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It's Friday. Coming up: Anita and Robin talk about getting tough with | :00:08. | :00:12. | |
the Argentine tango. I will be chatting to Chelsee and Pasha who | :00:13. | :00:18. | |
are taking on the foxtrot. Have we got a Friday Panel for you! Award- | :00:18. | :00:22. | |
winning actress Tamzin Outhwaite, star of EastEnders June Brown and | :00:22. | :00:26. | |
West End singing sensation, Michael Ball, are all here live. It can | :00:26. | :00:36. | |
:00:36. | :01:07. | ||
Live from Television Centre, this is Strictly: It Takes Two. Here's | :01:07. | :01:17. | |
Zoe! APPLAUSE Hello. Hello, lovely people. Welcome to It Takes Two. | :01:17. | :01:23. | |
It's the night before the big day our nine remaining couples dance. | :01:23. | :01:28. | |
They are putting the finishing touches to their routines. In 24 | :01:28. | :01:32. | |
hours 23 minutes and 35 seconds they will be taking to the floor. | :01:32. | :01:37. | |
One couple sure to keep us entertained are Anita and Robin. | :01:37. | :01:41. | |
Despite a couple of glitches on Saturday night, Anita dubbed their | :01:41. | :01:47. | |
Charleston, "light, cute and fun". They will be here in a moment. This | :01:47. | :01:55. | |
is what happened at the weekend. Characterisation perfect. Fun! | :01:55. | :01:59. | |
I see why you are a national treasure. It was beautiful. You | :01:59. | :02:03. | |
have great spirit. You did lose timing on occasions. It was light, | :02:03. | :02:07. | |
cute, fun. I think you are achieving what you set out to do. | :02:07. | :02:17. | |
:02:17. | :02:19. | ||
You are transforming into a dancer. Yes! I love the clothes, I love the | :02:19. | :02:24. | |
dances. I love it! Love it! progress has got better and better | :02:24. | :02:29. | |
every week. You are making me so proud. Oh, thank you. I'm going to | :02:29. | :02:38. | |
get emotional now! Don't make her emotional. Anita and Robin! | :02:38. | :02:44. | |
APPLAUSE Hello, gorgeous. We must mention first, Robin, you have | :02:44. | :02:50. | |
dressed up? Just for you. You look gorgeous. Could it not have been | :02:50. | :02:54. | |
slashed to the waist? You are wearing this for a reason? I have | :02:54. | :03:00. | |
come from a special rehearsal for Children in Need. Zip it! We can't | :03:00. | :03:05. | |
find out. Back to Anita. Well done - sorry. Well done three eights and | :03:06. | :03:11. | |
a seven from Craig. Were you super- thrilled? I was very - I loved the | :03:12. | :03:16. | |
Charleston. I wanted to play that lady in a movie. I adored the whole | :03:16. | :03:22. | |
thing. I loved the dress, the wig. You got to be blonde? I got to be | :03:22. | :03:30. | |
blonde! We have so much fun. Robin, was it tough for Anita to go out on | :03:30. | :03:36. | |
her own? Predominantly, the whole routine was side by side. I had | :03:36. | :03:40. | |
huge faith Anita was going to do me proud. She did. The smile on her | :03:40. | :03:45. | |
face, it was so endearing. I watched it over and over again. It | :03:45. | :03:50. | |
was so good. You are so proud! It is, it is so - it is captivating to | :03:50. | :03:54. | |
watch you. It is so exciting seeing you with all that - you love it? | :03:54. | :03:58. | |
love it to bits! I'm having the time of my life. Did you enjoy | :03:59. | :04:03. | |
playing a flapper? I loved it. It was a blast. I wanted to do it | :04:03. | :04:08. | |
again. I wanted to go back on and do more. You are doing more. Before | :04:08. | :04:14. | |
we talk about that, Alesha did say you are transforming into a dancer. | :04:14. | :04:18. | |
Was that super to hear? The best thing anybody could have said. That | :04:18. | :04:27. | |
is why I am here. It was thriting. We are watching you -- It was | :04:27. | :04:36. | |
thrilling. We are watching you 24/7. We have been studying - we have | :04:36. | :04:41. | |
