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French Sadie frost Frost It's Monday and what a weekend it was! | :00:10. | :00:15. | |
Coming up on the show: After their shock exit, Lulu and Brendan tell | :00:15. | :00:19. | |
us what it's like to kiss Strictly goodbye. Robbie and Ola will waltz | :00:19. | :00:24. | |
in for a chat. Plus the newly appointed Deputy head judge Craig | :00:24. | :00:28. | |
Revel Horwood is here for the Monday debrief. This is It Takes | :00:28. | :00:38. | |
:00:38. | :01:06. | ||
Live from Television Centre, this is Strictly It Takes Two. Please | :01:06. | :01:14. | |
welcome your host. It's Zoe ball! Hello and welcome to It Takes Two. | :01:14. | :01:19. | |
Whilst Len was away, the dancers certainly played. We saw impressive | :01:19. | :01:23. | |
performances, shock results and some rather bull ush behaviour. | :01:23. | :01:28. | |
Sadly, Lulu and Brendan were left with little to shout about as they | :01:28. | :01:31. | |
became the fifth couple to leave the competition. I know! They're | :01:31. | :01:36. | |
here live in just a moment. After this week's quick reminder of the | :01:37. | :01:43. | |
weekend's action. That was a Samba full of pecks | :01:43. | :01:49. | |
appeal! An intriguing glimpse of what your hips can do. A little bit | :01:49. | :01:55. | |
too serious and earnest actually. You keep dancing like that and | :01:55. | :02:05. | |
:02:05. | :02:06. | ||
nobody's going to put you in the corner! Astonishing! I couldn't | :02:06. | :02:12. | |
watch your foot baulk because your tongue kept hanging out of your | :02:12. | :02:18. | |
head -- footwork. Very creative different and cool. Always seems to | :02:18. | :02:20. | |
be a little mishap with you. The character of the dance was present, | :02:21. | :02:25. | |
you are improving, it was still enjoyable to watch. The couple | :02:25. | :02:35. | |
:02:35. | :02:36. | ||
leaving tonight is... Lulu and Yes, they performed their last | :02:36. | :02:40. | |
tango. Please welcome Lulu and Brendan. | :02:40. | :02:47. | |
Aw! Absolutely gutted of Brighton, that was me on Sunday night. I'm so | :02:47. | :02:50. | |
sorry. How did you feel when you found out you were in the bottom | :02:50. | :02:54. | |
two? Well, I said, and I would say to | :02:54. | :02:58. | |
Brendan too, you know, we are going to be in the bottom two this week | :02:58. | :03:01. | |
because of the points. So I've been preparing myself that we are going | :03:01. | :03:05. | |
to get there at some point and I had all the right kind of answers | :03:05. | :03:11. | |
because I'd figured out, you know bs I'm going to be in the bottom | :03:11. | :03:17. | |
two. I cried a lot yesterday, my balloon was definitely burst. | :03:17. | :03:21. | |
Popped. I'm not surprised. Even if you say, I don't mind going home, | :03:21. | :03:25. | |
the truth is you don't want to. I would say, I don't care if I | :03:25. | :03:27. | |
don't win but of course I would have loved to have won. But ifry | :03:27. | :03:34. | |
day was a bonus for me, I'm 63 years old, hello. I'm a singer, I | :03:34. | :03:38. | |
was dancing with him, one of the greatest ballroom dancers. Everyone | :03:38. | :03:45. | |
was jealous of me and I, you know, I'm upset. But, you know, I'm such | :03:45. | :03:49. | |
a lucky girl to have been on Strictly. Can I just say also, all | :03:49. | :03:57. | |
my friend just think you look so hot. You are 63, you look gorgeous. | :03:57. | :04:05. | |
WOLF WHISTLE SKACHES YOU SEEMED REALLY PLEASED WITH THE | :04:05. | :04:09. | |
Performance. Brendan, how did you feel it went? Pretty well. There | :04:09. | :04:13. | |
