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Last weekend, the nation sunk its teeth into a Hallowe'en spook | :00:16. | :00:24. | |
tacular. And from the shadows came a witch, a bat - Lots of tricks and | :00:24. | :00:34. | |
quite a few treats. Not forgetting a devil in disguise. Once again we | :00:34. | :00:44. | |
:00:44. | :00:46. | ||
were be witched. It was the final nail in the vamp's coffin. This | :00:46. | :00:52. | |
week, expect fire works. Burning ballroom questions must be answered. | :00:52. | :01:00. | |
Do you trust me? Who will provide the gun powder? Who will lose the | :01:00. | :01:04. | |
plot? And who is sitting in Len's chair? | :01:04. | :01:14. | |
:01:14. | :01:16. | ||
4 Light the fuse, stand well back... It promises to the dynamite. | :01:16. | :01:26. | |
:01:26. | :01:26. | ||
Apology for the loss of subtitles for 43 seconds | :01:26. | :02:09. | |
From Television Centre, please welcome your hosts, Sir bruce | :02:09. | :02:19. | |
:02:19. | :02:36. | ||
What a great crowd! Thank you. Hold on, hold on, don't | :02:36. | :02:42. | |
just stand there, sit down! Good evening ladies, gentlemen and | :02:42. | :02:47. | |
children. Welcome to Strictly Come Dancing it's nice to see you, to | :02:47. | :02:52. | |
see you....AUDIENCE: Nice. And it's nice to see you as ever. Are you | :02:52. | :02:59. | |
looking forward to Bonfire Night? No, they've asked me to light the | :02:59. | :03:05. | |
fire works. Don't laugh. Are you scared of the explosions? Nigh no. | :03:05. | :03:13. | |
What then? Well, they say, "Light the blue touch paper then retire!" | :03:13. | :03:21. | |
What are you laughing at? I've said so many times, so many times I'm | :03:22. | :03:30. | |
not going to retire. I'm going to keep going until I'm found out. | :03:30. | :03:39. | |
Quite right too. Our ten remaining couples are ready to light up this | :03:39. | :03:44. | |
dance floor with explosive routines. But sadly, the fifth couple will | :03:44. | :03:51. | |
have to leave the competition. Which will shine brightest tonight. | :03:51. | :04:01. | |
:04:01. | :04:01. | ||
Shall we light the...the fuse! You'll never puff a candle out. | :04:01. | :04:09. | |
It's all right lit. Any way, it ace time to meet the stars of our show. | :04:09. | :04:15. | |
Astrologer to the stars, Russell Grant and his partner, Flavia | :04:15. | :04:25. | |
:04:25. | :04:26. | ||
Cacace. Singing legend Lulu and her partner Brendan Cole. Waterloo | :04:26. | :04:32. | |
Road's chelsee Healey and her partner Pasha Kovalev, Holly | :04:32. | :04:39. | |
Valance and her partner Artem Chigvintsev, actress and leading | :04:39. | :04:47. | |
lady, Anita Dobson and her partner Robin Windsor. Premier ship's | :04:47. | :04:56. | |
footballer, Robbie Savage and his partner, Ola Jordan. | :04:56. | :05:03. | |
And finally star of stage and screen, Jason Donovan and his part | :05:03. | :05:13. | |
:05:13. | :05:14. | ||
er in Kristina Rihanoff. There they all are! | :05:14. | :05:21. | |
There they all are. By the way, than you for all the money today. I | :05:21. | :05:25. | |
wasn't actually collecting penny for the Guy, I just dozed off in my | :05:25. | :05:34. | |
chair and they started throwing money in my lap! Mind you, I didn't | :05:34. | :05:41. | |
do badly. I made �34 and one Australian dollar. Thanks a bunch, | :05:41. | :05:46. | |
Holly. Tonight our sparkling stars are | :05:46. | :05:52. | |
going to be dancing to impress our judges who will be scoring and then | :05:52. | :06:00. | |
they will be ranked on the leader board. Snu but one couple will be | :06:00. | :06:10. | |
:06:10. | :06:10. | ||
going up in smoke. And Karen Hardy is joined by Martin | :06:10. | :06:15. | |
in the Red button box. Our first couple is Lulu and her | :06:15. | :06:25. | |
:06:25. | :06:29. | ||
partner Brendan. After the show tonight, Lulu has | :06:29. | :06:33. | |
organised a Bonfire Night party for us all. She's in charge of | :06:33. | :06:40. | |
everything, the music, the drinks, the food and she said, "Are you | :06:40. | :06:45. | |
coming Bruce? And I said yes, but will there be a potato in a jacket? | :06:45. | :06:52. | |
And she said, "Oh, yes, Craig has been invited." I didn't mean it, I | :06:52. | :07:02. | |
:07:02. | :07:02. | ||
just read it. Here they are in training. | :07:02. | :07:06. | |
Hallowe'en week was the best Hallowe'en I have ever had in my | :07:06. | :07:16. | |
:07:16. | :07:18. | ||
whole life. As soon as I took off.... Ooooh, | :07:18. | :07:23. | |
everyone's eyes are on you and you'd better get this right. Lots | :07:23. | :07:28. | |
of tricks and quite a few treats. thought the concept was absolutely | :07:28. | :07:38. | |
:07:38. | :07:44. | ||
great. I loved that exit. I loved Highest score so far - come on! | :07:44. | :07:48. | |
The tango is so complicated. have to get your face out there, | :07:48. | :07:54. | |
even though it hurts you for the entire time. I'm going to film | :07:54. | :07:58. | |
Brendan doing all the steps and pictures at home. That's my | :07:58. | :08:02. | |
homework. It's pretty hard not having my | :08:02. | :08:07. | |
partner here to dance with, but I have a pretty good replacement. | :08:07. | :08:17. | |
:08:17. | :08:19. | ||
Let's tango! Do you think I'm doing a good job? | :08:19. | :08:24. | |
Do you want this cup of tea, Brendan? Suit yourself. Last week's | :08:24. | :08:28. | |
points were great and I'd love it to go up this week. What are you | :08:28. | :08:36. | |
looking at! Dancing the tango, Lulu and Brendan | :08:36. | :08:46. | |
:08:46. | :08:46. | ||
Apology for the loss of subtitles for 43 seconds | :08:46. | :10:28. | |
Cole. CHEERS AND APPLAUSE | :10:28. | :10:38. | |
:10:38. | :10:39. | ||
Wonderful, wonderful. Did you like it? I always hover | :10:39. | :10:47. | |
there. Are you going to do that to Oh, lovely. Why should Craig - his | :10:47. | :10:52. | |
luck always changes. I get nothing standing here. Any way, whilst you | :10:52. | :10:58. | |
take a breather and stop kissing me, it's a good time to welcome our | :10:58. | :11:04. | |