noticed you are transforming into a dancer. Feast your eyes. This is | :04:41. | :04:46. | |
the dream of my life. I have wondered what it must feel like to | :04:46. | :04:50. | |
be able to dance, dance, dance, dance... | :04:50. | :04:56. | |
# What a feeling # Keep believing... # | :04:56. | :05:06. | |
You are developing into a dancer. There are moments where I look in | :05:06. | :05:13. | |
the mirror and I look like I'm really doing it. I'm fabulous! | :05:13. | :05:22. | |
# You can dance right through your life... # | :05:22. | :05:26. | |
I don't want to stop dancing. All I can think about is the fact that | :05:26. | :05:31. | |
I'm finally learning to dance. # What a feeling! # | :05:31. | :05:38. | |
You are starting us all off! They are both welling up! It is quite | :05:38. | :05:46. | |
emotional. Oh, hankies, please! Pless you. This week, you are doing | :05:46. | :05:51. | |
-- bless you. This week, you are doing - what are you doing this | :05:51. | :05:57. | |
week? The Argentine tango. Do you want a tissue? No, I'm fine. | :05:57. | :06:00. | |
Obviously, a very different feel. No more smiling and jazz hands. It | :06:00. | :06:05. | |
is a whole different look. How is it going? I love it! I love the | :06:05. | :06:09. | |
intensity. It is about me and Robin and I love it. How is the tango | :06:09. | :06:15. | |
face? Yeah, it is coming along. you give us your tango face? Yeah, | :06:15. | :06:21. | |
we will buy that! LAUGHTER Some of the judges have commented on | :06:22. | :06:27. | |
Anita's hold. This is great because you don't need the ballroom hold? | :06:27. | :06:31. | |
The great thing is not only can you stand more upright but the elbows | :06:31. | :06:35. | |
are dropped down. This is the perfect dance for Anita. She loves | :06:35. | :06:41. | |
to drop the elbows! It is perfect. Tell me about your magic shoes? | :06:41. | :06:45. | |
my magic shoes. Robin had the brilliant idea that we should have | :06:45. | :06:50. | |
the heel half an inch less so my red shoes for the Argentine tango | :06:50. | :06:55. | |
arrived and he said, "I can't believe it, it's made such a huge | :06:55. | :07:01. | |
difference to the way you are shoes. Half an inch can make all | :07:01. | :07:09. | |
the difference! Let's hope you can't stop dancing? I can't! Don't | :07:09. | :07:12. | |
stop yet. How competitive is everybody getting? It is getting | :07:12. | :07:16. | |
very emotional and I have been there, I know how it is. You are | :07:16. | :07:20. | |
quite tired but you want to do it. Have you noticed a change in all | :07:21. | :07:23. | |
the celebrities? Somebody did say to me in the corridor the | :07:23. | :07:28. | |
atmosphere is changing, can you feel it? I suppose it is. For me, | :07:28. | :07:32. | |
it's not about a competition. It is about being here and dancing every | :07:32. | :07:38. | |
day. I love it. Every day I dance! You are loving it as well? | :07:38. | :07:43. | |
course. I couldn't ask for a better partner. Stop! Cheque's in the | :07:43. | :07:48. | |
post! It is Wembley next week and that was our first hurdle. If we | :07:48. | :07:53. | |
can make it to there, we will be happy. Is that a scary thought? You | :07:53. | :07:57. | |
are dancing in front of millions of people watching at home. In the | :07:57. | :08:01. | |
studio, you have 300. Wembley 6,000? It is scary, but it is so | :08:01. | :08:06. | |
exciting. I mean, to say you have played Wembley, Brian May eat your | :08:06. | :08:12. | |
heart out! That will show him! Listen, good luck this week. Lovely | :08:12. | :08:19. | |
to see you. I'm so sorry I didn't have time to talk to you. Anita and | :08:19. | :08:22. | |
Robin! APPLAUSE Hang on. I did forget, we always get you a present | :08:22. | :08:30. | |
and this week we forgot, so we got you a sweetie and a banana. Oh! | :08:30. | :08:36. | |
sparkly banana! Say no more! We at It Takes Two love hearing about... | :08:36. | :08:40. | |
