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It's Monday and what a weekend it was! Coming Uptonite - Rory and | :00:12. | :00:15. | |
Erin were let down by their Latin and became the third couple to | :00:15. | :00:20. | |
leave the competition. They're here live. Blonde bombshells Robbie and | :00:20. | :00:24. | |
Ola will be popping in for some jive talking. Craig Revel Horwood | :00:24. | :00:29. | |
rounds up Saturday's performances and Dr Pamela Stephenson examines | :00:29. | :00:34. | |
the training room dynamics of the female celebrities and their | :00:34. | :00:41. | |
partners. This is zans, It Takes Two. -- this is Strictly Come | :00:41. | :00:51. | |
:00:51. | :01:12. | ||
Live from Television Centre, this is Strictly, It Takes Two. Please | :01:12. | :01:21. | |
welcome your host. It's Zoe Ball. Hello! And welcome. I shouldn't get | :01:21. | :01:25. | |
carried away, it's only Monday. Welcome, it was the weekend where | :01:25. | :01:30. | |
Chelsee and Pasha soared to the top of the Strictly leaderboard. Yes, | :01:30. | :01:33. | |
yes, you can cheer. Harry and Aliona got the first ten of the | :01:34. | :01:39. | |
series and Rory and Erin were knocked out. Aw. They'll join me in | :01:39. | :01:44. | |
a moment, but first, if you myed out on the weekend's events, here | :01:44. | :01:50. | |
is a quick reminder. Pasha, you checked in, and I'll | :01:50. | :01:54. | |
tell you this, Chelsee, tomorrow night you're not going to be | :01:54. | :02:00. | |
checking out. I don't think you looked comfortable doing this | :02:00. | :02:06. | |
particular dance. Full of beans, full of energy, good job. You have | :02:07. | :02:16. | |
:02:17. | :02:17. | ||
your own little style. That was exquisite. 10. You tried to make a | :02:17. | :02:25. | |
big meal out of this paso and you got indigestion. The couple leaving | :02:25. | :02:35. | |
:02:35. | :02:39. | ||
Please give it up for Rory and Erin! | :02:39. | :02:43. | |
Aw! I didn't want to see you here today. We didn't want to be here. | :02:44. | :02:47. | |
Bless you both. We are all shocked that you've gone. How surprised | :02:47. | :02:51. | |
were you to be in the bottom two on Saturday? I knew I hadn't danced | :02:51. | :02:56. | |
very well and I had a feeling about it. I was really sad because we had | :02:56. | :03:04. | |
more to do, I think, lots more, we didn't plan to go out this early. | :03:04. | :03:08. | |
We have more life to live, more love to give and we'll survive! | :03:08. | :03:13. | |
confident did you feel going into Saturday's show about your cha-cha? | :03:13. | :03:17. | |
I knew it wasn't my stronger dance. I thought I had to give it all I | :03:17. | :03:20. | |
had and it's a different dance. We've talked about this lots of | :03:20. | :03:28. | |
times before and I had to go for it. I took a wrong turn because I went | :03:28. | :03:31. | |
for it too much with the adrenaline coming through. Erin would say to | :03:31. | :03:35. | |
me, calm down, but I think my idea of a good dance is finish it | :03:35. | :03:39. | |
quicker than anyone else, rather than dance it better. But I loved | :03:39. | :03:43. | |
it and I'll miss it hugely. Sometimes you are just so eager to | :03:43. | :03:46. | |
get through it and know that you've got to the end. Lots of the judges | :03:46. | :03:50. | |
and the pro dancers have been talking about choreography this | :03:50. | :03:55. | |
year. That's the big word. Would you have changed it in hindsight? | :03:55. | :03:59. | |
don't think so. The professionals work with the celebrities closely | :03:59. | :04:03. | |
and know what's best for the person they're dancing with so give them | :04:03. | :04:06. | |
the routine that hopefully brings out the best in them. She has to | :04:06. | :04:12. | |
work to my limitations because I'm about as Latin as the Duke of | :04:12. | :04:17. | |
Edinburgh. No, he's Greek isn't he! No, I wouldn't change anything, no. | :04:17. | :04:22. | |
So many fans and they're very upset that you've gone. Lucy said she was | :04:22. | :04:25. | |
impressed with your dance on Saturday and thought the judges | :04:25. | :04:30. | |
