Week 5 Strictly Come Dancing


Week 5

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Last weekend in the ballroom, dreams really did come true.

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But for some, their world was turned upside down. Not much good

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on her feed. Perhaps she's better on her head. Others had their nose

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put out of joint. Sexless, cold and stiff. Whispering sweet nothings

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and the shout of. Ten! First class. Our favourite comedian left us with

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his last impression. Nice to see you, to see you... NICE! Tonight,

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it's the monster's ballroom. It's a Hallowe'en spectacular. Who'll keep

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their wits about them? I ain't afraid of no ghosts. And who will

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turn into quivering wrecks? It's time to turn up the lights and hold

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Apology for the loss of subtitles for 40 seconds

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on tight. It's fright night on Live from Television Centre,

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Hallowe'en special, it's Strictly Come Dancing. Please welcome your

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Apology for the loss of subtitles for 40 seconds

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Live from Television Centre, please welcome your hosts... Bruce Forsyth

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The dress will allow no more. a state. Any way, good evening

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ladies and gentleman and children. It's Hallowe'en and the time of

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year, I didn't expect that! The time of year when the living dead

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rise from their grave, stalk to the earth and say "nice to see you, to

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see you... NICE! "Aren't you good. It's nice to see you Brucie. It is

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Hallowe'en. Hope you're not scared. I am a bit scared. This week, I had

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the biggest fright of my life. It was dark and stormy. THUNDER CLAPS

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I was alone in the house, when there was a knock at the door.

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I got up to open the door. CREEKING NOISE

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That was me getting up. LAUGHTER

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Then I opened the door. CREEKING Who was there? A tall man in a

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cloak. He said Forsyth, face the facts, it's time to pass over to

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the other side. What a horrible thing to say! I know, I've told him

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before, I'm not going back to ITV! APPLAUSE

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Thank you. I don't care what Simon says. I don't care what he says.

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Tonight, in the ballroom, we're in for a monster treat. Oh, yes.

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our 11 stars give us more thrills and chill that's you can shake a

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wooden stake at. That was difficult to say, wasn't it? Tonight was not

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for the faint hearted. One couple will face the unthinkable terror of

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being eliminated from the competition. I can hear teeth

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chattering, nerves jangling. Shall we unleash them? Yes, consider them

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Apology for the loss of subtitles for 40 seconds

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unleashed. It's time to meet the CHEERING AND APPLAUSE There they

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all are, looking like zombies and the undead. I trust you've all

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recovered from last week? Goodness gracious. Robbie hurt his nose.

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Aneat -- and needed an ice back. Russell hurt his knee and needed an

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ice pack. When Alex wore that sexy cat suit, I needed an ice pack. We

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had to put Len in the fridge, didn't we? Exactly. Where's Craig?

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THUNDER CLAP SINISTER LAUGHING

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The traffic was a complete and APPLAUSE

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Where would you like to us stick the broom stick? And the first one

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who tells him, will go straight through to next week. No vote off,

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nothing, straight through. Tonight, it is bone chilling

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ballroom all the way. Our stars will be dancing, the judges scoring

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and the crumbs will be ranked on the leaderboard. Those score --

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dancers will be ranked on the leaderboard. We also have West End

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star Adam Garcia with us. Just press the red button.

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first couple is Russell Grant and his partner, Flavia.

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APPLAUSE Russell is doing the samba. He was

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going to copy a great star from the past, Carmen Miranda, you remember

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the lady who used to dance with a bowl of fruit on her head? Apples,

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bananas and grapes and Russell said, "No pears?" I said "Certainly not,

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you don't get anything for a pair!" How soon they forget. We'll do that

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again. You don't get anything for a pair! Any way, here they are, good

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Last week's performance I actually really enjoyed. In 90 seconds it

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told the most amazing nocturnal drama. That's what it was. It was a

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nightmare. From Shreeping Beauty to night terror. It all went on in

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your mind. He got it. It was brilliant! What nobody knew at that

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time is I was having trouble with my legs. But this Hallowe'en,

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nothing's going to stop me from dancing the samba.

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When we first started training here, I heard my name being called. Due

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hear that? I heard some kind of baby cry. It's up there. I looked

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up and I saw this presence. Look, see? There's a vibration here that

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definitely requires psychic investigation. Russell thinks this

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place is haunted. I ain't afraid of no ghost. I'm not going to let him

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down. What is going on? Got you! I knew

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Apology for the loss of subtitles for 40 seconds

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it was Flavia all the time. Are you CHEERING AND APPLAUSE What a pair

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you! You she devil. Any way, whilst you two get your breath back, it's

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a good time to welcome our fabulous singers, Dave Arch and his

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wonderful orchestra. APPLAUSE

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Not forgetting our judges. Welcome all of you.

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Now if anyone is watching, is worried that we broke health and

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safety regulations because we flew Craig into the studio ain broom

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stick, let me assure you, he did have a safety harness... Round his

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neck. LAUGHTER

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Even Craig liked that one. Len, what did you think of that? I think

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when you came through that flame, you caught your bum alight because

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you really started dancing. I tell you, there was a few mistakes wents

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on unfortunately, I tell you, don't worry about the X Factor, you have

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the feel-good factor. Thank you Len. Now Alesha, my love.

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The music of Kylie and Russell Grant, what more do we want on

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Strictly Come Dancing? You have a great bounce action. The samba

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suits you. I know you've had some trouble with your knee, my darling,

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but you got the Hallowe'en party started. Well done. And now Bruno?

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Russell, you've turned hell no a camp hefpb -- heaven. You went

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wrong quite a few times because, you know why, you tried to put the

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content in. It went wrong quite a lot. But the fun of it was great.

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The fun was there. Well done. OK, finish us off, Craig? You are one

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wig away darling from being Mystic Meg. There's so much clap on there.

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The dancing sadly let you down this evening. The timing was out. Your

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kick ball changes are all messed up. You have a great double bounce

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action. That was good. That's not too bad. I'd settle for that if I

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was you. Wonderful. What a start to the show. Thank you both.

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You cuddly little devil you. Kicking off the Hallowe'en special,

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dancing the samba in front of 11 million people, how did that feel?

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I love the samba, but I did a lot of steps that I shouldn't have done.

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Sshhh. They didn't notice. judges did, darling. They're not

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daft. The audience didn't. I love the samba and I love Flavia.

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got the feel good factor. You've had knee trouble. It didn't show.

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No, I've got it strapped up. I have a harness like most of the people

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in the show tonight! I might be wheeled on in the future. No I'm

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A four from Craig, how do you feel about that snfrplts he's right. I

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got too much wrong to warrant more than a four. He's right. I take -D

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I'll take over 20. 22 is good. That was my first house in Wembley.

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a sign. OK. Who are you going to The couple with the lowest combined

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judges scores and your votes will leave the competition. We're off.

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Everyone's in high spirits tonight. Over to you, Bruce.

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Now, for our next couple, Chelsee Healey and her partner Pasha.

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APPLAUSE After finishing on top of the

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leaderboard last week, with her quickstep, can Chelsee stay there

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with her tango? Let's find out. Here they are in training.

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How are you feeling? Nervous. Every week I'm scared before we go on.

