Browse content similar to Episode 27. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Who do you think it is? Faith owed later in the shore. We will reveal | :07:39. | :07:45. | |
later in the shore. We will reveal everything later on. | :07:45. | :07:53. | |
Here to deflect on the teens is Karen Hardy. -- to reflect on the | :07:53. | :08:03. | |
:08:03. | :08:19. | ||
Please welcome the Queen of choreography. Did you feel like the | :08:19. | :08:22. | |
professional dancers are trying to show off their technical ability? | :08:22. | :08:31. | |
Absolutely. It is all in the Like my Irish stew. It is all in | :08:31. | :08:41. | |
:08:41. | :08:44. | ||
the preparation. The professionals have been doing all this homework, | :08:44. | :08:49. | |
for all these weeks. Now all that homework is starting to pay offer. | :08:49. | :08:54. | |
We had some incredible numbers this week. Let us take a look. Anita and | :08:54. | :09:01. | |
Robin and the Charleston. Such fun. Was a bold of Robin to put in so | :09:01. | :09:07. | |
much solo work? All this will work much solo work? All this will work | :09:07. | :09:10. | |
was interesting. Last week, she was on her own throughout. This will | :09:10. | :09:17. | |
make her stronger and stronger. Look at the timings. The Unison is | :09:17. | :09:21. | |
slightly off. This is so fast. It slightly off. This is so fast. It | :09:21. | :09:25. | |
is getting faster, than music. She managed it. She is an inspiration | :09:25. | :09:34. | |
up the floor. What is important about solo work, as a professional, | :09:34. | :09:38. | |
we are always taught that you have to learn the steps yourself. You | :09:38. | :09:45. | |
have to be strong on your own feet so that your mark the United team. | :09:45. | :09:49. | |
-- You are the United team. This is a great week for her to be learning | :09:49. | :09:54. | |
how to stand her ground. Anything else to come, they will be strong. | :09:54. | :09:59. | |
She will walk it. Oodles of energy, as always. Jason and Christine, a | :09:59. | :10:04. | |
shock on Saturday. They were quite low. Alesha even said she got bored | :10:04. | :10:14. | |
:10:14. | :10:14. | ||
We don't see our celebrities do a great rumba. Our male celebrities. | :10:14. | :10:20. | |
Taking these steps, two, three, four, hold, two, three, four, hold. | :10:20. | :10:26. | |
That's the reason why rumba is so difficult. What they are having to | :10:26. | :10:30. | |
do, we've got four beats, but they're only allowed to step on | :10:30. | :10:38. | |
three of them. What happens on the fourth for the celebrities. | :10:38. | :10:41. | |
Kristina's been clever and is putting in the basic work for the | :10:41. | :10:48. | |
judges because she knows she's got to get the points, but then like a | :10:48. | :10:52. | |
red herring, she's lifting, backbending, elevating, all sorts | :10:52. | :10:56. | |
of things, distracting the eye which is perfect. To be honest, you | :10:56. | :11:02. | |
need to get through this rumba. So I don't ever remember a great male | :11:02. | :11:05. | |
celebrity rumba. We've seen some great lady celebritys in the past | :11:05. | :11:10. | |
but never men. It's that heavy empty look that we always get from | :11:10. | :11:15. | |
it. So yes, it felt down the mark. Not his strongest? No. But he's | :11:15. | :11:23. | |
never bad, Jason, is he, even when he's not as good. Russell and | :11:23. | :11:28. | |
Flavia, the delightful bullfighter, hilarious, did Flavia put in a lot | :11:28. | :11:32. | |
of paso content here? This was comedy and content all together. | :11:32. | :11:37. | |
What a mix! We were ready for the comedy and we thought it would be, | :11:37. | :11:41. | |
come on, Russell, let's have a laugh. I was shocked by this. Look | :11:41. | :11:47. | |
