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Tonight on It Takes Two: Breaking news on Holly and Artem. They're | :00:09. | :00:14. | |
here live with an update on Artem's injury. Plus Jason and Kristina | :00:14. | :00:18. | |
will pop in for a chat and Ian Waite will be here with the latest | :00:18. | :00:28. | |
:00:28. | :00:59. | ||
news from training. This is Live from Television Centre, this | :00:59. | :01:03. | |
is strictly It Takes Two. Please welcome your host, Zoe Ball! | :01:03. | :01:10. | |
APPLAUSE Hello! Welcome to It Takes Two. Now | :01:10. | :01:14. | |
it was a very emotional weekend for Holly and Artem. As you know, Artem | :01:14. | :01:19. | |
suffered a back injury, but bravely battled on and danced through the | :01:19. | :01:22. | |
pain to get great points. They're here straight from the training | :01:22. | :01:29. | |
room to tell us the latest news. First, here's their Saturday story. | :01:29. | :01:35. | |
I absolutely loved that concept. I thought it was brilliant. It was | :01:35. | :01:39. | |
not a traditional jive. You took a lot of chance was it. It really | :01:39. | :01:44. | |
paid off. Great choreography. creative, very, very different. | :01:45. | :01:51. | |
Very, very cool. The girl's on top. You looked exhausted, it was full | :01:51. | :01:54. | |
of energy. I have to commend you on that. Artem I know you're suffering | :01:54. | :02:04. | |
as well. Artem had an injury this afternoon. | :02:04. | :02:09. | |
He's limping. I don't know how you do it, the show must go on. Please | :02:09. | :02:13. | |
welcome Holly and Artem! APPLAUSE | :02:13. | :02:19. | |
Quite a roller coaster of a weekend for you. First of all, Artem, when | :02:19. | :02:24. | |
did you first hurt your back, what happened? Well I think it happened | :02:24. | :02:30. | |
on Friday when we did camera blocking. You know, have you so | :02:30. | :02:34. | |
much adrenaline. Your mind is spinning all the time. I didn't | :02:35. | :02:40. | |
really give a chance to realise it was quite painful. I came home and | :02:40. | :02:45. | |
sat on the sofa and I couldn't get up. Was there a moment when it made | :02:45. | :02:51. | |
a crunch or squelch or was it a gradual build up of pain? It was a | :02:51. | :02:55. | |
gradual build up of pain. It's horrible. What went through your | :02:55. | :02:59. | |
mind at this point? Were you thinking "Oh, dear, I'm not going | :02:59. | :03:05. | |
to make tonight's show? "It quite dramatic moment really, | :03:05. | :03:10. | |
because this whole week we've been training so hard to dot jive. It | :03:10. | :03:14. | |
was quite difficult... choreographed the most amazing | :03:14. | :03:19. | |
routine. At what point due realise you were going to be in trouble? | :03:19. | :03:22. | |
really was quite late on Saturday. I went to dot dress rehearsal aind | :03:22. | :03:29. | |
noticed someone was missing. tried to keep everything quiet | :03:29. | :03:34. | |
until we know what exactly is going to happen. We didn't want to upset | :03:34. | :03:39. | |
anyone. I was looking around, you know when is he? Someone said he's | :03:39. | :03:42. | |
sore and they're going to pt hospital to make sure everything's | :03:42. | :03:48. | |
OK. We went through the dress run. It got to my turn... You had to | :03:48. | :03:54. | |
dance loan. I went, I don't want to do nothing. I thought I'd better go | :03:54. | :03:58. | |
on. Then they can Time Out the show how it's going to look and camera | :03:58. | :04:02. | |
guys can see my shots. I thought I'd get on with. It lucky I did | :04:02. | :04:07. | |
have a go. Dancing with, it must be so strange, but you weren't on your | :04:07. | :04:12. | |
own for long because Sir Bruce stepped in. We have footage. There | :04:12. | :04:18. | |
you are, minding your own business. Look at him go. He's good. He is | :04:18. | :04:24. | |
good. He could have done it for you on Saturday night. At what point | :04:24. | :04:27. | |
then, how down to the wire was it on Saturday that you decided that | :04:27. | :04:33. | |
you could dance and you could get through the routine? Well, after | :04:33. | :04:38. | |
