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It's Thursday. Coming up - Harry and alLeona waltz their way to the | :00:12. | :00:17. | |
first ten of the series, but can they keep it up? They're here live. | :00:17. | :00:22. | |
Russell and Flavia had sweet dreams. They'll pop in for a chat. I'll be | :00:22. | :00:28. | |
joined by the samba-loving Lulu and Brendan. Plus, we get to looks at | :00:28. | :00:38. | |
:00:38. | :00:39. | ||
the costume department for Hallowe'en. This is T Takes Two. -- | :00:39. | :00:49. | |
:00:49. | :01:10. | ||
Live from Television Centre, this is Strictly Come Dancing: It Takes | :01:10. | :01:15. | |
Two. Please, welcome, your host, Zoe Ball. | :01:15. | :01:21. | |
APPLAUSE Hello. It's me. Welcome to the | :01:21. | :01:28. | |
programme. It's countdown to fright night. Our celebrities will come | :01:28. | :01:31. | |
out to haunt the dancefloor for the Hallowe'en special. We can't wait. | :01:31. | :01:37. | |
Yes, indeed. In one moment I'll find out what Harry and alLeona are | :01:37. | :01:41. | |
cooking up, but -- Aliona are cooking up for us, but first the | :01:41. | :01:47. | |
boys and how they're doing in training. I'm dancing the jive. | :01:47. | :01:51. | |
High energy and jumping all around and you have to remember the dance | :01:52. | :01:57. | |
moves. A tough one! This week Audley has had to go back to the | :01:57. | :02:02. | |
States, so we've missed two-and-a- half days of training, so we are | :02:02. | :02:06. | |
going to do extra hours and work extra harder. We haven't got time | :02:06. | :02:11. | |
to mess around. All Latin dances suits the man with the rhythm and | :02:11. | :02:16. | |
shaky hips. When he mucks around you just think damn, where did that | :02:16. | :02:20. | |
come from? I have the potential to look good in it. I also have the | :02:20. | :02:25. | |
potential to look bad. It's a minute-and-a-half of mayhem and you | :02:25. | :02:30. | |
cannot afford to miss one step. I have to do it. There's no yes, I | :02:30. | :02:38. | |
can, it's actually yes, I must. No excuses. Get it done. It's | :02:38. | :02:43. | |
Hallowe'en week and this week we are dancing the quickstep. | :02:43. | :02:46. | |
going to have a magic stick and I will be a witch and I'm going to | :02:46. | :02:51. | |
move him around the floor and he's going to be under my spell. It's a | :02:51. | :02:59. | |
mathematical equation dance. He has to count. In order to understand | :02:59. | :03:03. | |
really how the choreography works with the music. Four, five, six, | :03:03. | :03:08. | |
seven. It's exactly what you have to do. What is not working? I don't | :03:08. | :03:13. | |
know. I do overthink a lot of the routine. You know, I'm a hard | :03:13. | :03:15. | |
worker. I think Jason is overanalysing everything. I know | :03:15. | :03:20. | |
what I'm looking at and it's pretty much great. He just has to let | :03:20. | :03:23. | |
himself go and do it without thinking about it too much. I think | :03:23. | :03:33. | |
:03:33. | :03:36. | ||
it will be great. The samba! I love it! Russell is the samba. His body | :03:37. | :03:40. | |
has a natural bounce action, which most people find really difficult. | :03:40. | :03:45. | |
It's something that he really finds very natural. I love it! I think in | :03:45. | :03:50. | |
a past life I must have been Brazilian. This is me, I am the | :03:50. | :03:55. | |
samba. I have spent my whole life sambaing without knowing it. When I | :03:55. | :04:00. | |
go to the loo, I samba in and out. It's just one of those things. I | :04:00. | :04:05. | |
have always done this kind of move. Where I just love it. You want to | :04:05. | :04:15. | |
:04:15. | :04:16. | ||
vote me out, after this week, OK, I've done the samba! Wow! Cool! | :04:16. | :04:21. | |
think the paso will suit my style, even though I tend to look like a | :04:21. | :04:28. | |
girl. I would like to think I am quite a masculine dancer. We'll see. | :04:28. | :04:31. | |
