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This is Strictly Come Dancing, the Broadway Results. Please welcome | :00:50. | :01:00. | |
:01:00. | :01:00. | ||
Apology for the loss of subtitles for 143 seconds | :01:00. | :03:24. | |
CHEERING AND APPLAUSE Yes! What a great way to kick off Sunday's | :03:24. | :03:28. | |
Strictly. Now Saturday night saw our couples | :03:28. | :03:32. | |
make their Broadway debut, delivering high drama and dazzling | :03:32. | :03:36. | |
dancing. You voted. The judges scored and tonight, the final | :03:36. | :03:40. | |
curtain will fall on the couple with the lowest combined points. | :03:40. | :03:44. | |
First, let's meet the people who like to make a song and dance about | :03:44. | :03:48. | |
just about everything, they're our judges - Craig, Len, Alesha and | :03:48. | :03:55. | |
Bruno! APPLAUSE | :03:55. | :03:59. | |
We'll hear from them later. Now let's see what else is on the bill | :03:59. | :04:02. | |
tonight with the divine Miss Claudia. | :04:02. | :04:04. | |
APPLAUSE Thank you Tess. We have the best | :04:04. | :04:08. | |
show in town tonight, with an exclusive performance from the | :04:08. | :04:12. | |
stars of Footloose. Another look through Len's Lens and the legend | :04:12. | :04:17. | |
that is Susan Boyle, right here in the studio. First, here's all the | :04:17. | :04:21. | |
drama both on stage and back stage from Saturday night. What a night. | :04:21. | :04:24. | |
I loved it. # Oh, what a night # | :04:24. | :04:28. | |
I'm excited. # There's no business, like show | :04:28. | :04:33. | |
business... Timing babe, it's all about timing. I'm starting to get | :04:33. | :04:43. | |
:04:43. | :04:46. | ||
Tantalising behind bars, I want to be a criminal. I saw the little | :04:46. | :04:49. | |
thing when your heel got caught in your frock. You didn't let that | :04:49. | :04:58. | |
faze you at all. I'm bummed out about my skirt. You have an awkward | :04:58. | :05:02. | |
nature about you generally. that all right? It was good. You | :05:02. | :05:07. | |
were a little bit nervous. course, something to do with live | :05:07. | :05:11. | |
television. You moved well, but I would have liked more fluidity | :05:11. | :05:14. | |
after all. I can't make them say nice things. There's no point | :05:14. | :05:21. | |
worrying about it really. Three words - fun, energetic, | :05:21. | :05:24. | |
entertaining. I'd love to see somebody else at 62 dance a jive | :05:24. | :05:28. | |
like that, that fast. It was fantastic. I don't think | :05:28. | :05:35. | |
anybody else could do that job. bless! You kept your composure. You | :05:35. | :05:45. | |
:05:45. | :05:46. | ||
told a story. It was wonderful. It was like watching a magical bird. | :05:46. | :05:52. | |
It was simple, but very, very effective. | :05:52. | :05:57. | |
Rory was the surprise of the night though. Yeah. Wasn't he just. | :05:57. | :06:04. | |
best dance. Well done, Rory! Dancing-wise it's been the best | :06:04. | :06:11. | |
night of my life. Illegal lifts will not be tolerated, I'm afraid. | :06:11. | :06:18. | |
We're bad. Five. You have to break eggs to make an omelette and | :06:19. | :06:22. | |
sometimes you have to break rules to make a routine complete. Seven! | :06:22. | :06:29. | |
We're so bad. So bad. She's going to be great tonight. I can feel it | :06:29. | :06:34. | |
in my water. It actually looked like a tango. It was like a | :06:34. | :06:38. | |
plodding mule, truthing through mud. No, no. No comment about Craig's | :06:38. | :06:46. | |
comments. You have to recognise an effort and improvement when it's | :06:46. | :06:51. | |
visible. From the waist up you're joyful and | :06:51. | :06:55. | |
