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It's Thursday. Coming up tonight: Jason and Kristina are back on the | :00:13. | :00:16. | |
top of the leaderboard. They're here live. Samba devils, Russell | :00:16. | :00:20. | |
and Flavia talk about their impending paso. I'll be finding out | :00:20. | :00:23. | |
what treats the costume department have in store for Saturday night | :00:23. | :00:28. | |
and the one and only dirty dancer, Jennifer Grey is here for an | :00:28. | :00:32. | |
exclusive chat about taking over from Len Goodman this weekend. This | :00:32. | :00:42. | |
:00:42. | :01:11. | ||
Live from Television Centre, this is Strictly It Takes Two. Please | :01:11. | :01:18. | |
welcome your host, it's Zoe Ball. APPLAUSE | :01:18. | :01:22. | |
Hello! Welcome to It Takes Two. It is the final day of training for | :01:22. | :01:26. | |
our couples before they start rehearsals in the Strictly Come | :01:26. | :01:31. | |
Dancing studio. In Just A Minute, I'll be talking to Jason and | :01:32. | :01:35. | |
Kristina who bedazzled the judges with their quickstep. Here's how | :01:35. | :01:41. | |
our celebrities are getting on in training: This week I am dancing | :01:41. | :01:47. | |
the Viennese waltz. Audley is definitely stronger at the ballroom | :01:47. | :01:52. | |
than the Latin. If I get my frame right and keep my fingers closed - | :01:52. | :01:58. | |
Craig - I have a better chance. Nice hands. It's about momentum and | :01:58. | :02:02. | |
changing direction quite quickly. There is some tricky foot work in | :02:02. | :02:07. | |
there. One, two, three, release. I've made it so there's not a lot | :02:07. | :02:12. | |
of spinning. This week I want to be able to not just dance the dance, I | :02:12. | :02:18. | |
want to act the dance. I wnt to get into this acting. I'm trying to act. | :02:18. | :02:23. | |
He'll be fine. He has to be fine. You're going to see Audley perform | :02:23. | :02:33. | |
:02:33. | :02:34. | ||
The jive is petteryifying. It's very, very fast. I'm going to have | :02:34. | :02:41. | |
a go. Boom, boom, boom. No. It's very difficult dance because | :02:41. | :02:46. | |
there's a lot of foot work. Every time I have a jive it's not about | :02:46. | :02:52. | |
jumping up, it's always about landing down. I'm a little bit | :02:52. | :02:56. | |
worried Artem will chuck me around and make me do upside down things, | :02:56. | :03:01. | |
throw me around like a rag doll like he usually does. I am going to | :03:01. | :03:05. | |
try and move my twinkle toes and make it look cool at the same time. | :03:05. | :03:11. | |
I'm more of a sloth. I don't move very fast. This week we're dancing | :03:12. | :03:21. | |
:03:22. | :03:23. | ||
the waltz. I like this one. It's soft, gentle. I think I need one of | :03:23. | :03:33. | |
them routines after last weekend. Get up and try to invite me to | :03:33. | :03:38. | |
dance with you. Find it quite hard looking ATOLa be romantic. We have | :03:39. | :03:43. | |
such good banter together. would you invite me to dance? | :03:43. | :03:50. | |
don't dance. He finds it hard to look at me in a certain way. No. | :03:50. | :03:54. | |
What was wrong with that? I don't he's ever been romantic in his life. | :03:54. | :04:02. | |
I feel sorry for his wife. This week, we're doing the tango. | :04:02. | :04:06. | |
There is nowhere to hide in tango. It is fast foot work. If something | :04:06. | :04:10. | |
goes wrong you're going to know about it. There's so many aspects | :04:10. | :04:16. | |
that you have to put together. Am I supposed to be... I was like... Not | :04:16. | :04:19. | |
easy. Other way. Other way. It's not quite there. I'm not doing | :04:19. | :04:26. | |
tricks this week. It's pure content. I want it to look as fantastic as a | :04:26. | :04:36. | |
:04:36. | :04:37. | ||
tango can be. That's going to be no easy feat. Wow. Chin up. Nice. This | :04:38. | :04:43. | |
is more like it. I must say I am very nervous about this one. I | :04:43. | :04:53. | |
think this could be our down fall. This week we have the rumba, which | :04:53. | :04:56. | |
