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It's Wednesday. Coming up on tonight's show, Jason and Kristina | :00:08. | :00:11. | |
lost pole position on the leaderboard this weekend. They're | :00:11. | :00:15. | |
here live. I'm chatting to Audley and Natalie about how they got to | :00:15. | :00:19. | |
grips with the foxtrot. It wouldn't be Wednesday without him. Ian Waite | :00:19. | :00:29. | |
:00:29. | :01:00. | ||
is here to give us the latest news Live from Television Centre, this | :01:00. | :01:04. | |
is Strictly It Takes Two. Please welcome your host, Zoe Ball. | :01:04. | :01:11. | |
APPLAUSE Yes, hello, close the shutters and | :01:11. | :01:17. | |
bolt your doors. It's Strictly Hallowe'en week. Our couples will | :01:17. | :01:21. | |
be sending chills up your spine and taking a dance on the dark side | :01:21. | :01:26. | |
this weekend. On Sunday, one of them will go bump in the night and | :01:26. | :01:32. | |
disappear from the competition forever. SINISTER LAUGHTER | :01:32. | :01:37. | |
One pair sure to put us under their spell are Jason and Kristina. | :01:37. | :01:41. | |
They're near a second. But first, here's a recap of how they did at | :01:41. | :01:45. | |
the weekend. You got the performance, but you | :01:45. | :01:49. | |
lacked the technique. You looked great when you were standing still. | :01:49. | :01:54. | |
You lit up the room. You create the atmosphere. It was a great | :01:54. | :01:59. | |
performance, but not your best so far. You tried to make a big meal | :01:59. | :02:03. | |
out of this paso. You got indigestion. You need to keep your | :02:03. | :02:07. | |
shoulders down at all time. You need to follow through all the | :02:07. | :02:10. | |
lines that you create. It's a real shame actually, because the | :02:10. | :02:16. | |
intention, I know, was there. You go out and dot best you | :02:16. | :02:21. | |
possibly can. I don't think that was a bad job. All the comments | :02:21. | :02:25. | |
were pretty fair. If anything else, what this does is make me work | :02:25. | :02:31. | |
harder. Jason and Kristina! APPLAUSE | :02:31. | :02:40. | |
Hello. They're a lively bunch in the studio tonight. It's Hallowe'en. | :02:40. | :02:43. | |
That's why. Almost a full moon. It's scary. First week that you | :02:43. | :02:48. | |
weren't at the top. Were you surprised by the sudden downturn of | :02:48. | :02:54. | |
scores on Saturday? I think in a funny way it was a bit of a relief. | :02:54. | :02:59. | |
Because everyone talks about it and talk about, you know, well, where | :02:59. | :03:02. | |
are you going to be next week. There's probably only one place to | :03:02. | :03:06. | |
go, unless you maintain it. You can't maintain that the whole time. | :03:06. | :03:10. | |
I thought the whole landscape of the competition in terms of | :03:10. | :03:13. | |
everybody else, the celebrities, just went up a notch as well. But | :03:13. | :03:18. | |
vi to say, I was really happy with my performance Saturday. I also | :03:18. | :03:23. | |
felt it was a much better performance than the dress | :03:23. | :03:28. | |
rehearsal as well. Was there a lot of pressure this week, Kristina, | :03:28. | :03:33. | |
could you feel it? Definitely. We were at the top of the leaderboard | :03:33. | :03:37. | |
for three weeks. It prove that's Jason, even though he comes from a | :03:37. | :03:40. | |
musical theatre background, he has to work as hard as everybody else, | :03:40. | :03:45. | |
if not more. Paso was really hard. That's why I wanted the dance to | :03:45. | :03:53. | |
come early in the competition, get it out of the way. I imagine a | :03:53. | :03:59. | |
worse performance, but when I watch it at home, the knees at the | :03:59. | :04:03. | |
beginning was incredible. And even the professional boys hate doing | :04:03. | :04:08. | |
