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It's frequenty Friday, coming up on tonight - freaky Friday, coming up | :00:10. | :00:15. | |
on the show we have what's in store for the Hallowe'en special. I drop | :00:15. | :00:21. | |
into the spooky Strictly studio, plus the gorgeous Alesha Dixon is | :00:21. | :00:27. | |
on the Friday panel. And East Ender, John Partridge. This will be a | :00:27. | :00:37. | |
:00:37. | :00:37. | ||
Apology for the loss of subtitles for 42 seconds | :00:37. | :01:19. | |
Hello, and welcome to Friday It Takes Two. We have been gearing up | :01:19. | :01:24. | |
to the Friday special all week, and now it is only this much until the | :01:24. | :01:32. | |
witching hour is spon us. This weekend, 11 will become ten, | :01:32. | :01:35. | |
with the standard of the competition so high, we can't even | :01:35. | :01:40. | |
begin to guess who will be leaving. In just a moment I will be talking | :01:40. | :01:46. | |
terrifying Tangos to Chelsee and Pasha. First, here is a reminder of | :01:46. | :01:53. | |
how they Qickstepped their way to success on Saturday. Chelsee, the | :01:53. | :01:59. | |
pocket rocket is off! Higher than you can possibly reach. Pasha you | :01:59. | :02:03. | |
checked in, Chelsee, tomorrow night you will not be checking out. | :02:03. | :02:08. | |
did fans particular routine, the only criticism is it ended too soon. | :02:08. | :02:18. | |
:02:18. | :02:22. | ||
Wow. It's our best score so far. The best score, I'm over the moon. | :02:22. | :02:31. | |
For the first time I actually really loved being out there. | :02:31. | :02:41. | |
Please welcome Chelsee and Pasha. That was almost the beginnings of a | :02:41. | :02:44. | |
Dirty Dancing lift at the end. Well done on Saturday, it was so good | :02:44. | :02:49. | |
your quickstep, I was on the sofa, my little girl Nelly was going, | :02:49. | :02:55. | |
come on! How was it to be top of the leaderboard, Chelsee? It was | :02:55. | :02:59. | |
amazing, I was absolutely made up. I was over the moon. And I didn't | :02:59. | :03:04. | |
expect it. You really didn't expect it, did you? No. The other amazing | :03:04. | :03:08. | |
thing, you only had, I think it was just under 12 hours of training | :03:08. | :03:12. | |
last week, because of Waterloo Road, that is all the time you had. She | :03:12. | :03:18. | |
must be a really fast learner? I'm not. She is, but I think it is | :03:18. | :03:23. | |
a lot to do with the stress. When you are in situation you have to | :03:23. | :03:27. | |
perform, Chelsee is going for it. When I know the pressure on, that | :03:27. | :03:32. | |
is when I think you have to knuckle down. You work better with pressure. | :03:32. | :03:37. | |
I don't like it. She works better. Have you had any more training time | :03:37. | :03:41. | |
this week? Not really. That is maybe a good thing? If anything, I | :03:41. | :03:47. | |
think we have had less. You can't wait to see it then? No. If that's | :03:47. | :03:50. | |
what you do after so little training. You are doing the Tango | :03:50. | :03:55. | |
this week, a lot of passion in the Tango, loving watching your | :03:55. | :04:00. | |
training, have you perfected your almost kiss yet? Pasha's loving it, | :04:00. | :04:08. | |
I keep having to ease him off. off Pasha! She got it wrong, she | :04:08. | :04:17. | |
keeps pulling me towards her. can't help myself. Your dancing - | :04:17. | :04:23. | |
you are dance to go this: # Love position number nine | :04:23. | :04:29. | |
See, desperate to kiss you. Alesha was talking about your chemistry, | :04:29. | :04:33. | |
is that music going to help stir the chemistry up, give us a great | :04:33. | :04:38. | |
performance on Saturday night? music definitely helps. I think | :04:38. | :04:43. | |
chemistry starts building during the rehearsals. Every time we are | :04:43. | :04:49. | |
together we kind of do it. bounce off each other. You are a | :04:49. | :04:57. | |
little bit. Bopbg, bopbg. Don't ever do that again, P a s h. | :04:57. | :05:07. | |
:05:07. | :05:08. | ||
have noticed you are a bit like an old married couple. | :05:08. | :05:16. | |
Can you change those papbts, I'm not keen on them. What's wrong? | :05:16. | :05:21. | |
