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It is Thursday. Coming up on tonight's show, Harry and Aliona. | :00:17. | :00:22. | |
Russell Grant and Flavia ride in for a chat. I get to see what | :00:22. | :00:27. | |
fabulous frocks the costume department have in store for us | :00:27. | :00:37. | |
:00:37. | :01:03. | ||
this weekend. This is Strictly Come Live from Television Centre this. | :01:03. | :01:09. | |
Is Strictly Come Dancing: It Takes Two. Please welcome your host, it's | :01:09. | :01:13. | |
Zoe Ball. Hello and welcome to It Takes Two. | :01:13. | :01:16. | |
It is Thursday and our nine remaining couples are training | :01:16. | :01:21. | |
harder than ever as whoever leaves this weekend will miss out on | :01:21. | :01:25. | |
performing at Wembley. Yes, it is not happened yet, but in a few | :01:26. | :01:30. | |
minutes I will find out what Harry thought of his bare-chested samba. | :01:30. | :01:34. | |
First, here is the latest on how our couples are getting on in | :01:34. | :01:40. | |
Well, this week we are apparently attempting the jive! | :01:40. | :01:46. | |
Step. Step. Oh. This is potentially the hardest dance that we will have | :01:46. | :01:54. | |
have to do so far. It is fast. Alex has a little bit of a walking | :01:54. | :01:58. | |
section with a little bit of acting involved. That's not going | :01:58. | :02:02. | |
particularly well. I'm not even going to the beat. | :02:02. | :02:06. | |
The difficulty we're going to have, there will be a lot of places where | :02:06. | :02:13. | |
Alex is going on her own. No, I can't do it. | :02:13. | :02:19. | |
I have been dreading this dance. For this week, I think it would be | :02:19. | :02:29. | |
:02:29. | :02:32. | ||
a good idea maybe to have the St St John's Ambulance poised. | :02:32. | :02:36. | |
This week we're doing the tango. I didn't do that very well. It is | :02:36. | :02:38. | |
difficult. I'm never going to get that. | :02:38. | :02:47. | |
You are. We need to be channelling seduction, sharpness, precision. | :02:47. | :02:51. | |
The tricky part of these performances is to balance the | :02:51. | :02:57. | |
technique with the performance. Seven, eight and one. You are | :02:57. | :03:01. | |
coming out on the wrong foot. The big he is challenge will be | :03:01. | :03:04. | |
remembering the footwork and being clean on the footwork. | :03:04. | :03:09. | |
That was 100 times better. This is the time I can improve myself. | :03:09. | :03:12. | |
Flick. Flick. Good. Good. That's great. | :03:12. | :03:16. | |
And focus on becoming a little bit And focus on becoming a little bit | :03:16. | :03:23. | |
of a dancer. This week I have the rumba. Artem | :03:23. | :03:27. | |
has hurt his back last week and therefore, he needs to have a best. | :03:27. | :03:30. | |
So Brendan Cole is stepping in today. | :03:30. | :03:34. | |
And the other way. Turn the other way. | :03:34. | :03:44. | |
I have got no idea what's going on. Artem is still here. It is his | :03:44. | :03:46. | |
choreography, it is his way. What he says goes. | :03:46. | :03:53. | |
It is quite annoying to choreograph, but not be able to dance. | :03:53. | :03:57. | |
It is a shock for Hollie to just all of a sudden have another | :03:58. | :04:03. | |
partner to dance with. Let me do it otherwise it is not my | :04:04. | :04:12. | |
memory. As always, the show must go This week, me and Natalie are doing | :04:12. | :04:16. | |
the cha-cha-cha. It is energetic and cheeky and vibrant. | :04:17. | :04:20. | |
Technically, it will be a tough dance. | :04:20. | :04:25. | |
Chin up. I want it to be technically correct. I don't want | :04:25. | :04:33. | |
any heel leads. I just need Audley to let loose and | :04:33. | :04:37. | |
have a bit of fun with this. With the Latin dances your | :04:37. | :04:40. | |
personality and character can come into the dance more. I have been | :04:40. | :04:45. | |