was one little mistake, which is kind of acceptable, but you kind of | :04:13. | :04:17. | |
go, actually as a whole, the dance went fairly well. I think the | :04:17. | :04:20. | |
biggest problem we had on the night was the shape got lost a little. | :04:20. | :04:25. | |
Once you go wrong, it's hard to just go, especially for these guys, | :04:25. | :04:29. | |
do limited hours in the week and then all of a sudden you lose a | :04:29. | :04:35. | |
position. There's the moment. Don't look. And Alesha mentioned there | :04:35. | :04:38. | |
was always a little mishap. Do you think that was your downfall in the | :04:39. | :04:42. | |
end? I don't know, maybe. But, you know, it doesn't matter. If I'd | :04:42. | :04:46. | |
have been out in the second week, the first week, fourth week, | :04:46. | :04:52. | |
whatever, you know, it's pretty amazing, the whole thing was an | :04:52. | :04:56. | |
incredible experience. I'm sad but I just have to sort of go like this, | :04:56. | :05:01. | |
oh, my God is this real, I was on Strictly. You were. The rumba. I'll | :05:01. | :05:06. | |
never forget it. I was in tears, told you that before. How was your | :05:06. | :05:09. | |
partnership together? How did you feel, what were the good bits about | :05:09. | :05:12. | |
it? I think there were a lot of things said in the press today and | :05:12. | :05:19. | |
of course if it's in the papers, it must be true! Not! For me, you know, | :05:19. | :05:22. | |
I know that I'm the sort of person who when I want to do something, I | :05:22. | :05:26. | |
want to do it right and get absolutely determined and I sort of | :05:26. | :05:30. | |
get a bit insane and feel sorry that he had to go through that and | :05:30. | :05:34. | |
watch me. Because when I'm in the room and don't get it right, I'm | :05:34. | :05:39. | |
mad. We couldn't have worked harder I don't think. It's not like we sat | :05:39. | :05:42. | |
back and took things for granted. We were in the studio a lot of | :05:42. | :05:47. | |
hours every day trying to make it right. And it's tough. It is tough. | :05:47. | :05:52. | |
Tough to be together, you know, to go through those things, you know, | :05:52. | :05:55. | |
you wanted me to get it right, me wanting it right, me getting in a | :05:55. | :06:00. | |
state about it. What can I say, I'm crazy. I don't think there was a | :06:00. | :06:02. | |
moment in the studio when it was like, tempers were flying or | :06:02. | :06:07. | |
anything like that. We laughed, cried and sang. Got on with it and | :06:07. | :06:11. | |
if it didn't work, we did it again. There were frustrating times when | :06:11. | :06:15. | |
it doesn't go either on Lulu's behalf or mine. At the end of the | :06:15. | :06:18. | |
day, we are in a show, there's pressure, we got on with it. | :06:18. | :06:22. | |
gave it your best shot week after week. It's very, very tough. I | :06:22. | :06:25. | |
don't know who could be in a room together like that working like | :06:25. | :06:29. | |
that under that sort of pressure. I know what I'm like, always feel | :06:29. | :06:33. | |
like I have to prove myself and this time I'll be discovered. I | :06:33. | :06:37. | |
mean really... As I say, I felt bad for him but I've been married twice, | :06:37. | :06:44. | |
doesn't that say it all. Yes, OK! It says a a lot. There's a great | :06:44. | :06:47. | |
camaraderie between all the celebrities this year more so than | :06:47. | :06:51. | |
years before, you've all become such good buddies. What's the | :06:51. | :06:55. | |
reaction been from the others at your departure? That's when I got | :06:55. | :07:01. | |
tearful yesterday. I got texts from Robbie and all the others, you know, | :07:01. | :07:07. | |