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The nerves were worth it last week. First class. Know thagt judges

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enjoyed the performance, it was a bit of a confidence boost. To be

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given such amazing scores, I was over the moon. I'm going to take it

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week by week and try our hardest. Yes, dance by dance, week by week...

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This week we're dancing a spine tingling tango. It's a very

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passionate dance. You should be precise but seductive. Oh, no I'm

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not into that. It doesn't suit me. I'm not seductive or sexy. I'm out

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of my comfort zone. We did really well last week. We cannot be

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complacent. So we're going to a local school to see some truly

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scary critics. Here we go. Hello! I had so much fun today

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meeting the children. They were so nice. Everybody go inside. Scary

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scream, come on. It was scarier dancing in front of the children

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than in front of the judges. The children don't care what they say.

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That routine was a horror show was ghastly, darling. I'm going to

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give it a spooky... Seven! If I can face them, I'm sure I can face the

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Apology for the loss of subtitles for 40 seconds

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What's the matter? Are you all right darling, what's happened? You

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messed up a few steps? Just a dress malfunction. Oh, dear. Anything I

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can do, don't worry. You're good. Alesha, start us off. Don't worry

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darlingment Chelsee, don't worry. Please, you know.

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Don't worry at all. Let me tell you, Chelsee, you have nothing to cry

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about my darling. You covered that so well. You should be proud of

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yourself. It didn't stract from the dance at all. You maintained your

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standard from last week. That was clean, sharp, full of attack.

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Come on, smile. I want a smile. Chelsee, when you leave this floor,

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you need to have a smile on your face because this partnership is

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working. It certainly is. You are contenders. It's good. Chelsee my

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darling, I tell you one thing, this wicked little witch is a wicked

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little dancer! You started very, very well. Obviously, you know,

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live shows little incidents happened. Because of that you lost

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your footing. But you just did a great dance. You're a great dancer.

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You have great musicality. You have a great feel for performance. Don't

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worry about it. It happens to everybody. It happens to everybody.

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Don't worry, sweet heart. What you did, was good.

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Now then Craig? I would have liked to have seen a little bit more

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grounded. You sometimes lost flexed knees. Your legs were a bit

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straight. You were a bit too on your toes throughout the routine.

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You coped with the wardrobe malfunction quite well. Though it

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did throw you and that's why it was a bit of a mess towards the end.

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But it was feisty, fiery and everything we expected.

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Oh, thank you Craig. Even Craig! Now then, Len, will you finish us

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off? You were like a Lancashire hot pot. Out you came, all satisfying

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and delicious. I thought, honestly, I thought it was a good dance. You

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did it very well. Yes, it could have been a bit sharper near the

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end, but overall it was fabulous. Well done to the pair of you.

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Well done. Off you go. Be proud. Can I just reassure you we saw

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absolutely nothing. Oh, thank God for that. Bless her. You did such a

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brilliant dance. You were amazing. The audience love today and the

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judges loved it. We all loved it. APPLAUSE

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Pasha, Bruno says she's a wicked little dancer, are you proud of

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your Chelsea? Very proud and the way she handled it all. It shows

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one more time that she's great. Alesha said you have upped your

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game loost week. Topped the leader -- last week. Topped the loord

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board last week. Can you do it again?

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A great score. I'm made up. She's made up. All right. Call later if

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you don't want Chelsee axed from the competition and you want to see

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her dancing again next week. The judges score as loan may not be

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enough to save your favourites. Our bogey men boys, the ghoulish girls,

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they need your votes. Now for the next couple, Audley

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Harrison and his partner, Natalie. APPLAUSE

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Audley came up to my earlier today and said, "Bruce, I've seen so many

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ghosts and dead people today. I think I might be a medium." I said

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"Audley, we know you've lost weight, but you're definitely an extra

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large". I'm a medium. He's an extra large. Right, here they are, I like

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that one! Here they are in training. My performance last Saturday was

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the best that I've danced the foxtrot. I'm telling you this, I'm

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sitting here giving you a standing ovation. Well done. To hear the

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judges' comments, positive and uplifting, it touched me. As I've

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been older I'm more in touch with my velnerblt. -- Vulnerplt. Every

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week I turn up and put in a better performance than the one before.

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Next week jive. Game on. I can't believe it's your birthday today.

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Even though it's my birthday, I have not been slacking. I'm working

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extra hard. They will pick awe part, if you're messy, especially in jive.

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I think the energy side will suit Audley. But the dance is on the

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toes. It's not going to be natural. I never get surprised. Today for my

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4040th my wife and daughter came in and gave me a birthday cake. Happy

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birthday daddy. It's been four weeks since I've seen my wife and

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daughter. It feels great to have them here. Let's see what you've

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got. I like seeing my daddy dance because I like twirlg and my daddy

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Apology for the loss of subtitles for 40 seconds

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is the best. CHEERING AND APPLAUSE Well done

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Audley and Natalie. Wasn't that great.

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Absolutely wonderful. Your little girl will love to see that. She'll

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be very proud of her daddy. Bruno? I tell you, you really got into the

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spirit of things, big smile, great personality, terrible footwork. All

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the kicks an the flicks were thrown away. It was cool and casual, but I

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mean the jive is all about the sharpness. It has to be sharp,

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precise, the feet have to be pointed. It has to be compact. It's

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a very hard dance to do, for anybody, let alone somebody that is

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like -- is built like a great big oak. It's hard. You did your best.

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He certainly did. Craig, what is on your mind?

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did make a gallant effort, my love. You're completely and utterly

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physically unsuited for this dance. It was heavy, flat footed,. It was

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cumbersome. Lovely smile, though. You have a beautiful smile. And he

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got out there and had a go, which is what we love about it. Indeed.

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All right Len? I don't get these two. It had rhythm, good timing. I

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know it's not the easiest dance for a big guy. You never went wrong.

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You kept on the dance the whole way through. I'm not going to be

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disappointed. I commend you, well Craig, I won't let anything happen

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to you. Alesha? I loved the concept and

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idea of the dance this week. I think Craig and Bruno are right. It

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needed to be more bouncy and light. The kicks and flicks weren't quite

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there for me. It's great to see you going for it. I had a smile

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throughout, but I think this dance was a bit out of your comfort zone

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this week. I think you'd agree with that. A marvellous effort. We thank

:31:55.:32:05.
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you. Natalie, great job. Come on! Yes, come on up here Audley. That

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was so much fun. That looks like so much fun. What a way to end your

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birthday week. As Bruno said it's a tough dance for a man of your size.

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Flicks and kicks. Lots of them. Suited to a shorter person

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definitely. I enjoyed it. I went for it. Back to America this week.

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You've had very little training time. He did well. Lovely smile

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again, that Craig loves so much. We love that. Craig's going to get

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this. Give him a smile. He hasn't scored

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me yet, has he? I love you Craig. I love you. Quite a conversation

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going on between Audley and Craig. Is Craig still getting that magic

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smile after that? Yeah, but he might get the left hook behind it.

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That will be for you. A Hallowe'en hook. Do you think your wife and

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little girl is proud of daddy? Definitely. I'm doing my best.

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go Audley. Make a note of this number: Call later, if you think

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Audley's jive packs a punch and you want to see him dancing next

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Saturday. Plenty more blood curdling ballroom

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on the way, miss it at your peril. Now for our next couple, Alex Jones

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and her partner, James. APPLAUSE

:33:53.:34:02.

