Week 3 Results Strictly Come Dancing


Week 3 Results

Similar Content

Browse content similar to Week 3 Results. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

This is Strictly Come Dancing, the Broadway Results. Please welcome

:00:50.:01:00.
:01:00.:01:00.

Apology for the loss of subtitles for 143 seconds

:01:00.:03:24.

CHEERING AND APPLAUSE Yes! What a great way to kick off Sunday's

:03:24.:03:28.

Strictly. Now Saturday night saw our couples

:03:28.:03:32.

make their Broadway debut, delivering high drama and dazzling

:03:32.:03:36.

dancing. You voted. The judges scored and tonight, the final

:03:36.:03:40.

curtain will fall on the couple with the lowest combined points.

:03:40.:03:44.

First, let's meet the people who like to make a song and dance about

:03:44.:03:48.

just about everything, they're our judges - Craig, Len, Alesha and

:03:48.:03:55.

Bruno! APPLAUSE

:03:55.:03:59.

We'll hear from them later. Now let's see what else is on the bill

:03:59.:04:02.

tonight with the divine Miss Claudia.

:04:02.:04:04.

APPLAUSE Thank you Tess. We have the best

:04:04.:04:08.

show in town tonight, with an exclusive performance from the

:04:08.:04:12.

stars of Footloose. Another look through Len's Lens and the legend

:04:12.:04:17.

that is Susan Boyle, right here in the studio. First, here's all the

:04:17.:04:21.

drama both on stage and back stage from Saturday night. What a night.

:04:21.:04:24.

I loved it. # Oh, what a night #

:04:24.:04:28.

I'm excited. # There's no business, like show

:04:28.:04:33.

business... Timing babe, it's all about timing. I'm starting to get

:04:33.:04:43.
:04:43.:04:46.

Tantalising behind bars, I want to be a criminal. I saw the little

:04:46.:04:49.

thing when your heel got caught in your frock. You didn't let that

:04:49.:04:58.

faze you at all. I'm bummed out about my skirt. You have an awkward

:04:58.:05:02.

nature about you generally. that all right? It was good. You

:05:02.:05:07.

were a little bit nervous. course, something to do with live

:05:07.:05:11.

television. You moved well, but I would have liked more fluidity

:05:11.:05:14.

after all. I can't make them say nice things. There's no point

:05:14.:05:21.

worrying about it really. Three words - fun, energetic,

:05:21.:05:24.

entertaining. I'd love to see somebody else at 62 dance a jive

:05:24.:05:28.

like that, that fast. It was fantastic. I don't think

:05:28.:05:35.

anybody else could do that job. bless! You kept your composure. You

:05:35.:05:45.
:05:45.:05:46.

told a story. It was wonderful. It was like watching a magical bird.

:05:46.:05:52.

It was simple, but very, very effective.

:05:52.:05:57.

Rory was the surprise of the night though. Yeah. Wasn't he just.

:05:57.:06:04.

best dance. Well done, Rory! Dancing-wise it's been the best

:06:04.:06:11.

night of my life. Illegal lifts will not be tolerated, I'm afraid.

:06:11.:06:18.

We're bad. Five. You have to break eggs to make an omelette and

:06:19.:06:22.

sometimes you have to break rules to make a routine complete. Seven!

:06:22.:06:29.

We're so bad. So bad. She's going to be great tonight. I can feel it

:06:29.:06:34.

in my water. It actually looked like a tango. It was like a

:06:34.:06:38.

plodding mule, truthing through mud. No, no. No comment about Craig's

:06:38.:06:46.

comments. You have to recognise an effort and improvement when it's

:06:46.:06:51.

visible. From the waist up you're joyful and

:06:51.:06:55.

full of verve. It's from the waist down. I did say at some point I

:06:55.:07:00.

would trip over my feet and today, I tripped over my feet. You've got

:07:00.:07:05.

the right attitude for this competition. You're a hard worker.

:07:05.:07:10.

You came out, strode around the floor with intent and determination.

:07:10.:07:18.

How, how, how can I resist you? can't believe it. I were dance --

:07:18.:07:26.

I'm a dancer, well, not yet. ( Eight! I would advise a more

:07:26.:07:30.

masculine approach for this particular dance. I think Craig's

:07:30.:07:34.

jealous. Last week you put the boy in flamboyant. This week you put

:07:34.:07:39.

the show in show business. When I got to my favourite bit, I

:07:39.:07:43.

so wanted to join in singing. If she's happy, I'm happy. We come

:07:43.:07:53.
:07:53.:07:56.

together as a pair. Stu-pen-dous! I'm going to call you

:07:56.:08:06.
:08:06.:08:06.

the midwife because you keep delivering. Nine. Nine. Nine.