the knee walk because it hurts so badly. He was a trooper. He did it | :04:08. | :04:12. | |
amazingly all week long and on the night as well. You were very | :04:12. | :04:16. | |
pleased with him. I was proud. you should be. What was it like to | :04:16. | :04:21. | |
kick off the show, does that add to the pressure to go out first? | :04:21. | :04:25. | |
think it's tough going on at any point during the show. I do think | :04:25. | :04:30. | |
there is a level to be set and also, they say that the audience isn't | :04:30. | :04:36. | |
quite as warm... They're not warmed up. Yeah, but as far as performing | :04:36. | :04:39. | |
goes and having performed, it doesn't matter when you go on. I | :04:39. | :04:43. | |
get into a zone and a moment. Once you're out there, it takes over. | :04:43. | :04:47. | |
Something sort of takes over. exciting to open the show to be | :04:47. | :04:51. | |
honest. It works against us, because the judges were slightly | :04:51. | :04:55. | |
grumpy I think at the beginning of the show. They weren't yet warmed | :04:55. | :05:03. | |
up. They got better by the end of the show. More generous with marks. | :05:03. | :05:07. | |
I suppose they have to have somewhere to go as well. If you | :05:07. | :05:12. | |
give good marks in the first dance where can they go with it? Do you | :05:12. | :05:17. | |
think you're so good that the judges are extra critical of you? | :05:17. | :05:21. | |
Yes, I think so. But they have to be. That's part of the role that | :05:21. | :05:25. | |
they have to play. I respect what they have to say. I think the one | :05:25. | :05:31. | |
thing I took away from this weekend is you've got to provide | :05:31. | :05:34. | |
entertainment. Let's, you know we saw Rory go, who is a great friend | :05:34. | :05:39. | |
of mine. Were you gutted to see him go? Yeah I was. He was genuinely | :05:39. | :05:42. | |
upset. He puts a lot of effort and is passionate about dancing. That's | :05:42. | :05:46. | |
what this show is about. You have to remind yourself when you get | :05:46. | :05:51. | |
deluded by scores and routines and what Harry is doing or Chelsee's | :05:51. | :05:54. | |
doing, calm down. We're here to have a bit of fun and get into the | :05:54. | :05:59. | |
spirit of this experience. Speaking of having fun, Len seemed obsessed | :05:59. | :06:05. | |
with your firm buttocks on Saturday. I loved that. As we were all were | :06:05. | :06:09. | |
frankly. Very nice. We were trying to work out did he like a firm | :06:09. | :06:14. | |
buttocks or not sure? I don't know what he was talking about. Actually, | :06:14. | :06:18. | |
his position, which in paso doble the man is supposed to stand with | :06:18. | :06:22. | |
his hips slightly forward, arch in the back and all of that, it was a | :06:22. | :06:26. | |
beautiful position. It was really great. I think Len liked it. | :06:26. | :06:31. | |
think he wants to swipe his credit card in between my buttocks when he | :06:31. | :06:37. | |
goes to his local offlicense to get his milk and bread. Stop it. | :06:37. | :06:42. | |
only kidding. It's a bit of fun. Sarah online said, "The paso is a | :06:42. | :06:48. | |
difficult dance. I reckon Jason did a darn good job." There we go. | :06:48. | :06:52. | |
Thank you so hutch. Changing the subject. I think Len might have | :06:52. | :06:56. | |
been spending a lot of time in a plane with cabin pressure as well. | :06:56. | :07:00. | |
It has slightly gone to his head. He is working hard at the moment. | :07:00. | :07:05. | |
This week the quickstep, so far, it's been quite a successful dance | :07:05. | :07:09. | |
for our celebrities on the show this series. Is it going to be a | :07:09. | :07:12. | |
good one for Jason? You're smiling. I think so. It's a great story in a | :07:13. | :07:17. | |
dance, you know, afteriously with his acting background, it comes | :07:17. | :07:22. | |
