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It's a spooky Hallowe'en special. It's Strictly Come Dancing: the | :01:03. | :01:13. | |
:01:13. | :01:29. | ||
Results. # I'm just an average man with an | :01:29. | :01:32. | |
average life # I work from 9.00 to 5.00 | :01:32. | :01:35. | |
# Hey, hell # I pay the price | :01:35. | :01:39. | |
# All I want to do # Is be left alone | :01:39. | :01:43. | |
# But why do # I always feel like | :01:43. | :01:46. | |
# I'm in the Twilight Zone # I always feel like somebody's | :01:46. | :01:49. | |
watching me # And I have no privacy | :01:49. | :01:52. | |
# I always feel like # Somebody's watching me | :01:52. | :02:00. | |
# Tell me, is it just a dream? # When I come home at night | :02:00. | :02:04. | |
# I close the toor real tight # People call me on the phone | :02:04. | :02:09. | |
# I'm trying to avoid # But can the people on TV see me? | :02:09. | :02:15. | |
# Or am I just paranoid? # I always feel like somebody's | :02:15. | :02:17. | |
watching me # And I have no privacy | :02:17. | :02:21. | |
# Whoa, Whoa, Whoa # I always feel like | :02:21. | :02:31. | |
:02:31. | :03:00. | ||
# Somebody's watching me # I don't know anymore. Are the | :03:00. | :03:04. | |
neighbours watching me # Well, is the mailman watching me? | :03:04. | :03:07. | |
# Tell me - # And I don't feel safe anymore | :03:07. | :03:12. | |
# What a mess # I wonder who is watching me now | :03:12. | :03:14. | |
# The IRS? # I always feel like | :03:14. | :03:18. | |
# Somebody's watching me # And I have no privacy | :03:18. | :03:23. | |
# Whoa, Whoa, Whoa shot I always feel like somebody's watching me | :03:23. | :03:25. | |
# Tell me # Is it just a dream? | :03:25. | :03:35. | |
:03:35. | :03:44. | ||
Hang on a minute. This is not right. That's better. Back where you | :03:44. | :03:49. | |
belong. So a spooky start to Sunday's Strictly Hallowe'en | :03:49. | :03:52. | |
results. Your scores have been combined with the judge's, and | :03:52. | :03:56. | |
tonight, Hallowe'en will claim its next victim. | :03:56. | :04:01. | |
(Evil laugh) But first, let's say hello to the people who make the | :04:01. | :04:05. | |
Addams Family look positively normal. It's our judges. | :04:05. | :04:09. | |
APPLAUSE There they go. Is the broomstick in | :04:09. | :04:14. | |
for an MOT tonight, Craig? absolutely. I am getting one built | :04:14. | :04:18. | |
especially for my home. It's in the garage, darling. Absolutely. We'll | :04:18. | :04:23. | |
hear for them in a little while, but first, let's see what tricks or | :04:23. | :04:27. | |
treats are in store tonight with our Claudia. Thank you. It's treats | :04:27. | :04:33. | |
all around tonight. We have a special performance from the | :04:33. | :04:38. | |
devilishly handsome boy band The Wanted, plus, more spell-binding | :04:39. | :04:46. | |
slow-mo from Len's lens. First, though, let's hop onboard the ghost | :04:46. | :04:56. | |
:04:56. | :04:58. | ||
train - choo-choo - destination, Saturday night. | :04:58. | :05:08. | |
:05:08. | :05:12. | ||
(Playing: Theme song to the Addams It was a marvellous evening, magic | :05:12. | :05:18. | |
- magic. I am saying magic. There you are. Don't worry about the X | :05:18. | :05:26. | |
Factor. You've got the feel-good factor. You have turned Hayleigh | :05:27. | :05:30. | |
Mason into camp heaven. Unfortunately, you went wrong one | :05:30. | :05:35. | |
too many times. I feel I could have done it much, much better. Onwards | :05:35. | :05:40. | |
and upwards, they say. You coped with the wardrobe malfunction well, | :05:40. | :05:45. | |
though it did throw you. That's why it was a bit of a mess towards the | :05:45. | :05:52. | |
end. It's OK. You have nothing to cry about, my darling. You covered | :05:52. | :05:58. | |
that so well. You should be proud of yourself. You handled that well. | :05:58. | :06:07. | |
It's all right. No. That was fun, fun, fun. You're completely and | :06:07. | :06:11. | |
