Week 3 Results Strictly Come Dancing


Week 3 Results

Tess Daly and Claudia Winkleman present another exciting results show as thirteen become twelve, and the professional dancers perform a special West Side Story dance mash-up.


Similar Content

Browse content similar to Week 3 Results. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

This is Strictly Come Dancing, the Broadway Results. Please welcome

:00:50.:01:00.
:01:00.:01:00.

Apology for the loss of subtitles for 143 seconds

:01:00.:03:24.

CHEERING AND APPLAUSE Yes! What a great way to kick off Sunday's

:03:24.:03:28.

Strictly. Now Saturday night saw our couples

:03:28.:03:32.

make their Broadway debut, delivering high drama and dazzling

:03:32.:03:36.

dancing. You voted. The judges scored and tonight, the final

:03:36.:03:40.

curtain will fall on the couple with the lowest combined points.

:03:40.:03:44.

First, let's meet the people who like to make a song and dance about

:03:44.:03:48.

just about everything, they're our judges - Craig, Len, Alesha and

:03:48.:03:55.

Bruno! APPLAUSE

:03:55.:03:59.

We'll hear from them later. Now let's see what else is on the bill

:03:59.:04:02.

tonight with the divine Miss Claudia.

:04:02.:04:04.

APPLAUSE Thank you Tess. We have the best

:04:04.:04:08.

show in town tonight, with an exclusive performance from the

:04:08.:04:12.

stars of Footloose. Another look through Len's Lens and the legend

:04:12.:04:17.

that is Susan Boyle, right here in the studio. First, here's all the

:04:17.:04:21.

drama both on stage and back stage from Saturday night. What a night.

:04:21.:04:24.

I loved it. # Oh, what a night #

:04:24.:04:28.

I'm excited. # There's no business, like show

:04:28.:04:33.

business... Timing babe, it's all about timing. I'm starting to get

:04:33.:04:43.
:04:43.:04:46.

Tantalising behind bars, I want to be a criminal. I saw the little

:04:46.:04:49.

thing when your heel got caught in your frock. You didn't let that

:04:49.:04:58.

faze you at all. I'm bummed out about my skirt. You have an awkward

:04:58.:05:02.

nature about you generally. that all right? It was good. You

:05:02.:05:07.

were a little bit nervous. course, something to do with live

:05:07.:05:11.

television. You moved well, but I would have liked more fluidity

:05:11.:05:14.

after all. I can't make them say nice things. There's no point

:05:14.:05:21.

worrying about it really. Three words - fun, energetic,

:05:21.:05:24.

entertaining. I'd love to see somebody else at 62 dance a jive

:05:24.:05:28.

like that, that fast. It was fantastic. I don't think

:05:28.:05:35.

anybody else could do that job. bless! You kept your composure. You

:05:35.:05:45.
:05:45.:05:46.

told a story. It was wonderful. It was like watching a magical bird.

:05:46.:05:52.

It was simple, but very, very effective.

:05:52.:05:57.

Rory was the surprise of the night though. Yeah. Wasn't he just.

:05:57.:06:04.

best dance. Well done, Rory! Dancing-wise it's been the best

:06:04.:06:11.

night of my life. Illegal lifts will not be tolerated, I'm afraid.

:06:11.:06:18.

We're bad. Five. You have to break eggs to make an omelette and

:06:19.:06:22.

sometimes you have to break rules to make a routine complete. Seven!

:06:22.:06:29.

We're so bad. So bad. She's going to be great tonight. I can feel it

:06:29.:06:34.

in my water. It actually looked like a tango. It was like a

:06:34.:06:38.

plodding mule, truthing through mud. No, no. No comment about Craig's

:06:38.:06:46.

comments. You have to recognise an effort and improvement when it's

:06:46.:06:51.

visible. From the waist up you're joyful and

:06:51.:06:55.

full of verve. It's from the waist down. I did say at some point I

:06:55.:07:00.

would trip over my feet and today, I tripped over my feet. You've got

:07:00.:07:05.

the right attitude for this competition. You're a hard worker.

:07:05.:07:10.

You came out, strode around the floor with intent and determination.

:07:10.:07:18.

How, how, how can I resist you? can't believe it. I were dance --

:07:18.:07:26.

I'm a dancer, well, not yet. ( Eight! I would advise a more

:07:26.:07:30.

masculine approach for this particular dance. I think Craig's

:07:30.:07:34.

jealous. Last week you put the boy in flamboyant. This week you put

:07:34.:07:39.

the show in show business. When I got to my favourite bit, I

:07:39.:07:43.

so wanted to join in singing. If she's happy, I'm happy. We come

:07:43.:07:53.
:07:53.:07:56.

together as a pair. Stu-pen-dous! I'm going to call you

:07:56.:08:06.
:08:06.:08:06.

the midwife because you keep delivering. Nine. Nine. Nine.