able to rock it a bit just doing the Audley person amount. | :04:45. | :04:50. | |
He has a personality that I really want to bring out. Now, it is your | :04:50. | :04:55. | |
moment to shine. With his personality it will be show | :04:55. | :05:01. | |
stopping! This week's the Argentine tango and | :05:01. | :05:06. | |
I am enjoying myself. I like the dance. I like the music. | :05:06. | :05:14. | |
It is different. I think that the challenges in this dance is the | :05:14. | :05:21. | |
lifts. The lifts are nerve-wracking | :05:21. | :05:24. | |
because you have to get them perfect otherwise there is a small | :05:24. | :05:30. | |
chance I might drop Aliona. Harry is a very strong man. I have | :05:30. | :05:35. | |
all the confidence that the lifts are going to be spot on. | :05:35. | :05:41. | |
Don't worry, we can do that lift. I wouldn't like to know what she | :05:42. | :05:45. | |
would do to me if I I dropped her live on Saturday night so let's | :05:45. | :05:54. | |
Please welcome Harry and Aliona. CHEERING AND APPLAUSE | :05:54. | :05:58. | |
Hello. Welcome back. Harry, you were really worried about the samba | :05:58. | :06:03. | |
last week. How difficult was it for you on Saturday night? It was very | :06:03. | :06:07. | |
difficult actually. I was nervous, wasn't I? Very. | :06:07. | :06:11. | |
More so than other weeks? I was really working myself up. I was | :06:11. | :06:16. | |
very nervous, but to be hon he is when it -- honest when the music | :06:16. | :06:21. | |
started, you know, I did enjoy myself. Pulling some weird faces, | :06:21. | :06:27. | |
but that's me enjoying myself. it? But that's part of it, you see | :06:27. | :06:31. | |
professional ballroom dancers, they pull strange faces. It is not a bad | :06:31. | :06:35. | |
thing. I did enjoy myself. I was relieved to get it out of the way. | :06:35. | :06:39. | |
I did feel that's one of the best I danced. Definitely. | :06:39. | :06:44. | |
Which shows how tough a week we had. No, I was pleased. | :06:44. | :06:48. | |
Well done, your mum came on the phone last week, to give you a pep | :06:48. | :06:56. | |
talk. Was she pleased? Yes. Hello Mrs Judd. I heard you had a | :06:56. | :07:02. | |
text from her? I found this amew this amusing. | :07:02. | :07:08. | |
Text from Mrs Judd. "pull out the stops for your dance | :07:08. | :07:14. | |
this week. I have just invested in a beautiful outfit. I in turn, want | :07:14. | :07:20. | |
to be entertained with a beautiful dance.". Let's hear it for Mrs Judd. | :07:20. | :07:25. | |
That was Monday morning. I was tired and I thought, "I've got to | :07:25. | :07:29. | |
pull out the stops again.". You got a standing ovation, Aliona. What | :07:29. | :07:33. | |
did you make of the judges comments? They are entitled to | :07:33. | :07:39. | |
their opinions and I respect them, but I give all four tens to Harry. | :07:39. | :07:44. | |
You would have given him tens? tens. | :07:44. | :07:48. | |
Craig did give you constructive criticism, didn't he? Yes. | :07:48. | :07:52. | |
He really enjoyed the dance and the only technical thing that he didn't | :07:53. | :07:59. | |
really like was the swan move which he was quite right. It could have | :07:59. | :08:03. | |
have a bit more bounce, but he loved it in general which was great. | :08:03. | :08:09. | |
Our viewers are impressed with the dancing, but with your outfit, | :08:09. | :08:17. | |
Harry. Rosie Said, "Harry was looking fine on Saturday night." | :08:17. | :08:24. | |
Another viewer said, "Watching Strictly because Harry is sexy." | :08:24. | :08:32. | |
Becca posted "Harry Judd is hot. That bum, samba." I think we're | :08:32. | :08:37. | |
getting the picture, ladies. Craig said he found the shirt distracting. | :08:37. | :08:41. | |
He said you should have done it bare-chested. Is that something you | :08:41. | :08:45. | |
