Episode 16 Strictly - It Takes Two


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It's Monday and what a weekend it was! Coming Uptonite - Rory and

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Erin were let down by their Latin and became the third couple to

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leave the competition. They're here live. Blonde bombshells Robbie and

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Ola will be popping in for some jive talking. Craig Revel Horwood

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rounds up Saturday's performances and Dr Pamela Stephenson examines

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the training room dynamics of the female celebrities and their

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partners. This is zans, It Takes Two. -- this is Strictly Come

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Live from Television Centre, this is Strictly, It Takes Two. Please

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welcome your host. It's Zoe Ball. Hello! And welcome. I shouldn't get

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carried away, it's only Monday. Welcome, it was the weekend where

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Chelsee and Pasha soared to the top of the Strictly leaderboard. Yes,

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yes, you can cheer. Harry and Aliona got the first ten of the

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series and Rory and Erin were knocked out. Aw. They'll join me in

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a moment, but first, if you myed out on the weekend's events, here

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is a quick reminder. Pasha, you checked in, and I'll

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tell you this, Chelsee, tomorrow night you're not going to be

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checking out. I don't think you looked comfortable doing this

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particular dance. Full of beans, full of energy, good job. You have

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your own little style. That was exquisite. 10. You tried to make a

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big meal out of this paso and you got indigestion. The couple leaving

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Please give it up for Rory and Erin!

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Aw! I didn't want to see you here today. We didn't want to be here.

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Bless you both. We are all shocked that you've gone. How surprised

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were you to be in the bottom two on Saturday? I knew I hadn't danced

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very well and I had a feeling about it. I was really sad because we had

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more to do, I think, lots more, we didn't plan to go out this early.

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We have more life to live, more love to give and we'll survive!

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confident did you feel going into Saturday's show about your cha-cha?

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I knew it wasn't my stronger dance. I thought I had to give it all I

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had and it's a different dance. We've talked about this lots of

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times before and I had to go for it. I took a wrong turn because I went

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for it too much with the adrenaline coming through. Erin would say to

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me, calm down, but I think my idea of a good dance is finish it

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quicker than anyone else, rather than dance it better. But I loved

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it and I'll miss it hugely. Sometimes you are just so eager to

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get through it and know that you've got to the end. Lots of the judges

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and the pro dancers have been talking about choreography this

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year. That's the big word. Would you have changed it in hindsight?

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don't think so. The professionals work with the celebrities closely

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and know what's best for the person they're dancing with so give them

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the routine that hopefully brings out the best in them. She has to

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work to my limitations because I'm about as Latin as the Duke of

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Edinburgh. No, he's Greek isn't he! No, I wouldn't change anything, no.

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So many fans and they're very upset that you've gone. Lucy said she was

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impressed with your dance on Saturday and thought the judges

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were too harsh on you. Erin, would you agree? Yes, I would. Whole

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heartedly. Come on... You've had a phone call, this lovely message.

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Listen to this. I just wanted to say that Rory should not have been

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voted out of the competition and we were really upset. We absolutely

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loved the quickstep. Thank you. bless your heart. Thank you so much.

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Thank you for that. That was so lovely. Huge fans and so many more

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messages like that and everybody's quite upset. You've caught the

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Strictly bug. What do you think you will miss the most? Everything.

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I'll miss my partner, she's been just brilliant. It's been just a

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joy. And everything, the training, the discipline and all my friend.

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That was why I had the real lump in my throat because it's so sudden.

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One minute you are on this amazing coach journey, it stops and they

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say get off and you are standing at the side of the road with your bags

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and you look up at Tess's room and the friends are there and it

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becomes a whirl and you know that it's over. That's a good analogy.

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was really sad. I was going to say that I left with dignity but I

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looked at the shirt and the fake tan and said that's not quite right

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is it. You did have dignity. Here with what we consider to be the

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best bits. The dance you will be hoping to make a good impression

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with... Erin Boag. -- the dancer. Try to impress Revel Horwood lapse

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I think he's quite tough on himself. We're almost there. Oh. I thought

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for the first week, that was fantastic. Thank you, Len. I think

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she'll be a dancer yet. One, two, three, five, six, seven. This week

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we are dancing the salsa. You've got to be sexy. I'm not naturally

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very sexy. The salsa has to have the hips. It's the first time ever

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on Strictly they've done a Broadway week. This is my week, if I can get

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it right, but I have to get it right first. Quickstep is your

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dance. This week, Matthew, we will be dancing the cha-cha-cha. I think

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it could be a bit of a cha-cha challenge. Erin's mission to

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transform me into a sex God... Sally ride... Every week you think,

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I can't do this at tt start of the week, and then by the end, you

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think, I can and it's satisfying. You are like the Government, a lot

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is going on and it's not all good. The couple leaving tonight is...

