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It's Tuesday. Coming up on tonight's It's Tuesday. Coming up on tonight's | :00:08. | :00:12. | |
show, like a cat with nine lives, Nancy and Anton are here after | :00:12. | :00:16. | |
escaping elimination for the second time. She certainly knows her | :00:16. | :00:19. | |
fleckerls from her flicks, Hardy is back with Choreography | :00:19. | :00:23. | |
Corner. They smoothly made it through to the next round, | :00:23. | :00:29. | |
Robin will be here. Plus fashion designer Julien Macdonald OBE gives | :00:29. | :00:39. | |
:00:39. | :01:09. | ||
us his take on the weekend's outfits. This is It Takes Two. | :01:09. | :01:16. | |
please welcome your host, it's Zoe Ball! | :01:16. | :01:18. | |
hello, and welcome to It Takes Two. hello, and welcome to It Takes Two. | :01:18. | :01:25. | |
Now, as you know, the weekend gave us a smorgasbord of dancing styles, | :01:25. | :01:29. | |
sensational scores and teddy bear so there's plenty to talk | :01:29. | :01:33. | |
about. In a moment I will be talking to Nancy and Anton but first here is | :01:33. | :01:38. | |
why their paso doble was one remember. You were like a bit of | :01:38. | :01:43. | |
rag doll, counting out loud, being thrown about by Anton but I | :01:43. | :01:47. | |
it. I enjoyed it, there going on. It was entertaining. Well | :01:47. | :01:51. | |
done. How can you actually and go off time? But great effort. | :01:51. | :01:55. | |
Not quite as successful have been, but great to watch. I | :01:55. | :01:59. | |
think that secretly there is talent beneath the surface and I think we | :01:59. | :02:08. | |
It was fun. When it's a live show It was fun. When it's a live show | :02:08. | :02:11. | |
you don't know what is going to happen. It was perfect in rehearsal. | :02:11. | :02:15. | |
Definitely very, very close to very, very good. You only get one | :02:15. | :02:22. | |
go, sadly. If we had another go, it would have been perfect. | :02:22. | :02:28. | |
Nancy and Anton are here! Bottom two Nancy and Anton are here! Bottom two | :02:28. | :02:31. | |
again, but the public saved you. Brilliant. Really? Were you | :02:31. | :02:36. | |
relieved, Nancy? Definitely, I'm happy to be here again. Happy that | :02:36. | :02:40. | |
we went through. It's difficult to describe the very emotions happening | :02:40. | :02:44. | |
at that moment. Of course it was absolutely relief and happy to be - | :02:44. | :02:50. | |
to stay in the competition, in the show, but very sad | :02:50. | :02:53. | |
and Erin. I know, he was in tears, a lot of people were. It is horrible | :02:53. | :02:58. | |
when people go. We don't like it. No, but they say they can't change | :02:58. | :03:04. | |
the show. It is kind of the nature of the beast, of the show really. | :03:04. | :03:08. | |
Let's talk about your performance. During your performance the judges | :03:08. | :03:11. | |
did point out that they could you mouthing the numbers, you were | :03:11. | :03:16. | |
counting. Did you realise you were doing that? Of course not. | :03:16. | :03:22. | |
LAUGHTER. I don't know what we were doing! No, actually I was surprised | :03:22. | :03:26. | |
when Bruno said the comment. at that, in time, isn't that a | :03:26. | :03:31. | |
beauty? I say keep counting. Don't care what Bruno says. Beautiful! We | :03:31. | :03:36. | |
were doing it in rehearsal and of course that helped me actually | :03:36. | :03:39. | |
Anton said keep counting. Keep counting. I think it was a bit | :03:39. | :03:43. | |
tricky. They left a little bit volume too high probably. | :03:43. | :03:47. | |
it is more the mouthing of rather than the volume. | :03:47. | :03:51. | |
that was fun, yes. Probably we've got to be careful now not to count | :03:51. | :03:55. | |
the next one but I would do it, whatever will help. There has | :03:55. | :04:01. | |