like you in jeans more, you look more manly. How nice for you. | :05:21. | :05:31. | |
:05:31. | :05:32. | ||
have changed your papbts. No I didn't. I have only just noticed. I | :05:32. | :05:37. | |
have only just clocked on to that. It is not about the look, this | :05:37. | :05:47. | |
:05:47. | :05:47. | ||
thing didn't hold. Whatever! Whatever! You are quite embarrassed | :05:47. | :05:51. | |
Pasha, aren't you. The all- important question, is what are you | :05:51. | :05:55. | |
wearing tomorrow night for Hallowe'en? He's definitely not | :05:55. | :05:58. | |
wearing them pants anywhere. I know what you mean about those | :05:58. | :06:03. | |
pants. What are you going to be wearing? I have a lovely dress and | :06:03. | :06:11. | |
I'm excited to wear it. Hallowe'en clorbgs and it has a big heart on - | :06:11. | :06:17. | |
colours, and it has a big heart on it. What are you wearing, we will | :06:17. | :06:20. | |
make her fall in love with you. What will you wearing? Matching | :06:20. | :06:25. | |
stuff. I'm going to be a mad scientist. But stylish mad | :06:25. | :06:29. | |
scientist. You can have bubbleing bottles and all that. You have set | :06:29. | :06:33. | |
the bar for yourselves very, very high. How are you going to maintain | :06:33. | :06:39. | |
that top spot tomorrow? To be honest, we are not looking at it | :06:39. | :06:43. | |
like that, we are not saying we are going to stay at the top, we will | :06:43. | :06:47. | |
go and try our best, hopefully put our all into it, and hopefully it | :06:47. | :06:52. | |
will be good scores. We are looking forward to the almost kiss, Chelsee | :06:52. | :06:57. | |
and Pasha. Thank you. | :06:57. | :07:03. | |
I'm loving the way you say "manly"! Our professional dancers like to | :07:03. | :07:13. | |
:07:13. | :07:27. | ||
get dress up, can you guess which Who is the dancer in disguise? Find | :07:27. | :07:34. | |
out later in the show. I will never forget that routine, | :07:34. | :07:39. | |
elephants never forget. Earlier on today, I hopped on my broomstick to | :07:39. | :07:43. | |
visit the Strictly studio to find out how the preparations were | :07:43. | :07:46. | |
coming along, here is what happened. Look Holbrooke's frock, she's not | :07:46. | :07:56. | |
:07:56. | :07:57. | ||
in it, sadly, for you. Just being fixed. Jason Donovan is in there. | :07:57. | :08:02. | |
If you come into the Strictly studio, you can see a complete | :08:02. | :08:06. | |
makeover, we have spooky tree, gravestones, cobwebs, all ready for | :08:06. | :08:11. | |
the Hallowe'en show. I have come down early to have a chat with this | :08:12. | :08:18. | |
lady. Hello Alex, hello James. How are you both. How is the atmosphere | :08:18. | :08:24. | |
in the studio today? Creepy, scary, spooky. Is that just hanging out | :08:24. | :08:28. | |
with him! He does that to people. You are doing the paso doble this | :08:28. | :08:32. | |
week, got a bit of a confidence knocking last weekend, have you | :08:32. | :08:35. | |
picked yourself up how are you feeling? We have picked ourselves | :08:35. | :08:39. | |
up, dusted ourselves out, and we are going to give it a bit of welly | :08:39. | :08:44. | |
this week. That is what we like. Doing the paso doble, Alex is such | :08:45. | :08:48. | |
a lovely girl, you have to be quite aggressive, how are you bringing | :08:48. | :08:52. | |
the aggression out of her? Generally annoying me. That will do | :08:52. | :08:57. | |
it every time. Joking. Are you finished. That's a scary look. | :08:57. | :09:01. | |
is my scary face. She doesn't have a mean bone in her body, it has | :09:01. | :09:05. | |
been really difficult, but we have been thinking about Craig a lot. | :09:05. | :09:12. | |
And that's been helping a little bit. Where you are stamping the | :09:12. | :09:20. | |
foot, we call it a Craig- 2- 3- 4. Any scary spooky moves on the | :09:20. | :09:24. | |
floor? They are not in there, although they may appear on the | :09:24. | :09:31. | |
night, I'm only joking. You can't wind him up this week? I'm in | :09:31. | :09:35. | |
character for Hallowe'en. You two are such a brilliant partnership, | :09:35. | :09:39. | |
we have noticed, once more, in the training room, there is often more | :09:39. | :09:49. | |
:09:49. | :09:52. | ||