is proving to be one of the most difficult dances for male | :04:56. | :05:04. | |
celebrities. I haven't found it yet. And two, three, frame, four. Frame. | :05:04. | :05:08. | |
It's about a relationship, about a love. There's lots of shapes. Lots | :05:08. | :05:13. | |
of arm formation, lots of lines. It's going to be a tough one. | :05:13. | :05:22. | |
has good hip action. He needs to definitely know more technically to | :05:22. | :05:28. | |
produce more quality. Breathe. rumba is the dance of love. | :05:28. | :05:34. | |
Love is pain. My back. Wow, babe. Is she putting everything into it, | :05:34. | :05:40. | |
it really hurts. No pain no gain. He's so right. Please welcome Jason | :05:40. | :05:43. | |
and Kristina! APPLAUSE | :05:43. | :05:50. | |
Thank you so much. No pain no gain. What a Comeback Kido. Were you | :05:50. | :05:55. | |
expecting such a great reaction as you got on Saturday? I knew the | :05:55. | :06:00. | |
dance was special because Hallowe'en has quite a dark side | :06:00. | :06:08. | |
and bewitched and the wonderful rue teeb that -- routine was bright, up | :06:08. | :06:12. | |
and fun. It was charming, in a way. It's that normal, it doesn't change | :06:12. | :06:17. | |
from week to week. Going out there, it just gets harder. The anxiety | :06:17. | :06:21. | |
levels, can I pull it off? It seemed to go pretty well. The | :06:21. | :06:28. | |
places, the actual dance itself was great. It was the parts that we | :06:28. | :06:32. | |
freestyled, the jazz hands and the showbiz parts that weren't as | :06:32. | :06:36. | |
precise as they could have been. We were very happy. Kristina, your | :06:36. | :06:39. | |
first ten on Strictly! APPLAUSE | :06:39. | :06:47. | |
More to come. Oh, yes! Did you say, "More to come." Let's hope so. | :06:47. | :06:52. | |
must have been hysterical. I was so happy. My first ten in four years | :06:52. | :06:56. | |
on Strictly. Thank you Jason one more time. You have paid your dews | :06:56. | :07:00. | |
girl. You admitted to minor mistakes. Do you think that you | :07:00. | :07:05. | |
were going -- you are going to have to be foot perfect before you get | :07:05. | :07:11. | |
tens from Len, Craig and Bruno? think it's a competition. I think | :07:11. | :07:17. | |
when you're trying to dance your best you have to dot best. There's | :07:17. | :07:22. | |
Harry, Chelsee, Anita, Holly, there's so many people out there, | :07:22. | :07:27. | |
Russell, so many people doing great dances at the moment. It's soo | :07:27. | :07:31. | |
exciting. It's impossible to call, which we love. Quickstep so last | :07:31. | :07:35. | |
week for you. This week the rumba, the dance of love. Your best | :07:35. | :07:40. | |
routine so far, they've all been pretty good, have been quite high | :07:40. | :07:44. | |
energy. This is understated. Are you attacking it differently? | :07:44. | :07:49. | |
think it's a simpler routine in a sense. Yes. It's a different vibe. | :07:49. | :07:54. | |
Very romantic, very beautiful song, which Jason chose. You chose this? | :07:54. | :07:58. | |
Can we tell them what it is? This is what you're dancing to | :07:58. | :08:08. | |
:08:08. | :08:10. | ||
# Struming my pain with his fingers # Oh, Roberta Flack. That takes me | :08:10. | :08:17. | |
back to a bedsit in Manchester. Tell me more. It's my dad's | :08:17. | :08:23. | |
favourite song. Is he coming over? I'd like to think he could. He's | :08:23. | :08:27. | |
been watching us on YouTube. Lots of support. Good evening to | :08:27. | :08:31. | |
Terrence if he's watching. Roberta Flak there. We have spotted in the | :08:32. | :08:37. | |
training room you sometimes change the lyrics. Killing me softly with | :08:37. | :08:46. | |
her dance. Killing me softly with the heel, no they're not heel leads, | :08:46. | :08:52. | |
are they? Toe leads. Killing me softly with toe leads | :08:53. | :08:58. | |
# Killing me softly with toe leads Toe leads, I remember those. You | :08:58. | :09:03. | |
are killing him softly, gently and slowly, the best way to go. Like a | :09:03. | :09:08. | |
bedsit in Manchester, right? Stop! It is the dance of love. It's | :09:08. | :09:15. | |