much discussion about the upside-down move. Wow. People love | :04:01. | :04:08. | |
it. Move? Moves. Moves. It was in your salsa and your paso doble. | :04:08. | :04:15. | |
it becoming a trademark? Ooh, love it. Stay down a bit longer. I'm | :04:15. | :04:20. | |
having a lovely time! That's the first bit she had done right | :04:20. | :04:23. | |
day. You were down there about minutes. Helps with the grey | :04:23. | :04:27. | |
matter, doesn't it? Yes. Inches from the floor as well. Some of | :04:27. | :04:31. | |
those moves, Nancy, really brave. I'm a professional, I know where the | :04:31. | :04:35. | |
floor is. I can feel it under my feet. LAUGHTER. | :04:35. | :04:43. | |
Good point. Goodness me, now, of the leaderboard for two weeks, | :04:43. | :04:46. | |
how can you go up? It's they should do it in the computer, | :04:46. | :04:50. | |
just flip it. That would be nice, wouldn't it? Can't you sneak round | :04:50. | :04:54. | |
the back of the set and have a word? I can do but I am not sure it will | :04:54. | :05:00. | |
help, sweetheart. We are not going to reveal our tactics. Don't reveal | :05:00. | :05:04. | |
anything. Next week it's a Hallowe'en special and you are doing | :05:04. | :05:13. | |
the rumba. Training so far: frightening or fabulous? Er, both of | :05:13. | :05:18. | |
them! I'm quite looking forward. have been asking: what is rumba? And | :05:18. | :05:24. | |
what I heard is rumba is like a - Firm hand shake. LAUGHTER. Sorry. | :05:24. | :05:31. | |
It's to pretend to make love on the dance floor, isn't it? Ah. Are you | :05:31. | :05:34. | |
comfortable? Very comfortable. I think my underpants are on back to | :05:34. | :05:38. | |
front but I'm very comfortable. LAUGHTER. | :05:38. | :05:47. | |
He is so cheeky, oh my goodness! I said pretend. I know but you said | :05:47. | :05:51. | |
do it properly, you can't resist. I know, I'm a very handsome man. We | :05:51. | :05:56. | |
should leave these two to it. They are going to have their own | :05:56. | :06:00. | |
will happen. It's going to happen. Has she been teaching you | :06:00. | :06:07. | |
Italian? Yes! Oh, not that one. rude ones. Shall we show it? The | :06:07. | :06:14. | |
lessons are going very well. Well, I'm developing my Italian language | :06:14. | :06:19. | |
skills, whilst being with Nancy. And I think it's coming on terribly | :06:19. | :06:29. | |
:06:29. | :06:34. | ||
well. SPEAKING ITALIAN. No, SPEAKING ITALIAN. It means "don't | :06:34. | :06:40. | |
what you feel". Listen, I'm not deaf, I just don't understand. What | :06:40. | :06:47. | |
are you doing? I have no idea. SPEAKING ITALIAN. Do it again? | :06:47. | :06:51. | |
do it again. No, the other left foot, love. Wonder what that is in | :06:51. | :07:01. | |
:07:01. | :07:01. | ||
Italian. Looking left. COUNTING IN ITALIAN. For a girl from Croydon, | :07:01. | :07:04. | |
think she does a marvellous job. LAUGHTER. | :07:04. | :07:11. | |
It's so good. You get him, Nancy. What's the latest phrase that you've | :07:11. | :07:20. | |
learnt? SPEAKING ITALIAN. And the translation? Good bottom. Thank you. | :07:20. | :07:26. | |
We like it. How was that, was all right? Absolutely right. Am I | :07:26. | :07:29. | |
a good student? Absolutely fantastic, you are better than me. | :07:29. | :07:33. | |
Never. You are a fantastic student. With your rumba this | :07:33. | :07:42. | |
and Anton. The dance of love. Bella! At the weekend there was controversy | :07:42. | :07:46. | |
over the choreography, Goodman v Jordan ballroom brawl. | :07:46. | :07:50. | |
Luckily we have a lady who can explain what all the fuss was about. | :07:50. | :07:53. | |
Here is Karen Hardy Choreography Corner. | :07:53. | :08:03. | |
:08:03. | :08:07. | ||
Please welcome Karen Hardy! CHEERING Please welcome Karen Hardy! CHEERING | :08:07. | :08:11. | |
We've got to do some of this, that right? That's all you got to | :08:11. | :08:15. | |
