Episode 23 Strictly - It Takes Two


Episode 23

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Coming up on Wednesday's It Takes Two - Alesha crowned him King of

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the Tango - HRH Harry and Queen Aliona will be joining me. Devil

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Woman Anita and her partner Robin are here. Holly and Artem will be

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swanning in for a chat. Plus, Ian's back to dissect this week's

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training in Waite's Wednesday Warm- Live, from Television Centre, this

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is Strictly Come Dancing: It Takes Two. Please, welcome, your host,

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Zoe Ball. Hello. Welcome. Our ten remaining couples are busy working

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very hard for this weekend and tonight we'll get the first look at

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their training, which includes the first Charlstons of the series.

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Then I'll chat to Harry and Aliona, after this reminder of the rather

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tasty tango. Full of intent and purpose. Thought it was fantastic.

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I want to see more than eight bars in the tango hold. What's annoying,

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when you are in hold, you are great. Harry, intense, hypnotic, erotic.

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You created a beautiful piece of dance. The king and queen of tango

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tonight. I'm so pleased, because for some reason it's getting harder.

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The comments were lovely. The scores were great. Another ten.

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choreography it was so good, so hard to put so much in hold, but I

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totally understand what Len is saying. I can dream tonight about

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tens. Give it up for Team Hali! APPLAUSE

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Harry, you went from being a drummer, to being a very good

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drabgcla. Did you enjoy yourself -- Dracular? Did you enjoy it? Yes, I

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did. You did divide the judges in their remarks. Len said he would

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give you a seven and wanted more in hold. You got another ten and some

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people were saying it was more of a shows dance. What were your

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thoughts? I felt to dress up and do a regular dance for Hallowe'en

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didn't make much sense, so a bit of production is in order and that's

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what we have done. There was a bit of tango and other things, but

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altogether it was a tango, but a bit of theatrical production.

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For Hallowe'en. On the plus side, and this is very exciting, Len said

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you are one of the best male ballroom celebrities he's ever seen.

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I know. I know. It is true. It's amazing. I couldn't believe it when

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I heard him say that. Thank you, Len. Indeed. Any idea that you

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could dance this well before you did this? Absolutely not. I must

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say, I keep forgetting to say it's pretty much down to Aliona's

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amazing teaching. She is so patient and it takes hours and hours, so I

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don't think it's necessarily natural. It's a lot of hard work.

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From both though. Obviously you are putting in the hours too. Have your

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friends and your lovely bandmates noticed a difference in you?

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They've noticed that they don't see me any more or speak to me. They

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see me on TV on Saturday nights. I'm very busy, but in this period

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of time you have to be very focused and work hard. Are you dropping in

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any dancing lingo along the way? Yes. For example? I know, do a

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check. Good lines. That wasn't a good line. I just smacked that.

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Expensive piece of equipment. You revealed although you train most

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hours, you spend 50% of the time eating or messing about and further

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investigation has gone on to show us that there's an awful lot of

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time wasting. You look like some kind of animal, but it's not a

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ghost. Shrew? What's that? A sloth. Yes, that's it. I haven't had

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enough sleep. Try to stay up. That's it. Come on, sloth. Still

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not finished? One move and we're done. I go like that. I can't wait

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for a massage. Come on, sloth. on, sloth! It's the perfect

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nickname for you. This week it's the samba to this music. Stevie

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Wonder. Fine choice. Yesterday, Harry, you tweeted, not that I'm

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stalking you or anything, that the samba is hard, "Help, anyone.". Bit

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of a challenge for you this week? It's been really tough. The good

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thing is, the more frustrated I get the more Aliona finds it hilarious

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and the more angry I look the more sloth-like I look. It's been really

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tough. We can show everybody at home just how hard he's finding it.

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Check this out. This is so hard. I want my mummy. Why? Why does it

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have to be so hard? You are right. Look at her laughing. Well, your

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wish is our command, Harry and hopefully on the line is Harry's

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mum, Mrs Judd. Hello. Are you enjoying the show, Harry's mum?