would consider? I don't think. I was pretty much bare chested on | :08:45. | :08:48. | |
Saturday. You could see through his shirt! | :08:49. | :08:53. | |
When you are doing the costume and things you are in a daze and you | :08:53. | :08:57. | |
are being handed things. It does get you in the mood to dance | :08:57. | :09:01. | |
wearing those outfits. When you have got them on, you feel like | :09:01. | :09:07. | |
you're ready to go. It is all part of the roll? It is, definitely. | :09:07. | :09:12. | |
first option was more closed shirt. When I got into the room I was like, | :09:12. | :09:17. | |
"Cut off the arms, open the shirt, make it see through.". You don't | :09:17. | :09:22. | |
disagree with Aliona. Don't mess with her. Arms off, she | :09:22. | :09:29. | |
gets arms off! Vernon Kay said, "Harry needs to let go a bit and | :09:29. | :09:34. | |
Alesha says kick it up a notch." How do you plan to keep those two | :09:34. | :09:38. | |
people happy? I was nervous and it maybe came across for the first | :09:38. | :09:41. | |
part of the dance. I need to focus on enjoying myself and not working | :09:41. | :09:45. | |
myself up so much, I think. OK. One thing we have spotted is | :09:45. | :09:50. | |
that when you're drumming, you're happy indeed. Oh really. | :09:50. | :09:54. | |
Take a little look. Strictly has definitely taken over | :09:54. | :10:04. | |
my life. I haven't played the drums My life is about dancing. | :10:04. | :10:12. | |
Not drumming. The further I get in this | :10:12. | :10:22. | |
:10:22. | :10:25. | ||
competition, the worse I get at My priority is dancing right now. | :10:25. | :10:28. | |
Ah, yes, our cameras are everywhere! | :10:28. | :10:32. | |
You have been warned. Can you incorporate drumming into a routine, | :10:32. | :10:37. | |
do you think? We're thinking about it. We're thinking about putting it | :10:37. | :10:40. | |
into a paso, but we haven't danced it yet. | :10:40. | :10:45. | |
That's stored and remembered! Argentine tango this week. How are | :10:45. | :10:50. | |
you finding it? I'm really enjoying it. I think it maybe suits me quite | :10:50. | :10:55. | |
well, I don't know. It is a great track that we're dancing to and it | :10:55. | :10:59. | |
has been a fun week. It is less stressful than last week. We have | :10:59. | :11:02. | |
seen in the training room that you are doing lifts. Are you finding | :11:02. | :11:07. | |
them a challenge? They are a challenge. Yes, they are. It is a | :11:07. | :11:12. | |
hole new he will -- whole new element. That looks impressive. | :11:12. | :11:16. | |
That looks good. You are very strong. You should be able to throw | :11:16. | :11:20. | |
her around with one hand! You have not been top of the leaderboard yet. | :11:21. | :11:27. | |
Everybody wants you to be up there, can you do it this week? I love the | :11:27. | :11:33. | |
way you looked at Aliona. I think so because this dance really suits | :11:33. | :11:36. | |
both of our personalities really. It really suits Harry and he is | :11:36. | :11:45. | |
doing a really good job this week and I hope... Fingers crossed. | :11:45. | :11:48. | |
Fingers crossed that the judges are going to like it and appreciate the | :11:48. | :11:51. | |
dance. There are a lot of good dancers. | :11:51. | :11:59. | |
There is a loted of good dancers. Good luck, Harry. Let yourself go. | :11:59. | :12:09. | |
:12:09. | :12:11. | ||
Thank you very much. Good luck to Harry and Aliona. | :12:11. | :12:13. | |
APPLAUSE His mum calls him Dinky. Yes, she | :12:13. | :12:16. | |
calls him Dinky. Every so often our professional | :12:16. | :12:21. | |
dancers need to be kept in line and interrogated about important issues. | :12:21. | :12:31. | |
:12:31. | :12:31. | ||
There is only one lady tough enough Answer the question. | :12:31. | :12:35. | |
Rachel has got a question for you. She wants to know, good heavens, if | :12:35. | :12:41. | |
