Episode 17 Strictly - It Takes Two


Episode 17

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It's Tuesday. Coming up on tonight's It's Tuesday. Coming up on tonight's

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show, like a cat with nine lives, Nancy and Anton are here after

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escaping elimination for the second time. She certainly knows her

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fleckerls from her flicks, Hardy is back with Choreography

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Corner. They smoothly made it through to the next round,

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Robin will be here. Plus fashion designer Julien Macdonald OBE gives

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us his take on the weekend's outfits. This is It Takes Two.

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please welcome your host, it's Zoe Ball!

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hello, and welcome to It Takes Two. hello, and welcome to It Takes Two.

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Now, as you know, the weekend gave us a smorgasbord of dancing styles,

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sensational scores and teddy bear so there's plenty to talk

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about. In a moment I will be talking to Nancy and Anton but first here is

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why their paso doble was one remember. You were like a bit of

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rag doll, counting out loud, being thrown about by Anton but I

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it. I enjoyed it, there going on. It was entertaining. Well

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done. How can you actually and go off time? But great effort.

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Not quite as successful have been, but great to watch. I

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think that secretly there is talent beneath the surface and I think we

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It was fun. When it's a live show It was fun. When it's a live show

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you don't know what is going to happen. It was perfect in rehearsal.

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Definitely very, very close to very, very good. You only get one

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go, sadly. If we had another go, it would have been perfect.

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Nancy and Anton are here! Bottom two Nancy and Anton are here! Bottom two

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again, but the public saved you. Brilliant. Really? Were you

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relieved, Nancy? Definitely, I'm happy to be here again. Happy that

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we went through. It's difficult to describe the very emotions happening

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at that moment. Of course it was absolutely relief and happy to be -

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to stay in the competition, in the show, but very sad

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and Erin. I know, he was in tears, a lot of people were. It is horrible

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when people go. We don't like it. No, but they say they can't change

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the show. It is kind of the nature of the beast, of the show really.

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Let's talk about your performance. During your performance the judges

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did point out that they could you mouthing the numbers, you were

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counting. Did you realise you were doing that? Of course not.

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LAUGHTER. I don't know what we were doing! No, actually I was surprised

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when Bruno said the comment. at that, in time, isn't that a

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beauty? I say keep counting. Don't care what Bruno says. Beautiful! We

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were doing it in rehearsal and of course that helped me actually

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Anton said keep counting. Keep counting. I think it was a bit

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tricky. They left a little bit volume too high probably.

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it is more the mouthing of rather than the volume.

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that was fun, yes. Probably we've got to be careful now not to count

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the next one but I would do it, whatever will help. There has

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much discussion about the upside-down move. Wow. People love

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it. Move? Moves. Moves. It was in your salsa and your paso doble.

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it becoming a trademark? Ooh, love it. Stay down a bit longer. I'm

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having a lovely time! That's the first bit she had done right

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day. You were down there about minutes. Helps with the grey

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matter, doesn't it? Yes. Inches from the floor as well. Some of

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those moves, Nancy, really brave. I'm a professional, I know where the

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floor is. I can feel it under my feet. LAUGHTER.

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Good point. Goodness me, now, of the leaderboard for two weeks,

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how can you go up? It's they should do it in the computer,

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just flip it. That would be nice, wouldn't it? Can't you sneak round

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the back of the set and have a word? I can do but I am not sure it will

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help, sweetheart. We are not going to reveal our tactics. Don't reveal

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anything. Next week it's a Hallowe'en special and you are doing

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the rumba. Training so far: frightening or fabulous? Er, both of

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them! I'm quite looking forward. have been asking: what is rumba? And

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what I heard is rumba is like a - Firm hand shake. LAUGHTER. Sorry.

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It's to pretend to make love on the dance floor, isn't it? Ah. Are you

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comfortable? Very comfortable. I think my underpants are on back to

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front but I'm very comfortable. LAUGHTER.