really easily to him. Also, I think the whole ballroom frame and | :07:22. | :07:24. | |
everything helps to feel confident about the dance. I hope it's going | :07:24. | :07:29. | |
to be a good week. Nothing is easy in this competition, I'm so sorry. | :07:29. | :07:34. | |
I know, I've been there. Nothing is easy. This is the music you're | :07:34. | :07:37. | |
dancing to. # Bewitched, bewitched... # | :07:37. | :07:43. | |
When they said you were dancing to bewitched, we thought it was the | :07:43. | :07:48. | |
den im-clad bewitched. It will be slightly faster. A bit of a theme | :07:48. | :07:54. | |
this week, you like a theme as an actor. Does it work in your favour? | :07:54. | :07:59. | |
Definitely. Absolutely. I think to immerse yourself in a character is | :07:59. | :08:02. | |
what the judges are looking for and hopefully the audience are looking | :08:02. | :08:07. | |
for exactly the same thing. Kristina has done some great | :08:07. | :08:11. | |
choreography this week. She always does. The quickstep is about being | :08:11. | :08:15. | |
in sync, frame, foot work and hoping for the best. Speaking of | :08:15. | :08:20. | |
character, we think you may have been channelling somebody into your | :08:20. | :08:23. | |
performance. The legendary Michael Jackson himself. Check this out. | :08:23. | :08:33. | |
:08:33. | :08:39. | ||
I would like to see a bit more I keep doing a Michael Jackson | :08:39. | :08:44. | |
impersonation. Where is my Michael Jackson solo? If you have marked | :08:44. | :08:48. | |
your performance well, you can almost let it go and live inside | :08:48. | :08:53. | |
the character that you are. # You've been hit by a smooth | :08:53. | :08:57. | |
criminal... # You are Michael Jackson. That's | :08:57. | :09:01. | |
cool. We love it. Good luck with the rest of your training, Kristina | :09:01. | :09:02. | |
and Jason! APPLAUSE | :09:02. | :09:09. | |
It's time for another It Takes Two teaser. We've been finding out a | :09:09. | :09:13. | |
few interesting facts about some of our pro dancers. See if you can | :09:13. | :09:17. | |
guess who everybody is talking about. Can you guess the dancer | :09:17. | :09:26. | |
from these clues? He is talented. Tall. Handsome. And unfortunately | :09:26. | :09:32. | |
married. This person is outspoken, arrogant, talentless and is my | :09:32. | :09:37. | |
friend. This person is never happy. This dancer is definitely one of | :09:37. | :09:43. | |
the naughtiest on the show. This dancer has appeared in every series | :09:43. | :09:46. | |
of Strictly Come Dancing. Whoi, do you think it is? Find out later in | :09:46. | :09:52. | |
the show. And we'll reveal all at the end of the show. Now, as our | :09:52. | :09:55. | |
couples work hard for Hallowe'en week, who better to koost an all- | :09:55. | :10:00. | |
seeing eye over the training than our own wizard himself, Mr Ian | :10:00. | :10:08. | |
Waite. Please welcome Ian Waite! | :10:08. | :10:14. | |
APPLAUSE Hello Blondie. Nice to have you | :10:14. | :10:18. | |
back. Good evening gorgeous. sound so formal. What a weekend it | :10:19. | :10:23. | |
was, quite a change around. Jason knocked off the top spot. Harry got | :10:23. | :10:27. | |
a ten. Chelsee went flying up the leaderboard. We said goodbye to | :10:27. | :10:31. | |
Rory. You just can't call it, can you? You can't. Who would have | :10:31. | :10:35. | |
thought we would have had Jason's name engraved on the trophy already, | :10:35. | :10:40. | |
wouldn't we? He's been doing so well. Probably not necessarily a | :10:40. | :10:43. | |
bad thing, because he has something to work towards. He was still | :10:43. | :10:48. | |
amazing on Saturday. Fplgts yes. Who are we starting with? Holly and | :10:48. | :10:54. | |
Artem first. What are te doing? They are doing the American smooth. | :10:54. | :10:59. | |
