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Coming up on Wednesday's It Takes Two - Alesha crowned him King of | :00:08. | :00:13. | |
the Tango - HRH Harry and Queen Aliona will be joining me. Devil | :00:13. | :00:17. | |
Woman Anita and her partner Robin are here. Holly and Artem will be | :00:17. | :00:21. | |
swanning in for a chat. Plus, Ian's back to dissect this week's | :00:21. | :00:31. | |
:00:31. | :01:05. | ||
training in Waite's Wednesday Warm- Live, from Television Centre, this | :01:05. | :01:09. | |
is Strictly Come Dancing: It Takes Two. Please, welcome, your host, | :01:09. | :01:18. | |
Zoe Ball. Hello. Welcome. Our ten remaining couples are busy working | :01:18. | :01:23. | |
very hard for this weekend and tonight we'll get the first look at | :01:23. | :01:26. | |
their training, which includes the first Charlstons of the series. | :01:26. | :01:32. | |
Then I'll chat to Harry and Aliona, after this reminder of the rather | :01:32. | :01:37. | |
tasty tango. Full of intent and purpose. Thought it was fantastic. | :01:37. | :01:43. | |
I want to see more than eight bars in the tango hold. What's annoying, | :01:43. | :01:52. | |
when you are in hold, you are great. Harry, intense, hypnotic, erotic. | :01:52. | :01:55. | |
You created a beautiful piece of dance. The king and queen of tango | :01:55. | :02:03. | |
tonight. I'm so pleased, because for some reason it's getting harder. | :02:03. | :02:09. | |
The comments were lovely. The scores were great. Another ten. | :02:09. | :02:13. | |
choreography it was so good, so hard to put so much in hold, but I | :02:13. | :02:16. | |
totally understand what Len is saying. I can dream tonight about | :02:16. | :02:26. | |
:02:26. | :02:26. | ||
tens. Give it up for Team Hali! APPLAUSE | :02:26. | :02:32. | |
Harry, you went from being a drummer, to being a very good | :02:32. | :02:42. | |
:02:42. | :02:44. | ||
drabgcla. Did you enjoy yourself -- Dracular? Did you enjoy it? Yes, I | :02:44. | :02:50. | |
did. You did divide the judges in their remarks. Len said he would | :02:50. | :02:56. | |
give you a seven and wanted more in hold. You got another ten and some | :02:56. | :03:02. | |
people were saying it was more of a shows dance. What were your | :03:02. | :03:07. | |
thoughts? I felt to dress up and do a regular dance for Hallowe'en | :03:07. | :03:10. | |
didn't make much sense, so a bit of production is in order and that's | :03:10. | :03:16. | |
what we have done. There was a bit of tango and other things, but | :03:16. | :03:23. | |
altogether it was a tango, but a bit of theatrical production. | :03:23. | :03:27. | |
For Hallowe'en. On the plus side, and this is very exciting, Len said | :03:27. | :03:33. | |
you are one of the best male ballroom celebrities he's ever seen. | :03:33. | :03:39. | |
I know. I know. It is true. It's amazing. I couldn't believe it when | :03:39. | :03:44. | |
I heard him say that. Thank you, Len. Indeed. Any idea that you | :03:44. | :03:49. | |
could dance this well before you did this? Absolutely not. I must | :03:49. | :03:53. | |
say, I keep forgetting to say it's pretty much down to Aliona's | :03:53. | :03:59. | |
amazing teaching. She is so patient and it takes hours and hours, so I | :03:59. | :04:03. | |
don't think it's necessarily natural. It's a lot of hard work. | :04:03. | :04:06. | |
From both though. Obviously you are putting in the hours too. Have your | :04:06. | :04:11. | |
friends and your lovely bandmates noticed a difference in you? | :04:11. | :04:15. | |
They've noticed that they don't see me any more or speak to me. They | :04:16. | :04:21. | |
see me on TV on Saturday nights. I'm very busy, but in this period | :04:21. | :04:27. | |
of time you have to be very focused and work hard. Are you dropping in | :04:28. | :04:34. | |
