Episode 22 Strictly - It Takes Two


Episode 22

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It's Tuesday. Coming up, after a big fright, Audley and Natalie

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squeaked through. They're here in a moment. No cape fear for Alex and

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James in the paso. I'll chat to them later. And she doesn't fall

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for scare tactics. Karen Hardy is back with choreography corner. Plus

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Ben gives us his view on the weekend's outfits. This is It Takes

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:00:42.:01:11.

This is Strictly It Takes Two. Please welcome your host. It's Zoe

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Ball! Hello and welcome to It Takes Two.

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For some of the couples, the Halloween special wasn't as scary

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as they thought. For Audley and Natalie, big smiles turned into a

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bd dream when they landed in the bottom two. They are here next, but

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here is how they got on with the jive.

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Bad dream. You are completely and utterly

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physically unsuited for this dance, I'm afraid. You really got into the

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spirit of things. Big smile, great personality, terrible footwork.

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not going to be disappointed for you. I commend you. Well done.

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Bad dance. It was over too quick. Yes, 18 and a half stone, toes

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pointing, dodgy knee, I went for it. The judges were tough on me this

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week. They are looking at the technical aspects and everyone

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knows if you look down at my feet you ain't gonna be happy. Keep it

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real. Craig, it's going to be today when something happens and

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something will go bump in the night!

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Please welcome Audley and Natalie! Hello, guys, welcome to the show.

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Well done on surviving is. Thank you. How did you feel on Saturday

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night? I felt relieved. Yeah? in the bottom two again, you know,

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second time, you know, and dance the dance to the best of our

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ability and the best of my ability and to be in the bottom two again.

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But the competition is getting very tough. It is, it does feel like

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it's gone up a notch and there is a lot of pressure on everyone. Even's

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delivering amazing performances. keep bouncing out there and getting

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there somehow. We are at the half way point. Did you expect it to be

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here this far in? After the first week, I exceeded my expectations.

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We are still in it and more to come in improving it. Let's talk about

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the jive. It's been well documented by everyone that it's a hard dance

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for the boys and that maybe it wasn't your best dance. Look at

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that! Beautiful! Look at those kicks and flicks. So light on your

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feet, I thought. Natalie, are you glad to see the back of the jive or

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do you think he did great? Absolutely. Audley went back to

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America, no excuses, but it was definitely a difficult dance, you

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know. You were great, we performed, had an amaidsing time. That was

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probably one of my best nights this series -- amazing. The energy was

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up, the crowd were amazing and you did really well, spieled and

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entertained the crowd. -- smiled. Everyone loves your smile. You had

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to go back to America last week so you only got 11 hours of training.

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Did that put the fear of good in you on Saturday before you went on

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stage? Definitely, I was concerned about how much time we put in and

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my knee was playing up as well. But, you know, you've got what you've

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got, get out there, make it work, no excuses and make it happen.

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That's what we did, put in our best performance. We had a great session

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today. I see a great improvement. This week when we're down! Speaking

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of fighting talk, like a big fight, dancing has rules that need to be

:04:43.:04:53.
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followed as well. Take a look at Waltz, foxtrot. Salsa. Love my

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dancing. Let's dance. Stop talking! Do you see my on my toes, Craig. Is

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my feet flat, Craig. Craig, you can't down mark me. Look at that,

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Craig, I can walk on my toes, look at that now, I can walk on my

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toes... I'm a wandering man. Imagine all the people... I'm

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looking great. I'm a genius. Mwah! Can you take position? I can't go.

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Don't argue with me. Can you remember your steps, please? Why

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didn't you say that then? questions? No. Fighting talk! Now,

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Viennese waltz this week, what are the rules in dance club this week?

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A lot o the judges have said they haven't seen a lot of swing and

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sway, which is what you need to cauth in the Viennese waltz. I

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don't want it to be one dimensional. We've worked on the footwork and I

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want to work on the upper body so it seems effortless and light.

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you taken that on board? I have no choice. He has to, that's my

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fighting talk! And she's the boss and she's going to tell you how it

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is? Yes. Good for you. What are the strengths and weaknesses that you

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really need to focus on? Again, rise and fall. Just strengthening

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the ankles and the knees and the frame and the posture, you know.