:08:06.:08:11.

It's very haphazard and just too disco. I can make it not disco

:08:11.:08:14.

though. Just need to tighten up on a few little things. I love

:08:14.:08:24.
:08:24.:08:27.

watching you dance. All greased up, rippling muscles. I love Bruno. I

:08:27.:08:32.

gave him a wink back tonight. pulled it out of the bag today,

:08:32.:08:39.

finally. Apparently I've arrived. This is good news.

:08:39.:08:45.

I don't anyone to really go home. know. My dressing room is this way.

:08:45.:08:55.
:08:55.:09:00.

So, our 13 stars have made their Broadway debut, but who's worthy of

:09:00.:09:09.

an encore. The results are in. In no particular order, the first

:09:09.:09:12.

couple safely through to next week couple safely through to next week

:09:12.:09:22.
:09:22.:09:40.

is... Audley and Natalie! Also safe are... Alex and James.

:09:40.:09:50.
:09:50.:10:02.

The next couple safe is... Rory and Erin!

:10:02.:10:12.
:10:12.:10:23.

Surviving another week are... Holly and Artem!

:10:23.:10:33.
:10:33.:10:45.

Back on the dance floor next Saturday are... Anita and Robin!

:10:45.:10:55.
:10:55.:11:07.

Also safe, for another week are... Robbie and Ola!

:11:07.:11:17.
:11:17.:11:19.

And now finding themselves in the bottom two tonight and in danger of

:11:19.:11:29.
:11:29.:11:30.

leaving the competition... Dan and Katya. The rest of you will

:11:30.:11:39.

discover your fate later on. So Len, Dan and Katya in the bottom

:11:39.:11:43.

of two. Is that a surprise? It is, do you know, I thought Dan did a

:11:43.:11:48.

really good job, with a very difficult dance. You know, it's got

:11:48.:11:52.

to have a lot of emotion about it. It's a romantic dance. In addition

:11:52.:11:56.

to that, it's quite a simple dance, just the rotation. I thought his

:11:56.:12:00.

frame was good. His foot work was good. I don't think he deserves to

:12:00.:12:04.

be where he is. APPLAUSE

:12:04.:12:09.

Thank you. Over to you Claudia. Thank you Tess. I have six over the

:12:09.:12:16.

moon couples here. CHEERING

:12:16.:12:22.

Audley, your face! Bottom two last week, was there a bit of you who

:12:22.:12:27.

thought it might happen again? Definitely. I'm so thankful to the

:12:27.:12:31.

people who have kept us in the show. Massive congratulations and you as

:12:31.:12:36.

well, Rory. You looked surprised. Len said it was your dance. Yeah,

:12:36.:12:43.

well, Erin, where's Erin, there you are! That's not Erin. What's your

:12:43.:12:46.

name again? She's so good with ballroom. I was in good hands.

:12:46.:12:49.

Everyone was nervous. The band played through the different styles.

:12:49.:12:52.

They were the heroes. APPLAUSE

:12:52.:12:56.

Absolutely brilliant. You did fantastically well. Thank you very

:12:56.:13:00.

much. Now we have a very special treat for you now. They've jetted

:13:00.:13:04.

in from America to perform exclusively for us. Please welcome

:13:04.:13:08.

the stars of the brand new Footloose movie, hof hof hof and

:13:08.:13:18.
:13:18.:13:21.

Kenny Wormald! -- Julianne Hough and Kenny Wormald! # Where have all

:13:21.:13:31.
:13:31.:13:35.

the good men gone the good men gone

:13:35.:13:40.

# And where are all the gods? # Where's the street-wise Hercules

:13:40.:13:49.

# To fight the rising odds? Shret # Isn't there a white knight

:13:49.:13:53.

upon a fiery steed? # Late at night I toss and I turn

:13:53.:13:56.

# and dream of what I need # I need a hero

:13:56.:14:00.

#I'm holding out for a hero 'til the morning light # He's gotta be

:14:00.:14:04.

sure # And it's gotta be soon # And he's gotta be larger than life #

:14:04.:14:07.

Through the wind and the chill and the rain # And the storm and the

:14:08.:14:12.

raging flood # Oh, his approach is like a fire in my blood # I need a

:14:12.:14:16.

hero # I'm holding out for a hero # 'til the morning light # He's gotta

:14:16.:14:20.

be sure # And it's gotta be soon # and he's gotta be larger than life

:14:20.:14:23.