going to the hospital and then the hospital doctor pretty much saying | :04:38. | :04:44. | |
that your spine is fractured and you cannot dance. I was sitting | :04:44. | :04:48. | |
there and thinking, well I have already danced twice in the camera | :04:49. | :04:52. | |
blocking, so what worse can actually happen. So I asked him | :04:53. | :04:57. | |
"What the worse thing that can happen to me?" He said I could get | :04:57. | :05:03. | |
paralysed. At that point, I would have been out of there. Taxi! But | :05:03. | :05:07. | |
you had to change the choreography. You mentioned to Tess thaw changed | :05:07. | :05:17. | |
a bit. What did you take out? part when I actually injured myself. | :05:17. | :05:21. | |
It's just the jumping over Holly and rolling on the floor. I'm quite | :05:21. | :05:26. | |
glad you didn't do that. You might not have gotten up again. What have | :05:26. | :05:29. | |
the doctors said to you? What are the men in the coats saying? What's | :05:29. | :05:35. | |
the official line on your back? I cannot remember all this specific | :05:35. | :05:40. | |
terms, but explaining in my simple words. It's soft tissue damage. | :05:40. | :05:45. | |
It's between two bones. There's a nerve running between them and it | :05:45. | :05:51. | |
just got jammed and inflamed. not happy. It's just, any turn or | :05:51. | :05:56. | |
rotation or bending any way is... Not good. Quite painful. He's so | :05:56. | :06:00. | |
macho. If he's saying he's in pain, I don't even know what he's going | :06:00. | :06:04. | |
through. There's a lot of speculation online and in the | :06:04. | :06:08. | |
papers. What is the official line then from you. Are you dancing on | :06:08. | :06:16. | |
Saturday? No, I'm not dancing. no. Really? OK. But it's Strictly | :06:16. | :06:20. | |
under doctors orders. Are you out for the series? Or just Saturday? | :06:20. | :06:25. | |
Don't say those words! Sorry. hoping to be out for a week and | :06:25. | :06:31. | |
come back next week for Wembley. You have to rest up. In the | :06:31. | :06:34. | |
meantime you have another knight in shining armour who has kindly | :06:34. | :06:39. | |
stepped in to help out. You've been practising with Brendan. I have. | :06:39. | :06:43. | |
Doing the rumba with Brendan Cole, something you weren't expecting to | :06:43. | :06:47. | |
happen. How is it going and how is it for you, Artem, having to let | :06:47. | :06:52. | |
another man dance with your woman? Well, to be honest with you, kind | :06:52. | :06:55. | |
of weird seeing Holly dancing with someone else, I'm not going to lie. | :06:55. | :07:01. | |
Look at my face. Did you get jealous. It's all grumpy and | :07:01. | :07:06. | |
jealous. I think the hardest thing I'm finding is not being able to | :07:06. | :07:11. | |
move. I'm choreographing this week still, is just keep not being able | :07:11. | :07:16. | |
to feel if it feels right or wrong for Holly what she does. It's like | :07:16. | :07:21. | |
a big gamble for what I put in. It's hard to gauge what the move is | :07:21. | :07:30. | |
if he hasn't had a go. Then you do this, but you can't move. | :07:30. | :07:33. | |
Ironically, this is what you're dancing to. | :07:33. | :07:35. | |
# I think I better leave right now... # | :07:35. | :07:42. | |
No, no, let it not be a sign! He couldn't have foreseen the future. | :07:42. | :07:48. | |
Maybe Russell could have done. One thing we must mention as well, | :07:48. | :07:51. | |
Craig loved your energy on Saturday. He really did. Are you very | :07:51. | :07:55. | |
determined to go out there and give it serious welly for Artem as well | :07:55. | :07:59. | |
as yourself on Saturday? Yeah, obviously I don't want to let him | :07:59. | :08:04. | |
down. He's choreographing very much, a part of this week. It's difficult | :08:04. | :08:07. | |
because I've just started to learn dancing with him. Just started to | :08:07. | :08:10. | |
get his language and the way you move together. You learn someone's | :08:10. | :08:14. | |
body and then all of a sudden I'm with Brendan who does things very | :08:14. | :08:17. | |
differently and also very well, but completely different. They feel | :08:17. | :08:21. | |