A popular couple. Alex says she had been chatting to Craig earlier. He

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was explaining all about male witches. I said, that's typical

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Craig, he's always talking a lot of warlocks.

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LAUGHTER Think about it... I'll wait. Right,

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here they are in training. After we danced, I thought it had

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gone OK. Then we got in front of the judges and... The only way to

:34:29.:34:34.

grow is take risks. Push it next time. Sexless, cold and stiff.

:34:34.:34:38.

Craig's comments were really hard to deal with. I'm going to come

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back again next week and just put this one to bed. OK get out of the

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cat suit and move on. I bet James has put that there just to scare me.

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It's Hallowe'en week and we are dancing the paso doble. Keep your

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chin up otherwise you look like that. Alesha's comments last week

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were more or less that we need to be more adventurous. Come with me.

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Where are we going? That's not what I expected. What did you expect?

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don't want to come down that. supposed to take risks. It's

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Hallowe'en, we might as well do it in style. How do you do that?

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:35:28.:35:30.

powers. Have fun, babes. Wait! Oh, I think I might be sick. Here I go.

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Oh! Here she goes. James, you better join in. Wherever you feel

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ready. James, don't let me hang in here. Then this one comes like

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flippin Spider-man. A little lift. No, oh, James. I hope I didn't make

:35:47.:35:53.

too much of a fuss. But it's a lot higher than it looked. Can we go

:35:53.:35:57.

back to the paso doble now? If you want anger, you'll get it after

:35:57.:36:07.
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Apology for the loss of subtitles for 40 seconds

:36:07.:37:58.

CHEERING AND APPLAUSE Up you get, Alex! What's going on here? Look at

:37:58.:38:08.
:38:08.:38:14.

this. What an ovation. Well done. Look! Are you glad it's over?

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little bit. Right, Craig start us off. I quite liked the idea of

:38:22.:38:25.

Dracula chasing innocent virgin blood and I think you played that

:38:25.:38:30.

extremely well. APPLAUSE

:38:30.:38:35.

In fact, it was the complete antithesis of last week. I almost

:38:35.:38:40.

found it erotic, darling. That probably says a lot more about

:38:40.:38:50.
:38:50.:38:50.

me than you actually. We're glad to hear it. Len? I was

:38:50.:38:54.

expecting like a hammer house of horrors. I was totally wrong. I

:38:54.:38:58.

liked the confidence that you did that first section on your own.

:38:58.:39:03.

Then when James joined in, you had intensity. It was dramatic. You had

:39:03.:39:08.

attack. A little bit too much frock wafting for me. But apart from that,

:39:08.:39:14.

it was terrific. Well done. Lovely, Alex. Don't worry darling. You're

:39:14.:39:19.

lovely. Alesha? You had a knock last week, but you've picked

:39:19.:39:23.

yourself up and you're back on form. I absolutely loved the beginning.

:39:23.:39:28.

You took a risk, out there on your own and it worked. The whole thing

:39:28.:39:30.

was atmospheric, the drama was brilliant. You've had a

:39:30.:39:37.

breakthrough this week, you really have. You've upped your game.

:39:37.:39:47.
:39:47.:39:48.

And Bruno? Alex, haunting, voluptuous with a hint of madness.

:39:48.:39:52.

Your strength from last week has improved so much. You're linking

:39:52.:39:55.

the lines. Your assertive. You're in character. That's the way to

:39:55.:39:58.

proceed. Well done. What a lovely night for you. Off

:39:58.:40:08.
:40:08.:40:12.

you go. Well done Alex. Thank you. That's

:40:12.:40:18.

what I call a dance resurrection. You own won Craig over, he said

:40:18.:40:22.

"almost erotic". There was room for improvement after last week. Alesha

:40:22.:40:27.

said back on form, a breakthrough. Did you feel that? I enjoyed it a

:40:27.:40:36.

bit more this time. I mean, I think I looked scared... Look at James.

:40:36.:40:41.

guess she finds it easier to be aggressive with me rather than

:40:41.:40:44.

romantic. I don't understand why. Can you smile for us? Thank you.

:40:44.:40:54.
:40:54.:41:13.

Even Dracula is happy. Brilliant score. Call later in the show, if

:41:13.:41:17.

you think Alex should bring the ballroom back to life again next

:41:17.:41:22.

weekend. Don't bite her! All our 11 stars have been training all week

:41:22.:41:26.

from dawn till dusk. But one couple will be leaving this weekend. They

:41:26.:41:32.

need your votes. Next up is Holly Valance and her

:41:32.:41:37.

partner, Artem. APPLAUSE

:41:37.:41:44.

Another popular lady. How about this, they're dancing the American

:41:44.:41:50.

smooth to Swan Lake by Tchaikovsky. Holly is a fan of the great

:41:50.:41:55.

composers and said to me, "Bruce, if Beethoven was alive today, he

:41:55.:42:00.

would have loved listening to you entertain." Wasn't that nice! Base

:42:00.:42:06.

ofb, hang on a -- Beethoven, hang on, he was deaf, wasn't he? Deaf as

:42:06.:42:11.

a post! For goodness sake, I'll get you for that. Here they are in

:42:11.:42:17.

training. Last week I danced the Viennese

:42:17.:42:21.

waltz. It was really pretty. I didn't feel like I got a feeling

:42:21.:42:25.

out of doing it. A bit bump I I thought. I watched myself and just

:42:25.:42:32.

think it looks like a dog's breakfast.

:42:32.:42:35.

We're always missing something every week. We're not making it

:42:35.:42:40.

perfect. You can be amazing. You have to focus and give it even more.

:42:40.:42:45.

Holly is giving what she think sz 100%. But I don't think Holly

:42:45.:42:49.

understands how good she can be. This week is Hallowe'en week. I'm

:42:49.:42:53.

dancing the American smooth to Swan Lake.

:42:53.:42:57.

Hallowe'en is my absolute favourite holiday of the year. Are you

:42:58.:43:00.

kidding me? We've been training really hard. We're going to take a

:43:00.:43:08.

bit of a break. We're going to go to a theme park.

:43:08.:43:18.
:43:18.:43:20.

We've got nothing to fear. What are you doing to me? Why are you here?

:43:20.:43:24.

SCREAMING You go first. I can't handle this.

:43:24.:43:34.
:43:34.:43:36.

Oh, my God. Where's Artem? This is ridiculous.

:43:36.:43:43.

We have training to get to. anyone finds this footage, I didn't

:43:43.:43:50.

make it. Kara I love you. Sorry I didn't make it to rehearsals.

:43:50.:44:00.
:44:00.:44:00.

Apology for the loss of subtitles for 40 seconds

:44:00.:45:42.

What is wrong with you. I thought CHEERING AND APPLAUSE Well done

:45:42.:45:48.

Holly and Artem. Well done, indeed.

:45:49.:45:54.

Listen to that and look at this. Enjoy it. Look.

:45:54.:46:03.

Absolutely lovely. Are you pleased? I know the clocks go back later

:46:03.:46:06.

tonight, to be honest I'd like them to go back right now and let's see

:46:06.:46:11.

it again. I thought it was terrific. I really did. Could have done with

:46:11.:46:16.

a little bit more in hold for me, Artem. You know I'm a bit finicy in

:46:16.:46:23.

that respect. What a number. It was terrific. Well done. What a number.