fabulous singers, Dave Arch and his wonderful, wonderful orchestra. | :11:04. | :11:09. | |
And, of course, not forgetting our judges. Welcome, welcome, judges. I | :11:09. | :11:16. | |
Now, as Len's on holiday for the week, our guest judge is the star | :11:16. | :11:26. | |
:11:26. | :11:27. | ||
of the film Dirty Dancing, Jennifer Gray. | :11:27. | :11:33. | |
Welcome to Britain. And in the words of the wonderful film, Dirty | :11:33. | :11:43. | |
:11:43. | :11:46. | ||
Dancing, I'd just like to say I hope you have the time of your life. | :11:46. | :11:53. | |
Oh yes, I've been a dirty dancer since I was 60. I can almost attest | :11:53. | :11:58. | |
to that. You're getting a bit cheeky all of a sudden! | :11:58. | :12:04. | |
Welcome, welcome, welcome. I think we're going to start with you, | :12:04. | :12:11. | |
Jennifer. What did you think of that offering? Well, how gorgeous | :12:11. | :12:17. | |
are you? That was phenomenal. I've been looking so forward to seeing | :12:17. | :12:23. | |
you dance and I was not disappointed. And I have just one | :12:23. | :12:29. | |
question; I don't know what they're putting in your porridge, but I | :12:29. | :12:35. | |
want some. I loved it. Obviously there were little slip-ups, but I | :12:35. | :12:45. | |
:12:45. | :12:46. | ||
just loved everything about you. And aleavia, my lovely. - aleavia. | :12:46. | :12:53. | |
Lulu, there's always a little mishap about you, we expect it. But | :12:53. | :12:58. | |
it doesn't throw you. We commend you to that. But half way through | :12:58. | :13:03. | |
the routine you lost that upper strength and I want you to maintain | :13:03. | :13:08. | |
it throughout the whole dance. But you are improving and it was | :13:08. | :13:16. | |
wonderful to watch. Thank you very much. Now then, Bruno. Lulu, you | :13:16. | :13:22. | |
drive me crazy! You started so well, the Queen and mean with the heart | :13:22. | :13:29. | |
of stone, look like he smelled. But then what happened? Oh, gone. And | :13:29. | :13:35. | |
then the frame went. He was dragging you around at the end. | :13:35. | :13:38. | |
You've got to keep your performance going all the way through, because | :13:38. | :13:44. | |
you are able to do it. You did it last week. But this week, | :13:44. | :13:54. | |
somehow....I Have to rehearse more. More hours. | :13:54. | :14:03. | |
Sorry, what was that? Sorry, Bruce, carry on. In Len's absence, by the | :14:03. | :14:13. | |
:14:13. | :14:14. | ||
way, Craig, you are tonight's Head Judge! Sorry about that e Brendan | :14:14. | :14:24. | |
:14:24. | :14:27. | ||
Well, the head and the placement for me was very, very poor. You | :14:27. | :14:35. | |
were looking down an awful lot. I'm sure Brendan has told you about | :14:35. | :14:42. | |
that. And the frame. You keep miming, which is driving me mad. | :14:42. | :14:48. | |
I sometimes say the words. Yes, you need to stop that. But I thought | :14:48. | :14:55. | |
you had a lovely moment up on the bridge, a beautiful ronay, and I | :14:56. | :15:02. | |
loved the routine. Hold on. I'd just like to say on | :15:03. | :15:10. | |
behalf of all the dancers and the celebs it's an absolute honour to | :15:10. | :15:20. | |
:15:20. | :15:25. | ||
have Jennifer on the panel tonight. Yes, Brendan. Well done, Lulu, | :15:25. | :15:30. | |
kicking off our fire works night in style. A few wobbles there. Yes, | :15:30. | :15:36. | |
but it was fun. I enjoyed it. Jennifer loved everything about it. | :15:36. | :15:43. | |
She's coming on leaps and bounds, your girl.. She's getting there. | :15:44. | :15:53. | |
:15:54. | :16:09. | ||
And kissing Craig. It seemed to We'll go with that. Kiss Craig | :16:09. | :16:16. | |
harder next time! What do you think? Call this number: | :16:17. | :16:23. | |
When the phone lines open later on, if you want Lulu to re-light her | :16:23. | :16:30. | |
bonfire next week. How does that sound? It really makes me want to | :16:30. | :16:40. | |
:16:40. | :16:49. | ||
somehow! # Wayyy-yaaaa-a. Fire work night tonight, Lulu has | :16:49. | :16:58. | |
set it all off. Back to you, Bruce Our next couple is Audley Harrison | :16:58. | :17:05. | |
and his partner, Natalie. What a nice guy he is. Audley was | :17:05. | :17:13. | |
telling me that he hates fire work night. I said why? He said, "The | :17:13. | :17:19. | |
rockets get right up my nose." I said" it's your own fault, you | :17:19. | :17:26. | |
shouldn't be so tall !" what a stupid joke! Here they are in | :17:27. | :17:32. | |
training. Last week, I really let my hair down and let myself go. | :17:32. | :17:38. | |
did make a gallant effort, my love. You're completely and utterly | :17:38. | :17:44. | |
unsuited for this dance, but a lovely smile. He's cruising for a | :17:44. | :17:48. | |
bruising. It's the second time I've been in the bottom two. So I take | :17:48. | :17:55. | |
it on the chin like a man. This week, we are doing the Viennese | :17:56. | :18:02. | |
waltz, and OMG it's a tough dance. Viennese waltz is about changing | :18:02. | :18:08. | |
momentum and direction quickly. We have to get him on his feet. | :18:08. | :18:15. | |
judges are coming down tough. And there are strong dancers and strong | :18:15. | :18:22. | |
performers and I really need to get my technique up. I've been idea. | :18:22. | :18:31. | |
What? Let's go old school. We're both competitive and want to | :18:31. | :18:41. | |
:18:41. | :18:43. | ||
do well. One, two, three, two, two, three. I think you're ready. | :18:43. | :18:53. | |
:18:53. | :18:55. | ||
Let's dance! Dancing the Viennese waltz, Audley | :18:55. | :19:05. | |
:19:05. | :19:05. | ||
Apology for the loss of subtitles for 43 seconds | :19:05. | :20:47. | |
MUSIC: "I'm With You" What about that! | :20:47. | :20:54. | |
Wonderful! You definitely have a certain grace about you. When he | :20:54. | :21:00. | |
moves his arms, it's beautiful. Alesha, start us off. Audley, I | :21:00. | :21:05. | |
much prefer you in ballroom dancing. You had such nice control and | :21:05. | :21:10. | |