different to dance with. I now, I'm sort of back to square one a little | :08:21. | :08:26. | |
bit. I'm at a slight disadvantage in that. But I don't have a lengthy | :08:26. | :08:30. | |
partnership as everyone else still has right now. You're not going to | :08:30. | :08:37. | |
let me down. You better not let him down? Look how nice he is. The pain | :08:37. | :08:40. | |
killers. Will you be watching in the wings? Absolutely I will be | :08:40. | :08:44. | |
there on Saturday supporting Holly and Brendan. Maybe lying down. | :08:44. | :08:51. | |
I request a sign. I will be signing. We will keep you all updated. We | :08:51. | :08:54. | |
have a special present for you, which actually you won't be able to | :08:54. | :09:00. | |
lift because it's so heavy. It's a basket of fruit and a get well card. | :09:00. | :09:05. | |
That's so sweet. So soft tissue damage. He won't be dancing on | :09:05. | :09:09. | |
Saturday, but he will be there, fingers crossed for Wembley. Holly | :09:09. | :09:11. | |
good luck with Brendan. Thank you so much for coming in! | :09:11. | :09:16. | |
APPLAUSE My goodness. It's all going on. It | :09:16. | :09:21. | |
didn't take much encouragement to get another one of our pro dancers | :09:21. | :09:31. | |
:09:31. | :09:45. | ||
to dress up and give us a twirl. Who is the dancer in disguise? Find | :09:45. | :09:51. | |
out later in the show. It's Wednesday, which means it's | :09:51. | :09:56. | |
time to get technical with our very own dance analyst. It's Waite's | :09:56. | :10:04. | |
Wednesday Warm Up. Ian Waite's here! | :10:04. | :10:10. | |
APPLAUSE Hello handsome. Hello gorgeous. | :10:10. | :10:17. | |
would like to thank Jess in Glasgow. She has made an Ian and Zoe, | :10:17. | :10:21. | |
knitted them. That's amazing. incredible. Look at that. She's got | :10:21. | :10:27. | |
your hair line and everything. And I'm in grey. Look. Thank you | :10:27. | :10:31. | |
very much. Anybody else who would like to immortalise us in clay or | :10:31. | :10:35. | |
wood, feel free. Thank you Jess. Very exciting week. We've had | :10:35. | :10:45. | |
:10:45. | :10:47. | ||
dramas. You've seen Artem there. We have the first Argentine tango. | :10:47. | :10:50. | |
Let's look at Holly, now dancing with Brendan, choreographed by | :10:50. | :10:56. | |
with Brendan, choreographed by Artem. How is it looking? Isn't it | :10:56. | :11:02. | |
fantastic that Brendan has taken over and is taking -- helping out. | :11:02. | :11:05. | |
It's great. I did the same for Brendan and to be honest, I think | :11:05. | :11:10. | |
it may be an advantage for her. She has two professional males, helping | :11:10. | :11:15. | |
her. As you can see, Artem is choreographing the piece. He's | :11:15. | :11:18. | |
telling Brendan what it do, which is quite interesting. I'd love to | :11:18. | :11:22. | |
be in the room. No doubt Brendan will have his own take on things. | :11:22. | :11:26. | |
That's fantastic. I think this dance will suit Holly. She's long, | :11:26. | :11:30. | |
lovely long legs. The rumba is perfect for that. I think it's | :11:30. | :11:34. | |
going to be a great dance for them. We look forward to this on Saturday. | :11:34. | :11:39. | |
Fingers crossed Artem gets well quick. Anita and Robin are doing | :11:39. | :11:44. | |
the Argentine tango. How is our lass looking in the training room? | :11:44. | :11:48. | |
I was a bit worried because I don't think the legs and feet or Anita | :11:48. | :11:54. | |
are her strong point. In Argentine tango itess especially emphasises | :11:54. | :11:58. | |
the leg and feet. There's lots of decoration, flicks and kicks. What | :11:58. | :12:04. | |
I wanted to do is circle this here, because she's doing a wonderful leg | :12:04. | :12:12. | |
wrap around there. I'm pleasantly surprised because she's using her | :12:12. | :12:16. | |
legs and feet and she's putting them in the right place. They look | :12:16. | :12:22. | |
strong. So she really has surprised me this week. Keep it up! By the | :12:22. | :12:28. | |
way, bobby, thank you so much. He's wearing a sweaty Bobby T-shirt. | :12:28. | :12:32. | |