:46:23.:46:27.

Beautiful music. Alesha? You both look incredible. This is my

:46:27.:46:31.

favourite concept so far. I have to say, you create some beautiful

:46:31.:46:35.

lines and shapes. There was nothing about it conventional. It was

:46:35.:46:38.

original. You were magnificent Holly. I have to tell you, for me,

:46:38.:46:42.

this is the dance that shows you're a real contender in this

:46:42.:46:46.

competition now. Another breakthrough. Yeah. Lovely.

:46:46.:46:51.

Now then, Bruno? When I heard that you were going to attempt Swan Lake,

:46:51.:46:56.

the music is so difficult, I thought, she's gone barmyi. She's

:46:56.:47:01.

lost the plot. But you've succeeded. You produced a performance of great

:47:01.:47:07.

style, great artistry. As she said, your top lines were just exquisite.

:47:07.:47:17.
:47:17.:47:17.

Beautiful. What about that? And you haven't heard from Craig yet.

:47:17.:47:23.

high risk and perilous concept, to not have a dress on, to cover up

:47:23.:47:33.
:47:33.:47:39.

the legs, particularly in foxtrot The music was wonderful. Dave and

:47:39.:47:44.

the orchestra! Off you go. Be proud my darling. And Artem, well done

:47:44.:47:52.

indeed. APPLAUSE

:47:52.:47:57.

Wow! The haunting, fabulous routine. Bruno said it was high risk, but

:47:57.:48:01.

high quality. We loved it. You got a standing ovation in the studio.

:48:01.:48:04.

It's amazing. It's been my favourite dance so far. I loved it.

:48:04.:48:08.

I think it was the audience's favourite dance. How many times due

:48:08.:48:17.

go round? Six. Do you need a sick bucket? I'm OK. Alesha says you're

:48:17.:48:21.

a contender now. You started out so strong in the competition, second

:48:21.:48:24.

week one. How much do you want to be back at the top? So, so much. We

:48:25.:48:34.
:48:35.:48:49.

worked so hard this week. 35 out of 40! All that hard work

:48:49.:48:57.

paid off. Best score of the night so far. What a routine. Call later

:48:57.:49:00.

if you want Holly to swan into next week and dance again. How much

:49:01.:49:06.

would that mean to you? Please call! She wants to be here. Still

:49:06.:49:11.

to come, we unleash more creatures of the night. We have Anita, Robbie,

:49:11.:49:17.

Jason, Harry and it will come as no surprise that Lulu is as batty as

:49:17.:49:24.

ever. It's enough to give you goose bumps.

:49:24.:49:27.

Right our next couple tonight is Nancy Dell'Olio and her partner,

:49:27.:49:35.

Anton. What about these two! They're

:49:35.:49:40.

dancing the rumba and for this dance Nancy has to pretend she's

:49:40.:49:43.

completely in love with Anton. LAUGHTER

:49:43.:49:47.

I said well Anton can definitely give you some tips on that... He's

:49:47.:49:57.
:49:57.:49:57.

been in love with himself for years. APPLAUSE

:49:57.:50:05.

Who else does? Maybe his mother. Here they are in training.

:50:05.:50:09.

Last Saturday, I was bitterly disappointed with myself. This time

:50:09.:50:14.

particularly because I knew I could do much better. It was one of those,

:50:14.:50:17.

it started off on the wrong foot. It's a shame because it could have

:50:18.:50:22.

been good. I know you messed up after the dip thing really badly.

:50:22.:50:26.

You still went off time. She's not much good on her feet. Perhaps

:50:26.:50:32.

she's better on her head. # Shot down in a blaze of glory #

:50:32.:50:37.

What can you do. It's Saturday night syndrome. That was suppose --

:50:37.:50:41.

we're so close to being good. week is Hallowe'en and we're

:50:42.:50:45.

dancing the rumba. It is essentially the dance of love.

:50:45.:50:51.

about just a kiss? I don't want a kiss. Nancy said we need a coffin.

:50:52.:50:58.

It has to be sparkly, Strictly. I got her a coffin.

:50:58.:51:08.

Delivery for Nancy Dell'Olio. she grateful? What is this?

:51:08.:51:12.

It's so horrible, disgusting to see this. I'm not going to rehearse

:51:12.:51:16.

today. I'm not going there. You're joking. Have a look inside. You

:51:16.:51:19.

might like it. It's luxury. Look at that, spiders and everything.

:51:19.:51:23.

You're going to love it. I knew that you were a nightmare, but this

:51:23.:51:26.

is the end. You never know how it's going to go

:51:26.:51:36.
:51:36.:51:36.

on the live show. I'm not going to perform in that kofpb. -- coffin. I

:51:36.:51:46.
:51:46.:51:46.

Apology for the loss of subtitles for 40 seconds

:51:46.:53:33.

want crystal all over, glamorous. CHEERING AND APPLAUSE What a story!

:53:33.:53:37.

Get him out of there. I left a sandwich in there when I was having

:53:37.:53:42.

a nap this afternoon. All right Anton? What happened?

:53:42.:53:49.

What's the mat sner Don't talk to me about the boa again. I told you,

:53:49.:53:54.

no boa. She's a boa constrictor this one. Did you enjoy that?

:53:54.:54:00.

I do enjoy. It was difficult, at the start getting out of the coffin.

:54:00.:54:06.

I suggest it, but when I saw the coffin in rehearsal studio, I said,

:54:06.:54:15.

I must be crazy. We saw that. Alesha darling? Nancy, I think

:54:15.:54:20.

you're a sexy woman and you know how to work it. But you're a

:54:20.:54:23.

walking disaster. Sorry Craig stealing your word. Your legs are

:54:23.:54:29.

so far apart and that's not very feminine. No, I'm being serious.

:54:29.:54:35.

It's very ploddy and just the lift, it's so unflattering. You both

:54:35.:54:39.

should have stayed in the coffin, but having said that, I'm sure the

:54:39.:54:42.

viewers at home will love it. I didn't like it.

:54:43.:54:49.

Don't go any further. Right. Bueno? Oh, napbs -- Bruno? Nancy, emerging

:54:50.:54:55.

from the coffin, looking like the Queen of the night but you danced

:54:55.:55:00.

like the walking dead. It was like walking Bond Street, designer gear.

:55:00.:55:04.

I said many times, have you to listen to the music. If you don't

:55:04.:55:09.

listen to the music all your steps are gangling all over the place.

:55:10.:55:14.

You're a beautiful woman. Concentrate, focus on the music.

:55:14.:55:18.

Feel it in your body. Use it with the music, my darling. Because this

:55:18.:55:25.

is like a big plonky number. Oh, dear. I'm very surprised.

:55:25.:55:32.

Craig? Don't let him start as well. Haven't we had enough. Come on.

:55:32.:55:39.

Craig has to have his say. He must? Dance horriblus darling. You see, I

:55:39.:55:43.

told you. The moment you stepped out of that sarcophagus, darling,

:55:43.:55:51.

was the moment it all went horribly wrong. Anton I'm getting bored of

:55:51.:55:55.

that lift now, can we change it please, if you're here next week.

:55:55.:56:05.
:56:05.:56:06.

