds | :19:54. | :21:51. | |
What's the matter? Are you all right darling, what's happened? You | :21:51. | :21:56. | |
messed up a few steps? Just a dress malfunction. Oh, dear. Anything I | :21:56. | :22:06. | |
:22:06. | :22:07. | ||
can do, don't worry. You're good. Alesha, start us off. Don't worry | :22:07. | :22:10. | |
darlingment Chelsee, don't worry. Please, you know. | :22:10. | :22:16. | |
Don't worry at all. Let me tell you, Chelsee, you have nothing to cry | :22:17. | :22:21. | |
about my darling. You covered that so well. You should be proud of | :22:21. | :22:26. | |
yourself. It didn't stract from the dance at all. You maintained your | :22:26. | :22:30. | |
standard from last week. That was clean, sharp, full of attack. | :22:30. | :22:35. | |
Come on, smile. I want a smile. Chelsee, when you leave this floor, | :22:35. | :22:39. | |
you need to have a smile on your face because this partnership is | :22:39. | :22:45. | |
working. It certainly is. You are contenders. It's good. Chelsee my | :22:45. | :22:49. | |
darling, I tell you one thing, this wicked little witch is a wicked | :22:49. | :22:56. | |
little dancer! You started very, very well. Obviously, you know, | :22:56. | :23:00. | |
live shows little incidents happened. Because of that you lost | :23:00. | :23:03. | |
your footing. But you just did a great dance. You're a great dancer. | :23:03. | :23:07. | |
You have great musicality. You have a great feel for performance. Don't | :23:07. | :23:11. | |
worry about it. It happens to everybody. It happens to everybody. | :23:11. | :23:17. | |
Don't worry, sweet heart. What you did, was good. | :23:17. | :23:22. | |
Now then Craig? I would have liked to have seen a little bit more | :23:22. | :23:25. | |
grounded. You sometimes lost flexed knees. Your legs were a bit | :23:25. | :23:29. | |
straight. You were a bit too on your toes throughout the routine. | :23:29. | :23:33. | |
You coped with the wardrobe malfunction quite well. Though it | :23:33. | :23:37. | |
did throw you and that's why it was a bit of a mess towards the end. | :23:37. | :23:41. | |
But it was feisty, fiery and everything we expected. | :23:41. | :23:50. | |
Oh, thank you Craig. Even Craig! Now then, Len, will you finish us | :23:50. | :23:55. | |
off? You were like a Lancashire hot pot. Out you came, all satisfying | :23:56. | :23:59. | |
and delicious. I thought, honestly, I thought it was a good dance. You | :23:59. | :24:03. | |
did it very well. Yes, it could have been a bit sharper near the | :24:03. | :24:10. | |
end, but overall it was fabulous. Well done to the pair of you. | :24:10. | :24:20. | |
:24:20. | :24:32. | ||
Well done. Off you go. Be proud. Can I just reassure you we saw | :24:32. | :24:35. | |
absolutely nothing. Oh, thank God for that. Bless her. You did such a | :24:36. | :24:39. | |
brilliant dance. You were amazing. The audience love today and the | :24:39. | :24:44. | |
judges loved it. We all loved it. APPLAUSE | :24:44. | :24:48. | |
Pasha, Bruno says she's a wicked little dancer, are you proud of | :24:48. | :24:52. | |
your Chelsea? Very proud and the way she handled it all. It shows | :24:52. | :25:00. | |
one more time that she's great. Alesha said you have upped your | :25:00. | :25:05. | |
game loost week. Topped the leader -- last week. Topped the loord | :25:05. | :25:10. | |
board last week. Can you do it again? | :25:10. | :25:20. | |
:25:20. | :25:37. | ||
A great score. I'm made up. She's made up. All right. Call later if | :25:37. | :25:40. | |
you don't want Chelsee axed from the competition and you want to see | :25:40. | :25:44. | |
her dancing again next week. The judges score as loan may not be | :25:44. | :25:50. | |
enough to save your favourites. Our bogey men boys, the ghoulish girls, | :25:50. | :25:53. | |
they need your votes. Now for the next couple, Audley | :25:53. | :26:02. | |
Harrison and his partner, Natalie. APPLAUSE | :26:02. | :26:07. | |
Audley came up to my earlier today and said, "Bruce, I've seen so many | :26:07. | :26:12. | |
ghosts and dead people today. I think I might be a medium." I said | :26:12. | :26:16. | |
"Audley, we know you've lost weight, but you're definitely an extra | :26:16. | :26:25. | |
large". I'm a medium. He's an extra large. Right, here they are, I like | :26:25. | :26:33. | |
that one! Here they are in training. My performance last Saturday was | :26:33. | :26:36. | |
the best that I've danced the foxtrot. I'm telling you this, I'm | :26:36. | :26:41. | |
sitting here giving you a standing ovation. Well done. To hear the | :26:41. | :26:45. | |
judges' comments, positive and uplifting, it touched me. As I've | :26:45. | :26:55. | |
:26:55. | :26:57. | ||
been older I'm more in touch with my velnerblt. -- Vulnerplt. Every | :26:57. | :27:01. | |
week I turn up and put in a better performance than the one before. | :27:01. | :27:09. | |
Next week jive. Game on. I can't believe it's your birthday today. | :27:09. | :27:13. | |
Even though it's my birthday, I have not been slacking. I'm working | :27:13. | :27:18. | |
extra hard. They will pick awe part, if you're messy, especially in jive. | :27:18. | :27:23. | |
I think the energy side will suit Audley. But the dance is on the | :27:23. | :27:28. | |
toes. It's not going to be natural. I never get surprised. Today for my | :27:28. | :27:33. | |
4040th my wife and daughter came in and gave me a birthday cake. Happy | :27:33. | :27:38. | |
birthday daddy. It's been four weeks since I've seen my wife and | :27:38. | :27:42. | |
daughter. It feels great to have them here. Let's see what you've | :27:42. | :27:47. | |
got. I like seeing my daddy dance because I like twirlg and my daddy | :27:47. | :27:57. | |
:27:57. | :27:57. | ||
Apology for the loss of subtitles for 40 seconds | :27:57. | :29:51. | |
is the best. CHEERING AND APPLAUSE Well done | :29:51. | :29:54. | |
Audley and Natalie. Wasn't that great. | :29:54. | :30:00. | |
Absolutely wonderful. Your little girl will love to see that. She'll | :30:00. | :30:06. | |
be very proud of her daddy. Bruno? I tell you, you really got into the | :30:06. | :30:11. | |
spirit of things, big smile, great personality, terrible footwork. All | :30:11. | :30:16. | |
the kicks an the flicks were thrown away. It was cool and casual, but I | :30:16. | :30:19. | |
mean the jive is all about the sharpness. It has to be sharp, | :30:19. | :30:23. | |
precise, the feet have to be pointed. It has to be compact. It's | :30:23. | :30:28. | |
a very hard dance to do, for anybody, let alone somebody that is | :30:28. | :30:32. | |
like -- is built like a great big oak. It's hard. You did your best. | :30:32. | :30:42. | |
:30:42. | :30:43. | ||
He certainly did. Craig, what is on your mind? | :30:43. | :30:47. | |
did make a gallant effort, my love. You're completely and utterly | :30:47. | :30:52. | |