at the arms and the pair there, he maintains the arm stretch and uses | :11:47. | :11:53. | |
them up, all the basic lines that the judges will bang on. People at | :11:53. | :11:57. | |
home will understand this, you know. I think sometimes we get distracted | :11:57. | :12:02. | |
by what dance this is. This was pretty clear, Paso Doble. Strong | :12:02. | :12:09. | |
marching steps, OK, rumbas and cha- chas, we walk. Samba and jive, we | :12:09. | :12:15. | |
step. In Paso Doble, we march and he was marching across the floor | :12:15. | :12:19. | |
with great shapes and a bit of comedy to add to the value. Holly | :12:19. | :12:24. | |
and Artem and the jive. What was it about the choreography that made | :12:24. | :12:28. | |
this so unique and terrific? It was very, very special, I've got to say. | :12:28. | :12:32. | |
I'll try and explain why. Look at this choreography I've chosen here, | :12:32. | :12:35. | |
look. She's flicking her feet, rotating the whole step and turning | :12:35. | :12:39. | |
under the arm at the same time. We've got so much content in there, | :12:39. | :12:44. | |
so many steps, but then on the top they were like oh, this is so | :12:44. | :12:49. | |
easy... So cool. This is so cool. It wasn't that normal jive we are | :12:49. | :12:52. | |
used to where it's normally that beat bop beat bop junking around, | :12:52. | :12:55. | |
so I want to say to everybody at home, it's definitely not wrong | :12:56. | :13:00. | |
what they were doing, it was an alternative swing-style jive. | :13:00. | :13:03. | |
People will be used to the big heavy kicks, they were in there, | :13:03. | :13:07. | |
but what he did is, he trained her to pick the feet up to the body, | :13:07. | :13:11. | |
rather than bounce around with the head. On to Harry and Aliona and | :13:11. | :13:17. | |
their Samba. Great comments but not good I should say. Where do you | :13:17. | :13:21. | |
think he's lacking? choreography was brilliant. What | :13:21. | :13:25. | |
was missing was the party element. He just needed to relax. But look | :13:25. | :13:29. | |
at this slow-mo. Did you see that body action? I'm trying not to look, | :13:29. | :13:34. | |
please! I know everybody at home is in love with the Harry and the look | :13:34. | :13:37. | |
and everything, but I want to explain to you, that is called body | :13:37. | :13:42. | |
action. Yes. Now, they only have such a short time to train in a | :13:42. | :13:46. | |
week. Layer one, choreography, layer two, timing, layer three, | :13:47. | :13:51. | |
technique. We had all of that in this routine. Layer four, she had | :13:51. | :13:56. | |
time for layer four, which is using the body action. But, to be honest, | :13:56. | :14:01. | |
I would have traded that body action at this moment for just a | :14:01. | :14:06. | |
big smile and a big, yes, I'm in carnival and loving what I'm doing. | :14:06. | :14:10. | |
It was all a bit too serious for me, but in general, the choreography | :14:10. | :14:15. | |
was all there and brilliant. show dancing? No, good, I loved it. | :14:15. | :14:21. | |
A point for that. Robbie and Ola and their waltz. Robbie had mixed | :14:21. | :14:24. | |
feedback. It seemed very traditional. Was that Ola's aim, do | :14:24. | :14:27. | |
you think? What I saw here was, everything was stripped away from | :14:27. | :14:31. | |
Robbie and it was the pure dancing. Look at this, one, two, three, of | :14:31. | :14:35. | |
the waltz. She's basically, you know, it's one of the messages I | :14:35. | :14:39. | |
like. Little messages from the professionals saying, everybody | :14:39. | :14:44. | |
look at my celebrity. The rising of the falling and everything. This is | :14:44. | :14:48. | |
what I want you to look at. The beautiful waltz across the floor | :14:48. | :14:51. | |
and he for me has the best top line in this competition yet. He's going | :14:52. | :14:57. | |