Full marks to him. Robbie and Ola are dancing the American smooth | :12:32. | :12:37. | |
this week, more ballroom from our ballroom boy. He looks good in | :12:37. | :12:41. | |
ballroom. He's very upright. He's strait and pulled up. Craig | :12:41. | :12:45. | |
mentioned the top line. Which is a good thing. My concern is that when | :12:45. | :12:49. | |
he goes into lines like he's going to dance this promenade run now, he | :12:49. | :12:54. | |
needs to dance through to the end of his arms. If we stop it here, | :12:54. | :12:56. | |
of his arms. If we stop it here, what I'd like him to do is take the | :12:56. | :13:01. | |
arm higher. Then it would match Ola's. Every time he takes a step, | :13:01. | :13:08. | |
to take it out and finish it off. One, two, three. We could make you | :13:08. | :13:13. | |
do that all night. I mean it's more about the expression through the | :13:13. | :13:17. | |
body, through to the hand and through to the arms. Because | :13:17. | :13:22. | |
sometimes he can look a little bit mechanical and clinical. I want him | :13:22. | :13:25. | |
to show expression. Just because it's ballroom doesn't mean you | :13:25. | :13:29. | |
can't use expression. More expression. Good. Alex and James | :13:29. | :13:32. | |
with a great quickstep last week. This week it's fast as well, the | :13:33. | :13:38. | |
jive. This is looking really good. It's very bouncy. There's lots of | :13:38. | :13:41. | |
great kicks. Lots of great arms punching. I've slowed this down | :13:41. | :13:46. | |
because I wanted you to see the bounce that Alex is getting. | :13:47. | :13:49. | |
Amazing bounce and she maintains that throughout. I'm assuming | :13:50. | :13:53. | |
that's all good. Really good. I think that because they did | :13:53. | :13:57. | |
quickstep last week, I think it's kind of an accumulation from last | :13:57. | :14:01. | |
week. She's continuing doing the same, very similar technique in the | :14:01. | :14:06. | |
jive. So I think it's quite an advantage to go from jive onto | :14:07. | :14:11. | |
quickstep. Looking very good. sounds very promising. Chelsee and | :14:11. | :14:15. | |
Pasha are doing the foxtrot. Top of the leaderboard last week. They're | :14:15. | :14:18. | |
probably on a high this week. How are they looking? I have nothing | :14:18. | :14:25. | |
but great things to say about Chelsee, although... Hawk-Eye Ian | :14:25. | :14:29. | |
has seen... That's a catchy name. In the mirror because most of this | :14:29. | :14:38. | |
foot ath is just the top half. In the mirror I can see - we do that a | :14:38. | :14:43. | |
lot, looking at the foot work in the mirror. She's not wearing her | :14:43. | :14:48. | |
shoes again. Naughty Chelsee. You have told her before. I'm slightly | :14:48. | :14:51. | |
disappointed because I believe in rehearsals you should be training | :14:51. | :14:54. | |
in your shoes. Also when they get in hold, you'll notice that she's a | :14:55. | :14:58. | |
bit small for him. I think she'll be in a different place, about | :14:58. | :15:01. | |
three inches higher and in the right place for him. If we carry on | :15:01. | :15:07. | |
with this. I don't know whether we can, they do some, a lot of | :15:07. | :15:10. | |
ballroom hold and stuff like that. It's quite intricate the dancing | :15:10. | :15:15. | |
they do. Now that she's improved so much, she's coping with it | :15:15. | :15:19. | |
brilliantly, and I think that again she's going to produce a fantastic | :15:19. | :15:23. | |
dance. Very exciting. It's a foxtrot, not an American smooth. | :15:23. | :15:28. | |
is it, thank you. Someone's paying attention! Audley and Natalie are | :15:28. | :15:32. | |
doing the cha-cha-cha this week. His knee's in a brace, is that a | :15:32. | :15:38. | |
worry? I'm slightly worried because his left knee is giving him a bit a | :15:38. | :15:42. | |
problem. And he's dancing cha-cha. One of the dances that is quite | :15:42. | :15:45. | |
hard on the knee sz a cha-cha-cha because you have to straighten the | :15:45. | :15:49. | |
leg so quick. He's not really straightening his legs properly. | :15:49. | :15:54. | |