It was not my idea. It was also illegal. If you're here next week,

:56:06.:56:12.

if you're here next week... You do the choreography OK? Is that fair?

:56:12.:56:18.

You do it Nancy darling. Len? was interesting listening to you

:56:18.:56:25.

all chat ago way. The rumba, the dance of love. There were moments

:56:25.:56:31.

of Mills and Boon and moments of meals on wheels. It was a mixture.

:56:31.:56:35.

You did a few basic steps. It waents all bad. I didn't mind it

:56:35.:56:45.

really. -- It wasn't all bad. I didn't mind it really. Nancy, don't

:56:45.:56:49.

take it to heart. You do the choreography. He's keeping you back.

:56:49.:56:59.
:56:59.:57:08.

Off you go. That was a rumba with a difference.

:57:08.:57:13.

Was there a part of you athat wanted to nail the coffin lid shut

:57:13.:57:20.

with Anton in it? What a night this has turned out to be. I will never

:57:20.:57:27.

paint the skreeling again I tell you. Look at the state of it. --

:57:27.:57:32.

ceiling. Len said moments of Mills & Boon and moments of meals on

:57:32.:57:35.

wheels, what's all that about? don't know. Are we going to throw

:57:35.:57:40.

the boa in the coffin? No, we're going to use it next week. Do we

:57:40.:57:48.

have a problem with the boa? No. The scores are in. You think it's

:57:48.:57:58.
:57:58.:58:15.

Ouch, 14 out of 40. What do you think? Write down this number and

:58:15.:58:19.

call later if you thought Nancy's rumba was spookily good and you'd

:58:19.:58:23.

like to see her dance next week. think I'm looking a bit under the

:58:23.:58:27.

weather myself. You're not yourself. None of our stars want their

:58:27.:58:31.

ballroom dreams buried. But without your votes your favourite will be

:58:31.:58:37.

in grave danger. Can we get a costume to put a zip in that? We're

:58:37.:58:43.

about to delve into the twilight zone. I want to be like Artem. Look

:58:43.:58:49.

at that, cor. I think we're ready. Next tonight, there's another show

:58:49.:58:54.

going on up there. Next tonight is Harry Judd and his partner Aliona.

:58:54.:58:59.

CHEERING Oh, popular! What a popular young

:58:59.:59:03.

man. He's doing so well. Harry told me

:59:03.:59:09.

for this dance he will take on the role of a vampire and Aliona will

:59:09.:59:15.

scare him off with lots of cloves of garlic. He wanted my opinion. I

:59:15.:59:18.

said "Personally I prefer Aliona dancing with no cloves...

:59:18.:59:26.

$$TRANSMIT" of garlic! Who's working that autocue, hey? It

:59:26.:59:28.

should have come up after the vampire.

:59:28.:59:32.

Made me look a fool. You understand don't you? Of course you do. Here

:59:32.:59:39.

they are in training. Last Saturday the dance wents

:59:39.:59:44.

really well, but it did cause a few arguments. I didn't get it. I

:59:44.:59:48.

didn't get that bit. Actually you're wrong. How can you possibly

:59:48.:59:52.

say that? It was amazing to get the first ten. I can't expect that

:59:52.:59:56.

every week. But I've got to keep doing my best. That could become

:59:56.:00:04.

our thing, but we need to practice -- practise it. Better. This week

:00:04.:00:09.

it's Hallowe'en week. We are dancing the tango. The song we're

:00:09.:00:14.

dancing to is called Psycho Killer, which is pretty intense. More angry.

:00:14.:00:19.

Aliona seems to think I have a dark side. Harry's dark side wasn't

:00:19.:00:24.

coming out as easily as I hoped. Soy cooked up an old family -- so I

:00:24.:00:33.

cooked up an old family recipe. Where are we? The scariest place in

:00:34.:00:42.

the UK. Come on. This must be bringing out your dark side...

:00:42.:00:52.
:00:52.:00:53.

Harry? Harry, where are you? It's not funny any more. Where are you?!

:00:53.:00:59.

My Princess of darkness, let's tango.

:00:59.:01:09.
:01:09.:01:09.

Apology for the loss of subtitles for 40 seconds

:01:09.:03:05.

You do have a dark side. I like it. CHEERING AND APPLAUSE You cannot

:03:05.:03:12.

stop it. They love Harry! I tell you, look at them. Enjoy this,

:03:12.:03:20.

Harry and Aliona. That is beautiful. Well done.

:03:20.:03:25.

They're just wild about Harry... I tell you. You're away there son.

:03:25.:03:31.

Bruno start us off. Intense, hypnotic, erotic, I can feel your

:03:32.:03:36.

power getting stronger and stronger. You can bite as much as you like,

:03:36.:03:45.

as long as you keep dancing like this. It was great.

:03:45.:03:49.

Craig? Full of intent. Full of purpose. Full of aggression. I

:03:49.:03:53.

thought, I loved the story telling. That was fantastic. I'd like to

:03:53.:03:57.

have seen a bit more in hold, however. But the tango that you did

:03:57.:04:00.

do, I thought you did very, very well.

:04:00.:04:10.
:04:10.:04:14.

And Len? You see, Harry, please don't think I have a downer on you

:04:14.:04:18.

or Aliona, because I haven't. Honestly. You see, I watch a tango,

:04:18.:04:22.

I want to see more than eight bars in hold. Now I thought it was a

:04:23.:04:26.

terrific number. It was sharp, all that stuff on the chair was

:04:26.:04:31.

together. It was very, very crisp and enjoyable. But you know, I'm

:04:31.:04:36.

from a world different to our other judges. I'm from the world of

:04:36.:04:43.

ballroom dancing. This is a tango and I want to see...

:04:43.:04:47.

I do not lie. I want to see more than eight bars in the tango hold.

:04:47.:04:53.

What's annoying, when you are in hold, you are fantastic.

:04:53.:05:00.

APPLAUSE Worth thinking about that. And

:05:00.:05:04.

Alesha? I do agree with Len a bit. It's by no means a criticism

:05:04.:05:12.

because you played it so well. Har ery, you're too cool for school.

:05:12.:05:17.

Art is subjective and for me you created a beautiful piece of dance.

:05:17.:05:24.

The quing and queen of tango tonight. -- King and queen of tango

:05:24.:05:27.

tonight. Well done. We're just wild about Harry.

:05:27.:05:34.

APPLAUSE Yes the king and queen of tango are

:05:34.:05:38.

in the house. Craig says full of intent and aggression. Where have

:05:38.:05:44.

you been hiding that tark side? Aliona brought it out in me this

:05:44.:05:51.

week. Chablg the aggression. being really hard core in training.

:05:51.:05:56.

Is it scary leading a rofegsal? Very scary. It's frightening enough

:05:56.:06:01.

being out there to start with. And it's hard to talk with these teeth

:06:01.:06:07.

in as well. Your band mates are here again. Do you reckon they

:06:07.:06:17.
:06:17.:06:34.

could cut it? Not a chance. 34 out of 40. Another ten. The

:06:34.:06:39.

second of the competition. You owned it.

:06:39.:06:46.

Amazing. Thank you. The number to call later : If our Harry's

:06:46.:06:49.

terrifying tango thrilled you and you want to see him dance again

:06:49.:06:55.

next Saturday. At bbc.co.uk/strictly you can keep up

:06:55.:07:01.

to date with everything ballroom. And follow us on Twitter as well.