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He is so cheeky, oh my goodness! I said pretend. I know but you said

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do it properly, you can't resist. I know, I'm a very handsome man. We

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should leave these two to it. They are going to have their own

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will happen. It's going to happen. Has she been teaching you

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Italian? Yes! Oh, not that one. rude ones. Shall we show it? The

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lessons are going very well. Well, I'm developing my Italian language

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skills, whilst being with Nancy. And I think it's coming on terribly

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well. SPEAKING ITALIAN. No, SPEAKING ITALIAN. It means "don't

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what you feel". Listen, I'm not deaf, I just don't understand. What

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are you doing? I have no idea. SPEAKING ITALIAN. Do it again?

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do it again. No, the other left foot, love. Wonder what that is in

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Italian. Looking left. COUNTING IN ITALIAN. For a girl from Croydon,

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think she does a marvellous job. LAUGHTER.

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It's so good. You get him, Nancy. What's the latest phrase that you've

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learnt? SPEAKING ITALIAN. And the translation? Good bottom. Thank you.

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We like it. How was that, was all right? Absolutely right. Am I

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a good student? Absolutely fantastic, you are better than me.

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Never. You are a fantastic student. With your rumba this

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and Anton. The dance of love. Bella! At the weekend there was controversy

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over the choreography, Goodman v Jordan ballroom brawl.

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Luckily we have a lady who can explain what all the fuss was about.

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Here is Karen Hardy Choreography Corner.

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Please welcome Karen Hardy! CHEERING Please welcome Karen Hardy! CHEERING

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We've got to do some of this, that right? That's all you got to

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do. Saturday, 11 different styles of dancing were performed. What did you

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make of the overall standard of choreography? Were you happy?

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I was happy in general. On its way up. We've got a great road ahead of

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us. It will be very exciting. A couple of little knit

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but in general, fabulous. Let's start with Jason who was finally

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knocked off the top of the leaderboard. He described this paso

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doble as a "difficult birth", quite a funny analogy. Take us through it.

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This step, see he is on his toes there, it reminds me of when my

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tiptoes across to my room in the middle of the night. Mum, I'm

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here. But that's the one thing don't want to do in the middle

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paso doble. Now, if he had taken heel leads, the one dance of the

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Latin, the five Latin category that were allowed to do heel

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paso doble, so things like would have made him look a lot

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stronger. However, I think his dancing was incredible again. Alex

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and James were doing the rumba. This caused a little row between James

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and Len. Len felt there was too much movement down on the floor. Your

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thoughts, Karen? Yeah, we know with Len, he is very clear

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about what he likes and he doesn't like. He likes dancing. What I

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picked up on this, and we are going to freeze frame right here, OK, now,

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I began to hear these messages of: Alex doesn't know how to be sexy,

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doesn't know how to feel womanly. This is very, very simple and I

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give you a quick lesson. A lesson on how to be womanly. Help. Yes. Very

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quick, we have angles, as a woman. We have elbows, our wrists, our

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hips, our bust, our knees. So if took that line and I stood up and

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stood like that, bit of a bloke. Not so interesting, yeah.

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soon as we put it at an angle, you see? WOLF WHISTLES. Now look, we

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have angles, hips, knees, angles, this immediately turns you into a

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great woman on the dance floor. That's all she had to do. Other than

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that, fabulous number. Chelsee and Pasha, highest score of the night.

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Fantastic. What made this performance first class? So much.

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First of all, look at this choreography.

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Kicks and flicks, and not just that, Kicks and flicks, and not just that,

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let's throw in some barrel rolls. Nothing like a bit of a barrel roll.

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We take a simple pivot everybody learns early days which is

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when the two bodies move together but know, they turn it into

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roll which means they now incline the body over and around each

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at the same time as turning. What was fabulous about it, perfect

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contact throughout. All that choreography. However, when it

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to the simple steps a little later we saw a bit of gaping. She would

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have got tens if it was any other dance, we just know in quickstep

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everybody makes little tiny errors. Why did the samba suit Lulu so

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She looked like she was loving this dance. It's really simple. She is

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having a party out there, that real carnival party. Now, let's remember

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back a few weeks before, was having a party in cha cha, she

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was - She was the only one there. Disaster. She didn't remember the

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steps. What I love here, she is having a party,

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steps. A little repetitive, but who cares? If she is nailing the

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she is having a good time. The only thing is, didn't need the

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bit. Yes, what's with everybody and the stairs this week? I think we

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should have them cordoned off next week. Police stop tape, no go up the

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stairs. We will put that there ourselves. Leave the stairs alone.

