Week 6 Strictly Come Dancing


Week 6

Similar Content

Browse content similar to Week 6. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Last weekend, the nation sunk its teeth into a Hallowe'en spook

:00:16.:00:24.

tacular. And from the shadows came a witch, a bat - Lots of tricks and

:00:24.:00:34.

quite a few treats. Not forgetting a devil in disguise. Once again we

:00:34.:00:44.
:00:44.:00:46.

were be witched. It was the final nail in the vamp's coffin. This

:00:46.:00:52.

week, expect fire works. Burning ballroom questions must be answered.

:00:52.:01:00.

Do you trust me? Who will provide the gun powder? Who will lose the

:01:00.:01:04.

plot? And who is sitting in Len's chair?

:01:04.:01:14.
:01:14.:01:16.

4 Light the fuse, stand well back... It promises to the dynamite.

:01:16.:01:26.
:01:26.:01:26.

Apology for the loss of subtitles for 43 seconds

:01:26.:02:09.

From Television Centre, please welcome your hosts, Sir bruce

:02:09.:02:19.
:02:19.:02:36.

What a great crowd! Thank you. Hold on, hold on, don't

:02:36.:02:42.

just stand there, sit down! Good evening ladies, gentlemen and

:02:42.:02:47.

children. Welcome to Strictly Come Dancing it's nice to see you, to

:02:47.:02:52.

see you....AUDIENCE: Nice. And it's nice to see you as ever. Are you

:02:52.:02:59.

looking forward to Bonfire Night? No, they've asked me to light the

:02:59.:03:05.

fire works. Don't laugh. Are you scared of the explosions? Nigh no.

:03:05.:03:13.

What then? Well, they say, "Light the blue touch paper then retire!"

:03:13.:03:21.

What are you laughing at? I've said so many times, so many times I'm

:03:22.:03:30.

not going to retire. I'm going to keep going until I'm found out.

:03:30.:03:39.

Quite right too. Our ten remaining couples are ready to light up this

:03:39.:03:44.

dance floor with explosive routines. But sadly, the fifth couple will

:03:44.:03:51.

have to leave the competition. Which will shine brightest tonight.

:03:51.:04:01.
:04:01.:04:01.

Shall we light the...the fuse! You'll never puff a candle out.

:04:01.:04:09.

It's all right lit. Any way, it ace time to meet the stars of our show.

:04:09.:04:15.

Astrologer to the stars, Russell Grant and his partner, Flavia

:04:15.:04:25.
:04:25.:04:26.

Cacace. Singing legend Lulu and her partner Brendan Cole. Waterloo

:04:26.:04:32.

Road's chelsee Healey and her partner Pasha Kovalev, Holly

:04:32.:04:39.

Valance and her partner Artem Chigvintsev, actress and leading

:04:39.:04:47.

lady, Anita Dobson and her partner Robin Windsor. Premier ship's

:04:47.:04:56.

footballer, Robbie Savage and his partner, Ola Jordan.

:04:56.:05:03.

And finally star of stage and screen, Jason Donovan and his part

:05:03.:05:13.
:05:13.:05:14.

er in Kristina Rihanoff. There they all are!

:05:14.:05:21.

There they all are. By the way, than you for all the money today. I

:05:21.:05:25.

wasn't actually collecting penny for the Guy, I just dozed off in my

:05:25.:05:34.

chair and they started throwing money in my lap! Mind you, I didn't

:05:34.:05:41.

do badly. I made �34 and one Australian dollar. Thanks a bunch,

:05:41.:05:46.

Holly. Tonight our sparkling stars are

:05:46.:05:52.

going to be dancing to impress our judges who will be scoring and then

:05:52.:06:00.

they will be ranked on the leader board. Snu but one couple will be

:06:00.:06:10.
:06:10.:06:10.

going up in smoke. And Karen Hardy is joined by Martin

:06:10.:06:15.

in the Red button box. Our first couple is Lulu and her

:06:15.:06:25.
:06:25.:06:29.

partner Brendan. After the show tonight, Lulu has

:06:29.:06:33.

organised a Bonfire Night party for us all. She's in charge of

:06:33.:06:40.

everything, the music, the drinks, the food and she said, "Are you

:06:40.:06:45.

coming Bruce? And I said yes, but will there be a potato in a jacket?

:06:45.:06:52.

And she said, "Oh, yes, Craig has been invited." I didn't mean it, I

:06:52.:07:02.
:07:02.:07:02.

just read it. Here they are in training.

:07:02.:07:06.

Hallowe'en week was the best Hallowe'en I have ever had in my

:07:06.:07:16.
:07:16.:07:18.

whole life. As soon as I took off.... Ooooh,

:07:18.:07:23.

everyone's eyes are on you and you'd better get this right. Lots

:07:23.:07:28.

of tricks and quite a few treats. thought the concept was absolutely

:07:28.:07:38.
:07:38.:07:44.

great. I loved that exit. I loved Highest score so far - come on!

:07:44.:07:48.

The tango is so complicated. have to get your face out there,

:07:48.:07:54.

even though it hurts you for the entire time. I'm going to film

:07:54.:07:58.

Brendan doing all the steps and pictures at home. That's my

:07:58.:08:02.

homework. It's pretty hard not having my

:08:02.:08:07.

partner here to dance with, but I have a pretty good replacement.

:08:07.:08:17.
:08:17.:08:19.

Let's tango! Do you think I'm doing a good job?

:08:19.:08:24.

Do you want this cup of tea, Brendan? Suit yourself. Last week's

:08:24.:08:28.

points were great and I'd love it to go up this week. What are you

:08:28.:08:36.

looking at! Dancing the tango, Lulu and Brendan

:08:36.:08:46.
:08:46.:08:46.

Apology for the loss of subtitles for 43 seconds

:08:46.:10:28.

Cole. CHEERS AND APPLAUSE

:10:28.:10:38.
:10:38.:10:39.