everything was carefully placed without being contrived. But I want | :21:10. | :21:17. | |
you to take ownership of the dance and be confident in leading Natalie, | :21:17. | :21:24. | |
you're so charming and really endearing. You should be proud. | :21:24. | :21:29. | |
I had no idea you could be so delicate and careful and caring. | :21:29. | :21:34. | |
You treated her like a Princeess, like a precious china doll. You | :21:34. | :21:39. | |
loved every moment to be with her. But you have to be careful. The | :21:39. | :21:47. | |
drive, there's a continuous drive through the dance so you must never | :21:47. | :21:52. | |
stop the movement. At times you stopped the dance and it looked a | :21:52. | :21:57. | |
little bit like you were walking, but overall, a very, very nice | :21:57. | :22:03. | |
dance. Now Craig? When you do step, turn, | :22:03. | :22:10. | |
step, you need to spot with her head. Your hands still need shaping, | :22:10. | :22:17. | |
but I can see you've been working on it. And your head is doing some | :22:17. | :22:23. | |
training things, as is the tongue! I couldn't watch your foot work | :22:23. | :22:33. | |
because her tongue kept hang out of your head! | :22:33. | :22:40. | |
The point is, Natalie didn't tread on it. Carry on? Oh, no, darling, | :22:40. | :22:49. | |
it could take all night. Jennifer, finish us off if you will. Well, I | :22:49. | :22:59. | |
:22:59. | :22:59. | ||
thought it was Audely enchanting. And it was great considering you | :22:59. | :23:06. | |
have a size 16 shoe. 17. But I think you could use a little more | :23:06. | :23:12. | |
fire and be a little more dynamic. Take charge of the dance and be the | :23:12. | :23:20. | |
master of it. But he does have a certain grace? Oh, yes. | :23:20. | :23:30. | |
:23:30. | :23:32. | ||
We all loved it. Everybody loved Beautiful choreography. Audley, you | :23:32. | :23:39. | |
brought the A game tonight. Yes. Enchanting and endearing. Have you | :23:39. | :23:46. | |
ever been called "delicate" before? No! Some mixed comments from the | :23:46. | :23:52. | |
judges, but it won't wipe the smile off your face? ONo, Definitely, | :23:52. | :23:58. | |
that was the best we've danced that dance. I loved it. And we can't see | :23:59. | :24:08. | |
:24:09. | :24:27. | ||
An eight, there. That's our highest score to date. Is it? Yes. Good man, | :24:27. | :24:32. | |
Audley! All right, make a note of this | :24:32. | :24:38. | |
number: Call later on if you want to keep | :24:38. | :24:43. | |
Audley clear of the bottom two. You don't want that fight on your hands, | :24:43. | :24:48. | |
do you? No. The judges' scores may not be enough to save your | :24:49. | :24:54. | |
favourite alone. Don't leave it to chance. Now our next couple, Harry | :24:54. | :25:01. | |
Judd and his partner, Aliona. Oh, you're wild about Harry. Well, last | :25:01. | :25:05. | |
week, Harry impressed the judges with his terrifying tango. Can he | :25:05. | :25:11. | |
do the same this week with a sexy samba? Nigh let's find out. Here | :25:11. | :25:19. | |
they are in training. There was a lot to be learned about | :25:19. | :25:24. | |
last week, but I felt the judges' comments were fair. I'm from the | :25:24. | :25:29. | |
world of ballroom dancing and I want to see more than eight bars in | :25:29. | :25:35. | |
hold. Art is subjective and for me, you were the king and Queen again | :25:35. | :25:42. | |
tonight. She looks at me and said, "Next | :25:42. | :25:47. | |
week could be quite challenging. Samba, from what Aliona has told me | :25:47. | :25:53. | |
it has to be sexy in the hip action. It will be interesting to see if ki | :25:53. | :25:59. | |
pull it off. It's really hard to make it look comfortable. What I | :25:59. | :26:05. | |
expect from you in the samba is a lot of hip action. | :26:06. | :26:11. | |
Are you listening? Yeah, yeah. Sorry, bounce. It's not enough just | :26:11. | :26:18. | |
to have the bounce. Are you listening to me? Yes. Samba is a | :26:18. | :26:28. | |
:26:28. | :26:32. | ||
sexy dance. Harry! Yes. I have the perfect | :26:32. | :26:37. | |
thing to get you into the mood for samba. Awesome. | :26:37. | :26:47. | |
:26:47. | :26:52. | ||
Come on. This is so not what I had Dancing the samba, Harry Judd and | :26:52. | :27:02. | |
:27:02. | :27:02. | ||
Apology for the loss of subtitles for 43 seconds | :27:02. | :28:48. | |
Look at this, Harry! What about it! That was great. Well | :28:48. | :28:53. | |
done. The pair of you, that was really something. | :28:53. | :29:01. | |
Absolutely wonderful. You certainly got this lot up. Bruno? Harry! That | :29:01. | :29:11. | |
:29:11. | :29:13. | ||
was a samba full of pecksappeal and intriguing glimpses of what your | :29:13. | :29:18. | |
hips can do. But because you're so good, I have to opponent out that | :29:18. | :29:24. | |
it has to be full of abandonment, the samba. Your bounces were full | :29:24. | :29:32. | |
of push, instead of let it happen. You're a very good dancer, but this | :29:32. | :29:39. | |
one was slightly forced. You have to let it flow out of your body. | :29:39. | :29:45. | |
Out of your body, not my body. much flow have you got in your | :29:45. | :29:52. | |
body? Plenty, Bruce. Too much. Just relax, if possible. Craig, what did | :29:52. | :29:57. | |
you think? Well, the shirt was a slight distraction, I've got to be | :29:57. | :30:03. | |
honest! But I did notice, however, your | :30:03. | :30:08. | |
bounce action was almost non- existant and a little awkward, only | :30:08. | :30:17. | |
on the voltas, but you mastered everything else. I thought it was | :30:17. | :30:24. | |
absolutely fantastic. Well done, Craig. Thank out. | :30:24. | :30:31. | |
Jennifer, what did you think? Harry. You don't mind if I call you | :30:31. | :30:37. | |
Harry, do you. Well, if my husband wasn't so attractive and here in | :30:37. | :30:42. | |
the studio audience tonight, I might have found that vaguey | :30:42. | :30:47. | |
exciting! And I wouldn't mind to see you let go a little more. | :30:47. | :30:54. | |