full of verve. It's from the waist down. I did say at some point I | :06:55. | :07:00. | |
would trip over my feet and today, I tripped over my feet. You've got | :07:00. | :07:05. | |
the right attitude for this competition. You're a hard worker. | :07:05. | :07:10. | |
You came out, strode around the floor with intent and determination. | :07:10. | :07:18. | |
How, how, how can I resist you? can't believe it. I were dance -- | :07:18. | :07:26. | |
I'm a dancer, well, not yet. ( Eight! I would advise a more | :07:26. | :07:30. | |
masculine approach for this particular dance. I think Craig's | :07:30. | :07:34. | |
jealous. Last week you put the boy in flamboyant. This week you put | :07:34. | :07:39. | |
the show in show business. When I got to my favourite bit, I | :07:39. | :07:43. | |
so wanted to join in singing. If she's happy, I'm happy. We come | :07:43. | :07:53. | |
:07:53. | :07:56. | ||
together as a pair. Stu-pen-dous! I'm going to call you | :07:56. | :08:06. | |
:08:06. | :08:06. | ||
the midwife because you keep delivering. Nine. Nine. Nine. | :08:06. | :08:11. | |
It's very haphazard and just too disco. I can make it not disco | :08:11. | :08:14. | |
though. Just need to tighten up on a few little things. I love | :08:14. | :08:24. | |
:08:24. | :08:27. | ||
watching you dance. All greased up, rippling muscles. I love Bruno. I | :08:27. | :08:32. | |
gave him a wink back tonight. pulled it out of the bag today, | :08:32. | :08:39. | |
finally. Apparently I've arrived. This is good news. | :08:39. | :08:45. | |
I don't anyone to really go home. know. My dressing room is this way. | :08:45. | :08:55. | |
:08:55. | :09:00. | ||
So, our 13 stars have made their Broadway debut, but who's worthy of | :09:00. | :09:09. | |
an encore. The results are in. In no particular order, the first | :09:09. | :09:12. | |
couple safely through to next week couple safely through to next week | :09:12. | :09:22. | |
:09:22. | :09:40. | ||
is... Audley and Natalie! Also safe are... Alex and James. | :09:40. | :09:50. | |
:09:50. | :10:02. | ||
The next couple safe is... Rory and Erin! | :10:02. | :10:12. | |
:10:12. | :10:23. | ||
Surviving another week are... Holly and Artem! | :10:23. | :10:33. | |
:10:33. | :10:45. | ||
Back on the dance floor next Saturday are... Anita and Robin! | :10:45. | :10:55. | |
:10:55. | :11:07. | ||
Also safe, for another week are... Robbie and Ola! | :11:07. | :11:17. | |
:11:17. | :11:19. | ||
And now finding themselves in the bottom two tonight and in danger of | :11:19. | :11:29. | |
:11:29. | :11:30. | ||
leaving the competition... Dan and Katya. The rest of you will | :11:30. | :11:39. | |
discover your fate later on. So Len, Dan and Katya in the bottom | :11:39. | :11:43. | |
of two. Is that a surprise? It is, do you know, I thought Dan did a | :11:43. | :11:48. | |
really good job, with a very difficult dance. You know, it's got | :11:48. | :11:52. | |
to have a lot of emotion about it. It's a romantic dance. In addition | :11:52. | :11:56. | |
to that, it's quite a simple dance, just the rotation. I thought his | :11:56. | :12:00. | |
frame was good. His foot work was good. I don't think he deserves to | :12:00. | :12:04. | |
be where he is. APPLAUSE | :12:04. | :12:09. | |
Thank you. Over to you Claudia. Thank you Tess. I have six over the | :12:09. | :12:16. | |
moon couples here. CHEERING | :12:16. | :12:22. | |
Audley, your face! Bottom two last week, was there a bit of you who | :12:22. | :12:27. | |
thought it might happen again? Definitely. I'm so thankful to the | :12:27. | :12:31. | |
people who have kept us in the show. Massive congratulations and you as | :12:31. | :12:36. | |
well, Rory. You looked surprised. Len said it was your dance. Yeah, | :12:36. | :12:43. | |