Wonderful, wonderful. Did you like it? I always hover

:10:39.:10:47.

there. Are you going to do that to Oh, lovely. Why should Craig - his

:10:47.:10:52.

luck always changes. I get nothing standing here. Any way, whilst you

:10:52.:10:58.

take a breather and stop kissing me, it's a good time to welcome our

:10:58.:11:04.

fabulous singers, Dave Arch and his wonderful, wonderful orchestra.

:11:04.:11:09.

And, of course, not forgetting our judges. Welcome, welcome, judges. I

:11:09.:11:16.

Now, as Len's on holiday for the week, our guest judge is the star

:11:16.:11:26.
:11:26.:11:27.

of the film Dirty Dancing, Jennifer Gray.

:11:27.:11:33.

Welcome to Britain. And in the words of the wonderful film, Dirty

:11:33.:11:43.
:11:43.:11:46.

Dancing, I'd just like to say I hope you have the time of your life.

:11:46.:11:53.

Oh yes, I've been a dirty dancer since I was 60. I can almost attest

:11:53.:11:58.

to that. You're getting a bit cheeky all of a sudden!

:11:58.:12:04.

Welcome, welcome, welcome. I think we're going to start with you,

:12:04.:12:11.

Jennifer. What did you think of that offering? Well, how gorgeous

:12:11.:12:17.

are you? That was phenomenal. I've been looking so forward to seeing

:12:17.:12:23.

you dance and I was not disappointed. And I have just one

:12:23.:12:29.

question; I don't know what they're putting in your porridge, but I

:12:29.:12:35.

want some. I loved it. Obviously there were little slip-ups, but I

:12:35.:12:45.
:12:45.:12:46.

just loved everything about you. And aleavia, my lovely. - aleavia.

:12:46.:12:53.

Lulu, there's always a little mishap about you, we expect it. But

:12:53.:12:58.

it doesn't throw you. We commend you to that. But half way through

:12:58.:13:03.

the routine you lost that upper strength and I want you to maintain

:13:03.:13:08.

it throughout the whole dance. But you are improving and it was

:13:08.:13:16.

wonderful to watch. Thank you very much. Now then, Bruno. Lulu, you

:13:16.:13:22.

drive me crazy! You started so well, the Queen and mean with the heart

:13:22.:13:29.

of stone, look like he smelled. But then what happened? Oh, gone. And

:13:29.:13:35.

then the frame went. He was dragging you around at the end.

:13:35.:13:38.

You've got to keep your performance going all the way through, because

:13:38.:13:44.

you are able to do it. You did it last week. But this week,

:13:44.:13:54.

somehow....I Have to rehearse more. More hours.

:13:54.:14:03.

Sorry, what was that? Sorry, Bruce, carry on. In Len's absence, by the

:14:03.:14:13.
:14:13.:14:14.

way, Craig, you are tonight's Head Judge! Sorry about that e Brendan

:14:14.:14:24.
:14:24.:14:27.

Well, the head and the placement for me was very, very poor. You

:14:27.:14:35.

were looking down an awful lot. I'm sure Brendan has told you about

:14:35.:14:42.

that. And the frame. You keep miming, which is driving me mad.

:14:42.:14:48.

I sometimes say the words. Yes, you need to stop that. But I thought

:14:48.:14:55.

you had a lovely moment up on the bridge, a beautiful ronay, and I

:14:56.:15:02.

loved the routine. Hold on. I'd just like to say on

:15:03.:15:10.

behalf of all the dancers and the celebs it's an absolute honour to

:15:10.:15:20.
:15:20.:15:25.

have Jennifer on the panel tonight. Yes, Brendan. Well done, Lulu,

:15:25.:15:30.

kicking off our fire works night in style. A few wobbles there. Yes,

:15:30.:15:36.

but it was fun. I enjoyed it. Jennifer loved everything about it.

:15:36.:15:43.

She's coming on leaps and bounds, your girl.. She's getting there.

:15:44.:15:53.
:15:54.:16:09.

And kissing Craig. It seemed to We'll go with that. Kiss Craig

:16:09.:16:16.

harder next time! What do you think? Call this number:

:16:17.:16:23.

When the phone lines open later on, if you want Lulu to re-light her

:16:23.:16:30.

bonfire next week. How does that sound? It really makes me want to

:16:30.:16:40.
:16:40.:16:49.

somehow! # Wayyy-yaaaa-a. Fire work night tonight, Lulu has

:16:49.:16:58.

set it all off. Back to you, Bruce Our next couple is Audley Harrison

:16:58.:17:05.

and his partner, Natalie. What a nice guy he is. Audley was

:17:05.:17:13.

telling me that he hates fire work night. I said why? He said, "The

:17:13.:17:19.

rockets get right up my nose." I said" it's your own fault, you

:17:19.:17:26.

shouldn't be so tall !" what a stupid joke! Here they are in

:17:27.:17:32.

training. Last week, I really let my hair down and let myself go.

:17:32.:17:38.

did make a gallant effort, my love. You're completely and utterly

:17:38.:17:44.

unsuited for this dance, but a lovely smile. He's cruising for a

:17:44.:17:48.

bruising. It's the second time I've been in the bottom two. So I take

:17:48.:17:55.

it on the chin like a man. This week, we are doing the Viennese

:17:56.:18:02.

waltz, and OMG it's a tough dance. Viennese waltz is about changing

:18:02.:18:08.

momentum and direction quickly. We have to get him on his feet.

:18:08.:18:15.

judges are coming down tough. And there are strong dancers and strong

:18:15.:18:22.

performers and I really need to get my technique up. I've been idea.

:18:22.:18:31.

What? Let's go old school. We're both competitive and want to

:18:31.:18:41.
:18:41.:18:43.

do well. One, two, three, two, two, three. I think you're ready.

:18:43.:18:53.
:18:53.:18:55.

Let's dance! Dancing the Viennese waltz, Audley

:18:55.:19:05.
:19:05.:19:05.

Apology for the loss of subtitles for 43 seconds

:19:05.:20:47.

MUSIC: "I'm With You" What about that!

:20:47.:20:54.