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I've got some at home. Audley was doing the foxtrot on Saturday,

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it's one of the toughest ballroom dances for the men. How did Natalie

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choreograph to help him? We have slip pivot not once, but twice, we

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have a contra check and we are coming out of the action

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I have been very critical that does lots of repetition of steps or

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he stands there and does nothing. What Natalie is beginning to do now

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is to build up the content of the choreography, slip pivots, we have

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to slip the foot backwards, very difficult with men - especially with

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size 18 foot - and he mastered those steps very, very well. It's

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nice to see greater choreography starting to come out of his work.

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Look, getting better and better. Now, hare, first ten of the series

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Harry. Look at your body language. You clearly loved it. But Len said

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he didn't like the whispering on the stairs. Craig loved it, he didn't

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mind. Were you a fan? What did you think? This is incredible. You can

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replay this and replay it. The rise and fall alone, we always teach our

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celebrities rise and fall. only had that, he had the

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swing and sway. You don't have time to teach that normally, so that

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shows you how natural a dancer is. Now what's very important -

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Tell me something important. Aliona didn't know how good he was because

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the rule now we have, the celebrities and professionals are

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allowed to separate for ten They are the rules. Right. If I'm

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going to separate away from like Harry, I'm not going to

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and have a kiss and couple on the steps and stop dancing. If it's

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Harry you might want to though. No, no, show his assets, his great

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dancing. Let's talk about Russell and his tango. Craig said shoulder

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shrugs didn't really belong in the tango. Was this tango tailor to

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style? Here they are. Very typical in these early stages of learning to

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dance. Basically, the importance if I touch your hand in any way,

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because I'm touching that, I will want to move that first.

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have to learn in ballroom dancing is that the legs and the body work; not

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the arms. So if I did this, this the arms working, or I stop this but

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I move the body. Can you see the difference there? I like it, OK.

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It's very natural what he is doing, we always move the arms first as

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are learning to dance, one of those moments, so all very natural. Let's

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not worry about it. Gaping not worry about it. Holly and Artem

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and their Viennese waltz. It was said she could be great. Did the

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choreography show off potential? This is sort of a

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fleckerl. Now, that's one of the hardest steps to do

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Viennese waltz. I will show you quickly why. Show us. What it does,

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look, two steps forward, and we go hin. Two steps forward. Now, what

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did we see? Tiptoes. Tiptoes, tiptoes. She is spinning around.

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What I love is that they actually attempted it. They went to do a

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fleckerl. Holly is beautiful, graceful and look how stunning

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looked here, I thought she looked amazing but let's try and up

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thattography a little more because I think - up that choreography a

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little more because I think she could be even better. I think

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what is coming from the judges. she could do it really well. Now,

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Robbie, Mr Love Man, not perhaps the most perfect performance of

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night technically but why was jive such a hit with everybody?

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This is one of the best songs in dance business. He wouldn't have

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only got the women's votes have got the men going: how did

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do that? He is even singing the words because he knows that he is

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out there. Technically not the greatest. What he was very clever

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with was kicks and flicks. Lovely, light and fresh. But what a way to

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score the votes from the men and women, the Love Man. Love it.

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certainly is. It's Hallowe'en special this weekend. What is your

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word to all celebrities and dancers this weekend? Don't fall into all

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the costumes of Hallowe'en, deliver the content of dance. You have

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spoken. It is now word. We love Karen Hardy! CHEERING.

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See you next week. Last week we had See you next week. Last week we had

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See you next week. Last week we had the pleasure of having Ann

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the pleasure of having Ann the pleasure of having Ann

:16:28.:16:30.