Really? What did you think, Alesha? I'm not sure Latin comes as easy to | :30:54. | :30:59. | |
you as ballroom dancing. You definitely look more comfortable in | :30:59. | :31:04. | |
hold. I think you're having fun, but I want to see you really | :31:04. | :31:09. | |
capture the spirit of the dance. Kick it up a notch, don't be afraid | :31:09. | :31:17. | |
and really go for it. I'd just like to warn Harry, don't | :31:17. | :31:27. | |
:31:27. | :31:37. | ||
Yes, Harry, a standing ovation. And dirty dancing in front of Jennifer | :31:37. | :31:44. | |
Gray. How was that? It was fun. I must admit I was very nervous for | :31:44. | :31:49. | |
me. But you're a drummer, you have rhythm, why do you found it so | :31:49. | :31:54. | |
tough? It's the bouncing and the hips, but I got through it and | :31:54. | :32:04. | |
:32:04. | :32:18. | ||
that's thanks to Aliona. She's It's still a great score. Yes, | :32:18. | :32:24. | |
thank you. No tens from Alesha this week. She said, "Kick it up a | :32:24. | :32:30. | |
notch." Absolutely. I'll do that. Remember to call if you thought | :32:30. | :32:35. | |
Harry's samba was scintillating and you want him back for more. Next | :32:35. | :32:42. | |
week, all our couples will need your votes. Our next couple are | :32:42. | :32:50. | |
Anita Dobson and her partner, Robin. Anita is doing the Charleston. It's | :32:50. | :32:58. | |
a dance from the 1920s. What a decade that was. The Wall Street | :32:58. | :33:04. | |
crash. Prohibition, and the General Strike. But the 1920s weren't all | :33:04. | :33:09. | |
bad. It saw the birth of jazz, the birth of television and the birth | :33:09. | :33:18. | |
of Bruce Forsyth! Oh, I just love a happy ending! | :33:18. | :33:26. | |
Here they are in training. Last Saturday I was very nervous | :33:26. | :33:32. | |
because this has been the hardest dance to date. She was the most | :33:32. | :33:38. | |
nervous I've ever seen Anita. I got mind my little gravestone I | :33:38. | :33:45. | |
was OK. Acting ten. I've had 50 years of standing like an actress, | :33:45. | :33:51. | |
and now I suddenly have to stand like an L shape. But I'll get there. | :33:51. | :33:56. | |
We are doing the Charleston, which is hots of hands and legs and | :33:56. | :34:04. | |
jumping around. Gangsters, molls. might look like a gangster, but the | :34:04. | :34:12. | |
similarity ends there. You could be a gangster. Dancers!, I'm | :34:12. | :34:22. | |
:34:22. | :34:23. | ||
surrounded by namby-pamby dancers. If I didn't dance you wouldn't give | :34:23. | :34:33. | |
:34:33. | :34:47. | ||
I think we should just stoic the regular Charleston, don't you? | :34:47. | :34:57. | |
:34:57. | :34:58. | ||
Apology for the loss of subtitles for 43 seconds | :34:58. | :36:54. | |
Dancing the Charleston, Anita Oh, Anita, look at this! | :36:54. | :37:03. | |
Wonderful, absolutely great. Thank you, all. It was like being | :37:03. | :37:10. | |
born again. That was so exciting. Craig? You lost a little bit of | :37:11. | :37:15. | |
swivel and you were a little bit behind, but you really brought the | :37:16. | :37:23. | |
dance to life. I loved it. Jennifer? Well, now I see why | :37:23. | :37:29. | |
you're a national treasure. You was beautiful, great spirit. You could | :37:29. | :37:34. | |
point the toes a little bit more, but it was beautiful. Alesha? | :37:34. | :37:39. | |
did lose timing on occasions but it was light, cute, fun and you | :37:39. | :37:46. | |
totally captured the spirit of the dance and I personally think you're | :37:46. | :37:50. | |
achieving what you set out to do in this competition, you're turning | :37:50. | :37:56. | |
into a dancer. Anita, characterisation, perfect, jazz, | :37:56. | :38:01. | |
booze and fun galore. But a couple of mistakes, and you lost the | :38:01. | :38:05. | |
timing of the hands a few times, that's it! That's all! It was | :38:05. | :38:15. | |
:38:15. | :38:15. | ||
wonderful. Off you go. Be proud. | :38:15. | :38:25. | |
:38:25. | :38:27. | ||
Yes, Anita, Anita! It's safe to say, blonds do have more fun. Yes, they | :38:27. | :38:32. | |
do. You're an inspiration, where do you get your energy from? I love it. | :38:32. | :38:40. | |
You're like a teenager. Alesha said, "You are transforming into a | :38:40. | :38:44. | |
dancer." That's the best thing anybody could have said to me, I | :38:44. | :38:54. | |
:38:54. | :39:07. | ||
just love it. There you are. | :39:07. | :39:13. | |
Call this number later on if you thought Anita, our national | :39:13. | :39:18. | |
treasure, had rhythm and you'd like to see her shake her thing next | :39:18. | :39:24. | |
Saturday. None of our dancers want this to | :39:24. | :39:30. | |
finish just yet. Back to Bruce. Next up is Jason Donovan and his | :39:30. | :39:38. | |
partner, Kristina. A very popular young man sneefplt now they're | :39:38. | :39:44. | |
doing the rumba, and it's Jason's first romantic dance and to help | :39:44. | :39:49. | |
his confidence, he needs to know if there are any ladies in the | :39:49. | :39:56. | |
audience who would like to get a bit romantic with him? LOTS OF | :39:56. | :40:04. | |
SCREAMS AND SHOUTS I'm sorry, Jason, not one! But I did ask. Here they | :40:04. | :40:11. | |
are in training. Last Saturday was an incredible | :40:11. | :40:18. | |
evening. Alesha's ten. What can I say?! She'll be happy with me. | :40:18. | :40:28. | |
:40:28. | :40:28. | ||
I am. This week we're doing a rumba, the dance of love. That's always | :40:28. | :40:33. | |
interesting when I mention that at home because the kids look at me | :40:33. | :40:41. | |
and go, "Oh, daddy ." I want a more romantic side from you. Think of | :40:41. | :40:45. | |
your first date, or something like this. Well, it's been a while since | :40:45. | :40:55. | |
:40:55. | :41:00. | ||
I had one of thoughs, but... Jason, you are a bad, bad man. | :41:00. | :41:10. | |
:41:10. | :41:11. | ||
Ladies. Oh. Kristina. Oh, Jason. Oh, you smell overpowering. Why, thank | :41:11. | :41:21. | |
:41:21. | :41:25. | ||
you. This Cologne is one quarter spice, three quarters grrrrrr. Miss | :41:25. | :41:33. | |
