Episode 19 Strictly - It Takes Two


Episode 19

Similar Content

Browse content similar to Episode 19. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

It's Thursday. Coming up - Harry and alLeona waltz their way to the

:00:12.:00:17.

first ten of the series, but can they keep it up? They're here live.

:00:17.:00:22.

Russell and Flavia had sweet dreams. They'll pop in for a chat. I'll be

:00:22.:00:28.

joined by the samba-loving Lulu and Brendan. Plus, we get to looks at

:00:28.:00:38.
:00:38.:00:39.

the costume department for Hallowe'en. This is T Takes Two. --

:00:39.:00:49.
:00:49.:01:10.

Live from Television Centre, this is Strictly Come Dancing: It Takes

:01:10.:01:15.

Two. Please, welcome, your host, Zoe Ball.

:01:15.:01:21.

APPLAUSE Hello. It's me. Welcome to the

:01:21.:01:28.

programme. It's countdown to fright night. Our celebrities will come

:01:28.:01:31.

out to haunt the dancefloor for the Hallowe'en special. We can't wait.

:01:31.:01:37.

Yes, indeed. In one moment I'll find out what Harry and alLeona are

:01:37.:01:41.

cooking up, but -- Aliona are cooking up for us, but first the

:01:41.:01:47.

boys and how they're doing in training. I'm dancing the jive.

:01:47.:01:51.

High energy and jumping all around and you have to remember the dance

:01:52.:01:57.

moves. A tough one! This week Audley has had to go back to the

:01:57.:02:02.

States, so we've missed two-and-a- half days of training, so we are

:02:02.:02:06.

going to do extra hours and work extra harder. We haven't got time

:02:06.:02:11.

to mess around. All Latin dances suits the man with the rhythm and

:02:11.:02:16.

shaky hips. When he mucks around you just think damn, where did that

:02:16.:02:20.

come from? I have the potential to look good in it. I also have the

:02:20.:02:25.

potential to look bad. It's a minute-and-a-half of mayhem and you

:02:25.:02:30.

cannot afford to miss one step. I have to do it. There's no yes, I

:02:30.:02:38.

can, it's actually yes, I must. No excuses. Get it done. It's

:02:38.:02:43.

Hallowe'en week and this week we are dancing the quickstep.

:02:43.:02:46.

going to have a magic stick and I will be a witch and I'm going to

:02:46.:02:51.

move him around the floor and he's going to be under my spell. It's a

:02:51.:02:59.

mathematical equation dance. He has to count. In order to understand

:02:59.:03:03.

really how the choreography works with the music. Four, five, six,

:03:03.:03:08.

seven. It's exactly what you have to do. What is not working? I don't

:03:08.:03:13.

know. I do overthink a lot of the routine. You know, I'm a hard

:03:13.:03:15.

worker. I think Jason is overanalysing everything. I know

:03:15.:03:20.

what I'm looking at and it's pretty much great. He just has to let

:03:20.:03:23.

himself go and do it without thinking about it too much. I think

:03:23.:03:33.
:03:33.:03:36.

it will be great. The samba! I love it! Russell is the samba. His body

:03:37.:03:40.

has a natural bounce action, which most people find really difficult.

:03:40.:03:45.

It's something that he really finds very natural. I love it! I think in

:03:45.:03:50.

a past life I must have been Brazilian. This is me, I am the

:03:50.:03:55.

samba. I have spent my whole life sambaing without knowing it. When I

:03:55.:04:00.

go to the loo, I samba in and out. It's just one of those things. I

:04:00.:04:05.

have always done this kind of move. Where I just love it. You want to

:04:05.:04:15.
:04:15.:04:16.

vote me out, after this week, OK, I've done the samba! Wow! Cool!

:04:16.:04:21.

think the paso will suit my style, even though I tend to look like a

:04:21.:04:28.

girl. I would like to think I am quite a masculine dancer. We'll see.

:04:28.:04:31.

It's very masculine dance and I'm sure Robbie will get into it again.

:04:31.:04:36.

One, two, three, four. I don't think it will be trouble getting

:04:36.:04:42.

the aggression out. I've seen him on the pitch. There is a risk

:04:42.:04:47.

factor. There's a lot that can go wrong in this routine. One, two,

:04:47.:04:54.

three, four. It's going to look awful. It's not going to look awful.

:04:54.:05:01.