any dancing lingo along the way? Yes. For example? I know, do a | :04:34. | :04:42. | |
check. Good lines. That wasn't a good line. I just smacked that. | :04:42. | :04:46. | |
Expensive piece of equipment. You revealed although you train most | :04:46. | :04:51. | |
hours, you spend 50% of the time eating or messing about and further | :04:51. | :04:53. | |
investigation has gone on to show us that there's an awful lot of | :04:53. | :05:01. | |
time wasting. You look like some kind of animal, but it's not a | :05:01. | :05:11. | |
:05:11. | :05:16. | ||
ghost. Shrew? What's that? A sloth. Yes, that's it. I haven't had | :05:16. | :05:26. | |
:05:26. | :05:32. | ||
enough sleep. Try to stay up. That's it. Come on, sloth. Still | :05:32. | :05:40. | |
not finished? One move and we're done. I go like that. I can't wait | :05:40. | :05:47. | |
for a massage. Come on, sloth. on, sloth! It's the perfect | :05:47. | :05:53. | |
nickname for you. This week it's the samba to this music. Stevie | :05:53. | :05:57. | |
Wonder. Fine choice. Yesterday, Harry, you tweeted, not that I'm | :05:57. | :06:03. | |
stalking you or anything, that the samba is hard, "Help, anyone.". Bit | :06:03. | :06:08. | |
of a challenge for you this week? It's been really tough. The good | :06:08. | :06:14. | |
thing is, the more frustrated I get the more Aliona finds it hilarious | :06:14. | :06:19. | |
and the more angry I look the more sloth-like I look. It's been really | :06:19. | :06:22. | |
tough. We can show everybody at home just how hard he's finding it. | :06:22. | :06:32. | |
:06:32. | :06:34. | ||
Check this out. This is so hard. I want my mummy. Why? Why does it | :06:34. | :06:43. | |
have to be so hard? You are right. Look at her laughing. Well, your | :06:43. | :06:51. | |
wish is our command, Harry and hopefully on the line is Harry's | :06:51. | :06:57. | |
mum, Mrs Judd. Hello. Are you enjoying the show, Harry's mum? | :06:57. | :07:02. | |
Love it. Do you have some words of wisdom for your boy? I'll hand you | :07:02. | :07:11. | |
over. Hi, mum. Hi, darling. Look, Harry, come on, just pull yourself | :07:11. | :07:16. | |
together. I will, promise. Think about it. You know you can do it. | :07:16. | :07:22. | |
You know you can do it. Just keep calm and keep going. Thanks, mum. | :07:22. | :07:29. | |
Do as your told for once. You will do really well. Love you. Thanks, | :07:29. | :07:35. | |
mum. Thank you, Harry's mum. APPLAUSE | :07:35. | :07:39. | |
Good luck with the samba this weekend. I don't want to scare you, | :07:39. | :07:47. | |
but some of the highest scores of samba have been scored by yours | :07:47. | :07:57. | |
:07:57. | :07:58. | ||
trulyy. And Matt Baker. We got oath 38.. Both 38. Now, our | :07:58. | :08:02. | |
professionals love a bit of chit- chat, but do you know which dancer | :08:02. | :08:08. | |
they are goss ipg about? -- gossiping about? This dancer wears | :08:08. | :08:12. | |
the highest heels out of all the professionals at three-and-a-half | :08:12. | :08:16. | |
inches. This person loves chocolate and cannot walk past a chocolate | :08:16. | :08:21. | |
much inand say no. I want this person to be the mother of my | :08:21. | :08:27. | |
children. This dancer is the quickest, the sharpest, the most | :08:27. | :08:31. | |
beautiful one in Argentine tango. Who do you think it is? Find out | :08:31. | :08:35. | |
later in the show. It's Wednesday and that can mean only one thing, | :08:35. | :08:45. | |
:08:45. | :08:47. | ||
my dancing partner in crime is here. It's time for the Wednesday warm-up. | :08:47. | :08:52. | |
Please, welcome back the batman to my Robin, it's Ian Waite. | :08:52. | :08:57. | |
APPLAUSE My family are in tonight. Yeah, | :08:57. | :09:03. | |
you've got them all with you. Did you enjoy the weekend? All I can | :09:03. | :09:13. | |
:09:13. | :09:22. | ||