Rihanoff, you look delicious, dance with me. | :41:33. | :41:43. | |
:41:43. | :41:43. | ||
Apology for the loss of subtitles for 43 seconds | :41:43. | :43:36. | |
Dancing the rumba, Jason Donovan Wonderful, wonderful! | :43:36. | :43:43. | |
That was like a bit of poetry. Jennifer, will you start us off. | :43:43. | :43:51. | |
love that song and I love what you did with it, you just killed me | :43:51. | :43:56. | |
softly with that rumba, my friend, but I think you need to dig deeper | :43:56. | :44:02. | |
and connect more to your sexy, beautiful partner. I want to feel | :44:02. | :44:06. | |
more tension and lust and wow! That's it. | :44:06. | :44:12. | |
All right, I think that's enough. You got me going there for a moment. | :44:12. | :44:17. | |
Alesha? The rumba is such a difficult dance, and I appreciate | :44:17. | :44:25. | |
that, and I commend you for getting through it, but please forgive me, | :44:25. | :44:31. | |
I got a little bit bored throughout it. But I think it was contrived. | :44:31. | :44:37. | |
You're doing all your teacher told you to do, but it lacked that | :44:37. | :44:47. | |
:44:47. | :44:53. | ||
little bit of spark and drive. Don't forget, Joe Calzzgi! | :44:53. | :45:02. | |
Jason, it did feel contrived. Do I look at her? The whole thing didn't | :45:02. | :45:06. | |
gel compared to your unusual standards. I thought it was just a | :45:06. | :45:13. | |
little bit too serious and earnest, if I'm honest. And it did expose | :45:13. | :45:18. | |
you. Latin fingers, too many sharp stops. Just not working through the | :45:18. | :45:26. | |
four and the one. It's a hard dance. Don't worry about it. I'm not | :45:26. | :45:36. | |
:45:36. | :45:42. | ||
worried. Thank you so much for all your comments. Very valid points. | :45:42. | :45:47. | |
Well, Jason, you were the love panther, but the judges were a | :45:47. | :45:53. | |
little bit catty there. Yeah, it's a hard balance to find the | :45:53. | :45:57. | |
character within and being precise with the dance moves. I think | :45:57. | :46:02. | |
that's probably the key to the rumba, but I enjoyed the dance, I | :46:02. | :46:09. | |
have to say, and it seemed to sit with me in a really nice place as | :46:09. | :46:14. | |
shape. Alesha wanted more romance, is there more to give? I think | :46:15. | :46:20. | |
there is. But this was a different style. You seemed a little bit | :46:20. | :46:26. | |
nervous? Not as bad as the last few weeks. No, no, definitely not. I'm | :46:26. | :46:32. | |
a bit dry in the mouth at the moment. Let's see if the scores | :46:32. | :46:42. | |
:46:42. | :46:58. | ||
28 out of 406789 Not your strongest score. I think, | :46:58. | :47:02. | |
as always, they're very fair comments and it's hard when you're | :47:02. | :47:06. | |
involved in a dance to look on the outside. But I do take the comments | :47:06. | :47:11. | |
on board and we'll dig deeper if we're here next week. If you want | :47:11. | :47:17. | |
to see him dig deeper, write this number down and call later if you | :47:17. | :47:23. | |
want Jason back here giving it some on the dance floor next week. Still | :47:23. | :47:29. | |
to come, Russell and Robbie. And our gorgeous girls, Chelsee and | :47:29. | :47:34. | |
Holly. Our next couple tonight is Alex | :47:34. | :47:43. | |
Jones and her partner James. Another popular couple. James told | :47:43. | :47:50. | |
me that after the show this evening he's organised a nice romantic | :47:50. | :47:59. | |
Bonfire Night party just for him and Alex! AUDIENCE: Ooh! I said, | :47:59. | :48:09. | |
:48:09. | :48:10. | ||
"That's nice, when will the fire works start?" he said, "What Ola | :48:10. | :48:15. | |
finds out!" Here they are in training. | :48:15. | :48:21. | |
On the whole, James and I were really pleased with last week's | :48:21. | :48:26. | |
dance. It was the complete antithesis of last week and I | :48:26. | :48:34. | |
almost found it erotic. You've upped your game. | :48:34. | :48:39. | |
The quickstep is probably the hardest dance we've done so far. | :48:39. | :48:45. | |
Don't talk to me at all this week, I'm just going to hammer you. | :48:45. | :48:53. | |
are a dillion steps in a minute. It's challenging and tiring. | :48:53. | :49:01. | |
Hence... Quickstep. Not slow step. I'm going to push you harder and | :49:01. | :49:06. | |
harder every single day. You thought it was tough today? Wait | :49:06. | :49:09. | |
until tomorrow. Dancing with the devil. | :49:09. | :49:17. | |
You're here tot for the quickstep. James has had an opportunity to | :49:17. | :49:25. | |
unleash his inner Sergeant. Go, go, go! Move! | :49:25. | :49:32. | |
I always knew he was firey, but this morning, he he's really gone | :49:32. | :49:42. | |
:49:42. | :49:50. | ||
for it. You have one more challenge, Dancing the quickstep, Alex Jones | :49:50. | :50:00. | |
:50:00. | :50:20. | ||
MUSIC: Don't don'ts If It Ain't Got MUSIC: "It Don't Mean A Thing If It | :50:20. | :50:30. | |
:50:30. | :50:30. | ||
Apology for the loss of subtitles for 43 seconds | :50:30. | :51:46. | |
Up to that fall, your improvement in the last three weeks has been | :51:46. | :51:53. | |
incredible. Alesha? I loved that part of the | :51:53. | :51:57. | |
routine! Extra point. I know there were a few mistakes and you lost | :51:57. | :52:03. | |
your frame at the end, but it was classy, sophisticated. It really | :52:03. | :52:08. | |
suited you. When you're tired, keep working, keep pushing because you | :52:08. | :52:14. | |
are going from strength to strength. The girl were Wales, you're doing | :52:14. | :52:23. | |
good! Alex, you started out in sparkling form and I had frizles | :52:23. | :52:28. | |
running down my spine. But you messed up your foot work a couple | :52:28. | :52:33. | |
of times but it doesn't matter because overall I thought it was | :52:33. | :52:37. | |
great. And Craig? Some small timing issues | :52:37. | :52:45. | |
and that was largely due to your heel caught in the dress, and I | :52:45. | :52:49. | |
thought you dealt with that amazingly well. You really packed a | :52:49. | :52:57. | |