It could be a ten or it could be a two. No, it couldn't be a ten,

:05:01.:05:10.

could it? This week we are dancing a tango. The characterisation for

:05:10.:05:15.

both of us is we are going to try to kill each other, so it's very

:05:15.:05:25.
:05:25.:05:28.

important for us to really get into the character of being psych owe --

:05:28.:05:32.

psycho killers. I'm enjoying being the vampire. He portrays this dark

:05:32.:05:40.

side really well. A bit too well! She seems to think I've got this

:05:40.:05:47.

dark side, but I just can't see where she has got that idea from.

:05:47.:05:51.

If we get this perfect the audience will definitely be in for a proper

:05:51.:06:00.

fright night. Aarrrhhhh!! Please, welcome, Harry and don't make her

:06:00.:06:04.

angry, Aliona! APPLAUSE

:06:04.:06:08.

Welcome to the show -- to the show. Harry, before last weekend, you

:06:08.:06:12.

were worried about the waltz, but you only went and brought home the

:06:12.:06:15.

first ten of the series. Well done. Has that been a massive boost for

:06:15.:06:19.

your confidence this week? It was, because like you said, I found it

:06:19.:06:24.

really hard. It was my hardest week. I was being a nightmare last week.

:06:24.:06:29.

Was he? Giving you a hard time. stamped my foot, I was that cross.

:06:29.:06:37.

I found it so hard, so obviously to get a ten was a shock, but amazing.

:06:38.:06:42.

Were you at all worried about the little spat between the judges? The

:06:42.:06:45.

little fallout about the whispering on the stairs? Did that worry you

:06:45.:06:49.

at all? No, I quite enjoyed standing there and listening to

:06:49.:06:53.

them talking about it. It was quite amusing, but everyone is obviously

:06:53.:06:57.

entitled to their own opinion and it would be boring if everyone was

:06:57.:07:02.

the same, so I totally respected Len's view and it was positive,

:07:02.:07:06.

because he enjoyed our thing in hold. What did you think about the

:07:06.:07:09.

whole thing? I think it really depends on what you are looking

:07:09.:07:12.

forward in a dance, so everyone has their different opinions, but the

:07:12.:07:17.

last thing you expect, after listening to the judges, is a ten.

:07:17.:07:24.

I think both of us were so shocked. Yeah. Doh! What did you whisper to

:07:24.:07:33.

her, by the way? The fans are asking. Just the lyric, - That's

:07:33.:07:43.

not what you whispered, it was psh, psh. I remember being so nervous.

:07:43.:07:47.

It was come away with me and kiss on a mountain top. Of course!

:07:47.:07:52.

That's what she says. I thought the stairs were the mountain. Now,

:07:52.:07:59.

another thing that you have constantly been is the top of the

:07:59.:08:04.

training leadership. I didn't know there was a thing. 195 hours. We

:08:04.:08:10.

keep a tally all time. Psycho. it because she's a task master, or

:08:10.:08:15.

Harry pushing for the hours? I say 50% of the hours are us sitting

:08:15.:08:20.

around talking and bickering and eating food, just chatting, so we

:08:21.:08:26.

need long days, so we can actually - Some takes a lot of breaks.

:08:26.:08:30.

that is something we have noticed actually. There is an awful lot of

:08:30.:08:34.

eating going on in your training room. Have a look at this. I need a

:08:34.:08:44.
:08:44.:08:47.

snack. What flavour is that? which step? Let's do it, break, do

:08:47.:08:57.
:08:57.:09:06.

it, nuts. Are you not hungry yet? Triple step and turn and turn.

:09:06.:09:09.

BURPS Want to try something. I went

:09:09.:09:14.

believe you showed me burping. I know. Beef jerky. I would love some.

:09:14.:09:19.

You are doing the tango. How has it been? Better than last week. Really

:09:19.:09:26.

good. I wouldn't go that far.. I've really enjoyed it. I was nervous

:09:27.:09:29.

about Monday, because you have the high on Saturday and after the show

:09:29.:09:33.

you are happy and go into training on Monday and you are like, bring

:09:33.:09:38.

it on and then it starts from scratch. It's a dance you've never

:09:38.:09:44.

done before and you just hope for something better. This is what you

:09:44.:09:54.
:09:54.:09:58.

are dancing to. Can I call that a duet. I dueted with Harry to

:09:58.:10:02.

Talking Heads. It's a Hallowe'en special. You have Psycho Killer. Is

:10:02.:10:08.

there a theme? There is a major theme. It is very, very theatrical.

:10:08.:10:13.