sensual. It's intimate. Can you explain this Donovan? Here come the | :09:15. | :09:20. | |
afternoon farts. They're about to happen. Oh, my gas. There's a lot | :09:20. | :09:29. | |
of gas in my body. I just have to... Run! It must be the cabbage or | :09:29. | :09:39. | |
:09:39. | :09:42. | ||
something. It does smell of poo I'm only human. Like Gary | :09:42. | :09:52. | |
:09:52. | :09:57. | ||
Necessityman. -- Newman. Jason! Zoe! Stop it. | :09:57. | :10:03. | |
Let's gather ourselves. It's so romantic. This is your first rumba | :10:03. | :10:07. | |
on Strictly. I don't want to scare you, but you are the first of the | :10:07. | :10:11. | |
male celebrities to dot rumba, are you anxious Kristina? I am excited. | :10:11. | :10:15. | |
I love the dance. It kind of came together in the end. He worked so | :10:15. | :10:18. | |
hard on the technique side and there are some brilliant rumba | :10:18. | :10:22. | |
walks. I hope it's going to go really well on Saturday. What do | :10:22. | :10:26. | |
you need to finesse in the next 24/48 hours? The thing about this | :10:26. | :10:31. | |
dance is you can't come in cold. You can't come in cold with any | :10:31. | :10:34. | |
dances, but it's really good to get the steps and layer it before you | :10:34. | :10:39. | |
go out and dot performance. If I come in -- do the performance. If I | :10:39. | :10:44. | |
come in in the morning it's rough until you are warmed up. There's | :10:44. | :10:49. | |
lots of shapes. There's lots of character in this. There's love, | :10:49. | :10:54. | |
divorce, passion, fire. A story we love it. It's a story board. It's a | :10:54. | :10:59. | |
character-driven piece. We can't wait. Bring on the tools. Good luck | :10:59. | :11:03. | |
on Saturday, Jason and Kristina! APPLAUSE | :11:03. | :11:08. | |
Now, the costume department dazzled us with a spectacular array of | :11:08. | :11:11. | |
Hallowe'en outfits last weekend. How can they possibly top it? I | :11:11. | :11:16. | |
caught up with them to find out. We are in the deepest, darkest | :11:16. | :11:21. | |
parts of the BBC and this is Nicola, chief assistant to head designer | :11:21. | :11:24. | |
Vicky. Thanks for coming on It Takes Two. Great fun last week, | :11:24. | :11:28. | |
Hallowe'en, amazing. This week, back to more traditional outfits | :11:29. | :11:35. | |
and very exciting, first charleston of the series. How does a | :11:35. | :11:40. | |
charleston dress differ? The Latin dresses are skimpy and shorter. | :11:40. | :11:45. | |
With the charleston there's the 1920s feel about it. It's a looser | :11:45. | :11:50. | |
feeling dress. It's not so tight to the body, more fabric and fringing. | :11:50. | :11:56. | |
This is Anita's for this week. looks stunning. It's chic, classic | :11:56. | :12:01. | |
and elgant. We have the fringe at the hem, perfect for movement. | :12:01. | :12:06. | |
Kicks out nicely when you do the steps. And lots of Chrisals on the | :12:06. | :12:12. | |
dress this week. She's going to feel a million dollars. Now Holly | :12:12. | :12:16. | |
and Artem have asked for something different. Artem wants them to both | :12:16. | :12:22. | |
be dressed the same. In frocks? What a shame! Maybe next week. | :12:22. | :12:26. | |
would be a first. They're going to be in suits. We're having | :12:26. | :12:31. | |
pinstriped suits made for them. And Holly is wearing men's black and | :12:31. | :12:34. | |
white spats as well, which have got to be specially made because her | :12:34. | :12:38. | |
feet are a lot smaller than this. Just a bit. Will that be difficult | :12:38. | :12:43. | |
dancing in these when she's used to dancing in the heels and ballroom | :12:43. | :12:47. | |
shoes? I think she'll prefer it. In training she always wears her socks | :12:47. | :12:52. | |
or flat shoes. This will be a comfort for her not wearing heels | :12:52. | :12:58. | |
and hopefully she'll feel closer to the ground. Liking the AlCapone | :12:58. | :13:02. | |
look. What about Russell. We look forward to seeing what he's wearing. | :13:02. | :13:07. | |
They're doing the paso this week. He's always fabulous. He loves the | :13:07. | :13:13. | |
