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It's Monday, it is Hallowe'en. Coming up tonight: It was the final | :00:08. | :00:12. | |
nail in the coffin for Nancy and Anton as they were booted out of | :00:12. | :00:17. | |
the competition. They are here. Lulu and blen Dan talk about flying | :00:17. | :00:23. | |
high and -- and Brendan talk about flying high and Craig Revel Horwood | :00:23. | :00:33. | |
:00:33. | :01:01. | ||
will be here giving me the weekend Live from Television Centre, this | :01:01. | :01:11. | |
:01:11. | :01:16. | ||
is Strictly: It Takes Two. Please Double double toil and trouble, | :01:16. | :01:23. | |
than Si and Anton have left the Strictly bubble! Very sad face. The | :01:23. | :01:27. | |
ballroom was taken over by dark forces on Saturday night and only | :01:27. | :01:31. | |
the strongest survived. Welcome to It Takes Two. If you miss any of | :01:32. | :01:41. | |
:01:42. | :01:42. | ||
the Hallowe'en action, here is a quick reminder. A dress malfunction. | :01:43. | :01:49. | |
Anything I can do! What a number. It was terrific. Loved it. Emerging | :01:49. | :01:55. | |
from the coffin, looking like the Queen of the Night. You danced like | :01:55. | :02:04. | |
a walking dead. You are physically unsuited for this dance. The King | :02:04. | :02:11. | |
and Queen of tango! 10. It did need more drive. Your hands were like | :02:11. | :02:19. | |
soup ladles, darling. You are back, well done! 10! The couple leaving | :02:19. | :02:28. | |
tonight is Nancy and Anton. A very bittersweet welcome for Nancy and | :02:28. | :02:36. | |
Anton. APPLAUSE There is a lot of love in this room for you tonight. | :02:36. | :02:40. | |
Nancy, you have not had the easiest time in this competition. Are you | :02:40. | :02:44. | |
still shocked to be here having been eliminated? I have been a bit | :02:44. | :02:52. | |
shocked like the rest of the country. The nation was in shock. I | :02:52. | :03:02. | |
:03:02. | :03:03. | ||
agree. You beauty! She is right. I'm laughing now. I have to stop | :03:03. | :03:07. | |
everybody calling me and start crying and anyway so I'm shocked to | :03:07. | :03:12. | |
be, not shocked to be here, shocked to be out of the competition, yes. | :03:12. | :03:17. | |
Part of it. We are never going to be out until the end of this. This | :03:17. | :03:25. | |
morning, they could not stop talking. We have been on three or | :03:25. | :03:29. | |
four front-pages. Brilliant. I have to say one thing - this is a | :03:29. | :03:38. | |
competition. Everybody has to go. I think the show - the moment after | :03:38. | :03:44. | |
we dance was like to switch off the light from a Christmas tree so now | :03:44. | :03:54. | |
the Christmas tree is without light. You are the Christmas lights! | :03:54. | :03:57. | |
was disappointed not to be out because this was a game to play, is | :03:57. | :04:03. | |
for some of the comments, some of the from the judges were absolutely | :04:03. | :04:08. | |
unnecessary, some of them. We may be extremely rude sometime. There | :04:08. | :04:16. | |
is a fine line between whether this is entertainment and when it is | :04:16. | :04:22. | |
something like not necessary so this was the disappointment. I can | :04:22. | :04:26. | |
see where you are coming from. I know you were truly upset. You did | :04:26. | :04:29. | |
work very hard. Anton, would you have done anything differently? | :04:29. | :04:34. | |
Could you have done anything differently other than your best? | :04:34. | :04:39. | |
Thank you. I know. I'm sad. I don't want you to go. No, nothing. What | :04:39. | :04:44. | |
do you do differently? I thought Nancy was a delight, really, a | :04:44. | :04:50. | |
delight, a delight to work with, wonderful on the show day, enormous | :04:50. | :05:00. | |
:05:00. | :05:00. | ||
fun and I hope that came across. Well, we had a great time. We had a | :05:01. | :05:07. | |
fantastic time. What was your highlight? Meeting me! Absolutely. | :05:07. | :05:13. | |
The highlight was to spend time with Anton. Good answer! We spoke a | :05:13. | :05:18. | |
few times on the phone, I said, "Where are you?" We had our routine | :05:18. | :05:24. | |