to be so chuffed to hear that. Great top line, it shows off the | :14:57. | :14:59. | |
choreography, he's a ballroom dancer through and through, | :14:59. | :15:01. | |
beautiful. There was a great weekend of dancing. | :15:01. | :15:06. | |
Good. Well done Robbie. Chelsee and Pasha to finish with. Their | :15:06. | :15:11. | |
charleston. It was so exciting. Top scores of the night. Very clever | :15:11. | :15:15. | |
choreography from Pasha and tricky. Tricky! We had everything in here | :15:15. | :15:21. | |
from the side by side, from arms kicking, look at this bit of | :15:21. | :15:25. | |
choreography I've chosen on one leg. Arms going, legs going the other | :15:25. | :15:30. | |
way, it's one of these, have you tried this? I'm not attempting it! | :15:30. | :15:34. | |
And doing your head at the same time. That's what charleston is. | :15:34. | :15:37. | |
Then he had her using the stairs, they're back on the floor doing | :15:38. | :15:43. | |
lifts. It was the most incredible number, it really was a finale. I | :15:43. | :15:48. | |
would like to see some tens coming soon because she's beginning to | :15:48. | :15:51. | |
improve her her technique is getting stronger. The beat bop look | :15:51. | :15:56. | |
is gone now. It's getting strength inside it and I think every week | :15:56. | :16:00. | |
now these couples - I'm so excited - it's brilliant! Karen, see you | :16:00. | :16:05. | |
next week, we love you, Karen Hardy! | :16:05. | :16:09. | |
Alex and James impressed all the judges this weekend with their | :16:09. | :16:13. | |
classy and sophisticated quickstep. I'll chat to them in a second but | :16:13. | :16:22. | |
first up, a reminder of how they did it. Excitement. Elegant, | :16:22. | :16:26. | |
dynamic. Alex, the quickstep was like a fine champagne. It made me | :16:26. | :16:30. | |
feel giddy. You are going from strength-to-strength, the girl from | :16:30. | :16:40. | |
:16:40. | :16:42. | ||
Wales did good! You really did that dance which was full of personality. | :16:42. | :16:47. | |
Eight. Oh, ork, oh, put me down now, put me down. Despite the dress and | :16:47. | :16:51. | |
lying on the floor at the end, I think we are moving in the right | :16:51. | :16:56. | |
direction. Been compared to a fine champagne, who'd have thought, even | :16:56. | :16:59. | |
if we were in the club we would have been on our backs drinking the | :17:00. | :17:04. | |
champagne. Give it up for Alex and James. | :17:04. | :17:08. | |
Hello. You gorgeous twosome. You had a gruelling week last week, but | :17:08. | :17:13. | |
it paid off, Alex. Great quickstep? Well, the quickstep, as you know, | :17:13. | :17:18. | |
very quick, James turned into Sergeant-Major and put me through | :17:18. | :17:22. | |
my paces and he was very - it was very tiring, although you were more | :17:22. | :17:28. | |
tired than me to be fair. My bum looks real I nice in those trousers. | :17:28. | :17:32. | |
I'm not surprised after all the bouncing up and down. We are | :17:32. | :17:35. | |
looking at Alex's face, not your bottom. I imagine some are. Craig | :17:36. | :17:41. | |
thanked you, he loved it so much Can you believe it?! Can you | :17:41. | :17:44. | |
believe it! It was like an outer body experience when Craig said | :17:44. | :17:48. | |
that. It's probably the highest praise you can get. Coming from | :17:48. | :17:53. | |
Craig, well, that was amazing. Craig was the only one that | :17:53. | :17:57. | |
commented on the dress situation and I think he even spoke to me | :17:57. | :18:00. | |
afterwards and said, I saw after 25 seconds, her foot got caught and | :18:00. | :18:04. | |
didn't come out at all for the rest of the routine. I was watching at | :18:04. | :18:09. | |
home with my buddies and nobody even noticed that. Well done for | :18:09. | :18:12. | |