utterly physically unsuited for this, I am afraid. The judges were | :06:11. | :06:18. | |
tough on me this week. Great smile, personality, terrible footwork. If | :06:18. | :06:23. | |
you look down at my feet, you ain't going to be happy! Five! I think | :06:23. | :06:30. | |
you played that extremely well. Woo-hoo! Haunting, voluptuous with | :06:30. | :06:35. | |
a hint of madness. Give me a kiss. | :06:35. | :06:44. | |
LAUGHTER When I heard Holly was going to do | :06:44. | :06:51. | |
Swan Lake, I thought this was going to be a disastrous. But what a | :06:51. | :07:01. | |
:07:01. | :07:02. | ||
number. It was terrific. Nine. is my favourite Hallowe'en so far. | :07:02. | :07:08. | |
I have to be honest - you're a walking disaster. I am getting a | :07:08. | :07:12. | |
little bit bored of that lift now. It was not my idea. Oh! I think it | :07:12. | :07:20. | |
is fair - they are too hot, definitely. Four! You're too cool | :07:20. | :07:28. | |
for school. I can't say I agree with you. I agree. He is without | :07:28. | :07:36. | |
doubt, one of the best male-born dancers I have seen, ever! | :07:36. | :07:40. | |
# Bad! # You really, really went for it, so well done. I felt like | :07:40. | :07:46. | |
you had to lead a little bit more. Your hands were on occasion like | :07:46. | :07:51. | |
soup ladles, darling. Four. He's not marking it right in my opinion. | :07:51. | :07:58. | |
It's not a four. Come on, baby. Don't be upset. I am. Gutted. | :07:59. | :08:06. | |
# She's just a devil woman! # Fantastic actress, Anita. You were | :08:06. | :08:14. | |
quite scary out there. I never knew you could play so evil. She's going | :08:14. | :08:20. | |
to get you at the end! Love it, love it, love it. | :08:20. | :08:26. | |
# Highway to hell # I'm quite partial to the flying | :08:26. | :08:32. | |
myself, actually. What Lulu lacked in technique she truly made up for | :08:32. | :08:36. | |
in entertainment. I am proud of what we did tonight. It was fun. | :08:36. | :08:41. | |
There's a new moon out tonight, and I flew right through it. | :08:41. | :08:44. | |
# You wish # You wish # | :08:44. | :08:53. | |
I thought that was absolutely fab- u-lous. Last week you took a dip. | :08:53. | :09:03. | |
:09:03. | :09:05. | ||
You're back. Well done. Woo-hoo! Nine. Nine. Nine. 10. 10! Yeah! | :09:05. | :09:09. | |
had the good, the bad and the ugly, and I loved it - what fun. What | :09:10. | :09:19. | |
enjoyment. Who will survive Hallowe'en's horrors, and who faces | :09:19. | :09:29. | |
:09:29. | :09:38. | ||
couple safe tonight is: Lulu and Brendan. | :09:38. | :09:48. | |
:09:48. | :10:13. | ||
James. Well done. Back in the ballroom next Saturday are: Jason | :10:13. | :10:23. | |
:10:23. | :10:55. | ||
and Kristina. show are: Chelsee and Pasha. | :10:55. | :11:05. | |
:11:05. | :11:07. | ||
And now in the bottom two tonight and in danger of leaving the | :11:07. | :11:17. | |
:11:17. | :11:21. | ||
competition are: Audley and Natalie. The rest of you | :11:21. | :11:26. | |
will have to wait to discover your fate. | :11:26. | :11:31. | |
Len, the jive is a tough dance for big guys. I mean, you said that | :11:31. | :11:36. | |
Audley had rhythm. He had timing are you disappointed to see him in | :11:36. | :11:40. | |
the bottom two? I am disappointed, but I had a feeling he might be | :11:40. | :11:46. | |
because he's got size 17 feet. He's 6'6" or whatever, and the jive is | :11:46. | :11:51. | |
all about being compact and sharp and fast. You know, it's a shame | :11:51. | :11:54. | |
because this competition quite often is about getting the wrong | :11:54. | :11:57. | |
dance at the wrong week, and I think that's what happened for | :11:57. | :12:02. | |
Audley. Last week his foxtrot I thought was beautiful, and he's had | :12:02. | :12:07. | |
to do a jive which didn't suit him, and I am sorry, but I had a feeling | :12:07. | :12:11. | |