Wonderful! You definitely have a certain grace about you. When he

:20:54.:21:00.

moves his arms, it's beautiful. Alesha, start us off. Audley, I

:21:00.:21:05.

much prefer you in ballroom dancing. You had such nice control and

:21:05.:21:10.

everything was carefully placed without being contrived. But I want

:21:10.:21:17.

you to take ownership of the dance and be confident in leading Natalie,

:21:17.:21:24.

you're so charming and really endearing. You should be proud.

:21:24.:21:29.

I had no idea you could be so delicate and careful and caring.

:21:29.:21:34.

You treated her like a Princeess, like a precious china doll. You

:21:34.:21:39.

loved every moment to be with her. But you have to be careful. The

:21:39.:21:47.

drive, there's a continuous drive through the dance so you must never

:21:47.:21:52.

stop the movement. At times you stopped the dance and it looked a

:21:52.:21:57.

little bit like you were walking, but overall, a very, very nice

:21:57.:22:03.

dance. Now Craig? When you do step, turn,

:22:03.:22:10.

step, you need to spot with her head. Your hands still need shaping,

:22:10.:22:17.

but I can see you've been working on it. And your head is doing some

:22:17.:22:23.

training things, as is the tongue! I couldn't watch your foot work

:22:23.:22:33.

because her tongue kept hang out of your head!

:22:33.:22:40.

The point is, Natalie didn't tread on it. Carry on? Oh, no, darling,

:22:40.:22:49.

it could take all night. Jennifer, finish us off if you will. Well, I

:22:49.:22:59.
:22:59.:22:59.

thought it was Audely enchanting. And it was great considering you

:22:59.:23:06.

have a size 16 shoe. 17. But I think you could use a little more

:23:06.:23:12.

fire and be a little more dynamic. Take charge of the dance and be the

:23:12.:23:20.

master of it. But he does have a certain grace? Oh, yes.

:23:20.:23:30.
:23:30.:23:32.

We all loved it. Everybody loved Beautiful choreography. Audley, you

:23:32.:23:39.

brought the A game tonight. Yes. Enchanting and endearing. Have you

:23:39.:23:46.

ever been called "delicate" before? No! Some mixed comments from the

:23:46.:23:52.

judges, but it won't wipe the smile off your face? ONo, Definitely,

:23:52.:23:58.

that was the best we've danced that dance. I loved it. And we can't see

:23:59.:24:08.
:24:09.:24:27.

An eight, there. That's our highest score to date. Is it? Yes. Good man,

:24:27.:24:32.

Audley! All right, make a note of this

:24:32.:24:38.

number: Call later on if you want to keep

:24:38.:24:43.

Audley clear of the bottom two. You don't want that fight on your hands,

:24:43.:24:48.

do you? No. The judges' scores may not be enough to save your

:24:49.:24:54.

favourite alone. Don't leave it to chance. Now our next couple, Harry

:24:54.:25:01.

Judd and his partner, Aliona. Oh, you're wild about Harry. Well, last

:25:01.:25:05.

week, Harry impressed the judges with his terrifying tango. Can he

:25:05.:25:11.

do the same this week with a sexy samba? Nigh let's find out. Here

:25:11.:25:19.

they are in training. There was a lot to be learned about

:25:19.:25:24.

last week, but I felt the judges' comments were fair. I'm from the

:25:24.:25:29.

world of ballroom dancing and I want to see more than eight bars in

:25:29.:25:35.

hold. Art is subjective and for me, you were the king and Queen again

:25:35.:25:42.

tonight. She looks at me and said, "Next

:25:42.:25:47.

week could be quite challenging. Samba, from what Aliona has told me

:25:47.:25:53.

it has to be sexy in the hip action. It will be interesting to see if ki

:25:53.:25:59.

pull it off. It's really hard to make it look comfortable. What I

:25:59.:26:05.

expect from you in the samba is a lot of hip action.

:26:06.:26:11.

Are you listening? Yeah, yeah. Sorry, bounce. It's not enough just

:26:11.:26:18.

to have the bounce. Are you listening to me? Yes. Samba is a

:26:18.:26:28.
:26:28.:26:32.

sexy dance. Harry! Yes. I have the perfect

:26:32.:26:37.

thing to get you into the mood for samba. Awesome.

:26:37.:26:47.
:26:47.:26:52.

Come on. This is so not what I had Dancing the samba, Harry Judd and

:26:52.:27:02.
:27:02.:27:02.

Apology for the loss of subtitles for 43 seconds

:27:02.:28:48.

Look at this, Harry! What about it! That was great. Well

:28:48.:28:53.

done. The pair of you, that was really something.

:28:53.:29:01.

Absolutely wonderful. You certainly got this lot up. Bruno? Harry! That

:29:01.:29:11.
:29:11.:29:13.

was a samba full of pecksappeal and intriguing glimpses of what your

:29:13.:29:18.

hips can do. But because you're so good, I have to opponent out that

:29:18.:29:24.

it has to be full of abandonment, the samba. Your bounces were full

:29:24.:29:32.

of push, instead of let it happen. You're a very good dancer, but this

:29:32.:29:39.

one was slightly forced. You have to let it flow out of your body.

:29:39.:29:45.

Out of your body, not my body. much flow have you got in your

:29:45.:29:52.

body? Plenty, Bruce. Too much. Just relax, if possible. Craig, what did

:29:52.:29:57.

you think? Well, the shirt was a slight distraction, I've got to be

:29:57.:30:03.

honest! But I did notice, however, your

:30:03.:30:08.

bounce action was almost non- existant and a little awkward, only

:30:08.:30:17.

on the voltas, but you mastered everything else. I thought it was

:30:17.:30:24.

absolutely fantastic. Well done, Craig. Thank out.

:30:24.:30:31.

Jennifer, what did you think? Harry. You don't mind if I call you

:30:31.:30:37.

Harry, do you. Well, if my husband wasn't so attractive and here in

:30:37.:30:42.

the studio audience tonight, I might have found that vaguey

:30:42.:30:47.

exciting! And I wouldn't mind to see you let go a little more.