Stop it... Your observations about the show. Yesterday, you spotted | :08:40. | :08:46. | |
Russell, he looked remarkably like Penfold and it does seem you have | :08:46. | :08:52. | |
inspired some other lookalikes, this is Points of You. Am I the | :08:52. | :08:57. | |
only one who thinks Audley and Natalie looked just like Beauty and | :08:57. | :09:02. | |
the Beast? Thanks a lot for a wonderful show. Bye. I would like | :09:02. | :09:08. | |
to say Anton looks like Woody from Toy Story. I'm phoning to say that | :09:08. | :09:13. | |
I think that Natalie looks just like Kate Middleton if she had dark | :09:13. | :09:21. | |
hair. She would be the double. Bye. I would like to say that Holly | :09:21. | :09:27. | |
cartwheel was the best cartwheel I have ever seen. Thank you. Bye. | :09:27. | :09:31. | |
Thank you so much. Don't forget, you can call us with your thoughts | :09:31. | :09:36. | |
on the routines, the outfits, the judges, my fringe! Anything that | :09:36. | :09:44. | |
takes your fancy. Call 09011 98 66 22. Calls cost 10p from BT | :09:44. | :09:49. | |
landlines and other networks may vary. Calls from mobile phones will | :09:49. | :09:52. | |
cost considerably more. Now it is the time we have all been waiting | :09:52. | :09:57. | |
for. Let's give a warm welcome to our panel this week. National | :09:57. | :10:02. | |
treasure, June Brown, gorgeous Strictly superfan, Tamzin Outhwaite, | :10:02. | :10:12. | |
:10:12. | :10:16. | ||
and theatre legend, Michael Ball! APPLAUSE Welcome. Hello. What a | :10:16. | :10:24. | |
lovely line-up! Michael Ball. You look like a musketeer! I love | :10:24. | :10:29. | |
it. I'm the only West Ender! What are you thinking of the series so | :10:29. | :10:35. | |
far? It is up there with my favourite. I think great couples, | :10:35. | :10:39. | |
good choice of people doing it, some fabulous music, it looks great. | :10:40. | :10:44. | |
I'm thoroughly enjoying it. You are seeing people develop. Which is | :10:44. | :10:48. | |
what you want. Absolutely. can't tell at the moment. No, there | :10:48. | :10:54. | |
is no clear winner. Which makes it grippinging. June you have danced | :10:54. | :11:01. | |
yourself with Vincent - we remember your tango on the Christmas Special. | :11:01. | :11:05. | |
LAUGHTER You were the oldest dancer to have ever done Strictly and you | :11:05. | :11:10. | |
did it with such class. Does that bring back happy memories? I kept | :11:10. | :11:16. | |
apologising to him for not being Flavia. They are so wonderful. | :11:16. | :11:20. | |
difficult is it stepping out on to the dancefloor? It was all right. I | :11:20. | :11:25. | |
kept saying I can't remember that step. "Oh, you'll do it!" That was | :11:25. | :11:31. | |
that. It is so tricky. Tamzin, as an actress, who do you think is | :11:31. | :11:38. | |
selling it? Oh, not necessarily if best dancers -- the best dancers, | :11:38. | :11:44. | |
but Jason for me, Russell sells everything. He does! I think | :11:44. | :11:49. | |
Chelsee is amazing. I think that Holly is a brilliant dancer, she is | :11:49. | :11:52. | |
quite underrated, I think. She is not getting the marks I expected. | :11:52. | :11:56. | |
That is because she is not selling it like she is going to. She is | :11:56. | :12:00. | |
about to pull it out the bag. an interesting thing. Artem's | :12:00. | :12:04. | |
injured. Let's have a look at them this week. We will start with | :12:04. | :12:06. | |
Robbie and Ola who are doing the American Smooth this week. Here | :12:06. | :12:13. | |
they are in training. Robbie is desperate to get better marks from | :12:13. | :12:20. | |
Craig. What do you think - will he manage to do that this week, | :12:20. | :12:25. | |
Michael? Well, yeah, I think he's getting serious now. He's - I think | :12:25. | :12:29. | |
he took the Mickey out of it to start with. He has got the bug. You | :12:29. | :12:33. | |
are looking at him there. He is doing good lines on that. His arm | :12:33. | :12:40. | |