:08:06.:08:11.

It's very haphazard and just too disco. I can make it not disco

:08:11.:08:14.

though. Just need to tighten up on a few little things. I love

:08:14.:08:24.
:08:24.:08:27.

watching you dance. All greased up, rippling muscles. I love Bruno. I

:08:27.:08:32.

gave him a wink back tonight. pulled it out of the bag today,

:08:32.:08:39.

finally. Apparently I've arrived. This is good news.

:08:39.:08:45.

I don't anyone to really go home. know. My dressing room is this way.

:08:45.:08:55.
:08:55.:09:00.

So, our 13 stars have made their Broadway debut, but who's worthy of

:09:00.:09:09.

an encore. The results are in. In no particular order, the first

:09:09.:09:12.

couple safely through to next week couple safely through to next week

:09:12.:09:22.
:09:22.:09:40.

is... Audley and Natalie! Also safe are... Alex and James.

:09:40.:09:50.
:09:50.:10:02.

The next couple safe is... Rory and Erin!

:10:02.:10:12.
:10:12.:10:23.

Surviving another week are... Holly and Artem!

:10:23.:10:33.
:10:33.:10:45.

Back on the dance floor next Saturday are... Anita and Robin!

:10:45.:10:55.
:10:55.:11:07.

Also safe, for another week are... Robbie and Ola!

:11:07.:11:17.
:11:17.:11:19.

And now finding themselves in the bottom two tonight and in danger of

:11:19.:11:29.
:11:29.:11:30.

leaving the competition... Dan and Katya. The rest of you will

:11:30.:11:39.

discover your fate later on. So Len, Dan and Katya in the bottom

:11:39.:11:43.

of two. Is that a surprise? It is, do you know, I thought Dan did a

:11:43.:11:48.

really good job, with a very difficult dance. You know, it's got

:11:48.:11:52.

to have a lot of emotion about it. It's a romantic dance. In addition

:11:52.:11:56.

to that, it's quite a simple dance, just the rotation. I thought his

:11:56.:12:00.

frame was good. His foot work was good. I don't think he deserves to

:12:00.:12:04.

be where he is. APPLAUSE

:12:04.:12:09.

Thank you. Over to you Claudia. Thank you Tess. I have six over the

:12:09.:12:16.

moon couples here. CHEERING

:12:16.:12:22.

Audley, your face! Bottom two last week, was there a bit of you who

:12:22.:12:27.

thought it might happen again? Definitely. I'm so thankful to the

:12:27.:12:31.

people who have kept us in the show. Massive congratulations and you as

:12:31.:12:36.

well, Rory. You looked surprised. Len said it was your dance. Yeah,

:12:36.:12:43.

well, Erin, where's Erin, there you are! That's not Erin. What's your

:12:43.:12:46.

name again? She's so good with ballroom. I was in good hands.

:12:46.:12:49.

Everyone was nervous. The band played through the different styles.

:12:49.:12:52.

They were the heroes. APPLAUSE

:12:52.:12:56.

Absolutely brilliant. You did fantastically well. Thank you very

:12:56.:13:00.

much. Now we have a very special treat for you now. They've jetted

:13:00.:13:04.

in from America to perform exclusively for us. Please welcome

:13:04.:13:08.

the stars of the brand new Footloose movie, hof hof hof and

:13:08.:13:18.
:13:18.:13:21.

Kenny Wormald! -- Julianne Hough and Kenny Wormald! # Where have all

:13:21.:13:31.
:13:31.:13:35.

the good men gone the good men gone

:13:35.:13:40.

# And where are all the gods? # Where's the street-wise Hercules

:13:40.:13:49.

# To fight the rising odds? Shret # Isn't there a white knight

:13:49.:13:53.

upon a fiery steed? # Late at night I toss and I turn

:13:53.:13:56.

# and dream of what I need # I need a hero

:13:56.:14:00.

#I'm holding out for a hero 'til the morning light # He's gotta be

:14:00.:14:04.

sure # And it's gotta be soon # And he's gotta be larger than life #

:14:04.:14:07.

Through the wind and the chill and the rain # And the storm and the

:14:08.:14:12.

raging flood # Oh, his approach is like a fire in my blood # I need a

:14:12.:14:16.

hero # I'm holding out for a hero # 'til the morning light # He's gotta

:14:16.:14:20.

be sure # And it's gotta be soon # and he's gotta be larger than life

:14:20.:14:23.