It's complete opposite character- wise from our romantic waltz, so

:10:13.:10:17.

there is a major kind of thing that happens in the end that people

:10:17.:10:21.

wouldn't expect. I have heard some talk of vampires. Yes. I love it.

:10:21.:10:25.

Will you have fangs and everything? He will. Not the first time you

:10:25.:10:31.

have been a vampire. No. Because, in the video for Party Girl, so

:10:31.:10:38.

check out the pecs. Sorry! There you are. Look. Take it away. Move

:10:38.:10:46.

it. Rory, he went on Saturday and a lot of people shocked and surprised

:10:47.:10:52.

and saddened. There is always the fear that you might go. How worried

:10:52.:10:56.

are you about an early exit? There is always that worry. There is no

:10:56.:11:00.

guarantee and Rory has been great and it was really sad to see him go,

:11:00.:11:04.

because I think maybe out of anyone he has had the most fun and it is

:11:04.:11:08.

going to be weird without him, definitely, but that's why I'm

:11:08.:11:10.

putting in the hard work, because there is that fear of going out.

:11:11.:11:19.

Keep it up. Good luck on Saturday. Harry and Aliona. Fangs a lot!

:11:19.:11:22.

APPLAUSE Sorry. Earlier, I managed to grab a

:11:22.:11:25.

few minutes with Vicky to see what she has got planned for the

:11:25.:11:30.

weekend's Hallowe'en special. Here in the costume department, with

:11:31.:11:34.

Vicky, our head designer. What a week this week. You are preparing

:11:34.:11:37.

for the Hallowe'en special. I imagine that is a lot of work, plus

:11:37.:11:40.

make-up as well, because that is as important this week too? Yeah. We

:11:40.:11:45.

have worked really hard and together this week. We don't often

:11:45.:11:48.

meet weekly, but we needed to come together to make sure all the looks

:11:48.:11:52.

really take on the Hallowe'en theme. And that they work. Who will be the

:11:53.:11:58.

scariest? Although I'm sure she is going to look very beautiful, I

:11:58.:12:05.

feel that Anita may look the most menacing. I know she is dancing to

:12:05.:12:13.

Cliff Richard Devil Woman. What will she wear? It's a drop-waist

:12:13.:12:19.

dress. The crystals are a dark red, so you can see the colours here.

:12:19.:12:23.

love all this draping off her arm. Who has taken the most work and man

:12:23.:12:29.

hours this week? I think Holly's has probably taken the most time.

:12:29.:12:33.

She has been the most troublesome in the nicest possible way. What is

:12:33.:12:40.

the theme? She is doing the American smooth, but it has a black

:12:40.:12:45.

swan vibe. Like Natalie Portman in the movie? Yeah. Hence the feathers.

:12:45.:12:49.

This was a skrech at the beginning of the week -- sketch at the

:12:49.:12:54.

beginning of the week. It has changed. The wings will come on to

:12:54.:13:00.

the arm and we have glued thousands of feathers on her wings. Probably

:13:00.:13:06.

a day's worth. What about Nancy? What is she wearing this week?

:13:06.:13:12.

would have loved a catsuit but we couldn't allow her to follow Alex's

:13:12.:13:17.

lead. It's apparently at the cleaners'. Wow, look at this.

:13:17.:13:21.

have a leotard base, which is very short on the right side and then it

:13:21.:13:28.

runs down into a long-line dress on left, which is caught with a

:13:28.:13:35.

crystal ankle detail. It's like a one-legged catsuit? Yes. We have

:13:35.:13:38.

created it. I've heard she is making quite an entrance on the

:13:38.:13:43.

show. I'm not going to say any more than that. I think Lady Gaga. Very

:13:43.:13:48.

good. We'll talk about the boys. What is Harry up to? He looks very

:13:48.:13:54.

dramatic. It's opulent, sexy and it's a masquerade ball feel to it.

:13:54.:13:59.

I think he's going to look amazing. We have brought the mask. That's

:13:59.:14:05.

all we have. A lot of people would be happy if he just danced in a

:14:05.:14:09.

mask. Under the cloth you always have a mystery dress. We have to

:14:09.:14:16.

guess who this belongs to. Drum roll! Look at that. Emerald green.

:14:16.:14:23.

That is beautiful. Can you give us any includes? -- clues?

:14:23.:14:26.

Professional girl and this young lady loves 50's styling. Good luck.

:14:26.:14:30.

You are doing a great job. I know you've got so many more. I'll leave

:14:30.:14:35.

you to stick all the crystals on. Good luck. Thank you. Back to me in

:14:36.:14:42.

the studio. Thank you me and thank you to Vicky. Please, welcome,

:14:42.:14:50.