you were a carrot, how would you like to be eaten? | :12:41. | :12:47. | |
So many answers come to mind. Shredded, boiled, steamed. I feel | :12:47. | :12:51. | |
strange talk being this with you to be honest with you. | :12:51. | :12:56. | |
Quickly. Don't slice me, don't dice me. If I was a carrot, I would love | :12:56. | :13:02. | |
to be eaten raw. I love a good roast carrot. I don't think you | :13:02. | :13:05. | |
tried it. This isn't a cookery show Brendan, | :13:05. | :13:09. | |
move on. I guess I would like to be eaten by | :13:09. | :13:14. | |
the rabbit. What? Not by the humans, by the rabbit. | :13:14. | :13:18. | |
Absurd answer. Then it was an absurd question. Can we have the | :13:18. | :13:25. | |
next question? If you were a carrot? No, next question! Artem | :13:25. | :13:31. | |
wants to be eaten by the rabbit. The mind boggles. Earlier, I | :13:31. | :13:35. | |
visited Strictly head costume designer, Vicky to take a look at | :13:35. | :13:39. | |
what she has up her sleeve for this weekend. | :13:39. | :13:44. | |
Right, I'm with head designer in the BBC, Vicky. We have had | :13:44. | :13:49. | |
Hallowe'en, we have had a Broadway theme. Any themes this week? Tell | :13:49. | :13:54. | |
us. Tell us. No main themes, but the fact that it is remembrance | :13:54. | :14:00. | |
weekend, we have a 40s feel. 40s gramor. -- glamour. | :14:00. | :14:05. | |
We have our first Argentine tangos and Anita is is doing an Argentine | :14:05. | :14:10. | |
tango. Let's look at her frock? This is the illustration for | :14:10. | :14:14. | |
Anita's. We would use black or red, but this week, we have a twist and | :14:14. | :14:18. | |
we're using sapphire and red. looks beautiful. | :14:18. | :14:25. | |
We have a lovely floral detail which is reflecting the poppy and | :14:25. | :14:27. | |
then a crystal belt that runs then a crystal belt that runs | :14:28. | :14:30. | |
around her waist. That's incredible. There are | :14:30. | :14:33. | |
thousands of jewels on that. We think about 2,000. Something | :14:33. | :14:37. | |
like that. It must be worth a bit! | :14:37. | :14:40. | |
I wouldn't be surprised if that goes missing. | :14:40. | :14:47. | |
She is She is doing lots of kicks and flicks? A slim-line skirt with | :14:47. | :14:51. | |
two splits which enables her to do the Argentine tango. | :14:51. | :14:56. | |
I'm excited about that. Holly had an interesting week. Brendan has | :14:56. | :14:59. | |
stepped in and is being to be dancing the rumba. What will she be | :14:59. | :15:04. | |
wearing for this romantic dance? This week, Holly is in a metallic | :15:04. | :15:09. | |
grey and pink. It is very pretty, very sexy. There is lots of light | :15:09. | :15:14. | |
and shade in the design. The right side of the dress is in dark | :15:14. | :15:18. | |
metallic grey. That will be jeweled? Yes. | :15:18. | :15:24. | |
A lot of work, isn't it? It is covered in crystals. | :15:24. | :15:28. | |
The left-hand side of the dress is lighter. Very pretty and | :15:28. | :15:31. | |
sparkically. Pinks and greys. I like it. What | :15:31. | :15:36. | |
about the boys? The boys are traditional. We have got classic | :15:36. | :15:45. | |
tails and and tuxs. Russell will have a little moment. | :15:45. | :15:49. | |
What do you mean? A surprise? reveal. | :15:49. | :15:53. | |
A reveal from Russell. Can you reveal anymore? I can never reveal | :15:53. | :15:57. | |
a reveal. She is so good. That's something to | :15:57. | :16:03. | |
look forward to. I will get it out of her later. Remembrance Sunday, | :16:03. | :16:07. | |
the professionals are doing the jitterbug. Is it tricky when you | :16:07. | :16:11. | |
have got to make six outfits for the ladies, all different? We are | :16:12. | :16:16. | |
always trying to work with the theme. It is jitterbug. It is | :16:16. | :16:20. | |