to meet every morning. We are going to continue dancing. Great! And two | :05:24. | :05:32. | |
or three times a week. Three times a week, at least! At least three. | :05:32. | :05:37. | |
At least three times a week! have been mesmerised by your | :05:38. | :05:45. | |
performance. Let's have a look at your best bits. Don't show those! | :05:45. | :05:51. | |
Your lovely partner will be Anton! She is as I knew she would be. She | :05:51. | :05:57. | |
is a lot of fun. We haven't been kissing at all yet. He is smart, | :05:57. | :06:03. | |
funny, has a great sense of humour. She is a stylish woman. Keep going. | :06:03. | :06:11. | |
Keep going! Word of advice, forget props altogether. 1! I'm teaching | :06:11. | :06:16. | |
you the language of dance, you are teaching me the language of Italian. | :06:16. | :06:22. | |
Oh! Why you doing this? I have no idea. The most exciting part was | :06:22. | :06:28. | |
when I took a crafty glance up your dress. Can you pull me up? We are | :06:28. | :06:32. | |
doing tango. If you try to resist, I will use this. I have been trying | :06:32. | :06:37. | |
to take control. I will do this first. We do this first. He knows | :06:37. | :06:43. | |
my ideas are better. It looks like a tango, carry on this way! This | :06:43. | :06:49. | |
week we do paso doble. You were like a rag doll being thrown about | :06:49. | :06:54. | |
by Anton. I loved it! We are doing the rumba this week, | :06:54. | :06:59. | |
the dance of love. It is one of Nancy's favourites. Just a kiss. | :06:59. | :07:03. | |
don't want a kiss! The most difficult thing is getting the | :07:03. | :07:08. | |
right step and the right timing especially on a Saturday night my | :07:08. | :07:18. | |
mind goes blank! There was moments of Mills and Boon and moments of | :07:18. | :07:27. | |
Meals on Wheels! The couple leaving tonight is Nancy and Anton! Anton | :07:27. | :07:31. | |
is very special human being. We have a fantastic relationship. We | :07:31. | :07:37. | |
will be friends forever. Nancy, you are an absolute superstar. I love | :07:37. | :07:41. | |
you completely. I am so thrilled to have been lucky enough to have | :07:41. | :07:48. | |
danced with you. Thank you my darling. Ah. It is only the | :07:48. | :07:54. | |
beginning. Come on, I have told you not in front of the kids! Now the | :07:54. | :08:03. | |
kiss! Are you going to carry on the Italian? Bon. Oui! Of course. That | :08:03. | :08:11. | |
was French! Was it? You seen that French girl? No. What was that?! | :08:11. | :08:16. | |
Who would you like to see go on and win? You have made lots of friends. | :08:16. | :08:25. | |
Erin. Oh no! I think ops Who is coming on next? Brendan and Lulu? | :08:26. | :08:31. | |
Brendan. Everyone. All of them... don't care if I'm honest! All of | :08:31. | :08:36. | |
them. Will you stop it?! All of them. All of them. You have been | :08:36. | :08:45. | |
such a joy. Alesha Dixon! What a remarkable lady. Nancy and Anton. | :08:45. | :08:52. | |
APPLAUSE I'm going to miss you. going to miss you. Come every | :08:52. | :08:58. | |
Tuesday. Every Tuesday. It was with great trepidation that we picked up | :08:58. | :09:08. | |
the phone line to find out what you thought about the weekend. Would | :09:08. | :09:15. | |
there be scary silences? Saturday's show was absolutely fab-u-lous. | :09:15. | :09:21. | |
Well done all of you. Especially Nancy and Anton. Sad to see you | :09:21. | :09:25. | |
both go. We will miss you. The glamour, the fun and the | :09:25. | :09:32. | |
entertainment. Would like to say that I think the cygnet became a | :09:32. | :09:41. | |
swan. That was superbly original and a fantastic routine. Bye. | :09:41. | :09:45. | |
finished watching Pasha and Chelsee's tango and I felt so sorry | :09:45. | :09:51. | |
for her. I just wanted to reassure her the viewers saw nothing. She is | :09:51. | :09:57. | |
fast becoming my Strictly favourite. We love hearing your thoughts. | :09:57. | :10:07. | |
Thank you. If you want to call us, you can on 09011 98 66 22. Calls | :10:07. | :10:13. | |
cost 10p from a BT landline. Calls from mobiles will cost more. To get | :10:13. | :10:16. | |