It's very masculine dance and I'm sure Robbie will get into it again. | :04:31. | :04:36. | |
One, two, three, four. I don't think it will be trouble getting | :04:36. | :04:42. | |
the aggression out. I've seen him on the pitch. There is a risk | :04:42. | :04:47. | |
factor. There's a lot that can go wrong in this routine. One, two, | :04:47. | :04:54. | |
three, four. It's going to look awful. It's not going to look awful. | :04:54. | :05:01. | |
It could be a ten or it could be a two. No, it couldn't be a ten, | :05:01. | :05:10. | |
could it? This week we are dancing a tango. The characterisation for | :05:10. | :05:15. | |
both of us is we are going to try to kill each other, so it's very | :05:15. | :05:25. | |
:05:25. | :05:28. | ||
important for us to really get into the character of being psych owe -- | :05:28. | :05:32. | |
psycho killers. I'm enjoying being the vampire. He portrays this dark | :05:32. | :05:40. | |
side really well. A bit too well! She seems to think I've got this | :05:40. | :05:47. | |
dark side, but I just can't see where she has got that idea from. | :05:47. | :05:51. | |
If we get this perfect the audience will definitely be in for a proper | :05:51. | :06:00. | |
fright night. Aarrrhhhh!! Please, welcome, Harry and don't make her | :06:00. | :06:04. | |
angry, Aliona! APPLAUSE | :06:04. | :06:08. | |
Welcome to the show -- to the show. Harry, before last weekend, you | :06:08. | :06:12. | |
were worried about the waltz, but you only went and brought home the | :06:12. | :06:15. | |
first ten of the series. Well done. Has that been a massive boost for | :06:15. | :06:19. | |
your confidence this week? It was, because like you said, I found it | :06:19. | :06:24. | |
really hard. It was my hardest week. I was being a nightmare last week. | :06:24. | :06:29. | |
Was he? Giving you a hard time. stamped my foot, I was that cross. | :06:29. | :06:37. | |
I found it so hard, so obviously to get a ten was a shock, but amazing. | :06:38. | :06:42. | |
Were you at all worried about the little spat between the judges? The | :06:42. | :06:45. | |
little fallout about the whispering on the stairs? Did that worry you | :06:45. | :06:49. | |
at all? No, I quite enjoyed standing there and listening to | :06:49. | :06:53. | |
them talking about it. It was quite amusing, but everyone is obviously | :06:53. | :06:57. | |
entitled to their own opinion and it would be boring if everyone was | :06:57. | :07:02. | |
the same, so I totally respected Len's view and it was positive, | :07:02. | :07:06. | |
because he enjoyed our thing in hold. What did you think about the | :07:06. | :07:09. | |
whole thing? I think it really depends on what you are looking | :07:09. | :07:12. | |
forward in a dance, so everyone has their different opinions, but the | :07:12. | :07:17. | |
last thing you expect, after listening to the judges, is a ten. | :07:17. | :07:24. | |
I think both of us were so shocked. Yeah. Doh! What did you whisper to | :07:24. | :07:33. | |
her, by the way? The fans are asking. Just the lyric, - That's | :07:33. | :07:43. | |
not what you whispered, it was psh, psh. I remember being so nervous. | :07:43. | :07:47. | |
It was come away with me and kiss on a mountain top. Of course! | :07:47. | :07:52. | |
That's what she says. I thought the stairs were the mountain. Now, | :07:52. | :07:59. | |
another thing that you have constantly been is the top of the | :07:59. | :08:04. | |
training leadership. I didn't know there was a thing. 195 hours. We | :08:04. | :08:10. | |
keep a tally all time. Psycho. it because she's a task master, or | :08:10. | :08:15. | |
Harry pushing for the hours? I say 50% of the hours are us sitting | :08:15. | :08:20. | |
around talking and bickering and eating food, just chatting, so we | :08:21. | :08:26. | |
need long days, so we can actually - Some takes a lot of breaks. | :08:26. | :08:30. | |
that is something we have noticed actually. There is an awful lot of | :08:30. | :08:34. | |
