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Coming up, Audley and Natalie were KOed. Judd and Aliona will come in | :00:18. | :00:22. | |
for a chat. Plus, after the weekend's squabbles, Craig Revel | :00:22. | :00:32. | |
:00:32. | :01:00. | ||
Horwood is here. This is It Takes Live from Television Centre, this | :01:00. | :01:10. | |
is Strictly It Takes Two. Please welcome your host, it's Zoe Ball! | :01:10. | :01:14. | |
Hello and welcome to It Takes Two. Apologies for that! We had a very | :01:14. | :01:17. | |
passionate stand-off this weekend between Craig and Len. We also had | :01:17. | :01:22. | |
a cheerleading doll. And Russell came out of the closet again. But | :01:22. | :01:30. | |
with only eight couples left, we are finally on the road to Wembley! | :01:30. | :01:33. | |
I've had that all day. Audley and Natalie sadly won't be on the bus | :01:33. | :01:36. | |
after getting knocked out at the weekend. They'll be here in a | :01:36. | :01:43. | |
moment, but first, a quick reminder of the weekend's action. | :01:43. | :01:48. | |
You had the enthusiasm of a manic cheerleader. A lot of mix of style | :01:48. | :01:52. | |
which I thought was fantastic. Great control in all three lifts | :01:52. | :01:57. | |
which was brilliant. Yierbgs you really are a ballroom boy. It was | :01:57. | :02:07. | |
:02:07. | :02:07. | ||
ladden, heavy, laboured. Not your finalest hour. You were back in the | :02:07. | :02:14. | |
zone tonight, Jason. You are starting to tick all of my boxes. | :02:14. | :02:18. | |
Well done. Sexy mama Queen of drama, you can tango. Considering you've | :02:18. | :02:23. | |
had to change partners this week, you have done exceptionally well. | :02:23. | :02:29. | |
am what I am, you are what you are and that was what that was. | :02:29. | :02:36. | |
couple leaving tonight is... Audley and Natalie... | :02:36. | :02:41. | |
Ah, please welcome Audley and Natalie. | :02:41. | :02:44. | |
APPLAUSE Audley, you have managed to survive | :02:45. | :02:48. | |
the bottom two three times, no- one's ever survived four times. | :02:49. | :02:54. | |
Were you expecting it on Sunday or were you surprised? I think to be | :02:54. | :02:59. | |
in the bottom two you get used to it and so it's like you're in the | :02:59. | :03:03. | |
bottom two, but we always found a way to fight out of it. Being in | :03:03. | :03:07. | |
the bottom two against Anita, I was happy to gout really because I | :03:07. | :03:13. | |
didn't want to be the guy to knock out Anita. Were you shocked to see | :03:13. | :03:18. | |
her in the bottom two, that has been the shocker. I was shocked. My | :03:18. | :03:23. | |
advice to Anita is get out there on those social platforms more. Stkpwh | :03:23. | :03:27. | |
yes, campaign. You can't fault her for her dancing but she needs to | :03:27. | :03:31. | |
get out there in terms of the population. She needs to get out | :03:31. | :03:36. | |
there because she's great. Like a political campaign trail, you have | :03:36. | :03:41. | |
got to hold flags and babies. Is it true that you said to her, I think | :03:41. | :03:45. | |
you whispered to her that if she'd gone, you would have stood down? | :03:45. | :03:48. | |
little controversial I know, but I would have pulled out because I | :03:48. | :03:51. | |
think that would have been wrong for her not to go on. I boxed at | :03:51. | :03:58. | |
Wembley six times, I haven't danced at well blue by I have been there | :03:58. | :04:04. | |
and I know how much Anita and Robbie feel, it's a whole new lease | :04:04. | :04:12. | |
of life -- Wembley. We were going to go at some point. Every Saturday | :04:12. | :04:16. | |
we've gone out there, a big thank you to Natalie because you took me | :04:16. | :04:21. | |
from where I was at the bottom and taught me how to do it. So thank | :04:21. | :04:24. | |
you. Thank you. It's the last time they're going to sit on the sofa | :04:24. | :04:30. | |
together which is really sad. really brought me through, ever | :04:30. | :04:37. | |
definitely with the ballroom. Spatula fingers and the feet were | :04:37. | :04:40. | |
improving. How much do you think Audley has improved? Hugely. We had | :04:40. | :04:45. | |
one week to get it all together in the beginning and it took five | :04:45. | :04:48. | |
weeks for us to find out how each other works and that's difficult | :04:48. | :04:55. | |
throughout the competition. Most people get that and it was very | :04:55. | :04:59. | |
interesting times and we did well. I think you improved out of sight. | :04:59. | :05:03. | |