costume. This week we've gone for a traditional silhouette. You have | :13:13. | :13:19. | |
the jacket and cumber bund and Latin trousers. Also a cape. We | :13:19. | :13:29. | |
:13:29. | :13:30. | ||
need a twist, so we've decided to use this, spots. He will be our | :13:31. | :13:36. | |
Dalmation matador in that. Very on trend. Can you give us a sneak | :13:36. | :13:41. | |
preview of one of the ladies' frocks. Yes, one of our celebrity | :13:41. | :13:45. | |
ladies dancing a ballroom. She is dancing quickly around the floor. | :13:45. | :13:50. | |
That's the clue. Can you work it out? That's stunning. Thank you for | :13:50. | :13:54. | |
talking to us. Good luck on Saturday. We're loving it. Back to | :13:54. | :13:58. | |
me in the studio. Thank you to nick will and the | :13:58. | :14:00. | |
costume department. You may know Len Goodman jets across the | :14:00. | :14:03. | |
Atlantic every week to be a judge on Dancing With The Stars, the | :14:03. | :14:07. | |
American version of Strictly. This week, he's having a well deserved | :14:07. | :14:11. | |
rest. We've got a new judge on the panel. Jetting in, yes, it's | :14:11. | :14:18. | |
exciting, jetting in to take his place is Dirty Dancing royalty and | :14:18. | :14:21. | |
last year's winner of Dancing With The Stars, Jennifer Grey. | :14:21. | :14:26. | |
APPLAUSE She's here in just a moment. First, | :14:26. | :14:36. | |
:14:36. | :14:49. | ||
She's here in just a moment. First, # I ware it's the truth and I owe | :14:49. | :14:51. | |
it all to you # As the phrase goes, nobody puts | :14:51. | :14:56. | |
Baby in the corner. She's coming down the stairs instead with a It | :14:56. | :15:00. | |
Takes Two exclusive hot off the plane from LA. Please welcome | :15:00. | :15:06. | |
Jennifer Grey! APPLAUSE | :15:06. | :15:14. | |
I'm so excited to meet you. Welcome darling. Welcome to the show. I | :15:14. | :15:19. | |
cannot tell you, the crew, we have all been hysterical all day. How | :15:19. | :15:23. | |
was winning Dancing With The Stars? You had quite an amazing journey on | :15:23. | :15:26. | |
the show. I'd say next to having my daughter it was the highlight of my | :15:26. | :15:29. | |
life. She's here tonight. Also marrying my husband, there's been | :15:29. | :15:33. | |
great moments. But it was a very, very, it was like child birth, it | :15:33. | :15:38. | |
was like while it was happening I thought I was going to die and then, | :15:38. | :15:43. | |
it was the single most, it was just a much deeper experience than | :15:43. | :15:46. | |
anyone give it's credit for because it looks like a silly dance show. | :15:46. | :15:51. | |
But it's so deep. It becomes your life. You live, breathe, sleep | :15:51. | :15:54. | |
thinking of dancing. There's nothing else I did. I said to my | :15:54. | :15:59. | |
daughter "I want to read to you, take you to school." She said | :15:59. | :16:04. | |
"There's time for that. Do this for now." Practise your heel leads. You | :16:04. | :16:10. | |
were magnificent on it. Thank you. You know more than most how our | :16:10. | :16:14. | |
celebrities will be feeling at this point. We're halfway through the | :16:14. | :16:17. | |
series. What will they be going through at this point in the | :16:17. | :16:22. | |
journey? I remember feeling in the middle like I wanted to quit. But I | :16:22. | :16:27. | |
mean full on want to quit. Like I'm really done. I remember my partner | :16:27. | :16:32. | |
Derek saying "Well you'll be the first one to do it." No-one's done | :16:32. | :16:38. | |
it yet. John Sergeant did on our show. My body was giving up. It had | :16:38. | :16:43. | |
become so intense. Very often, it's always the people who are going to | :16:43. | :16:48. | |
be the real contenders, then it gets intense. The pressure is so | :16:48. | :16:51. | |
great. Your body's giving out. You're getting more and more dances. | :16:51. | :16:56. | |
It's so intense. You keep your eyes on the prize and move toward it and | :16:56. | :17:00. | |
don't quit. You keep going. It's so thrilling. It is. And so rewarding. | :17:00. | :17:05. | |