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Rory and Erin. I really wanted to dance with Rory

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from the very beginning of the show. It's just too early. It's a shame

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we've gone now and I'm going to miss you completely and utterly.

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You've been wonderful. Erin, I want to thank you for all the faith and

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confidence you had in me. It's just been such a fantastic experience.

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Hay, we'll always have our quickstep and thank you for that.

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Mwah. We've all gone here, look. Stop it! Don't be too nice! Anybody

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else want one?! Who gets your vote, Rory? Who are you backing? Which

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one of youfr chums would you like to see lift the glitterball -- your

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chums? It could be any one of the six of them. I love them all, it

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would be wrong to pick out one name. You you have been such a true

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gentleman and so many people think you're very sexy indeed. Erin and

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Rory, thank you so much. Thank you. Thank you. In a moment, Craig will

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be here to recover from giving his first nine of the searrys, it's

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taken it out of him! Before that, here is what you sad to say about

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the weekend ch weekend. Russell did a fantastic job of the content. He

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was grossly undermarked by the judges. Well done, Russell. I just

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wanted to say that tonight's show has been the best of the series.

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Everybody seemed to be having such fun and I love the way all the

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dancers cheer each other on. They're just like one big happy

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family. Congratulations to Chelsee and Pasha, brilliant routine,

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superb quickstep. If I was writing on Chelsee's Strictly school report

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this week, I would say five gold stars, well done. Rory, I think

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you're a brilliant dancer and I think Erin was an excellent teacher

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and you made a great couple. Really sad to see you leave.

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Thank you all for all of your messages. If you want to have your

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say on the weekend's events, pick up the phone and right now the

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Now, he is the man who tells it as he sees it. It's the rather divine

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Craig Revel Horwood! Come on, darling. Look at you in your

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fabulous belt. I imagine that is an F for fabulous. A big old dirty F,

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darling. Thank you for that. Love it! What a show it was on Saturday,

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a spat with Len, back chat from James, what drama? All a bit out of

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control, I thought, actually. you enjoy it? No, I never enjoy

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those spats, to be honest. I like to just do the judging and then get

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on with it, you know, and score. Let's do that now and talk about

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the performances. Harry and Aliona. Alesha gave a ten, the first ten of

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the series. This is where the dispute started with you and Len,

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over the whispered sweet nothings on the stairway? As a director and

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choreographer, I encourage people to tell stories when they dance,

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you know, so we are interested, and I thought this was rather sweet and

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nice. The only reason I didn't give it possibly a nine was after that

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moment because she left him a little bit on his own. Then that

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revealed some flaws. When you say flaws, what in particular? Arm-

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ography. I didn't like his arms. What did they do that you didn't

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like? Too closed and not as open and gorgeous a long a line as they

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should be. But encouraged by his performance? I loved it. Exciting?

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Yes, every week he's getting better and better and we are seeing a lot

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more personality, so I was really upset that Len decided to mention

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the kiss stuff because actually why not, they were out of hold for ten

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seconds. You are allowed ten seconds, aren't you, it's in the

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rules. Alex and James did the rumba. Now, this led to a little bit of

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back chat from James. You agreed with Len that quite a lot of time

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was spent on the floor and you said to Alex that it was cold? Yes.

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I actually said sexless and cold. didn't want to bring that up but

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you mentioned it? I mean by the tansing and the way you can make it

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sexy is through hip action -- dancing. It was quite apparent that

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there was relatively nothing going on in the hip department. Now, if

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you can get a long, juicy, delicious line with the hips, as

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you know, you will then appear sexy. Of course, it's nothing to do with,

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you know, her personally. We only ever judge the dancing for the

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dance sake, you know and any time I yuz those analogies, it's as a

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director choreographer -- use. People sometimes need to think

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about being a lion or tiger, you know. Some people need to be

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panthers. I say! I don't usually get personal and if anyone thinks

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that, they're completely wrong. when you say sexless, you mean you

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are talking about the dancing and you want more hips? Yes. Nancy and

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Anton and their Paso Doble. You said Oklahoma without skipping but

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there were positives in what you had to say which is exciting?

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the exciting part, I think of this performance, is the fact that Nancy

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goes for it. She takes an idea and she resolves it, you know, by

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landing herself on Anton. And I think that is great and

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encouragable and that's why I love her courage, to be honest. Yes, it

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needs a bit of work technically, of course it does. I would like to see

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a bit more dancing between them. I feel lick they're fighting the

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dance and Anton can help that, maybe by just, if someone makes a

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mistake, he can try and cover it up, that would help the situation.