See you next Widdecombe on the show but that was

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only the beginning. She has been back to the benches to get

:16:34.:16:38.

heart of what the nation wants to know. It's Widdy's

:16:38.:16:48.
:16:48.:16:48.

Order! Answer the question. Today's Order! Answer the question. Today's

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question is from Sarah and she asks: what is your karaoke track? The

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good thing is that I don't do it. I did it once, got myself

:16:58.:17:04.

and that was it. OK. Anything from Elton. I am a big fan. Really?

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Like a candle in the wind. No, no, you don't need to sing.

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make it stop. # When the moon your eyes like a big pizza

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# don't give up the day job. Make it stop! Who is bad? Yes, I can see

:17:28.:17:35.

why you were embarrassed. # Candle burned out long before # This

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Strictly, not The X Factor. Get him off.

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Wise words from our Widdy there. For Wise words from our Widdy there. For

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more information about how to get in touch with Ann, please visit the

:17:45.:17:50.

Strictly website. At the weekend, my next couple got under the judges'

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skin and received their score so far. Here is a reminder of

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how Anita and Robin lifted themselves up the leaderboard

:17:57.:18:05.

Is it Anita or Rita Hayward? You Is it Anita or Rita Hayward? You

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have never been lovelier. The lifts were so daring and you should

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really proud of yourself. A great job. It had ease, elegance and

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sophistication and I thought it was fabulous. Sophisticated, classy,

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and you are a consummate pro who always delivers. 8. Yes! It was

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fantastic. Hollywood glamour at its best. When Craig gave us a 8 I

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thought that's as good as it gets. The hardest, meanest judge to give

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you a fantastic score like that, well deserved. I'm really happy.

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Please welcome smooth movers Anita Please welcome smooth movers Anita

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and Robin! and Robin!

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Please welcome smooth Well done on Saturday, both of you.

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Thank you. As the judges said, you are a consummate professional,

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always deliver, and you probably gobsmacked, weren't you, by

:18:59.:19:02.

what the judges said? was hoping that they would say I was

:19:03.:19:06.

improving and we would get better marks but I was just knocked out,

:19:06.:19:12.

was fantastic. I know and you deserved it. Well done. 1940s film

:19:12.:19:16.

star Rita, said Bruno and he was absolutely right. Does it

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to have a set and a story to get into? Yes, of course it does.

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love this kind of era, the 1940s, movies, glamour, all of that, I love

:19:26.:19:29.

it, but really for me the important thing is getting the steps

:19:29.:19:33.

right, hitting the marks, you know, and not getting carried away by

:19:33.:19:35.

and not getting carried away by performing. Because I love it so

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much, my natural instinct is to perform, and that's when the feet go

:19:38.:19:43.

to pieces. I know, you've got to keep them all connected. There is

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much to remember. There is here about waist level. I know! You

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looked devastated when Tess said could you imagine not dancing with

:19:54.:19:58.

Robin. You looked really, really shocked. A little birdie told me at

:19:58.:20:02.

that point you thought there was some kind of reality twist and she

:20:02.:20:06.

was going to be sending you home and you were really gobsmacked. I

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I did, I thought is this the moment? Off! Can you imagine? We wouldn't

:20:11.:20:16.

be that cruel. But how would you feel if it was your

:20:16.:20:22.

you think? Always at the back of your brain is the demon saying: next

:20:23.:20:26.

week, it could be you. way I suppose you have to try and

:20:26.:20:29.

prepare but I'm having such wonderful time, I just don't

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to end. It's the best party ever. Bless you. You have so much energy,

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everybody has been commenting online. You are in your 60s and you

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have so much energy, to the point where Robin has trouble keeping

:20:41.:20:46.

with you. LAUGHTER. Have a this. Anita is running circles

:20:46.:20:51.

around me. Let's do it again. One more. Again, yes? Is somebody a

:20:51.:20:54.

little out of breath back there? am exhausted. I'm knackered,

:20:54.:20:59.

know how you keep going. She is hardly breaking a sweat. You are a

:20:59.:21:04.

machine! There's me dripping over. You are so wet. Oh my God.