coping with that. That could have thrown somebody. When did you | :18:12. | :18:16. | |
realise it got stuck. I went to do a hop and I thought I can't move my | :18:16. | :18:20. | |
foot and I tried to dislodge it but it wasn't happening and a few of | :18:20. | :18:25. | |
the steps got lost because of it. But I just thought we are here now, | :18:25. | :18:29. | |
carry on. But I'm very grateful to Craig just for saying that he did | :18:29. | :18:32. | |
notice because, as you said, it wouldn't have been obvious to the | :18:32. | :18:37. | |
people at home. I know. Well done, you really did cope brilliantly. | :18:37. | :18:41. | |
Well done. Also, the ending. That was hilarious. We are all assuming | :18:41. | :18:46. | |
it wasn't planned. The falling over? I don't... You thought it was | :18:46. | :18:53. | |
funny, I didn't think it was that funny. Really. Can we see it again. | :18:53. | :18:59. | |
Down they go! Look! Yeah, really funny, yes. | :18:59. | :19:06. | |
Alesha and Bruno laughing, Craig didn't look amused. I wasn't. | :19:06. | :19:10. | |
you were the one that fell backwards. You sat on me and pulled | :19:10. | :19:16. | |
me over. Come on now, I was just so relieved to get to the end of the | :19:16. | :19:20. | |
routine by that part. You thought you would rugby tackle me. You are | :19:20. | :19:27. | |
supposed to be the fit and strong one, sit up! Well said! You tell | :19:27. | :19:31. | |
him, Alex! You thought that was fast, you are doing the jive this | :19:31. | :19:35. | |
week. Even faster. How are you finding it, Alex? We haven't done | :19:35. | :19:41. | |
that much so far. It's all about kicks and flicks. Yeah, I'm finding | :19:41. | :19:44. | |
the basics a bit difficult, but it's always like this at the | :19:44. | :19:47. | |
beginning of the week. This is something I need to ask you, as the | :19:47. | :19:53. | |
competition goes on, does any of it get any easier? Any of Strictly? | :19:53. | :19:59. | |
Well, I suppose it gets easier - you probably disagree - to learn | :19:59. | :20:03. | |
the routine and remember the steps. Look at his eyes. No yes. We are | :20:03. | :20:09. | |
feeling that this week with the jive aren't we? Yes. I don't know, | :20:09. | :20:12. | |
even though I'm still nervous, I think it's because we are getting | :20:12. | :20:16. | |
to the point when there are less contestants there, it's really | :20:16. | :20:19. | |
important to enjoy yourselves on a Saturday because it could be the | :20:19. | :20:23. | |
last week. I've just kind of tried to push the nerves aside a bit. | :20:23. | :20:27. | |
noticed that as well with her. be gutted if I come out and think, | :20:27. | :20:33. | |
why did you look so scared. Yes. You have given it a bit more welly | :20:33. | :20:37. | |
now, as Len would say. It was joyful watching you on Saturday | :20:37. | :20:41. | |
because you really did, even though you had your heel stuck, you were | :20:41. | :20:44. | |
loving it. What do you think the main hurdles will be for Alex with | :20:44. | :20:54. | |
:20:54. | :20:55. | ||
the jive, James? Probably the jive. Worrying. At the moment, you're OK | :20:55. | :21:05. | |
:21:05. | :21:06. | ||
with lindy kicks... What is a lindy kick? Do I have to do it? This is a | :21:06. | :21:14. | |
lindy kick, but as soon as she does anything in sync, that is it. | :21:14. | :21:18. | |
can't believe you wear a tap shoe just generally. They are not tap | :21:18. | :21:23. | |
shoes, it's this floor. James, you ooze masculinity. I think so. | :21:23. | :21:29. | |
been told to say that. When you are dancing,, but in training, you are | :21:29. | :21:32. | |
quite capable - you know what's coming - of embraiting your | :21:32. | :21:40. | |
feminine side. Have a little look at this. Oh, no. Embracing your | :21:40. | :21:44. | |