say, it was fanningdabbido zey. Trn Lulu is doing well. She starts off | :09:22. | :09:27. | |
in a very upright position, comp isn't so great, but as she is doing | :09:27. | :09:31. | |
those crosses she goes into this position, which, I'm going to draw | :09:31. | :09:39. | |
it for you, that position. It's the banana shape. I love that. If she | :09:39. | :09:43. | |
can maintain this throughout that is fantastic. With taking that, | :09:43. | :09:48. | |
that way, she needs to balance it up with the hips underneath, so as | :09:48. | :09:53. | |
the head goes that, the more the hips should come underneath and you | :09:54. | :10:00. | |
should be balanced. Sometimes she does look as though in Brendan lets | :10:00. | :10:07. | |
go she falls over. Lift it up a little. Russell and Flavia are | :10:07. | :10:15. | |
dancing the paso doble. Will this be matador or matadon't? Good. | :10:15. | :10:23. | |
Another characterful dance. He excels at these. I want to show | :10:23. | :10:28. | |
this. If I - no, I want to highlight that. Come on. Look at | :10:28. | :10:33. | |
his arms. I want to emphasise the arms. Good arms, or bad? Yes. | :10:33. | :10:38. | |
Fantastic arms. Look at the fingers. Even the fingers, it looks like he | :10:38. | :10:48. | |
:10:48. | :10:48. | ||
has cast nets in his hands. -- castanets. He has the curved shape, | :10:48. | :10:51. | |
so creating the character very well. I was concerned at the beginning of | :10:51. | :10:57. | |
this dance that he's messing up the steps. That is the only worry I | :10:57. | :11:01. | |
have. Sometimes he does forget his steps. He really needs to nail them | :11:01. | :11:04. | |
on the live show. I think Flavia will work on that. That's only | :11:04. | :11:10. | |
yesterday. Robbie and Ola. Back in the ballroom. Excited, because he's | :11:10. | :11:15. | |
a ballroom boy. They are dog a waltz. I think it suits him. His | :11:15. | :11:21. | |
hold's improved again. His quality of movement is very good. Here, Ola, | :11:21. | :11:26. | |
has taught him some outside changes in waltz and here he does - I'm | :11:26. | :11:32. | |
going to draw around that - because here he does a clonking great big | :11:32. | :11:38. | |
heel. That is a promenade step. I've never heard of that move | :11:38. | :11:42. | |
before! It's a promenade step and you have to go into a toe. There | :11:42. | :11:46. | |
are lots of outside changes there, where he should be doing heel, toe, | :11:46. | :11:56. | |
:11:56. | :11:57. | ||
toe. Everybody, heel, toe, toe. Heel, toe, toe. I'll be doing that | :11:58. | :12:02. | |
all night. That is the rise and fall. If he's not doing that, he's | :12:02. | :12:08. | |
not doing the basic technique of waltz. I would say if Len was there | :12:08. | :12:12. | |
he might pick that out, but he's away this week. Jennifer Grey is | :12:12. | :12:17. | |
there this week. Remember that, Robbie. Think of Dorothy. Jason and | :12:17. | :12:22. | |
Kristina are doing the rumba. He was back on top this week. How is | :12:22. | :12:27. | |
this looking? Continuing to be very good. Continuing the success of | :12:27. | :12:32. | |
last week. Amazing rumba walks there. He has that sort of dance in | :12:32. | :12:40. | |
him. He's just good. He is the dance. Look at that leg. It's | :12:40. | :12:45. | |
straight as a poker and turned out. He looks like a dancer. He has the | :12:45. | :12:51. | |
lovely arms, which are creating the space all the time. The thing that | :12:51. | :12:55. | |
he has to be careful of is that in rumba you have to stay in that | :12:55. | :12:59. | |
movement in your body, so he doesn't want it to stay still. | :12:59. | :13:04. | |
Don't do a move and stop. Keep it going. If he puts the arm out, the | :13:04. | :13:09. | |
body still carries on. Like a little snake? Yes. Alex and James | :13:09. | :13:14. | |