do. Saturday, 11 different styles of dancing were performed. What did you | :08:15. | :08:18. | |
make of the overall standard of choreography? Were you happy? | :08:18. | :08:22. | |
I was happy in general. On its way up. We've got a great road ahead of | :08:22. | :08:26. | |
us. It will be very exciting. A couple of little knit | :08:26. | :08:31. | |
but in general, fabulous. Let's start with Jason who was finally | :08:31. | :08:34. | |
knocked off the top of the leaderboard. He described this paso | :08:34. | :08:41. | |
doble as a "difficult birth", quite a funny analogy. Take us through it. | :08:41. | :08:46. | |
This step, see he is on his toes there, it reminds me of when my | :08:46. | :08:49. | |
tiptoes across to my room in the middle of the night. Mum, I'm | :08:49. | :08:53. | |
here. But that's the one thing don't want to do in the middle | :08:53. | :08:57. | |
paso doble. Now, if he had taken heel leads, the one dance of the | :08:57. | :09:02. | |
Latin, the five Latin category that were allowed to do heel | :09:02. | :09:05. | |
paso doble, so things like would have made him look a lot | :09:05. | :09:09. | |
stronger. However, I think his dancing was incredible again. Alex | :09:09. | :09:13. | |
and James were doing the rumba. This caused a little row between James | :09:13. | :09:17. | |
and Len. Len felt there was too much movement down on the floor. Your | :09:17. | :09:21. | |
thoughts, Karen? Yeah, we know with Len, he is very clear | :09:22. | :09:25. | |
about what he likes and he doesn't like. He likes dancing. What I | :09:25. | :09:30. | |
picked up on this, and we are going to freeze frame right here, OK, now, | :09:30. | :09:35. | |
I began to hear these messages of: Alex doesn't know how to be sexy, | :09:35. | :09:39. | |
doesn't know how to feel womanly. This is very, very simple and I | :09:39. | :09:45. | |
give you a quick lesson. A lesson on how to be womanly. Help. Yes. Very | :09:45. | :09:50. | |
quick, we have angles, as a woman. We have elbows, our wrists, our | :09:50. | :09:55. | |
hips, our bust, our knees. So if took that line and I stood up and | :09:55. | :09:59. | |
stood like that, bit of a bloke. Not so interesting, yeah. | :09:59. | :10:09. | |
soon as we put it at an angle, you see? WOLF WHISTLES. Now look, we | :10:09. | :10:13. | |
have angles, hips, knees, angles, this immediately turns you into a | :10:13. | :10:16. | |
great woman on the dance floor. That's all she had to do. Other than | :10:16. | :10:19. | |
that, fabulous number. Chelsee and Pasha, highest score of the night. | :10:19. | :10:23. | |
Fantastic. What made this performance first class? So much. | :10:23. | :10:27. | |
First of all, look at this choreography. | :10:27. | :10:31. | |
Kicks and flicks, and not just that, Kicks and flicks, and not just that, | :10:31. | :10:34. | |
let's throw in some barrel rolls. Nothing like a bit of a barrel roll. | :10:34. | :10:38. | |
We take a simple pivot everybody learns early days which is | :10:38. | :10:42. | |
when the two bodies move together but know, they turn it into | :10:42. | :10:45. | |
roll which means they now incline the body over and around each | :10:45. | :10:49. | |
at the same time as turning. What was fabulous about it, perfect | :10:49. | :10:53. | |
contact throughout. All that choreography. However, when it | :10:53. | :10:57. | |
to the simple steps a little later we saw a bit of gaping. She would | :10:57. | :11:01. | |
have got tens if it was any other dance, we just know in quickstep | :11:01. | :11:07. | |
everybody makes little tiny errors. Why did the samba suit Lulu so | :11:07. | :11:10. | |
She looked like she was loving this dance. It's really simple. She is | :11:11. | :11:15. | |
having a party out there, that real carnival party. Now, let's remember | :11:15. | :11:20. | |
back a few weeks before, was having a party in cha cha, she | :11:20. | :11:26. | |