is going well. She's fabulous. is. I do. You would have to be | :12:40. | :12:44. | |
rubbish not to do well with her. This is what they will be dancing | :12:44. | :12:52. | |
to. A classic oldie, but done by the Pussycat Dolls. Will he be able | :12:52. | :12:57. | |
to dance well to this? Will he get the sway? Yeah, I like his footwork. | :12:57. | :13:04. | |
The top line can be a bit tricky in the sense that - I'm outdoing my | :13:04. | :13:11. | |
husband here! Tom Ellis, he was pretty good. You trained him well! | :13:11. | :13:17. | |
I taught him everything he knows! We knew that! LAUGHTER I think | :13:17. | :13:21. | |
Robbie's got great lines. There is something about his broken wrists | :13:21. | :13:25. | |
that I sometimes - it makes me look at his arms instead of his feet. | :13:25. | :13:29. | |
His top lines are sometimes brilliant, but it is very hit-and- | :13:29. | :13:33. | |
miss. His footwork is much better than I imagined for a footballer. | :13:33. | :13:37. | |
More graceful. I know. One with such a history as well! Work on the | :13:37. | :13:41. | |
broken wrists. Audley and Natalie are doing the cha-cha this week. | :13:41. | :13:45. | |
Audley's been suffering from a bad knee. Natalie in disguise there. | :13:45. | :13:52. | |
She has had a poorly tummy. This is what they are dancing to. | :13:52. | :13:56. | |
# Baby, everything is all right. # A bit of Stevie. Will that suit | :13:56. | :14:01. | |
him? Yes, he has that kind of a rhythm. Really, he's got to get | :14:01. | :14:06. | |
lighter on his feet. He's got to get - translate what is in his head | :14:06. | :14:16. | |
:14:16. | :14:16. | ||
into the whole of his body. June? Swagger. You were licking your lips | :14:16. | :14:21. | |
there! I wasn't. He moves quite well. The technicalities. June, do | :14:21. | :14:26. | |
you think he can get out of the bottom two? What do you think he's | :14:26. | :14:30. | |
been struggling with? I think that he is a big man. He's got these | :14:30. | :14:39. | |
muscles at the top and everything. He should be a bit more like | :14:39. | :14:42. | |
Muhammed Ali - dance like a butterfly and sting like a bee! It | :14:42. | :14:47. | |
is because of the muscles. It must be big on top. Someone says he has | :14:47. | :14:51. | |
size 17 feet. It is like he has a low centre of gravity. Everything | :14:51. | :14:57. | |
is rooted down and needs to be raised up. Yes. I'm lifting up like | :14:57. | :15:06. | |
this! Alex and James, they are doing the jive to this music. | :15:06. | :15:10. | |
# Do I love you... # She did great last week with the | :15:10. | :15:16. | |
quickstep. Into the jive this week. Is it going to work out for her? | :15:16. | :15:24. | |
have always got Jill Halfpenny in my head when we talk about the | :15:24. | :15:28. | |
jive! She is one of the most improved. At the beginning, I | :15:28. | :15:32. | |
thought I was a bit worried about her. She is developing into a | :15:32. | :15:36. | |
dancer like Anita. That can only be a good thing. June, what do you | :15:36. | :15:43. | |
think of Alex? Are you liking Alex? Can you see her getting to Wembley? | :15:43. | :15:48. | |
Not quite sure about that. I must say that I really enjoyed the | :15:48. | :15:54. | |
Charleston last week with Anita and Chelsee. Forget Alex! I would like | :15:54. | :15:58. | |
to talk about Anita! I thought that was brilliant. I have watched | :15:58. | :16:04. | |
Strictly for years. I love it. My mother, I saw my mother dance the | :16:04. | :16:09. | |
Charleston and she was 20 in the '20s, she used to do a lot of the | :16:09. | :16:14. | |
old backflip and she used to walk forward and backward. Nobody does. | :16:15. | :16:21. | |
They did. Well done! APPLAUSE Anita! Thank you for getting that | :16:21. | :16:25. | |
off your chest! Jason and Kristina are doing the Viennese waltz this | :16:25. | :16:33. | |
week. They are dancing to the Goo Goo Dolls. He had a hard time last | :16:33. | :16:41. | |