are doing the quickstep. How is our little Welsh wonder looking? Well, | :13:14. | :13:22. | |
very good. All I would say is more balls. She is looking slightly | :13:22. | :13:26. | |
flat-footed in this dance. As we know, quickstep is very light and | :13:26. | :13:30. | |
fluffy and bouncy and to create that you have got to stay on the | :13:30. | :13:34. | |
balls. With flat feet it's not going to happen. Again, this is an | :13:34. | :13:37. | |
intricate dance and she looks like she is struggling to keep up, but | :13:37. | :13:42. | |
like last week, I said in the paso doble, this is more difficult and | :13:42. | :13:46. | |
more complicated and she is struggling to keep up, but, she | :13:46. | :13:51. | |
took it on board. What a great night last Saturday. Maybe this | :13:51. | :14:01. | |
:14:01. | :14:02. | ||
will be the same. She'll take it on board. Chelsee and Pasha doing the | :14:02. | :14:07. | |
Charlston. How will it be looking? It will really suit her. I want her | :14:07. | :14:16. | |
to slow this down, because it emphasises how in sync they are | :14:16. | :14:20. | |
together. She is completely copying Pasha. That is the essence of the | :14:21. | :14:25. | |
perfect couple. If they completely match each other then you have got | :14:25. | :14:30. | |
that special bond where you look - they even look like each other. If | :14:30. | :14:35. | |
you put pictures up next to each other, they look like brother and | :14:35. | :14:40. | |
sister. I notice a couple of differences. That is looking really | :14:40. | :14:46. | |
encouraging. Tuesday's footage and they are matching so well already. | :14:46. | :14:51. | |
Audley and Natalie are doing the Viennese Waltz. Is that exciting? | :14:51. | :14:56. | |
Great, because Audley is a good ballroom dancer. He never ceases to | :14:56. | :15:03. | |
amaze me. His musicality is extremely good. Because he's such a | :15:03. | :15:05. | |
big guy we expect him to be not good, but the musicality is | :15:06. | :15:10. | |
exceptional. Also, he has a great quality of movement. What I would | :15:11. | :15:17. | |
like to see is here, his arms are slightly behind his back. Not good? | :15:17. | :15:21. | |
He tends to drop them. Where should they be? Really they should be up | :15:21. | :15:29. | |
more to the girl, so he needs to dance. Let me show you. His arms | :15:29. | :15:34. | |
are in front and then he takes the girl almost like he is cuddling her. | :15:34. | :15:40. | |
Then you still have the big circle and our arms are towards each other. | :15:40. | :15:45. | |
Like a cuddle. Everybody needs a little cuddle. Ian, you are a | :15:45. | :15:52. | |
fountain of knowledge. Can I just stay here for the next link? Let's | :15:52. | :15:55. | |
hear it for Ian Waite! APPLAUSE | :15:55. | :16:00. | |
In a moment I'll catch up with Anita and Robin, but first here's a | :16:00. | :16:06. | |
reminder how their tango was so good. Put me down. I never knew you | :16:07. | :16:12. | |
could play so evil. I really liked it because there was a lot of tango. | :16:12. | :16:16. | |
I need to perfect your hold. Apart from that, brilliant. Acting ten, | :16:16. | :16:26. | |
top line, three. I loved the routine though. I was petrified it | :16:26. | :16:29. | |
was going to be a disaster, because I thought she has forgotten | :16:29. | :16:34. | |
everything. As soon as you start it all came back. It was my favourite | :16:34. | :16:38. | |
one. Look at what I'm wearing. I'm a dream. I would like to say to the | :16:38. | :16:47. | |
judges, thank you very, very much. Please, welcome, Anita and Robin. | :16:47. | :16:57. | |
:16:57. | :16:57. | ||
Hello, you two. Welcome back. So, a week ago there you were you were a | :16:57. | :17:00. | |
starlet, and now terrifying vixen. Is there a character you can't | :17:00. | :17:04. | |