well, Erin, where's Erin, there you are! That's not Erin. What's your | :12:43. | :12:46. | |
name again? She's so good with ballroom. I was in good hands. | :12:46. | :12:49. | |
Everyone was nervous. The band played through the different styles. | :12:49. | :12:52. | |
They were the heroes. APPLAUSE | :12:52. | :12:56. | |
Absolutely brilliant. You did fantastically well. Thank you very | :12:56. | :13:00. | |
much. Now we have a very special treat for you now. They've jetted | :13:00. | :13:04. | |
in from America to perform exclusively for us. Please welcome | :13:04. | :13:08. | |
the stars of the brand new Footloose movie, hof hof hof and | :13:08. | :13:18. | |
:13:18. | :13:21. | ||
Kenny Wormald! -- Julianne Hough and Kenny Wormald! # Where have all | :13:21. | :13:31. | |
:13:31. | :13:35. | ||
the good men gone the good men gone | :13:35. | :13:40. | |
# And where are all the gods? # Where's the street-wise Hercules | :13:40. | :13:49. | |
# To fight the rising odds? Shret # Isn't there a white knight | :13:49. | :13:53. | |
upon a fiery steed? # Late at night I toss and I turn | :13:53. | :13:56. | |
# and dream of what I need # I need a hero | :13:56. | :14:00. | |
#I'm holding out for a hero 'til the morning light # He's gotta be | :14:00. | :14:04. | |
sure # And it's gotta be soon # And he's gotta be larger than life # | :14:04. | :14:07. | |
Through the wind and the chill and the rain # And the storm and the | :14:08. | :14:12. | |
raging flood # Oh, his approach is like a fire in my blood # I need a | :14:12. | :14:16. | |
hero # I'm holding out for a hero # 'til the morning light # He's gotta | :14:16. | :14:20. | |
be sure # And it's gotta be soon # and he's gotta be larger than life | :14:20. | :14:23. | |
# Been working so hard, # I'm punching my card # Eight hours. # | :14:23. | :14:33. | |
:14:33. | :15:02. | ||
For what? # I'm punching my card | :15:02. | :15:09. | |
# Eight hours, for what? # Oh, tell me what I got | :15:09. | :15:18. | |
# I get this feeling # time's still holding me down | :15:18. | :15:27. | |
# I'll hit the ceiling # Or else I'll tear up this town | :15:27. | :15:30. | |
# Tonight I gotta cut loose, footloose | :15:30. | :15:33. | |
# Kick off your Sunday shoes # Please, Louise | :15:33. | :15:41. | |
# Pull me offa my knees # Jack, get back | :15:41. | :15:46. | |
# Com on before we crack # Lose your blues | :15:46. | :15:54. | |
# Everybody cut footloose # Whoah | :15:54. | :16:03. | |
# we got to turn you around # And put your feet on the ground | :16:03. | :16:13. | |
:16:13. | :16:22. | ||
# Kick off your Sunday shoes # Please, Louise | :16:22. | :16:25. | |
# Pull me offa my knees # Jack, get back | :16:25. | :16:35. | |
:16:35. | :16:37. | ||
# Come on before we crack # Lose your blues | :16:37. | :16:39. | |
# Everybody cut, everybody cut # Everybody cut, Everybody cut | :16:40. | :16:49. | |
:16:50. | :17:12. | ||
Absolutely amazing. Please welcome our brilliant judges! | :17:12. | :17:16. | |
APPLAUSE Thank you so much for coming up | :17:16. | :17:22. | |
here. We're talking about details. Because there's a fifth member of | :17:22. | :17:30. | |
the group. Len's Lens. Of course. Look, it picks up some | :17:30. | :17:36. | |
wonderful details. So you can discuss and die sect. | :17:36. | :17:41. | |
-- disect. Len I'm starting with you. Go on. You want to talk about | :17:41. | :17:45. | |
Lulu and Brendan. Because you had a bit of a Barney on Saturday night. | :17:45. | :17:50. | |
A little bi. My feeling was that Craig went overly grumpy. I wanted | :17:51. | :17:55. | |
to come to their defence. I'm one of those upstanding young men who | :17:55. | :17:58. | |
normally doesn't like the lifts and if anyone does them. However, on | :17:58. | :18:05. | |