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You're improving every week, but there's always so much and so

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little time for so much technique that's involved. So we are doing a

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lot more hours as well. Yes, are you? Yes. Good. I'm whipping my

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whip like that. All hours of the morning if we have to. The frame's

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got to be right, the fingers are going to be closed, the rise and

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fall will be good, the swing will be right, the head will be to the

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left. Tick, tick, tick. Technically, it's tick, tick, tick... You have

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to sleep like that as well, Audley. Good idea, I might do that. Good

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luck with the Viennese waltz this week. Audley and Natalie!

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Just by all the ghoulish goings on, one woman had her eye firmly on the

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choreography this weekend. Let's meet our good witch. It's time for

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Please welcome choreography spice, Karen Hardy!

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They love you. Karen, on Saturday, we had coffins, vampires, bats,

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forget all of that, choreography overall, good or bad?

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98% brilliant! That's high! couple of little ones fell through

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the cracks but in general, what a great Halloween weekend. Let's talk

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about Jason and Christina and their quickstep. Bruno said great core

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rog ra fi. How risky was this bit at the beginning -- choreography.

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So risky. Even though she's on the stage, look at that, it's like

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magic. Like telepathy. But in our world, it's the perfect partnership.

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The chemistry and timings together. She was able to work him across the

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dance floor and it's so powerful. This is what we always go on about.

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Two people dancing together is the skill of ballroom dancing. I love

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that quote. There are little things you put in there, tongue-in-cheek

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from Kristina. Did you see her? I thought it was a first class

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performance, back up on top and rightly so. Rightly so. Holly and

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Artem. This was high risk and a perilous concept. What were the

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hazards of this ballet American smooth? It's quite simple what the

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hazard was. This is so great, it's so original and unique. Look at the

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sweeping across the floor with the smoke, she's got the beautiful top

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line, she's graceful and elegant and it's balletic as well. It's so

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different, you would either love it or hate it. So it's a huge gamble

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here by Artem. But, the legend of choreography here, we've seen so

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much over so many years and to keep bringing out something fresh and

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new like that, I don't think anybody ever thought we'd have

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Tchaikovsky playing on the screens here! In the same week as AC/DC.

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Exactly. It's so diverse, brilliant! Just to larify one thing.

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Len was nit-picky about it. Just remember, American smooth, what's

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meant to happen is that in hold, out of hold, back into hold out of

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hold. The only thing that ah tenl did is that he did everything in

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hold at the first half then everything was out in the second

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half. But if it meant a standing ovation from Princess Beatrice.

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haven't mentioned that there was Royalty there. Wasn't that amazing.

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For me, first class unique and I just loved it.

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I thought it was amazing. Good, good, good. Harry and Aliona. Len

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thought that the chair routine at the begining was crisp, but he

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wanted more in hold and then Alesha gave them a ten. What were your

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thoughts? Really clear on this and I want to let everybody know at

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home to let them judge. Look at this content I've chosen here.

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Isn't it powerful and strong. It's very tango and easy to understand.

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17 seconds is about how long they did. Is that all they did? This is

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where Len's coming from. I've said before, this boy is amazing, we do

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not want a show dance every week. What we want is to see that great

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tango content, so the strong arms are up, getting down into the knees,

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the strong head flicking, but we want to see it for at least a

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minute, a minute and 20 seconds. However, he is still a phenomenal

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dancer, but for me, that was a first class show dance, not a tango.

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Show dancers are in the final. Otherwise there is nothing to look

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forward to. I can see where you are coming from. Lulu and Brendan and

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the paso, Craig commended Brendan on the thee ath rickality of the

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dance, splendid -- the Another rickalty of the dance. --

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theatricality of the dance. We had these amazing costumes and

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Brendan's favourite dance, he loves the paso. Did you see what she had

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in her dance. The sticks. Love it. Originally, I'm sure the design was

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to make it look more like bat wings, but what it did here, in paso, one

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of the strong elements we are looking for, big shapes. So there's

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our lovely Lulu whose arms finish here, suddenly looking like she's

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eating that floor alive. This was brilliant. I loved it! Now, what

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she's got to be careful of next week, there's going to be no flying,

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no bat wings. Just little old Lulu back on the dance floor. But if she

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suezs the energy she felt in this, and put that into her next dance,

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we'll see stronger and stronger performances. She'll fly without

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the strings. Chelsee and Pasha and tango, the judges thought it was

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really good? This man has been so clever. Look at this head flick and

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again. Into the next group of steps and a head flick and another. Now,

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the reason I'm saying that, I want everybody to learn more and more at

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home, because you are the judges. Yes. Now, tango, every week if I

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said cha-cha-cha, hip actions, Samba, bouncing, if I Satan go,

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strong head flicks, very, very strong. -- if I say tango. This is

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where Pasha is being clever, choosing the elements he knows the

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judges are going to want to mark. He's then bringing performance

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within the ballroom dancing scene. Great hold, she was up there,

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looked amazing. They're a good balance. Well done. The one man

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this weekend to do proper cape action, Robbie Savage. How did Ola

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use his talents in his paso? Because she put everything in there.