We all love it, watching it. Who stood out for you the most on our | :17:05. | :17:09. | |
series so far? They're all, they've all got so much either charm or | :17:09. | :17:15. | |
charisma or real dance talent. I mean, I think Harry is doing great | :17:15. | :17:21. | |
and Holly is doing amazingly. Russell is just a hoot. Jason is... | :17:21. | :17:24. | |
I love him. They're going to be so excited that Jennifer Grey has | :17:25. | :17:29. | |
mentioned their names on telly. about Chelsee. She's someone to | :17:29. | :17:33. | |
watch. It feels like she's maybe, I don't know, I feel like when she | :17:33. | :17:36. | |
gets off her other show and can really concentrate, it might be a | :17:36. | :17:40. | |
little scary. I know. She did an amazing performance on just 12 | :17:40. | :17:44. | |
hours training. She's so good. Has Len given you any advice? You know | :17:44. | :17:48. | |
our Len. I love Len. He hasn't returned my calls. Oh, Len! Naughty | :17:48. | :17:54. | |
boy. I'll get him to call you. Yes, I'll have a word. We realise you're | :17:54. | :17:59. | |
under pressure to fill his shoes. What shoes! Amazing shoes. | :17:59. | :18:03. | |
thought we'd give you a bit of help and remind you of some of Len's | :18:03. | :18:06. | |
best known phrases. Oh, good. You're like the Government, there's | :18:06. | :18:12. | |
a lot going on and not all of it is good. Seven! I was a bit chilly | :18:12. | :18:16. | |
round the Willie, but that has warmed me up a treat. Go home and | :18:16. | :18:21. | |
pickle my walnuts. Hold your horses old sausage. Plentsy of boom bang | :18:21. | :18:27. | |
abang but nothing to shout about. There were moments of Mills & Boon | :18:27. | :18:31. | |
and moments of meals on wheels. You were like a Lancashire hot pot. You | :18:31. | :18:37. | |
little beauty I'm telling you! good. Our Len, we are wondering if | :18:37. | :18:43. | |
you want to give your best impression. Oh, "I'm going home and | :18:43. | :18:48. | |
pickle me walnuts" I love it when Americans do English accents. | :18:48. | :18:54. | |
badly. "Hold your horses old sausage. You may need this. You are | :18:54. | :18:58. | |
like a Lancashire hot pot. Get this woman and job in Coronation Street. | :18:58. | :19:05. | |
Try that. You may need this on Saturday. Give us a Len. Seven. | :19:05. | :19:07. | |
APPLAUSE You're such a great sport. Thank | :19:07. | :19:14. | |
you. We must mention Dirty Dancing. It was such a -- an inspiration to | :19:14. | :19:18. | |
so many. Ola became a dancer from watching you in that. Oh, really? | :19:18. | :19:25. | |
True. You got to work with Patrick Swayze. What a remarkable man. Was | :19:25. | :19:28. | |
that your first experience of dancing? Absolutely. I'd never | :19:28. | :19:31. | |
learned choreography. I was always the girl in the back of the class, | :19:31. | :19:34. | |
I still am, who is not able to learn the combination. It's really | :19:34. | :19:38. | |
hard for me. It was very much like the show, where you have a | :19:38. | :19:41. | |
professional dancer taking the naive person who has no idea what | :19:41. | :19:45. | |
they're getting into and then teaching them to dance and actually | :19:45. | :19:49. | |
having a much deeper experience through dance, which is a really, | :19:49. | :19:54. | |
it happens every season. It's bizarre. Your professional dancer | :19:54. | :20:01. | |
was Patrick Swayze. I know, I've been so blessed to have Patrick and | :20:01. | :20:07. | |
Derek. Patrick he is, he was such an amazing dancer. Incredible. | :20:07. | :20:12. | |
Beautiful. And he is very much missed. We have lots of questions | :20:12. | :20:16. | |
from our Strictly fans online. A couple here, what kind of judge are | :20:17. | :20:23. | |
you going to be? And aleash -- an Alesha, Bruno, Craig or a Len? | :20:23. | :20:26. | |
Probably like Alesha. Once you've gone through this, it's very hard | :20:26. | :20:31. | |
to, I have so much compassion for what everyone's going through. | :20:31. | :20:36. | |
you have a crush on Patrick? didn't! Yes, we all had crushes on | :20:36. | :20:40. | |