and Tweets. I got really sad. you. Because it's been... I am a | :07:07. | :07:14. | |
very lucky girl, that's what I have to keep telling myself. Wait until | :07:14. | :07:17. | |
sex Saturday, trust me, that's when it really hurts. Who are you going | :07:17. | :07:22. | |
to be rooting for? Robbie paid me just before I came on, so he's | :07:22. | :07:28. | |
going to win, Robbie and Ola. paid everybody! We are going to be | :07:28. | :07:33. | |
talking to him later on. shouldn't have said Robbie, so | :07:33. | :07:39. | |
sorry. I got told something about Robbie by Biggins but can't | :07:39. | :07:43. | |
possibly reveal it. I know what it is. We've loved having you here, | :07:43. | :07:47. | |
let's have a look at your story, Lulu. Time to reveal your Strictly | :07:47. | :07:57. | |
:07:57. | :08:07. | ||
Lulu is a lit ol ball of energy. Mornings are yes, yes, yes. I don't | :08:07. | :08:17. | |
:08:17. | :08:24. | ||
know if I'm ready, but let's go. Wey-hey. Dance disaster. It's not | :08:24. | :08:30. | |
easy to do a foxtrot. I'm concerned. No point in lying about it. | :08:30. | :08:32. | |
Beautiful interpretation of something, just not sure what. | :08:32. | :08:42. | |
not going to fall apart. I am a dancer! You played it with the | :08:42. | :08:49. | |
emotional fragility of a teenager in love. This week I'm doing a slow | :08:49. | :08:56. | |
rumba! Argh... She's like an excitable child. Brendan decided to | :08:56. | :08:59. | |
bring in some masks. Do you think this will give me inspraution to | :08:59. | :09:05. | |
dance? She's getting it. -- inspiration. Illegal lifts will not | :09:05. | :09:14. | |
be tolerated. This week, it's the Samba. We have developed a kind of | :09:14. | :09:24. | |
:09:24. | :09:25. | ||
a language of our own. Ba-da-da... Goo-ga. It's the one dance I always | :09:25. | :09:32. | |
get out of structly on. He's not going out. His curse is over. | :09:32. | :09:39. | |
it on. Let's do it. Effervesce isn't. As soon as you started | :09:39. | :09:43. | |
dancing I thought, suits you, full of beans and energy, good job. | :09:43. | :09:51. | |
week it's the pa toe dob lay, I'm going to learn how to fly -- Paso | :09:51. | :10:01. | |
:10:01. | :10:03. | ||
Doble. I loved it. The tango is so complicated. Argh... This could be | :10:03. | :10:13. | |
:10:13. | :10:14. | ||
our downfall. A beautiful rendez. don't know what they're putting in | :10:14. | :10:18. | |
your porridge, but I want some. can now reveal the couple leaving | :10:18. | :10:26. | |
tonight is Lulu and Brendan... It's hard to accept. I'll miss even, | :10:26. | :10:31. | |
you know, and miss everybody about it. It was an incredible experience. | :10:31. | :10:36. | |
It's pretty amazing. What was your favourite dance? That lift was | :10:36. | :10:40. | |
really special. But I think if we'd have stayed in longer, I would have | :10:40. | :10:44. | |
asked him to put more flying in because then my feet wouldn't have | :10:44. | :10:49. | |
touched the ground, no mishaps.? You broke the Samba curse as well, | :10:49. | :10:54. | |
well done. Come on! You've been glorious, we shall miss you, Lulu | :10:54. | :10:57. | |
and Brendan! APPLAUSE | :10:57. | :11:02. | |
In a moment, Craig will be here to discuss this weekend's performances. | :11:02. | :11:06. | |
But before Mr Pernickety has his say, we want to know what you | :11:06. | :11:13. | |
thought his points of You. Bruce Forsyth did an incredible | :11:13. | :11:18. | |
number. He lifted the show, he's so professional. It's such a change | :11:18. | :11:22. | |
from all these younger people who don't have the professionalism and | :11:22. | :11:27. | |