feminine side. I'm probably the man's man out of everybody. # All | :21:44. | :21:49. | |
the single ladies # All the single ladies... # | :21:49. | :21:55. | |
tight fit that skirt on you. I know. Two, three, cha-cha-cha, I'm happy | :21:56. | :22:05. | |
:22:06. | :22:07. | ||
to show her true femininity. from the top... | :22:08. | :22:17. | |
And dance the turn. Like at me like that. He makes a great girl. Stop | :22:17. | :22:25. | |
It's the funniest thing I've seen. Come on, Janet, it was time. That | :22:25. | :22:30. | |
you came out to play properly. dad would be so proud, he really | :22:30. | :22:35. | |
will. Thoroughly thrilled. Ten days to two until Wembley. How much | :22:35. | :22:41. | |
daupt to be there? I really want to be there, but I just want to stay - | :22:41. | :22:45. | |
- do you want to be there. I love spending time with Janet. Joking | :22:45. | :22:49. | |
aside, we have such a good time. do. It's not about winning or | :22:49. | :22:53. | |
getting to a certain stage, it's just about being able to dance the | :22:53. | :22:57. | |
next day and the day after that. And spend time with me. And spend | :22:57. | :23:03. | |
time with you. With him. Good luck this weekend with the kicks, flicks | :23:03. | :23:07. | |
and tricks, Alex and Janet! Thanks for that! | :23:07. | :23:11. | |
Janet Jordan, it's got a certain ring to it! Have you managed to | :23:11. | :23:17. | |
guess who the pro-dancers were? Here is the answer. Who was | :23:17. | :23:23. | |
everyone talking about? Did you guess? You guessed it, it's me. | :23:23. | :23:26. | |
James thought it was Kristina, he got it wrong. It was our very own | :23:26. | :23:30. | |
Aliona. This weekend, we saw Holly in pinstripe, Russell in polka dots | :23:30. | :23:34. | |
and Harry in a slashed shirt so sheer you could see straight | :23:34. | :23:41. | |
through it. Here to talk fashion in just a second our designers Sadie | :23:41. | :23:49. | |
Frost and Jemima French but nirs a reminder of who wore what at the | :23:49. | :23:59. | |
:23:59. | :24:05. | ||
Please welcome founders and designers of fashion label Frost | :24:05. | :24:10. | |
French, Sadie Frost and Jemima French. Welcome to the show, ladies. | :24:10. | :24:14. | |
Let ice kick off with Chelsee's charleston dress from Saturday's | :24:15. | :24:17. | |
show. The first time we saw a charleston dress. What did you | :24:18. | :24:23. | |
think of her frock? It's very cute isn't it and very cheeky and | :24:23. | :24:28. | |
reminds me of a bit Betty boop and I liked the fringing revealing her | :24:28. | :24:31. | |
leg and stuff when she was dancing, she has a beautiful figure so when | :24:31. | :24:36. | |
she does that twist it's sexy. really cheeky dance. She had to | :24:37. | :24:41. | |
entice someone to help her with her car and stuff, it made her look | :24:41. | :24:47. | |
really sexy and it worked with the dance. The cheverons on the front | :24:47. | :24:54. | |
of the dress accentuated her big boobs and small waist. It's racey | :24:54. | :24:59. | |
really because the fringing goes up quite high, then you have the flesh | :24:59. | :25:04. | |
colour there but it's all very... Untypical for a charleston like the | :25:04. | :25:08. | |
flapper dress, very untypical compared to Anita's dress which was | :25:08. | :25:14. | |
much more classic, longer, more square cut, dropped waist, | :25:14. | :25:18. | |
waistband. Drop waists are becoming a bit of a theme with Anita. She's | :25:18. | :25:21. | |
had that a couple of times and she's worn very bright colours in | :25:21. | :25:24. | |
her costumes and here she gets to wear classic black. What did you | :25:24. | :25:30. | |
love about this? I do like the drop waist. It's very Art Deco. The | :25:30. | :25:33. | |
fringing on the bottom is really nice and the low scoop back. | :25:33. | :25:38. | |