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Sorry, I'm gross. I'm like a - yes, swimming pool. You are dripping!

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You are dripping brown. If I much more I'm going to give myself

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an electric shock. Grab my arm, now, as soon as you start to go - my arm

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pit must smell gorgeous. I should bottle it and sell it. Sorry, I'm

:21:27.:21:37.
:21:37.:21:39.

oh dear, Robin, we've got you a gift oh dear, Robin, we've got you a gift

:21:39.:21:43.

that we thought might help with the sweat issue, look, you've got your

:21:43.:21:49.

own head band. Diamante, darling, of course. LAUGHTER. Sweat bands.

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Bless you. Oh, it's beautiful. at that. We want to see you wearing

:21:53.:21:58.

that in the training room. It's camp at all, is it? On this show,

:21:58.:22:02.

never! This week you are doing the tango. We are. And you are dancing

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to Sir Cliff's Devil Woman. What great record. Do you know Sir Cliff?

:22:07.:22:13.

I have met Sir Cliff, yes. I he is great. I am a huge fan. You

:22:13.:22:17.

can't take him seriously now, can you, in that. We want to

:22:17.:22:22.

the training room. Promise. the tango going? Scary to start

:22:22.:22:27.

with but I am really falling in love with it now so fingers crossed I can

:22:28.:22:35.

deliver, again. Take it off. A Hallowe'en special, any surprises

:22:35.:22:39.

for us? You know what, Devil Woman is kind of all in the title, but we

:22:39.:22:43.

are not going to do much faffing around at the beginning,

:22:43.:22:46.

into the dance, show them a good tango and finish with a nice end to

:22:46.:22:51.

the story. Lots of content, Karen said. You are paying

:22:51.:22:55.

attention. Adorable as ever, and Robin!

:22:55.:23:00.

It wasn't just the dancing that got tongues wagging on Saturday. There

:23:00.:23:08.

was also the fabulous fashion. It's time to talk Top of the Frocks.

:23:08.:23:18.

Here to give their expert opinion on Here to give their expert opinion on

:23:18.:23:18.

Here to give their expert opinion on this week's outfits are fashion

:23:18.:23:21.

this week's outfits are fashion this week's outfits are fashion

:23:21.:23:24.

lecturer Oonagh O'Hagan and uber lecturer Oonagh O'Hagan and uber

:23:24.:23:24.

designer Julien Macdonald OBE! designer Julien Macdonald OBE!

:23:24.:23:27.

APPLAUSE. APPLAUSE.

:23:27.:23:28.

Here to give I feel like I should curtsey in your

:23:28.:23:33.

company. Welcome, both of you, lovely to have you here. Julien,

:23:33.:23:37.

have designed for the likes of Beyonce, Kylie Minogue and Cheryl

:23:38.:23:43.

Cole. Who, what was your favourite outfit of the show? My favourite

:23:43.:23:48.

was the fabulous, unique, Lulu. I love the way you say fabulous.

:23:48.:23:53.

want that on tape. Let's have at Lulu's dress. Why was this

:23:53.:23:57.

perfect for you? What did about it? I thought it was so

:23:57.:24:01.

modern, so unexpected. It was almost like a sweater thrown off the

:24:01.:24:08.

shoulder, turned into a very tiny little lady in red dress.

:24:08.:24:13.

I think there would be so many women watching the programme, thinking: I

:24:13.:24:18.

love Lulu and I love that dress. Absolutely, I want that dress. I

:24:18.:24:23.

want to borrow it. It didn't have as much sparkle as some of the other

:24:23.:24:26.

dresses of the night. Talk us through the detail. The first thing

:24:26.:24:32.

I thought was very Flash Dance. the shoulder. Back to the 80s, yes.

:24:32.:24:36.