play? I don't know. Keep throwing me the challenges. We are making | :17:04. | :17:10. | |
you a list. Overall, the judges absolutely loved it. Well done to | :17:10. | :17:18. | |
both of you. Craig said acting, ten, top line, three. Are you working on | :17:19. | :17:25. | |
the frame? I had a chat and what kind of happened she has spent | :17:25. | :17:33. | |
years and years and years perfecting a way to stand up to be | :17:33. | :17:36. | |
an actress and this dramatic actress, it's all about how you | :17:36. | :17:40. | |
stand straight and all of a sudden I want her to tip back and it's so | :17:40. | :17:45. | |
foreign. That's not what your brain has been taught? No, nearly 50 | :17:45. | :17:50. | |
years of standing like that. It's hard to unlearn something. I didn't | :17:50. | :17:56. | |
even think about that. That's good. Forgetting technical terms because | :17:56. | :18:00. | |
you have your own language of dance in the training room. There are a | :18:00. | :18:07. | |
couple of words that have come out. Tell me more. You mean doodle flip | :18:07. | :18:12. | |
and flap. That means a step that I've got wrong. As soon as I say, | :18:12. | :18:18. | |
"Can I do the doodle flap?" he knows what I mean. You are in tune. | :18:18. | :18:23. | |
All the kids will be saying that on the streets now. You are doing one | :18:23. | :18:26. | |
of the series first cheeky Charles stons. I love this dance. This is | :18:26. | :18:32. | |
what you are dancing to. -- Charlstons. I love this dance. This | :18:32. | :18:38. | |
is what you are dancing to. Good choice. How is training going? | :18:38. | :18:43. | |
a challenge. It's something -- you have to keep going over and over | :18:43. | :18:47. | |
and over it otherwise you don't learn it. But it's great fun. | :18:47. | :18:51. | |
Terrific fun. It is really good fun. Looking at this. You are perfectly | :18:51. | :18:54. | |
in time. This is only from yesterday. This is Tuesday. That | :18:54. | :19:01. | |
stands you in good stead. It's the first dance where the lady can lift | :19:01. | :19:07. | |
the chap. Should she fancy. Will you be doing that? Are you seer | :19:08. | :19:14. | |
yution? Look at -- serious? Look at Robin's face. Can you manage 0 | :19:14. | :19:21. | |
kilos, love? We can try, if you want. Come on. Jennifer Grey is | :19:21. | :19:25. | |
stepping in to Len's shoes on Saturday. What do you think she's | :19:25. | :19:31. | |
going to be looking for? Well, to get it technically correct, as much | :19:31. | :19:36. | |
as possible, I guess. And to actually evoke the feel of that era. | :19:36. | :19:41. | |
The 20's feel. The flapper style. Is it exciting? A new judge or is | :19:41. | :19:45. | |
it quite scary? I think it's going to be a little weird. As long as | :19:45. | :19:55. | |
:19:55. | :19:55. | ||
no-one puts her in the corner! got it in first. Last week, we gave | :19:55. | :20:03. | |
you a sweatband to help you in the studio. I did wear it. It worked. | :20:03. | :20:13. | |
:20:13. | :20:13. | ||
We have seen that you put it to good use. Look at this. | :20:13. | :20:18. | |
# Let's get physical... # I'm not sweating that much today. It's | :20:18. | :20:25. | |
actually working. They are really good. Thank you, Strictly Come | :20:25. | :20:31. | |
Dancing: It Takes Two. Yeah, thank you. It's quite funny, because | :20:31. | :20:35. | |
Robin says it works. That is why they are called sweatbands. We have | :20:35. | :20:42. | |
made you a little T-shirt to go with it. Look at this. You have to | :20:43. | :20:49. | |
wear it. Next week it's going to be hotpants. Don't think Anita the way | :20:49. | :20:53. | |
you dress in the studio and when you are in training we love it. | :20:53. | :20:58. | |
Here's three of our favourite looks. Access rising with a bow. We | :20:58. | :21:02. | |