Flavia and Russell. Thoroughly enjoyed your dream sequence on

:14:50.:14:54.

Saturday. Or was it a nightmare, because you had a really bad injury

:14:54.:14:59.

and you were dancing through pain? Can you not see the face. Look at

:14:59.:15:03.

the agony. I thought you were in character. No, you are right, I was

:15:03.:15:08.

being sort of getting the acting in. Don't you just love this?

:15:08.:15:13.

absolutely do. Because the thing was, I just did that. It wasn't

:15:13.:15:18.

choreographed. I felt like doing it. Great. I thought I'll have a bit of

:15:18.:15:25.

a twirl. I did it in the afternoon and she said, "I like that." I

:15:25.:15:31.

meant to wander back. It has become you. Tell us about your knee,

:15:31.:15:36.

because you have really hurt it? I've had an MRI scan and apparently

:15:36.:15:46.
:15:46.:15:47.

I have got a funny old thing, miniscus. Brendan knows, he's had

:15:47.:15:52.

one. Will you be all right? going straight off to an

:15:52.:16:00.

orthopaedic person who will look at it. Go like that. If it goes up,

:16:00.:16:04.

I'm in! Perfect! I've heard that before. I'm not leaving the show

:16:04.:16:08.

until I've done a samba, so even if I do it on one leg, I'm doing it.

:16:08.:16:14.

I'm doing it. Have you had to recore graph bearing the trouble in

:16:14.:16:19.

mind? Not really. It's nice and gentle, the rut teen. It is very

:16:19.:16:23.

doable. No lifts. No knee spins or anything crazy like that, so we

:16:23.:16:28.

should be all right. We are quite happy. Fabulous. Wonderful. This

:16:28.:16:33.

woman is the most brilliant. She is quite gorgeous. She has given me

:16:34.:16:39.

the whole of Brazil on a plate! You can say nuts to that if you like.

:16:39.:16:46.

If I was quick enough, I would. It's Hallowe'en week and there have

:16:46.:16:50.

been some paranormal activities going on in your training room.

:16:50.:16:54.

Yeah. We saw that four weeks ago. I heard my name being called and I

:16:54.:16:59.

turned to the crew. They didn't call me. There we were yesterday,

:16:59.:17:05.

and then what did you hear? I heard a baby scream, like as if I had my

:17:05.:17:09.

ears were covered and I heard a noise and the crew heard it too.

:17:09.:17:15.

Quite freaked out. I looked up into the dress circle and I saw this

:17:15.:17:22.

figure flit past. The curtains were just waving. True. True. Apparently

:17:22.:17:26.

they've seen something on the filming. We had to call in the

:17:26.:17:30.

experts. They are called Ghostbusters, would you believe

:17:30.:17:37.

it?! No, they have come to analyse the footage. Observe, if you will.

:17:37.:17:45.

As you do something to the right. Russell, Russell. Did someone speak

:17:45.:17:49.

then? Normally I hear a woman calling my name. Russell. This is

:17:49.:17:54.

so weird. This time it was a man. Russell? Yes. Did you want me? It

:17:54.:18:04.
:18:04.:18:06.

was definitely a male voice. Yeah. Russell. I swear to you, my

:18:06.:18:14.

name was called. Russell Grant. Arh! We are being looked after.

:18:14.:18:18.

are being looked after. It's OK. You are doing the samba this

:18:18.:18:25.

weekend. I love it. To this music. Better the Devil You Know. Kylie. I

:18:25.:18:30.

love it. How scary are you going to be in the special? You can't be

:18:30.:18:35.

scary to Kylie. Isn't that the best? If you vote me out, I have to

:18:36.:18:41.

do it first. You are clearly loving it. Apparently you said, "I love

:18:42.:18:51.
:18:52.:18:54.

samba." It was said 58 times. You also said, "I am samba." That was

:18:54.:19:00.

my friend saying that. It is so wonderful. Do you want to see my

:19:00.:19:05.

moves. Come on! APPLAUSE

:19:05.:19:10.

Russell, Flavia, good luck for the weekend. Have fun on the Chris

:19:10.:19:14.

Evans' breakfast show tomorrow morning. We're doing that tomorrow

:19:14.:19:16.

morning. APPLAUSE

:19:16.:19:20.