It looks like a chicken wing. lots of impression of Alex, and I | :09:52. | :10:00. | |
show her what she looks like. look like a goldfish. Very good | :10:00. | :10:10. | |
:10:10. | :10:14. | ||
without the donkey legs, step that way and that way and step. Me o w! | :10:14. | :10:24. | |
:10:24. | :10:28. | ||
You look like a crab, you are like a horse, troting! What can you say. | :10:28. | :10:32. | |
It is like Doctor Doolittle. Did you know you could do an impression | :10:32. | :10:39. | |
of so many animals? I thought we were in dance studio not Noah's Ark. | :10:39. | :10:44. | |
We have managed to sneakly grab the judges paddles, they have | :10:44. | :10:49. | |
Hallowe'en paddles, give us a glimpse of what you will score this | :10:49. | :10:55. | |
weekend. It was a tough one, but I hope, fingers crossed, a six. | :10:55. | :11:00. | |
on, you have to go higher than that. I'm more positive, I'm hoping. | :11:00. | :11:04. | |
Because we haven't had a nine yet. You want a nine, even a ten. Will | :11:04. | :11:10. | |
you do us all a favour? I'm not greedy, a nine would be fine. Don't | :11:10. | :11:14. | |
be greedy. Will you give us a sneaky little look. OK. A little | :11:14. | :11:21. | |
section of it. Oh the dance! Here you are, It Takes Two, this is | :11:21. | :11:31. | |
:11:31. | :11:31. | ||
Apology for the loss of subtitles for 42 seconds | :11:31. | :12:12. | |
Alex and James, and the pass dough Come on Alex, get him. | :12:12. | :12:16. | |
We do like the illegal kick of the butt. I can't wait to see the whole | :12:16. | :12:22. | |
routine tomorrow. Last Saturday Len described my next couple's Viennese | :12:22. | :12:31. | |
Waltz as lovely / light and fluffy. Welcome Holly and Artem. Welcome | :12:32. | :12:39. | |
you gorgeous twosome. Not sure if you were a fan of the Viennese | :12:39. | :12:44. | |
Waltz before Saturday, how did it go? It was a tough week, it was not | :12:44. | :12:48. | |
as, I wasn't into it as much. I wasn't into the song. I struggled a | :12:48. | :12:51. | |
little bit. On the night I really actually enjoyed myself. And | :12:52. | :12:56. | |
looking back now I think it was quite lovely. I'm glad you finally | :12:56. | :13:01. | |
fell for it. Artem, you were tied fifth, fifth tied, however you say | :13:01. | :13:06. | |
it, you went up to fourth last week, are you happy? It is a step up, so | :13:06. | :13:12. | |
yes, I'm happy. Never satisfied enough, surely. Never. It is not | :13:12. | :13:17. | |
going to happen. He wants more. We also saw on The One Show, that they | :13:17. | :13:23. | |
sent you for lady training. And we wanted to know if it had actually | :13:23. | :13:26. | |
worked. We have inspected your training footage this week to see | :13:26. | :13:36. | |
:13:36. | :13:43. | ||
This makes me want to v o m. I don't have lunch in my teeth do I. | :13:43. | :13:53. | |
:13:53. | :13:58. | ||
This b o g g e r came out of my nose. I just snoted on it. It's OK. | :13:58. | :14:08. | |
:14:08. | :14:13. | ||
Good morning. At a party, at home. At a party, at | :14:13. | :14:21. | |
home. You are having a giraffe. doesn't make any sense. Cockney. I | :14:21. | :14:28. | |
don't you don't want to go f u f f y people rainian. I'm lady, I do | :14:28. | :14:38. | |
ladies' things! We love that so much. I'm really | :14:38. | :14:46. | |
emparsed. Can you explain I don't want to go It was too razle dazzle. | :14:46. | :14:52. | |
I'm going to pretend I understand. Is there anything that Artem could | :14:52. | :14:57. | |
improve on it, with everything telling you about being ladylike? | :14:57. | :15:02. | |
No, he's perfect in every way. No the only thing I'm better at, | :15:02. | :15:06. | |
vaguely, is speaking English, even then I think he will be better at | :15:06. | :15:10. | |
it than me at some point. Occasionally she corrects me. | :15:10. | :15:15. | |
Sometimes. How does that go down? Really well, he loves it. You are | :15:15. | :15:19. | |
going the American Smooth this week, and you are dancing to this music. | :15:19. | :15:28. | |
So exciting. It is Swan Lake, American Smooth, Hollywood glamour, | :15:28. | :15:33. | |
how are you bringing the Hallowe'en theme into that dance this weekend? | :15:33. | :15:40. | |