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Love it. Do you have some words of wisdom for your boy? I'll hand you

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over. Hi, mum. Hi, darling. Look, Harry, come on, just pull yourself

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together. I will, promise. Think about it. You know you can do it.

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You know you can do it. Just keep calm and keep going. Thanks, mum.

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Do as your told for once. You will do really well. Love you. Thanks,

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mum. Thank you, Harry's mum. APPLAUSE

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Good luck with the samba this weekend. I don't want to scare you,

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but some of the highest scores of samba have been scored by yours

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trulyy. And Matt Baker. We got oath 38.. Both 38. Now, our

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professionals love a bit of chit- chat, but do you know which dancer

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they are goss ipg about? -- gossiping about? This dancer wears

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the highest heels out of all the professionals at three-and-a-half

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inches. This person loves chocolate and cannot walk past a chocolate

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much inand say no. I want this person to be the mother of my

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children. This dancer is the quickest, the sharpest, the most

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beautiful one in Argentine tango. Who do you think it is? Find out

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later in the show. It's Wednesday and that can mean only one thing,

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my dancing partner in crime is here. It's time for the Wednesday warm-up.

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Please, welcome back the batman to my Robin, it's Ian Waite.

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APPLAUSE My family are in tonight. Yeah,

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you've got them all with you. Did you enjoy the weekend? All I can

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say, it was fanningdabbido zey. Trn Lulu is doing well. She starts off

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in a very upright position, comp isn't so great, but as she is doing

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those crosses she goes into this position, which, I'm going to draw

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it for you, that position. It's the banana shape. I love that. If she

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can maintain this throughout that is fantastic. With taking that,

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that way, she needs to balance it up with the hips underneath, so as

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the head goes that, the more the hips should come underneath and you

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should be balanced. Sometimes she does look as though in Brendan lets

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go she falls over. Lift it up a little. Russell and Flavia are

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dancing the paso doble. Will this be matador or matadon't? Good.

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Another characterful dance. He excels at these. I want to show

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this. If I - no, I want to highlight that. Come on. Look at

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his arms. I want to emphasise the arms. Good arms, or bad? Yes.

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Fantastic arms. Look at the fingers. Even the fingers, it looks like he

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has cast nets in his hands. -- castanets. He has the curved shape,

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so creating the character very well. I was concerned at the beginning of

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this dance that he's messing up the steps. That is the only worry I

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have. Sometimes he does forget his steps. He really needs to nail them

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on the live show. I think Flavia will work on that. That's only

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yesterday. Robbie and Ola. Back in the ballroom. Excited, because he's

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a ballroom boy. They are dog a waltz. I think it suits him. His

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hold's improved again. His quality of movement is very good. Here, Ola,

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has taught him some outside changes in waltz and here he does - I'm

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going to draw around that - because here he does a clonking great big

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heel. That is a promenade step. I've never heard of that move

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before! It's a promenade step and you have to go into a toe. There

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are lots of outside changes there, where he should be doing heel, toe,

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:11:56.:11:57.

toe. Everybody, heel, toe, toe. Heel, toe, toe. I'll be doing that

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all night. That is the rise and fall. If he's not doing that, he's

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not doing the basic technique of waltz. I would say if Len was there

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he might pick that out, but he's away this week. Jennifer Grey is

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there this week. Remember that, Robbie. Think of Dorothy. Jason and

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Kristina are doing the rumba. He was back on top this week. How is

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this looking? Continuing to be very good. Continuing the success of

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last week. Amazing rumba walks there. He has that sort of dance in

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him. He's just good. He is the dance. Look at that leg. It's

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straight as a poker and turned out. He looks like a dancer. He has the

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lovely arms, which are creating the space all the time. The thing that

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he has to be careful of is that in rumba you have to stay in that

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movement in your body, so he doesn't want it to stay still.