year? He did. I don't think - I think if his wife came down to see | :16:41. | :16:50. | |
us... I love your showbusiness world! You all hang out... He is | :16:50. | :16:55. | |
living, eating, breathing this. He is loving it. I think he's not had | :16:55. | :16:59. | |
that much dance experience, the shows he's done. He is working so | :16:59. | :17:03. | |
hard at it. What he tries to do - you can see this - he tries to take | :17:03. | :17:07. | |
on the characters and that translates so if he doesn't get the | :17:08. | :17:11. | |
character right, it is not going to work. What character does he need | :17:11. | :17:17. | |
for a Viennese waltz? He needs romance, he needs to go back to the | :17:17. | :17:24. | |
'40s and '50s, those kind of things. Is it hard, June, to act, to be in | :17:24. | :17:30. | |
love with somebody acting if they have stinky breath? That is acting. | :17:30. | :17:33. | |
I once had a chap who didn't look at me. It didn't make any | :17:33. | :17:43. | |
difference to me at all! LAUGHTER I want to hear more! I actual I will | :17:43. | :17:46. | |
have danced Viennese waltzes in Vienna. When you do your ballroom | :17:46. | :17:51. | |
dancing, it is not what I learnt, slow, slow, quick, quick, slow. It | :17:51. | :17:54. | |
is exhibition and it is far more difficult. We can do that fancy | :17:54. | :17:59. | |
stuff, you whirl Round One way and you are whirled around the other! | :17:59. | :18:03. | |
lot of it is about that. It is about looking like you are loving | :18:03. | :18:07. | |
it. We don't get the technique stuff. We are punters. I don't | :18:07. | :18:13. | |
know! Tamzin and Tom Ellis, they know it all! Anita does that, the | :18:13. | :18:18. | |
actors seem to know if their feet aren't been technical, how to sell | :18:18. | :18:22. | |
it. Anita does that all the time. It is what I have done with every | :18:22. | :18:30. | |
show! No-one looks down there! was brilliant when she was up at | :18:30. | :18:35. | |
the top of the steps because it was like she was on stage. As soon as | :18:35. | :18:40. | |
you come down, you are not on stage. You can do it on stage. I learnt to | :18:40. | :18:44. | |
do The Beatles dance on stage. have done it all! We must talk the | :18:44. | :18:49. | |
story of the week. Artem has a back injury and Brendan has stepped in | :18:49. | :18:55. | |
to Holly and they are doing the rumba. Lovely. They are dancing to | :18:55. | :19:00. | |
Will Young, Leave Right Now. How do you think Holly will cope with a | :19:00. | :19:05. | |
new man? She will come into her own. It will be her chance to actually - | :19:05. | :19:09. | |
she will have to raise her game and Holly's much better dancer than | :19:09. | :19:13. | |
people think. It's just she's not as good as the others at selling it. | :19:13. | :19:22. | |
She is very cool. She is laid-back. The two Aussie also be together. | :19:22. | :19:28. | |
is a Kiwi! They are down there anyway! There will be that rapport | :19:28. | :19:36. | |
for that. I think there will be a solidarity. Friday Panel | :19:36. | :19:41. | |
perfection! Tamzin Outhwaite, June Brown and Michael Ball! APPLAUSE | :19:41. | :19:47. | |
Please stay. Up nextly be in the Strictly BBC One studio to catch up | :19:47. | :19:50. | |
with Chelsee and Pasha. Our nine remaining celebrities have reached | :19:50. | :19:53. | |
the half-way point of the competition and no-one wants to go | :19:53. | :20:00. | |
home. I am so happy I have made it half-way through the competition. I | :20:00. | :20:05. | |
never realised I would have so much joy in my life. I want her to keep | :20:05. | :20:10. | |
enjoying it for as long as possible. To reach half-way I feel personally | :20:10. | :20:15. | |
a great sense of achievement and accomplishment. At my age, I should | :20:15. | :20:19. | |
be so lucky! I think we have both really proud at what we have | :20:19. | :20:24. | |