physically unsuited for this dance. It was heavy, flat footed,. It was | :30:52. | :31:00. | |
cumbersome. Lovely smile, though. You have a beautiful smile. And he | :31:00. | :31:07. | |
got out there and had a go, which is what we love about it. Indeed. | :31:07. | :31:12. | |
All right Len? I don't get these two. It had rhythm, good timing. I | :31:12. | :31:16. | |
know it's not the easiest dance for a big guy. You never went wrong. | :31:16. | :31:21. | |
You kept on the dance the whole way through. I'm not going to be | :31:21. | :31:31. | |
:31:31. | :31:33. | ||
disappointed. I commend you, well Craig, I won't let anything happen | :31:33. | :31:38. | |
to you. Alesha? I loved the concept and | :31:38. | :31:41. | |
idea of the dance this week. I think Craig and Bruno are right. It | :31:42. | :31:45. | |
needed to be more bouncy and light. The kicks and flicks weren't quite | :31:45. | :31:48. | |
there for me. It's great to see you going for it. I had a smile | :31:49. | :31:52. | |
throughout, but I think this dance was a bit out of your comfort zone | :31:52. | :31:55. | |
this week. I think you'd agree with that. A marvellous effort. We thank | :31:55. | :32:05. | |
:32:05. | :32:12. | ||
you. Natalie, great job. Come on! Yes, come on up here Audley. That | :32:12. | :32:16. | |
was so much fun. That looks like so much fun. What a way to end your | :32:16. | :32:20. | |
birthday week. As Bruno said it's a tough dance for a man of your size. | :32:21. | :32:25. | |
Flicks and kicks. Lots of them. Suited to a shorter person | :32:25. | :32:30. | |
definitely. I enjoyed it. I went for it. Back to America this week. | :32:30. | :32:34. | |
You've had very little training time. He did well. Lovely smile | :32:34. | :32:39. | |
again, that Craig loves so much. We love that. Craig's going to get | :32:39. | :32:43. | |
this. Give him a smile. He hasn't scored | :32:43. | :32:48. | |
me yet, has he? I love you Craig. I love you. Quite a conversation | :32:48. | :32:58. | |
:32:58. | :33:13. | ||
going on between Audley and Craig. Is Craig still getting that magic | :33:13. | :33:16. | |
smile after that? Yeah, but he might get the left hook behind it. | :33:16. | :33:21. | |
That will be for you. A Hallowe'en hook. Do you think your wife and | :33:21. | :33:25. | |
little girl is proud of daddy? Definitely. I'm doing my best. | :33:25. | :33:31. | |
go Audley. Make a note of this number: Call later, if you think | :33:31. | :33:34. | |
Audley's jive packs a punch and you want to see him dancing next | :33:34. | :33:41. | |
Saturday. Plenty more blood curdling ballroom | :33:41. | :33:47. | |
on the way, miss it at your peril. Now for our next couple, Alex Jones | :33:47. | :33:53. | |
and her partner, James. APPLAUSE | :33:53. | :34:02. | |
A popular couple. Alex says she had been chatting to Craig earlier. He | :34:02. | :34:07. | |
was explaining all about male witches. I said, that's typical | :34:07. | :34:09. | |
Craig, he's always talking a lot of warlocks. | :34:09. | :34:15. | |
LAUGHTER Think about it... I'll wait. Right, | :34:16. | :34:25. | |
here they are in training. After we danced, I thought it had | :34:25. | :34:29. | |
gone OK. Then we got in front of the judges and... The only way to | :34:29. | :34:34. | |
grow is take risks. Push it next time. Sexless, cold and stiff. | :34:34. | :34:38. | |
Craig's comments were really hard to deal with. I'm going to come | :34:38. | :34:44. | |
back again next week and just put this one to bed. OK get out of the | :34:44. | :34:50. | |
cat suit and move on. I bet James has put that there just to scare me. | :34:50. | :34:54. | |
It's Hallowe'en week and we are dancing the paso doble. Keep your | :34:54. | :34:59. | |
chin up otherwise you look like that. Alesha's comments last week | :34:59. | :35:03. | |
were more or less that we need to be more adventurous. Come with me. | :35:03. | :35:08. | |
Where are we going? That's not what I expected. What did you expect? | :35:08. | :35:13. | |
don't want to come down that. supposed to take risks. It's | :35:13. | :35:18. | |
Hallowe'en, we might as well do it in style. How do you do that? | :35:18. | :35:28. | |
:35:28. | :35:30. | ||
powers. Have fun, babes. Wait! Oh, I think I might be sick. Here I go. | :35:31. | :35:35. | |
Oh! Here she goes. James, you better join in. Wherever you feel | :35:35. | :35:42. | |
ready. James, don't let me hang in here. Then this one comes like | :35:42. | :35:47. | |
flippin Spider-man. A little lift. No, oh, James. I hope I didn't make | :35:47. | :35:53. | |
too much of a fuss. But it's a lot higher than it looked. Can we go | :35:53. | :35:57. | |
back to the paso doble now? If you want anger, you'll get it after | :35:57. | :36:07. | |
:36:07. | :36:07. | ||
Apology for the loss of subtitles for 40 seconds | :36:07. | :37:58. | |
CHEERING AND APPLAUSE Up you get, Alex! What's going on here? Look at | :37:58. | :38:08. | |
:38:08. | :38:14. | ||
this. What an ovation. Well done. Look! Are you glad it's over? | :38:14. | :38:22. | |
little bit. Right, Craig start us off. I quite liked the idea of | :38:22. | :38:25. | |
Dracula chasing innocent virgin blood and I think you played that | :38:25. | :38:30. | |
extremely well. APPLAUSE | :38:30. | :38:35. | |
In fact, it was the complete antithesis of last week. I almost | :38:35. | :38:40. | |
found it erotic, darling. That probably says a lot more about | :38:40. | :38:50. | |
:38:50. | :38:50. | ||
me than you actually. We're glad to hear it. Len? I was | :38:50. | :38:54. | |
expecting like a hammer house of horrors. I was totally wrong. I | :38:54. | :38:58. | |
liked the confidence that you did that first section on your own. | :38:58. | :39:03. | |
Then when James joined in, you had intensity. It was dramatic. You had | :39:03. | :39:08. | |
attack. A little bit too much frock wafting for me. But apart from that, | :39:08. | :39:14. | |
it was terrific. Well done. Lovely, Alex. Don't worry darling. You're | :39:14. | :39:19. | |
lovely. Alesha? You had a knock last week, but you've picked | :39:19. | :39:23. | |
yourself up and you're back on form. I absolutely loved the beginning. | :39:23. | :39:28. | |
You took a risk, out there on your own and it worked. The whole thing | :39:28. | :39:30. | |
was atmospheric, the drama was brilliant. You've had a | :39:30. | :39:37. | |
breakthrough this week, you really have. You've upped your game. | :39:37. | :39:47. | |
:39:47. | :39:48. | ||
And Bruno? Alex, haunting, voluptuous with a hint of madness. | :39:48. | :39:52. | |
Your strength from last week has improved so much. You're linking | :39:52. | :39:55. | |
the lines. Your assertive. You're in character. That's the way to | :39:55. | :39:58. | |