It's a bit bent. He's half straightening them. I would say | :15:54. | :15:57. | |
it's because of the knee problem, but he's doing it on the right knee | :15:57. | :16:06. | |
as well! I think he's got to straighten that knee and cha-cha | :16:06. | :16:13. | |
straight, cha-cha straight. APPLAUSE | :16:13. | :16:18. | |
Just like that. Where were we? Russell and Flavia. Oh, just on | :16:18. | :16:24. | |
Audley, he's been in the bomb -- bottom two three times K he get | :16:25. | :16:28. | |
higher up the leaderboard this week? He's very musical. He never | :16:28. | :16:33. | |
really goes wrong very often. So if somebody goes wrong on the night | :16:33. | :16:37. | |
and has a bad night, which he hasn't had really, although he's | :16:37. | :16:42. | |
been at the bottom of the table, he's quite consistent in his own | :16:42. | :16:51. | |
way. He could sail on through again. Who knows. Russell and Flavia are | :16:51. | :16:55. | |
doing the American smooth this week. Here they are in training. How is | :16:55. | :17:01. | |
our Russell doing. I feel I haven't seen him for weeks. Quickstep | :17:01. | :17:05. | |
American smooth. The only time we have seen that, I think is Alesha. | :17:06. | :17:10. | |
Normally American smooth is more of a foxtrot. We danced a waltz. | :17:10. | :17:16. | |
we did. We got four nines. Did we? What did we get? Four nines. I | :17:16. | :17:22. | |
remember it well. I just want to emphasise that. Oh, what have you | :17:22. | :17:28. | |
done. Your machine's gone bonkers. OK, correct that. That was the | :17:28. | :17:34. | |
machine. What I would like to see, he's got dropped elbows. He's | :17:34. | :17:38. | |
lifting up his shoulders. Drop the shoulders back, lift the arms up. I | :17:38. | :17:45. | |
especially love the mannerisms from Russell. This little pinkie. Not to | :17:45. | :17:50. | |
be outdone, he always has his little aquairn mannerism. He didn't | :17:50. | :17:56. | |
be marked down for that? I wouldn't mark him down. That's a little | :17:56. | :18:00. | |
personality. Harry and Aliona are doing the Argentine tango. It's a | :18:00. | :18:06. | |
bit more, a bit easier for a man in Argentine tango. Really? Anita, | :18:06. | :18:10. | |
more difficult for her, because the lady has to do all the decorations | :18:10. | :18:16. | |
and leg things and all the lines. It's all about the lady. Yes. He's | :18:16. | :18:23. | |
basically just doing the leading. But, as he did tango two weeks | :18:23. | :18:26. | |
ago... Hallowe'en week. Yes, he will follow on with the character | :18:26. | :18:29. | |
of the dance. I think it will be good for him. It will continue on | :18:29. | :18:34. | |
from that. He knows the character now. He'll just dot same. Can he | :18:34. | :18:40. | |
get to the top of the leaderboard. He gets great marks. This could be | :18:40. | :18:45. | |
his week. Let's talk about jauson and Christine ya. They are doing | :18:45. | :18:50. | |
the -- Kristina. They are doing the Viennese waltz. It's looking very | :18:50. | :18:54. | |
good. He's got a natural flow. His arms are in the correct place. He's | :18:54. | :19:00. | |
even trying to sway. For a male celebrity that's very difficult. So | :19:00. | :19:06. | |
Kristina is chal edging -- challenging him. He goes into a | :19:06. | :19:15. | |
fleckerl. Yes, you should gasp. It's a tricky move! What should do | :19:15. | :19:24. | |
you? It's turn out, side, cross in front, side behind and twist. | :19:24. | :19:29. | |
So if Jason can do that, Len is going to love him. He is! He's | :19:29. | :19:33. | |
doing all the correct foot work, fantastic. Glad you said that. He's | :19:33. | :19:37. | |
in the studio and will get you otherwise. We love you. Let's hear | :19:37. | :19:41. | |
it for the boy, Ian Waite! APPLAUSE | :19:41. | :19:44. | |
Ian's not the only one with eagle eyes. Here are some more of your | :19:44. | :19:51. | |
points of view. I really like the way that Alesha's | :19:52. | :19:55. | |
sparkly pen always matches her outfit. I'm so delighted that | :19:55. | :19:59. | |
Russell had so much fun when he got put through. It really made Robbie | :19:59. | :20:04. | |