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There is some talent in there. There are moments of threes and

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fours, you know, I think that's wonderful. It's good, twos up all

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the time. I loved it when she did that cape move. She's so brave?

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bold. If she had have made any mistakes, when she threw herself

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back into lift, darling, I mean her head was mill metres from the floor.

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Ouch! Chelsee and Pasha, incredible performance, I was standing on my

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sofa at the end of this routine. You said first-class, were you

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tempted to give a ten? No. Not a tiny bit? No. Why not, what is

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missing? Just wasn't good enough. But still good to get a nine?

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loved it, really and truly. But it didn't have the polish that a ten

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needs. It had dynamic, it was brilliant, had a million steps, it

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was going for it. It's only week three was it on Saturday? You have

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to understand that some dancers suit some people, you know. You

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have to be unlucky to get the wrong dance at the wrong time. That's

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when people like Rory get to go home. Exactly. Jason and Kristina.

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Jason finally knocked off the leaderboard. Where did he go wrong?

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Well, it was a bit kangaroo-ish, if you like, I suppose. He was

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skipping around, galloping, you know, the up and down movements,

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loses strength and a positive nature to it. You have to be - it's

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a demanding dance, shape-wise - that's why I thought he'd be better

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than he was. I was quite shocked actually, you know. I think people

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at home think Jason can actually dance because he's done Priscilla

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and all that sort of stuff but actually he's not a dancer, he's a

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great actor and singer and he's not a dancer and I know that he takes

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hours and hours and hours of concentrated stud tkwroi achieve

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what he's achieving. I think that showed him his weaknesses -- study

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to achieve what he's achieving. Gorgeous as always, we'll see you

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next week. By the way, Halloween special lrbgs you be dressing up,

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Craig? I hope so, if they'll allow me, darling. Mind you, you don't

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need to dress up, you are scary enough. Just kidding! Craig Revel

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Horwood! Robbie and Ola, here is how they tackled the jive.

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Your energy was on a different level tonight. It was great to see

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you having such a good time. Brilliant entertainment. Never seen

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anybody working the golden locks like Jerry Hall. Kicks and flicks

:16:28.:16:38.
:16:38.:16:40.

were sloppy. Listen, you loved it, the people loved it, I loved it.

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I thought I would get 27 points four weeks in, I would be delighted.

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Very proud of you. Thank you. Please welcome our blonde

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bombshells, Robbie and Ola. Hello. How are you both? Another standing

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ovation for you Mr Robbie Savage, well done to both of you. Peter has

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been in touch online and said well done Goldilocks, keep it up, not

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bad for an ex-footie player. How was it for you on Saturday? Yes,

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going back to Craig's remarks, I think it was fair because

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technically it wasn't good but I gave it my best shot. You really

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did. You got so carried away. Look at your nose. You've got a proper

:17:26.:17:32.

scar on your conk from head banging the camera? Yes, on my conk, yes.

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What happened then, too keen? Supposed to stop by the camera, too

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much enthusiasm, too close and I can't breathe properly. The crew

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have asked if I can pass this bill on to you for damages, they said

:17:48.:17:56.

the cheque is fine. A couple of lenses broken. Craig said he loved

:17:56.:18:01.

Rob eye's characterisation but stompy and plody he said? I agree,

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the technique would have been better. When I heard we were doing

:18:04.:18:07.

a jive at the beginning of the week, I thought oh dear, what are we

:18:07.:18:10.

going to do, I didn't think it would suit Robbie, but you know

:18:10.:18:15.

what, he sold the dance with his personality. I think if he wouldn't

:18:15.:18:18.

have done that, he probably wouldn't be as good, but he really

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went for it 100% and he sold it and he was brilliant and we loved it.

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Until the end of the dance you don't know how it's going to end up

:18:26.:18:31.

and what we are going to get, but he was brilliant. How important is

:18:31.:18:35.

it, Robbie, for you to be happy with your hair for you to give a

:18:35.:18:45.
:18:45.:18:46.

good performance on a Saturday night? On Saturday night I was like

:18:46.:18:52.

Wurzel Gummidge at times. Yeah, I like my hair. Alesha pointed out

:18:52.:18:59.

that if you don't get a hair commercial by the end of the series,

:18:59.:19:08.

she'll eat her hat. We made one up for you anyway.

:19:08.:19:15.

Feels so good. # You lying here next to me.

:19:15.:19:23.

# Oh, what a groove. # Do you want to impress the ladies.

:19:23.:19:28.