Everything fits together and it's an amazing design dress I think and | :25:38. | :25:41. | |
beautifully made. The head dress, you know, she's really enjoying it, | :25:42. | :25:45. | |
pulls the whole thing off. I think she looks so comfortable in it. | :25:45. | :25:51. | |
When you are making an outfit, that's how it should be because you | :25:51. | :25:53. | |
have to feel great and exude confidence. | :25:53. | :25:57. | |
That's what you want isn't it, to send your ladies out looking | :25:57. | :26:02. | |
glorious and feeling it as well? She looks like she could be going | :26:02. | :26:06. | |
to a cocktail party, the flapper dress was a real liberation for | :26:06. | :26:10. | |
women, they could move, breathe, kick their legs, show their flesh a | :26:10. | :26:13. | |
bit more, so the departure from the traditional boned structured | :26:13. | :26:18. | |
outfits that people had to wear. It really fits with that beautiful | :26:18. | :26:26. | |
amazing fun, cheeky dance she was doing. Very Gatsby. 8,000 stones on | :26:27. | :26:34. | |
the dress all done by hand. Which is lob orious. Do you use stoning? | :26:34. | :26:40. | |
Have done in the past but not that many. Alex was wearing her | :26:40. | :26:43. | |
turquoise dress for the quickstep on Saturday. Quite a bold colour | :26:43. | :26:47. | |
which obviously really suits her. What did you think of this, Sadie? | :26:47. | :26:52. | |
When you look at the detail and how beautiful it is, quite mermaidy | :26:52. | :26:58. | |
isn't it? Yes, very. Figure hugging. It's a great colour and the gold | :26:59. | :27:02. | |
underneath when you could see that... That is a lovely extra | :27:02. | :27:07. | |
little flash. Great detail but very hard to dance in. So heavy and so | :27:07. | :27:11. | |
much fabric. Actually, fashion fact, apparently they used a lighter | :27:11. | :27:17. | |
material to make it lighter for her because she had to move so fast. | :27:17. | :27:24. | |
You can see the inserted fabric. Yes, you get the points for that! | :27:24. | :27:28. | |
35 metres of fabric and 10,000 stones in Tote afplt that took | :27:28. | :27:34. | |
someone an awful long time. -- total. They nipped it in to give | :27:34. | :27:39. | |
her a lovely little waist to make the skirt look fuller. Let's have a | :27:39. | :27:48. | |
look at Holly's jive outfit. Jemima, tell me about that? Wide lapels, a | :27:48. | :27:51. | |
nod to Ralph Lauren I think because he's done a lot of that this season | :27:51. | :27:56. | |
and last. Lovely wide collar. Gangster but with a twist because I | :27:56. | :28:01. | |
think it's a silver pinstripe isn't it? It's just not traditionally | :28:01. | :28:07. | |
Strictly is it? I mean what other woman's worn a suit that I've seen. | :28:07. | :28:10. | |
Flat shoes that you can actually dance in. She's having so much fun. | :28:10. | :28:15. | |
She can really, you know, she's jiving well. The nice '50s hair and | :28:15. | :28:20. | |
the bow and then there's a splash of colour with the red, it really | :28:20. | :28:25. | |
works. The red lifts it. This is the funnest outfit. Very gangster. | :28:25. | :28:29. | |
If you had to wear one of the outfits tonight, which one would | :28:29. | :28:34. | |
you wear? That one. I said it first. I would like to wear that one too | :28:34. | :28:39. | |
but a we can't wear the same so... You can't wear it. I'll wear the | :28:39. | :28:45. | |
Anita Dobson one. Trying to squeeze one of my legs into Alex's outfit. | :28:45. | :28:50. | |
We can squeeze into it together. Thank you so much, girls, for | :28:50. | :28:54. | |
coming in. Jemima and Sadie. Thanks to all my fabulous guests, tune in | :28:54. | :28:59. | |
tomorrow when I'll talk to Jason and Kristina and Harry and Aliona | :28:59. | :29:03. |