laugh. He needed a laugh after being mauled by Craig. Thank you. | :20:04. | :20:10. | |
Bye. Hello, Jason, we appreciate how much training you do and your | :20:10. | :20:16. | |
dances are mesmerising. We hope you help Kristina to win the | :20:16. | :20:21. | |
glitterball. I thought Jennifer grey was brilliant on Saturday. I | :20:21. | :20:27. | |
did miss Len. He tells it like it is. But with great humour. Good on | :20:27. | :20:34. | |
you Len. Thank you for all your messages and | :20:34. | :20:37. | |
specially you Beverley. Len is back on Saturday. You can call us any | :20:37. | :20:47. | |
:20:47. | :20:51. | ||
on Saturday. You can call us any After a run of leaderboard topping | :20:51. | :20:54. | |
dances, Jason and Kristina found themselves falling to seventh place | :20:54. | :20:58. | |
last weekend. They're near a moment. First, here's how they got on with | :20:58. | :21:04. | |
the rumba. You just killed me softly with that | :21:04. | :21:08. | |
rumba. You need to dig deeper and connect more to your sexy, | :21:08. | :21:11. | |
beautiful partner. I got a little bored throughout it. I just wanted | :21:11. | :21:14. | |
to feel that genuine romance and sparkle and chemistry. It was | :21:14. | :21:20. | |
lacking a little bit. Usually your performances are so focused and | :21:20. | :21:24. | |
correct. Tonight you went for too much. You tried to place the leg | :21:24. | :21:29. | |
and the hip didn't work. Just a bit too serious and earnest. Kristina | :21:29. | :21:36. | |
is not very happy, I can tell. disagree. Show me another male | :21:36. | :21:39. | |
celebrity who can dot same rumba walk. It could have been more | :21:39. | :21:43. | |
intense between the two of us. That's valid. That quaz quite -- | :21:43. | :21:50. | |
was quite fun. I feel good about. Give it up for Jason and Kristina! | :21:50. | :21:55. | |
APPLAUSE Hello, how are you? How | :21:55. | :22:00. | |
disappointed were you after your performance with the judges' | :22:00. | :22:05. | |
reactions? Well, I mean... Deep breath Kristina. No-one likes | :22:05. | :22:09. | |
negative comments. I don't care how good or bad dancer or how much | :22:09. | :22:14. | |
effort you put in. We put 100% into our training. I think the dance was | :22:14. | :22:18. | |
fantastic. It had a particular pocket with me in terms of the walk | :22:18. | :22:24. | |
and the placement of the foot work. The only thing about the comments | :22:24. | :22:29. | |
was that they didn't focus on positive things. It was just | :22:29. | :22:34. | |
negative across-the-board. I looked at that dance back, you know, and I | :22:34. | :22:38. | |
was happy with it. I can understand judges have to do what they do. I | :22:38. | :22:42. | |
take those comments and there were certainly aspects of what they were | :22:42. | :22:47. | |
saying which was spot on. A few positive things as well. Wouldn't | :22:47. | :22:51. | |
go a miss, would it? I have something positive though. Ian | :22:51. | :22:55. | |
online says the judges were too harsh, very undermarked. Kristina | :22:55. | :23:01. | |
was right to look annoyed. You were quite annoyed. I was annoyed. I | :23:01. | :23:05. | |
don't often look like that on Strictly. I was annoyed. What did | :23:05. | :23:10. | |
you make of the comments? We worked really hard. My point about rumba | :23:10. | :23:15. | |
was to show good technique, show a lot of basics, which usually judges | :23:15. | :23:20. | |
asking always not enough content in dances. So I put all the basic | :23:20. | :23:24. | |
steps, rumba walk, sliding doors, the basics which are supposed to be | :23:24. | :23:28. | |
in the rumba. Obviously nobody even mentioned anything about that. I | :23:28. | :23:32. | |
think it's a very cliche about rumba that it has to be raunchy and | :23:32. | :23:36. | |
sexy and they felt there was no emotions. It was a different | :23:36. | :23:39. | |
emotion. The song was saying something romantic and | :23:39. | :23:42. | |
sophisticated. That's what we wanted to do. We've done all the | :23:42. | :23:46. | |
raunchy and sexy thing in foxtrot week two. We're trying to do every | :23:46. | :23:53. | |