:30:47.:30:54.

Really? What did you think, Alesha? I'm not sure Latin comes as easy to

:30:54.:30:59.

you as ballroom dancing. You definitely look more comfortable in

:30:59.:31:04.

hold. I think you're having fun, but I want to see you really

:31:04.:31:09.

capture the spirit of the dance. Kick it up a notch, don't be afraid

:31:09.:31:17.

and really go for it. I'd just like to warn Harry, don't

:31:17.:31:27.
:31:27.:31:37.

Yes, Harry, a standing ovation. And dirty dancing in front of Jennifer

:31:37.:31:44.

Gray. How was that? It was fun. I must admit I was very nervous for

:31:44.:31:49.

me. But you're a drummer, you have rhythm, why do you found it so

:31:49.:31:54.

tough? It's the bouncing and the hips, but I got through it and

:31:54.:32:04.
:32:04.:32:18.

that's thanks to Aliona. She's It's still a great score. Yes,

:32:18.:32:24.

thank you. No tens from Alesha this week. She said, "Kick it up a

:32:24.:32:30.

notch." Absolutely. I'll do that. Remember to call if you thought

:32:30.:32:35.

Harry's samba was scintillating and you want him back for more. Next

:32:35.:32:42.

week, all our couples will need your votes. Our next couple are

:32:42.:32:50.

Anita Dobson and her partner, Robin. Anita is doing the Charleston. It's

:32:50.:32:58.

a dance from the 1920s. What a decade that was. The Wall Street

:32:58.:33:04.

crash. Prohibition, and the General Strike. But the 1920s weren't all

:33:04.:33:09.

bad. It saw the birth of jazz, the birth of television and the birth

:33:09.:33:18.

of Bruce Forsyth! Oh, I just love a happy ending!

:33:18.:33:26.

Here they are in training. Last Saturday I was very nervous

:33:26.:33:32.

because this has been the hardest dance to date. She was the most

:33:32.:33:38.

nervous I've ever seen Anita. I got mind my little gravestone I

:33:38.:33:45.

was OK. Acting ten. I've had 50 years of standing like an actress,

:33:45.:33:51.

and now I suddenly have to stand like an L shape. But I'll get there.

:33:51.:33:56.

We are doing the Charleston, which is hots of hands and legs and

:33:56.:34:04.

jumping around. Gangsters, molls. might look like a gangster, but the

:34:04.:34:12.

similarity ends there. You could be a gangster. Dancers!, I'm

:34:12.:34:22.
:34:22.:34:23.

surrounded by namby-pamby dancers. If I didn't dance you wouldn't give

:34:23.:34:33.
:34:33.:34:47.

I think we should just stoic the regular Charleston, don't you?

:34:47.:34:57.
:34:57.:34:58.

Apology for the loss of subtitles for 43 seconds

:34:58.:36:54.

Dancing the Charleston, Anita Oh, Anita, look at this!

:36:54.:37:03.

Wonderful, absolutely great. Thank you, all. It was like being

:37:03.:37:10.

born again. That was so exciting. Craig? You lost a little bit of

:37:11.:37:15.

swivel and you were a little bit behind, but you really brought the

:37:16.:37:23.

dance to life. I loved it. Jennifer? Well, now I see why

:37:23.:37:29.

you're a national treasure. You was beautiful, great spirit. You could

:37:29.:37:34.

point the toes a little bit more, but it was beautiful. Alesha?

:37:34.:37:39.

did lose timing on occasions but it was light, cute, fun and you

:37:39.:37:46.

totally captured the spirit of the dance and I personally think you're

:37:46.:37:50.

achieving what you set out to do in this competition, you're turning

:37:50.:37:56.

into a dancer. Anita, characterisation, perfect, jazz,

:37:56.:38:01.

booze and fun galore. But a couple of mistakes, and you lost the

:38:01.:38:05.

timing of the hands a few times, that's it! That's all! It was

:38:05.:38:15.
:38:15.:38:15.

wonderful. Off you go. Be proud.

:38:15.:38:25.
:38:25.:38:27.

Yes, Anita, Anita! It's safe to say, blonds do have more fun. Yes, they

:38:27.:38:32.

do. You're an inspiration, where do you get your energy from? I love it.

:38:32.:38:40.

You're like a teenager. Alesha said, "You are transforming into a

:38:40.:38:44.

dancer." That's the best thing anybody could have said to me, I

:38:44.:38:54.
:38:54.:39:07.

just love it. There you are.

:39:07.:39:13.

Call this number later on if you thought Anita, our national

:39:13.:39:18.

treasure, had rhythm and you'd like to see her shake her thing next

:39:18.:39:24.

Saturday. None of our dancers want this to

:39:24.:39:30.

finish just yet. Back to Bruce. Next up is Jason Donovan and his

:39:30.:39:38.

partner, Kristina. A very popular young man sneefplt now they're

:39:38.:39:44.

doing the rumba, and it's Jason's first romantic dance and to help

:39:44.:39:49.

his confidence, he needs to know if there are any ladies in the

:39:49.:39:56.

audience who would like to get a bit romantic with him? LOTS OF

:39:56.:40:04.

SCREAMS AND SHOUTS I'm sorry, Jason, not one! But I did ask. Here they

:40:04.:40:11.

are in training. Last Saturday was an incredible

:40:11.:40:18.

evening. Alesha's ten. What can I say?! She'll be happy with me.

:40:18.:40:28.
:40:28.:40:28.

I am. This week we're doing a rumba, the dance of love. That's always

:40:28.:40:33.

interesting when I mention that at home because the kids look at me

:40:33.:40:41.

and go, "Oh, daddy ." I want a more romantic side from you. Think of

:40:41.:40:45.

your first date, or something like this. Well, it's been a while since

:40:45.:40:55.
:40:55.:41:00.

I had one of thoughs, but... Jason, you are a bad, bad man.

:41:00.:41:10.
:41:10.:41:11.