was - She was the only one there. Disaster. She didn't remember the | :11:26. | :11:29. | |
steps. What I love here, she is having a party, | :11:29. | :11:34. | |
steps. A little repetitive, but who cares? If she is nailing the | :11:34. | :11:37. | |
she is having a good time. The only thing is, didn't need the | :11:37. | :11:41. | |
bit. Yes, what's with everybody and the stairs this week? I think we | :11:41. | :11:45. | |
should have them cordoned off next week. Police stop tape, no go up the | :11:45. | :11:49. | |
stairs. We will put that there ourselves. Leave the stairs alone. | :11:49. | :11:52. | |
I've got some at home. Audley was doing the foxtrot on Saturday, | :11:52. | :12:00. | |
it's one of the toughest ballroom dances for the men. How did Natalie | :12:00. | :12:04. | |
choreograph to help him? We have slip pivot not once, but twice, we | :12:04. | :12:08. | |
have a contra check and we are coming out of the action | :12:08. | :12:12. | |
I have been very critical that does lots of repetition of steps or | :12:12. | :12:16. | |
he stands there and does nothing. What Natalie is beginning to do now | :12:16. | :12:20. | |
is to build up the content of the choreography, slip pivots, we have | :12:20. | :12:26. | |
to slip the foot backwards, very difficult with men - especially with | :12:26. | :12:30. | |
size 18 foot - and he mastered those steps very, very well. It's | :12:30. | :12:34. | |
nice to see greater choreography starting to come out of his work. | :12:34. | :12:38. | |
Look, getting better and better. Now, hare, first ten of the series | :12:38. | :12:42. | |
Harry. Look at your body language. You clearly loved it. But Len said | :12:42. | :12:47. | |
he didn't like the whispering on the stairs. Craig loved it, he didn't | :12:47. | :12:51. | |
mind. Were you a fan? What did you think? This is incredible. You can | :12:51. | :12:55. | |
replay this and replay it. The rise and fall alone, we always teach our | :12:55. | :12:59. | |
celebrities rise and fall. only had that, he had the | :12:59. | :13:02. | |
swing and sway. You don't have time to teach that normally, so that | :13:02. | :13:09. | |
shows you how natural a dancer is. Now what's very important - | :13:09. | :13:16. | |
Tell me something important. Aliona didn't know how good he was because | :13:16. | :13:20. | |
the rule now we have, the celebrities and professionals are | :13:20. | :13:24. | |
allowed to separate for ten They are the rules. Right. If I'm | :13:24. | :13:27. | |
going to separate away from like Harry, I'm not going to | :13:27. | :13:33. | |
and have a kiss and couple on the steps and stop dancing. If it's | :13:33. | :13:36. | |
Harry you might want to though. No, no, show his assets, his great | :13:36. | :13:42. | |
dancing. Let's talk about Russell and his tango. Craig said shoulder | :13:42. | :13:46. | |
shrugs didn't really belong in the tango. Was this tango tailor to | :13:47. | :13:53. | |
style? Here they are. Very typical in these early stages of learning to | :13:53. | :13:57. | |
dance. Basically, the importance if I touch your hand in any way, | :13:57. | :13:59. | |
because I'm touching that, I will want to move that first. | :13:59. | :14:06. | |
have to learn in ballroom dancing is that the legs and the body work; not | :14:06. | :14:11. | |
the arms. So if I did this, this the arms working, or I stop this but | :14:11. | :14:15. | |
I move the body. Can you see the difference there? I like it, OK. | :14:15. | :14:18. | |
It's very natural what he is doing, we always move the arms first as | :14:18. | :14:23. | |
are learning to dance, one of those moments, so all very natural. Let's | :14:23. | :14:29. | |
not worry about it. Gaping not worry about it. Holly and Artem | :14:29. | :14:35. | |
and their Viennese waltz. It was said she could be great. Did the | :14:35. | :14:39. | |