were too harsh on you. Erin, would you agree? Yes, I would. Whole | :04:30. | :04:34. | |
heartedly. Come on... You've had a phone call, this lovely message. | :04:34. | :04:39. | |
Listen to this. I just wanted to say that Rory should not have been | :04:39. | :04:45. | |
voted out of the competition and we were really upset. We absolutely | :04:45. | :04:49. | |
loved the quickstep. Thank you. bless your heart. Thank you so much. | :04:49. | :04:53. | |
Thank you for that. That was so lovely. Huge fans and so many more | :04:53. | :04:58. | |
messages like that and everybody's quite upset. You've caught the | :04:58. | :05:01. | |
Strictly bug. What do you think you will miss the most? Everything. | :05:01. | :05:05. | |
I'll miss my partner, she's been just brilliant. It's been just a | :05:05. | :05:08. | |
joy. And everything, the training, the discipline and all my friend. | :05:08. | :05:12. | |
That was why I had the real lump in my throat because it's so sudden. | :05:12. | :05:16. | |
One minute you are on this amazing coach journey, it stops and they | :05:16. | :05:20. | |
say get off and you are standing at the side of the road with your bags | :05:20. | :05:24. | |
and you look up at Tess's room and the friends are there and it | :05:24. | :05:29. | |
becomes a whirl and you know that it's over. That's a good analogy. | :05:29. | :05:33. | |
was really sad. I was going to say that I left with dignity but I | :05:33. | :05:36. | |
looked at the shirt and the fake tan and said that's not quite right | :05:36. | :05:42. | |
is it. You did have dignity. Here with what we consider to be the | :05:42. | :05:46. | |
best bits. The dance you will be hoping to make a good impression | :05:46. | :05:56. | |
with... Erin Boag. -- the dancer. Try to impress Revel Horwood lapse | :05:56. | :06:05. | |
I think he's quite tough on himself. We're almost there. Oh. I thought | :06:05. | :06:09. | |
for the first week, that was fantastic. Thank you, Len. I think | :06:09. | :06:13. | |
she'll be a dancer yet. One, two, three, five, six, seven. This week | :06:13. | :06:19. | |
we are dancing the salsa. You've got to be sexy. I'm not naturally | :06:19. | :06:28. | |
very sexy. The salsa has to have the hips. It's the first time ever | :06:28. | :06:33. | |
on Strictly they've done a Broadway week. This is my week, if I can get | :06:33. | :06:37. | |
it right, but I have to get it right first. Quickstep is your | :06:37. | :06:43. | |
dance. This week, Matthew, we will be dancing the cha-cha-cha. I think | :06:44. | :06:49. | |
it could be a bit of a cha-cha challenge. Erin's mission to | :06:49. | :06:55. | |
transform me into a sex God... Sally ride... Every week you think, | :06:55. | :06:59. | |
I can't do this at tt start of the week, and then by the end, you | :06:59. | :07:03. | |
think, I can and it's satisfying. You are like the Government, a lot | :07:03. | :07:08. | |
is going on and it's not all good. The couple leaving tonight is... | :07:08. | :07:12. | |
Rory and Erin. I really wanted to dance with Rory | :07:12. | :07:15. | |
from the very beginning of the show. It's just too early. It's a shame | :07:15. | :07:20. | |
we've gone now and I'm going to miss you completely and utterly. | :07:20. | :07:24. | |
You've been wonderful. Erin, I want to thank you for all the faith and | :07:24. | :07:29. | |
confidence you had in me. It's just been such a fantastic experience. | :07:29. | :07:34. | |
Hay, we'll always have our quickstep and thank you for that. | :07:34. | :07:39. | |
Mwah. We've all gone here, look. Stop it! Don't be too nice! Anybody | :07:40. | :07:45. | |
else want one?! Who gets your vote, Rory? Who are you backing? Which | :07:45. | :07:55. | |
one of youfr chums would you like to see lift the glitterball -- your | :07:55. | :07:59. | |
chums? It could be any one of the six of them. I love them all, it | :07:59. | :08:05. | |
would be wrong to pick out one name. You you have been such a true | :08:05. | :08:08. | |
gentleman and so many people think you're very sexy indeed. Erin and | :08:08. | :08:16. | |
Rory, thank you so much. Thank you. Thank you. In a moment, Craig will | :08:16. | :08:21. | |