punch in that dance and it was full of personality. Thank you. | :52:57. | :53:03. | |
And Jennifer? Yes, Alex, your quickstep was like a fine champagne, | :53:03. | :53:13. | |
:53:13. | :53:24. | ||
it was bubbly, ef vesant and it made me feel great. Well done. | :53:24. | :53:29. | |
What are you like, you lot. What happened? Did you get your heel | :53:29. | :53:37. | |
caught in the dress. It was ashame. And we both went over. It was | :53:37. | :53:45. | |
supposed to be like that. It looks like James's boot camp worked. | :53:45. | :53:55. | |
:53:55. | :54:14. | ||
not going back next week. To boot 31 out of 40 and you made Jennifer | :54:14. | :54:22. | |
Gray giddy. Joo that wasn't me? it was definitely Alex. Phone this | :54:22. | :54:28. | |
number if you want Alex to take to the floor again. Oh, yes. | :54:28. | :54:36. | |
Next tonight it's Robbie Savage and his partner, Ola. | :54:36. | :54:40. | |
Another popular couple. They are doing the waltz. This is a dance | :54:40. | :54:44. | |
packed with rise and fall. Robbie has no problem at all with the rise | :54:44. | :54:51. | |
but every time it comes to the fall he rolls around, he's in agony | :54:51. | :55:01. | |
:55:01. | :55:01. | ||
looking for a penalty! Old habits die hard. Here they are in training. | :55:01. | :55:07. | |
Last week, when I danced the paso I was in my element. I loved it. I | :55:07. | :55:12. | |
loved the beginning with the cape and the spinning of Ola. I loved | :55:12. | :55:18. | |
everything about it it's a shame the judges didn't feel the same way. | :55:18. | :55:28. | |
I would have liked a bit more savage. Your hands were like soup | :55:28. | :55:33. | |
ladles. After everything I threw at it I was genuinely surprised by the | :55:33. | :55:40. | |
comments. And the four, what does he want from me? Strictly has taken | :55:40. | :55:48. | |
over my life. I played football for years and years, but everybody just | :55:48. | :55:54. | |
talks about dancing. That's Robbie. You do know what I did before | :55:54. | :56:02. | |
dancing? Oh, yes, you were a famous hairdresser. I can't go to the gym | :56:02. | :56:07. | |
without somebody mentioning dancing. Keep dancing! | :56:07. | :56:15. | |
Here, mate, let me give you a hand with that. Thanks. I want you to | :56:15. | :56:22. | |
know you're an inspiration. Thanks mate. Yes, I want to be a | :56:22. | :56:27. | |
professional dancer now. But I'm a football. He gives it all that, but | :56:27. | :56:36. | |
he is a dancer now. Dancing the waltz, Robbie Savage | :56:36. | :56:46. | |
:56:46. | :56:46. | ||
Apology for the loss of subtitles for 43 seconds | :56:46. | :58:33. | |
Lovely, well done. It's a shame about that little tip at the end. | :58:33. | :58:39. | |
Yes. Very controlled, very poised, slightly heart broken. That was the | :58:39. | :58:46. | |
part, wasn't it. You're most correct performance to date. You | :58:46. | :58:54. | |
need to put much more phrasing into the roles. | :58:54. | :59:00. | |
Craig. Fantastic rise and fall, but, for me, devoid of any emotion. I | :59:00. | :59:06. | |
think you could at least have smiled once through it and you were | :59:06. | :59:12. | |
very tense and angry as well. that's what love is. It's tense. | :59:12. | :59:17. | |
Jennifer? That's what I love about this competition, it gives someone | :59:17. | :59:23. | |
like you, who has natural grace and athleticism, and it gives you a | :59:23. | :59:28. | |
chance to bring all of that to the drans floor and transform into a | :59:28. | :59:35. | |
dancer. And it's very exciting to watch. That said, I would like to | :59:35. | :59:45. | |
:59:45. | :59:48. | ||
see you loosen up and have more chem street - chepls tree with this | :59:48. | :59:55. | |
beautiful sexy woman in your arms. I didn't see that I did. Sorry. | :59:55. | :00:02. | |
Alesha. I thought you danced it very well, Robbie. And although I | :00:02. | :00:12. | |
:00:12. | :00:12. | ||
could feel a little bit of tension where you were concentrating, I did | :00:12. | :00:19. | |
see the emotion. T he was all full of love and that's why he was all | :00:19. | :00:29. | |
pent up. Here he is. Give us a smile, Robbie, | :00:29. | :00:36. | |
I'm missing it. There! So, Craig wanted a smile, | :00:36. | :00:42. | |
but it was part of the story. it was. | :00:42. | :00:47. | |
I'm not looking forward to the scores. They're probably going to | :00:47. | :00:57. | |
:00:57. | :00:58. | ||
be bad. Would you want Robbie to romance you, ladies? Yes. Six weeks | :00:58. | :01:03. | |
ago would you have thought you would say, "I love dancing." Well, | :01:03. | :01:08. | |
six weeks ago, to have performed in front of millions of people, it | :01:08. | :01:13. | |
would be unbelievele. He's very nervous. He can hardly talk. | :01:13. | :01:23. | |
:01:23. | :01:36. | ||
29 out of 40. Come on, Robbie, I'm missing the teeth. There they can. | :01:36. | :01:41. | |
Call this number later in the show if you want Robbie to give extra | :01:41. | :01:50. | |
time next week. How much would that mean, Robbie? Yeah, I love it. | :01:50. | :02:00. | |
And you can go to our web site for all the latest gossip. Time for our | :02:00. | :02:05. | |
next couple, Russell Grant and his partner, Flavia. | :02:05. | :02:13. | |
What a popular pair! Now, Russell and Flavia are massive fans of | :02:13. | :02:19. | |
Jennifer Gray's film, Dirty Dancing and as a tribute they wanted to | :02:19. | :02:28. | |
copy the iblgonic dearthy dance -- oip the iconic Dirty Dancing lift. | :02:28. | :02:34. | |
Well, like you, I was worried so I telephoned Russell and asked, "How | :02:34. | :02:40. | |
is it going?" and he said, "Not very well, Flavia keeps dropping | :02:40. | :02:48. | |
me." Here they are in training. | :02:48. | :02:53. | |
Last week, the pressure of being first on to the dance floor took | :02:53. | :02:58. | |
its toll on Russell. I did not quite feel in the groove and I | :02:58. | :03:05. | |
think that's due to the fact that you're working on an empty tank. | :03:05. | :03:12. | |