I really, really enjoyed it. nine-year-old daughter Molly is | :11:27. | :11:32. | |
upset that Brendan and Lulu went out because we came up with a team | :11:32. | :11:42. | |
:11:42. | :11:42. | ||
name for them last week. Brendan Cole. I felt so sorry for Artem on | :11:42. | :11:45. | |
Saturday night. He's absolutely amazing and if he needs a holiday | :11:45. | :11:50. | |
after the show, I'd be happy to take him on one. I've just watched | :11:51. | :11:54. | |
last night's programme again and I've watched Audley and Natalie | :11:54. | :11:57. | |
because of the remark that Craig made about his tongue hanging out | :11:57. | :12:03. | |
all the time. We just saw him lick his lips once towards the end. So | :12:03. | :12:08. | |
Craig, very unfair comment I think really. | :12:08. | :12:12. | |
That was Liz from Truro. I'm going to discuss that with Craig. I just | :12:12. | :12:15. | |
heard him go "rubbish" in the background. If you want to voice | :12:15. | :12:25. | |
:12:25. | :12:31. | ||
your opinion, pick up the phone now Now it's time to bring on the man | :12:31. | :12:36. | |
that's turned saying three syllable words into an art form. It's the | :12:36. | :12:40. | |
magistrate any feeck Craig Revel Horwood. | :12:41. | :12:48. | |
-- magnificent Craig Revel Horwood. Hello, darling. Snake hips. We all | :12:48. | :12:55. | |
really appreciated the snakey hips there. Hip-tastic and a teaser, | :12:55. | :12:59. | |
darling. That's all we want. You had the pleasure of sitting next to | :12:59. | :13:03. | |
Jennifer Grey on Saturday night. How exciting was that?! Did you | :13:03. | :13:09. | |
have the time of your life? Well, not entirely, I didn't actually. | :13:09. | :13:14. | |
no? But I loved sitting next to her, it was absolutely brilliant and | :13:14. | :13:18. | |
backstage was fantastic too. We got to talk about lots of things. | :13:18. | :13:23. | |
Working with Patrick Swayze and all kinds. How might haveed was Bruno | :13:23. | :13:28. | |
that you got to be Deputy Head in his absence? He turned horribly | :13:28. | :13:32. | |
ugly backstage, I can't tell you. He smoked so many cigarettes, he | :13:32. | :13:38. | |
was not on it. Oh, no. Most might haveed. Oh, no. There was a lot of | :13:38. | :13:43. | |
tension because of it. It was bizarre. How strange? No, anything | :13:43. | :13:47. | |
with Bruno's not strange, he's just bizarre anyway. Lulu and Brendan | :13:47. | :13:50. | |
have gone. Do you think the public made the right decision? No. I | :13:50. | :13:54. | |
think Lulu should have stayed. I really thought Audley should go. I | :13:54. | :14:00. | |
mean, I said that on Sunday and I know that that's going to be a bone | :14:00. | :14:04. | |
of contention, but still, I really think Lulu had a lot more to give. | :14:04. | :14:08. | |
Actually, she was very dance talented, you know, towards the end. | :14:08. | :14:11. | |
Obviously, she didn't start that way, but Brendan taught her a lot | :14:11. | :14:16. | |
and I think she was absolutely loving it. So I was really | :14:16. | :14:21. | |
gobsmacked and quite shocked. was a shocker, wasn't it? Even was | :14:21. | :14:26. | |
like "what's happened?". I thought I was going to be right but was | :14:26. | :14:29. | |
proved wrong by the entire British public once again. That doesn't | :14:29. | :14:34. | |
happen very often, does it, just twice this series. We are going to | :14:34. | :14:40. | |
start with Holly and Artem. Artem has had an injury. As you saw on | :14:40. | :14:43. | |
the weekend show, he's hurt his back, he's currently resting it as | :14:43. | :14:47. | |
much as he can, but he is busy choreographing the next routine for | :14:47. | :14:53. | |