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She put cape action and a trick like this fly ing around the dance

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floor. Next he'll leap through the air and we'll have the grand finish

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on the judge's desk. It was amazing. Simply again, another professional

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being very clever. Technically, we all know Robbie's not the strongest

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in his technique, but hey, let's put up there lots of flash and

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razzamatazz while Ola keeps working away at the technique underneath

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and this will get stronger. She kept paso choreography in there,

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the dance was excellent and accurate. It was just again the

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Robbie show and I loved it, thought it was great. I loved it too. Anita

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and Robin, our devil woman she was on Saturday. Craig loved the

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routine, Len was liking a lot of tango content. Now, there was a

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moment when she went wrong? Just there, right there, a tiny little

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step. That just goes to show, these celebrities are on the edge all the

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time. So like a deck of cards, if you pile them up and make the

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pyramid, you pull the middle out, it comes falling down. That's the

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feeling for the celebrities. Every moment they go on that dance floor.

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What I want to briefly pick up on, the risk that Robin took by putting

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all that tango content in there. Now, of course, the judges went, we

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still want you to work on your top line. Now, Robin is giving the

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judges a chance to be critical about ballroom dancing because

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that's what he's giving them. So, every week now, the judges can look

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and say yes, that's improving, I can see it. But if we keep getting

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show dances from too many of our celebrities and professionals, what

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can the judges mark - absolutely loved the week. We've got your

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point, no more show dances, more dancing on the floor, but overall,

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Karen Hardy happy. Yes. We are happy to have you. Please come back

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next week! APPLAUSE

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Now, Anne Widdecombe may have been a fleeting dream for Jason don von

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on Saturday, but here, she's a real presence and has been putting of

:15:42.:15:52.
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your questions to our pro dancers. It's Widdy's Question Time. Geoff

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would like to know which animal do you think you most resemble?

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Sfrpblgts a chimpanzee. Because I'm light on my feet and very smart.

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Really? Very hairy. No, no, we don't need to know about that.

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Thank you. A cheetah. Really? panther. Irbgs I look like a

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bulldog and dance like one too. Agreed. A cat. Rrrrrr... Terrifying.

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Powerful and graceful. I lake to think of myself as all those things.

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Dream on. If you've a question for our Widdy, head to the Strictly

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website. My next couple seem to be having an

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odd effect on Craig, all cold after their rumba but all steamed up

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after their paso. Alex and James are here but first here is a look

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at how they got on at the weekend. I quite like the ytd of Dracula

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chasing innocent virgin blood -- the idea. You played that extremely

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well. Too much wafting for me, but I thought it was terrific. Well

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done. You had a knock last week, but you have picked yourself up and

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you're back on form. One happy Dracula hfplt What a happy woman in

:17:23.:17:33.
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white! I'm just made up with the score. What was it? 31? Well done!

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Yeah, well done! Give me a kiss. Don't bite! Please welcome Alex and

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James. So good to see you so happy after

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that performance and what have you done to Craig? He had a proper hot

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flush after that, Alex? Well, it was a complete turn around wasn't

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it? It was a bit worrying. Craig said it was erotic. But we'll go

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with it. Take it? We'll take it. It's positive. That's good. A

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viewer says "OMG, it was epic". was easier because James

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choreographed a lovely story and there was a narrative running

:18:25.:18:30.

through it so it was easy to get into character somehow. I'm scaring

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myself just watching it. Behave. thought you were enjoying yourself.

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I was. I am good, aren't I? I surprise myself sometimes. Because

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we look so scary, I mean he looked proper evil. I didn't have to act

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as much as I thought because I was genuinely quite scared. If you

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could look properly evil every week, it would be perfect? Great for the

:18:58.:19:01.

quickstep. Being properly evil. Last week, your confidence took a

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blow, but after this show, surely it must be sky high now? Ooh, not

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sure about sky high, but it's definitely better, so looking

:19:10.:19:15.

forward to starting the new dance, well we have started a little bit.