it may be. Thank you very much. Will he live to fight another day? | :12:11. | :12:16. | |
Over to you, Claudia. Thank you very much, Tess. I have five safe, | :12:16. | :12:21. | |
joyful couples. There is joy in the room. Alex, congratulations. Last | :12:21. | :12:27. | |
week, grumpy Craig, sexless. This week he found it erotic. Are you | :12:27. | :12:34. | |
delighted or ever so slightly alarmed? No, delighted. He said | :12:34. | :12:43. | |
that. I was just worried it was going to come to an end. We dusted | :12:43. | :12:49. | |
ourselves off. It was a break- through week he said. Do you feel | :12:49. | :12:55. | |
like that? Yeah. Your eyelashs are amazing. You flew. How do you feel? | :12:55. | :13:01. | |
You must be still on cloud nine. am still flying. They said the | :13:01. | :13:05. | |
choreography was brilliant. They loved it. Brendan did a great job, | :13:05. | :13:10. | |
and I loved flying. You were so brilliant, and then you were in | :13:10. | :13:17. | |
tears. I wanted to jump through the telly. I feel a bit daft now. | :13:17. | :13:21. | |
be silly. Did you think there had been a gift? What do you think | :13:21. | :13:24. | |
happened? I don't want to say gift. Do you know what, it has been | :13:24. | :13:32. | |
really hard this week. I was a bit nervous about coming on. OK. Well, | :13:32. | :13:34. | |
you were absolutely brilliant, absolutely brilliant, and you're | :13:35. | :13:39. | |
going to love this. There is something to sink your fans into | :13:39. | :13:44. | |
now. They're Britain's hottest boy band who in one year have taken the | :13:44. | :13:49. | |
world by storm. Here with their exclusive performance of their | :13:49. | :13:59. | |
:13:59. | :14:13. | ||
brand new single Lightning, please welcome The Wanted. | :14:13. | :14:16. | |
# You're in control # Pressing pause on my heartbeat | :14:16. | :14:18. | |
# Someone stole all the air # So I can't speak | :14:18. | :14:21. | |
# Now I know # The chase is on | :14:21. | :14:23. | |
# I feel as though # My time has come | :14:23. | :14:27. | |
# How many times do I fly through your head space? | :14:27. | :14:31. | |
# Now it's speeding away from the safe place | :14:31. | :14:41. | |
# Yeah, your skin # Your touch | :14:41. | :14:43. | |
# The kiss # You rush too much | :14:43. | :14:46. | |
# And here it comes # When your lips touch mine | :14:46. | :14:49. | |
# It's the kiss of life # I know | :14:49. | :14:52. | |
# I know that it's a little bit frightening | :14:53. | :14:56. | |
# We might as well be playing with lightning. | :14:56. | :15:04. | |
# We touch like # Like it's out first time | :15:04. | :15:07. | |
# Oh, oh # I know it's a light frightening | :15:07. | :15:11. | |
# We might as well be playing with lightning now | :15:11. | :15:16. | |
# Oh, oh # Just you and me and the coats in | :15:16. | :15:20. | |
the back room # Learning things they don't teach | :15:20. | :15:22. | |
in the classroom # Now you're here | :15:22. | :15:27. | |
# I feel the fear # Now everything is oh, so clear | :15:27. | :15:31. | |
# I have been addicted to you since the first hit | :15:31. | :15:35. | |
# Out of control like a surge of electric | :15:35. | :15:40. | |
# Yeah, your skin, your touch # The kiss | :15:40. | :15:48. | |
# The rush so much # And here it comes | :15:48. | :15:52. | |
# When your lips touch mine # It's the kiss of life | :15:52. | :15:54. | |
# I know it's a little bit frightening | :15:54. | :15:57. | |
# We might as well be playing with lightning | :15:57. | :16:02. | |
# We touch like # Like it's our first time | :16:02. | :16:06. | |
# Oh, oh # I know it's a little bit | :16:06. | :16:12. | |
frightening # We might as well be playing with | :16:12. | :16:14. | |
lightning # Now... | :16:14. | :16:22. | |