be here to recover from giving his first nine of the searrys, it's | :08:21. | :08:26. | |
taken it out of him! Before that, here is what you sad to say about | :08:26. | :08:31. | |
the weekend ch weekend. Russell did a fantastic job of the content. He | :08:32. | :08:36. | |
was grossly undermarked by the judges. Well done, Russell. I just | :08:36. | :08:42. | |
wanted to say that tonight's show has been the best of the series. | :08:42. | :08:46. | |
Everybody seemed to be having such fun and I love the way all the | :08:46. | :08:52. | |
dancers cheer each other on. They're just like one big happy | :08:52. | :08:56. | |
family. Congratulations to Chelsee and Pasha, brilliant routine, | :08:56. | :09:00. | |
superb quickstep. If I was writing on Chelsee's Strictly school report | :09:00. | :09:05. | |
this week, I would say five gold stars, well done. Rory, I think | :09:05. | :09:09. | |
you're a brilliant dancer and I think Erin was an excellent teacher | :09:09. | :09:14. | |
and you made a great couple. Really sad to see you leave. | :09:14. | :09:18. | |
Thank you all for all of your messages. If you want to have your | :09:18. | :09:24. | |
say on the weekend's events, pick up the phone and right now the | :09:24. | :09:34. | |
:09:34. | :09:41. | ||
Now, he is the man who tells it as he sees it. It's the rather divine | :09:41. | :09:51. | |
:09:51. | :09:53. | ||
Craig Revel Horwood! Come on, darling. Look at you in your | :09:53. | :09:57. | |
fabulous belt. I imagine that is an F for fabulous. A big old dirty F, | :09:57. | :10:01. | |
darling. Thank you for that. Love it! What a show it was on Saturday, | :10:01. | :10:06. | |
a spat with Len, back chat from James, what drama? All a bit out of | :10:06. | :10:11. | |
control, I thought, actually. you enjoy it? No, I never enjoy | :10:11. | :10:15. | |
those spats, to be honest. I like to just do the judging and then get | :10:15. | :10:20. | |
on with it, you know, and score. Let's do that now and talk about | :10:20. | :10:24. | |
the performances. Harry and Aliona. Alesha gave a ten, the first ten of | :10:24. | :10:29. | |
the series. This is where the dispute started with you and Len, | :10:29. | :10:33. | |
over the whispered sweet nothings on the stairway? As a director and | :10:33. | :10:36. | |
choreographer, I encourage people to tell stories when they dance, | :10:36. | :10:41. | |
you know, so we are interested, and I thought this was rather sweet and | :10:41. | :10:46. | |
nice. The only reason I didn't give it possibly a nine was after that | :10:46. | :10:52. | |
moment because she left him a little bit on his own. Then that | :10:52. | :11:01. | |
revealed some flaws. When you say flaws, what in particular? Arm- | :11:02. | :11:05. | |
ography. I didn't like his arms. What did they do that you didn't | :11:05. | :11:10. | |
like? Too closed and not as open and gorgeous a long a line as they | :11:10. | :11:15. | |
should be. But encouraged by his performance? I loved it. Exciting? | :11:15. | :11:19. | |
Yes, every week he's getting better and better and we are seeing a lot | :11:19. | :11:25. | |
more personality, so I was really upset that Len decided to mention | :11:25. | :11:30. | |
the kiss stuff because actually why not, they were out of hold for ten | :11:30. | :11:33. | |
seconds. You are allowed ten seconds, aren't you, it's in the | :11:33. | :11:37. | |
rules. Alex and James did the rumba. Now, this led to a little bit of | :11:37. | :11:41. | |
back chat from James. You agreed with Len that quite a lot of time | :11:41. | :11:48. | |
was spent on the floor and you said to Alex that it was cold? Yes. | :11:48. | :11:52. | |
I actually said sexless and cold. didn't want to bring that up but | :11:52. | :11:58. | |
you mentioned it? I mean by the tansing and the way you can make it | :11:58. | :12:02. | |
sexy is through hip action -- dancing. It was quite apparent that | :12:02. | :12:07. | |
there was relatively nothing going on in the hip department. Now, if | :12:07. | :12:12. | |
you can get a long, juicy, delicious line with the hips, as | :12:12. | :12:18. | |
you know, you will then appear sexy. Of course, it's nothing to do with, | :12:18. | :12:23. | |