choreography show off potential? This is sort of a | :14:39. | :14:42. | |
fleckerl. Now, that's one of the hardest steps to do | :14:42. | :14:48. | |
Viennese waltz. I will show you quickly why. Show us. What it does, | :14:48. | :14:53. | |
look, two steps forward, and we go hin. Two steps forward. Now, what | :14:53. | :15:00. | |
did we see? Tiptoes. Tiptoes, tiptoes. She is spinning around. | :15:00. | :15:05. | |
What I love is that they actually attempted it. They went to do a | :15:05. | :15:07. | |
fleckerl. Holly is beautiful, graceful and look how stunning | :15:07. | :15:11. | |
looked here, I thought she looked amazing but let's try and up | :15:11. | :15:15. | |
thattography a little more because I think - up that choreography a | :15:15. | :15:19. | |
little more because I think she could be even better. I think | :15:19. | :15:24. | |
what is coming from the judges. she could do it really well. Now, | :15:24. | :15:29. | |
Robbie, Mr Love Man, not perhaps the most perfect performance of | :15:29. | :15:32. | |
night technically but why was jive such a hit with everybody? | :15:32. | :15:36. | |
This is one of the best songs in dance business. He wouldn't have | :15:36. | :15:39. | |
only got the women's votes have got the men going: how did | :15:39. | :15:46. | |
do that? He is even singing the words because he knows that he is | :15:46. | :15:49. | |
out there. Technically not the greatest. What he was very clever | :15:49. | :15:56. | |
with was kicks and flicks. Lovely, light and fresh. But what a way to | :15:57. | :16:01. | |
score the votes from the men and women, the Love Man. Love it. | :16:01. | :16:05. | |
certainly is. It's Hallowe'en special this weekend. What is your | :16:05. | :16:13. | |
word to all celebrities and dancers this weekend? Don't fall into all | :16:13. | :16:15. | |
the costumes of Hallowe'en, deliver the content of dance. You have | :16:15. | :16:20. | |
spoken. It is now word. We love Karen Hardy! CHEERING. | :16:20. | :16:27. | |
See you next week. Last week we had See you next week. Last week we had | :16:27. | :16:28. | |
See you next week. Last week we had the pleasure of having Ann | :16:28. | :16:28. | |
the pleasure of having Ann the pleasure of having Ann | :16:28. | :16:30. | |
See you next Widdecombe on the show but that was | :16:30. | :16:34. | |
only the beginning. She has been back to the benches to get | :16:34. | :16:38. | |
heart of what the nation wants to know. It's Widdy's | :16:38. | :16:48. | |
:16:48. | :16:48. | ||
Order! Answer the question. Today's Order! Answer the question. Today's | :16:49. | :16:54. | |
question is from Sarah and she asks: what is your karaoke track? The | :16:54. | :16:58. | |
good thing is that I don't do it. I did it once, got myself | :16:58. | :17:04. | |
and that was it. OK. Anything from Elton. I am a big fan. Really? | :17:04. | :17:10. | |
Like a candle in the wind. No, no, you don't need to sing. | :17:10. | :17:18. | |
make it stop. # When the moon your eyes like a big pizza | :17:18. | :17:28. | |
# don't give up the day job. Make it stop! Who is bad? Yes, I can see | :17:28. | :17:35. | |
why you were embarrassed. # Candle burned out long before # This | :17:35. | :17:39. | |
Strictly, not The X Factor. Get him off. | :17:39. | :17:41. | |
Wise words from our Widdy there. For Wise words from our Widdy there. For | :17:41. | :17:45. | |
more information about how to get in touch with Ann, please visit the | :17:45. | :17:50. | |
Strictly website. At the weekend, my next couple got under the judges' | :17:50. | :17:54. | |
skin and received their score so far. Here is a reminder of | :17:54. | :17:57. | |
how Anita and Robin lifted themselves up the leaderboard | :17:57. | :18:05. | |
Is it Anita or Rita Hayward? You Is it Anita or Rita Hayward? You | :18:05. | :18:09. | |
have never been lovelier. The lifts were so daring and you should | :18:09. | :18:12. | |