Remembrance Sunday, so they will be doing a swing routine. We try to | :16:20. | :16:24. | |
work on a silhouette that works for them and their figures. This | :16:25. | :16:29. | |
illustration is going to be for Ola. She is going to be in red and she | :16:29. | :16:33. | |
will have an accent of possibly the blue. The girls will be in red, | :16:33. | :16:36. | |
white and blue. They will look gorgeous. We will | :16:36. | :16:42. | |
have a sneaky peek tomorrow. We will reveal who is under the | :16:42. | :16:46. | |
gold dress this week. Who is going to be wearing this dress? It will | :16:46. | :16:53. | |
be one of our pro dancers. A celebrity will be wearing that. Can | :16:53. | :16:57. | |
you guess, there is only one girl who can carry that off. That's | :16:57. | :17:02. | |
barely a dress. It is like a bikini. Stunning. I hope you managed to | :17:02. | :17:12. | |
:17:12. | :17:12. | ||
guess that. Keep working your Thank you very much. Bruno | :17:12. | :17:21. | |
Described Russell and Flavia's paso doble. Here is more news from | :17:21. | :17:31. | |
:17:31. | :17:32. | ||
This week I'm dancing the foxtrot. I really can't wait. | :17:32. | :17:37. | |
No matter what you do with your fingers, you move your hand, and | :17:37. | :17:44. | |
that's how you and I will follow. Chelsee naturally bursts into this | :17:44. | :17:48. | |
foxy dance. The foxtrot is a different story and we have to make | :17:48. | :17:52. | |
sure her character is changed and she she becomes more smooth, more | :17:52. | :17:58. | |
graceful, refined. LAUGHTER | :17:58. | :18:02. | |
It is a tough job to do. Yes, that's right. | :18:02. | :18:08. | |
I have not had a slow dance since the first week. For me to go from | :18:08. | :18:13. | |
fast dances to the slow dance and show my elegance, hopefully I'll | :18:13. | :18:20. | |
pull it off. This week, we're doing the American | :18:20. | :18:28. | |
smooth. One. Where Here. And then there. The American smooth is the | :18:28. | :18:32. | |
hardest dance I've done, a lot of spins and lifts above my head. It | :18:32. | :18:39. | |
is hard this week. I think he is not going to find it easy. What am | :18:39. | :18:45. | |
I doing now? I forgot. The same steps. | :18:45. | :18:50. | |
I get very dizzy in this. When I come out of the spins, I | :18:50. | :18:55. | |
don't know where I am. This is going to be a tough week. But we | :18:55. | :19:02. | |
can do it. Nice! APPLAUSE | :19:02. | :19:07. | |
I'm giving it everything I've got, but all I can do is my best. | :19:07. | :19:11. | |
This week, Jason and I are going the waltz. I have to work hard to | :19:11. | :19:16. | |
bring the emotions through and the emotional connection with one | :19:16. | :19:20. | |
another. You disconnected from me like I don't exist. | :19:20. | :19:25. | |
The waltz has been a challenge. did you stop? Because I lost my | :19:25. | :19:30. | |
geography. I was expecting something a little less complicated. | :19:30. | :19:36. | |
Quicker, quicker, no. Look. It is a slippery floor, babe. | :19:36. | :19:41. | |
I don't think this is the reason. Can we have a couple more goes just | :19:41. | :19:44. | |
for my confidence because at the moment I'm lacking confidence, I | :19:44. | :19:46. | |
think. I'm pushing Jason to the limit | :19:46. | :19:50. | |
because I want to bring the best out of him. One, two, three, got | :19:50. | :19:58. | |
it? I think we're getting there, but it has been a challenge. | :19:58. | :20:04. | |
I'm so loving the American smooth. It is perfect for Russell. A | :20:04. | :20:07. | |
fabulous song, a bit of ballroom dancing, so hopefully it should be | :20:07. | :20:16. | |
a good American smooth. Slow, slow. I want to start off | :20:16. | :20:21. | |
very fast. I got it, I just got excited. | :20:21. | :20:26. | |
Well, Russell is always adding rather than taking away. | :20:26. | :20:29. | |