Patrick. Especially Tom! What was your favourite dance? You know, | :20:40. | :20:45. | |
it's like like saying which is your favourite child. I only have one | :20:45. | :20:52. | |
child. I love the jive. I loved the Argentine tango. I loved our | :20:52. | :20:55. | |
quickstep. I just loved doing it. You loved the whole thing. | :20:55. | :20:59. | |
Especially in retrospect. We cannot wait to see what you think of our | :20:59. | :21:02. | |
celebrities on Saturday. I can't wait too. It's official, we love | :21:03. | :21:06. | |
you. Jennifer Grey! APPLAUSE | :21:06. | :21:11. | |
Thank you so much. Wow. In Just A Minute, I'll be | :21:11. | :21:17. | |
talking to Russell and Flavia, who despite setting the room alight | :21:17. | :21:19. | |
last Saturday got a lukewarm reception from the judges. Here's | :21:19. | :21:26. | |
how the rest of our celebrities are shaping up in training. | :21:26. | :21:33. | |
This week James and I are attempting the quickstep. It would | :21:33. | :21:38. | |
be nice to do an upbeat dance where I can be happy and smiley and | :21:38. | :21:43. | |
probably very out of breath. I am feeling wrecked. And... Is it that | :21:43. | :21:50. | |
fast? Yes. This is a quick dance and there's a lot more content. To | :21:50. | :21:59. | |
be fair, she has difficulties doing one step, let alone possibly 500. | :22:00. | :22:05. | |
Wrong way, lovely. With every step of this blasted quickstep, I'm | :22:05. | :22:14. | |
feeling less, less sure. My energy is being zapped. | :22:14. | :22:19. | |
This week we're doing the charleston. The charleston is fun, | :22:19. | :22:23. | |
happy. I'll be going from that to that. The majority is acting. I | :22:23. | :22:29. | |
think Anita's going to be at home in this dance. It's very the marx | :22:29. | :22:36. | |
brorges. I hope the charleston will suit me. -- brothers. A lot of it | :22:36. | :22:45. | |
you dance together but not in hold. Sorry, missed it. I'm never going | :22:45. | :22:50. | |
to be as perfect as you are, baby. We'll get it there. Don't worry. | :22:50. | :22:56. | |
The problem is that having to dance next to Robin who is a professional, | :22:56. | :23:01. | |
I'm having to knock my game up. "I wish I were a dancer right now." | :23:01. | :23:05. | |
You are a dancer. No, I'm an actress. | :23:05. | :23:15. | |
:23:15. | :23:18. | ||
Samba this week. Uh-huh. It is impossible. Ah, one. Samba is | :23:18. | :23:21. | |
notoriously difficult dance. It's really hard to make it look nice | :23:21. | :23:26. | |
and proper. Most of the time it looks awkward. It's really bouncy | :23:26. | :23:30. | |
and funky. That, unfortunately, isn't coming naturally to me. There | :23:30. | :23:35. | |
seems to be a thin line between camp and masculine. I'm veering | :23:35. | :23:40. | |
more towards the camp side at the moment. And Aliona is doing her | :23:40. | :23:45. | |
best to get me back on the masculine side. Look at that | :23:45. | :23:51. | |
sticking out. I can't do that. a little bit worried, if I'm | :23:51. | :23:55. | |
perfectly honest. I haven't been worried yet, but I'm worried now. | :23:55. | :23:59. | |
This week I'm dancing the charleston. I can't wait because | :23:59. | :24:04. | |
it's fast, bouncy and I think that's more me. I can't wait to get | :24:04. | :24:08. | |
stuck in. It's high energy dance. I think it will suit Chelsee | :24:08. | :24:12. | |
perfectly, because she is a little ball of energy. Push and ankle down. | :24:12. | :24:18. | |
Cheek to cheek. Oh, yeah. Bam. In charleston it's very important to | :24:18. | :24:24. | |
muster -- master the hand and arm positions. Tea cup. I mean teapot. | :24:24. | :24:29. | |
We're dancing side by side a lot. We want to match perfectly. | :24:29. | :24:33. | |
right. That's going to be our goal for this week. | :24:33. | :24:37. | |
In last week's performance I had a wardrobe malfunction. I still have | :24:37. | :24:41. | |
the nerves, but I'm going to try and overcome them and dot dance | :24:41. | :24:46. | |
proud. -- Do the dance proud. This week, | :24:47. | :24:53. | |
we have a paso doble. I think it's going to be really fun. I love it. | :24:53. | :24:59. | |