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Don't do a move and stop. Keep it going. If he puts the arm out, the

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body still carries on. Like a little snake? Yes. Alex and James

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are doing the quickstep. How is our little Welsh wonder looking? Well,

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very good. All I would say is more balls. She is looking slightly

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flat-footed in this dance. As we know, quickstep is very light and

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fluffy and bouncy and to create that you have got to stay on the

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balls. With flat feet it's not going to happen. Again, this is an

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intricate dance and she looks like she is struggling to keep up, but

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like last week, I said in the paso doble, this is more difficult and

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more complicated and she is struggling to keep up, but, she

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took it on board. What a great night last Saturday. Maybe this

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will be the same. She'll take it on board. Chelsee and Pasha doing the

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Charlston. How will it be looking? It will really suit her. I want her

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to slow this down, because it emphasises how in sync they are

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together. She is completely copying Pasha. That is the essence of the

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perfect couple. If they completely match each other then you have got

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that special bond where you look - they even look like each other. If

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you put pictures up next to each other, they look like brother and

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sister. I notice a couple of differences. That is looking really

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encouraging. Tuesday's footage and they are matching so well already.

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Audley and Natalie are doing the Viennese Waltz. Is that exciting?

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Great, because Audley is a good ballroom dancer. He never ceases to

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amaze me. His musicality is extremely good. Because he's such a

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big guy we expect him to be not good, but the musicality is

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exceptional. Also, he has a great quality of movement. What I would

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like to see is here, his arms are slightly behind his back. Not good?

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He tends to drop them. Where should they be? Really they should be up

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more to the girl, so he needs to dance. Let me show you. His arms

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are in front and then he takes the girl almost like he is cuddling her.

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Then you still have the big circle and our arms are towards each other.

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Like a cuddle. Everybody needs a little cuddle. Ian, you are a

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fountain of knowledge. Can I just stay here for the next link? Let's

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hear it for Ian Waite! APPLAUSE

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In a moment I'll catch up with Anita and Robin, but first here's a

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reminder how their tango was so good. Put me down. I never knew you

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could play so evil. I really liked it because there was a lot of tango.

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I need to perfect your hold. Apart from that, brilliant. Acting ten,

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top line, three. I loved the routine though. I was petrified it

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was going to be a disaster, because I thought she has forgotten

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everything. As soon as you start it all came back. It was my favourite

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one. Look at what I'm wearing. I'm a dream. I would like to say to the

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judges, thank you very, very much. Please, welcome, Anita and Robin.

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:16:57.:16:57.

Hello, you two. Welcome back. So, a week ago there you were you were a

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starlet, and now terrifying vixen. Is there a character you can't

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play? I don't know. Keep throwing me the challenges. We are making

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you a list. Overall, the judges absolutely loved it. Well done to

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both of you. Craig said acting, ten, top line, three. Are you working on

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the frame? I had a chat and what kind of happened she has spent

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years and years and years perfecting a way to stand up to be

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an actress and this dramatic actress, it's all about how you

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stand straight and all of a sudden I want her to tip back and it's so

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foreign. That's not what your brain has been taught? No, nearly 50

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years of standing like that. It's hard to unlearn something. I didn't

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even think about that. That's good. Forgetting technical terms because

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you have your own language of dance in the training room. There are a

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couple of words that have come out. Tell me more. You mean doodle flip

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and flap. That means a step that I've got wrong. As soon as I say,

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"Can I do the doodle flap?" he knows what I mean. You are in tune.

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All the kids will be saying that on the streets now. You are doing one

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of the series first cheeky Charles stons. I love this dance. This is

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what you are dancing to. -- Charlstons. I love this dance. This

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is what you are dancing to. Good choice. How is training going?

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a challenge. It's something -- you have to keep going over and over

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and over it otherwise you don't learn it. But it's great fun.

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Terrific fun. It is really good fun. Looking at this. You are perfectly

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in time. This is only from yesterday. This is Tuesday. That

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stands you in good stead. It's the first dance where the lady can lift

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the chap. Should she fancy. Will you be doing that? Are you seer

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yution? Look at -- serious? Look at Robin's face. Can you manage 0

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kilos, love? We can try, if you want. Come on. Jennifer Grey is

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stepping in to Len's shoes on Saturday. What do you think she's

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going to be looking for? Well, to get it technically correct, as much

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as possible, I guess. And to actually evoke the feel of that era.