week something different. I must say, five pro boys said to me the | :23:53. | :23:59. | |
same thing, Brendan, James, Artem, saying it's probably the best male | :23:59. | :24:02. | |
celebrity rumba we've seen. APPLAUSE | :24:02. | :24:08. | |
Hooray. I trust them. Seventh on the leaderboard. That's the lowest | :24:08. | :24:13. | |
you've been, sorry to keep dragging it up. On Sunday's show you were | :24:13. | :24:17. | |
the last couple to get through. How worried were you that you were in | :24:17. | :24:22. | |
the bottom two at that point? is always worried. It's a public | :24:23. | :24:27. | |
vote. Each week is a different journey. You don't know how people | :24:27. | :24:31. | |
will take what you do. The whole package of the show as well. But | :24:31. | :24:37. | |
you know, I honestly can say I put, as I've said a number of times, I | :24:37. | :24:41. | |
put 100% into the show each week. I try to have a good time and a | :24:42. | :24:45. | |
journey along the way, if we were to go out, if we go out this week | :24:45. | :24:48. | |
or the week after or the week after that, it's not for a want of not | :24:48. | :24:58. | |
trying. I feel good about myself. We want 120%! I don't know how much | :24:58. | :25:04. | |
deeper I can dig. We know it's luck tkwroi have public support. A lot | :25:04. | :25:07. | |
of them love you. We had Christopher Biggins in last week. | :25:07. | :25:12. | |
He said he was surprised - big up Biggins. He was surprised and | :25:12. | :25:16. | |
really impressed how much you're putting in in training. We have | :25:16. | :25:25. | |
noticed you are very studious indeed. Here we go. | :25:25. | :25:30. | |
What I learnt was that it's a mathematical equation dance. One, | :25:30. | :25:37. | |
two, one and as well. One, two, three, four. I can't count. I was | :25:37. | :25:47. | |
:25:47. | :26:09. | ||
never a mathetisionist. Francisco Kristina, do you want some tapas | :26:09. | :26:14. | |
# Kristina, ole! # Do you believe in life after love | :26:14. | :26:23. | |
It's just the geography I need to reshape. I'm so confused. Where am | :26:23. | :26:28. | |
I? OK, I've mapped it. Pass the test? Yeah, passed. | :26:28. | :26:35. | |
There you go. I love that. That's your report. That's funny. Don't | :26:35. | :26:39. | |
worry, he's mapped it. The Viennese waltz, are you a fan? It's a lot | :26:39. | :26:44. | |
more difficult than I thought. I mean, there's obviously the | :26:44. | :26:48. | |
simplicity in the one, two, three, the rise and fall. But there's a | :26:48. | :26:52. | |
lot more layers to it. We have a great song this week. Let's have a | :26:52. | :26:56. | |
listen. # And I don't want the world to see | :26:57. | :27:06. | |
:27:07. | :27:07. | ||
me." Goo Goo Dolls. From that film. I love it. That is where the theme | :27:07. | :27:11. | |
has come from. We try to look for characters and stories. That's what | :27:11. | :27:15. | |
we're drawing from. You have always been successful in dance was a | :27:15. | :27:20. | |
character. Yes and a theme. What is your character this week? | :27:20. | :27:24. | |
Separation, angels, spirits. film is all about two people who | :27:24. | :27:29. | |
can't be together because one is an angel. Don't ruin it. It's so sad | :27:29. | :27:33. | |
and sweet. I want to cry. I look forward to the dance. And the | :27:33. | :27:41. | |
judges want more oomph, can you give it? That's an interesting one. | :27:41. | :27:45. | |
I think... We'll try, I suppose. Last week I take on board what they | :27:45. | :27:49. | |
were saying. It was a difficult balance with the rumba to find the | :27:49. | :27:54. | |
happiness and passion. This week is soft and gentle and you know... | :27:54. | :27:59. | |
can't wait. It's going to be good. Believe, brilliant. Good luck this | :27:59. | :28:04. | |
weekend. Jason and Kristina! APPLAUSE | :28:04. | :28:14. | |
:28:14. | :28:23. | ||
Time now to reveal our dancer in Ola! It was of course, Ola. I'm | :28:23. | :28:27. | |
back tomorrow at 6.30pm with Russell and Flavia and Harry and | :28:27. | :28:30. | |
Aliona. We have a sneak preview of the weekend's outfits an the latest | :28:30. | :28:35. |