You definitely are a ballroom boy and you are beautiful to dance with. | :05:03. | :05:08. | |
You are always a lot of fun, we had great times in rehearsal. All the | :05:08. | :05:12. | |
fans love your smile. It melts everyone. Audley's smile, we are | :05:12. | :05:16. | |
going to miss that. What will you take away from your experience and | :05:16. | :05:19. | |
the competition? So many things, the opportunity to dance on | :05:19. | :05:22. | |
Saturday night, to perform, to struggle through all the ups and | :05:22. | :05:26. | |
downs of the week and to go out there on Saturday night, put on | :05:26. | :05:32. | |
your big sequins, dress up and the warts... You like your sequins, | :05:32. | :05:37. | |
don't you?! Yes, the opportunity to dance on a Saturday night and to be | :05:37. | :05:42. | |
judged by everyone and to be judge sod fairly and thank you to the | :05:42. | :05:45. | |
public, it warmed my heart. It's been great. All positive, no | :05:45. | :05:51. | |
negatives and I go home with a happy heart and heavy heart. Happy | :05:51. | :05:57. | |
sad. Will you keep on dancing? want to be dancing in that ring | :05:57. | :06:06. | |
because I'm going back to boxing next year and I'm coming out to ( | :06:06. | :06:12. | |
hums Strictly theme tune) That's what I want to come back to. | :06:12. | :06:22. | |
:06:22. | :06:27. | ||
Best exit music ever as well. Rockies, great song. Who do you | :06:27. | :06:32. | |
want to see win this, do you think? You have made so many mates? | :06:32. | :06:38. | |
Everyone is doing great. From every week now on, everything is going to | :06:38. | :06:43. | |
be a shock. My personal favourite, Chelsee, I would like her to win | :06:43. | :06:48. | |
because she's improved so much and she's a real contender. Harry and | :06:48. | :06:53. | |
Jason and Holly are looking great. Chelsee's right by them. Come on | :06:53. | :07:01. | |
girl. The Fab Four, yes. And Grant. All of them are great, let's be | :07:01. | :07:05. | |
honest. Everyone's deserving of the number one spot, everyone. Everyone | :07:05. | :07:10. | |
is great, but I think Chelsee's my little dark horse. We've loch loved | :07:10. | :07:15. | |
having you here. Here is your Strictly story. You will be spaing | :07:15. | :07:21. | |
with Natalie Lowe. I have finally stepped foot in the studio with | :07:21. | :07:26. | |
Audley Harrison. Come on Audley, come on now. We have three days of | :07:26. | :07:30. | |
rehearsal compared to everyone else's three weeks. Time to rumble | :07:30. | :07:36. | |
and get serious. Irbgs the standing spin was flat-footed. As you walk | :07:36. | :07:42. | |
by, punch Craig will you. I'm going to knuckle down this week and use | :07:42. | :07:45. | |
it as motivation. Craig Revel Horwood, you are going to be | :07:45. | :07:50. | |
surprised this week, don't worry. The energy was great and it's good | :07:50. | :07:58. | |
to see you let it all go! Dancing again next Saturday are... Audley | :07:58. | :08:02. | |
and Natalie. This week, we do not want to be in the bottom two. No | :08:02. | :08:07. | |
pain, no gain. Suck it up. We could be absolutely brilliant. You are a | :08:07. | :08:14. | |
good teacher and I'm a good student. Nobody puts Audley in the corner. | :08:14. | :08:17. | |
From the waist up, you are joyful and full of verve. It's from the | :08:17. | :08:24. | |
waist down we've got to just get a little bit better. This week I am | :08:24. | :08:29. | |
doing foxtrot. Turn, turn, you are not a boxer now, a dancer. I've got | :08:29. | :08:34. | |
this footwork now. Got it. Audley, I'm sitting here giving you a | :08:35. | :08:39. | |
standing ovation, well done. hear the judges' comments, positive | :08:39. | :08:46. | |
and uplifting, really touched me. Oh, my God, Michael Jackson, woo. | :08:46. | :08:56. | |
:08:56. | :08:57. | ||
Funky, happening. Oo, I like this. Completely and utterly totally | :08:58. | :09:06. | |
unphysically suit totd this dance. Craig, it's either going to be the | :09:06. | :09:10. | |
broomstick or my fist but something's going to go bump in the | :09:10. | :09:14. | |
night tonight. He's stronger at ballroom. I want to act the dance | :09:14. | :09:18. | |
and dance the dance. You should be proud, a very good job. I didn't | :09:18. | :09:23. | |
know you could be so delicate. You treated her like a prin sense, like | :09:23. | :09:29. | |
a precious china doll. The cha-cha- cha is that lacking in flavour, | :09:29. | :09:36. | |
this is where I need to go to it. From the T-O-P, got to go twice, | :09:36. | :09:42. | |