It's looking very smooth throughout. Holly's really impressed me with | :10:59. | :11:02. | |
this. She's improved on all the things that I was talking about | :11:02. | :11:06. | |
last week. I'm going to draw this in here. She has a banana shape | :11:06. | :11:12. | |
with her body. That's a lovely shape. So that mean noes gapping. | :11:12. | :11:16. | |
She has the contact throughout. Her lovely leg up there. Her head | :11:17. | :11:21. | |
position is right. The only but for me is that sometimes she's looking | :11:21. | :11:25. | |
down. This is in rehearsals and I'm sure she will eradicate that by | :11:25. | :11:31. | |
Saturday. Looking extremely good. So far then Holly big tick. We like. | :11:31. | :11:34. | |
Let's look at Lulu and Brendan. Brilliant samba on Saturday. This | :11:34. | :11:40. | |
week it's the paso doble. How is she looking? This is early days, | :11:40. | :11:46. | |
for me, sometimes Lulu looks a bit lost. She needs to look a bit more | :11:46. | :11:49. | |
direct and a bit more secure in where she's going and what she's | :11:49. | :11:55. | |
doing. My main critique of Lulu this week is arms. What's wrong | :11:55. | :12:00. | |
with the arms? I'd love her to start getting some sort of shaping | :12:00. | :12:05. | |
in the arms. They're dancing paso doble. It's all about the bull | :12:05. | :12:09. | |
fighter and the flamenco dancing. That's what I want to see in her | :12:09. | :12:14. | |
arms. Lots of shaping and curves. There you go Lulu. Do you it so | :12:14. | :12:22. | |
well. Anita and -- Robin. They are doing a tango. How are they | :12:22. | :12:27. | |
looking? Very well. I'd love to see, she's looking very straight up. | :12:27. | :12:34. | |
good? It's creating, if you can see the light between the two of them. | :12:34. | :12:41. | |
Gapping. There's a big gap here, yes. There's a big gap there and | :12:41. | :12:46. | |
I'd like to see a bend in the knees because I think that would get her | :12:46. | :12:50. | |
hips underneath. Because it is tango. It is in many directions, we | :12:50. | :12:55. | |
keep the knees low and keep it compact. That would make her dance | :12:55. | :13:01. | |
her body up to Robin a bit more. love how I start doing it. | :13:01. | :13:06. | |
hoping everybody at home is doing it. And we're happy that Robin is | :13:07. | :13:10. | |
wearing his sweat band that we gave him last night. It looks so cute on | :13:10. | :13:15. | |
him. Robbie and Ola are doing the paso doble. Having seen them do so | :13:15. | :13:20. | |
well at tango, I think he will make a good matador, yes? It's good for | :13:20. | :13:24. | |
him because his character, his character, Robbie is all about, I | :13:24. | :13:29. | |
mean he's a masculine and he's dramatic. I think he's got that | :13:29. | :13:33. | |
sort of strong character that the paso doble needs. What I'm stopping | :13:33. | :13:39. | |
it here for is, I'm going to do that, oh, no that's not right. | :13:39. | :13:45. | |
Can't operate his machinery. going to do that. There you go. His | :13:45. | :13:50. | |
bottom. In paso doble, a bit like with Anita, I've got a problem with | :13:50. | :13:55. | |
his dropped bottom. If he was to... Everybody has a problem. I've got a | :13:56. | :14:01. | |
problem with my dropped bottom. Sorry. He needs to open his hips, | :14:01. | :14:07. | |
clench his buttocks and then he'll be like what Len said to Jason last | :14:07. | :14:12. | |
week. Firm buttocks. Hips underneath and then he can apel and | :14:12. | :14:17. | |
walk off doing heel leads. Can you do that again. Apel and walk off. | :14:17. | :14:25. | |
love it when you do that. Looking very fiery in my waist coat and red | :14:25. | :14:30. | |
shirt. Let's look at Nanton as I like to call them. This is the | :14:30. | :14:33. | |
rumba. Nancy tells me she's an expert at making love. She should | :14:33. | :14:40. | |