really proud of yourself. A great job. It had ease, elegance and | :18:12. | :18:17. | |
sophistication and I thought it was fabulous. Sophisticated, classy, | :18:17. | :18:26. | |
and you are a consummate pro who always delivers. 8. Yes! It was | :18:26. | :18:33. | |
fantastic. Hollywood glamour at its best. When Craig gave us a 8 I | :18:33. | :18:37. | |
thought that's as good as it gets. The hardest, meanest judge to give | :18:37. | :18:44. | |
you a fantastic score like that, well deserved. I'm really happy. | :18:44. | :18:48. | |
Please welcome smooth movers Anita Please welcome smooth movers Anita | :18:48. | :18:49. | |
and Robin! and Robin! | :18:49. | :18:51. | |
Please welcome smooth Well done on Saturday, both of you. | :18:51. | :18:55. | |
Thank you. As the judges said, you are a consummate professional, | :18:55. | :18:59. | |
always deliver, and you probably gobsmacked, weren't you, by | :18:59. | :19:02. | |
what the judges said? was hoping that they would say I was | :19:03. | :19:06. | |
improving and we would get better marks but I was just knocked out, | :19:06. | :19:12. | |
was fantastic. I know and you deserved it. Well done. 1940s film | :19:12. | :19:16. | |
star Rita, said Bruno and he was absolutely right. Does it | :19:16. | :19:21. | |
to have a set and a story to get into? Yes, of course it does. | :19:21. | :19:26. | |
love this kind of era, the 1940s, movies, glamour, all of that, I love | :19:26. | :19:29. | |
it, but really for me the important thing is getting the steps | :19:29. | :19:33. | |
right, hitting the marks, you know, and not getting carried away by | :19:33. | :19:35. | |
and not getting carried away by performing. Because I love it so | :19:35. | :19:38. | |
much, my natural instinct is to perform, and that's when the feet go | :19:38. | :19:43. | |
to pieces. I know, you've got to keep them all connected. There is | :19:43. | :19:50. | |
much to remember. There is here about waist level. I know! You | :19:50. | :19:54. | |
looked devastated when Tess said could you imagine not dancing with | :19:54. | :19:58. | |
Robin. You looked really, really shocked. A little birdie told me at | :19:58. | :20:02. | |
that point you thought there was some kind of reality twist and she | :20:02. | :20:06. | |
was going to be sending you home and you were really gobsmacked. I | :20:06. | :20:11. | |
I did, I thought is this the moment? Off! Can you imagine? We wouldn't | :20:11. | :20:16. | |
be that cruel. But how would you feel if it was your | :20:16. | :20:22. | |
you think? Always at the back of your brain is the demon saying: next | :20:23. | :20:26. | |
week, it could be you. way I suppose you have to try and | :20:26. | :20:29. | |
prepare but I'm having such wonderful time, I just don't | :20:29. | :20:33. | |
to end. It's the best party ever. Bless you. You have so much energy, | :20:33. | :20:37. | |
everybody has been commenting online. You are in your 60s and you | :20:37. | :20:41. | |
have so much energy, to the point where Robin has trouble keeping | :20:41. | :20:46. | |
with you. LAUGHTER. Have a this. Anita is running circles | :20:46. | :20:51. | |
around me. Let's do it again. One more. Again, yes? Is somebody a | :20:51. | :20:54. | |
little out of breath back there? am exhausted. I'm knackered, | :20:54. | :20:59. | |
know how you keep going. She is hardly breaking a sweat. You are a | :20:59. | :21:04. | |
machine! There's me dripping over. You are so wet. Oh my God. | :21:05. | :21:11. | |
Sorry, I'm gross. I'm like a - yes, swimming pool. You are dripping! | :21:11. | :21:16. | |
You are dripping brown. If I much more I'm going to give myself | :21:16. | :21:22. | |
an electric shock. Grab my arm, now, as soon as you start to go - my arm | :21:22. | :21:27. | |
pit must smell gorgeous. I should bottle it and sell it. Sorry, I'm | :21:27. | :21:37. | |