you know, her personally. We only ever judge the dancing for the | :12:23. | :12:29. | |
dance sake, you know and any time I yuz those analogies, it's as a | :12:29. | :12:32. | |
director choreographer -- use. People sometimes need to think | :12:32. | :12:38. | |
about being a lion or tiger, you know. Some people need to be | :12:38. | :12:41. | |
panthers. I say! I don't usually get personal and if anyone thinks | :12:41. | :12:48. | |
that, they're completely wrong. when you say sexless, you mean you | :12:48. | :12:54. | |
are talking about the dancing and you want more hips? Yes. Nancy and | :12:54. | :12:59. | |
Anton and their Paso Doble. You said Oklahoma without skipping but | :12:59. | :13:02. | |
there were positives in what you had to say which is exciting? | :13:02. | :13:06. | |
the exciting part, I think of this performance, is the fact that Nancy | :13:06. | :13:12. | |
goes for it. She takes an idea and she resolves it, you know, by | :13:12. | :13:16. | |
landing herself on Anton. And I think that is great and | :13:16. | :13:21. | |
encouragable and that's why I love her courage, to be honest. Yes, it | :13:21. | :13:25. | |
needs a bit of work technically, of course it does. I would like to see | :13:25. | :13:29. | |
a bit more dancing between them. I feel lick they're fighting the | :13:29. | :13:35. | |
dance and Anton can help that, maybe by just, if someone makes a | :13:35. | :13:40. | |
mistake, he can try and cover it up, that would help the situation. | :13:40. | :13:43. | |
There is some talent in there. There are moments of threes and | :13:43. | :13:48. | |
fours, you know, I think that's wonderful. It's good, twos up all | :13:48. | :13:53. | |
the time. I loved it when she did that cape move. She's so brave? | :13:53. | :13:58. | |
bold. If she had have made any mistakes, when she threw herself | :13:58. | :14:03. | |
back into lift, darling, I mean her head was mill metres from the floor. | :14:03. | :14:07. | |
Ouch! Chelsee and Pasha, incredible performance, I was standing on my | :14:07. | :14:10. | |
sofa at the end of this routine. You said first-class, were you | :14:10. | :14:16. | |
tempted to give a ten? No. Not a tiny bit? No. Why not, what is | :14:16. | :14:21. | |
missing? Just wasn't good enough. But still good to get a nine? | :14:21. | :14:27. | |
loved it, really and truly. But it didn't have the polish that a ten | :14:27. | :14:34. | |
needs. It had dynamic, it was brilliant, had a million steps, it | :14:34. | :14:38. | |
was going for it. It's only week three was it on Saturday? You have | :14:38. | :14:42. | |
to understand that some dancers suit some people, you know. You | :14:42. | :14:46. | |
have to be unlucky to get the wrong dance at the wrong time. That's | :14:46. | :14:52. | |
when people like Rory get to go home. Exactly. Jason and Kristina. | :14:52. | :14:56. | |
Jason finally knocked off the leaderboard. Where did he go wrong? | :14:56. | :14:59. | |
Well, it was a bit kangaroo-ish, if you like, I suppose. He was | :14:59. | :15:04. | |
skipping around, galloping, you know, the up and down movements, | :15:04. | :15:09. | |
loses strength and a positive nature to it. You have to be - it's | :15:09. | :15:12. | |
a demanding dance, shape-wise - that's why I thought he'd be better | :15:12. | :15:18. | |
than he was. I was quite shocked actually, you know. I think people | :15:18. | :15:24. | |
at home think Jason can actually dance because he's done Priscilla | :15:24. | :15:29. | |
and all that sort of stuff but actually he's not a dancer, he's a | :15:29. | :15:32. | |
great actor and singer and he's not a dancer and I know that he takes | :15:32. | :15:35. | |
hours and hours and hours of concentrated stud tkwroi achieve | :15:35. | :15:41. | |
what he's achieving. I think that showed him his weaknesses -- study | :15:41. | :15:49. | |
to achieve what he's achieving. Gorgeous as always, we'll see you | :15:49. | :15:53. | |
next week. By the way, Halloween special lrbgs you be dressing up, | :15:53. | :15:58. | |
Craig? I hope so, if they'll allow me, darling. Mind you, you don't | :15:58. | :16:03. | |