achieved and the fact we have entertained so many people. I am | :20:24. | :20:27. | |
really proud of what Chelsee have achieved because when we just | :20:27. | :20:31. | |
started she had a talent but she barely could move. To make it this | :20:31. | :20:37. | |
far is just an amazing feeling. When I commit to something, I | :20:37. | :20:41. | |
commit to it heart, body and soul. So I'm giving it my all. We have | :20:41. | :20:44. | |
put in the effort. Audley is a great performer. That is what it | :20:44. | :20:49. | |
comes down to. I'm so grateful the public are keeping me on the show. | :20:49. | :20:53. | |
The more you get through, the more you want to keep going. I feel | :20:53. | :20:57. | |
there is a lot more to Holly than what people have seen so far. | :20:57. | :21:00. | |
is more things I want to learn. I'm not finished with this great group | :21:00. | :21:03. | |
of people. I feel a sense of achievement getting this far. There | :21:03. | :21:08. | |
is a long way to go. Right now, I'm focusing on this week. Hopefully, | :21:08. | :21:13. | |
the journey isn't near the end. really want for Harry to perform to | :21:13. | :21:21. | |
the best of his ability and to show the people he can do this thing. | :21:21. | :21:26. | |
What is driving me is that adrenaline on a Saturday night, | :21:26. | :21:31. | |
having finished a routine, having worked hard at it and watching the | :21:31. | :21:35. | |
audience's reaction. He loves the dancing, the process of it, getting | :21:35. | :21:41. | |
through each dance, he absolutely loves it! I want to keep going and | :21:41. | :21:46. | |
going and going. Because when Strictly is gone, part of your life | :21:46. | :21:50. | |
goes. It would be devastating to get knocked out at this stage. We | :21:50. | :21:54. | |
want to get to Wembley. If I got knocked out Saturday, I would cry | :21:54. | :21:59. | |
on the dancefloor! It's a great feeling to get half-way. I'm so | :21:59. | :22:03. | |
proud of Alex. She is the most improved dancer and she deserves it. | :22:03. | :22:07. | |
It is not about winning, it is not about getting to the final, it is | :22:07. | :22:17. | |
:22:17. | :22:19. | ||
about being able to do this every day. Look, we are in time to catch | :22:19. | :22:29. | |
:22:29. | :22:36. | ||
the pros catching their jitterbug Away and down, two, three, four, | :22:36. | :22:40. | |
five, six, seven and one, two, three, four, five, six, seven, | :22:40. | :22:50. | |
:22:50. | :22:51. | ||
eight! Take it back. And to the stage. Guys, get ready. Here we go. | :22:51. | :22:56. | |
Five, six, seven, eight, one, two, three, four, five, six, seven, | :22:56. | :23:02. | |
eight. Stick to the choreography. One, two, three, four, five, six... | :23:02. | :23:11. | |
Guys, it is going to be great. Let's call it a wrap for today! | :23:11. | :23:17. | |
Pasha, thank you. Hi, Vincent. Hi, ladies. Chelsee and Pasha, hi. When | :23:17. | :23:22. | |
you watch them doing that, you see how fast they go? I know. That is | :23:22. | :23:27. | |
how fast you can go? No! Well done on Saturday night. Another great | :23:27. | :23:32. | |
performance. Top of the leaderboard. Did you feel on fire after that? | :23:32. | :23:37. | |
Yeah, we were made up. She wanted to dance it again! No, I wouldn't | :23:37. | :23:43. | |
go that far! As if! Let's do it again! When it goes well, you do | :23:43. | :23:46. | |
feel like you could do it constantly? Yeah, but after the | :23:47. | :23:50. | |
first time because your adrenaline is going and you are like thank God | :23:50. | :23:55. | |
I got through it and it didn't go wrong. Did it feel like it all went | :23:55. | :24:01. | |
according to plan? I think so. Everything worked. We smiled. | :24:01. | :24:05. | |
People clapped. Judges gave good marks. I think everything was right. | :24:05. | :24:08. | |
Craig used the fabulous word. Does that give you a real thrill, a leap | :24:08. | :24:17. | |