eating going on in your training room. Have a look at this. I need a | :08:34. | :08:44. | |
:08:44. | :08:47. | ||
snack. What flavour is that? which step? Let's do it, break, do | :08:47. | :08:57. | |
:08:57. | :09:06. | ||
it, nuts. Are you not hungry yet? Triple step and turn and turn. | :09:06. | :09:09. | |
BURPS Want to try something. I went | :09:09. | :09:14. | |
believe you showed me burping. I know. Beef jerky. I would love some. | :09:14. | :09:19. | |
You are doing the tango. How has it been? Better than last week. Really | :09:19. | :09:26. | |
good. I wouldn't go that far.. I've really enjoyed it. I was nervous | :09:27. | :09:29. | |
about Monday, because you have the high on Saturday and after the show | :09:29. | :09:33. | |
you are happy and go into training on Monday and you are like, bring | :09:33. | :09:38. | |
it on and then it starts from scratch. It's a dance you've never | :09:38. | :09:44. | |
done before and you just hope for something better. This is what you | :09:44. | :09:54. | |
:09:54. | :09:58. | ||
are dancing to. Can I call that a duet. I dueted with Harry to | :09:58. | :10:02. | |
Talking Heads. It's a Hallowe'en special. You have Psycho Killer. Is | :10:02. | :10:08. | |
there a theme? There is a major theme. It is very, very theatrical. | :10:08. | :10:13. | |
It's complete opposite character- wise from our romantic waltz, so | :10:13. | :10:17. | |
there is a major kind of thing that happens in the end that people | :10:17. | :10:21. | |
wouldn't expect. I have heard some talk of vampires. Yes. I love it. | :10:21. | :10:25. | |
Will you have fangs and everything? He will. Not the first time you | :10:25. | :10:31. | |
have been a vampire. No. Because, in the video for Party Girl, so | :10:31. | :10:38. | |
check out the pecs. Sorry! There you are. Look. Take it away. Move | :10:38. | :10:46. | |
it. Rory, he went on Saturday and a lot of people shocked and surprised | :10:47. | :10:52. | |
and saddened. There is always the fear that you might go. How worried | :10:52. | :10:56. | |
are you about an early exit? There is always that worry. There is no | :10:56. | :11:00. | |
guarantee and Rory has been great and it was really sad to see him go, | :11:00. | :11:04. | |
because I think maybe out of anyone he has had the most fun and it is | :11:04. | :11:08. | |
going to be weird without him, definitely, but that's why I'm | :11:08. | :11:10. | |
putting in the hard work, because there is that fear of going out. | :11:11. | :11:19. | |
Keep it up. Good luck on Saturday. Harry and Aliona. Fangs a lot! | :11:19. | :11:22. | |
APPLAUSE Sorry. Earlier, I managed to grab a | :11:22. | :11:25. | |
few minutes with Vicky to see what she has got planned for the | :11:25. | :11:30. | |
weekend's Hallowe'en special. Here in the costume department, with | :11:31. | :11:34. | |
Vicky, our head designer. What a week this week. You are preparing | :11:34. | :11:37. | |
for the Hallowe'en special. I imagine that is a lot of work, plus | :11:37. | :11:40. | |
make-up as well, because that is as important this week too? Yeah. We | :11:40. | :11:45. | |
have worked really hard and together this week. We don't often | :11:45. | :11:48. | |
meet weekly, but we needed to come together to make sure all the looks | :11:48. | :11:52. | |
really take on the Hallowe'en theme. And that they work. Who will be the | :11:53. | :11:58. | |
scariest? Although I'm sure she is going to look very beautiful, I | :11:58. | :12:05. | |
feel that Anita may look the most menacing. I know she is dancing to | :12:05. | :12:13. | |
Cliff Richard Devil Woman. What will she wear? It's a drop-waist | :12:13. | :12:19. | |
dress. The crystals are a dark red, so you can see the colours here. | :12:19. | :12:23. | |
love all this draping off her arm. Who has taken the most work and man | :12:23. | :12:29. | |
hours this week? I think Holly's has probably taken the most time. | :12:29. | :12:33. | |
She has been the most troublesome in the nicest possible way. What is | :12:33. | :12:40. | |