him and Holly for Saturday. Brendan's kindly helping out by | :14:53. | :15:00. | |
practising with Holly, so from all of us, get well soon, Mwah. Their | :15:00. | :15:05. | |
jive was sensational, wasn't it? He's such a talented dancer and | :15:05. | :15:08. | |
equally talented choreographer. I love his work, you know, whether it | :15:08. | :15:15. | |
be on or off the screen, he's just incredible. I think he devised an | :15:15. | :15:17. | |
immaculate routine for them both. It's a terrible shame that I never | :15:17. | :15:22. | |
got to see it. I'm sure everyone got to see it in rehearsals or | :15:22. | :15:26. | |
whatever, you know. Holly said they had to change a little bit? I don't | :15:26. | :15:31. | |
know what they changed because we don't see it until it happens, so | :15:31. | :15:36. | |
whatever they deliver us on a plate is what we have to actually decide | :15:36. | :15:41. | |
on in the end. I was thinking, well, what was missing and there wasn't a | :15:41. | :15:47. | |
lot. I think she did brilliantly bringing some verve to the | :15:47. | :15:53. | |
environment, you know, because generally she's a bit laid back. | :15:53. | :15:58. | |
She's incredibly laid back. Yes, was that a kick, ball, chain... And | :15:58. | :16:03. | |
you sort of go, come on, Holly, get in there, darling. She sort of did | :16:03. | :16:07. | |
get in there and it was great. I really love the idea that she was | :16:07. | :16:12. | |
in a suit, pin-stripe, giving it that gangster look. With flat shoes. | :16:12. | :16:17. | |
She still looked sexy, she can work it? I love her. I love her when she | :16:17. | :16:20. | |
puts effort behind it. I don't love her, however, when she decides to | :16:20. | :16:26. | |
be a bit sort of Aussie lazy. She's working really, really hard, | :16:26. | :16:30. | |
I think it's in her nature isn't it, but we saw some good stuff from her. | :16:30. | :16:34. | |
Alex and James and the quickstep. She got her heel caught in the | :16:34. | :16:38. | |
dress. I didn't even notice that at all, she styled it out so | :16:38. | :16:42. | |
brilliantly? Acted like a proprofessional would. I was amazed | :16:42. | :16:46. | |
about that. Not many people can do what she did. You know, to have | :16:46. | :16:49. | |
that caught throughout most of the routine, which meant that her | :16:49. | :16:52. | |
footwork was going to be ruined from the beginning, plus she was | :16:52. | :16:57. | |
thinking about that. We had the Chelsee scenario last time that | :16:57. | :17:02. | |
flummoxed her. Alex, totally and proftionally, got through entire | :17:02. | :17:06. | |
thing, the routine was gorgeous as well -- professionally. Just to be | :17:06. | :17:10. | |
able to get over that humongous stumble is enormous. You know what | :17:10. | :17:17. | |
it's like going out and suddenly bits pop off. And bits ping off? | :17:17. | :17:21. | |
Yes, and she kept that routine going. The end was a complete | :17:21. | :17:25. | |
disaster. I quite loved it though when they fell over. It makes me | :17:25. | :17:29. | |
laugh. I would have liked them to have maintained at least some | :17:29. | :17:34. | |
dignity. Not just to give up and say, heel, shoe, nasty, bumph. | :17:34. | :17:38. | |
are going to be on the show tomorrow. Anita and Robin did the | :17:38. | :17:43. | |
charleston, I loved them this weekend, thought they were all fab. | :17:43. | :17:50. | |
You said she lost a bit of swivel? Yes, I mean by that, the when you | :17:50. | :17:54. | |
charleston, both feet have to swivel and it's difficult. I don't | :17:54. | :17:59. | |
mind doing my arms like a chicken. Some people have aly zi right or | :17:59. | :18:09. | |
:18:09. | :18:10. | ||