be good at this. I'm excited about that. But I would like to say, for | :14:40. | :14:44. | |
me, one minute she looks stiff and the next she looks floppy. I'd like | :14:44. | :14:49. | |
to see more consistency in her body action and body movements. Here, we | :14:49. | :14:57. | |
can see it's an opening out. I'd like her to use these hips and | :14:57. | :15:00. | |
bring them out like Anton is doing at the moment. I will do a | :15:00. | :15:10. | |
:15:10. | :15:14. | ||
demonstration with you. This is opening out. Was that St? Thank you | :15:14. | :15:19. | |
for that almost round of applause. I'd like to see it more three | :15:19. | :15:23. | |
dimensional with Nancy. We need to see that third dimension. They gave | :15:23. | :15:28. | |
Alex a hard time for lack of hip action. Nancy needs a bit more. | :15:28. | :15:31. | |
Russell and Flavia are doing the samba. Now, he's a bit of a party | :15:31. | :15:36. | |
boy. He brings the party. This should be a good dance for him. | :15:36. | :15:40. | |
This is perfect for Russell. It's carnival, Brazil, flamboyant. | :15:40. | :15:45. | |
Typical him. I've slowed it down. I would like Russell, he's doing heel | :15:45. | :15:49. | |
leads here N samba we don't do heel leads. Is that a hangover from the | :15:49. | :15:53. | |
tango from the weekend snfrplgts maybe. Last week he spent the week | :15:53. | :15:57. | |
doing tango. Everything going forward is a heel lead. Here we | :15:57. | :16:01. | |
pitch our weight forward and dance with the toe first. If I dance with | :16:01. | :16:08. | |
my weight back then I do a heel. So get your weight forward and you'll | :16:08. | :16:13. | |
be doing lovely dainty toes everywhere. Flavia, loving the | :16:13. | :16:17. | |
pants there. Alex and James had the rumba last week. This week it's the | :16:17. | :16:22. | |
paso doble. How is our lass looking? I feel that Alex is | :16:22. | :16:27. | |
struggling this week because I think the James is making | :16:27. | :16:30. | |
choreography a bit more difficult. It's paso doble week. The | :16:30. | :16:36. | |
choreography is more intricate. The steps are more difficult. She is | :16:36. | :16:39. | |
struggling slightly. She's clinging to James there at the moment, as | :16:40. | :16:44. | |
she's running around him. I think by the end of the week, she will sl | :16:44. | :16:48. | |
got to speed. He's strong as well. That's true. At the moment she | :16:48. | :16:52. | |
probably, her feet are not in the right place as her body. Hopefully | :16:52. | :16:57. | |
by the end of the week, she'll be up to speed. She will be. Harry and | :16:57. | :17:01. | |
Aliona got a ten for the waltz last week. Tango this week. Can Harry | :17:01. | :17:04. | |
get another high score? It's looking very slick this week. | :17:04. | :17:09. | |
They've done lots of rehearsals already. I think most on the | :17:09. | :17:15. | |
leaderboard. Look at that face. What can I say? Like he's being | :17:15. | :17:23. | |
attacked by a deplted squirrel. Oh, look! He is the devil. I'm loving | :17:23. | :17:27. | |
the expression. I'm saying they're dancing much slicker at the moment. | :17:27. | :17:30. | |
It's the extra practice they're putting in. They want to continue | :17:30. | :17:34. | |
from the success of last weekend and I do think they're going to do | :17:34. | :17:38. | |
it. I'm loving his expression. He's got the right feeling and | :17:38. | :17:41. | |
expression, as you can see, explosive face in there. We are | :17:41. | :17:46. | |
excited by Harry. Chelsee and Pasha are doing the tango. She had a | :17:46. | :17:51. | |
great show on Saturday. How's it looking this week? Like Holly, I | :17:51. | :17:56. | |
think she's confident because of their result last week. Her top | :17:56. | :18:01. | |
line is much better. Her hold has improved immensely from last week. | :18:01. | :18:05. | |