Ladies. Oh. Kristina. Oh, Jason. Oh, you smell overpowering. Why, thank

:41:11.:41:21.
:41:21.:41:25.

you. This Cologne is one quarter spice, three quarters grrrrrr. Miss

:41:25.:41:33.

Rihanoff, you look delicious, dance with me.

:41:33.:41:43.
:41:43.:41:43.

Apology for the loss of subtitles for 43 seconds

:41:43.:43:36.

Dancing the rumba, Jason Donovan Wonderful, wonderful!

:43:36.:43:43.

That was like a bit of poetry. Jennifer, will you start us off.

:43:43.:43:51.

love that song and I love what you did with it, you just killed me

:43:51.:43:56.

softly with that rumba, my friend, but I think you need to dig deeper

:43:56.:44:02.

and connect more to your sexy, beautiful partner. I want to feel

:44:02.:44:06.

more tension and lust and wow! That's it.

:44:06.:44:12.

All right, I think that's enough. You got me going there for a moment.

:44:12.:44:17.

Alesha? The rumba is such a difficult dance, and I appreciate

:44:17.:44:25.

that, and I commend you for getting through it, but please forgive me,

:44:25.:44:31.

I got a little bit bored throughout it. But I think it was contrived.

:44:31.:44:37.

You're doing all your teacher told you to do, but it lacked that

:44:37.:44:47.
:44:47.:44:53.

little bit of spark and drive. Don't forget, Joe Calzzgi!

:44:53.:45:02.

Jason, it did feel contrived. Do I look at her? The whole thing didn't

:45:02.:45:06.

gel compared to your unusual standards. I thought it was just a

:45:06.:45:13.

little bit too serious and earnest, if I'm honest. And it did expose

:45:13.:45:18.

you. Latin fingers, too many sharp stops. Just not working through the

:45:18.:45:26.

four and the one. It's a hard dance. Don't worry about it. I'm not

:45:26.:45:36.
:45:36.:45:42.

worried. Thank you so much for all your comments. Very valid points.

:45:42.:45:47.

Well, Jason, you were the love panther, but the judges were a

:45:47.:45:53.

little bit catty there. Yeah, it's a hard balance to find the

:45:53.:45:57.

character within and being precise with the dance moves. I think

:45:57.:46:02.

that's probably the key to the rumba, but I enjoyed the dance, I

:46:02.:46:09.

have to say, and it seemed to sit with me in a really nice place as

:46:09.:46:14.

shape. Alesha wanted more romance, is there more to give? I think

:46:15.:46:20.

there is. But this was a different style. You seemed a little bit

:46:20.:46:26.

nervous? Not as bad as the last few weeks. No, no, definitely not. I'm

:46:26.:46:32.

a bit dry in the mouth at the moment. Let's see if the scores

:46:32.:46:42.
:46:42.:46:58.

28 out of 406789 Not your strongest score. I think,

:46:58.:47:02.

as always, they're very fair comments and it's hard when you're

:47:02.:47:06.

involved in a dance to look on the outside. But I do take the comments

:47:06.:47:11.

on board and we'll dig deeper if we're here next week. If you want

:47:11.:47:17.

to see him dig deeper, write this number down and call later if you

:47:17.:47:23.

want Jason back here giving it some on the dance floor next week. Still

:47:23.:47:29.

to come, Russell and Robbie. And our gorgeous girls, Chelsee and

:47:29.:47:34.

Holly. Our next couple tonight is Alex

:47:34.:47:43.

Jones and her partner James. Another popular couple. James told

:47:43.:47:50.

me that after the show this evening he's organised a nice romantic

:47:50.:47:59.

Bonfire Night party just for him and Alex! AUDIENCE: Ooh! I said,

:47:59.:48:09.
:48:09.:48:10.

"That's nice, when will the fire works start?" he said, "What Ola

:48:10.:48:15.

finds out!" Here they are in training.

:48:15.:48:21.

On the whole, James and I were really pleased with last week's

:48:21.:48:26.

dance. It was the complete antithesis of last week and I

:48:26.:48:34.

almost found it erotic. You've upped your game.

:48:34.:48:39.

The quickstep is probably the hardest dance we've done so far.

:48:39.:48:45.

Don't talk to me at all this week, I'm just going to hammer you.

:48:45.:48:53.

are a dillion steps in a minute. It's challenging and tiring.

:48:53.:49:01.

Hence... Quickstep. Not slow step. I'm going to push you harder and

:49:01.:49:06.

harder every single day. You thought it was tough today? Wait

:49:06.:49:09.

until tomorrow. Dancing with the devil.

:49:09.:49:17.

You're here tot for the quickstep. James has had an opportunity to

:49:17.:49:25.

unleash his inner Sergeant. Go, go, go! Move!

:49:25.:49:32.

I always knew he was firey, but this morning, he he's really gone

:49:32.:49:42.
:49:42.:49:50.

for it. You have one more challenge, Dancing the quickstep, Alex Jones

:49:50.:50:00.
:50:00.:50:20.

MUSIC: Don't don'ts If It Ain't Got MUSIC: "It Don't Mean A Thing If It

:50:20.:50:30.
:50:30.:50:30.

Apology for the loss of subtitles for 43 seconds

:50:30.:51:46.

Up to that fall, your improvement in the last three weeks has been

:51:46.:51:53.

incredible. Alesha? I loved that part of the

:51:53.:51:57.

routine! Extra point. I know there were a few mistakes and you lost

:51:57.:52:03.

your frame at the end, but it was classy, sophisticated. It really

:52:03.:52:08.

suited you. When you're tired, keep working, keep pushing because you

:52:08.:52:14.

are going from strength to strength. The girl were Wales, you're doing

:52:14.:52:23.

good! Alex, you started out in sparkling form and I had frizles

:52:23.:52:28.

running down my spine. But you messed up your foot work a couple

:52:28.:52:33.

of times but it doesn't matter because overall I thought it was

:52:33.:52:37.

great. And Craig? Some small timing issues

:52:37.:52:45.

and that was largely due to your heel caught in the dress, and I

:52:45.:52:49.

thought you dealt with that amazingly well. You really packed a

:52:49.:52:57.

punch in that dance and it was full of personality. Thank you.