proceed. Well done. What a lovely night for you. Off | :39:58. | :40:08. | |
:40:08. | :40:12. | ||
you go. Well done Alex. Thank you. That's | :40:12. | :40:18. | |
what I call a dance resurrection. You own won Craig over, he said | :40:18. | :40:22. | |
"almost erotic". There was room for improvement after last week. Alesha | :40:22. | :40:27. | |
said back on form, a breakthrough. Did you feel that? I enjoyed it a | :40:27. | :40:36. | |
bit more this time. I mean, I think I looked scared... Look at James. | :40:36. | :40:41. | |
guess she finds it easier to be aggressive with me rather than | :40:41. | :40:44. | |
romantic. I don't understand why. Can you smile for us? Thank you. | :40:44. | :40:54. | |
:40:54. | :41:13. | ||
Even Dracula is happy. Brilliant score. Call later in the show, if | :41:13. | :41:17. | |
you think Alex should bring the ballroom back to life again next | :41:17. | :41:22. | |
weekend. Don't bite her! All our 11 stars have been training all week | :41:22. | :41:26. | |
from dawn till dusk. But one couple will be leaving this weekend. They | :41:26. | :41:32. | |
need your votes. Next up is Holly Valance and her | :41:32. | :41:37. | |
partner, Artem. APPLAUSE | :41:37. | :41:44. | |
Another popular lady. How about this, they're dancing the American | :41:44. | :41:50. | |
smooth to Swan Lake by Tchaikovsky. Holly is a fan of the great | :41:50. | :41:55. | |
composers and said to me, "Bruce, if Beethoven was alive today, he | :41:55. | :42:00. | |
would have loved listening to you entertain." Wasn't that nice! Base | :42:00. | :42:06. | |
ofb, hang on a -- Beethoven, hang on, he was deaf, wasn't he? Deaf as | :42:06. | :42:11. | |
a post! For goodness sake, I'll get you for that. Here they are in | :42:11. | :42:17. | |
training. Last week I danced the Viennese | :42:17. | :42:21. | |
waltz. It was really pretty. I didn't feel like I got a feeling | :42:21. | :42:25. | |
out of doing it. A bit bump I I thought. I watched myself and just | :42:25. | :42:32. | |
think it looks like a dog's breakfast. | :42:32. | :42:35. | |
We're always missing something every week. We're not making it | :42:35. | :42:40. | |
perfect. You can be amazing. You have to focus and give it even more. | :42:40. | :42:45. | |
Holly is giving what she think sz 100%. But I don't think Holly | :42:45. | :42:49. | |
understands how good she can be. This week is Hallowe'en week. I'm | :42:49. | :42:53. | |
dancing the American smooth to Swan Lake. | :42:53. | :42:57. | |
Hallowe'en is my absolute favourite holiday of the year. Are you | :42:58. | :43:00. | |
kidding me? We've been training really hard. We're going to take a | :43:00. | :43:08. | |
bit of a break. We're going to go to a theme park. | :43:08. | :43:18. | |
:43:18. | :43:20. | ||
We've got nothing to fear. What are you doing to me? Why are you here? | :43:20. | :43:24. | |
SCREAMING You go first. I can't handle this. | :43:24. | :43:34. | |
:43:34. | :43:36. | ||
Oh, my God. Where's Artem? This is ridiculous. | :43:36. | :43:43. | |
We have training to get to. anyone finds this footage, I didn't | :43:43. | :43:50. | |
make it. Kara I love you. Sorry I didn't make it to rehearsals. | :43:50. | :44:00. | |
:44:00. | :44:00. | ||
Apology for the loss of subtitles for 40 seconds | :44:00. | :45:42. | |
What is wrong with you. I thought CHEERING AND APPLAUSE Well done | :45:42. | :45:48. | |
Holly and Artem. Well done, indeed. | :45:49. | :45:54. | |
Listen to that and look at this. Enjoy it. Look. | :45:54. | :46:03. | |
Absolutely lovely. Are you pleased? I know the clocks go back later | :46:03. | :46:06. | |
tonight, to be honest I'd like them to go back right now and let's see | :46:06. | :46:11. | |
it again. I thought it was terrific. I really did. Could have done with | :46:11. | :46:16. | |
a little bit more in hold for me, Artem. You know I'm a bit finicy in | :46:16. | :46:23. | |
that respect. What a number. It was terrific. Well done. What a number. | :46:23. | :46:27. | |
Beautiful music. Alesha? You both look incredible. This is my | :46:27. | :46:31. | |
favourite concept so far. I have to say, you create some beautiful | :46:31. | :46:35. | |
lines and shapes. There was nothing about it conventional. It was | :46:35. | :46:38. | |
original. You were magnificent Holly. I have to tell you, for me, | :46:38. | :46:42. | |
this is the dance that shows you're a real contender in this | :46:42. | :46:46. | |
competition now. Another breakthrough. Yeah. Lovely. | :46:46. | :46:51. | |
Now then, Bruno? When I heard that you were going to attempt Swan Lake, | :46:51. | :46:56. | |
the music is so difficult, I thought, she's gone barmyi. She's | :46:56. | :47:01. | |
lost the plot. But you've succeeded. You produced a performance of great | :47:01. | :47:07. | |
style, great artistry. As she said, your top lines were just exquisite. | :47:07. | :47:17. | |
:47:17. | :47:17. | ||
Beautiful. What about that? And you haven't heard from Craig yet. | :47:17. | :47:23. | |
high risk and perilous concept, to not have a dress on, to cover up | :47:23. | :47:33. | |
:47:33. | :47:39. | ||
the legs, particularly in foxtrot The music was wonderful. Dave and | :47:39. | :47:44. | |
the orchestra! Off you go. Be proud my darling. And Artem, well done | :47:44. | :47:52. | |
indeed. APPLAUSE | :47:52. | :47:57. | |
Wow! The haunting, fabulous routine. Bruno said it was high risk, but | :47:57. | :48:01. | |
high quality. We loved it. You got a standing ovation in the studio. | :48:01. | :48:04. | |
It's amazing. It's been my favourite dance so far. I loved it. | :48:04. | :48:08. | |
I think it was the audience's favourite dance. How many times due | :48:08. | :48:17. | |
go round? Six. Do you need a sick bucket? I'm OK. Alesha says you're | :48:17. | :48:21. | |
a contender now. You started out so strong in the competition, second | :48:21. | :48:24. | |
week one. How much do you want to be back at the top? So, so much. We | :48:25. | :48:34. | |
:48:35. | :48:49. | ||
worked so hard this week. 35 out of 40! All that hard work | :48:49. | :48:57. | |
paid off. Best score of the night so far. What a routine. Call later | :48:57. | :49:00. | |
if you want Holly to swan into next week and dance again. How much | :49:01. | :49:06. | |
would that mean to you? Please call! She wants to be here. Still | :49:06. | :49:11. | |
to come, we unleash more creatures of the night. We have Anita, Robbie, | :49:11. | :49:17. | |
Jason, Harry and it will come as no surprise that Lulu is as batty as | :49:17. | :49:24. | |
ever. It's enough to give you goose bumps. | :49:24. | :49:27. | |
Right our next couple tonight is Nancy Dell'Olio and her partner, | :49:27. | :49:35. | |
Anton. What about these two! They're | :49:35. | :49:40. | |
dancing the rumba and for this dance Nancy has to pretend she's | :49:40. | :49:43. | |