Because we are doing the whole black swan theme. Like the movie, | :15:40. | :15:46. | |
like Natalie Portman. Psychological thriller on the dance floor. She's | :15:46. | :15:52. | |
the black swan and I'm the white swan. Please tell me you are in | :15:52. | :15:56. | |
tights? He requested the tights, I thought the viewers would enjoy | :15:56. | :16:01. | |
them. But he's not having it. can do lifts in the American Smooth, | :16:01. | :16:09. | |
how are they going? They are really fun. At the start of the week, it | :16:09. | :16:13. | |
was. Up she goes, down she goes, looking particularly ladylike in | :16:13. | :16:18. | |
this shot. We're dragging it all up this week. When that happened, I | :16:18. | :16:21. | |
begged the camera crew to lose the tape. I said this is going to be on | :16:21. | :16:27. | |
YouTube for the rest of my life. is. And now, has he been any more | :16:27. | :16:32. | |
scary in training this week? he's been a joy, we have had so | :16:32. | :16:37. | |
much fun, I really love this dance. I really like the dramaticness, and | :16:37. | :16:43. | |
the balletic stuff. You have some amazing lines. I think I might do | :16:43. | :16:47. | |
some ballet classes after this. Look what we have done for you. You | :16:47. | :16:51. | |
have scored 30 for the last three weeks can you break this week, can | :16:51. | :16:56. | |
you go above the 30 mark? We shall wait and see. We're going to have a | :16:56. | :17:06. | |
:17:06. | :17:07. | ||
go. It is driving my O C D nuts, we have to go somewhere. Let's look at | :17:07. | :17:11. | |
the clock. Holly you don't even flich, is there anything that | :17:11. | :17:21. | |
:17:21. | :17:24. | ||
scares you? Rats. Totally random, I love it. Holly and Artem. | :17:24. | :17:29. | |
She is very strong Ozzy stock sfrpbt she. In a few moments - | :17:29. | :17:37. | |
isn't she. In a few moments we will discuss our weekend with our panel. | :17:37. | :17:41. | |
We have mentioned once or twice that tomorrow it is a Hallowe'en | :17:41. | :17:51. | |
:17:51. | :17:52. | ||
special. No expense spared, to get you into the mood of it, we have | :17:52. | :17:58. | |
asked our couples what scares them most about Strictly. I think the | :17:58. | :18:02. | |
biggest scare about strictly is the live show. It is the lead up that | :18:02. | :18:07. | |
really is tough. I always get so nervous before the show, and | :18:08. | :18:13. | |
absolutely I am petrified. You are ready to go and the voiceover says | :18:13. | :18:21. | |
"dancing the Cha Cha Cha", that split second before it goes boom, | :18:21. | :18:26. | |
wow. It is the Saturday night show, it is all scary. It is not | :18:26. | :18:30. | |
predictable, anything can happen. The thing that scares me most is | :18:30. | :18:36. | |
makeing a fool of myself, letting Robin down, and not coming up with | :18:36. | :18:42. | |
the goods. The part where Artem lifts me up and twirls me round, is | :18:42. | :18:45. | |
fairly frightening, where I have to land neatly and have my balance. | :18:45. | :18:50. | |
What scares me most about Strictly is Craig. When Craig gives | :18:50. | :18:55. | |
criticism, he does it with such a straight face, and he looks so | :18:55. | :19:03. | |
unimpressed. He just says it as if, it's like. Sexless, cold and stiff. | :19:03. | :19:09. | |
The aim is to not appeal scared of him, even though I will probably be | :19:09. | :19:14. | |
quakeing in my boots. What scares me most would be to go out there on | :19:14. | :19:21. | |
Saturday night, and to hear, judges score, one. To stand there, to wait | :19:21. | :19:25. | |
for the result is just frightening, you know that one of you is going | :19:25. | :19:31. | |
to go, that is always very sad. What scares me about Strictly is I | :19:31. | :19:41. | |
:19:41. | :19:42. | ||
know one week I will be out. Clammy palms for all of them. It is now | :19:42. | :19:49. | |
time to hear from three people, who between them, know how to conup the | :19:49. | :19:54. | |
perfect performance, it is our Friday - conjure up the perfect | :19:54. | :20:04. | |
:20:04. | :20:06. | ||
performance, it is Alesha Dixon, Daniel O'Donnell and John Partridge. | :20:06. | :20:10. | |
Welcome, welcome, you three beauties. First of all, Alesha, | :20:10. | :20:12. | |