left. I have a lazy left actually but I do love the charleston swivel. | :18:10. | :18:14. | |
The choreography, I adore that, it was great. She just got a little | :18:15. | :18:20. | |
bit sort of lazy with the footwork towards the end of it. But that's | :18:20. | :18:24. | |
understandable. There was so much content in there? Fantastic, she's | :18:24. | :18:28. | |
a brilliant actress and brilliant dancer. I just want her to be a | :18:28. | :18:31. | |
little more technically on it. I think I've been banging on about | :18:31. | :18:35. | |
that so I'm sure everyone at home is getting bored of it. She's got | :18:36. | :18:40. | |
the message. Harry and Aliona. Harry is such a great dancer but | :18:40. | :18:44. | |
has not managed to be top of the leader board yet. What did you want | :18:44. | :18:48. | |
more of? What weren't you high pressure pi with? I would have | :18:48. | :18:58. | |
:18:58. | :19:00. | ||
taken the top off entirely -- happy with. He's a brilliant dancer, I | :19:00. | :19:05. | |
want himself to involve himself a bit more. By that, I mean | :19:05. | :19:10. | |
specifically emotionally. I feel like he tends to do the dance like | :19:10. | :19:14. | |
he's placing it every moment, rather than it just happening out | :19:14. | :19:20. | |
of fun, out of improvisation and he doesn't really do that. That's what | :19:20. | :19:24. | |
makes his dancing less exciting than someone like Chelsee because | :19:24. | :19:27. | |
Chelsee lives life on the edge, you know, I mean on the dance floor, of | :19:28. | :19:32. | |
course. You are not talking about her personal life and casting | :19:32. | :19:35. | |
aspersions? No, that has been confused before. If he lived life | :19:35. | :19:41. | |
on the edge a bit more on the dance floor. Let himself go, come on! | :19:41. | :19:47. | |
Absolutely. Shirt off! I couldn't actually cope if he did that! | :19:47. | :19:51. | |
Audley and Natalie and their Viennese waltz, you reached a whole | :19:51. | :19:55. | |
new level of critique on this when you picked up on his tongue. Tell | :19:55. | :20:00. | |
me about that? It hung out of his head and it was taking its toll to | :20:00. | :20:05. | |
be honest because I kept finding my eye going from his footwork then to | :20:05. | :20:11. | |
his facial expressions and it was like a big old cow lick, you know, | :20:11. | :20:15. | |
it was quite grotesque. Was it that bad? He recorded a message for you | :20:15. | :20:19. | |
after the show especially for you, Craig! Come on, Craig, you said to | :20:19. | :20:23. | |
me, ubdn't find no positive, you said how long can I go on. I think | :20:23. | :20:27. | |
I've been very friendly and nice with you Craig, but this week when | :20:27. | :20:33. | |
I see you on It Takes Two, argh, come on Craig! There's a threat for | :20:33. | :20:42. | |
you. The big old ear lobe, darling. Funnily enough, actually, very | :20:42. | :20:46. | |
disappointed that we haven't had spatulas mentioned. Thank you very | :20:46. | :20:50. | |
much. We had something here to have a word with you while he was | :20:50. | :20:56. | |
passing actually. How's it going, Craig? Can we go for a little walk | :20:56. | :21:02. | |
please? Come into my office. not touching you. Audley and Craig, | :21:02. | :21:08. | |
off you go. Good luck, darling. Oh, my goodness me. Anything could | :21:08. | :21:11. | |
happen now. Don't do that! Saturday's show was full of | :21:11. | :21:14. | |
explosive performances but were there any fireworks behind-the- | :21:14. | :21:23. | |
scenes? Feast your eyes on this! Half way point today. Wow. It's a | :21:24. | :21:27. | |
lovely day... Never expected to be here in November so it's nice. | :21:27. | :21:32. | |