:07:01.:07:07.

Time for our next couple, Robbie Savage and his partner, Ola.

:07:07.:07:12.

Another popular couple, so many popular couples this year. During

:07:12.:07:15.

his dance last week, Robbie slid on his knees towards the camera, over

:07:16.:07:20.

there actually, slid right the way across and didn't stop in time. The

:07:20.:07:23.

impact almost broke his nose. After the show, we called for an

:07:23.:07:25.

ambulance. They took him straight to the hairdressers.

:07:25.:07:30.

LAUGHTER It's true. I'm telling you the

:07:30.:07:33.

truth. Well he wanted to have his hair

:07:33.:07:38.

done before he went to hospital. When I go to the doctors I always

:07:38.:07:41.

wear a clean vest. Here they are... LAUGHTER

:07:41.:07:50.

Here they are in training. Last week, Robbie really got into

:07:50.:07:57.

his dance. He was the love man. We're love men, hey! You loved it.

:07:57.:08:07.
:08:07.:08:07.

The people loved it. I loved it. Give it to me Ola! Last Saturday I

:08:07.:08:13.

hurt my nose, too much enthusiasm. I was supposed to stop before the

:08:13.:08:17.

camera. Overshot it, straight into the camera. Bang, nose... Really

:08:17.:08:23.

sore. Because it's Hallowe'en week, you have to face your worst

:08:23.:08:32.

nightmare. Which is what? You don't know what it is. The make-under.

:08:32.:08:40.

Make-under, what's that? Let the make-under begin.

:08:40.:08:45.

# Sexy, everything about you's so sexy

:08:45.:08:49.

# You don't even know what you've got... #

:08:49.:08:53.

Perfect. Now come with me and I'll show you a surprise.

:08:53.:09:03.
:09:03.:09:04.

Open your eyes. Wow. I am ugly.

:09:04.:09:10.

# UGLY, you ain't got no alibi, you ugly. #

:09:10.:09:13.

I've faced my worst fears today. Can you imagine looking at me all

:09:13.:09:23.
:09:23.:09:23.

Apology for the loss of subtitles for 40 seconds

:09:23.:11:25.

CHEERING AND APPLAUSE What about Absolutely, Robbie, well done.

:11:25.:11:29.

Craig, oh, dear... You didn't know where to look for the best.

:11:29.:11:34.

LAUGHTER Oh, we're going to start off with

:11:34.:11:41.

you as well. We really could have done without all the hip thrusts

:11:41.:11:46.

and particularly the end one in my face, darling. Technically it

:11:46.:11:51.

needed a bit more drive. There needed a lot more arch in it. I

:11:51.:11:55.

felt that you had to load a bit more. Your hands were on occasion

:11:55.:11:59.

like soup ladles, darling. Apart from all that, I suppose, it was

:11:59.:12:01.

amazing. LAUGHTER

:12:01.:12:03.

APPLAUSE Good.

:12:03.:12:08.

Good. What

:12:08.:12:08.

Good. What a

:12:08.:12:09.

Good. What a jump

:12:09.:12:12.

Good. What a jump to get up there. You look here, the way he jumped on

:12:12.:12:18.

the top, it's fantastic. Len? was a little bit disconcerting when

:12:18.:12:23.

you kept thrusting your wobbly bits all offer the shop. I saw the

:12:23.:12:28.

Robbie, but I would have liked a bit more savage. You didn't give it

:12:28.:12:32.

as much as I expected. You're a ballroom boy, not so much a Latin

:12:32.:12:38.

guy. You've got to work on getting the Latin to the same standard that

:12:38.:12:43.

your ballroom dancing is. It was good. Especially when you jumped up.

:12:43.:12:49.

Len, we all jumped that. We really D Alesha? I say keep thrusting. Put

:12:49.:12:54.

it in every dance, honestly. It just works. It was a bit erratic at

:12:54.:12:58.

times. The cape work was brilliant. I disagree with the boys. I thought

:12:58.:13:01.

you had real purpose and intent throughout. You really went for it,

:13:01.:13:06.

well done. You're right Alesha.. The cape was

:13:06.:13:14.

excellent. I forgot about that. Bruno? Yes, Rob, that was bad gone

:13:14.:13:20.

mental. The forward thrust with that scared the hell out of me. Go

:13:20.:13:26.

for it if you've got it, isn't it? You know what you're good at now.

:13:26.:13:33.

We all know what he's good at. like the bit about artistry...

:13:33.:13:38.

it. Don't say any more. Bruno is lost for words. Thank goodness.

:13:38.:13:42.

I've waited for this day. It was wonderful. Off you go, the pair of

:13:42.:13:52.
:13:52.:13:53.

you. Ola and Robbie! APPLAUSE

:13:53.:13:58.

Who's bad?! Standing ovation in the studio. You nearly took Craig's eye

:13:58.:14:06.

out... With your knee! My nose. got stuck into that paso. Did it

:14:06.:14:13.

feel good? Loved every minute of it. We loved it too. Yeah, come on.

:14:13.:14:18.

wanted more savage is there more to give? Hopefully. We got a whole lot

:14:18.:14:28.
:14:28.:14:48.

26, and keep thrusting. All right Robbie. Call this number: Call

:14:48.:14:52.

later if you thought Robbie paso was bad, in a good way and you'd

:14:52.:14:57.

like a replay. Tonight has been a white knuckle ride. None of our

:14:57.:15:00.

stars want this week to be the final destination. They'll all need

:15:00.:15:04.

your votes. Wasn't that brilliant. Back to you Bruce.

:15:04.:15:11.

Our next couple is Anita Dobson and her partner, Robin.

:15:11.:15:18.

So many lovely couples in this show. Anita, she's done dramatic scenes

:15:18.:15:23.

on television, dramatic scenes in theatre, even dramatic scenes in

:15:23.:15:26.

Shakespeare. That's the last thing we need this week, another drama

:15:26.:15:29.

queen. Don't want to mention any names,

:15:30.:15:39.

but follow my eyes. Here they are in training.

:15:39.:15:46.

Last week I wasn't really feeling the -- that I was improving at the

:15:46.:15:50.

rate I wanted to. I needed a confidence boost. That's what I got.

:15:50.:15:56.

It was sophisticated, classy and you are a consummate pro. After the

:15:56.:16:01.

comments, when I saw an eight come up from Craig, I was so thrilled

:16:01.:16:07.

and shocked. Then when four eights came up, I was ecstatic. You can't

:16:07.:16:11.

quite believe you're getting eights? No, thank you. I'm so happy.

:16:11.:16:18.

I've improved. This week is Hallowe'en week and we are dancing

:16:18.:16:23.

the terrifying tango. I love it, but it's very scary. My challenge

:16:23.:16:28.

this week is to find the character of the devil woman. I'm working

:16:28.:16:38.
:16:38.:16:39.

really hard to release the devil in me. I really shouldn't, oh, go on

:16:40.:16:45.

skhrats -- Go on! Go for it. Yeah. Nothing scares me about Anita.

:16:45.:16:48.

Though this week is Hallowe'en week and I'm seeing there's a devil

:16:48.:16:55.

inside. I want you to draw a big circle, all the way around. We go

:16:55.:17:00.

again. Are you paying attention, Anita? Yes, of course I am. I've

:17:00.:17:04.

tried really hard all week to get this character right. I hope on the

:17:04.:17:12.

night I can really bring out the devil in me.