wondered if you had any tips for dressing nicely in the training | :21:02. | :21:06. | |
room? No, I think wear something that is comfortable and if you are | :21:06. | :21:12. | |
doing an upbeat number why something colourful. That's just me. | :21:12. | :21:18. | |
We had the sleeves left over, so we made you this beautiful piece. | :21:18. | :21:23. | |
love it. Gorgeous. Thank you. I will wear it with pride. We get | :21:23. | :21:30. | |
gifts. We'll come again. These two must be great at Christmas. Your | :21:30. | :21:35. | |
leaderboard has been chequered. You were joint second an then fifth and | :21:35. | :21:40. | |
joint ninth. Who is your biggest rival, do you think? Everybody! | :21:40. | :21:49. | |
of them? Sno one in particular? -- no-one in particular? No, we are | :21:49. | :21:54. | |
having a ball. Good luck on Saturday. We can't wait. Thank you. | :21:54. | :22:00. | |
Anita and Robin. APPLAUSE | :22:00. | :22:04. | |
Last weekend Hallowe'en was crammed full of disguises, however it seems | :22:04. | :22:12. | |
that a couple of you picked up on some unexpected look-alikes. | :22:12. | :22:18. | |
ringing to see if anyone else looked like Brendan looked like | :22:18. | :22:26. | |
Aled Jones on Saturday. Wondering if Craig Revel Horwood models | :22:27. | :22:32. | |
himself on tin tin with the extraordinary hairstyle? I hope he | :22:32. | :22:42. | |
:22:42. | :22:42. | ||
does. He looks lovely. Thank you very much. Up next, I'll talk to | :22:43. | :22:47. | |
Holly and Artem, but first here's how their weekend performance | :22:47. | :22:51. | |
ruffled a few feathers. You look incredible. This is my favourite | :22:51. | :22:58. | |
concept so far. I think you have gone mad, but you succeeded. More | :22:58. | :23:03. | |
in hold, but you know I'm always on about that, but what a number. | :23:03. | :23:12. | |
high-risk, but you made it work. broke the 30 curse. That alone | :23:12. | :23:16. | |
makes me happy. It's a breakthrough for us, because the past four weeks | :23:16. | :23:21. | |
have been tough. I had a couple of things go wrong, so I was mad at | :23:21. | :23:26. | |
myself. I hope they enjoyed it. If we get through, then I can't wait | :23:26. | :23:33. | |
to get started on Monday morning. Welcome our gorgeous feathered | :23:33. | :23:38. | |
friends, Holly and Artem. APPLAUSE | :23:38. | :23:42. | |
Brilliant performance from you both on Saturday. You did it. You scored | :23:42. | :23:48. | |
over 30. You got 35. Were you very pleased? It was such a relief and | :23:48. | :23:54. | |
that we not only moved, but moved up. I know. A long way up. Yeah. | :23:54. | :23:57. | |
Great. It was such a great performance and you had a very | :23:57. | :24:05. | |
special guest in the studio. I did. My friend, princess B came along. | :24:05. | :24:13. | |
She wanted to watch. I nearly fell off my sofa. She is your friend? | :24:13. | :24:22. | |
Yes. Did she enjoy it and is she voting for you? Yes, she is under | :24:22. | :24:25. | |
strict instructions. It's the only time I can boss a princess around. | :24:25. | :24:32. | |
Good evening. I am bowing. Great judges' comments for you as well. | :24:33. | :24:35. | |
Alesha says you are a contender and you can win this. That must be | :24:35. | :24:40. | |
great to hear from a past winner. It's a full-on comment. I was | :24:40. | :24:43. | |
really flattered. I didn't remember the win part until tonight. That's | :24:43. | :24:48. | |
a big thing to say. It's scary too. It is quite hard to remember what | :24:48. | :24:54. | |
they say, because you are so relieved? Yes. Artem, Swan Lake, | :24:54. | :24:59. | |
never performed on Strictly before. You were nervous about taking such | :24:59. | :25:04. | |
a risk? Well, yeah, of course. I thing the song is difficult to core | :25:04. | :25:09. | |
