Episode 28 Strictly - It Takes Two


Episode 28

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Tonight on It Takes Two: Breaking news on Holly and Artem. They're

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here live with an update on Artem's injury. Plus Jason and Kristina

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will pop in for a chat and Ian Waite will be here with the latest

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news from training. This is Live from Television Centre, this

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is strictly It Takes Two. Please welcome your host, Zoe Ball!

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APPLAUSE Hello! Welcome to It Takes Two. Now

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it was a very emotional weekend for Holly and Artem. As you know, Artem

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suffered a back injury, but bravely battled on and danced through the

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pain to get great points. They're here straight from the training

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room to tell us the latest news. First, here's their Saturday story.

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I absolutely loved that concept. I thought it was brilliant. It was

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not a traditional jive. You took a lot of chance was it. It really

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paid off. Great choreography. creative, very, very different.

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Very, very cool. The girl's on top. You looked exhausted, it was full

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of energy. I have to commend you on that. Artem I know you're suffering

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as well. Artem had an injury this afternoon.

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He's limping. I don't know how you do it, the show must go on. Please

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welcome Holly and Artem! APPLAUSE

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Quite a roller coaster of a weekend for you. First of all, Artem, when

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did you first hurt your back, what happened? Well I think it happened

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on Friday when we did camera blocking. You know, have you so

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much adrenaline. Your mind is spinning all the time. I didn't

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really give a chance to realise it was quite painful. I came home and

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sat on the sofa and I couldn't get up. Was there a moment when it made

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a crunch or squelch or was it a gradual build up of pain? It was a

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gradual build up of pain. It's horrible. What went through your

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mind at this point? Were you thinking "Oh, dear, I'm not going

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to make tonight's show? "It quite dramatic moment really,

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because this whole week we've been training so hard to dot jive. It

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was quite difficult... choreographed the most amazing

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routine. At what point due realise you were going to be in trouble?

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really was quite late on Saturday. I went to dot dress rehearsal aind

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noticed someone was missing. tried to keep everything quiet

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until we know what exactly is going to happen. We didn't want to upset

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anyone. I was looking around, you know when is he? Someone said he's

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sore and they're going to pt hospital to make sure everything's

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OK. We went through the dress run. It got to my turn... You had to

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dance loan. I went, I don't want to do nothing. I thought I'd better go

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on. Then they can Time Out the show how it's going to look and camera

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guys can see my shots. I thought I'd get on with. It lucky I did

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have a go. Dancing with, it must be so strange, but you weren't on your

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own for long because Sir Bruce stepped in. We have footage. There

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you are, minding your own business. Look at him go. He's good. He is

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good. He could have done it for you on Saturday night. At what point

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then, how down to the wire was it on Saturday that you decided that

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you could dance and you could get through the routine? Well, after

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going to the hospital and then the hospital doctor pretty much saying

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that your spine is fractured and you cannot dance. I was sitting

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there and thinking, well I have already danced twice in the camera

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blocking, so what worse can actually happen. So I asked him

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"What the worse thing that can happen to me?" He said I could get

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paralysed. At that point, I would have been out of there. Taxi! But

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you had to change the choreography. You mentioned to Tess thaw changed

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a bit. What did you take out? part when I actually injured myself.

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It's just the jumping over Holly and rolling on the floor. I'm quite

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glad you didn't do that. You might not have gotten up again. What have

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the doctors said to you? What are the men in the coats saying? What's

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the official line on your back? I cannot remember all this specific

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terms, but explaining in my simple words. It's soft tissue damage.

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It's between two bones. There's a nerve running between them and it

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just got jammed and inflamed. not happy. It's just, any turn or

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rotation or bending any way is... Not good. Quite painful. He's so

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macho. If he's saying he's in pain, I don't even know what he's going

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through. There's a lot of speculation online and in the

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papers. What is the official line then from you. Are you dancing on

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Saturday? No, I'm not dancing. no. Really? OK. But it's Strictly

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under doctors orders. Are you out for the series? Or just Saturday?

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Don't say those words! Sorry. hoping to be out for a week and

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come back next week for Wembley. You have to rest up. In the

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meantime you have another knight in shining armour who has kindly

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stepped in to help out. You've been practising with Brendan. I have.

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Doing the rumba with Brendan Cole, something you weren't expecting to

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happen. How is it going and how is it for you, Artem, having to let

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another man dance with your woman? Well, to be honest with you, kind

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of weird seeing Holly dancing with someone else, I'm not going to lie.