:52:57.:53:03.

And Jennifer? Yes, Alex, your quickstep was like a fine champagne,

:53:03.:53:13.
:53:13.:53:24.

it was bubbly, ef vesant and it made me feel great. Well done.

:53:24.:53:29.

What are you like, you lot. What happened? Did you get your heel

:53:29.:53:37.

caught in the dress. It was ashame. And we both went over. It was

:53:37.:53:45.

supposed to be like that. It looks like James's boot camp worked.

:53:45.:53:55.
:53:55.:54:14.

not going back next week. To boot 31 out of 40 and you made Jennifer

:54:14.:54:22.

Gray giddy. Joo that wasn't me? it was definitely Alex. Phone this

:54:22.:54:28.

number if you want Alex to take to the floor again. Oh, yes.

:54:28.:54:36.

Next tonight it's Robbie Savage and his partner, Ola.

:54:36.:54:40.

Another popular couple. They are doing the waltz. This is a dance

:54:40.:54:44.

packed with rise and fall. Robbie has no problem at all with the rise

:54:44.:54:51.

but every time it comes to the fall he rolls around, he's in agony

:54:51.:55:01.
:55:01.:55:01.

looking for a penalty! Old habits die hard. Here they are in training.

:55:01.:55:07.

Last week, when I danced the paso I was in my element. I loved it. I

:55:07.:55:12.

loved the beginning with the cape and the spinning of Ola. I loved

:55:12.:55:18.

everything about it it's a shame the judges didn't feel the same way.

:55:18.:55:28.

I would have liked a bit more savage. Your hands were like soup

:55:28.:55:33.

ladles. After everything I threw at it I was genuinely surprised by the

:55:33.:55:40.

comments. And the four, what does he want from me? Strictly has taken

:55:40.:55:48.

over my life. I played football for years and years, but everybody just

:55:48.:55:54.

talks about dancing. That's Robbie. You do know what I did before

:55:54.:56:02.

dancing? Oh, yes, you were a famous hairdresser. I can't go to the gym

:56:02.:56:07.

without somebody mentioning dancing. Keep dancing!

:56:07.:56:15.

Here, mate, let me give you a hand with that. Thanks. I want you to

:56:15.:56:22.

know you're an inspiration. Thanks mate. Yes, I want to be a

:56:22.:56:27.

professional dancer now. But I'm a football. He gives it all that, but

:56:27.:56:36.

he is a dancer now. Dancing the waltz, Robbie Savage

:56:36.:56:46.
:56:46.:56:46.

Apology for the loss of subtitles for 43 seconds

:56:46.:58:33.

Lovely, well done. It's a shame about that little tip at the end.

:58:33.:58:39.

Yes. Very controlled, very poised, slightly heart broken. That was the

:58:39.:58:46.

part, wasn't it. You're most correct performance to date. You

:58:46.:58:54.

need to put much more phrasing into the roles.

:58:54.:59:00.

Craig. Fantastic rise and fall, but, for me, devoid of any emotion. I

:59:00.:59:06.

think you could at least have smiled once through it and you were

:59:06.:59:12.

very tense and angry as well. that's what love is. It's tense.

:59:12.:59:17.

Jennifer? That's what I love about this competition, it gives someone

:59:17.:59:23.

like you, who has natural grace and athleticism, and it gives you a

:59:23.:59:28.

chance to bring all of that to the drans floor and transform into a

:59:28.:59:35.

dancer. And it's very exciting to watch. That said, I would like to

:59:35.:59:45.
:59:45.:59:48.

see you loosen up and have more chem street - chepls tree with this

:59:48.:59:55.

beautiful sexy woman in your arms. I didn't see that I did. Sorry.

:59:55.:00:02.

Alesha. I thought you danced it very well, Robbie. And although I

:00:02.:00:12.
:00:12.:00:12.

could feel a little bit of tension where you were concentrating, I did

:00:12.:00:19.

see the emotion. T he was all full of love and that's why he was all

:00:19.:00:29.

pent up. Here he is. Give us a smile, Robbie,

:00:29.:00:36.

I'm missing it. There! So, Craig wanted a smile,

:00:36.:00:42.

but it was part of the story. it was.

:00:42.:00:47.

I'm not looking forward to the scores. They're probably going to

:00:47.:00:57.
:00:57.:00:58.

be bad. Would you want Robbie to romance you, ladies? Yes. Six weeks

:00:58.:01:03.

ago would you have thought you would say, "I love dancing." Well,

:01:03.:01:08.

six weeks ago, to have performed in front of millions of people, it

:01:08.:01:13.

would be unbelievele. He's very nervous. He can hardly talk.

:01:13.:01:23.
:01:23.:01:36.

29 out of 40. Come on, Robbie, I'm missing the teeth. There they can.

:01:36.:01:41.

Call this number later in the show if you want Robbie to give extra

:01:41.:01:50.

time next week. How much would that mean, Robbie? Yeah, I love it.

:01:50.:02:00.

And you can go to our web site for all the latest gossip. Time for our

:02:00.:02:05.

next couple, Russell Grant and his partner, Flavia.

:02:05.:02:13.

What a popular pair! Now, Russell and Flavia are massive fans of

:02:13.:02:19.

Jennifer Gray's film, Dirty Dancing and as a tribute they wanted to

:02:19.:02:28.

copy the iblgonic dearthy dance -- oip the iconic Dirty Dancing lift.

:02:28.:02:34.

Well, like you, I was worried so I telephoned Russell and asked, "How

:02:34.:02:40.

is it going?" and he said, "Not very well, Flavia keeps dropping

:02:40.:02:48.

me." Here they are in training.

:02:48.:02:53.

Last week, the pressure of being first on to the dance floor took

:02:53.:02:58.

its toll on Russell. I did not quite feel in the groove and I

:02:58.:03:05.

think that's due to the fact that you're working on an empty tank.