graph, because it's ballet and really big moves. It was a big | :25:09. | :25:14. | |
challenge, but it came across well and we got good comments back. | :25:14. | :25:21. | |
really did pull it off. We were disgusted you weren't in tights. | :25:21. | :25:25. | |
Karen praised you and Elizabeth on- line says, "That has got to be the | :25:25. | :25:30. | |
dance of the series. It made me cry." That's amazing. Pretty good. | :25:30. | :25:33. | |
Good evening there. You are doing the jive and this week you are | :25:33. | :25:43. | |
:25:43. | :25:45. | ||
dancing to. Buen know Mars. What clever core -- Bruno Mars. What | :25:45. | :25:50. | |
clever choreography have you got this week? It's quick. I know. I | :25:50. | :25:55. | |
picked up when you two came in, you sat down like this. You are | :25:55. | :25:59. | |
exhausted from training. How is it going? Are you liking it? I love it. | :25:59. | :26:03. | |
I was dreading it because it was so fast. I thought I'll be wonky on | :26:03. | :26:08. | |
this one, but I'm enjoying it. I love the song. It all helps and it | :26:08. | :26:13. | |
peps you up. I can't wait to hear the band play this, because they | :26:13. | :26:22. | |
are great musicians and it will go Bez eshing. -- beserk. Is she | :26:22. | :26:27. | |
keeping up with you? I think at this point. I think the first | :26:27. | :26:37. | |
couple of days was tough. Because - I didn't. Going from Swan Lake to | :26:37. | :26:43. | |
jive - I love it. He is there with the Russian drive. Anything to work | :26:44. | :26:53. | |
:26:54. | :26:54. | ||
on? Attitude. No, I this I -- no, I think it's great. We are changing | :26:54. | :26:57. | |
bits. We are polishing things tomorrow. Hopefully it's perfect. | :26:57. | :27:02. | |
Has it got to the point where Holly can chip in with suggestions for | :27:02. | :27:07. | |
dancing or are you - They are uninvited, but they happen. Look at | :27:07. | :27:12. | |
his face. Let's put it this way - it's good to know the opinion of | :27:12. | :27:16. | |
your partner. The things they like to do and don't like. It helps to | :27:16. | :27:21. | |
core graph and helps to feel good about it. Make you comfortable. | :27:21. | :27:26. | |
suggestions are always great. I never decline any. Send them on a | :27:26. | :27:31. | |
postcard. Don't expect a reply. fax them overnight. We have a guest | :27:31. | :27:34. | |
judge on Saturday night. Jennifer Grey is going to be here. How does | :27:35. | :27:38. | |
that make you feel? Exciting prospect for you? Very. It's nice | :27:39. | :27:43. | |
to have flesh blood. She is an icon in the dancing world. Really cool. | :27:43. | :27:48. | |
Bring a new dynamic to the evening. -- to the evening. Are you | :27:48. | :27:53. | |
encouraged to be away from Len? Is that a good thing? Well, this week | :27:53. | :27:58. | |
we have a jive. It is quite a bit of a jive content in it, but Len | :27:58. | :28:03. | |
would probably say something about it. I'm quite happy that it's going | :28:03. | :28:06. | |
to be Jennifer. A Len break. We have Jennifer on the show tomorrow. | :28:06. | :28:11. | |
Good luck this weekend. We know you are going to be great. Holly and | :28:11. | :28:14. | |
Artem. APPLAUSE | :28:14. | :28:18. | |
Earlier in the show, we asked you if you could guess who our | :28:18. | :28:21. | |
professional dancers were talking about. It's now time to redevelop | :28:21. | :28:31. | |
:28:31. | :28:34. | ||
their identity. You guess ited it. It's me. -- you guessed it. It's me. | :28:34. | :28:38. | |
Holly got it right. Thank you to all my guests. I'll be back | :28:38. | :28:42. | |
tomorrow when Russell and Flavia will be here, to talk about their | :28:42. | :28:46. | |
paso doble. Jason and Kristina will talk rumba and there will be a | :28:46. | :28:51. |