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Look at my face. Did you get jealous. It's all grumpy and

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jealous. I think the hardest thing I'm finding is not being able to

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move. I'm choreographing this week still, is just keep not being able

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to feel if it feels right or wrong for Holly what she does. It's like

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a big gamble for what I put in. It's hard to gauge what the move is

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if he hasn't had a go. Then you do this, but you can't move.

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Ironically, this is what you're dancing to.

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# I think I better leave right now... #

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No, no, let it not be a sign! He couldn't have foreseen the future.

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Maybe Russell could have done. One thing we must mention as well,

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Craig loved your energy on Saturday. He really did. Are you very

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determined to go out there and give it serious welly for Artem as well

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as yourself on Saturday? Yeah, obviously I don't want to let him

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down. He's choreographing very much, a part of this week. It's difficult

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because I've just started to learn dancing with him. Just started to

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get his language and the way you move together. You learn someone's

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body and then all of a sudden I'm with Brendan who does things very

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differently and also very well, but completely different. They feel

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different to dance with. I now, I'm sort of back to square one a little

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bit. I'm at a slight disadvantage in that. But I don't have a lengthy

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partnership as everyone else still has right now. You're not going to

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let me down. You better not let him down? Look how nice he is. The pain

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killers. Will you be watching in the wings? Absolutely I will be

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there on Saturday supporting Holly and Brendan. Maybe lying down.

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I request a sign. I will be signing. We will keep you all updated. We

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have a special present for you, which actually you won't be able to

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lift because it's so heavy. It's a basket of fruit and a get well card.

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That's so sweet. So soft tissue damage. He won't be dancing on

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Saturday, but he will be there, fingers crossed for Wembley. Holly

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good luck with Brendan. Thank you so much for coming in!

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APPLAUSE My goodness. It's all going on. It

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didn't take much encouragement to get another one of our pro dancers

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:09:31.:09:45.

to dress up and give us a twirl. Who is the dancer in disguise? Find

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out later in the show. It's Wednesday, which means it's

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time to get technical with our very own dance analyst. It's Waite's

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Wednesday Warm Up. Ian Waite's here!

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APPLAUSE Hello handsome. Hello gorgeous.

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would like to thank Jess in Glasgow. She has made an Ian and Zoe,

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knitted them. That's amazing. incredible. Look at that. She's got

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your hair line and everything. And I'm in grey. Look. Thank you

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very much. Anybody else who would like to immortalise us in clay or

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wood, feel free. Thank you Jess. Very exciting week. We've had

:10:35.:10:45.
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dramas. You've seen Artem there. We have the first Argentine tango.

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Let's look at Holly, now dancing with Brendan, choreographed by

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with Brendan, choreographed by Artem. How is it looking? Isn't it

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fantastic that Brendan has taken over and is taking -- helping out.

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It's great. I did the same for Brendan and to be honest, I think

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it may be an advantage for her. She has two professional males, helping

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her. As you can see, Artem is choreographing the piece. He's

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telling Brendan what it do, which is quite interesting. I'd love to

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be in the room. No doubt Brendan will have his own take on things.

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That's fantastic. I think this dance will suit Holly. She's long,

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lovely long legs. The rumba is perfect for that. I think it's

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going to be a great dance for them. We look forward to this on Saturday.

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Fingers crossed Artem gets well quick. Anita and Robin are doing

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the Argentine tango. How is our lass looking in the training room?

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I was a bit worried because I don't think the legs and feet or Anita

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are her strong point. In Argentine tango itess especially emphasises

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the leg and feet. There's lots of decoration, flicks and kicks. What

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I wanted to do is circle this here, because she's doing a wonderful leg

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wrap around there. I'm pleasantly surprised because she's using her

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legs and feet and she's putting them in the right place. They look

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strong. So she really has surprised me this week. Keep it up! By the

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way, bobby, thank you so much. He's wearing a sweaty Bobby T-shirt.

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Full marks to him. Robbie and Ola are dancing the American smooth

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this week, more ballroom from our ballroom boy. He looks good in

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ballroom. He's very upright. He's strait and pulled up. Craig

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mentioned the top line. Which is a good thing. My concern is that when

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he goes into lines like he's going to dance this promenade run now, he

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needs to dance through to the end of his arms. If we stop it here,

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of his arms. If we stop it here, what I'd like him to do is take the

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arm higher. Then it would match Ola's. Every time he takes a step,

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to take it out and finish it off. One, two, three. We could make you

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do that all night. I mean it's more about the expression through the

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body, through to the hand and through to the arms. Because

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sometimes he can look a little bit mechanical and clinical. I want him

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to show expression. Just because it's ballroom doesn't mean you

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can't use expression. More expression. Good. Alex and James

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with a great quickstep last week. This week it's fast as well, the

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jive. This is looking really good. It's very bouncy. There's lots of

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great kicks. Lots of great arms punching. I've slowed this down

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because I wanted you to see the bounce that Alex is getting.