I am samba! Time, now, to see how our ladies are shaping up with this

:19:21.:19:30.

week's dances. It's Hallowe'en and we are dancing the paso doble. Last

:19:30.:19:33.

week we had a knock, so the confidence isn't quite there to

:19:33.:19:38.

carry it, so James' job is quite a lot harder this week. This will be

:19:38.:19:42.

the end of me. Don't say that. It's a very aggressive and powerful

:19:42.:19:46.

dance and you need to channel a lot of anger and aggression and I'm

:19:46.:19:53.

going to get her to think about one person. And Craig Revel Horwood,

:19:53.:19:58.

because she doesn't have an aggressive bone in her body. I need

:19:58.:20:01.

more stern. Feel creepy as you do it. We have been working on looking

:20:01.:20:11.
:20:11.:20:12.

angry. Let it come out. Aaarrrhhhh! This has got a bit of stamping of

:20:12.:20:18.

feet and who knows, I might accidently stamp on Craig's foot?

:20:18.:20:28.

This week is Hallowe'en and we are dancing the terrifying tango. It's

:20:28.:20:32.

aggressive, so a completely different dance. This is

:20:32.:20:36.

frightening. You ain't seen nothing yet. It's so fast and you have to

:20:36.:20:43.

be very quick to execute them. Three, four. Oh, I felt that! I'm -

:20:44.:20:47.

You felt it!! I have to get her to go in a completely different

:20:47.:20:53.

direction. I need to see the devil inside. The best villains are good

:20:53.:20:58.

fun and nice people, because somehow they can throw themselves

:20:58.:21:04.

to the opposite end of the scale. This tango is a nightmare. You're a

:21:04.:21:13.

nightmare! This week I'm doing the American smooth. I'm going to be

:21:13.:21:18.

Black Swam this week for Hallowe'en. What is going on? I didn't feel you

:21:18.:21:22.

there. I think Artem will take every opportunity to push me really

:21:22.:21:28.

hard. Turn, turn, turn. This week I think she will find it extremely

:21:28.:21:33.

difficult because it is physical. It is really physical. We have a

:21:33.:21:37.

lot of turns and it's tricky to come out and not want to throw up.

:21:37.:21:41.

She has the quality of being an amazing dancer, but we are not

:21:41.:21:46.

using it. Not getting that. It could be completely disastrous or

:21:47.:21:53.

it could be nice. I'm not sure what it's going to be yet. Swan Lake and

:21:53.:22:00.

ballerina, not quite, but I'm working on it. We are doing the

:22:00.:22:05.

rumba, the dance of love. It's one of her favourites. It's supposed to

:22:05.:22:13.

be very sexy, a lot of body involvement. I want a kiss. I don't

:22:13.:22:18.

want a kiss. I'm trying to temper her enthusiasm a little. Long, long,

:22:18.:22:22.

straight, not fast. It's the timing we are struggling with. We are

:22:23.:22:30.

going to count out loud so we can all hear you. One small problem,

:22:30.:22:35.

she doesn't always do as I tell her. You have to count. I'm not going to

:22:35.:22:39.

count. It's the most difficult thing, which is to get the right

:22:39.:22:42.

step in the right timing, especially on the live show and my

:22:42.:22:46.

mind goes blank. If she can get over that, I think we'll see a good

:22:46.:22:53.

dance. This week is the tango. The biggest challenge would be going

:22:54.:22:57.

into character of this dance and really nailing it and making this

:22:57.:23:03.

dance look passionate. You should be very precise, but seductive in a

:23:03.:23:10.

way too. I'm not known for being seductive. It's not sweet and

:23:10.:23:18.

lovely. I'm a little out of my comfort zone. I want to create the

:23:18.:23:28.
:23:28.:23:29.

step where we almost kiss each other. Oh, no, I'm not into that! I

:23:29.:23:37.

don't reckon Pasha will bring the passion out in me! This week it's

:23:37.:23:44.

the paso doble and Brendan has got the most fabulous ideas for it.

:23:44.:23:47.

worried it might be a lot of content, however the excitement of

:23:47.:23:53.

what we are producing is going to pro -- blow the show away. Point

:23:53.:24:01.

the feet. All the way around. Off you go. Where am I running? I don't

:24:01.:24:05.

like to be left too much on my own to do my Lulu thing. I like to be

:24:05.:24:11.

as close to Brendan as possible. If I'm on my own doing all this by

:24:11.:24:15.

myself I'm not Kristina. I watch Kristina last week and I was

:24:15.:24:18.

mesmerised by the way she moved her skirt. If I can get a little of

:24:18.:24:23.

that I will be thrilled. You should cross my legs. I don't feel like

:24:23.:24:33.
:24:33.:24:34.