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The 20's feel. The flapper style. Is it exciting? A new judge or is

:19:41.:19:45.

it quite scary? I think it's going to be a little weird. As long as

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:19:55.:19:55.

no-one puts her in the corner! got it in first. Last week, we gave

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you a sweatband to help you in the studio. I did wear it. It worked.

:20:03.:20:13.
:20:13.:20:13.

We have seen that you put it to good use. Look at this.

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# Let's get physical... # I'm not sweating that much today. It's

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actually working. They are really good. Thank you, Strictly Come

:20:25.:20:31.

Dancing: It Takes Two. Yeah, thank you. It's quite funny, because

:20:31.:20:35.

Robin says it works. That is why they are called sweatbands. We have

:20:35.:20:42.

made you a little T-shirt to go with it. Look at this. You have to

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wear it. Next week it's going to be hotpants. Don't think Anita the way

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you dress in the studio and when you are in training we love it.

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Here's three of our favourite looks. Access rising with a bow. We

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wondered if you had any tips for dressing nicely in the training

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room? No, I think wear something that is comfortable and if you are

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doing an upbeat number why something colourful. That's just me.

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We had the sleeves left over, so we made you this beautiful piece.

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love it. Gorgeous. Thank you. I will wear it with pride. We get

:21:23.:21:30.

gifts. We'll come again. These two must be great at Christmas. Your

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leaderboard has been chequered. You were joint second an then fifth and

:21:35.:21:40.

joint ninth. Who is your biggest rival, do you think? Everybody!

:21:40.:21:49.

of them? Sno one in particular? -- no-one in particular? No, we are

:21:49.:21:54.

having a ball. Good luck on Saturday. We can't wait. Thank you.

:21:54.:22:00.

Anita and Robin. APPLAUSE

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Last weekend Hallowe'en was crammed full of disguises, however it seems

:22:04.:22:12.

that a couple of you picked up on some unexpected look-alikes.

:22:12.:22:18.

ringing to see if anyone else looked like Brendan looked like

:22:18.:22:26.

Aled Jones on Saturday. Wondering if Craig Revel Horwood models

:22:27.:22:32.

himself on tin tin with the extraordinary hairstyle? I hope he

:22:32.:22:42.
:22:42.:22:42.

does. He looks lovely. Thank you very much. Up next, I'll talk to

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Holly and Artem, but first here's how their weekend performance

:22:47.:22:51.

ruffled a few feathers. You look incredible. This is my favourite

:22:51.:22:58.

concept so far. I think you have gone mad, but you succeeded. More

:22:58.:23:03.

in hold, but you know I'm always on about that, but what a number.

:23:03.:23:12.

high-risk, but you made it work. broke the 30 curse. That alone

:23:12.:23:16.

makes me happy. It's a breakthrough for us, because the past four weeks

:23:16.:23:21.

have been tough. I had a couple of things go wrong, so I was mad at

:23:21.:23:26.

myself. I hope they enjoyed it. If we get through, then I can't wait

:23:26.:23:33.

to get started on Monday morning. Welcome our gorgeous feathered

:23:33.:23:38.

friends, Holly and Artem. APPLAUSE

:23:38.:23:42.

Brilliant performance from you both on Saturday. You did it. You scored

:23:42.:23:48.

over 30. You got 35. Were you very pleased? It was such a relief and

:23:48.:23:54.

that we not only moved, but moved up. I know. A long way up. Yeah.

:23:54.:23:57.

Great. It was such a great performance and you had a very

:23:57.:24:05.

special guest in the studio. I did. My friend, princess B came along.

:24:05.:24:13.

She wanted to watch. I nearly fell off my sofa. She is your friend?

:24:13.:24:22.

Yes. Did she enjoy it and is she voting for you? Yes, she is under

:24:22.:24:25.

strict instructions. It's the only time I can boss a princess around.

:24:25.:24:32.

Good evening. I am bowing. Great judges' comments for you as well.

:24:33.:24:35.