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Amazing bounce and she maintains that throughout. I'm assuming

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that's all good. Really good. I think that because they did

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quickstep last week, I think it's kind of an accumulation from last

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week. She's continuing doing the same, very similar technique in the

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jive. So I think it's quite an advantage to go from jive onto

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quickstep. Looking very good. sounds very promising. Chelsee and

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Pasha are doing the foxtrot. Top of the leaderboard last week. They're

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probably on a high this week. How are they looking? I have nothing

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but great things to say about Chelsee, although... Hawk-Eye Ian

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has seen... That's a catchy name. In the mirror because most of this

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foot ath is just the top half. In the mirror I can see - we do that a

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lot, looking at the foot work in the mirror. She's not wearing her

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shoes again. Naughty Chelsee. You have told her before. I'm slightly

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disappointed because I believe in rehearsals you should be training

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in your shoes. Also when they get in hold, you'll notice that she's a

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bit small for him. I think she'll be in a different place, about

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three inches higher and in the right place for him. If we carry on

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with this. I don't know whether we can, they do some, a lot of

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ballroom hold and stuff like that. It's quite intricate the dancing

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they do. Now that she's improved so much, she's coping with it

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brilliantly, and I think that again she's going to produce a fantastic

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dance. Very exciting. It's a foxtrot, not an American smooth.

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is it, thank you. Someone's paying attention! Audley and Natalie are

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doing the cha-cha-cha this week. His knee's in a brace, is that a

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worry? I'm slightly worried because his left knee is giving him a bit a

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problem. And he's dancing cha-cha. One of the dances that is quite

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hard on the knee sz a cha-cha-cha because you have to straighten the

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leg so quick. He's not really straightening his legs properly.

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It's a bit bent. He's half straightening them. I would say

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it's because of the knee problem, but he's doing it on the right knee

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as well! I think he's got to straighten that knee and cha-cha

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straight, cha-cha straight. APPLAUSE

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Just like that. Where were we? Russell and Flavia. Oh, just on

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Audley, he's been in the bomb -- bottom two three times K he get

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higher up the leaderboard this week? He's very musical. He never

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really goes wrong very often. So if somebody goes wrong on the night

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and has a bad night, which he hasn't had really, although he's

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been at the bottom of the table, he's quite consistent in his own

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way. He could sail on through again. Who knows. Russell and Flavia are

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doing the American smooth this week. Here they are in training. How is

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our Russell doing. I feel I haven't seen him for weeks. Quickstep

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American smooth. The only time we have seen that, I think is Alesha.

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Normally American smooth is more of a foxtrot. We danced a waltz.

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we did. We got four nines. Did we? What did we get? Four nines. I

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remember it well. I just want to emphasise that. Oh, what have you

:17:22.:17:28.

done. Your machine's gone bonkers. OK, correct that. That was the

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machine. What I would like to see, he's got dropped elbows. He's

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lifting up his shoulders. Drop the shoulders back, lift the arms up. I

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especially love the mannerisms from Russell. This little pinkie. Not to

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be outdone, he always has his little aquairn mannerism. He didn't

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be marked down for that? I wouldn't mark him down. That's a little

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personality. Harry and Aliona are doing the Argentine tango. It's a

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bit more, a bit easier for a man in Argentine tango. Really? Anita,

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more difficult for her, because the lady has to do all the decorations

:18:10.:18:16.

and leg things and all the lines. It's all about the lady. Yes. He's

:18:16.:18:23.

basically just doing the leading. But, as he did tango two weeks

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ago... Hallowe'en week. Yes, he will follow on with the character

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of the dance. I think it will be good for him. It will continue on

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from that. He knows the character now. He'll just dot same. Can he

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get to the top of the leaderboard. He gets great marks. This could be

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his week. Let's talk about jauson and Christine ya. They are doing

:18:45.:18:50.

the -- Kristina. They are doing the Viennese waltz. It's looking very

:18:50.:18:54.

good. He's got a natural flow. His arms are in the correct place. He's

:18:54.:19:00.

even trying to sway. For a male celebrity that's very difficult. So

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Kristina is chal edging -- challenging him. He goes into a

:19:06.:19:15.

fleckerl. Yes, you should gasp. It's a tricky move! What should do

:19:15.:19:24.

you? It's turn out, side, cross in front, side behind and twist.