need to dress up, you are scary enough. Just kidding! Craig Revel | :16:03. | :16:08. | |
Horwood! Robbie and Ola, here is how they tackled the jive. | :16:08. | :16:11. | |
Your energy was on a different level tonight. It was great to see | :16:11. | :16:19. | |
you having such a good time. Brilliant entertainment. Never seen | :16:19. | :16:28. | |
anybody working the golden locks like Jerry Hall. Kicks and flicks | :16:28. | :16:38. | |
:16:38. | :16:40. | ||
were sloppy. Listen, you loved it, the people loved it, I loved it. | :16:40. | :16:47. | |
I thought I would get 27 points four weeks in, I would be delighted. | :16:47. | :16:52. | |
Very proud of you. Thank you. Please welcome our blonde | :16:52. | :16:57. | |
bombshells, Robbie and Ola. Hello. How are you both? Another standing | :16:57. | :17:00. | |
ovation for you Mr Robbie Savage, well done to both of you. Peter has | :17:00. | :17:06. | |
been in touch online and said well done Goldilocks, keep it up, not | :17:06. | :17:10. | |
bad for an ex-footie player. How was it for you on Saturday? Yes, | :17:10. | :17:15. | |
going back to Craig's remarks, I think it was fair because | :17:15. | :17:20. | |
technically it wasn't good but I gave it my best shot. You really | :17:20. | :17:26. | |
did. You got so carried away. Look at your nose. You've got a proper | :17:26. | :17:32. | |
scar on your conk from head banging the camera? Yes, on my conk, yes. | :17:32. | :17:40. | |
What happened then, too keen? Supposed to stop by the camera, too | :17:40. | :17:44. | |
much enthusiasm, too close and I can't breathe properly. The crew | :17:44. | :17:48. | |
have asked if I can pass this bill on to you for damages, they said | :17:48. | :17:56. | |
the cheque is fine. A couple of lenses broken. Craig said he loved | :17:56. | :18:01. | |
Rob eye's characterisation but stompy and plody he said? I agree, | :18:01. | :18:04. | |
the technique would have been better. When I heard we were doing | :18:04. | :18:07. | |
a jive at the beginning of the week, I thought oh dear, what are we | :18:07. | :18:10. | |
going to do, I didn't think it would suit Robbie, but you know | :18:10. | :18:15. | |
what, he sold the dance with his personality. I think if he wouldn't | :18:15. | :18:18. | |
have done that, he probably wouldn't be as good, but he really | :18:18. | :18:22. | |
went for it 100% and he sold it and he was brilliant and we loved it. | :18:23. | :18:26. | |
Until the end of the dance you don't know how it's going to end up | :18:26. | :18:31. | |
and what we are going to get, but he was brilliant. How important is | :18:31. | :18:35. | |
it, Robbie, for you to be happy with your hair for you to give a | :18:35. | :18:45. | |
:18:45. | :18:46. | ||
good performance on a Saturday night? On Saturday night I was like | :18:46. | :18:52. | |
Wurzel Gummidge at times. Yeah, I like my hair. Alesha pointed out | :18:52. | :18:59. | |
that if you don't get a hair commercial by the end of the series, | :18:59. | :19:08. | |
she'll eat her hat. We made one up for you anyway. | :19:08. | :19:15. | |
Feels so good. # You lying here next to me. | :19:15. | :19:23. | |
# Oh, what a groove. # Do you want to impress the ladies. | :19:23. | :19:28. | |
Your hair. # Just washed it. It's good, I like it. Nice. # Do you | :19:28. | :19:33. | |
want to be the envy of all your friends. Who's blonder? Robbie's | :19:33. | :19:41. | |
blonder. # Who's got the best hair? Robbie's got the best hair, hasn't | :19:41. | :19:47. | |
he? # In your answer is yes, you need Strictly Savage. This product | :19:47. | :19:52. | |
will improve your life. My hair's better, my teeth's better, my eyes | :19:52. | :20:00. | |
are better, my Bodelwyddany's better. Cos I'm worth it -- my | :20:00. | :20:03. | |
body's better. Cos I'm worth it! Next week it's a Halloween special. | :20:03. | :20:11. | |
You are doing the Paso Doble and we are excited about that? It's a | :20:11. | :20:14. | |
masculine dance. After seeing that, I probably look like a girl so it's | :20:14. | :20:19. | |
difficult to look like a man. always look like a man out on that | :20:19. | :20:24. | |
floor Not always! You told him skhrat how does this feel. Three | :20:24. | :20:29. | |