What will be the main challenge? I think keeping tight buttocks. | :24:59. | :25:03. | |
you do that, feel you stick your bum forward. That's it. Yeah. | :25:03. | :25:08. | |
Always bum forward. OK. In this dance there's going to be a lot of | :25:08. | :25:13. | |
acting. Hold it there for a little bit. Then go. Then just go. That's | :25:13. | :25:18. | |
where Russell will be in his element. This one in particular is | :25:18. | :25:23. | |
a combination of comedy and drama. I would say sort of more high camp | :25:23. | :25:30. | |
than high Shap rel. Krb chaperel. Welcome Russell and | :25:30. | :25:32. | |
Flavia. APPLAUSE | :25:32. | :25:37. | |
I'm loving the fact that you told me that waist coat you were wearing | :25:37. | :25:44. | |
was given to you by Anthony Costa. We did a show together and he left | :25:44. | :25:47. | |
me with that jacket. First out on Saturday night, first on the floor | :25:47. | :25:52. | |
d, that make it harder for you? Yeah. Scary. We were congratulating | :25:52. | :25:56. | |
ourselves it was going first. It was the worst thing we ever did. | :25:56. | :26:02. | |
You have no chies. -- Choice. It was ice cold. In fact it was | :26:02. | :26:06. | |
Siberia. It was not like that. But there were Craig pointed out a | :26:06. | :26:11. | |
couple of technical mistakes. It was a bit of aye timing issue. To | :26:11. | :26:16. | |
the untrained eye no-one would notice it. No, no look. Poor old | :26:16. | :26:21. | |
soul. I mean red was never my favourite colour. You get back into | :26:21. | :26:26. | |
it there. He styled it out so well. Amazing. I mean little things | :26:26. | :26:29. | |
happen to everybody, but it's whether you can carry on and cover | :26:29. | :26:34. | |
them. That's brilliant. Look at that. Look at that! You were | :26:34. | :26:38. | |
dancing to Kylie Minogue. I was singing as well. I hear Kylie got | :26:38. | :26:42. | |
in touch with you. She did. She came on Twitter. That made our | :26:42. | :26:45. | |
night. When I got off someone came onto Twitter and said "Have you | :26:45. | :26:54. | |
seen Kylie was asking how the dance went." So I sent her a note back | :26:54. | :26:58. | |
saying "Alesha said Russell and Kylie all in one go, what more can | :26:58. | :27:04. | |
you ask for." She said "Russell shimmy." It will all be back to | :27:04. | :27:08. | |
Kylie in a couple of weeks. Your knee, we're all concerned. What's | :27:08. | :27:13. | |
the latest? It's cool. It's good to go. We will go on until the great | :27:13. | :27:18. | |
British public vote us out. Never, never we hope. Doing the paso doble | :27:18. | :27:23. | |
this week, will you channel Jason Donovan's firm buttocks? I don't | :27:23. | :27:29. | |
know. After what you showed me earlier. Oh, yes. Oh, no. Please. | :27:29. | :27:35. | |
You know what I mean. I'll keep my own buttocks. But there's a lovely | :27:35. | :27:43. | |
Russian called Sergei. Or is it Sir Gay? Or is he just gay, I don't | :27:43. | :27:48. | |
know. He's Russian. One of Flavia's friends. You two make me laugh. Is | :27:48. | :27:52. | |
he like Arro-Grant, your friend from a couple of weeks ago? He's a | :27:52. | :27:58. | |
bit more, I don't know. I would say he's so slick and cool and fabulous | :27:58. | :28:06. | |
that if I can look Sergei or just a bit gay, I will be happy. It will | :28:06. | :28:11. | |
dot job. He does a great paso doble. She showed me that and I started to | :28:11. | :28:19. | |
go into one of my and she went "Go Sergei, go." We burst into laughter. | :28:19. | :28:23. | |
His paso is masculine. Are you bringing out the masculine side? | :28:23. | :28:27. | |
It's dramatic and full of attack. And think Bennie Hill. | :28:27. | :28:35. | |
combination of the two. I cannot wait to see. Nor can we. Thank you | :28:35. | :28:39. | |
Russell and Flavia. Thank you to my guests this evening. Join me | :28:39. | :28:44. | |
tomorrow when I'll be talking to Chelsee and Pasha and Robbie and | :28:44. | :28:49. | |
Ola, Mr Tess Daly, also known as Vernon Kay, will be here alongside | :28:50. | :28:55. |