:19:24.:19:29.

So if Jason can do that, Len is going to love him. He is! He's

:19:29.:19:33.

doing all the correct foot work, fantastic. Glad you said that. He's

:19:33.:19:37.

in the studio and will get you otherwise. We love you. Let's hear

:19:37.:19:41.

it for the boy, Ian Waite! APPLAUSE

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Ian's not the only one with eagle eyes. Here are some more of your

:19:44.:19:51.

points of view. I really like the way that Alesha's

:19:52.:19:55.

sparkly pen always matches her outfit. I'm so delighted that

:19:55.:19:59.

Russell had so much fun when he got put through. It really made Robbie

:19:59.:20:04.

laugh. He needed a laugh after being mauled by Craig. Thank you.

:20:04.:20:10.

Bye. Hello, Jason, we appreciate how much training you do and your

:20:10.:20:16.

dances are mesmerising. We hope you help Kristina to win the

:20:16.:20:21.

glitterball. I thought Jennifer grey was brilliant on Saturday. I

:20:21.:20:27.

did miss Len. He tells it like it is. But with great humour. Good on

:20:27.:20:34.

you Len. Thank you for all your messages and

:20:34.:20:37.

specially you Beverley. Len is back on Saturday. You can call us any

:20:37.:20:47.
:20:47.:20:51.

on Saturday. You can call us any After a run of leaderboard topping

:20:51.:20:54.

dances, Jason and Kristina found themselves falling to seventh place

:20:54.:20:58.

last weekend. They're near a moment. First, here's how they got on with

:20:58.:21:04.

the rumba. You just killed me softly with that

:21:04.:21:08.

rumba. You need to dig deeper and connect more to your sexy,

:21:08.:21:11.

beautiful partner. I got a little bored throughout it. I just wanted

:21:11.:21:14.

to feel that genuine romance and sparkle and chemistry. It was

:21:14.:21:20.

lacking a little bit. Usually your performances are so focused and

:21:20.:21:24.

correct. Tonight you went for too much. You tried to place the leg

:21:24.:21:29.

and the hip didn't work. Just a bit too serious and earnest. Kristina

:21:29.:21:36.

is not very happy, I can tell. disagree. Show me another male

:21:36.:21:39.

celebrity who can dot same rumba walk. It could have been more

:21:39.:21:43.

intense between the two of us. That's valid. That quaz quite --

:21:43.:21:50.

was quite fun. I feel good about. Give it up for Jason and Kristina!

:21:50.:21:55.

APPLAUSE Hello, how are you? How

:21:55.:22:00.

disappointed were you after your performance with the judges'

:22:00.:22:05.

reactions? Well, I mean... Deep breath Kristina. No-one likes

:22:05.:22:09.

negative comments. I don't care how good or bad dancer or how much

:22:09.:22:14.

effort you put in. We put 100% into our training. I think the dance was

:22:14.:22:18.

fantastic. It had a particular pocket with me in terms of the walk

:22:18.:22:24.

and the placement of the foot work. The only thing about the comments

:22:24.:22:29.

was that they didn't focus on positive things. It was just

:22:29.:22:34.

negative across-the-board. I looked at that dance back, you know, and I

:22:34.:22:38.

was happy with it. I can understand judges have to do what they do. I

:22:38.:22:42.

take those comments and there were certainly aspects of what they were

:22:42.:22:47.

saying which was spot on. A few positive things as well. Wouldn't

:22:47.:22:51.

go a miss, would it? I have something positive though. Ian

:22:51.:22:55.

online says the judges were too harsh, very undermarked. Kristina

:22:55.:23:01.

was right to look annoyed. You were quite annoyed. I was annoyed. I

:23:01.:23:05.

don't often look like that on Strictly. I was annoyed. What did

:23:05.:23:10.

you make of the comments? We worked really hard. My point about rumba

:23:10.:23:15.

was to show good technique, show a lot of basics, which usually judges

:23:15.:23:20.

asking always not enough content in dances. So I put all the basic

:23:20.:23:24.

steps, rumba walk, sliding doors, the basics which are supposed to be

:23:24.:23:28.