# Been working so hard, # I'm punching my card # Eight hours. #

:14:23.:14:33.
:14:33.:15:02.

For what? # I'm punching my card

:15:02.:15:09.

# Eight hours, for what? # Oh, tell me what I got

:15:09.:15:18.

# I get this feeling # time's still holding me down

:15:18.:15:27.

# I'll hit the ceiling # Or else I'll tear up this town

:15:27.:15:30.

# Tonight I gotta cut loose, footloose

:15:30.:15:33.

# Kick off your Sunday shoes # Please, Louise

:15:33.:15:41.

# Pull me offa my knees # Jack, get back

:15:41.:15:46.

# Com on before we crack # Lose your blues

:15:46.:15:54.

# Everybody cut footloose # Whoah

:15:54.:16:03.

# we got to turn you around # And put your feet on the ground

:16:03.:16:13.
:16:13.:16:22.

# Kick off your Sunday shoes # Please, Louise

:16:22.:16:25.

# Pull me offa my knees # Jack, get back

:16:25.:16:35.
:16:35.:16:37.

# Come on before we crack # Lose your blues

:16:37.:16:39.

# Everybody cut, everybody cut # Everybody cut, Everybody cut

:16:40.:16:49.
:16:50.:17:12.

Absolutely amazing. Please welcome our brilliant judges!

:17:12.:17:16.

APPLAUSE Thank you so much for coming up

:17:16.:17:22.

here. We're talking about details. Because there's a fifth member of

:17:22.:17:30.

the group. Len's Lens. Of course. Look, it picks up some

:17:30.:17:36.

wonderful details. So you can discuss and die sect.

:17:36.:17:41.

-- disect. Len I'm starting with you. Go on. You want to talk about

:17:41.:17:45.

Lulu and Brendan. Because you had a bit of a Barney on Saturday night.

:17:45.:17:50.

A little bi. My feeling was that Craig went overly grumpy. I wanted

:17:51.:17:55.

to come to their defence. I'm one of those upstanding young men who

:17:55.:17:58.

normally doesn't like the lifts and if anyone does them. However, on

:17:58.:18:05.

this occasion, I felt it fitted the music beautifully. It's against the

:18:05.:18:12.

rules. You and your rules. You're getting on my wick a bit. Look at

:18:12.:18:16.

Lulu's face. This is the rumba, every detail is magnified because

:18:16.:18:21.

of the fact it's such a slow dance, it's even slower now. Look at her

:18:21.:18:28.

angelic face. A hint of lip gloss. Oh, come on Lulu-bell! She's Dewey

:18:28.:18:31.

and juicy. She looked lovely. For a rumba, which is a very, very

:18:31.:18:35.

difficult dance, I thought she did a great job. I know there was the

:18:35.:18:39.

lift. And who knows, without the lift, it could have been an eight

:18:39.:18:46.

from me. You mentioned omelettes, who doesn't love them? Everyone

:18:46.:18:50.

loves an omelette. Let's talk about Alex and James. Up said it was

:18:50.:18:52.

beautiful. It really was. You all beautiful. It really was. You all

:18:52.:19:01.

loved it. Oh, look. Stunning. Alex is so elgant. It was a simple

:19:01.:19:05.

routine, but she executed it perfectly. I couldn't fault it.

:19:05.:19:10.

They're so in sync as well. It was dreamy. That's what you want. You

:19:10.:19:15.

want to look at a ballroom routine and be swept away. You don't want

:19:16.:19:19.

to think of the out of place thumb. With that dance you could just

:19:19.:19:24.

enjoy it. Craig, let's talk about Nancy and Anton. You didn't like it,

:19:24.:19:30.

even though, I mean, I think Bruno you said there was more content...

:19:30.:19:35.

Look at this. Look at the state of it, darling. You're just bitter for

:19:35.:19:39.

the sake of it. You have to recognise improvement. My point was

:19:39.:19:42.

that she was slamming around the dance floor and not really actually

:19:42.:19:49.

dancing. And that was my problem with it darling. I don't know what

:19:49.:19:56.

you were looking at. Don't have an argument. Let's talk about Jason

:19:56.:20:04.

and Kristina. He went from hmm... From mucho macho to mucho campo.

:20:04.:20:09.