this occasion, I felt it fitted the music beautifully. It's against the | :18:05. | :18:12. | |
rules. You and your rules. You're getting on my wick a bit. Look at | :18:12. | :18:16. | |
Lulu's face. This is the rumba, every detail is magnified because | :18:16. | :18:21. | |
of the fact it's such a slow dance, it's even slower now. Look at her | :18:21. | :18:28. | |
angelic face. A hint of lip gloss. Oh, come on Lulu-bell! She's Dewey | :18:28. | :18:31. | |
and juicy. She looked lovely. For a rumba, which is a very, very | :18:31. | :18:35. | |
difficult dance, I thought she did a great job. I know there was the | :18:35. | :18:39. | |
lift. And who knows, without the lift, it could have been an eight | :18:39. | :18:46. | |
from me. You mentioned omelettes, who doesn't love them? Everyone | :18:46. | :18:50. | |
loves an omelette. Let's talk about Alex and James. Up said it was | :18:50. | :18:52. | |
beautiful. It really was. You all beautiful. It really was. You all | :18:52. | :19:01. | |
loved it. Oh, look. Stunning. Alex is so elgant. It was a simple | :19:01. | :19:05. | |
routine, but she executed it perfectly. I couldn't fault it. | :19:05. | :19:10. | |
They're so in sync as well. It was dreamy. That's what you want. You | :19:10. | :19:15. | |
want to look at a ballroom routine and be swept away. You don't want | :19:16. | :19:19. | |
to think of the out of place thumb. With that dance you could just | :19:19. | :19:24. | |
enjoy it. Craig, let's talk about Nancy and Anton. You didn't like it, | :19:24. | :19:30. | |
even though, I mean, I think Bruno you said there was more content... | :19:30. | :19:35. | |
Look at this. Look at the state of it, darling. You're just bitter for | :19:35. | :19:39. | |
the sake of it. You have to recognise improvement. My point was | :19:39. | :19:42. | |
that she was slamming around the dance floor and not really actually | :19:42. | :19:49. | |
dancing. And that was my problem with it darling. I don't know what | :19:49. | :19:56. | |
you were looking at. Don't have an argument. Let's talk about Jason | :19:56. | :20:04. | |
and Kristina. He went from hmm... From mucho macho to mucho campo. | :20:04. | :20:09. | |
Switching character, he's on it. Masculine. Look. I'm going to get | :20:09. | :20:15. | |
you! Oh, yeah, determined, strong, powerful. Look at this! Camp as a | :20:15. | :20:22. | |
row of tents. We were screaming, to switch | :20:22. | :20:32. | |
:20:32. | :20:33. | ||
character, it's insane. Bruno in slow mo is funnier. That's a great | :20:33. | :20:40. | |
slow mo is funnier. That's a great skill to switch on a six pence. You | :20:40. | :20:46. | |
have a whole West End show in one- and-a-half minutes. We also caught, | :20:46. | :20:52. | |
you were so happy with it. Let me show you this clip of Len holding | :20:52. | :20:59. | |
Jason's nine paddle. LAUGHTER | :20:59. | :21:04. | |
APPLAUSE A stunner. Now my favourite clip of | :21:04. | :21:09. | |
the night. Look at this, wait a minute. Here we go. He's going | :21:09. | :21:19. | |
:21:19. | :21:25. | ||
He's adorable. Thank you the judges! Now they say that Strictly | :21:25. | :21:28. | |
is all hard work. But I can reveal that behind-the-scenes sometimes | :21:28. | :21:32. | |
it's a bit of a holiday. Right now they're all following in the | :21:32. | :21:42. | |
:21:42. | :21:42. | ||
footsteps of their camp leader. It's all just show business. Oh, I | :21:42. | :21:47. | |
thank you. I'm going to finish in the | :21:47. | :21:53. | |
spotlight. No, I want to finish in the spotlight. It's mine. Have you | :21:53. | :21:58. | |
seen what I'm wearing? I'm going to steal the show. I want to take this | :21:58. | :22:02. | |
to Another Level, darling. Look at that, no glitter. How am I supposed | :22:02. | :22:12. | |