:03:05.:03:12.

Unfortunately, you went wrong quite a lot. The timing was out.

:03:12.:03:17.

But you still got the Hallowe'en party started. The music of Kylie

:03:17.:03:27.
:03:27.:03:28.

Minogue, and dancing of Russell Grant, what more do we want? Kylie

:03:28.:03:37.

men yoing actually tweeted me. It made my night. The paso doble is

:03:37.:03:42.

not a natural dance for Russell. It's very dramatic and all about

:03:42.:03:46.

the attack. I have a surprise for him, which I think he's going to

:03:46.:03:56.
:03:56.:03:57.

love in more ways than one. Get in there!

:03:57.:04:07.
:04:07.:04:08.

I'm running! He scores!

:04:08.:04:14.

I've turned rather good at this. I think I've learnt now, I know how

:04:14.:04:24.
:04:24.:04:24.

Apology for the loss of subtitles for 43 seconds

:04:24.:06:02.

Dancing the paso doble, Russell MUSIC: "Carmen" You've done it

:06:02.:06:10.

again, look at this! Oh, you've done it a gene, the pair

:06:10.:06:15.

of you. Wonderful. The wonderful thing is you really

:06:16.:06:22.

look as if you know what you're doing. Thank you. I don't really.

:06:22.:06:29.

Craig? Craig's face! I'm not laughing, honestly.

:06:29.:06:39.
:06:39.:06:47.

Astonishing! Is that it? He's lost for words.

:06:47.:06:52.

Jennifer? Well, I'm looking at your stars, Russell and if you keep

:06:52.:06:56.

entertaining everyone like that, you'll be here for a while.

:06:56.:07:03.

I think you're right. Alesha? enough of the strength and drive I

:07:03.:07:08.

usually like to A paso, but I always love your interpretation of

:07:08.:07:13.

the dance, Russell. I laufrd and smiled with you the whole - laughed

:07:13.:07:18.

and smiled with you the whole way. It was brilliant.

:07:18.:07:23.

You really loved riding that bull you didn't want to go off, but once

:07:23.:07:29.

you started it was good. It was a proper paso. It was Benny Hill's

:07:29.:07:37.

version of the paso, but everything was there, the steps and the hands

:07:37.:07:42.

that do dishes. I loved it! Everybody loved it. They all loved

:07:42.:07:52.
:07:52.:08:06.

Oh, Russell, you do not let us down, do you my darling. I hope not.

:08:06.:08:11.

Every single person in the studio had a huge smile on their face. And

:08:11.:08:18.

Craig had one word, astonishing. I'm happy with that. Macho, how did

:08:18.:08:25.

you find that? Well, I want to thank the rugby club for all they

:08:25.:08:35.
:08:35.:08:36.

did. Thank you, boys, you taught me how to do the paso. And Bruno

:08:36.:08:41.

called it demented but fabulous. loved that.

:08:41.:08:51.
:08:51.:08:59.

24 out of 40. He's got Kylie's backing now. Has he got yours? If

:08:59.:09:04.

so, call this number later on if you loved the passion in Russell's

:09:04.:09:09.

paso and you want to see him struting his stuff again next week.

:09:09.:09:14.

Why wouldn't you? Tomorrow night in our results show,

:09:14.:09:21.

sadly two of our dancers will be in danger and it's getting harder to

:09:21.:09:30.

say goodbye. Our next couple is Chelsee Healey

:09:30.:09:36.

and her partner, Pasha. Chelsee is one of those people who is always

:09:36.:09:44.

on her mobile phone. I said to her earlier, "Can I use your mobile?"

:09:44.:09:51.

and she said, "Of course, do you want to twitter, look at a couple

:09:51.:09:58.

of e-mails, or Apps or use the internet?" and said, "I just want

:09:58.:10:03.

to make a phone call." Here they are in training.. Last

:10:03.:10:09.

week's performance, I had a little bit of a wardrobe function. I was

:10:10.:10:14.

so upset at the time, but looking back on it, I know the first part

:10:14.:10:20.

of the dance went really well. She's a wicked little dancer.

:10:20.:10:26.

have to forget about what happened. A brand new week. This week it's a

:10:26.:10:32.

Charleston. It's very high energy, so we need to make sure all our

:10:32.:10:38.

hands and arm positions are precise. The feeling is, it's like polishing

:10:38.:10:44.

a mirror. It's all about the hands, hands, hands. It's time to turn to

:10:44.:10:49.

the tried and tested form of teaching. Put this on and meet me

:10:49.:10:59.
:10:59.:11:02.

in the car park. Left hand wax on, right hand, wax off. Get to work!

:11:02.:11:12.

4 Paint the fence. Oh, come on, Pasha, I've done

:11:12.:11:17.

everything you wanted me to do. I've painted the fence, washed the

:11:17.:11:27.
:11:27.:11:40.

car and picturesed. Show me wax on, Dancing the Charleston, Chelsee

:11:40.:11:50.
:11:50.:11:50.

Apology for the loss of subtitles for 43 seconds

:11:50.:13:26.

Oh, look. That's all for you, darling. Well

:13:26.:13:35.

done, you've had a good week. Jennifer, if you will start us off.

:13:35.:13:40.

Chelsee, you're the baby in the competition, well, from one baby to

:13:40.:13:45.

another, you keep dancing like that and nobody's going to put you in

:13:45.:13:54.

the corner. Well put, Jennifer, lovely. And you

:13:54.:14:01.

Alesha? This dance really, really suits you, your timing is great

:14:01.:14:06.

apart from one or two places and it was a really high-energy dance.

:14:06.:14:16.
:14:16.:14:19.

Stunning. Chelsee the fabulous flapper,

:14:19.:14:24.

driving to the limit. And the choreography was excellent.

:14:24.:14:34.
:14:34.:14:35.

Craig? Synchronisity was excellent, apart from where the costume came

:14:35.:14:45.
:14:45.:14:56.

off, and that was the only time you Oh, wow! Jennifer Gray said,

:14:56.:15:01.