Switching character, he's on it. Masculine. Look. I'm going to get

:20:09.:20:15.

you! Oh, yeah, determined, strong, powerful. Look at this! Camp as a

:20:15.:20:22.

row of tents. We were screaming, to switch

:20:22.:20:32.
:20:32.:20:33.

character, it's insane. Bruno in slow mo is funnier. That's a great

:20:33.:20:40.

slow mo is funnier. That's a great skill to switch on a six pence. You

:20:40.:20:46.

have a whole West End show in one- and-a-half minutes. We also caught,

:20:46.:20:52.

you were so happy with it. Let me show you this clip of Len holding

:20:52.:20:59.

Jason's nine paddle. LAUGHTER

:20:59.:21:04.

APPLAUSE A stunner. Now my favourite clip of

:21:04.:21:09.

the night. Look at this, wait a minute. Here we go. He's going

:21:09.:21:19.
:21:19.:21:25.

He's adorable. Thank you the judges! Now they say that Strictly

:21:25.:21:28.

is all hard work. But I can reveal that behind-the-scenes sometimes

:21:28.:21:32.

it's a bit of a holiday. Right now they're all following in the

:21:32.:21:42.
:21:42.:21:42.

footsteps of their camp leader. It's all just show business. Oh, I

:21:42.:21:47.

thank you. I'm going to finish in the

:21:47.:21:53.

spotlight. No, I want to finish in the spotlight. It's mine. Have you

:21:53.:21:58.

seen what I'm wearing? I'm going to steal the show. I want to take this

:21:58.:22:02.

to Another Level, darling. Look at that, no glitter. How am I supposed

:22:02.:22:12.
:22:12.:22:15.

Six couples have received Broadway success, what about the rest? Back

:22:15.:22:20.

to you Tess. Thank you. Six couples left, one of

:22:20.:22:30.
:22:30.:22:30.

you is in danger tonight. But which one? It's time to find out.

:22:30.:22:39.

In no particular order, safely through to next week are... Lulu

:22:39.:22:49.
:22:49.:22:52.

and Brendan! APPLAUSE

:22:52.:23:02.
:23:02.:23:05.

Dancing again next Saturday are... Harry and Aliona!

:23:05.:23:15.
:23:15.:23:22.

APPLAUSE The next couple safe is... Jason

:23:22.:23:32.
:23:32.:23:34.

and Kristina! APPLAUSE

:23:34.:23:44.
:23:44.:23:46.

Surviving another week are... Russell and Flavia!

:23:46.:23:56.
:23:56.:24:00.

So that means Chelsee and Pasha and Nancy and Anton, one of you is safe,

:24:01.:24:06.

one of you is in the bottom two. I can reveal that the couple in the

:24:06.:24:16.
:24:16.:24:17.

bottom two tonight is... Nancy and Anton.

:24:17.:24:19.

So Chelsee and Pasha, congratulations, you're through to

:24:20.:24:24.

next Saturday. APPLAUSE

:24:24.:24:28.

Now Bruno, you said that Nancy had improved a lot this week. Are you

:24:28.:24:32.

disappointed to see her in the bottom two? Yes, I am. There is a

:24:32.:24:37.

great sense of anticipation every time she turns up. It's almost like

:24:37.:24:40.

lighting a firecracker, you never know if she's going to burn you or

:24:40.:24:44.

you're going to be safe. You never know. But I have to admit, she was

:24:44.:24:48.

better. She was better in the tango. She did a good job. I think she has

:24:48.:24:55.

the potential to improve more. I would like to see that. OK. Showing

:24:55.:24:59.

improvement, yes. After all Rome was not built in a day. Thank you

:24:59.:25:08.

Bruno. Over to you Claudia. OK, she was catapoulted from West

:25:08.:25:13.

Lothian obscurity to worldwide fame. She has become a singing phenomenon.

:25:14.:25:17.

Here, with Unchained Melody, hold hands, please welcome, the one and

:25:17.:25:27.
:25:27.:25:36.

only, Susan Boyle! # Oh, my love

:25:36.:25:46.
:25:46.:25:47.

# My darling # I hunger for your touch

:25:47.:25:57.
:25:57.:26:08.

# Are you still mine? # I need your love

:26:08.:26:18.
:26:18.:26:24.

# God speed your love # to me

:26:24.:26:34.
:26:34.:26:35.

# Lonely rivers flow # To the sea

:26:35.:26:45.
:26:45.:26:57.

# Wait for me # I'll be coming home

:26:57.:27:07.
:27:07.:27:27.

# My darling # I hunger for your touch

:27:27.:27:37.
:27:37.:27:44.

# Are you still mine? # I need your love

:27:44.:27:54.
:27:54.:27:54.