What I'd like to see, I'm going draw an arrow there. I'm going to | :18:05. | :18:09. | |
draw a little circle round there, oh, no, no, no. That's not a circle. | :18:09. | :18:15. | |
You need to practice with it, love. Circle there. I feel that she needs | :18:15. | :18:18. | |
to be dancing up to him. The problem is dancing without any | :18:18. | :18:22. | |
shoes on. She needs to get her shoes on and practice with those. | :18:22. | :18:32. | |
Then she'll pb a bit taller and it will look better. No shoes, bad. | :18:32. | :18:36. | |
never let you practice without shoes did I? No, and look what | :18:36. | :18:40. | |
happened - we didn't win. Who is going to give us thrills this | :18:40. | :18:45. | |
weekend? I think it's the Hs, Holly and Harry this week. They're going | :18:45. | :18:52. | |
to bring the thrills. And the chills and spills, Nancy, but I | :18:52. | :18:57. | |
think you know, I'm always excited to see what she produces. | :18:57. | :19:00. | |
always pulls something incredible out of the bag. Lovely to see you | :19:00. | :19:04. | |
gorgeous. Come back next week, Ian Waite! | :19:04. | :19:09. | |
APPLAUSE So handsome. As ever, you have been | :19:09. | :19:12. | |
keeping your Finger On The Pulse of all things strictly and let us us | :19:12. | :19:21. | |
know what you think. Hi, my name is Ellen, I'm from North Wales. I | :19:21. | :19:27. | |
don't know if you notice, during the show, while Tess was speaking, | :19:27. | :19:32. | |
in the background, James Jordan was messing up Robbie Savage's hair. It | :19:32. | :19:38. | |
was funny. Thank you. Hello, I'm Charlotte. I'm from Yorkshire. I'm | :19:38. | :19:43. | |
six. I really want to say that the Argentine tango with Flavia and | :19:43. | :19:53. | |
Vincent was great. Thank you, bye! Hi, it's Mark, aged four. When | :19:53. | :19:57. | |
Robbie laid down, I thought it was very good and when Ola wiggled her | :19:57. | :20:04. | |
hips, I thought that was brilliant. Hi it's Terry from Plymouth here, | :20:04. | :20:09. | |
just a quick note, was Zoe Ball born with trousers on? Thank you | :20:09. | :20:15. | |
very much. Bless you Terry from Plymouth. I | :20:15. | :20:18. | |
know I always wear trousers. Especially for you, I'm wearing a | :20:18. | :20:24. | |
skirt. It may not happen again. Thank sow much to Charlotte and | :20:24. | :20:28. | |
Mark and Ellen for your lovely messages. You're gorgeous and so | :20:28. | :20:31. | |
polite. Our lines are open for you to call us and tell us your | :20:31. | :20:41. | |
:20:41. | :20:45. | ||
Now on Saturday night, Audley proved yet again that he could | :20:45. | :20:49. | |
master the ballroom dances. Even Len gave him a standing ovation | :20:49. | :20:53. | |
while sitting down. Audley and Natalie join me in a second, but | :20:53. | :21:00. | |
first, here's a reminder of the action at the weekend. | :21:00. | :21:04. | |
I'm seeing some improvement, particularly in your frame. That's | :21:04. | :21:09. | |
good. You've done a foxtrot which is probably the hardest technically | :21:09. | :21:15. | |
to do. I'm sitting here giving you a standing ovation, well done. | :21:15. | :21:19. | |
could see it, "I'm going to get through this." You lost it a couple | :21:19. | :21:23. | |
of times. I want you to relax a bit. The more relaxed you are, it | :21:24. | :21:26. | |
becomes more enjoyable to watch. You did a good job. You should be | :21:26. | :21:33. | |
proud. These dances are so tough for me. There's no hiding. We | :21:33. | :21:37. | |
delivered, when it mattered. That's the best we've danced that dance. I | :21:37. | :21:43. | |
can't ask for no more than that. I'm happy. Definitely. Welcome | :21:43. | :21:48. | |
Audley and Natalie! APPLAUSE | :21:48. | :21:53. | |
Audley, you've got a seated standing ovation from Len. That is | :21:53. | :21:59. | |