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Oh, it's tiring. The quickstep. It's exhausting isn't it, so full-

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on. It's basically running a lot of the time but elegantly done. Let's

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talk about your stunning frock on Saturday. Len said a lot of wafting

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but, I have to say, we all loved the wafting. Was it difficult to

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dance in, because there was a lot of it? It was surprisingly quite

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heavy, the dress and all week, we'd been working on how you waft a

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skirt. Now who knew it was so difficult. We stkpwhr we don't

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really wear skirts that need wafting. It's easy. By the end of

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the week, the bingo wings had gone temporarily so the skirt was heavy,

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but I thought it was nice, it looked pretty. You looked good.

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Looked good on the slow-mo of Len's Lens. Beautiful. You had a lot of

:20:05.:20:10.

input into that, James. You put your hand over James's mouth, were

:20:10.:20:15.

you worried about the back chat? With know James Jordan by now,

:20:15.:20:20.

don't we. We didn't want a repeat performance, but I think the judges

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were complimentary this week. I think just you looking at them with

:20:22.:20:30.

those red eyes was enough anyway to scare them. Stop it! It just went a

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lot better than week before, generally speaking. Alesha said

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breakthrough performance for you. agree. Bit of character. You went

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for it a bit more, let yourself go. Yeah. You've got to believe in

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yourself, you've got to. I think that's the difficult bit. I still

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don't think I can dance which is the basis of this competition.

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you can, look, you are still in the competition. I know. You are

:20:53.:20:56.

getting rally good scores. Do you see what I have to deal with.

:20:56.:21:00.

Everyone else believes in you, you have to believe in yourself. I like

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the sound of this week's dance. is it going? Hell to begin with!

:21:06.:21:11.

Because it's so tiring. Even you, you were out of breath. Because I'm

:21:11.:21:16.

carrying you around the floor, that's probably why. I'm just

:21:16.:21:20.

saying. Yep, but it's so quick, it's like basically as you said,

:21:20.:21:25.

doing a marathon. It is constant running, it's exhausting. A lot of

:21:25.:21:31.

steps. People have said, have you lost weight doing Strictly, and I'm

:21:31.:21:34.

like no, but this week it's the breakthrough week. You don't need

:21:34.:21:39.

to lose weight. We are half way through and great improvement from

:21:39.:21:43.

the judges, they're saying that, it'sen couraging. Do you think you

:21:43.:21:48.

could give Matt Baker a run for his money? Ah... Who's that? So last

:21:48.:21:54.

year, who's he?! Matt was excellent and I mean, he set the bar really

:21:54.:21:58.

high. Does he give you tips? does, he does. He said, I don't

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want to say too much because I don't want to step on James's feet

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and tell you something that maybe is... Hm. That's different to what

:22:05.:22:09.

James has taught you, but he's really encouraging and he

:22:09.:22:13.

understands and he makes doing Strictly on the One Show possible.

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He's like a fifth judge so I know the judges on the Saturday night,

:22:19.:22:23.

Matt Baker on a Monday, but he said the paso was the opportunity to

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show aggression and that's what we needed. Thaurbgs Matt, glad you're

:22:28.:22:35.

happy. Good thuck this weekend -- thank you, Matt.

:22:35.:22:39.

Brendan and Len confirmed what we thought, the costumes and make-up

:22:39.:22:49.
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were fantastic. Time to talk top of Here to give their expert opinion

:22:59.:23:09.
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on this week's outfits is ooch rnagh o Hagueen and Ben Delicey. --

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Oonagh. Thank you for coming in. Ben, you have designed for Kate

:23:15.:23:20.

Winslet, Rachel Weiss, Angelica Houston. Who stood out for you?

:23:21.:23:26.

Alex in the white confection of very fluid fabric. It really did it

:23:26.:23:34.

good, I loved the dance. She looked glorious. Yes. And she looked

:23:34.:23:38.

confident. Len was saying there was a lot of dress wafting for his

:23:38.:23:42.

liking, perhaps too much. But with a dress like that, how can you help

:23:42.:23:47.

but waft it, Ben? That's the whole thing with using that fabric, it

:23:47.:23:52.

was very fluid. It had gosh, how many metres? You want a fact, don't

:23:52.:24:01.

you, 16 metres. There we go. Eight panels that were flared. A lot of

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movement. That plunge here and the plunge on the side and that high

:24:06.:24:11.

thigh was just about the right side of being dangerous. And a nice

:24:11.:24:16.

glimpse of flesh through. But not too much. Subtle. Tasteful. We like

:24:16.:24:21.

it a lot. And what fabric is used to create that effect? We were

:24:21.:24:26.

discussing this earlier, first we thought it was tule but it's not,

:24:26.:24:30.

it's something with much more drape to it and it's a power mesh.