Apology for the loss of subtitles for 143 seconds

:27:54.:28:44.

Absolutely brilliant. Dan, are you shocked? Alesha said you were

:28:44.:28:48.

getting better and better, are you surprised to find yourself in the

:28:48.:28:53.

bottom two? I was in the bottom three with the judges. I shouldn't

:28:53.:28:57.

be too shocked. It's always a surprise. You want to do your best.

:28:57.:29:02.

If you go through to next week, will awe tack it? Yeah, yeah of

:29:02.:29:08.

course. Will you listen to me more? Say yes, just say yes. Nancy, oh,

:29:08.:29:12.

my goodness. Some of the judges were harsh. Bruno said, we've seen

:29:12.:29:17.

content, this is different. How sad would you be to leave? Of course,

:29:17.:29:21.

you be sad because so much that we still have to do it. Definitely

:29:21.:29:27.

would be sad. Because it's strictly is such incredible, magical world

:29:27.:29:33.

you entered. So just the beginning of this coverage, so I would be sad.

:29:33.:29:38.

Good luck to both of you. Dan or Nancy is about to leave their

:29:38.:29:41.

dancing days behind. Here's how they've entertained us. There's

:29:41.:29:46.

nothing that can prepare you for the whirlwind that is Strictly Come

:29:46.:29:50.

Dancing. A couple of highlights, one would be not messing up any

:29:50.:29:56.

steps in the first waltz that we did. And not falling over during my

:29:56.:30:00.

flip at the beginning of our salsa routine. The reason that I want to

:30:00.:30:03.

stay in the competition and keep going is because I'm involved in

:30:03.:30:10.

something, which I really want to do and that's to learn how to dance.

:30:10.:30:17.

The best part of being in Strictly is definitely is about learning,

:30:17.:30:22.

dancing with Anton will be subject of my next book. I'm not going to

:30:22.:30:25.

say everything here otherwise you're not going to buy the book.

:30:25.:30:30.

Definite love to stay in the competition. I want to continue

:30:30.:30:36.

laughing. There's so much I have to learn. Strictly Come Dancing is a

:30:36.:30:41.

Magic World to join in. APPLAUSE

:30:41.:30:46.

Dan and Katya, and Nancy and Anton, one of you is about to leave the

:30:47.:30:56.
:30:57.:30:57.

competition for good. It's the moment of truth. Dan, Bruno said

:30:57.:31:02.

you looked like a casual acquaintance of Katya's. Nancy,

:31:02.:31:09.

Craig said it was like a plodding mule, truthing through mud. --

:31:09.:31:14.

trudging through mud. Did the public agree? I can now reveal that

:31:14.:31:24.
:31:24.:31:33.

the couple leaving tonight is... Dan and Katya. That means Nancy and

:31:33.:31:36.

Anton, we'll see you next week. Come on, guys.

:31:36.:31:41.

I'm so sorry. What have you enjoyed most about

:31:41.:31:46.

this experience, it's been brief, I hope it's been fun. Just dancing

:31:46.:31:50.

with kautsa. It's a won opportunity to dance with somebody who is so

:31:50.:31:54.

talented. Anything you want to say to Dan? I loved every moment of it.

:31:54.:32:00.

I loved my tennis lesson, thank you. I didn't get to get up at 3.30am.

:32:00.:32:04.

No. You can still do that if you want.

:32:04.:32:06.

LAUGHTER It's been a pleasure. Short, but

:32:06.:32:10.

very sweet. Off you go and prepare for your

:32:10.:32:18.

last dance. Thank you very much. Come in my darling. A sad goodbye

:32:18.:32:24.

to our second couple, Dan and Katya. They join Zoe on Monday, It Takes

:32:24.:32:31.

Two, 6.30pm, BBC Two. For Non Stop news and skhruesives go to

:32:31.:32:37.

bbc.co.uk/ Strictly. We're back in the ballroom next Saturday, 6.25pm.

:32:37.:32:47.
:32:47.:32:50.

Now with their final dance, it's life

:32:50.:32:59.

# Always look on the bright side of -- light side of life

:32:59.:33:03.

# If life seems jolly rotten, there's something you've for gotten

:33:03.:33:06.

# That's to laugh and smile and dance and sing

:33:06.:33:11.

# When you're feeling in the dumps, don't be silly chumps

:33:11.:33:14.

# Just purse your lips and whistle that's the thing

:33:14.:33:23.

# And always look on the bright side of life

:33:23.:33:31.

Download Subtitles

SRT

ASS