"Nobody's going to put baby in the corner" the quote of the series.

:15:01.:15:07.

You put in more training this time, do you think it paid off? It looked

:15:07.:15:13.

like it. Yes. I always think I can do better, but I tried the best.

:15:13.:15:21.

You got a standing ovation. I know. We're half way through the

:15:22.:15:29.

competition now, Pasha do you think chelgsee can be a contender? -

:15:29.:15:39.
:15:39.:15:48.

Chelsee can be a contender? That is a big score! Safe to say

:15:48.:15:53.

you're happy about that? I'm so happy.

:15:53.:16:01.

Let's see the wax on wax off one more time. Wax on, wax off. That's

:16:01.:16:08.

lovely. The number to ring is this if you enjoyed our Chelsee's

:16:08.:16:13.

Charleston and you want our flapper back having a right good time next

:16:13.:16:19.

week. This is unmiserable. Back to Bruce. Time now for our last couple,

:16:19.:16:26.

Holly Valance, and her partner Artem.

:16:26.:16:31.

Another very popular couple. Last week, Holly and Artem took on the

:16:31.:16:38.

role of a pair of love-struck swans when they danced to Swan Lake.

:16:38.:16:47.

Remember, the music was beautiful. They were so elegant. Half way

:16:47.:16:51.

through, there was a lovely old couple over there, sitting there,

:16:51.:16:58.

and they started throwing bread. Here they are in training. Not the

:16:58.:17:05.

old couple - Holly and Artem. Last week's American smooth was

:17:06.:17:09.

fantastic. You were magnificent, Holly. This shows you're a real

:17:09.:17:14.

contender in this competition. Getting our highest score yet of 35

:17:14.:17:22.

was the icing on the cake. The jive. This week we're doing the

:17:22.:17:28.

jive, one of the fastest dances you'll ever do. I'm a bit of a

:17:28.:17:32.

sloth. I don't move very fast. I can't do it that fast. This is the

:17:32.:17:37.

level of the music and this is the level of Holly. I find the speed of

:17:37.:17:47.
:17:47.:17:50.

the jive really hard. So I have aged a little mission to help. The

:17:50.:17:55.

jive's a really fast dance. I don't know if it necessarily suits me,

:17:55.:18:00.

but I think this is going to help me get in the mood. Let's

:18:00.:18:10.
:18:10.:18:18.

This is fun! That knocked my socks off!

:18:19.:18:25.

Now the jive will seem slow. Yes, it will seem like a slow waltz at

:18:25.:18:35.
:18:35.:18:42.

the moment. You're going down. Dancing the jive, Holly Valance and

:18:42.:18:52.
:18:52.:18:52.

Apology for the loss of subtitles for 43 seconds

:18:52.:20:32.

Look at this, Holly, you've done it. Shame about the braces. I nearly

:20:32.:20:42.
:20:42.:20:42.

rushed on to fix it, but I thought I'd better not. Alesha? Hony, you

:20:42.:20:48.

looked exhausted through that. It was a cool and sophisticated jive.

:20:48.:20:56.

And that suits your personality. I liked it a lot. Bruno? It was a

:20:56.:21:01.

jive with a twist and a swagger. An element of rock and swing into it.

:21:01.:21:07.

Very creative, very, very different, very, very cool, the girl's on top!

:21:07.:21:12.

I liked it a lot. That's what I liked about it, you

:21:12.:21:17.

were very cool. Craig? I absolutely loved that concept, I thought it

:21:17.:21:24.

was brilliant. And finally, Holly, some energy from you. You're

:21:24.:21:34.

normally very laid back, Australian. We need to see a lot more of that!

:21:34.:21:39.

Jennifer? That was not a traditional jive and you took a lot

:21:39.:21:45.

of chances with it and I think it really paid off I was really

:21:45.:21:55.
:21:55.:22:04.

thrilled to see it. Oh, Artem has had a bad leg.

:22:04.:22:11.

How hot was that, what a finale. Artem had an jury this afternoon

:22:11.:22:17.

and he's limping. I don't know how you do it, the show must go on.

:22:17.:22:22.

He's been incredible. We had to alter it a little bit. There was

:22:22.:22:27.

littlely smoke coming off your feet, Holly. It's still coming off. I

:22:27.:22:35.

need a lie down. How did it feel? That was awesome, it was so quick.

:22:35.:22:43.

It was the funest dance so far and his choreography is so cool. Do you

:22:43.:22:52.

reckon be your mate, David Walliams liked it? Apaid him off before he

:22:52.:23:02.
:23:02.:23:08.

came! A great score from the judges. Are

:23:08.:23:14.

you happy with that? Yes. What can we expect next week if you're still

:23:14.:23:20.

in the competition? Something really slow! But not too laid back

:23:20.:23:24.

and Australian? No, it's a blood pressure thing!

:23:24.:23:32.

Make a note of this number and call if you don't want our ballroom

:23:32.:23:35.

Belle to run away from the competition. You don't want that,

:23:35.:23:45.
:23:45.:23:56.

Holly? Absolutely not. Let's look Now, remember, you can, of course,

:23:56.:24:06.
:24:06.:24:08.

change all that, because the phone lines are now open!

:24:08.:24:14.

The lines will close at 8.15 tonight. A little bit earlier.

:24:14.:24:20.

Voting details can be found on the website. And here's a reminder of

:24:20.:24:23.

all of tonight's routines and the all-important numbers. What a

:24:23.:24:33.
:24:33.:24:33.

Apology for the loss of subtitles for 43 seconds

:24:33.:27:12.

Well, what a night. What a night. I hope you agree that our stars gave

:27:12.:27:18.

us a perfect night of ballroom. But sadly, one couple with the lowest

:27:18.:27:22.

combined scores will leave the competition. That's right. Make

:27:22.:27:29.

sure you pick up the phone because your votes can change everything.

:27:29.:27:39.
:27:39.:27:41.

Download Subtitles

SRT

ASS