the theme? She is doing the American smooth, but it has a black | :12:40. | :12:45. | |
swan vibe. Like Natalie Portman in the movie? Yeah. Hence the feathers. | :12:45. | :12:49. | |
This was a skrech at the beginning of the week -- sketch at the | :12:49. | :12:54. | |
beginning of the week. It has changed. The wings will come on to | :12:54. | :13:00. | |
the arm and we have glued thousands of feathers on her wings. Probably | :13:00. | :13:06. | |
a day's worth. What about Nancy? What is she wearing this week? | :13:06. | :13:12. | |
would have loved a catsuit but we couldn't allow her to follow Alex's | :13:12. | :13:17. | |
lead. It's apparently at the cleaners'. Wow, look at this. | :13:17. | :13:21. | |
have a leotard base, which is very short on the right side and then it | :13:21. | :13:28. | |
runs down into a long-line dress on left, which is caught with a | :13:28. | :13:35. | |
crystal ankle detail. It's like a one-legged catsuit? Yes. We have | :13:35. | :13:38. | |
created it. I've heard she is making quite an entrance on the | :13:38. | :13:43. | |
show. I'm not going to say any more than that. I think Lady Gaga. Very | :13:43. | :13:48. | |
good. We'll talk about the boys. What is Harry up to? He looks very | :13:48. | :13:54. | |
dramatic. It's opulent, sexy and it's a masquerade ball feel to it. | :13:54. | :13:59. | |
I think he's going to look amazing. We have brought the mask. That's | :13:59. | :14:05. | |
all we have. A lot of people would be happy if he just danced in a | :14:05. | :14:09. | |
mask. Under the cloth you always have a mystery dress. We have to | :14:09. | :14:16. | |
guess who this belongs to. Drum roll! Look at that. Emerald green. | :14:16. | :14:23. | |
That is beautiful. Can you give us any includes? -- clues? | :14:23. | :14:26. | |
Professional girl and this young lady loves 50's styling. Good luck. | :14:26. | :14:30. | |
You are doing a great job. I know you've got so many more. I'll leave | :14:30. | :14:35. | |
you to stick all the crystals on. Good luck. Thank you. Back to me in | :14:36. | :14:42. | |
the studio. Thank you me and thank you to Vicky. Please, welcome, | :14:42. | :14:50. | |
Flavia and Russell. Thoroughly enjoyed your dream sequence on | :14:50. | :14:54. | |
Saturday. Or was it a nightmare, because you had a really bad injury | :14:54. | :14:59. | |
and you were dancing through pain? Can you not see the face. Look at | :14:59. | :15:03. | |
the agony. I thought you were in character. No, you are right, I was | :15:03. | :15:08. | |
being sort of getting the acting in. Don't you just love this? | :15:08. | :15:13. | |
absolutely do. Because the thing was, I just did that. It wasn't | :15:13. | :15:18. | |
choreographed. I felt like doing it. Great. I thought I'll have a bit of | :15:18. | :15:25. | |
a twirl. I did it in the afternoon and she said, "I like that." I | :15:25. | :15:31. | |
meant to wander back. It has become you. Tell us about your knee, | :15:31. | :15:36. | |
because you have really hurt it? I've had an MRI scan and apparently | :15:36. | :15:46. | |
:15:46. | :15:47. | ||
I have got a funny old thing, miniscus. Brendan knows, he's had | :15:47. | :15:52. | |
one. Will you be all right? going straight off to an | :15:52. | :16:00. | |
orthopaedic person who will look at it. Go like that. If it goes up, | :16:00. | :16:04. | |
I'm in! Perfect! I've heard that before. I'm not leaving the show | :16:04. | :16:08. | |
until I've done a samba, so even if I do it on one leg, I'm doing it. | :16:08. | :16:14. | |
I'm doing it. Have you had to recore graph bearing the trouble in | :16:14. | :16:19. | |
mind? Not really. It's nice and gentle, the rut teen. It is very | :16:19. | :16:23. | |
doable. No lifts. No knee spins or anything crazy like that, so we | :16:23. | :16:28. | |
should be all right. We are quite happy. Fabulous. Wonderful. This | :16:28. | :16:33. | |
woman is the most brilliant. She is quite gorgeous. She has given me | :16:34. | :16:39. | |