# Oh, oh # Oh, oh oh, oh | :16:22. | :16:31. | |
# Oh, oh # Your skin | :16:31. | :16:33. | |
# The touch # The kiss | :16:33. | :16:35. | |
# Too much # Your skin | :16:35. | :16:36. | |
# The touch # The kiss | :16:37. | :16:38. | |
# The rush # Your skin | :16:39. | :16:42. | |
# The touch # The kiss too much | :16:42. | :16:49. | |
# The rush # When your lips touch mine | :16:49. | :16:51. | |
# It's the kiss of life # I know | :16:51. | :16:54. | |
# I know that it's a little bit frightening | :16:54. | :16:59. | |
# We might as well be playing with lightning | :16:59. | :17:09. | |
:17:09. | :17:10. | ||
# We touch like # Like it's our first time | :17:10. | :17:13. | |
# Oh, oh # I know it's a little bit | :17:13. | :17:16. | |
frightening # We might as well be playing with | :17:16. | :17:17. | |
lightning now # Oh, oh # | :17:17. | :17:27. | |
Amazing. Now it's time to please welcome the judges. | :17:27. | :17:34. | |
APPLAUSE Now, of course, we could not do | :17:34. | :17:40. | |
this section alone. We need to be joined by... Len's lens. | :17:40. | :17:45. | |
(Evil laugh) Right? Scary. This is where we look | :17:45. | :17:50. | |
at the real details. Look how beautifuls that, and you can | :17:50. | :17:55. | |
dissect certain movements. First off, we've got a surprise clip for | :17:55. | :18:00. | |
you, Len, because Kristina put a spell on Jason. She put a spell on | :18:00. | :18:07. | |
you. You're going to love this. Here we go. Look. Look. I was | :18:07. | :18:11. | |
practising - I was practising that Bewitched, and I wasn't sure I | :18:11. | :18:15. | |
could wiggle my nose and then go wiggle, wiggle, wiggle, then | :18:15. | :18:19. | |
whatever the score was. I couldn't do it. Can I just say something - | :18:19. | :18:23. | |
we have all had a little practising. You did it for 14 seconds. Yeah, | :18:24. | :18:29. | |
well, I am a perfectionist. I thought, this is ridiculous. I've | :18:29. | :18:34. | |
got quite a big bugle. This will work. Unfortunately, no. I had to | :18:34. | :18:38. | |
give up. Alex and James, you loved them. Let's just have a look at | :18:38. | :18:43. | |
this clip in slow-mo. Here she is - so beautiful. Do you know what I | :18:43. | :18:48. | |
like? Last week she got a bit of a hammering, and I'm sure she has | :18:48. | :18:52. | |
come back this week - her nerves were a little bit jangled, but she | :18:52. | :18:56. | |
had the confidence to come out and perform on her own. That's one of | :18:57. | :19:06. | |
the keys. You have to risk it if you want the biscuit. Full on Kate | :19:06. | :19:16. | |
:19:16. | :19:16. | ||
Bush - Ka-ba-bush - ya-ya. It was like Kate Bush was here. It's | :19:16. | :19:21. | |
uncanny. We have a surprise clip for you because always this believe | :19:21. | :19:25. | |
face, serene, adorable, just smiling, willing them on, then this. | :19:25. | :19:32. | |
Hold on. Here we go. LAUGHTER | :19:32. | :19:39. | |
A trick, and then a treat! Let's talk about holly and Artem. You | :19:39. | :19:43. | |
loved them. The audience went nuts. Here is the clip. They do this | :19:43. | :19:47. | |
amazing spin. Talk us through it. What I loved about it is it wasn't | :19:47. | :19:51. | |
conventional. It was really unique, and I think Holly stepped up her | :19:51. | :19:56. | |
game this week. Artem is so clever. It was my favourite concept. What | :19:57. | :20:00. | |
was lovely is it was really effortless. There was no straining | :20:00. | :20:05. | |
in his face. It just flowed. It was lovely. I don't want to be | :20:05. | :20:10. | |
pernickety, but why didn't that get a ten? Not enough content for me - | :20:10. | :20:17. | |
not enough foxtrot. I loved the spin. I just felt like it went on | :20:17. | :20:21. | |
too long. There were some ballet-ic steps that were cleverly put | :20:21. | :20:25. | |
together. It's stunning, what he did, but because there is some | :20:25. | :20:29. | |
attitude - purely from a ballet point of view, they weren't quite | :20:29. | :20:34. | |
there, but overall... I had to ask. I was at home shouting ten to | :20:34. | :20:40. | |