Hallowe'en special, last year it was fantastic, are you looking | :20:12. | :20:17. | |
forward to it? Last year's show was incredible. It was so much better | :20:17. | :20:20. | |
than I thought it would be. Everything about it worked. This | :20:20. | :20:25. | |
year, what I have heard it will be better. There are amazing surprises | :20:25. | :20:30. | |
in store. Daniel, who stood out for you in the competition so far? | :20:30. | :20:33. | |
know there is so many, every week you think you have your favourite, | :20:34. | :20:37. | |
and then the next week somebody else comes up. I think Jason is | :20:37. | :20:44. | |
doing a great job, I love Russell. How can you not. He brings a smile | :20:44. | :20:50. | |
to my face. They are all fantastic. I was sorry to see Rory go. There | :20:50. | :20:55. | |
were tears, a lot of tears from him last week. A lot of tears. We know | :20:55. | :21:01. | |
you are a massive fan? An uber fan. You are oozing it. How much are you | :21:01. | :21:05. | |
the Hallowe'en props and costumes going to bring to the couples' | :21:05. | :21:08. | |
performances? They are great, you can hide behind them, a long cape | :21:08. | :21:12. | |
can cover up the foot workment they are a hindrance, because you have | :21:12. | :21:18. | |
something else to think about, other than your steps. I wish they | :21:18. | :21:22. | |
had props when they were doing it. I know, out there on your own. We | :21:22. | :21:28. | |
are going to talk about Russell first. News just in, Russell's knee, | :21:28. | :21:32. | |
he has hurt his knee, but it has been to see a specialist, he's fine | :21:32. | :21:36. | |
to dance tomorrow, everybody, don't panic. He's going for a minor | :21:36. | :21:41. | |
procedure on Sunday, no, no, no, it will all be fine. He will be right | :21:41. | :21:47. | |
as rain for next week's show. Thank goodness. I will sleep tonight. | :21:47. | :21:50. | |
is dance to go Kylie Minogue tonight, have a little listen. | :21:50. | :21:58. | |
Better The Devil You Know. Come on. He is doing the samba. He really | :21:58. | :22:05. | |
knows how to work a crowd, doesn't he. What about that shirt! The very | :22:05. | :22:08. | |
minute you see him you smile, he just has that something, and he | :22:08. | :22:14. | |
takes off as he knows where he's going, what he's doing, he just | :22:14. | :22:24. | |
:22:24. | :22:32. | ||
oozes that appeal, whatever it is that people need he has it. Can he | :22:33. | :22:37. | |
bring it out on the samba? He can, he's just fantastic, that is what | :22:37. | :22:44. | |
the samba is, it is a feel- good dance, he wants you to get up there | :22:45. | :22:54. | |
:22:55. | :22:58. | ||
with him. An neat at that and Robin dancing the Tango, dance - Antia | :22:58. | :23:03. | |
dancing the Tango with Robin to Devil Woman? Are you a personal | :23:03. | :23:09. | |
friend with cliff? I am, I think it is a fantastic song and she will be | :23:09. | :23:13. | |
great. It is far from Antia's responsibility, how will she bring | :23:13. | :23:18. | |
out that devilishness? Did you see her behind the Queen Vic, she can | :23:18. | :23:23. | |
be devilish. From week to week, she is an actress, she adopts a | :23:23. | :23:28. | |
character, whether hair spray, or the Waltz, she will come to it as | :23:28. | :23:32. | |
an actress. What are you thinking of the training, any points for | :23:32. | :23:36. | |
her? Technically I think Antia is very, very strong. The thing is, so | :23:36. | :23:41. | |
far we have only seen the lovely side of her, come on, what we saw | :23:41. | :23:45. | |
in EastEnders, if she can channel that spirit and put it into what | :23:45. | :23:49. | |
she has mastered technique- wise, this could be a strong week. | :23:49. | :23:57. | |
has improved week by week. Nancy and Anton, N a n t o n, as I like | :23:57. | :24:02. | |
to call them. They are dancing the Rumba, the dance of love to Spooky | :24:03. | :24:06. | |
by Dusty Springfield. There seems to be a wooden box in the | :24:06. | :24:12. | |
background! Who is coming out, or who is ending up in it at the end. | :24:12. | :24:15. | |
Craig says she has hidden talents are you a fan? I think she has, | :24:15. | :24:20. | |
even last week when you saw her draped at the beginning, she make | :24:20. | :24:24. | |