in the rumba. Obviously nobody even mentioned anything about that. I

:23:28.:23:32.

think it's a very cliche about rumba that it has to be raunchy and

:23:32.:23:36.

sexy and they felt there was no emotions. It was a different

:23:36.:23:39.

emotion. The song was saying something romantic and

:23:39.:23:42.

sophisticated. That's what we wanted to do. We've done all the

:23:42.:23:46.

raunchy and sexy thing in foxtrot week two. We're trying to do every

:23:46.:23:53.

week something different. I must say, five pro boys said to me the

:23:53.:23:59.

same thing, Brendan, James, Artem, saying it's probably the best male

:23:59.:24:02.

celebrity rumba we've seen. APPLAUSE

:24:02.:24:08.

Hooray. I trust them. Seventh on the leaderboard. That's the lowest

:24:08.:24:13.

you've been, sorry to keep dragging it up. On Sunday's show you were

:24:13.:24:17.

the last couple to get through. How worried were you that you were in

:24:17.:24:22.

the bottom two at that point? is always worried. It's a public

:24:23.:24:27.

vote. Each week is a different journey. You don't know how people

:24:27.:24:31.

will take what you do. The whole package of the show as well. But

:24:31.:24:37.

you know, I honestly can say I put, as I've said a number of times, I

:24:37.:24:41.

put 100% into the show each week. I try to have a good time and a

:24:42.:24:45.

journey along the way, if we were to go out, if we go out this week

:24:45.:24:48.

or the week after or the week after that, it's not for a want of not

:24:48.:24:58.

trying. I feel good about myself. We want 120%! I don't know how much

:24:58.:25:04.

deeper I can dig. We know it's luck tkwroi have public support. A lot

:25:04.:25:07.

of them love you. We had Christopher Biggins in last week.

:25:07.:25:12.

He said he was surprised - big up Biggins. He was surprised and

:25:12.:25:16.

really impressed how much you're putting in in training. We have

:25:16.:25:25.

noticed you are very studious indeed. Here we go.

:25:25.:25:30.

What I learnt was that it's a mathematical equation dance. One,

:25:30.:25:37.

two, one and as well. One, two, three, four. I can't count. I was

:25:37.:25:47.
:25:47.:26:09.

never a mathetisionist. Francisco Kristina, do you want some tapas

:26:09.:26:14.

# Kristina, ole! # Do you believe in life after love

:26:14.:26:23.

It's just the geography I need to reshape. I'm so confused. Where am

:26:23.:26:28.

I? OK, I've mapped it. Pass the test? Yeah, passed.

:26:28.:26:35.

There you go. I love that. That's your report. That's funny. Don't

:26:35.:26:39.

worry, he's mapped it. The Viennese waltz, are you a fan? It's a lot

:26:39.:26:44.

more difficult than I thought. I mean, there's obviously the

:26:44.:26:48.

simplicity in the one, two, three, the rise and fall. But there's a

:26:48.:26:52.

lot more layers to it. We have a great song this week. Let's have a

:26:52.:26:56.

listen. # And I don't want the world to see

:26:57.:27:06.
:27:07.:27:07.

me." Goo Goo Dolls. From that film. I love it. That is where the theme

:27:07.:27:11.

has come from. We try to look for characters and stories. That's what

:27:11.:27:15.

we're drawing from. You have always been successful in dance was a

:27:15.:27:20.

character. Yes and a theme. What is your character this week?

:27:20.:27:24.

Separation, angels, spirits. film is all about two people who

:27:24.:27:29.

can't be together because one is an angel. Don't ruin it. It's so sad

:27:29.:27:33.

and sweet. I want to cry. I look forward to the dance. And the

:27:33.:27:41.

judges want more oomph, can you give it? That's an interesting one.

:27:41.:27:45.

I think... We'll try, I suppose. Last week I take on board what they

:27:45.:27:49.

were saying. It was a difficult balance with the rumba to find the

:27:49.:27:54.

happiness and passion. This week is soft and gentle and you know...

:27:54.:27:59.

can't wait. It's going to be good. Believe, brilliant. Good luck this

:27:59.:28:04.

weekend. Jason and Kristina! APPLAUSE

:28:04.:28:14.
:28:14.:28:23.

Time now to reveal our dancer in Ola! It was of course, Ola. I'm

:28:23.:28:27.

back tomorrow at 6.30pm with Russell and Flavia and Harry and

:28:27.:28:30.

Aliona. We have a sneak preview of the weekend's outfits an the latest

:28:30.:28:35.

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