of the heart when you hear him say that? It did. I was - I was buzzing. | :24:17. | :24:23. | |
Buzzing?! You have to work on that accent! Did you feel like it was a | :24:23. | :24:27. | |
dance that suited you, the whole character of it, the speed of it? | :24:27. | :24:32. | |
Yeah, it's fast, it is bouncy, it is funky and that's me! I loved | :24:32. | :24:38. | |
doing the dance. I felt right at home. From one extreme to the other, | :24:38. | :24:42. | |
from the very cheeky Charleston to the very fancy footwork of the | :24:42. | :24:47. | |
foxtrot this week. How are you finding that? Erm... I'm finding it | :24:47. | :24:53. | |
not very good! Bless you. I know what you mean. It is quite a tricky | :24:53. | :24:59. | |
dance. Did you snort then?! Sorry. That made me laugh. It is quite | :24:59. | :25:03. | |
tricky, the foxtrot? It is very sophisticated. It is different from | :25:03. | :25:09. | |
the Charleston. It is smooth. It is extended and we have to be very | :25:09. | :25:14. | |
passionate and romantic. Elegant. So it is everything that I'm not! | :25:14. | :25:18. | |
You don't think you are elegant, but when you watch you on the | :25:18. | :25:24. | |
dancefloor, you can do elegant! still can't see it! She likes that | :25:24. | :25:28. | |
stuff but she can. It is more like your character, the kind of funky | :25:28. | :25:33. | |
stuff. I think it should be a really good one for you. Is there | :25:33. | :25:37. | |
extra pressure this week because you were top of the leaderboard | :25:37. | :25:44. | |
last week? Go on, you speak first. We do each week as it comes. We are | :25:44. | :25:48. | |
not going to say we want to be like top of the leaderboard again. We | :25:48. | :25:54. | |
will try our hardest. And hopefully do the dance proud and show me | :25:54. | :26:00. | |
elegant side. Is there anything you have struggled with with foxtrot? | :26:00. | :26:05. | |
All of it! My head. Where does the head have to be? It is stretched | :26:05. | :26:08. | |
and turned out. It is such an unnatural position to be in. That | :26:08. | :26:14. | |
kind of constantly pushed out there. Did you have a fun night out? The | :26:14. | :26:18. | |
Strictly girls went out last night? It was so much fun. It was lovely. | :26:18. | :26:22. | |
It was long overdue. We have been meaning to do it for a long time. | :26:22. | :26:29. | |
It was nice. I know. How is training this week? Artem's injured | :26:29. | :26:34. | |
his back so Brendan has stepped in. I know Audley has hurt his knee. Is | :26:34. | :26:40. | |
everybody all right? Are spirits OK? Yeah. I think it is the middle | :26:40. | :26:44. | |
of the competition and people start feeling pressure on their bodies. | :26:45. | :26:51. | |
It is normal. We are trying to be careful, hydrating, stretching, | :26:51. | :26:56. | |
and... I always have trouble with me feet! You are wearing wellies. | :26:56. | :26:59. | |
Ian spotted you don't train in the training room in your shoes. Have | :26:59. | :27:02. | |
you problem with your feet? shoes have been hurting but I do | :27:02. | :27:07. | |
train in my shoes but they never seem to catch it on camera! We are | :27:07. | :27:13. | |
trying to switch. That is one of the perils of being a dancer, | :27:13. | :27:18. | |
aching bad feet! We are a week away from Wembley. How much do you want | :27:18. | :27:28. | |
:27:28. | :27:29. | ||
to be there? Do it, Pash! Do the excited! I didn't get that dance! | :27:30. | :27:35. | |
Can you get to Wembley? I hope so. We are going to do our best and see | :27:35. | :27:39. | |
where it will take us. I can't wait to watch your foxtrot. Have a | :27:39. | :27:45. | |
fabulous weekend. Thank you, Chelsee and Pasha! APPLAUSE So | :27:45. | :27:50. | |
don't forget the big show, Strictly Come Dancing on tomorrow night at | :27:50. | :27:56. | |
6.55pm and we will be back on BBC2 at 6.30pm on Monday. Now, as you | :27:56. | :27:59. |