as really good line. When she does leg extensions, she points her toe | :24:24. | :24:30. | |
and knees are pulled up. Ant toe has to stop dragging her round. - | :24:30. | :24:37. | |
Anton has to stop dragging her round. What should he do? Let her | :24:37. | :24:44. | |
dance. He might think's pulling A n n. That looks OK. Surprisingly good. | :24:44. | :24:47. | |
Got tomorrow of the leaderboard, can they come out. Maybe so. It has | :24:47. | :24:55. | |
to get better. It does. Robbie and Ola are doing | :24:55. | :25:05. | |
:25:05. | :25:06. | ||
the paso doble, to this music. (Bad, Michael Jackson) This should | :25:06. | :25:10. | |
be a good week for him? Bravado, strength, he looks like good upper | :25:10. | :25:14. | |
body strength, he has really improved. We saw him with the shirt | :25:14. | :25:18. | |
off as we were walking through costume, I had to have a lie down. | :25:18. | :25:21. | |
You have described him as one of the front- runners of the | :25:21. | :25:26. | |
competition, are you liking the paso doble? He's a bit of dark | :25:26. | :25:30. | |
horse, something endearing about him. The first week I have never | :25:30. | :25:35. | |
seen him so petrified, since then, he's like a new man. Last week, so | :25:35. | :25:39. | |
impressive, personality in abundance f he can do it again, he | :25:39. | :25:43. | |
can go from strength to strength. Audley natly will be doing the Jive | :25:43. | :25:47. | |
this week - Natalie, will be doing the Jive this week dancing to | :25:47. | :25:53. | |
Little Shop of Horrors. Lots of chat about his size and weight. | :25:53. | :25:58. | |
Will the lightness of the Jive be something for him? He's a boxer, | :25:58. | :26:02. | |
he's used to dancing around the ring, Jive is about elevation, he | :26:02. | :26:07. | |
has a lot to push him off the floor. A whole chunk of thigh. What about | :26:07. | :26:11. | |
the track, liking that for Hallowe'en? I do, I think, I | :26:11. | :26:17. | |
haven't seen him without a smile. He always has a smile. It is | :26:17. | :26:20. | |
fantastic, he just brings you into what he's doing, every time I have | :26:20. | :26:25. | |
watched the show, he just comes out with that smile, and he hasn't lost | :26:25. | :26:29. | |
it. You know, they have always talked about your lovely eyes, now | :26:29. | :26:38. | |
I know what they mean! Talk of Audley - I'm so fickle - you have | :26:38. | :26:42. | |
made an impression on you. He talks about you in training. Yes he does. | :26:42. | :26:47. | |
I can rap as well, Alesha, you know I k maybe we should do a song, me | :26:47. | :26:54. | |
and you. Magestic on the Mi c, Audley Harrison, how you like, | :26:54. | :26:59. | |
round and round we go, to the b a s s and the tempo, all the boys and | :26:59. | :27:03. | |
girls it is time to make some noise, Audley Harrison is on the floor, | :27:03. | :27:08. | |
it's time to give you more, more, more. | :27:08. | :27:13. | |
Take his number. I never thought I would see raping on Strictly. | :27:13. | :27:20. | |
have A C D C, raping, a duet in the pipeline. Who knows. Jason and | :27:20. | :27:25. | |
Kristina are doing the quickstep this week. They are dancing to a | :27:25. | :27:33. | |
great old classic, bewitched. - Bewitched. You performed with Jason | :27:33. | :27:39. | |
in the West End, can he use his showmanship to get back up the | :27:39. | :27:43. | |
leaderboard. I think so, he's fleet of foot, light on his feet, it is a | :27:43. | :27:49. | |
constant showman. Go Jason. Come on. Thank you very much, you have been | :27:49. | :27:56. | |
an excellent Friday panel, gorgeous, John, Daniel and Alesha. | :27:56. | :28:00. | |
Now in the show we asked which of the professional dancers was | :28:00. | :28:10. | |
:28:10. | :28:14. | ||
dancing in disguise, here is the It was our Brendan, looking | :28:14. | :28:17. | |
gorgeous in an elephant suit. Did you recognise him, could you tell | :28:17. | :28:24. | |
it was him? Coy tell, yeah. John, what do you reckon to predictions, | :28:24. | :28:32. | |
who do you think will go? Harry. They are all fantastic. But I think | :28:32. | :28:37. | |
Jason is really, really good. can't ask you Alesha, you must | :28:37. | :28:42. |