more weekends, if you can make it clu three more weekends, you get to | :20:29. | :20:39. | |
:20:39. | :20:42. | ||
play Wembley -- make it through to well pli. How would you feel? | :20:42. | :20:46. | |
Wembley? To get Wembley, the added bonus is that Robbie might come as | :20:46. | :20:52. | |
well. Oh, yes, your friend Robbie Williams. We can do it! Please stay | :20:52. | :21:02. | |
in, we want to see Robbie. Ooh yes. Look at you switching Robbies. Good | :21:02. | :21:07. | |
luck this week and what tricks have you got up your sleeves? Quite a | :21:07. | :21:13. | |
bit, but we can't tell you, shh. It would ruin it. Looking forward to | :21:13. | :21:18. | |
it. Robbie and Ola. As the drama unfolded, on screen on | :21:18. | :21:23. | |
Saturday night, we were behind-the- scenes seeing what was really going | :21:23. | :21:32. | |
Good morning. Morn pg. Time to get smooth. Week four. We are all very | :21:32. | :21:39. | |
excited. It's freezing. The competition is hotting up. Wish me | :21:39. | :21:46. | |
luck. Doing a tango. Called sweet dreams and it's actually a | :21:46. | :21:50. | |
nightmare and that's what I'm having during the tango. My partner | :21:50. | :21:58. | |
never stops practising, look. Took a lot of oil to get that going. | :21:58. | :22:07. | |
Samba. She's a tough one. But Lulu and I are... Sorry. Sorry, mate. | :22:07. | :22:11. | |
had a blackout then. In the rumba, because it's a slow dance, when you | :22:11. | :22:21. | |
:22:21. | :22:28. | ||
wobble, it's obvious. No wobbling here. I'm filming this to make sure | :22:28. | :22:32. | |
he's happy with the shots and he'll do the same for me. I got booted | :22:32. | :22:37. | |
out of the competition last weekend. But the good news for you guys, I | :22:37. | :22:42. | |
got the cam and I'm going to get all the backstage gossip straight | :22:42. | :22:48. | |
from me to you. Let's go find someone. Hello! Hi. Do you have any | :22:48. | :22:53. | |
gossip for me? No, none at all and I wouldn't tell you anyway. Excuse | :22:53. | :22:57. | |
me. Do we come in the girls' changing room when you're getting | :22:57. | :23:04. | |
changed?! Oh yeah, we do. gossip? Do you know that I'm not | :23:04. | :23:09. | |
going to be dog this show in two weeks' time. Jennifer Gray is | :23:09. | :23:16. | |
taking my place. This is a full exclusive. I hope pore browny | :23:16. | :23:20. | |
points. There are 11 different dances and in some ways I like that. | :23:20. | :23:30. | |
:23:30. | :23:30. | ||
A bit like watching me get my lovely make-up on by lovely Briney. | :23:30. | :23:40. | |
:23:40. | :23:40. | ||
Eye candy for the over '80s! picture of my bum! Now your face so | :23:40. | :23:46. | |
she knows it's you. This is the time when the nerves are starting | :23:46. | :23:53. | |
to kick in. He's sweating. 14 minutes left. Everyone's going with | :23:53. | :23:58. | |
the last-minute hair spray. The rat look is back, but an extremely | :23:58. | :24:01. | |
good-looking rat. Every time I get sown into my outfit, I need to go | :24:01. | :24:06. | |
to the toilet. I absolutely love my dress. Focus, focus, focus. It's | :24:06. | :24:16. | |
:24:16. | :24:17. | ||
show time. Hope you enjoy the show. I'm going in! Woo-hoo. Good luck! | :24:17. | :24:21. | |
Now time for some in-depth analysis and we've booked another | :24:21. | :24:27. | |
appointment with Dr Pamela Stephenson. Welcome back Dr Pamela. | :24:27. | :24:30. | |
The competition is really hotting up. What are our couples feeling | :24:30. | :24:34. | |
and going through at this stage? I've been looking a the females | :24:34. | :24:38. | |
this week and they are really feeling the pressure. There's | :24:38. | :24:42. | |
anxiety, sleep deprivation and, as we saw from Rory, they really don't | :24:42. | :24:45. | |
want to leave. It's really tough and getting much harder. It's gone | :24:45. | :24:49. | |
up a step hasn't it? You can really feel that. We are going to look at | :24:49. | :24:53. | |
the ladies in training. First of all, your ex and his new partner | :24:53. | :24:58. | |
Alex in the training room. This is from their training last week. | :24:58. | :25:02. | |