# Been working so hard, # I'm punching my card # Eight hours. #

:14:23.:14:33.
:14:33.:15:02.

For what? # I'm punching my card

:15:02.:15:09.

# Eight hours, for what? # Oh, tell me what I got

:15:09.:15:18.

# I get this feeling # time's still holding me down

:15:18.:15:27.

# I'll hit the ceiling # Or else I'll tear up this town

:15:27.:15:30.

# Tonight I gotta cut loose, footloose

:15:30.:15:33.

# Kick off your Sunday shoes # Please, Louise

:15:33.:15:41.

# Pull me offa my knees # Jack, get back

:15:41.:15:46.

# Com on before we crack # Lose your blues

:15:46.:15:54.

# Everybody cut footloose # Whoah

:15:54.:16:03.

# we got to turn you around # And put your feet on the ground

:16:03.:16:13.
:16:13.:16:22.

# Kick off your Sunday shoes # Please, Louise

:16:22.:16:25.

# Pull me offa my knees # Jack, get back

:16:25.:16:35.
:16:35.:16:37.

# Come on before we crack # Lose your blues

:16:37.:16:39.

# Everybody cut, everybody cut # Everybody cut, Everybody cut

:16:40.:16:49.
:16:50.:17:12.

Absolutely amazing. Please welcome our brilliant judges!

:17:12.:17:16.

APPLAUSE Thank you so much for coming up

:17:16.:17:22.

here. We're talking about details. Because there's a fifth member of

:17:22.:17:30.

the group. Len's Lens. Of course. Look, it picks up some

:17:30.:17:36.

wonderful details. So you can discuss and die sect.

:17:36.:17:41.

-- disect. Len I'm starting with you. Go on. You want to talk about

:17:41.:17:45.

Lulu and Brendan. Because you had a bit of a Barney on Saturday night.

:17:45.:17:50.

A little bi. My feeling was that Craig went overly grumpy. I wanted

:17:51.:17:55.

to come to their defence. I'm one of those upstanding young men who

:17:55.:17:58.

normally doesn't like the lifts and if anyone does them. However, on

:17:58.:18:05.

this occasion, I felt it fitted the music beautifully. It's against the

:18:05.:18:12.

rules. You and your rules. You're getting on my wick a bit. Look at

:18:12.:18:16.

Lulu's face. This is the rumba, every detail is magnified because

:18:16.:18:21.

of the fact it's such a slow dance, it's even slower now. Look at her

:18:21.:18:28.

angelic face. A hint of lip gloss. Oh, come on Lulu-bell! She's Dewey

:18:28.:18:31.

and juicy. She looked lovely. For a rumba, which is a very, very

:18:31.:18:35.

difficult dance, I thought she did a great job. I know there was the

:18:35.:18:39.

lift. And who knows, without the lift, it could have been an eight

:18:39.:18:46.

from me. You mentioned omelettes, who doesn't love them? Everyone

:18:46.:18:50.

loves an omelette. Let's talk about Alex and James. Up said it was

:18:50.:18:52.

beautiful. It really was. You all beautiful. It really was. You all

:18:52.:19:01.

loved it. Oh, look. Stunning. Alex is so elgant. It was a simple

:19:01.:19:05.

routine, but she executed it perfectly. I couldn't fault it.

:19:05.:19:10.

They're so in sync as well. It was dreamy. That's what you want. You

:19:10.:19:15.

want to look at a ballroom routine and be swept away. You don't want

:19:16.:19:19.

to think of the out of place thumb. With that dance you could just

:19:19.:19:24.

enjoy it. Craig, let's talk about Nancy and Anton. You didn't like it,

:19:24.:19:30.

even though, I mean, I think Bruno you said there was more content...

:19:30.:19:35.

Look at this. Look at the state of it, darling. You're just bitter for

:19:35.:19:39.

the sake of it. You have to recognise improvement. My point was

:19:39.:19:42.

that she was slamming around the dance floor and not really actually

:19:42.:19:49.

dancing. And that was my problem with it darling. I don't know what

:19:49.:19:56.

you were looking at. Don't have an argument. Let's talk about Jason

:19:56.:20:04.

and Kristina. He went from hmm... From mucho macho to mucho campo.

:20:04.:20:09.

Switching character, he's on it. Masculine. Look. I'm going to get

:20:09.:20:15.

you! Oh, yeah, determined, strong, powerful. Look at this! Camp as a

:20:15.:20:22.

row of tents. We were screaming, to switch

:20:22.:20:32.
:20:32.:20:33.

character, it's insane. Bruno in slow mo is funnier. That's a great

:20:33.:20:40.

slow mo is funnier. That's a great skill to switch on a six pence. You

:20:40.:20:46.

have a whole West End show in one- and-a-half minutes. We also caught,

:20:46.:20:52.

you were so happy with it. Let me show you this clip of Len holding

:20:52.:20:59.