Unfortunately, you went wrong quite a lot. The timing was out. | :03:12. | :03:17. | |
But you still got the Hallowe'en party started. The music of Kylie | :03:17. | :03:27. | |
:03:27. | :03:28. | ||
Minogue, and dancing of Russell Grant, what more do we want? Kylie | :03:28. | :03:37. | |
men yoing actually tweeted me. It made my night. The paso doble is | :03:37. | :03:42. | |
not a natural dance for Russell. It's very dramatic and all about | :03:42. | :03:46. | |
the attack. I have a surprise for him, which I think he's going to | :03:46. | :03:56. | |
:03:56. | :03:57. | ||
love in more ways than one. Get in there! | :03:57. | :04:07. | |
:04:07. | :04:08. | ||
I'm running! He scores! | :04:08. | :04:14. | |
I've turned rather good at this. I think I've learnt now, I know how | :04:14. | :04:24. | |
:04:24. | :04:24. | ||
Apology for the loss of subtitles for 43 seconds | :04:24. | :06:02. | |
Dancing the paso doble, Russell MUSIC: "Carmen" You've done it | :06:02. | :06:10. | |
again, look at this! Oh, you've done it a gene, the pair | :06:10. | :06:15. | |
of you. Wonderful. The wonderful thing is you really | :06:16. | :06:22. | |
look as if you know what you're doing. Thank you. I don't really. | :06:22. | :06:29. | |
Craig? Craig's face! I'm not laughing, honestly. | :06:29. | :06:39. | |
:06:39. | :06:47. | ||
Astonishing! Is that it? He's lost for words. | :06:47. | :06:52. | |
Jennifer? Well, I'm looking at your stars, Russell and if you keep | :06:52. | :06:56. | |
entertaining everyone like that, you'll be here for a while. | :06:56. | :07:03. | |
I think you're right. Alesha? enough of the strength and drive I | :07:03. | :07:08. | |
usually like to A paso, but I always love your interpretation of | :07:08. | :07:13. | |
the dance, Russell. I laufrd and smiled with you the whole - laughed | :07:13. | :07:18. | |
and smiled with you the whole way. It was brilliant. | :07:18. | :07:23. | |
You really loved riding that bull you didn't want to go off, but once | :07:23. | :07:29. | |
you started it was good. It was a proper paso. It was Benny Hill's | :07:29. | :07:37. | |
version of the paso, but everything was there, the steps and the hands | :07:37. | :07:42. | |
that do dishes. I loved it! Everybody loved it. They all loved | :07:42. | :07:52. | |
:07:52. | :08:06. | ||
Oh, Russell, you do not let us down, do you my darling. I hope not. | :08:06. | :08:11. | |
Every single person in the studio had a huge smile on their face. And | :08:11. | :08:18. | |
Craig had one word, astonishing. I'm happy with that. Macho, how did | :08:18. | :08:25. | |
you find that? Well, I want to thank the rugby club for all they | :08:25. | :08:35. | |
:08:35. | :08:36. | ||
did. Thank you, boys, you taught me how to do the paso. And Bruno | :08:36. | :08:41. | |
called it demented but fabulous. loved that. | :08:41. | :08:51. | |
:08:51. | :08:59. | ||
24 out of 40. He's got Kylie's backing now. Has he got yours? If | :08:59. | :09:04. | |
so, call this number later on if you loved the passion in Russell's | :09:04. | :09:09. | |
paso and you want to see him struting his stuff again next week. | :09:09. | :09:14. | |
Why wouldn't you? Tomorrow night in our results show, | :09:14. | :09:21. | |
sadly two of our dancers will be in danger and it's getting harder to | :09:21. | :09:30. | |
say goodbye. Our next couple is Chelsee Healey | :09:30. | :09:36. | |
and her partner, Pasha. Chelsee is one of those people who is always | :09:36. | :09:44. | |
on her mobile phone. I said to her earlier, "Can I use your mobile?" | :09:44. | :09:51. | |
and she said, "Of course, do you want to twitter, look at a couple | :09:51. | :09:58. | |
of e-mails, or Apps or use the internet?" and said, "I just want | :09:58. | :10:03. | |
to make a phone call." Here they are in training.. Last | :10:03. | :10:09. | |
week's performance, I had a little bit of a wardrobe function. I was | :10:10. | :10:14. | |
so upset at the time, but looking back on it, I know the first part | :10:14. | :10:20. | |
of the dance went really well. She's a wicked little dancer. | :10:20. | :10:26. | |
have to forget about what happened. A brand new week. This week it's a | :10:26. | :10:32. | |
Charleston. It's very high energy, so we need to make sure all our | :10:32. | :10:38. | |
hands and arm positions are precise. The feeling is, it's like polishing | :10:38. | :10:44. | |
a mirror. It's all about the hands, hands, hands. It's time to turn to | :10:44. | :10:49. | |
the tried and tested form of teaching. Put this on and meet me | :10:49. | :10:59. | |
:10:59. | :11:02. | ||
in the car park. Left hand wax on, right hand, wax off. Get to work! | :11:02. | :11:12. | |
4 Paint the fence. Oh, come on, Pasha, I've done | :11:12. | :11:17. | |
everything you wanted me to do. I've painted the fence, washed the | :11:17. | :11:27. | |
:11:27. | :11:40. | ||
car and picturesed. Show me wax on, Dancing the Charleston, Chelsee | :11:40. | :11:50. | |
:11:50. | :11:50. | ||
Apology for the loss of subtitles for 43 seconds | :11:50. | :13:26. | |
Oh, look. That's all for you, darling. Well | :13:26. | :13:35. | |
done, you've had a good week. Jennifer, if you will start us off. | :13:35. | :13:40. | |
Chelsee, you're the baby in the competition, well, from one baby to | :13:40. | :13:45. | |
another, you keep dancing like that and nobody's going to put you in | :13:45. | :13:54. | |
the corner. Well put, Jennifer, lovely. And you | :13:54. | :14:01. | |
Alesha? This dance really, really suits you, your timing is great | :14:01. | :14:06. | |
apart from one or two places and it was a really high-energy dance. | :14:06. | :14:16. | |
:14:16. | :14:19. | ||
Stunning. Chelsee the fabulous flapper, | :14:19. | :14:24. | |
driving to the limit. And the choreography was excellent. | :14:24. | :14:34. | |
:14:34. | :14:35. | ||
Craig? Synchronisity was excellent, apart from where the costume came | :14:35. | :14:45. | |
:14:45. | :14:56. | ||
off, and that was the only time you Oh, wow! Jennifer Gray said, | :14:56. | :15:01. | |