myself! Craig, we have a fantastic clip of you. This is the brilliant | :20:40. | :20:45. | |
Robbie Savage jumping on your desk. Your face and Len's face were | :20:45. | :20:55. | |
:20:55. | :20:55. | ||
fantastic. Look at you, Craig. LAUGHTER | :20:55. | :21:05. | |
:21:05. | :21:06. | ||
Len loves it. Oh, look. LAUGHTER | :21:06. | :21:13. | |
Bruno, let me talk to you about the musical performances - Audley on | :21:13. | :21:17. | |
the piano, then Russell playing the bong oh, I believe. Let's have a | :21:17. | :21:23. | |
look. Both of them doing it with gusto. Going for it - the belly | :21:23. | :21:28. | |
bong oh - give it to me, honey! They were not the best dancers, but | :21:28. | :21:35. | |
they got the spirit of it. Look at him! I was born this way - go for | :21:35. | :21:41. | |
it! The thing I have to say overall - everybody really had wonderful | :21:41. | :21:45. | |
concepts. They may not have been technically perfect, some of them, | :21:45. | :21:49. | |
but overall, they all really embraced the spirit of the night on | :21:49. | :21:55. | |
Saturday. It was brilliant. The dancers, the celebrities - they did | :21:55. | :21:59. | |
a fantastic - I have enjoyed it enormously. Obviously, we have to | :21:59. | :22:03. | |
score. We have to do our job, but as a member of the public, I | :22:03. | :22:07. | |
thought they were stunning, all of them, regardless of the scores. | :22:07. | :22:11. | |
Everyone is totally agreeing with you. We can never end this item. | :22:11. | :22:16. | |
Even if we do this in four years' time, I'm still going to show him. | :22:16. | :22:26. | |
:22:26. | :22:26. | ||
Look at him move that tail. That's the best costume I have ever seen. | :22:27. | :22:33. | |
There it is. Look at that face. Somewhere between Hell Boy and Hell | :22:33. | :22:37. | |
Girl. He was brilliant. Guys, thank you very much. Let's hear it for | :22:37. | :22:43. | |
Now the dreaded red light is about to be switched on again, but who | :22:43. | :22:49. | |
will be under it? Back to you, Tess. Thanks, Claudia. Five couples left, | :22:49. | :22:59. | |
:22:59. | :23:02. | ||
but who's safe, and who is in In no particular order surviving | :23:02. | :23:12. | |
:23:12. | :23:32. | ||
Dancing again next Saturday are: Russell and Flavio. Thank you. | :23:32. | :23:42. | |
:23:42. | :23:55. | ||
Thank you. Safe for another week are: Harry and Aliona Vilani. | :23:55. | :24:02. | |
So that means Robbie and Ola and Nancy and Anton, one of you is safe, | :24:02. | :24:05. | |
one in the bottom two. I can reveal the couple in the bottom two | :24:05. | :24:15. | |
:24:15. | :24:17. | ||
tonight is: Nancy and Anton. So Robbie and Ola, | :24:17. | :24:19. | |
congratulations. You're through to next Saturday. | :24:19. | :24:25. | |
APPLAUSE So Bruno, this is Nancy's third | :24:25. | :24:29. | |
time in the bottom two. Do you think it's her time to go? Well, | :24:29. | :24:34. | |
listen - there is one thing I have to explain - she's been in the | :24:34. | :24:38. | |
bottom two three times, saved by the nation three times. I do | :24:38. | :24:42. | |
understand the appeal. In a perverse way somebody so beautiful | :24:42. | :24:45. | |
but yet so clueless on the dancefloor makes this almost like | :24:45. | :24:49. | |
must-see television. I want to see her again. Can she get any worse? I | :24:49. | :24:51. | |
have no idea. LAUGHTER | :24:51. | :24:56. | |
No, but it still is wonderful to see because she goes for it - badly | :24:56. | :25:03. | |
- but she goes for it! Will it be a case of third time unlucky? We'll | :25:03. | :25:09. | |
have to see. Over to you, Claudia. Thank you, Tess. Here with a | :25:09. | :25:13. | |
bewitching American smooth guaranteeed to make your toes tap | :25:13. | :25:23. | |
:25:23. | :25:23. | ||
Apology for the loss of subtitles for 162 seconds | :25:23. | :28:06. | |