the whole of Brazil on a plate! You can say nuts to that if you like. | :16:39. | :16:46. | |
If I was quick enough, I would. It's Hallowe'en week and there have | :16:46. | :16:50. | |
been some paranormal activities going on in your training room. | :16:50. | :16:54. | |
Yeah. We saw that four weeks ago. I heard my name being called and I | :16:54. | :16:59. | |
turned to the crew. They didn't call me. There we were yesterday, | :16:59. | :17:05. | |
and then what did you hear? I heard a baby scream, like as if I had my | :17:05. | :17:09. | |
ears were covered and I heard a noise and the crew heard it too. | :17:09. | :17:15. | |
Quite freaked out. I looked up into the dress circle and I saw this | :17:15. | :17:22. | |
figure flit past. The curtains were just waving. True. True. Apparently | :17:22. | :17:26. | |
they've seen something on the filming. We had to call in the | :17:26. | :17:30. | |
experts. They are called Ghostbusters, would you believe | :17:30. | :17:37. | |
it?! No, they have come to analyse the footage. Observe, if you will. | :17:37. | :17:45. | |
As you do something to the right. Russell, Russell. Did someone speak | :17:45. | :17:49. | |
then? Normally I hear a woman calling my name. Russell. This is | :17:49. | :17:54. | |
so weird. This time it was a man. Russell? Yes. Did you want me? It | :17:54. | :18:04. | |
:18:04. | :18:06. | ||
was definitely a male voice. Yeah. Russell. I swear to you, my | :18:06. | :18:14. | |
name was called. Russell Grant. Arh! We are being looked after. | :18:14. | :18:18. | |
are being looked after. It's OK. You are doing the samba this | :18:18. | :18:25. | |
weekend. I love it. To this music. Better the Devil You Know. Kylie. I | :18:25. | :18:30. | |
love it. How scary are you going to be in the special? You can't be | :18:30. | :18:35. | |
scary to Kylie. Isn't that the best? If you vote me out, I have to | :18:36. | :18:41. | |
do it first. You are clearly loving it. Apparently you said, "I love | :18:42. | :18:51. | |
:18:52. | :18:54. | ||
samba." It was said 58 times. You also said, "I am samba." That was | :18:54. | :19:00. | |
my friend saying that. It is so wonderful. Do you want to see my | :19:00. | :19:05. | |
moves. Come on! APPLAUSE | :19:05. | :19:10. | |
Russell, Flavia, good luck for the weekend. Have fun on the Chris | :19:10. | :19:14. | |
Evans' breakfast show tomorrow morning. We're doing that tomorrow | :19:14. | :19:16. | |
morning. APPLAUSE | :19:16. | :19:20. | |
I am samba! Time, now, to see how our ladies are shaping up with this | :19:21. | :19:30. | |
week's dances. It's Hallowe'en and we are dancing the paso doble. Last | :19:30. | :19:33. | |
week we had a knock, so the confidence isn't quite there to | :19:33. | :19:38. | |
carry it, so James' job is quite a lot harder this week. This will be | :19:38. | :19:42. | |
the end of me. Don't say that. It's a very aggressive and powerful | :19:42. | :19:46. | |
dance and you need to channel a lot of anger and aggression and I'm | :19:46. | :19:53. | |
going to get her to think about one person. And Craig Revel Horwood, | :19:53. | :19:58. | |
because she doesn't have an aggressive bone in her body. I need | :19:58. | :20:01. | |
more stern. Feel creepy as you do it. We have been working on looking | :20:01. | :20:11. | |
:20:11. | :20:12. | ||
angry. Let it come out. Aaarrrhhhh! This has got a bit of stamping of | :20:12. | :20:18. | |
feet and who knows, I might accidently stamp on Craig's foot? | :20:18. | :20:28. | |
This week is Hallowe'en and we are dancing the terrifying tango. It's | :20:28. | :20:32. | |
aggressive, so a completely different dance. This is | :20:32. | :20:36. | |
frightening. You ain't seen nothing yet. It's so fast and you have to | :20:36. | :20:43. | |
be very quick to execute them. Three, four. Oh, I felt that! I'm - | :20:44. | :20:47. | |
You felt it!! I have to get her to go in a completely different | :20:47. | :20:53. | |
direction. I need to see the devil inside. The best villains are good | :20:53. | :20:58. | |