"Nobody's going to put baby in the corner" the quote of the series. | :15:01. | :15:07. | |
You put in more training this time, do you think it paid off? It looked | :15:07. | :15:13. | |
like it. Yes. I always think I can do better, but I tried the best. | :15:13. | :15:21. | |
You got a standing ovation. I know. We're half way through the | :15:22. | :15:29. | |
competition now, Pasha do you think chelgsee can be a contender? - | :15:29. | :15:39. | |
:15:39. | :15:48. | ||
Chelsee can be a contender? That is a big score! Safe to say | :15:48. | :15:53. | |
you're happy about that? I'm so happy. | :15:53. | :16:01. | |
Let's see the wax on wax off one more time. Wax on, wax off. That's | :16:01. | :16:08. | |
lovely. The number to ring is this if you enjoyed our Chelsee's | :16:08. | :16:13. | |
Charleston and you want our flapper back having a right good time next | :16:13. | :16:19. | |
week. This is unmiserable. Back to Bruce. Time now for our last couple, | :16:19. | :16:26. | |
Holly Valance, and her partner Artem. | :16:26. | :16:31. | |
Another very popular couple. Last week, Holly and Artem took on the | :16:31. | :16:38. | |
role of a pair of love-struck swans when they danced to Swan Lake. | :16:38. | :16:47. | |
Remember, the music was beautiful. They were so elegant. Half way | :16:47. | :16:51. | |
through, there was a lovely old couple over there, sitting there, | :16:51. | :16:58. | |
and they started throwing bread. Here they are in training. Not the | :16:58. | :17:05. | |
old couple - Holly and Artem. Last week's American smooth was | :17:06. | :17:09. | |
fantastic. You were magnificent, Holly. This shows you're a real | :17:09. | :17:14. | |
contender in this competition. Getting our highest score yet of 35 | :17:14. | :17:22. | |
was the icing on the cake. The jive. This week we're doing the | :17:22. | :17:28. | |
jive, one of the fastest dances you'll ever do. I'm a bit of a | :17:28. | :17:32. | |
sloth. I don't move very fast. I can't do it that fast. This is the | :17:32. | :17:37. | |
level of the music and this is the level of Holly. I find the speed of | :17:37. | :17:47. | |
:17:47. | :17:50. | ||
the jive really hard. So I have aged a little mission to help. The | :17:50. | :17:55. | |
jive's a really fast dance. I don't know if it necessarily suits me, | :17:55. | :18:00. | |
but I think this is going to help me get in the mood. Let's | :18:00. | :18:10. | |
:18:10. | :18:18. | ||
This is fun! That knocked my socks off! | :18:19. | :18:25. | |
Now the jive will seem slow. Yes, it will seem like a slow waltz at | :18:25. | :18:35. | |
:18:35. | :18:42. | ||
the moment. You're going down. Dancing the jive, Holly Valance and | :18:42. | :18:52. | |
:18:52. | :18:52. | ||
Apology for the loss of subtitles for 43 seconds | :18:52. | :20:32. | |
Look at this, Holly, you've done it. Shame about the braces. I nearly | :20:32. | :20:42. | |
:20:42. | :20:42. | ||
rushed on to fix it, but I thought I'd better not. Alesha? Hony, you | :20:42. | :20:48. | |
looked exhausted through that. It was a cool and sophisticated jive. | :20:48. | :20:56. | |
And that suits your personality. I liked it a lot. Bruno? It was a | :20:56. | :21:01. | |
jive with a twist and a swagger. An element of rock and swing into it. | :21:01. | :21:07. | |
Very creative, very, very different, very, very cool, the girl's on top! | :21:07. | :21:12. | |
I liked it a lot. That's what I liked about it, you | :21:12. | :21:17. | |
were very cool. Craig? I absolutely loved that concept, I thought it | :21:17. | :21:24. | |
was brilliant. And finally, Holly, some energy from you. You're | :21:24. | :21:34. | |
normally very laid back, Australian. We need to see a lot more of that! | :21:34. | :21:39. | |
Jennifer? That was not a traditional jive and you took a lot | :21:39. | :21:45. | |
of chances with it and I think it really paid off I was really | :21:45. | :21:55. | |
:21:55. | :22:04. | ||
thrilled to see it. Oh, Artem has had a bad leg. | :22:04. | :22:11. | |
How hot was that, what a finale. Artem had an jury this afternoon | :22:11. | :22:17. | |
and he's limping. I don't know how you do it, the show must go on. | :22:17. | :22:22. | |
He's been incredible. We had to alter it a little bit. There was | :22:22. | :22:27. | |
littlely smoke coming off your feet, Holly. It's still coming off. I | :22:27. | :22:35. | |
need a lie down. How did it feel? That was awesome, it was so quick. | :22:35. | :22:43. | |
It was the funest dance so far and his choreography is so cool. Do you | :22:43. | :22:52. | |
reckon be your mate, David Walliams liked it? Apaid him off before he | :22:52. | :23:02. | |
:23:02. | :23:08. | ||
came! A great score from the judges. Are | :23:08. | :23:14. | |
you happy with that? Yes. What can we expect next week if you're still | :23:14. | :23:20. | |
in the competition? Something really slow! But not too laid back | :23:20. | :23:24. | |
and Australian? No, it's a blood pressure thing! | :23:24. | :23:32. | |
Make a note of this number and call if you don't want our ballroom | :23:32. | :23:35. | |
Belle to run away from the competition. You don't want that, | :23:35. | :23:45. | |
:23:45. | :23:56. | ||
Holly? Absolutely not. Let's look Now, remember, you can, of course, | :23:56. | :24:06. | |
:24:06. | :24:08. | ||
change all that, because the phone lines are now open! | :24:08. | :24:14. | |
The lines will close at 8.15 tonight. A little bit earlier. | :24:14. | :24:20. | |
Voting details can be found on the website. And here's a reminder of | :24:20. | :24:23. | |
all of tonight's routines and the all-important numbers. What a | :24:23. | :24:33. | |
:24:33. | :24:33. | ||
Apology for the loss of subtitles for 43 seconds | :24:33. | :27:12. | |
Well, what a night. What a night. I hope you agree that our stars gave | :27:12. | :27:18. | |
us a perfect night of ballroom. But sadly, one couple with the lowest | :27:18. | :27:22. | |
combined scores will leave the competition. That's right. Make | :27:22. | :27:29. | |
sure you pick up the phone because your votes can change everything. | :27:29. | :27:39. | |
:27:39. | :27:41. |