and spine a tingle, please welcome two couples are here. I am so sorry, | :28:06. | :28:10. | |
Audley. The judges said the jive is just a very difficult dance. If you | :28:10. | :28:14. | |
stay another week, have you got better dances in you, do you think? | :28:14. | :28:17. | |
Definitely. I think the ballroom dances are more suitable to me, but | :28:17. | :28:24. | |
I tried, but - I gave it my all, but that dance is a real tough | :28:24. | :28:29. | |
dance to master especially someone my size and my small feet. Yes, | :28:29. | :28:33. | |
let's not mention the feet ever again. Nancy, we keep meeting like | :28:33. | :28:39. | |
this. Yes. Is the rumba the final nail in the coffin, do you think? I | :28:39. | :28:49. | |
:28:49. | :28:49. | ||
feel bad asking - but I had to. ask. No. OK. Fantastic! You enjoyed | :28:49. | :28:57. | |
it, though? To be in a coffin? dance. I do enjoy it, but I need to | :28:57. | :29:01. | |
watch it again because I think definitely the judge is being too | :29:01. | :29:04. | |
mean to us definitely, but I definitely will watch it and see. | :29:04. | :29:13. | |
OK. All right. If I enjoy it, I did. Brilliant. And with that, we are | :29:13. | :29:18. | |
done. Either Audley or Nancy are about to bid goodbye to Strictly. | :29:18. | :29:22. | |
Here's what we'll miss. It is already my third time in the bottom | :29:22. | :29:31. | |
two. You never want to surrender. The thing is nothing make you more | :29:31. | :29:35. | |
happy when people are laughing with you. I can't ask for more. I want | :29:35. | :29:42. | |
to keep going. I still have a lot of energies to carry on. The best | :29:42. | :29:47. | |
thing about being part of Strictly is that I get to dance every single | :29:47. | :29:52. | |
day. Wow. It doesn't even feel like I'm working. I'm having so much fun. | :29:52. | :29:56. | |
I've danced. I am losing weight. But there's a lot more to come from | :29:56. | :30:06. | |
:30:06. | :30:13. | ||
Audley Harrison. Twinkle toes is competition for good - the moment | :30:13. | :30:23. | |
:30:23. | :30:27. | ||
of truth. Audley, Craig said heavy, flat-footed and cumbersome. Nancy, | :30:27. | :30:31. | |
Alesha said you should have stayed in the coffin. But did the public | :30:31. | :30:41. | |
:30:41. | :30:45. | ||
agree? I can now reveal that the couple leaving tonight is: Nancy | :30:45. | :30:55. | |
:30:55. | :30:57. | ||
and Anton. It's OK. That means Audley and Natalie, we'll see you | :30:57. | :31:02. | |
next week. Nancy and Anton, please come and join me. As we said | :31:02. | :31:08. | |
earlier, never a dull moment. What will you miss most about Strictly? | :31:08. | :31:11. | |
Let me think about it! LAUGHTER | :31:11. | :31:17. | |
I will miss many moments, of course. It has been so a full-on experience | :31:17. | :31:25. | |
that we - sorry. Give it to me. Wardrobe malfunction - we don't | :31:25. | :31:30. | |
need anymore! Exactly. It's another one. Well, of course it's difficult | :31:30. | :31:36. | |
to say now, but of course I'll miss a lot. It was a lot of fun, and I | :31:36. | :31:43. | |
learned dancing - partly, even though the judges don't agree. | :31:43. | :31:47. | |
Anton, what would you like to say to Nancy? I tell you what I'm going | :31:47. | :31:52. | |
to miss the most. I'm just going to miss Nancy. I'm going to miss you. | :31:52. | :31:58. | |
You are a superstar. You are absolutely lovely. Thank you very | :31:58. | :32:08. | |
:32:08. | :32:08. | ||
much, Anton. I have had the most lovely time. Off you go. I'm so | :32:08. | :32:14. | |
sorry. Ladies and gentlemen, Nancy and Anton. Before we go, it's a sad | :32:14. | :32:19. | |
goodbye to another couple. It Takes Two is at 6.30 on BBC Two. If you | :32:19. | :32:23. | |
can't wait until then for your next ballroom fix, head to our website. | :32:23. | :32:28. | |
We'll be back at 6.25pm next Saturday. Len won't be here next | :32:28. | :32:35. |