The bat wing. Of course. are right, it didn't have as

:24:36.:24:42.

jewels on it, it had these swags and tails and was made with sandwiched

:24:42.:24:47.

together crystals around it, very small amount of crystals on it. In

:24:47.:24:50.

the skirt you didn't have any more crystals, you had it in the vest

:24:50.:24:59.

top, so it was quite casual, felt quite young. You can see in the

:24:59.:25:09.
:25:09.:25:09.

skirt lots of go-days. Eight. That gave it its flare. She loved it.

:25:09.:25:15.

She was almost doing the can-can. It really does help though, you can

:25:15.:25:18.

tell when the lady loves her dress she dances even better. She

:25:18.:25:24.

reminded me of a modern-day Tina Turner, that shaggy hair, the sexy

:25:24.:25:30.

dress, the rocking and rolling. And great pins as well. Lulu gets

:25:30.:25:34.

gold star. Let's talk about waltz dress. Quite revealing on the

:25:34.:25:37.

top but typically ballroom on the bottom. Did you like this

:25:37.:25:43.

combination? I did. This was very unexpected. It was almost a tale of

:25:43.:25:48.

two cities, a tale of two dresses. The top part was very coutured, very

:25:48.:25:55.

worked, very much a kind of Art Deco inspired geometric lines, and

:25:55.:26:01.

the skirt, a very classical favourite, swaying, lots of metres,

:26:01.:26:03.

colourage, it was just that you might find over the

:26:03.:26:08.

rainbow. Yes, very much so. I'm falling in love with the way you are

:26:08.:26:13.

talking about this dress. It's incredible. Give us some details.

:26:13.:26:17.

Yes, if we start with the bodice part, as Julien was saying it was

:26:17.:26:22.

very Art Deco because you had these geometric shakes with all the

:26:22.:26:27.

crystals - 9,000 crystals. Wow. Which took over 8 hours to do

:26:27.:26:31.

that, so it's an of work. That is incredible.

:26:31.:26:37.

cubs at that position of the two - this juxtaposition of the two

:26:37.:26:42.

colours on the colour wheel made it very contemporary and it

:26:42.:26:46.

Holly as well. When she did turn round, I thought she was going to

:26:47.:26:52.

take off, because it's so big. Wouldn't that be great! Maybe they

:26:52.:27:00.

can work on that for Wembley. Talking of taking off, our Strictly

:27:00.:27:03.

hostess, Chelsee and Pasha did incredible routine on Saturday.

:27:03.:27:08.

Let's look at Chelsea's dress. It's in the studio here. Look at that.

:27:08.:27:15.

Now, the interesting fact about this, it was slightly inspired by

:27:15.:27:20.

Britney Spears in her toxic video, Julien, and you styled her. I know,

:27:20.:27:26.

this is like deja vu for me. I actually did that video so when I

:27:26.:27:31.

watched it on Saturday my eyes almost fell out. I've seen this

:27:31.:27:36.

before? Is she going to start singing Toxic? I thought she looked

:27:36.:27:39.

amazing, this fabulous kingfisher blue, and let me tell you blue

:27:39.:27:46.

one of the hottest colours for next summer. You heard it here! Ladies -

:27:46.:27:50.

and gentlemen, of course. On fashion, and basically she just

:27:50.:27:54.

looked young, sexy, modern, and it's a type of dress where I think

:27:54.:27:57.

were watching the programme and a young girl you would say do you

:27:57.:28:02.

know what, I really want to that dress, where can I buy it? I am

:28:02.:28:07.

sure the high street as we will be copying that dress.

:28:07.:28:11.

Stitching. Come on, get if out there. They will be banging on the

:28:11.:28:16.

windows. And the little hat as well, let's not forget. Which we have

:28:16.:28:21.

here! Very cool. Where do you a hat like that? I will look like

:28:21.:28:26.

something from the Village People. You said it, not us. There it is.

:28:26.:28:33.

It's so tiny. It is so small. Burlesque. It's the new fascinator.

:28:33.:28:36.

That's a very flash word. Are you looking forward to the Hallowe'en

:28:36.:28:41.

special? I am. Got my Hallowe'en nails on. Thank you so much,

:28:42.:28:51.

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