Your hair. # Just washed it. It's good, I like it. Nice. # Do you

:19:28.:19:33.

want to be the envy of all your friends. Who's blonder? Robbie's

:19:33.:19:41.

blonder. # Who's got the best hair? Robbie's got the best hair, hasn't

:19:41.:19:47.

he? # In your answer is yes, you need Strictly Savage. This product

:19:47.:19:52.

will improve your life. My hair's better, my teeth's better, my eyes

:19:52.:20:00.

are better, my Bodelwyddany's better. Cos I'm worth it -- my

:20:00.:20:03.

body's better. Cos I'm worth it! Next week it's a Halloween special.

:20:03.:20:11.

You are doing the Paso Doble and we are excited about that? It's a

:20:11.:20:14.

masculine dance. After seeing that, I probably look like a girl so it's

:20:14.:20:19.

difficult to look like a man. always look like a man out on that

:20:19.:20:24.

floor Not always! You told him skhrat how does this feel. Three

:20:24.:20:29.

more weekends, if you can make it clu three more weekends, you get to

:20:29.:20:39.
:20:39.:20:42.

play Wembley -- make it through to well pli. How would you feel?

:20:42.:20:46.

Wembley? To get Wembley, the added bonus is that Robbie might come as

:20:46.:20:52.

well. Oh, yes, your friend Robbie Williams. We can do it! Please stay

:20:52.:21:02.

in, we want to see Robbie. Ooh yes. Look at you switching Robbies. Good

:21:02.:21:07.

luck this week and what tricks have you got up your sleeves? Quite a

:21:07.:21:13.

bit, but we can't tell you, shh. It would ruin it. Looking forward to

:21:13.:21:18.

it. Robbie and Ola. As the drama unfolded, on screen on

:21:18.:21:23.

Saturday night, we were behind-the- scenes seeing what was really going

:21:23.:21:32.

Good morning. Morn pg. Time to get smooth. Week four. We are all very

:21:32.:21:39.

excited. It's freezing. The competition is hotting up. Wish me

:21:39.:21:46.

luck. Doing a tango. Called sweet dreams and it's actually a

:21:46.:21:50.

nightmare and that's what I'm having during the tango. My partner

:21:50.:21:58.

never stops practising, look. Took a lot of oil to get that going.

:21:58.:22:07.

Samba. She's a tough one. But Lulu and I are... Sorry. Sorry, mate.

:22:07.:22:11.

had a blackout then. In the rumba, because it's a slow dance, when you

:22:11.:22:21.
:22:21.:22:28.

wobble, it's obvious. No wobbling here. I'm filming this to make sure

:22:28.:22:32.

he's happy with the shots and he'll do the same for me. I got booted

:22:32.:22:37.

out of the competition last weekend. But the good news for you guys, I

:22:37.:22:42.

got the cam and I'm going to get all the backstage gossip straight

:22:42.:22:48.

from me to you. Let's go find someone. Hello! Hi. Do you have any

:22:48.:22:53.

gossip for me? No, none at all and I wouldn't tell you anyway. Excuse

:22:53.:22:57.

me. Do we come in the girls' changing room when you're getting

:22:57.:23:04.

changed?! Oh yeah, we do. gossip? Do you know that I'm not

:23:04.:23:09.

going to be dog this show in two weeks' time. Jennifer Gray is

:23:09.:23:16.

taking my place. This is a full exclusive. I hope pore browny

:23:16.:23:20.

points. There are 11 different dances and in some ways I like that.

:23:20.:23:30.
:23:30.:23:30.

A bit like watching me get my lovely make-up on by lovely Briney.

:23:30.:23:40.
:23:40.:23:40.

Eye candy for the over '80s! picture of my bum! Now your face so

:23:40.:23:46.

she knows it's you. This is the time when the nerves are starting

:23:46.:23:53.

to kick in. He's sweating. 14 minutes left. Everyone's going with

:23:53.:23:58.

the last-minute hair spray. The rat look is back, but an extremely

:23:58.:24:01.

good-looking rat. Every time I get sown into my outfit, I need to go

:24:01.:24:06.

to the toilet. I absolutely love my dress. Focus, focus, focus. It's

:24:06.:24:16.
:24:16.:24:17.

show time. Hope you enjoy the show. I'm going in! Woo-hoo. Good luck!

:24:17.:24:21.

Now time for some in-depth analysis and we've booked another

:24:21.:24:27.

appointment with Dr Pamela Stephenson. Welcome back Dr Pamela.

:24:27.:24:30.