completely in love with Anton. LAUGHTER | :49:43. | :49:47. | |
I said well Anton can definitely give you some tips on that... He's | :49:47. | :49:57. | |
:49:57. | :49:57. | ||
been in love with himself for years. APPLAUSE | :49:57. | :50:05. | |
Who else does? Maybe his mother. Here they are in training. | :50:05. | :50:09. | |
Last Saturday, I was bitterly disappointed with myself. This time | :50:09. | :50:14. | |
particularly because I knew I could do much better. It was one of those, | :50:14. | :50:17. | |
it started off on the wrong foot. It's a shame because it could have | :50:18. | :50:22. | |
been good. I know you messed up after the dip thing really badly. | :50:22. | :50:26. | |
You still went off time. She's not much good on her feet. Perhaps | :50:26. | :50:32. | |
she's better on her head. # Shot down in a blaze of glory # | :50:32. | :50:37. | |
What can you do. It's Saturday night syndrome. That was suppose -- | :50:37. | :50:41. | |
we're so close to being good. week is Hallowe'en and we're | :50:42. | :50:45. | |
dancing the rumba. It is essentially the dance of love. | :50:45. | :50:51. | |
about just a kiss? I don't want a kiss. Nancy said we need a coffin. | :50:52. | :50:58. | |
It has to be sparkly, Strictly. I got her a coffin. | :50:58. | :51:08. | |
Delivery for Nancy Dell'Olio. she grateful? What is this? | :51:08. | :51:12. | |
It's so horrible, disgusting to see this. I'm not going to rehearse | :51:12. | :51:16. | |
today. I'm not going there. You're joking. Have a look inside. You | :51:16. | :51:19. | |
might like it. It's luxury. Look at that, spiders and everything. | :51:19. | :51:23. | |
You're going to love it. I knew that you were a nightmare, but this | :51:23. | :51:26. | |
is the end. You never know how it's going to go | :51:26. | :51:36. | |
:51:36. | :51:36. | ||
on the live show. I'm not going to perform in that kofpb. -- coffin. I | :51:36. | :51:46. | |
:51:46. | :51:46. | ||
Apology for the loss of subtitles for 40 seconds | :51:46. | :53:33. | |
want crystal all over, glamorous. CHEERING AND APPLAUSE What a story! | :53:33. | :53:37. | |
Get him out of there. I left a sandwich in there when I was having | :53:37. | :53:42. | |
a nap this afternoon. All right Anton? What happened? | :53:42. | :53:49. | |
What's the mat sner Don't talk to me about the boa again. I told you, | :53:49. | :53:54. | |
no boa. She's a boa constrictor this one. Did you enjoy that? | :53:54. | :54:00. | |
I do enjoy. It was difficult, at the start getting out of the coffin. | :54:00. | :54:06. | |
I suggest it, but when I saw the coffin in rehearsal studio, I said, | :54:06. | :54:15. | |
I must be crazy. We saw that. Alesha darling? Nancy, I think | :54:15. | :54:20. | |
you're a sexy woman and you know how to work it. But you're a | :54:20. | :54:23. | |
walking disaster. Sorry Craig stealing your word. Your legs are | :54:23. | :54:29. | |
so far apart and that's not very feminine. No, I'm being serious. | :54:29. | :54:35. | |
It's very ploddy and just the lift, it's so unflattering. You both | :54:35. | :54:39. | |
should have stayed in the coffin, but having said that, I'm sure the | :54:39. | :54:42. | |
viewers at home will love it. I didn't like it. | :54:43. | :54:49. | |
Don't go any further. Right. Bueno? Oh, napbs -- Bruno? Nancy, emerging | :54:50. | :54:55. | |
from the coffin, looking like the Queen of the night but you danced | :54:55. | :55:00. | |
like the walking dead. It was like walking Bond Street, designer gear. | :55:00. | :55:04. | |
I said many times, have you to listen to the music. If you don't | :55:04. | :55:09. | |
listen to the music all your steps are gangling all over the place. | :55:10. | :55:14. | |
You're a beautiful woman. Concentrate, focus on the music. | :55:14. | :55:18. | |
Feel it in your body. Use it with the music, my darling. Because this | :55:18. | :55:25. | |
is like a big plonky number. Oh, dear. I'm very surprised. | :55:25. | :55:32. | |
Craig? Don't let him start as well. Haven't we had enough. Come on. | :55:32. | :55:39. | |
Craig has to have his say. He must? Dance horriblus darling. You see, I | :55:39. | :55:43. | |
told you. The moment you stepped out of that sarcophagus, darling, | :55:43. | :55:51. | |
was the moment it all went horribly wrong. Anton I'm getting bored of | :55:51. | :55:55. | |
that lift now, can we change it please, if you're here next week. | :55:55. | :56:05. | |
:56:05. | :56:06. | ||
It was not my idea. It was also illegal. If you're here next week, | :56:06. | :56:12. | |
if you're here next week... You do the choreography OK? Is that fair? | :56:12. | :56:18. | |
You do it Nancy darling. Len? was interesting listening to you | :56:18. | :56:25. | |
all chat ago way. The rumba, the dance of love. There were moments | :56:25. | :56:31. | |
of Mills and Boon and moments of meals on wheels. It was a mixture. | :56:31. | :56:35. | |
You did a few basic steps. It waents all bad. I didn't mind it | :56:35. | :56:45. | |
really. -- It wasn't all bad. I didn't mind it really. Nancy, don't | :56:45. | :56:49. | |
take it to heart. You do the choreography. He's keeping you back. | :56:49. | :56:59. | |
:56:59. | :57:08. | ||
Off you go. That was a rumba with a difference. | :57:08. | :57:13. | |
Was there a part of you athat wanted to nail the coffin lid shut | :57:13. | :57:20. | |
with Anton in it? What a night this has turned out to be. I will never | :57:20. | :57:27. | |
paint the skreeling again I tell you. Look at the state of it. -- | :57:27. | :57:32. | |
ceiling. Len said moments of Mills & Boon and moments of meals on | :57:32. | :57:35. | |
wheels, what's all that about? don't know. Are we going to throw | :57:35. | :57:40. | |
the boa in the coffin? No, we're going to use it next week. Do we | :57:40. | :57:48. | |
have a problem with the boa? No. The scores are in. You think it's | :57:48. | :57:58. | |
:57:58. | :58:15. | ||
Ouch, 14 out of 40. What do you think? Write down this number and | :58:15. | :58:19. | |
call later if you thought Nancy's rumba was spookily good and you'd | :58:19. | :58:23. | |
like to see her dance next week. think I'm looking a bit under the | :58:23. | :58:27. | |
weather myself. You're not yourself. None of our stars want their | :58:27. | :58:31. | |
ballroom dreams buried. But without your votes your favourite will be | :58:31. | :58:37. | |
in grave danger. Can we get a costume to put a zip in that? We're | :58:37. | :58:43. | |
about to delve into the twilight zone. I want to be like Artem. Look | :58:43. | :58:49. | |
at that, cor. I think we're ready. Next tonight, there's another show | :58:49. | :58:54. | |
going on up there. Next tonight is Harry Judd and his partner Aliona. | :58:54. | :58:59. | |
CHEERING Oh, popular! What a popular young | :58:59. | :59:03. | |