Kristina! Welcome Lulu and Brendan. APPLAUSE

:24:34.:24:40.

Congratulations, because Lulu, you broke Brendan's curse of the samba!

:24:40.:24:43.

APPLAUSE You are still here. How excited

:24:43.:24:47.

were you to be back in the training room and stay in the competition?

:24:47.:24:50.

When we got through, I thought we were going to be out and I think

:24:50.:24:53.

you could see my mouth doing that. To be back in the room on Monday

:24:53.:24:58.

was just - Did you really think that was it? Very easy, because the

:24:58.:25:03.

numbers were very close. I thought it. There were three couples all

:25:03.:25:09.

tied and one under and normally the one underneath gets saved and then

:25:09.:25:14.

we are in a very difficult situation. Third up is never a good

:25:14.:25:19.

place to be. The judges thought the samba really suited you. Well, I

:25:19.:25:25.

took what Craig said and I just took it. Thank you Craig. Julien

:25:25.:25:34.

Macdonald OBE was in earlier this week and he said you were fabulous.

:25:34.:25:39.

The judges did pick you up on the whole stairs scenario, as they did

:25:39.:25:43.

others. How difficult is it for you to core graph for the judges, but

:25:43.:25:48.

also for the public? It always makes me laugh a little bit, the

:25:48.:25:50.

fact someone can comment on something they know nothing about.

:25:51.:25:56.

Only we as the professional dancers know for our partner how much

:25:56.:26:00.

content and what to do and unless they've come in and worked with

:26:00.:26:04.

Lulu and seen what she is capable of, they can't really comment on

:26:04.:26:08.

that. I was happy. I was happy to go up and party with the people. We

:26:08.:26:12.

had a lot of content and they say it's a lack. You think, hang on,

:26:12.:26:19.

look at it back. To me it's them not doing their job properly.

:26:19.:26:24.

also said that Alex wasn't sexy. I didn't agree at all. I thought she

:26:24.:26:31.

was sexy. She is a very, very sexy lady. Don't be nervous. We'll tell

:26:31.:26:34.

her that. You are doing another Latin dance. A very different one.

:26:34.:26:42.

The paso doble. How is it going? are pushing the boat out this week.

:26:42.:26:45.

We are. We have got so many different variables that could

:26:45.:26:51.

potentially ruin the dance for us. But it's Hallowe'en special. Last

:26:51.:26:56.

year I loved it. I thought we all really enjoyed it and I want to do

:26:56.:26:59.

something. We are doing something that has never been done before on

:26:59.:27:02.

Strictly. We have a costume that we have never done before and I came

:27:02.:27:06.

up with the idea and I said is it possible? They have said yes and we

:27:06.:27:09.

are doing it. You are going to rehearse the special thing after

:27:09.:27:14.

you have been here. It is very tricky, but we are hoping it will

:27:14.:27:23.

be a treat. Is it roller skates? You've ruined it. This is what you

:27:23.:27:28.

are dancing to. Highway To Hell. It's the first time anyone has

:27:28.:27:32.

danced to ACDC. I got on the Tube after training yesterday and there

:27:33.:27:42.

was a dude standing head to toe in ACDC gear. It's a sign. Is it a

:27:42.:27:47.

good sign? I hope so. We are so looking forward to how special your

:27:47.:27:50.

performance is going to be and you've had an awful lot of support

:27:50.:27:54.

from the fans. They've been texting in and calling in. Have a little

:27:54.:28:02.

listen to this special message. This is Bob. I'm just ringing to

:28:02.:28:06.

say that I think Brendan is a fantastic dancer and a wonderful

:28:06.:28:11.

choreographer and he's getting better looking every day. Much more

:28:11.:28:17.

han so many than James Jordan fella. -- handsome than that James Jordan

:28:17.:28:22.

fella. Love you all. Goodbye. a lovely message. What a nice man.

:28:22.:28:26.

It's amazing for the support. Anyone think that man sounded

:28:26.:28:34.

familiar? We called Bob back and this is what happened. PHONE RINGS

:28:34.:28:40.

I'm sorry, but brend dand Cole is not -- Brendan Cole is not

:28:40.:28:46.

available. Good luck on Saturday with the big show. We can't wait.

:28:46.:28:48.

Lulu and Brendan. APPLAUSE

:28:48.:28:52.

Download Subtitles

SRT

ASS