The competition is really hotting up. What are our couples feeling

:24:30.:24:34.

and going through at this stage? I've been looking a the females

:24:34.:24:38.

this week and they are really feeling the pressure. There's

:24:38.:24:42.

anxiety, sleep deprivation and, as we saw from Rory, they really don't

:24:42.:24:45.

want to leave. It's really tough and getting much harder. It's gone

:24:45.:24:49.

up a step hasn't it? You can really feel that. We are going to look at

:24:49.:24:53.

the ladies in training. First of all, your ex and his new partner

:24:53.:24:58.

Alex in the training room. This is from their training last week.

:24:58.:25:02.

Again. What? Do the roll until it's ingrained in your head, you do it

:25:02.:25:08.

again and again and again. It is ingrained. It's ingrained. Go on

:25:08.:25:13.

then and if it's not perfect, you do it again. Only because you're

:25:13.:25:23.
:25:23.:25:29.

Again. How is Alex getting on with James and how is she coping with

:25:29.:25:36.

it? It's coming back to me, I'm having flashbacks. James's way is

:25:36.:25:39.

very authoritarian and it's my way or the highway. It can work as long

:25:39.:25:42.

as you keep something light. Fortunately, these two are having

:25:42.:25:48.

fun as well, helping to reduce the anxiety. Authoritarian styles can

:25:48.:25:51.

increase the anxiety, but as long as they keep teasing each other and

:25:51.:25:57.

having fun, they'll be fine. Nancy and Anton. Here they are in

:25:57.:26:04.

training last week. Here, there, push. It's not clear. Because you

:26:04.:26:07.

don't do it clear. We have to change it because of you, not

:26:07.:26:10.

because of me. Don't get all aggressive, I'm just telling you

:26:10.:26:17.

the truth. You don't like it, I can't help it. That's life, I'm

:26:17.:26:20.

afraid. I'm glad that you believe so. Do it again. Come over here and

:26:20.:26:25.

do it with me immediately. Don't hurt me!

:26:25.:26:29.

I thought he was going to get him there. She's fascinating, isn't

:26:29.:26:34.

she? I may not be qualifyed to speak about her, she may defy

:26:35.:26:38.

psychological analysis, she's a one-off and I love her. I think

:26:38.:26:43.

Anton's brulyant because you notice that he had a very tough message

:26:43.:26:46.

for Nancy -- brilliant. He shows you that you can say something

:26:46.:26:50.

tough to somebody but as long as you have the right tone and have a

:26:50.:26:53.

smile, you are going the tease and help make it palatable. That's what

:26:53.:26:58.

he does and it's working. He's going to be heard. Excellent. Lulu

:26:58.:27:02.

and Brendan. We are seeing a whole new side to Brendan in this series

:27:02.:27:06.

and we like it a lot. This is a clip of them training from last

:27:06.:27:16.
:27:16.:27:41.

Better. Better? Yes. Total Lulu language shum-shum-shar? She learns

:27:41.:27:45.

in a different way, yes, she responds to beats, rather than

:27:45.:27:49.

counting. Normally a prodancer would count, as you know. He's not

:27:49.:27:52.

going to to that, he's going to speak her language and help her

:27:52.:27:57.

learn in the style that's familiar. Brilliant. We like it. Chelsee and

:27:57.:28:02.

Pasha, glorious on Saturday? Fantastic. Two clips of Chelsee and

:28:03.:28:10.

Pasha. Here is the first. I usually say the end, but this is not the

:28:10.:28:16.

end yet Chelsee. Chels come on, give me a break with your phone

:28:16.:28:20.

won't you, please. Yes, I know. I was just getting the scene for

:28:20.:28:25.

tomorrow. Right. It's always the same story with them, her phone.

:28:25.:28:28.

really helps to see how pressured everything is becoming and poor

:28:28.:28:33.

Chelsee has two jobs so there's very little time and Pasha gets

:28:33.:28:37.

frustrated. Right there, he was being stern and parental and

:28:37.:28:42.

Chelsee's much younger so it's easy to be a parent to her. A bit later

:28:42.:28:47.

he tries a different tack. Let's have a look.

:28:47.:28:57.
:28:57.:28:58.

Ou! Immediately. Works every time. He's getting to her level and

:28:58.:29:01.

immediately getting results, he got her attention. Brilliant. Thank you

:29:01.:29:07.

very much. Fascinating stuff. Give it up, please, for Pamela

:29:07.:29:10.

Stephenson. That is it for tonight and thanks to all my guests. Make

:29:10.:29:15.

sure you join me tomorrow at 6.30 when I'll be chatting to Nancy and

:29:15.:29:20.

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