:24:30.:24:35.

There's something called power mesh?! You don't have any?!

:24:35.:24:40.

It's a stretch Jersey, but under a microscope, you would see tiny

:24:40.:24:46.

holes and it's light because if you have 16 metres of fabric it's heavy

:24:46.:24:50.

but it was light. She wore it so well. Top marks for her. What about

:24:50.:24:55.

Anita, our devil woman? A little glimpse of her outfit from our head

:24:55.:24:59.

designer last week. Bruno said on Saturday, don't trust the Scarlett

:24:59.:25:04.

woman with the devil in disguise. Did she pull it off? I think she

:25:04.:25:10.

did. With the skirt, because it wafts and has got so much volume to

:25:10.:25:15.

it, you can put a food wrong and you wouldn't really see it. That is

:25:15.:25:21.

a traditional kind of bottom. To me, the top was actually at odds, the

:25:21.:25:25.

top of the dress to the bottom of the dress, but she pulled it off.

:25:25.:25:31.

Yes. The details on the top half then? We were saying the top was

:25:31.:25:39.

reminiscent of the Queen -- McQueen in his recent collection. It was a

:25:39.:25:43.

sequin-based mesh and then over the top, these small and delicate

:25:44.:25:48.

stones that were put on it. Not all over b, not on the bottom, this

:25:48.:25:52.

idea that you don't want to flatten the whole look. Give me a fashion

:25:52.:25:56.

fact about her dress? A fashion fact - 5,000 crystals on that top

:25:56.:26:04.

part of the dress. Fact! The hem took the longest, half a day.

:26:04.:26:09.

for the hem. This is a great picture of it. It's been wired.

:26:09.:26:15.

It's very time-consuming. A lot has gone into that one frock, but she

:26:15.:26:18.

didn't go traditional with the horns? You know what I think, she

:26:18.:26:22.

did do that eye lash thing and I think it would have been too

:26:22.:26:27.

deliberate to do the horns, so she's done her own - she's great

:26:27.:26:31.

actress so didn't need the horns to sell the point - she has these

:26:31.:26:38.

cornet toe horns in the bag there so those of you who want them go

:26:38.:26:43.

and ask for a cornet fascinator. Well done to Anita. Chelsee in her

:26:43.:26:48.

dress, a bit of a drama at the end, a possible wardrobe malfunction

:26:48.:26:52.

which happens to the best of people. How do the designers ensure that

:26:52.:26:56.

doesn't happen, that you don't have those moments of malfunction on the

:26:56.:27:00.

dance floor? Well, you can never ever get it completely right. In a

:27:00.:27:07.

dress like this, which is barely there to be honest, I guess you

:27:07.:27:11.

could have put a corset inside and mounted the stretch of velvet on

:27:11.:27:14.

top. No-one would have been the wiser for the viewer. That might

:27:14.:27:19.

have made her feel a bit more secure. I think the dress on its

:27:19.:27:24.

own really was a great success. But as far as Chelsee is concerned, if

:27:24.:27:27.

she felt vulnerable, it may have affected her dance, so corset with

:27:27.:27:31.

boning would have been the idea. that's what I want every day,

:27:31.:27:37.

corset and boning. Sub structure. I've got mine on! We all need it.

:27:37.:27:41.

Talk more to me about the detail. I'm loving the heart on the front

:27:41.:27:45.

of the dress? Yes, it's very graph if I can. The idea was it was fun,

:27:45.:27:54.

bubbly. Again, the heart is Moschino and the heart goes off,

:27:54.:27:58.

it's A symmetric and it's echoed in the lacing, it was not meant to be

:27:58.:28:05.

conventional, it's meant to be cookie like Chelsee herself. Even

:28:05.:28:15.
:28:15.:28:18.

the plunge is A symmetric. It's haematight. What is that? That jet

:28:18.:28:25.

stone. Not quite a jet black colour. I think it's an ironoxide. Another

:28:25.:28:31.

amazing fact. I love hearing that. Thank you both. You've been divine.

:28:31.:28:36.

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