Jason's nine paddle. LAUGHTER

:20:59.:21:04.

APPLAUSE A stunner. Now my favourite clip of

:21:04.:21:09.

the night. Look at this, wait a minute. Here we go. He's going

:21:09.:21:19.
:21:19.:21:25.

He's adorable. Thank you the judges! Now they say that Strictly

:21:25.:21:28.

is all hard work. But I can reveal that behind-the-scenes sometimes

:21:28.:21:32.

it's a bit of a holiday. Right now they're all following in the

:21:32.:21:42.
:21:42.:21:42.

footsteps of their camp leader. It's all just show business. Oh, I

:21:42.:21:47.

thank you. I'm going to finish in the

:21:47.:21:53.

spotlight. No, I want to finish in the spotlight. It's mine. Have you

:21:53.:21:58.

seen what I'm wearing? I'm going to steal the show. I want to take this

:21:58.:22:02.

to Another Level, darling. Look at that, no glitter. How am I supposed

:22:02.:22:12.
:22:12.:22:15.

Six couples have received Broadway success, what about the rest? Back

:22:15.:22:20.

to you Tess. Thank you. Six couples left, one of

:22:20.:22:30.
:22:30.:22:30.

you is in danger tonight. But which one? It's time to find out.

:22:30.:22:39.

In no particular order, safely through to next week are... Lulu

:22:39.:22:49.
:22:49.:22:52.

and Brendan! APPLAUSE

:22:52.:23:02.
:23:02.:23:05.

Dancing again next Saturday are... Harry and Aliona!

:23:05.:23:15.
:23:15.:23:22.

APPLAUSE The next couple safe is... Jason

:23:22.:23:32.
:23:32.:23:34.

and Kristina! APPLAUSE

:23:34.:23:44.
:23:44.:23:46.

Surviving another week are... Russell and Flavia!

:23:46.:23:56.
:23:56.:24:00.

So that means Chelsee and Pasha and Nancy and Anton, one of you is safe,

:24:01.:24:06.

one of you is in the bottom two. I can reveal that the couple in the

:24:06.:24:16.
:24:16.:24:17.

bottom two tonight is... Nancy and Anton.

:24:17.:24:19.

So Chelsee and Pasha, congratulations, you're through to

:24:20.:24:24.

next Saturday. APPLAUSE

:24:24.:24:28.

Now Bruno, you said that Nancy had improved a lot this week. Are you

:24:28.:24:32.

disappointed to see her in the bottom two? Yes, I am. There is a

:24:32.:24:37.

great sense of anticipation every time she turns up. It's almost like

:24:37.:24:40.

lighting a firecracker, you never know if she's going to burn you or

:24:40.:24:44.

you're going to be safe. You never know. But I have to admit, she was

:24:44.:24:48.

better. She was better in the tango. She did a good job. I think she has

:24:48.:24:55.

the potential to improve more. I would like to see that. OK. Showing

:24:55.:24:59.

improvement, yes. After all Rome was not built in a day. Thank you

:24:59.:25:08.

Bruno. Over to you Claudia. OK, she was catapoulted from West

:25:08.:25:13.

Lothian obscurity to worldwide fame. She has become a singing phenomenon.

:25:14.:25:17.

Here, with Unchained Melody, hold hands, please welcome, the one and

:25:17.:25:27.
:25:27.:25:36.

only, Susan Boyle! # Oh, my love

:25:36.:25:46.
:25:46.:25:47.

# My darling # I hunger for your touch

:25:47.:25:57.
:25:57.:26:08.

# Are you still mine? # I need your love

:26:08.:26:18.
:26:18.:26:24.

# God speed your love # to me

:26:24.:26:34.
:26:34.:26:35.

# Lonely rivers flow # To the sea

:26:35.:26:45.
:26:45.:26:57.

# Wait for me # I'll be coming home

:26:57.:27:07.
:27:07.:27:27.

# My darling # I hunger for your touch

:27:27.:27:37.
:27:37.:27:44.

# Are you still mine? # I need your love

:27:44.:27:54.
:27:54.:27:54.

Apology for the loss of subtitles for 143 seconds

:27:54.:28:44.

Absolutely brilliant. Dan, are you shocked? Alesha said you were

:28:44.:28:48.

getting better and better, are you surprised to find yourself in the

:28:48.:28:53.

bottom two? I was in the bottom three with the judges. I shouldn't

:28:53.:28:57.

be too shocked. It's always a surprise. You want to do your best.