sounds so nice... Yeah. It wasn't your best dance, but you did your | :09:42. | :09:46. | |
best. I just don't think Latin or this particular dance suited you. | :09:46. | :09:53. | |
The couple leaving tonight is... Audley and Natalie. | :09:53. | :09:58. | |
Natalie Lowe, thank you from taking me from week one all the way to | :09:58. | :10:01. | |
week seven because I couldn't have done it without you. It's been a | :10:01. | :10:04. | |
great experience. It's been an absolute pleasure. We have had some | :10:04. | :10:07. | |
great times in training. You are amazing, you havement braced the | :10:08. | :10:15. | |
Strictly experience and I thank you for that. All the best. Mwah. | :10:15. | :10:20. | |
does get really emotional. You have been an absolute pleasure to watch | :10:20. | :10:25. | |
both of you well done. We are going to miss you. Audley and Natalie! | :10:25. | :10:32. | |
Don't start me off! In a meement, Craig - your best mate - will be | :10:32. | :10:37. | |
here to discuss the weekend's dances and dramas. But here is what | :10:37. | :10:43. | |
you made of it all: Craig and Len have been really grumpy tonight. I | :10:43. | :10:49. | |
don't know if they've taken grumpy pills. Bye! Len's being a bit rude | :10:49. | :10:52. | |
to the first two dancers and also Harry, he said it was passionate | :10:52. | :10:56. | |
when I thought it was the most passionate dance I'd ever seen. I | :10:56. | :11:00. | |
agree with Alesha and I think he's got a bit of jet lag from America. | :11:00. | :11:09. | |
Hope you buck up your ideas, Len, I love you, bye! Artem is indisposed | :11:09. | :11:14. | |
and has a bad back. I can sympathise because I have had a bad | :11:14. | :11:18. | |
back. I hope he gets well soon. would love to see Jason lose his | :11:18. | :11:22. | |
body hair. That's putting me off the guy. Flavia's got to be given | :11:22. | :11:26. | |
so much credit for what she's doing with Russell Grant and we are | :11:26. | :11:33. | |
loving everything she does. Thank you Charlie and Ruby, Evelyn, | :11:33. | :11:36. | |
Sue and Vicky for your messages. What do you think of the dances and | :11:36. | :11:46. | |
:11:46. | :11:51. | ||
judges? We'd like to hear your It's time to welcome the man who | :11:51. | :12:00. | |
can lay claim to the invention of the term "armography.". Give a | :12:00. | :12:08. | |
welcome hand to Craig Revel Horwood. APPLAUSE | :12:08. | :12:14. | |
Darling. Hey, first of all check out the heels on those boots. Look | :12:14. | :12:20. | |
at you. Man heels, darling. Is that what they call them?! It is! What | :12:21. | :12:26. | |
was us like having your dear friend Len back next to you at the weekend | :12:26. | :12:31. | |
loving Charlie's message about the grumpy pills. Rather ugly I thought | :12:31. | :12:36. | |
actually. I much preferred when I was head judge. Anyway, one has to | :12:36. | :12:41. | |
succumb to the pressure. You are so good to us. We had some high | :12:41. | :12:45. | |
scoring dances on Saturday, very exciting. Two 10s for Harry. How do | :12:45. | :12:49. | |
you think the couples have raised the game, taken it up a notch and | :12:49. | :12:55. | |
other Clics? They really, really have -- cliches. They've obviously | :12:55. | :12:59. | |
been putting in a lot of hard, heavy work to achieve these scores. | :12:59. | :13:02. | |
Technically, they're doing much, much better as well. You have to | :13:02. | :13:06. | |
remember, it changes from week-to- week and it depends what dance you | :13:06. | :13:10. | |
get, Latin or ballroom, some are good at some, some are good at | :13:10. | :13:14. | |
others. Chelsee has the advantage of being good at both. Clever girl! | :13:14. | :13:20. | |
We'll talk about her in a moment. Harry and Aliona, top score, top of | :13:21. | :13:25. | |
the leaderboard. You said it had authority, the Argentine tango, you | :13:25. | :13:29. | |
said it was filth and you loved it and you disagreed with Len over the | :13:29. | :13:33. | |
passion. He said it was passionless, what do you think he couldn't see | :13:33. | :13:39. | |
that you saw? Passion. In a word. I mean, I really don't know what Len | :13:39. | :13:45. | |
was watching because, for me, Harry was playing that role brilliantly. | :13:46. | :13:50. | |
It was full of intent, full of purpose, it had passion and a | :13:50. | :13:54. | |
considerable amount of it, so I really don't know what Len was | :13:54. | :14:01. | |
looking for, you know. Right. seeing it in droves. Why no 10 from | :14:01. | :14:06. | |