man. He's doing so well. Harry told me | :59:03. | :59:09. | |
for this dance he will take on the role of a vampire and Aliona will | :59:09. | :59:15. | |
scare him off with lots of cloves of garlic. He wanted my opinion. I | :59:15. | :59:18. | |
said "Personally I prefer Aliona dancing with no cloves... | :59:18. | :59:26. | |
$$TRANSMIT" of garlic! Who's working that autocue, hey? It | :59:26. | :59:28. | |
should have come up after the vampire. | :59:28. | :59:32. | |
Made me look a fool. You understand don't you? Of course you do. Here | :59:32. | :59:39. | |
they are in training. Last Saturday the dance wents | :59:39. | :59:44. | |
really well, but it did cause a few arguments. I didn't get it. I | :59:44. | :59:48. | |
didn't get that bit. Actually you're wrong. How can you possibly | :59:48. | :59:52. | |
say that? It was amazing to get the first ten. I can't expect that | :59:52. | :59:56. | |
every week. But I've got to keep doing my best. That could become | :59:56. | :00:04. | |
our thing, but we need to practice -- practise it. Better. This week | :00:04. | :00:09. | |
it's Hallowe'en week. We are dancing the tango. The song we're | :00:09. | :00:14. | |
dancing to is called Psycho Killer, which is pretty intense. More angry. | :00:14. | :00:19. | |
Aliona seems to think I have a dark side. Harry's dark side wasn't | :00:19. | :00:24. | |
coming out as easily as I hoped. Soy cooked up an old family -- so I | :00:24. | :00:33. | |
cooked up an old family recipe. Where are we? The scariest place in | :00:34. | :00:42. | |
the UK. Come on. This must be bringing out your dark side... | :00:42. | :00:52. | |
:00:52. | :00:53. | ||
Harry? Harry, where are you? It's not funny any more. Where are you?! | :00:53. | :00:59. | |
My Princess of darkness, let's tango. | :00:59. | :01:09. | |
:01:09. | :01:09. | ||
Apology for the loss of subtitles for 40 seconds | :01:09. | :03:05. | |
You do have a dark side. I like it. CHEERING AND APPLAUSE You cannot | :03:05. | :03:12. | |
stop it. They love Harry! I tell you, look at them. Enjoy this, | :03:12. | :03:20. | |
Harry and Aliona. That is beautiful. Well done. | :03:20. | :03:25. | |
They're just wild about Harry... I tell you. You're away there son. | :03:25. | :03:31. | |
Bruno start us off. Intense, hypnotic, erotic, I can feel your | :03:32. | :03:36. | |
power getting stronger and stronger. You can bite as much as you like, | :03:36. | :03:45. | |
as long as you keep dancing like this. It was great. | :03:45. | :03:49. | |
Craig? Full of intent. Full of purpose. Full of aggression. I | :03:49. | :03:53. | |
thought, I loved the story telling. That was fantastic. I'd like to | :03:53. | :03:57. | |
have seen a bit more in hold, however. But the tango that you did | :03:57. | :04:00. | |
do, I thought you did very, very well. | :04:00. | :04:10. | |
:04:10. | :04:14. | ||
And Len? You see, Harry, please don't think I have a downer on you | :04:14. | :04:18. | |
or Aliona, because I haven't. Honestly. You see, I watch a tango, | :04:18. | :04:22. | |
I want to see more than eight bars in hold. Now I thought it was a | :04:23. | :04:26. | |
terrific number. It was sharp, all that stuff on the chair was | :04:26. | :04:31. | |
together. It was very, very crisp and enjoyable. But you know, I'm | :04:31. | :04:36. | |
from a world different to our other judges. I'm from the world of | :04:36. | :04:43. | |
ballroom dancing. This is a tango and I want to see... | :04:43. | :04:47. | |
I do not lie. I want to see more than eight bars in the tango hold. | :04:47. | :04:53. | |
What's annoying, when you are in hold, you are fantastic. | :04:53. | :05:00. | |
APPLAUSE Worth thinking about that. And | :05:00. | :05:04. | |
Alesha? I do agree with Len a bit. It's by no means a criticism | :05:04. | :05:12. | |
because you played it so well. Har ery, you're too cool for school. | :05:12. | :05:17. | |
Art is subjective and for me you created a beautiful piece of dance. | :05:17. | :05:24. | |
The quing and queen of tango tonight. -- King and queen of tango | :05:24. | :05:27. | |
tonight. Well done. We're just wild about Harry. | :05:27. | :05:34. | |
APPLAUSE Yes the king and queen of tango are | :05:34. | :05:38. | |
in the house. Craig says full of intent and aggression. Where have | :05:38. | :05:44. | |
you been hiding that tark side? Aliona brought it out in me this | :05:44. | :05:51. | |
week. Chablg the aggression. being really hard core in training. | :05:51. | :05:56. | |
Is it scary leading a rofegsal? Very scary. It's frightening enough | :05:56. | :06:01. | |
being out there to start with. And it's hard to talk with these teeth | :06:01. | :06:07. | |
in as well. Your band mates are here again. Do you reckon they | :06:07. | :06:17. | |
:06:17. | :06:34. | ||
could cut it? Not a chance. 34 out of 40. Another ten. The | :06:34. | :06:39. | |
second of the competition. You owned it. | :06:39. | :06:46. | |
Amazing. Thank you. The number to call later : If our Harry's | :06:46. | :06:49. | |
terrifying tango thrilled you and you want to see him dance again | :06:49. | :06:55. | |
next Saturday. At bbc.co.uk/strictly you can keep up | :06:55. | :07:01. | |
to date with everything ballroom. And follow us on Twitter as well. | :07:01. | :07:07. | |
Time for our next couple, Robbie Savage and his partner, Ola. | :07:07. | :07:12. | |
Another popular couple, so many popular couples this year. During | :07:12. | :07:15. | |
his dance last week, Robbie slid on his knees towards the camera, over | :07:16. | :07:20. | |
there actually, slid right the way across and didn't stop in time. The | :07:20. | :07:23. | |
impact almost broke his nose. After the show, we called for an | :07:23. | :07:25. | |
ambulance. They took him straight to the hairdressers. | :07:25. | :07:30. | |
LAUGHTER It's true. I'm telling you the | :07:30. | :07:33. | |
truth. Well he wanted to have his hair | :07:33. | :07:38. | |
done before he went to hospital. When I go to the doctors I always | :07:38. | :07:41. | |
wear a clean vest. Here they are... LAUGHTER | :07:41. | :07:50. | |
Here they are in training. Last week, Robbie really got into | :07:50. | :07:57. | |
his dance. He was the love man. We're love men, hey! You loved it. | :07:57. | :08:07. | |
:08:07. | :08:07. | ||
The people loved it. I loved it. Give it to me Ola! Last Saturday I | :08:07. | :08:13. | |
hurt my nose, too much enthusiasm. I was supposed to stop before the | :08:13. | :08:17. | |
camera. Overshot it, straight into the camera. Bang, nose... Really | :08:17. | :08:23. | |
sore. Because it's Hallowe'en week, you have to face your worst | :08:23. | :08:32. | |
nightmare. Which is what? You don't know what it is. The make-under. | :08:32. | :08:40. | |
Make-under, what's that? Let the make-under begin. | :08:40. | :08:45. | |