Again. What? Do the roll until it's ingrained in your head, you do it | :25:02. | :25:08. | |
again and again and again. It is ingrained. It's ingrained. Go on | :25:08. | :25:13. | |
then and if it's not perfect, you do it again. Only because you're | :25:13. | :25:23. | |
:25:23. | :25:29. | ||
Again. How is Alex getting on with James and how is she coping with | :25:29. | :25:36. | |
it? It's coming back to me, I'm having flashbacks. James's way is | :25:36. | :25:39. | |
very authoritarian and it's my way or the highway. It can work as long | :25:39. | :25:42. | |
as you keep something light. Fortunately, these two are having | :25:42. | :25:48. | |
fun as well, helping to reduce the anxiety. Authoritarian styles can | :25:48. | :25:51. | |
increase the anxiety, but as long as they keep teasing each other and | :25:51. | :25:57. | |
having fun, they'll be fine. Nancy and Anton. Here they are in | :25:57. | :26:04. | |
training last week. Here, there, push. It's not clear. Because you | :26:04. | :26:07. | |
don't do it clear. We have to change it because of you, not | :26:07. | :26:10. | |
because of me. Don't get all aggressive, I'm just telling you | :26:10. | :26:17. | |
the truth. You don't like it, I can't help it. That's life, I'm | :26:17. | :26:20. | |
afraid. I'm glad that you believe so. Do it again. Come over here and | :26:20. | :26:25. | |
do it with me immediately. Don't hurt me! | :26:25. | :26:29. | |
I thought he was going to get him there. She's fascinating, isn't | :26:29. | :26:34. | |
she? I may not be qualifyed to speak about her, she may defy | :26:35. | :26:38. | |
psychological analysis, she's a one-off and I love her. I think | :26:38. | :26:43. | |
Anton's brulyant because you notice that he had a very tough message | :26:43. | :26:46. | |
for Nancy -- brilliant. He shows you that you can say something | :26:46. | :26:50. | |
tough to somebody but as long as you have the right tone and have a | :26:50. | :26:53. | |
smile, you are going the tease and help make it palatable. That's what | :26:53. | :26:58. | |
he does and it's working. He's going to be heard. Excellent. Lulu | :26:58. | :27:02. | |
and Brendan. We are seeing a whole new side to Brendan in this series | :27:02. | :27:06. | |
and we like it a lot. This is a clip of them training from last | :27:06. | :27:16. | |
:27:16. | :27:41. | ||
Better. Better? Yes. Total Lulu language shum-shum-shar? She learns | :27:41. | :27:45. | |
in a different way, yes, she responds to beats, rather than | :27:45. | :27:49. | |
counting. Normally a prodancer would count, as you know. He's not | :27:49. | :27:52. | |
going to to that, he's going to speak her language and help her | :27:52. | :27:57. | |
learn in the style that's familiar. Brilliant. We like it. Chelsee and | :27:57. | :28:02. | |
Pasha, glorious on Saturday? Fantastic. Two clips of Chelsee and | :28:03. | :28:10. | |
Pasha. Here is the first. I usually say the end, but this is not the | :28:10. | :28:16. | |
end yet Chelsee. Chels come on, give me a break with your phone | :28:16. | :28:20. | |
won't you, please. Yes, I know. I was just getting the scene for | :28:20. | :28:25. | |
tomorrow. Right. It's always the same story with them, her phone. | :28:25. | :28:28. | |
really helps to see how pressured everything is becoming and poor | :28:28. | :28:33. | |
Chelsee has two jobs so there's very little time and Pasha gets | :28:33. | :28:37. | |
frustrated. Right there, he was being stern and parental and | :28:37. | :28:42. | |
Chelsee's much younger so it's easy to be a parent to her. A bit later | :28:42. | :28:47. | |
he tries a different tack. Let's have a look. | :28:47. | :28:57. | |
:28:57. | :28:58. | ||
Ou! Immediately. Works every time. He's getting to her level and | :28:58. | :29:01. | |
immediately getting results, he got her attention. Brilliant. Thank you | :29:01. | :29:07. | |
very much. Fascinating stuff. Give it up, please, for Pamela | :29:07. | :29:10. | |
Stephenson. That is it for tonight and thanks to all my guests. Make | :29:10. | :29:15. | |
sure you join me tomorrow at 6.30 when I'll be chatting to Nancy and | :29:15. | :29:20. |