:22:12. | :22:15. | ||
Six couples have received Broadway success, what about the rest? Back | :22:15. | :22:20. | |
to you Tess. Thank you. Six couples left, one of | :22:20. | :22:30. | |
:22:30. | :22:30. | ||
you is in danger tonight. But which one? It's time to find out. | :22:30. | :22:39. | |
In no particular order, safely through to next week are... Lulu | :22:39. | :22:49. | |
:22:49. | :22:52. | ||
and Brendan! APPLAUSE | :22:52. | :23:02. | |
:23:02. | :23:05. | ||
Dancing again next Saturday are... Harry and Aliona! | :23:05. | :23:15. | |
:23:15. | :23:22. | ||
APPLAUSE The next couple safe is... Jason | :23:22. | :23:32. | |
:23:32. | :23:34. | ||
and Kristina! APPLAUSE | :23:34. | :23:44. | |
:23:44. | :23:46. | ||
Surviving another week are... Russell and Flavia! | :23:46. | :23:56. | |
:23:56. | :24:00. | ||
So that means Chelsee and Pasha and Nancy and Anton, one of you is safe, | :24:01. | :24:06. | |
one of you is in the bottom two. I can reveal that the couple in the | :24:06. | :24:16. | |
:24:16. | :24:17. | ||
bottom two tonight is... Nancy and Anton. | :24:17. | :24:19. | |
So Chelsee and Pasha, congratulations, you're through to | :24:20. | :24:24. | |
next Saturday. APPLAUSE | :24:24. | :24:28. | |
Now Bruno, you said that Nancy had improved a lot this week. Are you | :24:28. | :24:32. | |
disappointed to see her in the bottom two? Yes, I am. There is a | :24:32. | :24:37. | |
great sense of anticipation every time she turns up. It's almost like | :24:37. | :24:40. | |
lighting a firecracker, you never know if she's going to burn you or | :24:40. | :24:44. | |
you're going to be safe. You never know. But I have to admit, she was | :24:44. | :24:48. | |
better. She was better in the tango. She did a good job. I think she has | :24:48. | :24:55. | |
the potential to improve more. I would like to see that. OK. Showing | :24:55. | :24:59. | |
improvement, yes. After all Rome was not built in a day. Thank you | :24:59. | :25:08. | |
Bruno. Over to you Claudia. OK, she was catapoulted from West | :25:08. | :25:13. | |
Lothian obscurity to worldwide fame. She has become a singing phenomenon. | :25:14. | :25:17. | |
Here, with Unchained Melody, hold hands, please welcome, the one and | :25:17. | :25:27. | |
:25:27. | :25:36. | ||
only, Susan Boyle! # Oh, my love | :25:36. | :25:46. | |
:25:46. | :25:47. | ||
# My darling # I hunger for your touch | :25:47. | :25:57. | |
:25:57. | :26:08. | ||
# Are you still mine? # I need your love | :26:08. | :26:18. | |
:26:18. | :26:24. | ||
# God speed your love # to me | :26:24. | :26:34. | |
:26:34. | :26:35. | ||
# Lonely rivers flow # To the sea | :26:35. | :26:45. | |
:26:45. | :26:57. | ||
# Wait for me # I'll be coming home | :26:57. | :27:07. | |
:27:07. | :27:27. | ||
# My darling # I hunger for your touch | :27:27. | :27:37. | |
:27:37. | :27:44. | ||
# Are you still mine? # I need your love | :27:44. | :27:54. | |
:27:54. | :27:54. | ||
Apology for the loss of subtitles for 143 seconds | :27:54. | :28:44. | |
Absolutely brilliant. Dan, are you shocked? Alesha said you were | :28:44. | :28:48. | |
getting better and better, are you surprised to find yourself in the | :28:48. | :28:53. | |
bottom two? I was in the bottom three with the judges. I shouldn't | :28:53. | :28:57. | |
be too shocked. It's always a surprise. You want to do your best. | :28:57. | :29:02. | |
If you go through to next week, will awe tack it? Yeah, yeah of | :29:02. | :29:08. | |
course. Will you listen to me more? Say yes, just say yes. Nancy, oh, | :29:08. | :29:12. | |
my goodness. Some of the judges were harsh. Bruno said, we've seen | :29:12. | :29:17. | |
content, this is different. How sad would you be to leave? Of course, | :29:17. | :29:21. | |