:21:37. | :21:39. | ||
oh dear, Robin, we've got you a gift oh dear, Robin, we've got you a gift | :21:39. | :21:43. | |
that we thought might help with the sweat issue, look, you've got your | :21:43. | :21:49. | |
own head band. Diamante, darling, of course. LAUGHTER. Sweat bands. | :21:49. | :21:53. | |
Bless you. Oh, it's beautiful. at that. We want to see you wearing | :21:53. | :21:58. | |
that in the training room. It's camp at all, is it? On this show, | :21:58. | :22:02. | |
never! This week you are doing the tango. We are. And you are dancing | :22:02. | :22:07. | |
to Sir Cliff's Devil Woman. What great record. Do you know Sir Cliff? | :22:07. | :22:13. | |
I have met Sir Cliff, yes. I he is great. I am a huge fan. You | :22:13. | :22:17. | |
can't take him seriously now, can you, in that. We want to | :22:17. | :22:22. | |
the training room. Promise. the tango going? Scary to start | :22:22. | :22:27. | |
with but I am really falling in love with it now so fingers crossed I can | :22:28. | :22:35. | |
deliver, again. Take it off. A Hallowe'en special, any surprises | :22:35. | :22:39. | |
for us? You know what, Devil Woman is kind of all in the title, but we | :22:39. | :22:43. | |
are not going to do much faffing around at the beginning, | :22:43. | :22:46. | |
into the dance, show them a good tango and finish with a nice end to | :22:46. | :22:51. | |
the story. Lots of content, Karen said. You are paying | :22:51. | :22:55. | |
attention. Adorable as ever, and Robin! | :22:55. | :23:00. | |
It wasn't just the dancing that got tongues wagging on Saturday. There | :23:00. | :23:08. | |
was also the fabulous fashion. It's time to talk Top of the Frocks. | :23:08. | :23:18. | |
Here to give their expert opinion on Here to give their expert opinion on | :23:18. | :23:18. | |
Here to give their expert opinion on this week's outfits are fashion | :23:18. | :23:21. | |
this week's outfits are fashion this week's outfits are fashion | :23:21. | :23:24. | |
lecturer Oonagh O'Hagan and uber lecturer Oonagh O'Hagan and uber | :23:24. | :23:24. | |
designer Julien Macdonald OBE! designer Julien Macdonald OBE! | :23:24. | :23:27. | |
APPLAUSE. APPLAUSE. | :23:27. | :23:28. | |
Here to give I feel like I should curtsey in your | :23:28. | :23:33. | |
company. Welcome, both of you, lovely to have you here. Julien, | :23:33. | :23:37. | |
have designed for the likes of Beyonce, Kylie Minogue and Cheryl | :23:38. | :23:43. | |
Cole. Who, what was your favourite outfit of the show? My favourite | :23:43. | :23:48. | |
was the fabulous, unique, Lulu. I love the way you say fabulous. | :23:48. | :23:53. | |
want that on tape. Let's have at Lulu's dress. Why was this | :23:53. | :23:57. | |
perfect for you? What did about it? I thought it was so | :23:57. | :24:01. | |
modern, so unexpected. It was almost like a sweater thrown off the | :24:01. | :24:08. | |
shoulder, turned into a very tiny little lady in red dress. | :24:08. | :24:13. | |
I think there would be so many women watching the programme, thinking: I | :24:13. | :24:18. | |
love Lulu and I love that dress. Absolutely, I want that dress. I | :24:18. | :24:23. | |
want to borrow it. It didn't have as much sparkle as some of the other | :24:23. | :24:26. | |
dresses of the night. Talk us through the detail. The first thing | :24:26. | :24:32. | |
I thought was very Flash Dance. the shoulder. Back to the 80s, yes. | :24:32. | :24:36. | |
The bat wing. Of course. are right, it didn't have as | :24:36. | :24:42. | |
jewels on it, it had these swags and tails and was made with sandwiched | :24:42. | :24:47. | |
together crystals around it, very small amount of crystals on it. In | :24:47. | :24:50. | |
the skirt you didn't have any more crystals, you had it in the vest | :24:50. | :24:59. | |
top, so it was quite casual, felt quite young. You can see in the | :24:59. | :25:09. | |
:25:09. | :25:09. | ||