I have gone too far. If I try and make something easier, | :20:29. | :20:34. | |
you will put an extra two pirouettes in. | :20:34. | :20:38. | |
I want to go twirling around like a thing possessed. All I've got to do | :20:38. | :20:41. | |
is run off. No spinning. | :20:41. | :20:51. | |
:20:51. | :20:51. | ||
No, promise. Please welcome the whirling dancer, | :20:51. | :20:59. | |
it is Russell and Flavia. They are off already. | :20:59. | :21:00. | |
LAUGHTER I do love you. | :21:00. | :21:08. | |
We were watching that VT thinking... LAUGHTER | :21:08. | :21:12. | |
I keep dashing off. I'm like a Labrador puppy. I can't be stopped. | :21:12. | :21:15. | |
We will talk about your song in a moment. | :21:15. | :21:19. | |
Sorry, darling, I'm jumping the gun. This is what I do in rehearsals, I | :21:19. | :21:23. | |
jump the the gun. Let's go back to last Saturday. | :21:23. | :21:28. | |
Another standing ovation, getting to be a habit with you two. Were | :21:28. | :21:35. | |
you happy with your paso doble? loved it so much. I just loved it | :21:35. | :21:41. | |
and well, my friend here... Your friend here. | :21:41. | :21:51. | |
:21:51. | :21:51. | ||
What an entrance. LAUGHTER | :21:51. | :21:54. | |
I get worried at my performance. Don't look at it close up. You look | :21:54. | :22:01. | |
good. You look fabulous darling. Craig described it as astonishing, | :22:01. | :22:05. | |
was that the kind of reaction that you were looking for? One word from | :22:05. | :22:10. | |
Craig is great. As long as it is a good word. We love Craig, honestly. | :22:10. | :22:13. | |
If he said pants, he would have meant that nicely too. | :22:13. | :22:18. | |
Yeah. Probably the ones I'm wearing. They are nice pants. | :22:18. | :22:23. | |
LAUGHTER Bruno said you looked... We are in | :22:23. | :22:29. | |
red and black. Bruno said that you looked like | :22:29. | :22:35. | |
Benny Hill. Lots of our viewers disagreed and thought you looked | :22:35. | :22:43. | |
more like Dangermouse's friend, Penfold. I don't mind looking like | :22:43. | :22:49. | |
him. That is a great moment in my life. Look, look, do you remember | :22:49. | :22:54. | |
seeing the wonderful Benny Hill in the Italian Job when he used to | :22:54. | :22:58. | |
help large ladies up on the coaches. That's how I was on the bull. | :22:58. | :23:04. | |
An interesting fact for you as well, Benny Hill is Holly's grandfather's | :23:04. | :23:11. | |
cousin. Fact. I may need to check that fact. | :23:11. | :23:21. | |
:23:21. | :23:22. | ||
There are your your your specs. Darling, you try them. | :23:22. | :23:32. | |
:23:32. | :23:34. | ||
We haven't seen Flavia in them. They look flavoulous! | :23:34. | :23:37. | |
If anybody was saying Russell was a comedy act on this show, what would | :23:38. | :23:42. | |
you say? If you go back to our routines, we have had a lot of | :23:42. | :23:46. | |
content in all our routines. I think because Russell is a good | :23:46. | :23:51. | |
entertainer and perp former people -- performer people see so much of | :23:51. | :23:54. | |
that side that they miss the fact that we're doing lots of steps and | :23:54. | :24:01. | |
I think that's what people, you know, get confused by, but it is | :24:01. | :24:04. | |
because we have a good combination of performance and content. | :24:05. | :24:09. | |
And were you disappointed to be at the bottom of the leaderboard after | :24:09. | :24:17. | |
a crowd pleasing number? Where we? I never noticed any of that. | :24:17. | :24:26. | |
I go up to Tess and nick one of her Polos and she says, "You are | :24:26. | :24:31. | |
bottom." I put my faith in the great British public. How can I | :24:31. | :24:36. | |
thank them, two or three? Hello, great British public and I'm going | :24:36. | :24:40. | |
to include the Isle of Man, the Channel Islands and I'm going to | :24:40. | :24:49. | |