# Sexy, everything about you's so sexy | :08:45. | :08:49. | |
# You don't even know what you've got... # | :08:49. | :08:53. | |
Perfect. Now come with me and I'll show you a surprise. | :08:53. | :09:03. | |
:09:03. | :09:04. | ||
Open your eyes. Wow. I am ugly. | :09:04. | :09:10. | |
# UGLY, you ain't got no alibi, you ugly. # | :09:10. | :09:13. | |
I've faced my worst fears today. Can you imagine looking at me all | :09:13. | :09:23. | |
:09:23. | :09:23. | ||
Apology for the loss of subtitles for 40 seconds | :09:23. | :11:25. | |
CHEERING AND APPLAUSE What about Absolutely, Robbie, well done. | :11:25. | :11:29. | |
Craig, oh, dear... You didn't know where to look for the best. | :11:29. | :11:34. | |
LAUGHTER Oh, we're going to start off with | :11:34. | :11:41. | |
you as well. We really could have done without all the hip thrusts | :11:41. | :11:46. | |
and particularly the end one in my face, darling. Technically it | :11:46. | :11:51. | |
needed a bit more drive. There needed a lot more arch in it. I | :11:51. | :11:55. | |
felt that you had to load a bit more. Your hands were on occasion | :11:55. | :11:59. | |
like soup ladles, darling. Apart from all that, I suppose, it was | :11:59. | :12:01. | |
amazing. LAUGHTER | :12:01. | :12:03. | |
APPLAUSE Good. | :12:03. | :12:08. | |
Good. What | :12:08. | :12:08. | |
Good. What a | :12:08. | :12:09. | |
Good. What a jump | :12:09. | :12:12. | |
Good. What a jump to get up there. You look here, the way he jumped on | :12:12. | :12:18. | |
the top, it's fantastic. Len? was a little bit disconcerting when | :12:18. | :12:23. | |
you kept thrusting your wobbly bits all offer the shop. I saw the | :12:23. | :12:28. | |
Robbie, but I would have liked a bit more savage. You didn't give it | :12:28. | :12:32. | |
as much as I expected. You're a ballroom boy, not so much a Latin | :12:32. | :12:38. | |
guy. You've got to work on getting the Latin to the same standard that | :12:38. | :12:43. | |
your ballroom dancing is. It was good. Especially when you jumped up. | :12:43. | :12:49. | |
Len, we all jumped that. We really D Alesha? I say keep thrusting. Put | :12:49. | :12:54. | |
it in every dance, honestly. It just works. It was a bit erratic at | :12:54. | :12:58. | |
times. The cape work was brilliant. I disagree with the boys. I thought | :12:58. | :13:01. | |
you had real purpose and intent throughout. You really went for it, | :13:01. | :13:06. | |
well done. You're right Alesha.. The cape was | :13:06. | :13:14. | |
excellent. I forgot about that. Bruno? Yes, Rob, that was bad gone | :13:14. | :13:20. | |
mental. The forward thrust with that scared the hell out of me. Go | :13:20. | :13:26. | |
for it if you've got it, isn't it? You know what you're good at now. | :13:26. | :13:33. | |
We all know what he's good at. like the bit about artistry... | :13:33. | :13:38. | |
it. Don't say any more. Bruno is lost for words. Thank goodness. | :13:38. | :13:42. | |
I've waited for this day. It was wonderful. Off you go, the pair of | :13:42. | :13:52. | |
:13:52. | :13:53. | ||
you. Ola and Robbie! APPLAUSE | :13:53. | :13:58. | |
Who's bad?! Standing ovation in the studio. You nearly took Craig's eye | :13:58. | :14:06. | |
out... With your knee! My nose. got stuck into that paso. Did it | :14:06. | :14:13. | |
feel good? Loved every minute of it. We loved it too. Yeah, come on. | :14:13. | :14:18. | |
wanted more savage is there more to give? Hopefully. We got a whole lot | :14:18. | :14:28. | |
:14:28. | :14:48. | ||
26, and keep thrusting. All right Robbie. Call this number: Call | :14:48. | :14:52. | |
later if you thought Robbie paso was bad, in a good way and you'd | :14:52. | :14:57. | |
like a replay. Tonight has been a white knuckle ride. None of our | :14:57. | :15:00. | |
stars want this week to be the final destination. They'll all need | :15:00. | :15:04. | |
your votes. Wasn't that brilliant. Back to you Bruce. | :15:04. | :15:11. | |
Our next couple is Anita Dobson and her partner, Robin. | :15:11. | :15:18. | |
So many lovely couples in this show. Anita, she's done dramatic scenes | :15:18. | :15:23. | |
on television, dramatic scenes in theatre, even dramatic scenes in | :15:23. | :15:26. | |
Shakespeare. That's the last thing we need this week, another drama | :15:26. | :15:29. | |
queen. Don't want to mention any names, | :15:30. | :15:39. | |
but follow my eyes. Here they are in training. | :15:39. | :15:46. | |
Last week I wasn't really feeling the -- that I was improving at the | :15:46. | :15:50. | |
rate I wanted to. I needed a confidence boost. That's what I got. | :15:50. | :15:56. | |
It was sophisticated, classy and you are a consummate pro. After the | :15:56. | :16:01. | |
comments, when I saw an eight come up from Craig, I was so thrilled | :16:01. | :16:07. | |
and shocked. Then when four eights came up, I was ecstatic. You can't | :16:07. | :16:11. | |
quite believe you're getting eights? No, thank you. I'm so happy. | :16:11. | :16:18. | |
I've improved. This week is Hallowe'en week and we are dancing | :16:18. | :16:23. | |
the terrifying tango. I love it, but it's very scary. My challenge | :16:23. | :16:28. | |
this week is to find the character of the devil woman. I'm working | :16:28. | :16:38. | |
:16:38. | :16:39. | ||
really hard to release the devil in me. I really shouldn't, oh, go on | :16:40. | :16:45. | |
skhrats -- Go on! Go for it. Yeah. Nothing scares me about Anita. | :16:45. | :16:48. | |
Though this week is Hallowe'en week and I'm seeing there's a devil | :16:48. | :16:55. | |
inside. I want you to draw a big circle, all the way around. We go | :16:55. | :17:00. | |
again. Are you paying attention, Anita? Yes, of course I am. I've | :17:00. | :17:04. | |
tried really hard all week to get this character right. I hope on the | :17:04. | :17:12. | |
night I can really bring out the devil in me. | :17:12. | :17:22. | |
:17:22. | :17:23. | ||
Apology for the loss of subtitles for 40 seconds | :17:23. | :19:17. | |
CHEERING AND APPLAUSE How about that, Anita, that was, hey! Please | :19:17. | :19:22. | |
don't, you scared me. It was definitely the Queen Vic landlady | :19:22. | :19:28. | |
there for a moment. I really liked it. There was a lot of tango | :19:28. | :19:32. | |
content. You got into hold and went into the dance. You lost a step | :19:32. | :19:35. | |
they called the chase. You lost your timing on that. You know where | :19:35. | :19:42. | |
I mean, don't you? I do. probably don't. But Robin does. | :19:42. | :19:46. | |
Your posture is the weakest thing. You are too vertical. Yeah, it's | :19:46. | :19:53. | |
hard to do. I really enjoyed it. I know that to do a proper tango is | :19:53. | :19:57. | |
far more gruelling and time constraining than just standing | :19:57. | :20:00. | |