praise indeed. Well done you. you, thank you. Were you pleased | :21:59. | :22:04. | |
with that? Definitely, the judges' comments were uplifting. To get a | :22:04. | :22:08. | |
standing sitting down ovation from Len, lazy thing. Get up. If you | :22:08. | :22:12. | |
want to give me a standing ovation, stand up. I was happy. Were you | :22:12. | :22:15. | |
pleased with the overall performance that you gave on | :22:15. | :22:20. | |
Saturday night? How was it? I was definitely pleased. The rehearsal | :22:20. | :22:25. | |
beforehand, I didn't nail the dance, messed it up a few times. Every | :22:25. | :22:29. | |
Saturday night, I put my best dance in. We danced the dance the best we | :22:29. | :22:34. | |
have danced it. Can't complain. I thought, if I go out, I've danced | :22:34. | :22:39. | |
it the best I could. It's hard to learn that dance in a week. | :22:39. | :22:43. | |
Everybody has said how notoriously difficult the foxtrot is to learn | :22:43. | :22:47. | |
for the male celebrities. Were you pleased with him? I was extremely | :22:47. | :22:53. | |
pleased. Like Audley said, it was our best dance that we'd done. It's | :22:53. | :22:56. | |
very exposing that dance. If you do the wrong rise and fall it looks | :22:56. | :23:02. | |
very out of sync. We were definitely in syny Saturday night. | :23:02. | :23:06. | |
You were. Were you relieved to get it out of the way. It's nice to get | :23:06. | :23:09. | |
the comments from the judges, being the hardest dance. I know we can | :23:09. | :23:12. | |
put that away and say we've done the hardest dance, now everything | :23:12. | :23:16. | |
here is a bonus. We can keep improving. I'm glad to get it out | :23:17. | :23:21. | |
of the way. That rise and fall was hurting my knee. Let's talk about | :23:21. | :23:26. | |
your knee. We have seen in training you have an Audley sized plaster, | :23:26. | :23:31. | |
about the size of a loaf of bread. How was your neon Saturday? It was | :23:31. | :23:39. | |
painful. But at the end of the day, we don't focus on problems. 20 | :23:39. | :23:46. | |
years as a sportsman, so my knee, anything sitting into my knee, the | :23:46. | :23:51. | |
foxtrot, sit into your knees, I was. Then I done some ballet and jumping | :23:51. | :23:55. | |
in the air, it took my knee over the edge. I had to try to bring it | :23:55. | :24:05. | |
Can you imagine. OMG. It's such a workout for you. How's it going in | :24:05. | :24:12. | |
training? Good. As you can see, I'm like, eight-and-a-half stone | :24:12. | :24:17. | |
bouncing. With boxing we have the soft ring, we could take away the | :24:17. | :24:20. | |
impact. This is like going for it. No rest for the wicked. You should | :24:20. | :24:24. | |
do it on a spring floor. Can't you train in a ring with a bouncy | :24:24. | :24:30. | |
floor? We should try that. Penelope said on Facebook, "Audley was a bit | :24:30. | :24:35. | |
of a Mr Darcy on Saturday night, proper hero." Daniel says, "Audley | :24:35. | :24:38. | |
Harrison should have been a dancer, in the a boxer." There you go. You | :24:38. | :24:43. | |
can fall back on boxing if your dancing career accidents work out. | :24:43. | :24:48. | |
Good to know. And Karen has said, also, Karen Hardy, choreography | :24:48. | :24:52. | |
queen, has said the jive again is really hard. You're getting all the | :24:52. | :24:57. | |
best ones for the boys to master. Why is it so tricky? There's lots | :24:57. | :25:01. | |
of, all your weight has to be in the front of the toes. Have you to | :25:01. | :25:05. | |
really lift your knees up. You're dog a lot of solo work as well. I | :25:05. | :25:12. | |
can't really hide. You can't hide. You can't hide Audley, look at him! | :25:12. | :25:17. | |
I might as well just get stuck in. He's going to be on his toes, | :25:17. | :25:22. | |
pumping those legs. It's hard work. It's a minute 30 and we can do this. | :25:22. | :25:27. | |