skirt lots of go-days. Eight. That gave it its flare. She loved it. | :25:09. | :25:15. | |
She was almost doing the can-can. It really does help though, you can | :25:15. | :25:18. | |
tell when the lady loves her dress she dances even better. She | :25:18. | :25:24. | |
reminded me of a modern-day Tina Turner, that shaggy hair, the sexy | :25:24. | :25:30. | |
dress, the rocking and rolling. And great pins as well. Lulu gets | :25:30. | :25:34. | |
gold star. Let's talk about waltz dress. Quite revealing on the | :25:34. | :25:37. | |
top but typically ballroom on the bottom. Did you like this | :25:37. | :25:43. | |
combination? I did. This was very unexpected. It was almost a tale of | :25:43. | :25:48. | |
two cities, a tale of two dresses. The top part was very coutured, very | :25:48. | :25:55. | |
worked, very much a kind of Art Deco inspired geometric lines, and | :25:55. | :26:01. | |
the skirt, a very classical favourite, swaying, lots of metres, | :26:01. | :26:03. | |
colourage, it was just that you might find over the | :26:03. | :26:08. | |
rainbow. Yes, very much so. I'm falling in love with the way you are | :26:08. | :26:13. | |
talking about this dress. It's incredible. Give us some details. | :26:13. | :26:17. | |
Yes, if we start with the bodice part, as Julien was saying it was | :26:17. | :26:22. | |
very Art Deco because you had these geometric shakes with all the | :26:22. | :26:27. | |
crystals - 9,000 crystals. Wow. Which took over 8 hours to do | :26:27. | :26:31. | |
that, so it's an of work. That is incredible. | :26:31. | :26:37. | |
cubs at that position of the two - this juxtaposition of the two | :26:37. | :26:42. | |
colours on the colour wheel made it very contemporary and it | :26:42. | :26:46. | |
Holly as well. When she did turn round, I thought she was going to | :26:47. | :26:52. | |
take off, because it's so big. Wouldn't that be great! Maybe they | :26:52. | :27:00. | |
can work on that for Wembley. Talking of taking off, our Strictly | :27:00. | :27:03. | |
hostess, Chelsee and Pasha did incredible routine on Saturday. | :27:03. | :27:08. | |
Let's look at Chelsea's dress. It's in the studio here. Look at that. | :27:08. | :27:15. | |
Now, the interesting fact about this, it was slightly inspired by | :27:15. | :27:20. | |
Britney Spears in her toxic video, Julien, and you styled her. I know, | :27:20. | :27:26. | |
this is like deja vu for me. I actually did that video so when I | :27:26. | :27:31. | |
watched it on Saturday my eyes almost fell out. I've seen this | :27:31. | :27:36. | |
before? Is she going to start singing Toxic? I thought she looked | :27:36. | :27:39. | |
amazing, this fabulous kingfisher blue, and let me tell you blue | :27:39. | :27:46. | |
one of the hottest colours for next summer. You heard it here! Ladies - | :27:46. | :27:50. | |
and gentlemen, of course. On fashion, and basically she just | :27:50. | :27:54. | |
looked young, sexy, modern, and it's a type of dress where I think | :27:54. | :27:57. | |
were watching the programme and a young girl you would say do you | :27:57. | :28:02. | |
know what, I really want to that dress, where can I buy it? I am | :28:02. | :28:07. | |
sure the high street as we will be copying that dress. | :28:07. | :28:11. | |
Stitching. Come on, get if out there. They will be banging on the | :28:11. | :28:16. | |
windows. And the little hat as well, let's not forget. Which we have | :28:16. | :28:21. | |
here! Very cool. Where do you a hat like that? I will look like | :28:21. | :28:26. | |
something from the Village People. You said it, not us. There it is. | :28:26. | :28:33. | |
It's so tiny. It is so small. Burlesque. It's the new fascinator. | :28:33. | :28:36. | |
That's a very flash word. Are you looking forward to the Hallowe'en | :28:36. | :28:41. | |
special? I am. Got my Hallowe'en nails on. Thank you so much, | :28:42. | :28:51. |