you in the spirit of all things Hallowe'en, we have a very special | :10:16. | :10:20. | |
treat for you. Have a watch and see if you can work out who the dancer | :10:20. | :10:30. | |
:10:30. | :10:36. | ||
Dancers in disguise. # He did the mash | :10:36. | :10:44. | |
# The monster mash. # Who is the dancer in disguise? Find | :10:44. | :10:51. | |
out later in the show. Who is that? I will be chatting to | :10:51. | :10:55. | |
Craig Revel Horwood in a minute. We have noticed some spooky goings-on | :10:55. | :10:59. | |
around here. If you scare easily, look away now, this is not for the | :10:59. | :11:09. | |
:11:09. | :11:33. | ||
There is something weird going on in here. I can't work out what it | :11:33. | :11:43. | |
:11:43. | :12:06. | ||
Argh! Argh! | :12:06. | :12:16. | |
:12:16. | :12:29. | ||
Darlings! Argh! There is no hiding from me! | :12:29. | :12:39. | |
:12:39. | :12:39. | ||
HA-HA-HA! HA-HA-HA! Make it stop! Get behind | :12:39. | :12:43. | |
the sofa. Please welcome the man himself, Craig Revel Horwood! | :12:43. | :12:53. | |
:12:53. | :12:57. | ||
APPLAUSE Argh! Hello, my darling. That was proper. I'm glad you | :12:57. | :13:02. | |
showed me in a wonderful light(!) nice to know what people think. | :13:02. | :13:06. | |
Terrifying. Nancy and Anton, was that the right decision? Well, I | :13:06. | :13:09. | |
think it was about time in all seriousness. I have to say I am | :13:09. | :13:15. | |
going to miss her. I really am. She was hilarious fun backstage. | :13:15. | :13:19. | |
Rehearsals coming in, with a walking stick, with platform ten- | :13:19. | :13:26. | |
inch heels on. She sleeps in those heels. She does. The is a glorious | :13:26. | :13:29. | |
woman. Are you pleased with the overall standard of the dancing? | :13:29. | :13:35. | |
Are our dancers improving? Yes, they are. Even the ones you least | :13:35. | :13:39. | |
expect. Chelsee has been a big surprise for me. She's a very quick | :13:39. | :13:43. | |
study which I think is fantastic which means she can get a lot of | :13:43. | :13:48. | |
detail in. Jason, very hard worker and I think he's got to be careful | :13:48. | :13:54. | |
that that doesn't overtake the dance in a way. OK. You do have to | :13:54. | :14:00. | |
be careful you don't overwork yourself. First, the Black Swan | :14:00. | :14:04. | |
inspired American Smooth/ballet, what an amazing concept from Holly | :14:04. | :14:11. | |
and Artem? Yes. Quite a tricky one. Did it work? I completely loved it. | :14:11. | :14:17. | |
This is right up my street. I love classical ballet. I was trained in | :14:17. | :14:22. | |
that. They are probably - the only reason I didn't give it a higher | :14:22. | :14:25. | |
mark was technically. Just small things, when you put your leg up | :14:25. | :14:30. | |
having your knee down in the fish lift rather than square on. Just | :14:30. | :14:35. | |
little... What is a fish lift? the man picks the lady up... | :14:35. | :14:37. | |
they spun around. What should be down and what should be up? | :14:37. | :14:44. | |
knee should be facing the floor not here. I like it when you tell us | :14:44. | :14:50. | |
detail like that. The other judges give 9 - do that again? No, I | :14:50. | :14:57. | |
won't! Let's talk about Chelsee and Pasha. Doing the tango. A bit of a | :14:57. | :15:01. | |
wardrobe malfunction towards the end? Yes, you can't let things | :15:01. | :15:04. | |
throw you. It was a little bow fell off, she probably thought it was | :15:04. | :15:07. | |
the whole thing and everything was going to show. She was in hold for | :15:07. | :15:12. | |
most of the time, even if everything had of fallen out, she | :15:12. | :15:16. | |
should have carried on. Easy for you to say as a man! As a girl, you | :15:16. | :15:22. | |
would want to hide your modesty. Why doesn't he give her his jacket? | :15:22. | :15:27. | |
Could have done. There was nothing wrong. It was completely all in her | :15:27. | :15:32. | |
mind. Bless. That is the disaster. Then of course she went on to cry | :15:32. | :15:36. | |