It's 100mph. If you miss a step, you can't catch up. On top of all | :25:27. | :25:30. | |
that, you have been all the way back to the States this week and | :25:30. | :25:33. | |
come back with your lovely wife, who is here tonight. She's so | :25:33. | :25:36. | |
excited to see you. How much training have you squeezed in on | :25:36. | :25:42. | |
top of your trip back? Fly there, coming back, we went straight to | :25:42. | :25:45. | |
the gym yesterday, got three hours in. Three hours today. We're | :25:45. | :25:49. | |
getting there. We like to work under pressure. Yeah we do. Did you | :25:49. | :25:54. | |
see Len and Bruno on the plane. know, we missed them. They do that | :25:54. | :25:58. | |
every week and dot show. They were back there in economy. | :25:58. | :26:02. | |
LAUGHTER BBC budgets! Nice one. You were one | :26:02. | :26:06. | |
of the first couples up for elimination, each week you have | :26:07. | :26:10. | |
impressed the judges. Can you go to the top? Each week we've got better | :26:10. | :26:14. | |
and better. I think if you aim for the top, you can only come down. | :26:14. | :26:18. | |
Each week to show improvement, shows I'm working really hard. I am | :26:18. | :26:21. | |
working as hard as I can. To be recognised by the judges an the | :26:21. | :26:26. | |
beautiful public keeping me in, how can I complain? It's a special day | :26:26. | :26:32. | |
today. It's your 40th birthday. Happy bairge day darling. And we've | :26:32. | :26:36. | |
got -- happy birthday darling. We have a special present for you. We | :26:36. | :26:41. | |
asked a few of your Strictly friends what they would buy you for | :26:41. | :26:47. | |
your birthday. I would get him a gold watch. A really nice, big pair | :26:47. | :26:52. | |
of comfy slippers I would buy him a Margeic carpet. After training with | :26:52. | :26:56. | |
Natalie he could nip back to the States to see his wife and children. | :26:56. | :27:00. | |
Then still get back to to strictly on Saturday. A pair of Strictly | :27:00. | :27:06. | |
boxing gloves so he can give Craig a right hook. Some very special | :27:06. | :27:12. | |
couture, very stylish, Italian boxer gloves. Smaller feet. Fplgts | :27:12. | :27:20. | |
a ten off Craig because he deserves it with that beautiful style. | :27:20. | :27:24. | |
right pec. A large Strictly Come Dancing trophy. Go on champ. | :27:24. | :27:27. | |
Especially for you, we have clubbed together and that's what we decided | :27:28. | :27:34. | |
to get you. Open it up. It's exciting. OMG! | :27:34. | :27:41. | |
APPLAUSE We had them specially made for you. | :27:41. | :27:46. | |
Aren't they stunning. Wow. We will see them on the show. I am going to | :27:46. | :27:49. | |
wear these with pride. One more message from you, from a bloke | :27:49. | :27:55. | |
called David, you might know him. Have a look. Audley, in the wise | :27:55. | :28:00. | |
words of Mohammed Ali, float like a butterfly and sting like a bee. In | :28:00. | :28:06. | |
your case, just don't dance like an old man. Happy 40th birthday and | :28:06. | :28:10. | |
keep battling on the dance floor. David Haye. That's cool. Good luck | :28:10. | :28:15. | |
at the weekend. Audley and Natalie! APPLAUSE | :28:15. | :28:20. | |
Earlier on in the show, we asked you to work out who our pro dancers | :28:20. | :28:24. | |
were talking about. Have you guessed yet? Have a look at the | :28:24. | :28:28. | |
answer. Who was everyone talking about? Did you guess? You guessed | :28:28. | :28:34. | |
it, it's me. It was our very own bad boy, | :28:34. | :28:37. | |
Brendan Cole. He's here tomorrow night with Lulu. Thank you to all | :28:37. | :28:41. | |
my guests tonight. Tune in tomorrow at 6.30pm, when I'll chat to Harry | :28:41. | :28:46. | |
and Aliona and Russell and flafya. Plus, I'll be check in with head | :28:46. | :28:53. |