say to all of you, Ireland, anywhere, thank you so much. | :24:50. | :24:53. | |
Beautifully done. If I relied on the judges, darling, I would have | :24:53. | :24:56. | |
been out in September, before we started! | :24:56. | :25:02. | |
How could you be out before we had begun? It is getting weirder. | :25:02. | :25:07. | |
You're doing the American smooth this week. This is what you're | :25:07. | :25:11. | |
dancing to. # I am what I am # | :25:11. | :25:17. | |
I love this song so much. He wants to sing it. I do. I do. It | :25:17. | :25:24. | |
is a fact. I just stand there, it is John Barrowman who is awesome, | :25:24. | :25:30. | |
but the arrangement of swirling strings and I do, I actually, I had | :25:30. | :25:39. | |
a text from my lovely friend angingly friend Angela Ripon and | :25:39. | :25:44. | |
she said her friends loved watching me, so I put in Royal Ballet moves | :25:44. | :25:51. | |
at the end. Yes, we put ballet. | :25:51. | :25:55. | |
Flavia always gives me ten seconds on my own. | :25:55. | :26:02. | |
And does Russell come with the ideas? Do what you feel. | :26:02. | :26:07. | |
It is working. Is that lovely man Robert Webb? | :26:07. | :26:16. | |
He is from Peep Show? He is adorable. But Royal Ballet. | :26:16. | :26:21. | |
Incredible. Hollywood-style dance. It must be a dream for you, the man | :26:21. | :26:26. | |
who put show in show business? Sorry darling, I'm so carried away | :26:26. | :26:32. | |
by that, can we have another burst? I love the fact that you are so | :26:32. | :26:37. | |
ecstatic whatever you are dancing, it is almost as if you have taken a | :26:37. | :26:42. | |
magic position for joyfulness. Someone actually said to meez | :26:42. | :26:47. | |
recently, -- me recently, if you can bottle what you are doing, it | :26:47. | :26:52. | |
would be Russell and Flavia happiness. | :26:52. | :26:57. | |
Working with Flavia is beyond my wildest dream. It is fabulous. | :26:57. | :27:01. | |
We are having a really good time. She is a wonderful person. | :27:02. | :27:05. | |
It feels like we've known each other forever. We're beautiful | :27:05. | :27:15. | |
:27:15. | :27:16. | ||
together. I'm game for a laugh. | :27:16. | :27:26. | |
:27:26. | :27:30. | ||
LAUGHTER Lovely. Who did that? The very | :27:30. | :27:35. | |
special boys and girls. I loved it, special boys and girls, | :27:35. | :27:45. | |
:27:45. | :27:46. | ||
that was so cute. Now, this weekend, me, Hollywood, | :27:46. | :27:49. | |
never in the same sentence. What can we expect from your American | :27:50. | :27:57. | |
smooth this week? Well, I have to say it is a first for Strictly, I | :27:57. | :28:02. | |
think. Another first. The bull was a first. This week, | :28:02. | :28:09. | |
there is another first. Vicky from wardrobe said there was a Russell | :28:09. | :28:14. | |
moment. She is working very, very hard. | :28:14. | :28:22. | |
Claudia would call it The Grant. I thought she was saying the grunt, | :28:22. | :28:27. | |
but it is The Grant. I don't want to know about that. It was on this | :28:28. | :28:31. | |
show, you are terrible. Wembley in a week. How much do you | :28:31. | :28:35. | |
want want to be dancing there? first house was in Wembley. | :28:35. | :28:40. | |
Is there a plaque? No, there should be. It is in Middlesex, the countyI | :28:40. | :28:44. | |
was born in. I've come home and I can't wait. I want to get there. | :28:44. | :28:48. | |
You want to get to Wembley. If I don't get there, I will have to go | :28:48. | :28:55. | |
home. I'm going back to Cymru, that's gorgeous. | :28:55. | :29:03. | |
6,000 people stand up for Russell. Harls Harl ston. | :29:03. | :29:07. | |
Russell and Flavia, good luck with your American smooth. | :29:07. | :29:11. | |
Thank you. Oh dear. Thank you to all my guests. | :29:11. | :29:16. | |
Join me tomorrow when I will be chatting to Chelsee and Michael | :29:16. | :29:22. |