because she thought it was all showing - I understand. If anything | :15:36. | :15:39. | |
does happen like that, it is difficult to get back into the | :15:39. | :15:45. | |
dance. She did very well to recover. Before that happened, how was her | :15:45. | :15:49. | |
tango looking? Really great. She was spot on. It was nice and sharp. | :15:49. | :15:59. | |
:15:59. | :16:00. | ||
Had a lot of content. I enjoyed it. Good. Right. I am the Russell samba | :16:00. | :16:04. | |
Grant, was he the samba? No, it is a dance that suits him. He went | :16:04. | :16:09. | |
wrong, a lot! It's such a terrible shame. I just knew that it was | :16:09. | :16:13. | |
totally in his body and he would have a great time with it. We | :16:13. | :16:19. | |
didn't see the true dance to its maximum potential which is really | :16:19. | :16:23. | |
sad. I know that that would have been incredible if he hadn't missed | :16:23. | :16:31. | |
all the timing and got it all wrong. I hope he gets to do that dance | :16:31. | :16:37. | |
again. OK. I do love I am the samba. Let's talk about Harry doing his | :16:37. | :16:42. | |
tango with Aliona on Saturday. He still looked hot even with fangs. | :16:42. | :16:52. | |
:16:52. | :16:53. | ||
Lots of people saying - the judges - everybody saying they wanted more | :16:53. | :16:57. | |
in hold and there wasn't enough? When he is in hold he is really | :16:57. | :17:01. | |
safe and on it. It is only when he goes out of hold that he starts | :17:01. | :17:08. | |
being a bit exposed. Like I have talked about his arms, the | :17:08. | :17:12. | |
armography. He will bring his arms to here rather than to here. It is | :17:12. | :17:18. | |
those details that he needs to get into his body. I really think he is | :17:18. | :17:22. | |
fantastic. Good. Now, that we are seeing some sort of personality | :17:22. | :17:28. | |
because he had a bypass the first week... He was terrified! I shouted | :17:28. | :17:35. | |
at Craig Revel Horwood! I know. It is reflected in the scoring. Yes. | :17:35. | :17:40. | |
Mr Savage, Robbie and Ola, can we talk about the leap from the floor | :17:40. | :17:44. | |
to the desk? I thought that was incredible. It was. Can we talk | :17:44. | :17:50. | |
about the result of the leap, darling? Yes, I sort of liked it. | :17:50. | :17:54. | |
He's - it is not - there was no proper shaping in it. For instance, | :17:54. | :18:00. | |
he didn't hold his back arched. I never ever really saw a proper | :18:00. | :18:08. | |
dance in there. There was too much other stuff going on. OK. Hair and | :18:08. | :18:14. | |
stuff. He does have such lovely hair. Yes. He's doing the waltz | :18:14. | :18:21. | |
next weekend? Safe, at least he is in hold. He is good at ballroom? | :18:21. | :18:24. | |
is. Jason and Kristina back at the top of the leaderboard. Your dance | :18:24. | :18:29. | |
of the night? I really loved it. I tell you why. I like the story | :18:29. | :18:34. | |
behind it. I really like the fact that Kristina had really sorted a | :18:34. | :18:42. | |
proper story to give him and it was wonderful to see him doing it. Lots | :18:42. | :18:46. | |
of content. I know how hard he has to work to achieve a result like | :18:46. | :18:51. | |
that. Obviously, it is not perfect. It could be. It could be. It gives | :18:51. | :18:56. | |
us something to look forward to. does. Audley and Natalie, the big | :18:56. | :19:01. | |
man. Everybody says jive is so hard for a man of his size or any tall | :19:01. | :19:06. | |
man. Where could he have done this better? Well he needs to use - he | :19:06. | :19:10. | |
has one sort of fundamental problem and that is his feet. He needs to | :19:10. | :19:15. | |
go through his foot a lot more than he's doing. That is why it is | :19:15. | :19:20. | |
looking stompy and flat-footed. I would suggest little things like | :19:20. | :19:30. | |
:19:30. | :19:39. | ||
this, just little exercises - it is important. A classical bar, darling. | :19:39. | :19:43. | |
That's to strengthen his arch and that is what is missing. He really | :19:43. | :19:49. | |
should have been nice and high up on his toes. If he can achieve that, | :19:49. | :19:56. | |