Every Saturday morning I wake up feeling sick with nerves. My voice | :21:32. | :21:36. | |
has gone. Very nervous. Half way mark today. Unbelievable. Can't | :21:36. | :21:41. | |
quite believe it. Get the bags out. Stop filming me that early... | :21:41. | :21:46. | |
That's what I have to wake up next to in the morning! I'm in trouble. | :21:46. | :21:56. | |
Let's go get ready. This week it's all-or-nothing. | :21:56. | :22:02. | |
interesting because we are working with a big cow. Big cow is not me! | :22:02. | :22:09. | |
I'm doing the Samba. A Latin number. Lots of bootee shaking. That's it, | :22:09. | :22:19. | |
:22:19. | :22:23. | ||
yes. Dancing the Samba, Harry Judd and Aliona... Being a mechanic is | :22:23. | :22:28. | |
hard. See all my hands are dirty now. Dirty job. Hardly anyone's had | :22:28. | :22:34. | |
their hair done and everyone's being pulled from every single arm. | :22:34. | :22:40. | |
You look gorgeous. I'm really pleased Len's gone. What a | :22:40. | :22:49. | |
beautiful and delightful replacement! Got that money I | :22:49. | :22:57. | |
promised you. Oh, sorry... Actually, I'm a little disappointed | :22:57. | :23:00. | |
Len's not here this week. Much as I'm excited about Jennifer Grey | :23:00. | :23:07. | |
being here because she's pretty hot. So fabulous. I'm going to take them | :23:07. | :23:12. | |
all to my home in Wales and have them make me frocks, once a week | :23:12. | :23:17. | |
I'll bring local men in. Men? she's coming now! See the size of | :23:17. | :23:21. | |
that. A little one there. Everybody's running around | :23:21. | :23:25. | |
frantically getting dressed but me being a good boy, I'm dressed and | :23:25. | :23:32. | |
ready to go and so is the wonderful Jason Donovan. Sparkly! Ten minutes, | :23:32. | :23:40. | |
darling, ten minutes. Deep breaths, Chels. I'm expecting a lot more | :23:40. | :23:44. | |
proper dancing. A lot more actually of everything. Come on, we are | :23:44. | :23:54. | |
:23:54. | :23:55. | ||
needed. Stop bubbling along. We're going in, everybody. | :23:55. | :24:00. | |
And here she is, please welcome our premiership performers Robbie with | :24:00. | :24:04. | |
Ola! Good hair. That was amazing hair. Thank you. Robbie back in the | :24:04. | :24:08. | |
ballroom which is where we like you. How much did you enjoy your waltz | :24:08. | :24:12. | |
on Saturday? Absolutely loved it, emotionally and the way I danced. I | :24:12. | :24:16. | |
thought it was my best dance personally and I just am a ballroom | :24:16. | :24:19. | |
boy. You are, aren't you. There was a tear at the end. I made my mum | :24:20. | :24:24. | |
and dad and my wife cry. I loved it. Yes, there were tears in your eyes, | :24:24. | :24:29. | |
there are tears in your eyes now, bless you, it's all coming back. | :24:29. | :24:34. | |
don't cry. He's a man, he's a man. He's wonderful, that's what the | :24:34. | :24:38. | |
waltz should do. You looked out of sorts after the judges gave you | :24:38. | :24:44. | |
your marks, were you disappointed? Yes, I was. It's Craig again, I | :24:44. | :24:48. | |
don't know what I've got to do to please that guy. What is it with | :24:48. | :24:52. | |
you two? I don't know. Because his comments again said the rise and | :24:52. | :24:58. | |
fall was fantastic and... Good, yes. And to perform in front of 11 | :24:58. | :25:02. | |
million people, a waltz, I'm so proud of myself, iblgdz I couldn't | :25:02. | :25:06. | |
dance seven weeks ago. You never expect things off judges but you | :25:07. | :25:14. | |
know, a 6, a 2,, a 5. It's been almost a constant quest for you to | :25:14. | :25:18. | |