:28:57.:29:02.

If you go through to next week, will awe tack it? Yeah, yeah of

:29:02.:29:08.

course. Will you listen to me more? Say yes, just say yes. Nancy, oh,

:29:08.:29:12.

my goodness. Some of the judges were harsh. Bruno said, we've seen

:29:12.:29:17.

content, this is different. How sad would you be to leave? Of course,

:29:17.:29:21.

you be sad because so much that we still have to do it. Definitely

:29:21.:29:27.

would be sad. Because it's strictly is such incredible, magical world

:29:27.:29:33.

you entered. So just the beginning of this coverage, so I would be sad.

:29:33.:29:38.

Good luck to both of you. Dan or Nancy is about to leave their

:29:38.:29:41.

dancing days behind. Here's how they've entertained us. There's

:29:41.:29:46.

nothing that can prepare you for the whirlwind that is Strictly Come

:29:46.:29:50.

Dancing. A couple of highlights, one would be not messing up any

:29:50.:29:56.

steps in the first waltz that we did. And not falling over during my

:29:56.:30:00.

flip at the beginning of our salsa routine. The reason that I want to

:30:00.:30:03.

stay in the competition and keep going is because I'm involved in

:30:03.:30:10.

something, which I really want to do and that's to learn how to dance.

:30:10.:30:17.

The best part of being in Strictly is definitely is about learning,

:30:17.:30:22.

dancing with Anton will be subject of my next book. I'm not going to

:30:22.:30:25.

say everything here otherwise you're not going to buy the book.

:30:25.:30:30.

Definite love to stay in the competition. I want to continue

:30:30.:30:36.

laughing. There's so much I have to learn. Strictly Come Dancing is a

:30:36.:30:41.

Magic World to join in. APPLAUSE

:30:41.:30:46.

Dan and Katya, and Nancy and Anton, one of you is about to leave the

:30:47.:30:56.
:30:57.:30:57.

competition for good. It's the moment of truth. Dan, Bruno said

:30:57.:31:02.

you looked like a casual acquaintance of Katya's. Nancy,

:31:02.:31:09.

Craig said it was like a plodding mule, truthing through mud. --

:31:09.:31:14.

trudging through mud. Did the public agree? I can now reveal that

:31:14.:31:24.
:31:24.:31:33.

the couple leaving tonight is... Dan and Katya. That means Nancy and

:31:33.:31:36.

Anton, we'll see you next week. Come on, guys.

:31:36.:31:41.

I'm so sorry. What have you enjoyed most about

:31:41.:31:46.

this experience, it's been brief, I hope it's been fun. Just dancing

:31:46.:31:50.

with kautsa. It's a won opportunity to dance with somebody who is so

:31:50.:31:54.

talented. Anything you want to say to Dan? I loved every moment of it.

:31:54.:32:00.

I loved my tennis lesson, thank you. I didn't get to get up at 3.30am.

:32:00.:32:04.

No. You can still do that if you want.

:32:04.:32:06.

LAUGHTER It's been a pleasure. Short, but

:32:06.:32:10.

very sweet. Off you go and prepare for your

:32:10.:32:18.

last dance. Thank you very much. Come in my darling. A sad goodbye

:32:18.:32:24.

to our second couple, Dan and Katya. They join Zoe on Monday, It Takes

:32:24.:32:31.

Two, 6.30pm, BBC Two. For Non Stop news and skhruesives go to

:32:31.:32:37.

bbc.co.uk/ Strictly. We're back in the ballroom next Saturday, 6.25pm.

:32:37.:32:47.
:32:47.:32:50.

Now with their final dance, it's life

:32:50.:32:59.

# Always look on the bright side of -- light side of life

:32:59.:33:03.

# If life seems jolly rotten, there's something you've for gotten

:33:03.:33:06.

# That's to laugh and smile and dance and sing

:33:06.:33:11.

# When you're feeling in the dumps, don't be silly chumps

:33:11.:33:14.

# Just purse your lips and whistle that's the thing

:33:14.:33:23.

# And always look on the bright side of life

:33:23.:33:31.

Tess Daly and Claudia Winkleman welcome you to what looks like being another exciting results show. Thirteen become twelve, as once the judges' scores have been combined with viewer votes the lowest scoring couple will sadly have to leave the competition.

Plus our professional dancers treat you to a very special West Side Story dance mash-up, and the stars of the brand new 2011 film version of Footloose cut loose on the dance floor with an exclusive performance just for us.


Download Subtitles

SRT

ASS