that could be half a point more. whole half a point?! It makes a big | :19:56. | :20:05. | |
difference. Alex and Jaime, she set your pulse racing? She did. Only | :20:05. | :20:08. | |
because I sort of like the wild nature of this. The track, the | :20:08. | :20:13. | |
dance suited the track, the story. There was some sort of innocent | :20:13. | :20:19. | |
virgin stuff going on which I like. I like the... Unlike Len I can't | :20:19. | :20:25. | |
believe I just said that! I apologise now to the nation. I'm so | :20:25. | :20:29. | |
sorry. With that... I won't do it again! Thank you very much. | :20:29. | :20:33. | |
Consider yourself spanked! I like the dress stuff. That was probably | :20:33. | :20:38. | |
what I would have done as a choreographer with her. It is a big | :20:38. | :20:43. | |
full skirt and using it, it is like a cape. I have to go now. You keep | :20:43. | :20:46. | |
it up. I love you. Imagine going round trick or treating and Craig | :20:46. | :20:51. | |
answering the door! Don't knock on my door! Craig Revel Horwood! | :20:51. | :20:56. | |
APPLAUSE Oh, dear. Now, we know what happened on the dancefloor | :20:56. | :21:01. | |
over the weekend. What we really want to know is what was going on | :21:01. | :21:08. | |
behind-the-scenes? I'm really scared. I have no make-up on! | :21:08. | :21:14. | |
Morning, sunshine. Here we go again! I have my lacey | :21:14. | :21:21. | |
Hallowe'enesque top on. Hi, it is me Erin and we will get some gossip. | :21:21. | :21:24. | |
Have you got anything to say? Listen, it does take two. If you | :21:24. | :21:34. | |
:21:34. | :21:35. | ||
want two, this is the two you want! Ah! I'm scared today. We have the | :21:35. | :21:45. | |
:21:45. | :21:51. | ||
terrifying tango. My hair is all over the set today! Look! LAUGHTER | :21:51. | :21:57. | |
You see this man, we love him. He runs around the floor. He has | :21:57. | :22:05. | |
cobwebs on his camera. I love it! It's Brendan Cole. If you are not | :22:05. | :22:15. | |
:22:15. | :22:18. | ||
scared yet, you will be later! make-up and costume have excelled | :22:18. | :22:26. | |
this week. They always do. This is like out of this world. Spiders on | :22:26. | :22:36. | |
your eyes? Grrr! How you feeling? Argh! Spooky! To be fair, you look | :22:36. | :22:45. | |
better than normal, babe! Normally we turn on this show, but Artem is | :22:45. | :22:55. | |
:22:55. | :22:59. | ||
going the other way! HA-HA-HA! look like Renee from 'Allo 'Allo. | :22:59. | :23:09. | |
:23:09. | :23:11. | ||
Is that Jason Donovan in his pants?! Was Cousin It a woman? | :23:11. | :23:15. | |
look like Pamela Stephenson. Since I did the paso last week, this is | :23:15. | :23:20. | |
what has happened to me. I Like.com anyone here. I'm not fond of trick | :23:21. | :23:27. | |
or treating. I sort of like the idea that people get together and | :23:27. | :23:33. | |
have a big party and try and spook each other. Grrr! Show time! HA-HA- | :23:33. | :23:43. | |
:23:43. | :23:44. | ||
Jason in that bald wig, terrifying. One couple that bewitched all four | :23:44. | :23:48. | |
judges were Lulu and Brendan. First, here is a quick round-up of what | :23:48. | :23:58. | |
:23:58. | :23:59. | ||
happened to them. I tell you, you handled all that with panache. | :23:59. | :24:03. | |
concept was great. I loved that exit. Really theatrical. Lots of | :24:03. | :24:08. | |
tricks and quite a few treats. What entertainment! I loved it. Well | :24:08. | :24:12. | |
done. I love your determination. You did a good job. Really good job. | :24:13. | :24:20. | |
8. The choreography, the flying, the costume and make-up was spot on. | :24:20. | :24:30. | |
:24:30. | :24:32. | ||
I am delighted. High-five! Yeah! Another one! Please welcome Team | :24:32. | :24:38. | |
Brulu. APPLAUSE Well done on Saturday. It was fabulous. 29, your | :24:38. | :24:42. | |
top score. Can you believe it? is wonderful. You must have been as | :24:42. | :24:49. | |
high as a kite? I am still flying. The flying, my goodness, were you | :24:49. | :24:52. | |
terrified before you swooped off the stage? The thing I was | :24:52. | :24:56. | |