side by side and mincing around. So well done. | :20:00. | :20:08. | |
Well done indeed. Alesha? You're a fantastic actress. I loved the | :20:08. | :20:12. | |
drama. You were quite scary out there. She is. You need to spend a | :20:12. | :20:16. | |
bit of time perfecting your hold. Once you master that, it will get | :20:16. | :20:20. | |
you to the next level. Apart from that, you're brilliant. Well done. | :20:20. | :20:29. | |
I never knew you could play so evil. Watch it. Don't trust the scarlet | :20:29. | :20:32. | |
woman with the devil inside. You portray every aspect of your | :20:33. | :20:35. | |
character with every step. It's great to watch. She is right. You | :20:35. | :20:39. | |
have to work on the frame. That will help you a lot to give the | :20:39. | :20:41. | |
correct lines in the dance. Otherwise very good. | :20:41. | :20:50. | |
Absolutely. And Craig? Acting ten, top line three. You need to meet | :20:50. | :20:53. | |
the top line in the middle somewhere. Absolutely, I loved the | :20:53. | :20:56. | |
routine though. I really, really did. | :20:56. | :21:03. | |
Lovely, well done both of you. Anita, off you go then and Robin. | :21:03. | :21:13. | |
:21:13. | :21:21. | ||
Breathe, breathe. How are the nerve that's week? Ooohhhh... I know | :21:21. | :21:29. | |
you're very nervous. I said "Not as nervous as last week?" She said | :21:29. | :21:37. | |
"More nervous." Alesha loved the drama. What do people shout in the | :21:37. | :21:47. | |
:21:47. | :22:07. | ||
street, is it still Angie? They go Another great score. OK, call later | :22:07. | :22:11. | |
if you think Anita's tango was devilishly good and you'd love to | :22:11. | :22:15. | |
see her back in the ballroom for more. Remember all of our couples | :22:15. | :22:18. | |
need your votes. One couple will be leaving in tomorrow night's results | :22:18. | :22:23. | |
show. Time now for our next couple Lulu | :22:23. | :22:29. | |
and her partner, Brendan. APPLAUSE | :22:29. | :22:35. | |
Now she was riding high last week with the samba. But can she take | :22:35. | :22:44. | |
off with the paso doble? Let's find out. Here they are in training. | :22:44. | :22:49. | |
Last week Lulu was determined to break the curse of the samba. | :22:49. | :22:53. | |
the one dance I always get kicked out of Strictly on. Ti, was a bit | :22:53. | :23:01. | |
repetitious. Brendan took that to heart a bit. Repetitive in what way. | :23:01. | :23:06. | |
We had promenade runs, whisks, walks, locks... It's hard not to | :23:06. | :23:10. | |
take it personally. I would have liked a little bit more content. | :23:10. | :23:17. | |
You're telling me there's a lack of content? Six. Come on, it wasn't | :23:17. | :23:27. | |
:23:27. | :23:29. | ||
In my routine I'm channelling a bat from hell. | :23:29. | :23:34. | |
# Like a bat out of hell... # After last week Lulu wanted more | :23:34. | :23:40. | |
excitement. Can I wear a big bat dress. I hope I'm bringing that | :23:40. | :23:44. | |
everything I've thrown at her. quite a lot to think about. | :23:44. | :23:49. | |
wants a challenge, I think I've given her a challenge. Pull tight. | :23:49. | :23:58. | |
I'm going to learn how to fly. Oh, no, it feels really horrible. | :23:58. | :24:03. | |
That's more like it. I don't know if I'm going to be terrified or | :24:03. | :24:08. | |
just have the best time. It is time to fly. I'm going for the first - | :24:08. | :24:18. | |
:24:18. | :24:18. | ||
Apology for the loss of subtitles for 40 seconds | :24:18. | :26:19. | |
terrified. Nice one Lu. Fantastic. CHEERING AND APPLAUSE Come back | :26:19. | :26:24. | |
here! Brendan, well done, the pair of you. | :26:24. | :26:30. | |
I tell you, absolutely... APPLAUSE | :26:30. | :26:38. | |
Here they are. Look at this Lulu! CHEERING AND APPLAUSE Absolutely. A | :26:38. | :26:42. | |
standing ovation. Well done. You are brave. | :26:42. | :26:50. | |
You really are. Made Craig lock a bit silly, didn't it? -- look. | :26:50. | :26:56. | |
Bruno? I tell you, you handled all those tricks with great panache. | :26:56. | :26:59. | |
Another thing, you didn't go wrong tonight. I counted all the way | :26:59. | :27:02. | |
through, I thought, oh, she's going to lose it. She's going to lose it. | :27:02. | :27:07. | |
You didn't lose it! You did it well. You were strong and you were | :27:07. | :27:13. | |
powerful. All right then. Let's see what Craig thought. I'm quite | :27:13. | :27:17. | |
partial to a bit of flying myself actually. | :27:17. | :27:20. | |
I thought the concept was absolutely great, Brendan, | :27:20. | :27:25. | |
fantastic work. I loved that exit. Really theatrical. Just when you're | :27:25. | :27:31. | |
in hold, I felt it was a battle for spremcy. I felt like you were just | :27:31. | :27:35. | |
trying to, you were always catching up to Brendan. That's the paso | :27:35. | :27:39. | |
doble, that's the idea. The fight and the cape. Not running and | :27:39. | :27:46. | |
trying to catch up, Bruno. Oh, God. I loved it. All right, Len is | :27:46. | :27:56. | |
looking pen sieve. Lots of tricks and quite a few treats. Now you | :27:56. | :28:00. | |
know what the problem is, you're a little bit soft in the body. And | :28:00. | :28:05. | |
Brendan is trying to lead you in the chassis capes and you're too | :28:05. | :28:09. | |
willowy. He can't use it. It's all about reaction and action. That was | :28:09. | :28:19. | |
:28:19. | :28:19. | ||
missing. But what entertainment, I loved it! Exactly. And Alesha. | :28:19. | :28:23. | |
amazing entrance. I love your determination. It was a really | :28:23. | :28:27. | |
brave attempt. You should be proud this week. You did a good job. | :28:27. | :28:31. | |
Really, really good job. And you're still my favourite. I'm still your | :28:31. | :28:35. | |
favourite? Go on. And Brendan as well. Off you go! | :28:36. | :28:45. | |
:28:46. | :28:50. | ||
You took off there. I was flying. You were. Did you enjoy the view? | :28:50. | :28:58. | |
loved it up there. We all want a go now. Can I just say, wardrobe, the | :28:58. | :29:02. | |
flyers, the crew getting on and off, they've done a phenomenal job. | :29:02. | :29:06. | |
APPLAUSE Pulled out all the stops tonight. | :29:06. | :29:13. | |
Fair point. ( Lulu, Bruno said you didn't go wrong. How much of a | :29:13. | :29:18. | |
relief was that? I prayed all week for that, just to hear Bruno say | :29:18. | :29:22. | |
those words. Your prayers were answered. Craig loved it. Let's | :29:22. | :29:32. | |
:29:32. | :29:46. | ||
hope your prayers are answered when 29! You're flying high Lulu, well | :29:46. | :29:52. | |
done. We'll take it. Call when the phone lines open later if you want | :29:52. | :29:56. | |
Lulu to take the highway back to the ballroom next week. We've got | :29:56. | :30:02. | |