fun and nice people, because somehow they can throw themselves | :20:58. | :21:04. | |
to the opposite end of the scale. This tango is a nightmare. You're a | :21:04. | :21:13. | |
nightmare! This week I'm doing the American smooth. I'm going to be | :21:13. | :21:18. | |
Black Swam this week for Hallowe'en. What is going on? I didn't feel you | :21:18. | :21:22. | |
there. I think Artem will take every opportunity to push me really | :21:22. | :21:28. | |
hard. Turn, turn, turn. This week I think she will find it extremely | :21:28. | :21:33. | |
difficult because it is physical. It is really physical. We have a | :21:33. | :21:37. | |
lot of turns and it's tricky to come out and not want to throw up. | :21:37. | :21:41. | |
She has the quality of being an amazing dancer, but we are not | :21:41. | :21:46. | |
using it. Not getting that. It could be completely disastrous or | :21:47. | :21:53. | |
it could be nice. I'm not sure what it's going to be yet. Swan Lake and | :21:53. | :22:00. | |
ballerina, not quite, but I'm working on it. We are doing the | :22:00. | :22:05. | |
rumba, the dance of love. It's one of her favourites. It's supposed to | :22:05. | :22:13. | |
be very sexy, a lot of body involvement. I want a kiss. I don't | :22:13. | :22:18. | |
want a kiss. I'm trying to temper her enthusiasm a little. Long, long, | :22:18. | :22:22. | |
straight, not fast. It's the timing we are struggling with. We are | :22:23. | :22:30. | |
going to count out loud so we can all hear you. One small problem, | :22:30. | :22:35. | |
she doesn't always do as I tell her. You have to count. I'm not going to | :22:35. | :22:39. | |
count. It's the most difficult thing, which is to get the right | :22:39. | :22:42. | |
step in the right timing, especially on the live show and my | :22:42. | :22:46. | |
mind goes blank. If she can get over that, I think we'll see a good | :22:46. | :22:53. | |
dance. This week is the tango. The biggest challenge would be going | :22:54. | :22:57. | |
into character of this dance and really nailing it and making this | :22:57. | :23:03. | |
dance look passionate. You should be very precise, but seductive in a | :23:03. | :23:10. | |
way too. I'm not known for being seductive. It's not sweet and | :23:10. | :23:18. | |
lovely. I'm a little out of my comfort zone. I want to create the | :23:18. | :23:28. | |
:23:28. | :23:29. | ||
step where we almost kiss each other. Oh, no, I'm not into that! I | :23:29. | :23:37. | |
don't reckon Pasha will bring the passion out in me! This week it's | :23:37. | :23:44. | |
the paso doble and Brendan has got the most fabulous ideas for it. | :23:44. | :23:47. | |
worried it might be a lot of content, however the excitement of | :23:47. | :23:53. | |
what we are producing is going to pro -- blow the show away. Point | :23:53. | :24:01. | |
the feet. All the way around. Off you go. Where am I running? I don't | :24:01. | :24:05. | |
like to be left too much on my own to do my Lulu thing. I like to be | :24:05. | :24:11. | |
as close to Brendan as possible. If I'm on my own doing all this by | :24:11. | :24:15. | |
myself I'm not Kristina. I watch Kristina last week and I was | :24:15. | :24:18. | |
mesmerised by the way she moved her skirt. If I can get a little of | :24:18. | :24:23. | |
that I will be thrilled. You should cross my legs. I don't feel like | :24:23. | :24:33. | |
:24:33. | :24:34. | ||
Kristina! Welcome Lulu and Brendan. APPLAUSE | :24:34. | :24:40. | |
Congratulations, because Lulu, you broke Brendan's curse of the samba! | :24:40. | :24:43. | |
APPLAUSE You are still here. How excited | :24:43. | :24:47. | |
were you to be back in the training room and stay in the competition? | :24:47. | :24:50. | |
When we got through, I thought we were going to be out and I think | :24:50. | :24:53. | |
you could see my mouth doing that. To be back in the room on Monday | :24:53. | :24:58. | |
was just - Did you really think that was it? Very easy, because the | :24:58. | :25:03. | |