terrified was the going back, that I wasn't going to make that stage. | :24:56. | :24:59. | |
The coming in, no problem at all. You are hooked up. Everything is | :24:59. | :25:04. | |
fine. It is very, very safe. The harness is like triple layered. The | :25:04. | :25:09. | |
going out was a big risk because we had to get her hooked up while the | :25:09. | :25:15. | |
music was still going. There was no room for error. Did you not see me | :25:15. | :25:25. | |
hanging?! Slightly. Julia says, "Lulu flies much better than Ann | :25:25. | :25:33. | |
from last year." She had two wires and I had one wire. Quite a risk | :25:33. | :25:37. | |
thing to do to put your girl in flight, Brendan. You must have been | :25:37. | :25:42. | |
so happy and gratified... You know how crazy he is! Everybody loved it. | :25:42. | :25:46. | |
Especially the judges. Did that make you happy? It is lovely to get | :25:46. | :25:50. | |
compliments on your ideas. You can't always fulfil everything you | :25:50. | :25:53. | |
want to do. For some reason, the BBC let me go. It was Hallowe'en. | :25:53. | :26:00. | |
They said, if you want it, you do it. Very excited. Whatever can we | :26:00. | :26:02. | |
expect next?! Len mentioned something about soft body on | :26:02. | :26:07. | |
Saturday. You are doing the tango this week. Yes. You have to work on | :26:07. | :26:13. | |
the soft body and the attitude and the hold. I don't know what that | :26:13. | :26:17. | |
is! The soft body... Do I have to do that?! Just like - we will work | :26:18. | :26:22. | |
on it tomorrow! The soft body, Len is sort of right, but it came from | :26:22. | :26:26. | |
a mistake in the footwork and everything let go. That is why it | :26:26. | :26:30. | |
went a bit casual. Lulu has a strong body. I like the way she | :26:30. | :26:34. | |
presents herself. I'm not too worried about that. It will be good. | :26:34. | :26:41. | |
I'm worried about it for the tango! Is it a similar kind of mood to the | :26:41. | :26:46. | |
paso? Yes I guess so. Is it? Is it? It is quite strong and passionate. | :26:46. | :26:53. | |
Passion! That is what it is! It's passion. Right. Are you surprised | :26:53. | :26:56. | |
at how much information you are having to absorb and managing to | :26:56. | :27:01. | |
absorb? I'm not managing to absorb anything! I am. It's shifted. It's | :27:01. | :27:05. | |
shifted from the start. It is a lot to take in. Somehow, I'm not so | :27:05. | :27:09. | |
terrified, that is the key. I think I was like a rabbit in the | :27:09. | :27:13. | |
headlights the first few weeks after screwing the first one up. | :27:13. | :27:20. | |
Now, I'm a little bit - am I more relaxed? Yes. Maybe too relaxed? | :27:20. | :27:24. | |
Yes! Are you having dreams, do you dance in your dreams? I'm dancing | :27:24. | :27:29. | |
every day in my dreams. She is not asking you! Yes, Zoe. I dream, I | :27:29. | :27:35. | |
eat, I sleep, I walk, I talk Strictly. I wake up in the night | :27:35. | :27:40. | |
and I - oh, I have forgotten my steps again. I'm having nightmares | :27:40. | :27:46. | |
like that myself! Can you get your scores up to the 30s? Yes, can we | :27:46. | :27:53. | |
do it? Yes. Let's do it. Let's do that. 30s. For goodness sake! | :27:53. | :27:59. | |
of people talking about the hair. You looked handsome. Will we be | :27:59. | :28:05. | |
seeing the hair like that again? have been getting a lot of love. | :28:05. | :28:14. | |
don't want him to look like that again. Lulu and Brendan! APPLAUSE | :28:14. | :28:20. | |
Thanks. Earlier in the show, we asked you to guess who our | :28:20. | :28:27. | |
terrifying dancer in disguise was. Have you worked it out yet? | :28:27. | :28:36. | |
# He did the mash. # Who did you think it was? Robin. | :28:36. | :28:40. | |
had a feminine swagger about him. It was Pasha. Thank you to my | :28:40. | :28:46. | |
guests. Tune in tomorrow whenly be chatting to Audley and Natalie and | :28:46. | :28:51. | |
Audley and James. I will be discussing who wore what with whom | :28:51. | :28:54. | |
with the fashion designer Ben De Lisi. Good night. Happy Hallowe'en. | :28:54. | :29:04. | |
:29:04. | :29:08. |