:17:12.:17:22.
:17:22.:17:23.

Apology for the loss of subtitles for 40 seconds

:17:23.:19:17.

CHEERING AND APPLAUSE How about that, Anita, that was, hey! Please

:19:17.:19:22.

don't, you scared me. It was definitely the Queen Vic landlady

:19:22.:19:28.

there for a moment. I really liked it. There was a lot of tango

:19:28.:19:32.

content. You got into hold and went into the dance. You lost a step

:19:32.:19:35.

they called the chase. You lost your timing on that. You know where

:19:35.:19:42.

I mean, don't you? I do. probably don't. But Robin does.

:19:42.:19:46.

Your posture is the weakest thing. You are too vertical. Yeah, it's

:19:46.:19:53.

hard to do. I really enjoyed it. I know that to do a proper tango is

:19:53.:19:57.

far more gruelling and time constraining than just standing

:19:57.:20:00.

side by side and mincing around. So well done.

:20:00.:20:08.

Well done indeed. Alesha? You're a fantastic actress. I loved the

:20:08.:20:12.

drama. You were quite scary out there. She is. You need to spend a

:20:12.:20:16.

bit of time perfecting your hold. Once you master that, it will get

:20:16.:20:20.

you to the next level. Apart from that, you're brilliant. Well done.

:20:20.:20:29.

I never knew you could play so evil. Watch it. Don't trust the scarlet

:20:29.:20:32.

woman with the devil inside. You portray every aspect of your

:20:33.:20:35.

character with every step. It's great to watch. She is right. You

:20:35.:20:39.

have to work on the frame. That will help you a lot to give the

:20:39.:20:41.

correct lines in the dance. Otherwise very good.

:20:41.:20:50.

Absolutely. And Craig? Acting ten, top line three. You need to meet

:20:50.:20:53.

the top line in the middle somewhere. Absolutely, I loved the

:20:53.:20:56.

routine though. I really, really did.

:20:56.:21:03.

Lovely, well done both of you. Anita, off you go then and Robin.

:21:03.:21:13.
:21:13.:21:21.

Breathe, breathe. How are the nerve that's week? Ooohhhh... I know

:21:21.:21:29.

you're very nervous. I said "Not as nervous as last week?" She said

:21:29.:21:37.

"More nervous." Alesha loved the drama. What do people shout in the

:21:37.:21:47.
:21:47.:22:07.

street, is it still Angie? They go Another great score. OK, call later

:22:07.:22:11.

if you think Anita's tango was devilishly good and you'd love to

:22:11.:22:15.

see her back in the ballroom for more. Remember all of our couples

:22:15.:22:18.

need your votes. One couple will be leaving in tomorrow night's results

:22:18.:22:23.

show. Time now for our next couple Lulu

:22:23.:22:29.

and her partner, Brendan. APPLAUSE

:22:29.:22:35.

Now she was riding high last week with the samba. But can she take

:22:35.:22:44.

off with the paso doble? Let's find out. Here they are in training.

:22:44.:22:49.

Last week Lulu was determined to break the curse of the samba.

:22:49.:22:53.

the one dance I always get kicked out of Strictly on. Ti, was a bit

:22:53.:23:01.

repetitious. Brendan took that to heart a bit. Repetitive in what way.

:23:01.:23:06.

We had promenade runs, whisks, walks, locks... It's hard not to

:23:06.:23:10.

take it personally. I would have liked a little bit more content.

:23:10.:23:17.

You're telling me there's a lack of content? Six. Come on, it wasn't

:23:17.:23:27.
:23:27.:23:29.

In my routine I'm channelling a bat from hell.

:23:29.:23:34.

# Like a bat out of hell... # After last week Lulu wanted more

:23:34.:23:40.

excitement. Can I wear a big bat dress. I hope I'm bringing that

:23:40.:23:44.

everything I've thrown at her. quite a lot to think about.

:23:44.:23:49.

wants a challenge, I think I've given her a challenge. Pull tight.

:23:49.:23:58.

I'm going to learn how to fly. Oh, no, it feels really horrible.

:23:58.:24:03.

That's more like it. I don't know if I'm going to be terrified or

:24:03.:24:08.

just have the best time. It is time to fly. I'm going for the first -

:24:08.:24:18.
:24:18.:24:18.

Apology for the loss of subtitles for 40 seconds

:24:18.:26:19.

terrified. Nice one Lu. Fantastic. CHEERING AND APPLAUSE Come back

:26:19.:26:24.

here! Brendan, well done, the pair of you.

:26:24.:26:30.

I tell you, absolutely... APPLAUSE

:26:30.:26:38.

Here they are. Look at this Lulu! CHEERING AND APPLAUSE Absolutely. A

:26:38.:26:42.

standing ovation. Well done. You are brave.

:26:42.:26:50.

You really are. Made Craig lock a bit silly, didn't it? -- look.

:26:50.:26:56.

Bruno? I tell you, you handled all those tricks with great panache.

:26:56.:26:59.

Another thing, you didn't go wrong tonight. I counted all the way

:26:59.:27:02.

through, I thought, oh, she's going to lose it. She's going to lose it.

:27:02.:27:07.

You didn't lose it! You did it well. You were strong and you were

:27:07.:27:13.

powerful. All right then. Let's see what Craig thought. I'm quite

:27:13.:27:17.

partial to a bit of flying myself actually.

:27:17.:27:20.

I thought the concept was absolutely great, Brendan,

:27:20.:27:25.

fantastic work. I loved that exit. Really theatrical. Just when you're

:27:25.:27:31.

in hold, I felt it was a battle for spremcy. I felt like you were just

:27:31.:27:35.

trying to, you were always catching up to Brendan. That's the paso

:27:35.:27:39.

doble, that's the idea. The fight and the cape. Not running and

:27:39.:27:46.

trying to catch up, Bruno. Oh, God. I loved it. All right, Len is

:27:46.:27:56.

looking pen sieve. Lots of tricks and quite a few treats. Now you

:27:56.:28:00.

know what the problem is, you're a little bit soft in the body. And

:28:00.:28:05.

Brendan is trying to lead you in the chassis capes and you're too

:28:05.:28:09.

willowy. He can't use it. It's all about reaction and action. That was

:28:09.:28:19.
:28:19.:28:19.

missing. But what entertainment, I loved it! Exactly. And Alesha.

:28:19.:28:23.

amazing entrance. I love your determination. It was a really

:28:23.:28:27.

brave attempt. You should be proud this week. You did a good job.

:28:27.:28:31.

Really, really good job. And you're still my favourite. I'm still your

:28:31.:28:35.

favourite? Go on. And Brendan as well. Off you go!

:28:36.:28:45.
:28:46.:28:50.

You took off there. I was flying. You were. Did you enjoy the view?

:28:50.:28:58.

loved it up there. We all want a go now. Can I just say, wardrobe, the

:28:58.:29:02.

flyers, the crew getting on and off, they've done a phenomenal job.

:29:02.:29:06.

APPLAUSE Pulled out all the stops tonight.

:29:06.:29:13.