Alesha says you are a contender and you can win this. That must be

:24:35.:24:40.

great to hear from a past winner. It's a full-on comment. I was

:24:40.:24:43.

really flattered. I didn't remember the win part until tonight. That's

:24:43.:24:48.

a big thing to say. It's scary too. It is quite hard to remember what

:24:48.:24:54.

they say, because you are so relieved? Yes. Artem, Swan Lake,

:24:54.:24:59.

never performed on Strictly before. You were nervous about taking such

:24:59.:25:04.

a risk? Well, yeah, of course. I thing the song is difficult to core

:25:04.:25:09.

graph, because it's ballet and really big moves. It was a big

:25:09.:25:14.

challenge, but it came across well and we got good comments back.

:25:14.:25:21.

really did pull it off. We were disgusted you weren't in tights.

:25:21.:25:25.

Karen praised you and Elizabeth on- line says, "That has got to be the

:25:25.:25:30.

dance of the series. It made me cry." That's amazing. Pretty good.

:25:30.:25:33.

Good evening there. You are doing the jive and this week you are

:25:33.:25:43.
:25:43.:25:45.

dancing to. Buen know Mars. What clever core -- Bruno Mars. What

:25:45.:25:50.

clever choreography have you got this week? It's quick. I know. I

:25:50.:25:55.

picked up when you two came in, you sat down like this. You are

:25:55.:25:59.

exhausted from training. How is it going? Are you liking it? I love it.

:25:59.:26:03.

I was dreading it because it was so fast. I thought I'll be wonky on

:26:03.:26:08.

this one, but I'm enjoying it. I love the song. It all helps and it

:26:08.:26:13.

peps you up. I can't wait to hear the band play this, because they

:26:13.:26:22.

are great musicians and it will go Bez eshing. -- beserk. Is she

:26:22.:26:27.

keeping up with you? I think at this point. I think the first

:26:27.:26:37.

couple of days was tough. Because - I didn't. Going from Swan Lake to

:26:37.:26:43.

jive - I love it. He is there with the Russian drive. Anything to work

:26:44.:26:53.
:26:54.:26:54.

on? Attitude. No, I this I -- no, I think it's great. We are changing

:26:54.:26:57.

bits. We are polishing things tomorrow. Hopefully it's perfect.

:26:57.:27:02.

Has it got to the point where Holly can chip in with suggestions for

:27:02.:27:07.

dancing or are you - They are uninvited, but they happen. Look at

:27:07.:27:12.

his face. Let's put it this way - it's good to know the opinion of

:27:12.:27:16.

your partner. The things they like to do and don't like. It helps to

:27:16.:27:21.

core graph and helps to feel good about it. Make you comfortable.

:27:21.:27:26.

suggestions are always great. I never decline any. Send them on a

:27:26.:27:31.

postcard. Don't expect a reply. fax them overnight. We have a guest

:27:31.:27:34.

judge on Saturday night. Jennifer Grey is going to be here. How does

:27:35.:27:38.

that make you feel? Exciting prospect for you? Very. It's nice

:27:39.:27:43.

to have flesh blood. She is an icon in the dancing world. Really cool.

:27:43.:27:48.

Bring a new dynamic to the evening. -- to the evening. Are you

:27:48.:27:53.

encouraged to be away from Len? Is that a good thing? Well, this week

:27:53.:27:58.

we have a jive. It is quite a bit of a jive content in it, but Len

:27:58.:28:03.

would probably say something about it. I'm quite happy that it's going

:28:03.:28:06.

to be Jennifer. A Len break. We have Jennifer on the show tomorrow.

:28:06.:28:11.

Good luck this weekend. We know you are going to be great. Holly and

:28:11.:28:14.

Artem. APPLAUSE

:28:14.:28:18.

Earlier in the show, we asked you if you could guess who our

:28:18.:28:21.

professional dancers were talking about. It's now time to redevelop

:28:21.:28:31.
:28:31.:28:34.

their identity. You guess ited it. It's me. -- you guessed it. It's me.

:28:34.:28:38.

Holly got it right. Thank you to all my guests. I'll be back

:28:38.:28:42.

tomorrow when Russell and Flavia will be here, to talk about their

:28:42.:28:46.

paso doble. Jason and Kristina will talk rumba and there will be a

:28:46.:28:51.

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