numbers were very close. I thought it. There were three couples all | :25:03. | :25:09. | |
tied and one under and normally the one underneath gets saved and then | :25:09. | :25:14. | |
we are in a very difficult situation. Third up is never a good | :25:14. | :25:19. | |
place to be. The judges thought the samba really suited you. Well, I | :25:19. | :25:25. | |
took what Craig said and I just took it. Thank you Craig. Julien | :25:25. | :25:34. | |
Macdonald OBE was in earlier this week and he said you were fabulous. | :25:34. | :25:39. | |
The judges did pick you up on the whole stairs scenario, as they did | :25:39. | :25:43. | |
others. How difficult is it for you to core graph for the judges, but | :25:43. | :25:48. | |
also for the public? It always makes me laugh a little bit, the | :25:48. | :25:50. | |
fact someone can comment on something they know nothing about. | :25:51. | :25:56. | |
Only we as the professional dancers know for our partner how much | :25:56. | :26:00. | |
content and what to do and unless they've come in and worked with | :26:00. | :26:04. | |
Lulu and seen what she is capable of, they can't really comment on | :26:04. | :26:08. | |
that. I was happy. I was happy to go up and party with the people. We | :26:08. | :26:12. | |
had a lot of content and they say it's a lack. You think, hang on, | :26:12. | :26:19. | |
look at it back. To me it's them not doing their job properly. | :26:19. | :26:24. | |
also said that Alex wasn't sexy. I didn't agree at all. I thought she | :26:24. | :26:31. | |
was sexy. She is a very, very sexy lady. Don't be nervous. We'll tell | :26:31. | :26:34. | |
her that. You are doing another Latin dance. A very different one. | :26:34. | :26:42. | |
The paso doble. How is it going? are pushing the boat out this week. | :26:42. | :26:45. | |
We are. We have got so many different variables that could | :26:45. | :26:51. | |
potentially ruin the dance for us. But it's Hallowe'en special. Last | :26:51. | :26:56. | |
year I loved it. I thought we all really enjoyed it and I want to do | :26:56. | :26:59. | |
something. We are doing something that has never been done before on | :26:59. | :27:02. | |
Strictly. We have a costume that we have never done before and I came | :27:02. | :27:06. | |
up with the idea and I said is it possible? They have said yes and we | :27:06. | :27:09. | |
are doing it. You are going to rehearse the special thing after | :27:09. | :27:14. | |
you have been here. It is very tricky, but we are hoping it will | :27:14. | :27:23. | |
be a treat. Is it roller skates? You've ruined it. This is what you | :27:23. | :27:28. | |
are dancing to. Highway To Hell. It's the first time anyone has | :27:28. | :27:32. | |
danced to ACDC. I got on the Tube after training yesterday and there | :27:33. | :27:42. | |
was a dude standing head to toe in ACDC gear. It's a sign. Is it a | :27:42. | :27:47. | |
good sign? I hope so. We are so looking forward to how special your | :27:47. | :27:50. | |
performance is going to be and you've had an awful lot of support | :27:50. | :27:54. | |
from the fans. They've been texting in and calling in. Have a little | :27:54. | :28:02. | |
listen to this special message. This is Bob. I'm just ringing to | :28:02. | :28:06. | |
say that I think Brendan is a fantastic dancer and a wonderful | :28:06. | :28:11. | |
choreographer and he's getting better looking every day. Much more | :28:11. | :28:17. | |
han so many than James Jordan fella. -- handsome than that James Jordan | :28:17. | :28:22. | |
fella. Love you all. Goodbye. a lovely message. What a nice man. | :28:22. | :28:26. | |
It's amazing for the support. Anyone think that man sounded | :28:26. | :28:34. | |
familiar? We called Bob back and this is what happened. PHONE RINGS | :28:34. | :28:40. | |
I'm sorry, but brend dand Cole is not -- Brendan Cole is not | :28:40. | :28:46. | |
available. Good luck on Saturday with the big show. We can't wait. | :28:46. | :28:48. | |
Lulu and Brendan. APPLAUSE | :28:48. | :28:52. |