impress Craig, hasn't it? I may as well have three judges on the show, | :25:18. | :25:23. | |
just get rid of Craig, just get rid of him. He's going to get a right | :25:23. | :25:27. | |
old night of it tonight, you and Audley. Check out this meeting, | :25:27. | :25:30. | |
it's quite funny. I don't understand what Craig wants. I need | :25:31. | :25:40. | |
to try and impress Craig. Hi, Craig. Gone for the white for you today. | :25:40. | :25:46. | |
Itch. Morning, Craig, hope you're well! To get a higher mark off | :25:46. | :25:50. | |
Craig would show me that we've been working extremely hard and we are | :25:50. | :25:54. | |
getting better. Got to get an eight off Craig this week, surely. Come | :25:54. | :26:04. | |
on, Craig! Mwah. Treat 'em mean, keep 'em keen. You've made me go | :26:04. | :26:08. | |
all of a fluster, Craig. actually died a little bit there, | :26:08. | :26:11. | |
didn't you. Do you think you are becoming more of a dancer each | :26:11. | :26:15. | |
week? Yes, I do. For me, the ballroom is what dance is all about, | :26:15. | :26:20. | |
you know, the Latin I'm not strong at. I think the ballroom, the way... | :26:20. | :26:25. | |
I'm having the time of my life, I'm dancing, you know, in front of so | :26:25. | :26:30. | |
many people. People pay huge amounts of money to dance and I can | :26:30. | :26:34. | |
carry this on after Strictly, I love it. You can carry on and teach | :26:34. | :26:38. | |
all your mates. We are half way through Ola, can you give me a half | :26:38. | :26:43. | |
time report for Robbie Savage? improving every day and made me so | :26:43. | :26:47. | |
proud on Saturday. The waltz was so beautiful. It was very clean, the | :26:47. | :26:51. | |
posture was so much better than the last ballroom dance. So he's | :26:51. | :26:55. | |
improving every day. I think there's still a lot of improvements | :26:55. | :27:00. | |
to be made as well. Yes, next week you have the American smooth. You | :27:00. | :27:05. | |
can do lifts. Are you going to get your own back on Ola? A little gasp | :27:05. | :27:09. | |
there. Have you tried any lifts out? Yes, tried a few out. Yes, | :27:09. | :27:14. | |
it's the spin when you get into the lift because I can't spin. | :27:14. | :27:20. | |
can't. It makes you sick. Yes, when he spins he gets dizzy, can't even | :27:20. | :27:23. | |
go on a roller coaster everyone. Finds it really difficult. So when | :27:23. | :27:28. | |
I'm on his shoulder up side down and he's spinning, it's very scary | :27:28. | :27:32. | |
actually. If she's upside down, you must think, which way is she. | :27:32. | :27:37. | |
have a great view though. I'm going to spin all the way around. Do you | :27:37. | :27:41. | |
think that you can make it to Wembley? One more show, then you | :27:41. | :27:48. | |
could play at Wembley? That's my goal. Technically, I'm not good | :27:48. | :27:52. | |
enough to win, I always put myself down, but Wembley was the goal | :27:52. | :27:56. | |
before and I lost in so many finals of football because I wasn't a good | :27:56. | :27:59. | |
enough footballer either really. You had your moments I think! | :27:59. | :28:03. | |
can get to Wembley as a dancer, wow, it would be amazing. It would be. | :28:03. | :28:08. | |
Ola, can he do it, do you reckon? Yes, come on, we can do it! Just | :28:08. | :28:12. | |
believe American smooth, can't wait to see you spinning with her on | :28:12. | :28:16. | |
your shoulders. Robbie and Ola.! That is all for tonight. Thanks toe | :28:16. | :28:21. | |
all my guests. Join me tomorrow at 6.30 when I'll chat to Audley and | :28:21. | :28:25. | |
Natalie and Alex and James, plus Karen Hardy will be here with | :28:25. | :28:31. |