one more treat to enjoy and what a treat. | :30:02. | :30:05. | |
Finally tonight it's Jason Donovan and his partner Kristina. | :30:05. | :30:12. | |
CHEERING A popular young man. Very popular. | :30:12. | :30:16. | |
Now Jason told me today that he once saw a ghost during a trip to | :30:16. | :30:22. | |
London. I said "Oh, whereabouts?" He said the bloody tower. I said | :30:22. | :30:26. | |
all right, I only bloomin' asked. It's hard to believe he's | :30:26. | :30:33. | |
Australian sometimes. Any way, here they are in training. | :30:33. | :30:38. | |
Last Saturday, I think the comments were justified. You tried to make a | :30:38. | :30:43. | |
big meal out of this paso. And you got indigestion. Did I find it | :30:44. | :30:48. | |
difficult? Yes. Does it stress me out? Yes. You've got to enjoy each | :30:48. | :30:52. | |
week because this week might be my last week. | :30:52. | :30:57. | |
This week we're dancing the quickstep. My fault. It's quick and | :30:57. | :31:01. | |
it's tough. I need a break. I need five minutes, babe. Babe, do you | :31:01. | :31:11. | |
:31:11. | :31:13. | ||
mind if I have five minutes? Jason... Jason, I'm the ghost of | :31:13. | :31:20. | |
Strictly past. I have words of wisdom for you. It is not necessary | :31:20. | :31:30. | |
:31:30. | :31:31. | ||
to show your chest hair. OK. You're not Crocodile Dundee. Jason? Jason. | :31:31. | :31:35. | |
Katya. I'm the ghost of Strictly present. I bring even wiser words | :31:35. | :31:44. | |
of wisdom. Dance every dance as if it were your last. I should know. | :31:44. | :31:50. | |
OK Katya. Jason, hey Jason... I'm the ghost of Strictly yet to come, | :31:50. | :31:57. | |
Kristina deserves to have a fighter this year otherwise you'll have me | :31:57. | :32:04. | |
to answer to. Oh, yes Sir. Jason, wake up. You look like you've seen | :32:04. | :32:13. | |
a ghost. Funny you should say that. Hey Joe, are you all right? Oh, God. | :32:13. | :32:23. | |
:32:23. | :32:23. | ||
Apology for the loss of subtitles for 40 seconds | :32:23. | :34:03. | |
APPLAUSE How about them! Kristina and Jason, | :34:03. | :34:07. | |
look at that. You should be very proud. A | :34:07. | :34:16. | |
beautiful number. What a finish to the show. It's absolutely wonderful. | :34:16. | :34:26. | |
:34:26. | :34:27. | ||
Wonderful. All right then, now then, Craig? Stone the flamin crows mate. | :34:27. | :34:33. | |
Terrible accent, I've really lost it. I thought that was absolutely | :34:33. | :34:42. | |
fab-u-lus! However... Oh. There were a couple of mistakes. | :34:42. | :34:47. | |
spotted it yeah. It would have been perfect are otherwise. So what, you | :34:47. | :34:51. | |
made a tiny mistake. Some of them have had a tango and they haven't | :34:51. | :34:55. | |
even done a tango. He's done a little mistake and you're picking | :34:55. | :35:00. | |
on him. Let me reiterate what Brendan said, the make up, the hair, | :35:00. | :35:05. | |
the costume people, the production has been fantastic and as far as | :35:05. | :35:08. | |
I'm concerned, you have been fantastic as well. Last week you | :35:08. | :35:14. | |
took a dip. You're back! Well done. CHEERING | :35:14. | :35:18. | |
Back where you belong. You're right the production has been wonderful | :35:18. | :35:22. | |
tonight. Alesha? It was so cute. You were charming throughout. It | :35:22. | :35:26. | |
was interesting, brilliant routine. Well done Jason. | :35:26. | :35:31. | |
Loved the number. Choice of number was marvellous. Kristina, you did a | :35:31. | :35:38. | |
good job. Bruno? Bewitchingly brilliant and slightly barmyi. I | :35:38. | :35:42. | |
liked that you put in great concept, great choreography, you're back on | :35:42. | :35:47. | |
track. Well I can't add to it. Off you go. | :35:47. | :35:57. | |
:35:57. | :35:58. | ||
Go on. Climb those stairs or fly up. Yes. Here he is. The king of the | :35:58. | :36:02. | |
quickstep. Len says you're back, that must feel good. There were a | :36:02. | :36:06. | |
few mistakes there, but I have to say I had a chat to Harry before | :36:06. | :36:10. | |
about counting and I really sort of got that stuck in my head. I think | :36:10. | :36:14. | |
it helped me out a lot. Centre. There was a bit of a wrong | :36:14. | :36:19. | |
direction in my spin I think. But that's life, noi. Nobody noticed. | :36:20. | :36:25. | |
That's the longest standing ovation so far this series. He's a | :36:25. | :36:30. | |
perfectist. May we see the nose wiggle one more time. That deserves | :36:30. | :36:34. | |
a score all by itself. Will you be trick or treating this weekend? | :36:34. | :36:38. | |
With the kids, yeah on Monday. Once I relax from the quickstep, I think. | :36:38. | :36:42. | |
You might want to keep the make up on. Yes! I have to say, I look | :36:43. | :36:46. | |
rather scary. And that's a good thing. If you're still in the | :36:46. | :36:49. | |
competition, what treat have you got in store next weekend? Next | :36:49. | :36:55. | |
week is the rumba. Are we allowed to say that? I think we are. That's | :36:55. | :36:59. | |
scary. Is it scary! We'll get there. I look forward to it. The scores | :36:59. | :37:09. | |
:37:09. | :37:24. | ||
37 out of 40! Congratulations. That's our biggest score of the | :37:24. | :37:31. | |
series. Thank you so much. Wow. Really well done. The number to | :37:31. | :37:37. | |
call for Jason and Kristina: When lines open shortly, if Jason's | :37:37. | :37:41. | |
performance bewitched you and you want him back next week. How does | :37:41. | :37:48. | |
that sound to you? Yes. I'm speechless. Thank you. All our | :37:48. | :37:51. | |
couples have brought us bone rattling ballroom to die for. Have | :37:51. | :38:01. | |
:38:01. | :38:11. | ||
you had fun? Yes! We've loved it. Remember, you could change all that. | :38:11. | :38:21. | |
:38:21. | :38:30. | ||
Lines close at 8.45pm. Voting details can be found at | :38:30. | :38:33. | |
bbc.co.uk/strictly. Russell is kissing everybody. He's just | :38:33. | :38:38. | |
spreading the love. To help you decide who gets your vote, here's a | :38:38. | :38:48. | |
:38:48. | :38:48. | ||
Apology for the loss of subtitles for 40 seconds | :38:48. | :42:08. | |
reminder of tonight's gruesome Well I hope you'll agree that our | :42:08. | :42:13. | |
Hallowe'en special has been a scream. Sadly for a couple with the | :42:14. | :42:16. | |
lowest combined score will get the chop from the competition. Make | :42:16. | :42:20. | |
sure you pick up the phone. Your votes can and do change everything. | :42:20. | :42:24. | |
Nobody in this competition is safe without you. Your stars need you. | :42:24. | :42:28. | |
Yes. In the results show tomorrow at 7.25pm, Tess and Claudia will | :42:28. | :42:34. | |
say goodbye to our fourth couple. I'll be back in the ballroom at | :42:34. | :42:39. |