Fair point. ( Lulu, Bruno said you didn't go wrong. How much of a

:29:13.:29:18.

relief was that? I prayed all week for that, just to hear Bruno say

:29:18.:29:22.

those words. Your prayers were answered. Craig loved it. Let's

:29:22.:29:32.
:29:32.:29:46.

hope your prayers are answered when 29! You're flying high Lulu, well

:29:46.:29:52.

done. We'll take it. Call when the phone lines open later if you want

:29:52.:29:56.

Lulu to take the highway back to the ballroom next week. We've got

:29:56.:30:02.

one more treat to enjoy and what a treat.

:30:02.:30:05.

Finally tonight it's Jason Donovan and his partner Kristina.

:30:05.:30:12.

CHEERING A popular young man. Very popular.

:30:12.:30:16.

Now Jason told me today that he once saw a ghost during a trip to

:30:16.:30:22.

London. I said "Oh, whereabouts?" He said the bloody tower. I said

:30:22.:30:26.

all right, I only bloomin' asked. It's hard to believe he's

:30:26.:30:33.

Australian sometimes. Any way, here they are in training.

:30:33.:30:38.

Last Saturday, I think the comments were justified. You tried to make a

:30:38.:30:43.

big meal out of this paso. And you got indigestion. Did I find it

:30:44.:30:48.

difficult? Yes. Does it stress me out? Yes. You've got to enjoy each

:30:48.:30:52.

week because this week might be my last week.

:30:52.:30:57.

This week we're dancing the quickstep. My fault. It's quick and

:30:57.:31:01.

it's tough. I need a break. I need five minutes, babe. Babe, do you

:31:01.:31:11.
:31:11.:31:13.

mind if I have five minutes? Jason... Jason, I'm the ghost of

:31:13.:31:20.

Strictly past. I have words of wisdom for you. It is not necessary

:31:20.:31:30.
:31:30.:31:31.

to show your chest hair. OK. You're not Crocodile Dundee. Jason? Jason.

:31:31.:31:35.

Katya. I'm the ghost of Strictly present. I bring even wiser words

:31:35.:31:44.

of wisdom. Dance every dance as if it were your last. I should know.

:31:44.:31:50.

OK Katya. Jason, hey Jason... I'm the ghost of Strictly yet to come,

:31:50.:31:57.

Kristina deserves to have a fighter this year otherwise you'll have me

:31:57.:32:04.

to answer to. Oh, yes Sir. Jason, wake up. You look like you've seen

:32:04.:32:13.

a ghost. Funny you should say that. Hey Joe, are you all right? Oh, God.

:32:13.:32:23.
:32:23.:32:23.

Apology for the loss of subtitles for 40 seconds

:32:23.:34:03.

APPLAUSE How about them! Kristina and Jason,

:34:03.:34:07.

look at that. You should be very proud. A

:34:07.:34:16.

beautiful number. What a finish to the show. It's absolutely wonderful.

:34:16.:34:26.
:34:26.:34:27.

Wonderful. All right then, now then, Craig? Stone the flamin crows mate.

:34:27.:34:33.

Terrible accent, I've really lost it. I thought that was absolutely

:34:33.:34:42.

fab-u-lus! However... Oh. There were a couple of mistakes.

:34:42.:34:47.

spotted it yeah. It would have been perfect are otherwise. So what, you

:34:47.:34:51.

made a tiny mistake. Some of them have had a tango and they haven't

:34:51.:34:55.

even done a tango. He's done a little mistake and you're picking

:34:55.:35:00.

on him. Let me reiterate what Brendan said, the make up, the hair,

:35:00.:35:05.

the costume people, the production has been fantastic and as far as

:35:05.:35:08.

I'm concerned, you have been fantastic as well. Last week you

:35:08.:35:14.

took a dip. You're back! Well done. CHEERING

:35:14.:35:18.

Back where you belong. You're right the production has been wonderful

:35:18.:35:22.

tonight. Alesha? It was so cute. You were charming throughout. It

:35:22.:35:26.

was interesting, brilliant routine. Well done Jason.

:35:26.:35:31.

Loved the number. Choice of number was marvellous. Kristina, you did a

:35:31.:35:38.

good job. Bruno? Bewitchingly brilliant and slightly barmyi. I

:35:38.:35:42.

liked that you put in great concept, great choreography, you're back on

:35:42.:35:47.

track. Well I can't add to it. Off you go.

:35:47.:35:57.
:35:57.:35:58.

Go on. Climb those stairs or fly up. Yes. Here he is. The king of the

:35:58.:36:02.

quickstep. Len says you're back, that must feel good. There were a

:36:02.:36:06.

few mistakes there, but I have to say I had a chat to Harry before

:36:06.:36:10.

about counting and I really sort of got that stuck in my head. I think

:36:10.:36:14.

it helped me out a lot. Centre. There was a bit of a wrong

:36:14.:36:19.

direction in my spin I think. But that's life, noi. Nobody noticed.

:36:20.:36:25.

That's the longest standing ovation so far this series. He's a

:36:25.:36:30.

perfectist. May we see the nose wiggle one more time. That deserves

:36:30.:36:34.

a score all by itself. Will you be trick or treating this weekend?

:36:34.:36:38.

With the kids, yeah on Monday. Once I relax from the quickstep, I think.

:36:38.:36:42.

You might want to keep the make up on. Yes! I have to say, I look

:36:43.:36:46.

rather scary. And that's a good thing. If you're still in the

:36:46.:36:49.

competition, what treat have you got in store next weekend? Next

:36:49.:36:55.

week is the rumba. Are we allowed to say that? I think we are. That's

:36:55.:36:59.

scary. Is it scary! We'll get there. I look forward to it. The scores

:36:59.:37:09.
:37:09.:37:24.

37 out of 40! Congratulations. That's our biggest score of the

:37:24.:37:31.

series. Thank you so much. Wow. Really well done. The number to

:37:31.:37:37.

call for Jason and Kristina: When lines open shortly, if Jason's

:37:37.:37:41.

performance bewitched you and you want him back next week. How does

:37:41.:37:48.

that sound to you? Yes. I'm speechless. Thank you. All our

:37:48.:37:51.

couples have brought us bone rattling ballroom to die for. Have

:37:51.:38:01.
:38:01.:38:11.

you had fun? Yes! We've loved it. Remember, you could change all that.

:38:11.:38:21.
:38:21.:38:30.

Lines close at 8.45pm. Voting details can be found at

:38:30.:38:33.

bbc.co.uk/strictly. Russell is kissing everybody. He's just

:38:33.:38:38.

spreading the love. To help you decide who gets your vote, here's a

:38:38.:38:48.
:38:48.:38:48.

Apology for the loss of subtitles for 40 seconds

:38:48.:42:08.

reminder of tonight's gruesome Well I hope you'll agree that our

:42:08.:42:13.

Hallowe'en special has been a scream. Sadly for a couple with the

:42:14.:42:16.

lowest combined score will get the chop from the competition. Make

:42:16.:42:20.

sure you pick up the phone. Your votes can and do change everything.

:42:20.:42:24.

Nobody in this competition is safe without you. Your stars need you.

:42:24.:42:28.

Yes. In the results show tomorrow at 7.25pm, Tess and Claudia will

:42:28.:42:34.

say goodbye to our fourth couple. I'll be back in the ballroom at

:42:34.:42:39.

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