you be sad because so much that we still have to do it. Definitely | :29:21. | :29:27. | |
would be sad. Because it's strictly is such incredible, magical world | :29:27. | :29:33. | |
you entered. So just the beginning of this coverage, so I would be sad. | :29:33. | :29:38. | |
Good luck to both of you. Dan or Nancy is about to leave their | :29:38. | :29:41. | |
dancing days behind. Here's how they've entertained us. There's | :29:41. | :29:46. | |
nothing that can prepare you for the whirlwind that is Strictly Come | :29:46. | :29:50. | |
Dancing. A couple of highlights, one would be not messing up any | :29:50. | :29:56. | |
steps in the first waltz that we did. And not falling over during my | :29:56. | :30:00. | |
flip at the beginning of our salsa routine. The reason that I want to | :30:00. | :30:03. | |
stay in the competition and keep going is because I'm involved in | :30:03. | :30:10. | |
something, which I really want to do and that's to learn how to dance. | :30:10. | :30:17. | |
The best part of being in Strictly is definitely is about learning, | :30:17. | :30:22. | |
dancing with Anton will be subject of my next book. I'm not going to | :30:22. | :30:25. | |
say everything here otherwise you're not going to buy the book. | :30:25. | :30:30. | |
Definite love to stay in the competition. I want to continue | :30:30. | :30:36. | |
laughing. There's so much I have to learn. Strictly Come Dancing is a | :30:36. | :30:41. | |
Magic World to join in. APPLAUSE | :30:41. | :30:46. | |
Dan and Katya, and Nancy and Anton, one of you is about to leave the | :30:47. | :30:56. | |
:30:57. | :30:57. | ||
competition for good. It's the moment of truth. Dan, Bruno said | :30:57. | :31:02. | |
you looked like a casual acquaintance of Katya's. Nancy, | :31:02. | :31:09. | |
Craig said it was like a plodding mule, truthing through mud. -- | :31:09. | :31:14. | |
trudging through mud. Did the public agree? I can now reveal that | :31:14. | :31:24. | |
:31:24. | :31:33. | ||
the couple leaving tonight is... Dan and Katya. That means Nancy and | :31:33. | :31:36. | |
Anton, we'll see you next week. Come on, guys. | :31:36. | :31:41. | |
I'm so sorry. What have you enjoyed most about | :31:41. | :31:46. | |
this experience, it's been brief, I hope it's been fun. Just dancing | :31:46. | :31:50. | |
with kautsa. It's a won opportunity to dance with somebody who is so | :31:50. | :31:54. | |
talented. Anything you want to say to Dan? I loved every moment of it. | :31:54. | :32:00. | |
I loved my tennis lesson, thank you. I didn't get to get up at 3.30am. | :32:00. | :32:04. | |
No. You can still do that if you want. | :32:04. | :32:06. | |
LAUGHTER It's been a pleasure. Short, but | :32:06. | :32:10. | |
very sweet. Off you go and prepare for your | :32:10. | :32:18. | |
last dance. Thank you very much. Come in my darling. A sad goodbye | :32:18. | :32:24. | |
to our second couple, Dan and Katya. They join Zoe on Monday, It Takes | :32:24. | :32:31. | |
Two, 6.30pm, BBC Two. For Non Stop news and skhruesives go to | :32:31. | :32:37. | |
bbc.co.uk/ Strictly. We're back in the ballroom next Saturday, 6.25pm. | :32:37. | :32:47. | |
:32:47. | :32:50. | ||
Now with their final dance, it's life | :32:50. | :32:59. | |
# Always look on the bright side of -- light side of life | :32:59. | :33:03. | |
# If life seems jolly rotten, there's something you've for gotten | :33:03. | :33:06. | |
# That's to laugh and smile and dance and sing | :33:06. | :33:11. | |
# When you're feeling in the dumps, don't be silly chumps | :33:11. | :33:14. | |
# Just purse your lips and whistle that's the thing | :33:14. | :33:23. | |
# And always look on the bright side of life | :33:23. | :33:31. |