you? What more did he need there for you to give that a 10? Well, | :14:06. | :14:11. | |
particularly this particular dance, he needs to lead with his solar | :14:11. | :14:16. | |
pleck suss and instigate every single move that the woman makes -- | :14:16. | :14:24. | |
plexus and that takes years. It's leading with your chest, your solar | :14:24. | :14:28. | |
plexus. Thanks for explaining that, I was pretending I knew. You were | :14:29. | :14:35. | |
looking a little blank. Phew, lost her again, yes! Loosen up the kicks | :14:35. | :14:41. | |
and flicks, the gaun Cho stuff. That would have been worth an extra | :14:41. | :14:51. | |
:14:51. | :14:52. | ||
point -- gancho. You say Jason's arms are letting him down? He's | :14:52. | :14:55. | |
moving his arm. I'll let you watch that for a moment, but he's moving | :14:55. | :15:00. | |
his arms like a wooden block. He was thinking he was doing the | :15:00. | :15:03. | |
shoulder, the elbow, the wrist through to the fingers. He thought | :15:03. | :15:09. | |
he was doing that, but actually, he wasn't, he was sort of planking it | :15:09. | :15:14. | |
up and down like that, you know, rather than through the movement, | :15:14. | :15:24. | |
darling. It's all very wooden. right. Do you think apart from that | :15:24. | :15:29. | |
it was good? Yes, I thought he was great, fantastic. He's so motivated. | :15:29. | :15:33. | |
That's what I adore about him. You know, and he works, he probably | :15:33. | :15:38. | |
works the hardest out of anybody and he's probably got the least | :15:38. | :15:43. | |
natural talent out of the entire company. Right. But what's | :15:43. | :15:46. | |
extraordinary... When you are talking about natural talent, you | :15:46. | :15:52. | |
are talking dancing wise? Yes. Not his whole career, darling, no, just | :15:52. | :15:57. | |
the dance. I was wondering. You are either dance savvy or you are not. | :15:57. | :16:03. | |
Some people are naturally gifted, you know, like for instance Chelsee | :16:03. | :16:07. | |
is. But Jason has to work really hard to achieve it and he does, | :16:07. | :16:10. | |
he's solid and solid and will do it over and over. Once he gets the | :16:10. | :16:15. | |
arms, he'll be there and he'll never forget them. Stkpwh Anita and | :16:15. | :16:18. | |
Robin and their Argentine tango. Another amazing performance and a | :16:18. | :16:23. | |
great score. You said she needs more cross and throw away to every | :16:23. | :16:28. | |
gancho? Yes. See, that's a little bit pathetic because it needs to go | :16:28. | :16:34. | |
a little bit further. The cross is that. Check this out. | :16:34. | :16:39. | |
Sorry. She just sort of goes to there and leaves it up. It should | :16:39. | :16:43. | |
just whack up and shouldn't be controlled at all. This bit is | :16:43. | :16:48. | |
controlled but a it's just like the leg being pushed up. Now we know | :16:48. | :16:52. | |
what he's talking about. That's a cross and a throw away. | :16:52. | :16:55. | |
surprised were you, because I do think it's been the shocker of the | :16:55. | :16:59. | |
series so far that Anita and Robin after the great scores were in the | :16:59. | :17:02. | |
bottom two? Yes, it is, but someone's got to end up there and I | :17:02. | :17:09. | |
sort of thought actually, due to the performance, you know, she sort | :17:09. | :17:14. | |
of did belong there really in an odd way. I mean, I think people are | :17:14. | :17:19. | |
voting for the Grant, as you all put it, because of the | :17:19. | :17:22. | |
entertainment value and they look forward to seeing him every week | :17:22. | :17:26. | |
and what he's going to come up with next, you know, he'll be on roller | :17:26. | :17:32. | |
skates I suppose next week. Please, we've never had them yet! | :17:32. | :17:37. | |
Producers! Insurance! Alex and James and their jive. You said no | :17:37. | :17:42. | |
real accuracy or precision in steps for Alex. What did she have to do? | :17:42. | :17:47. | |
If she had have just either chose one thing, either point the foot or | :17:47. | :17:53. | |
flex it, but make sure it's one or the other. If it's dangling | :17:53. | :17:57. | |
somewhere in-between, it doesn't look pretty. If she's just more | :17:57. | :18:03. | |
precise and directional with the kicks, they would have gone wow, | :18:03. | :18:07. | |
that's amazing. That's a jive kick. Looking a little sloppy. I think | :18:07. | :18:12. | |
she did a great job, a fantastic job, a huge amount of content and | :18:12. | :18:17. | |
steps, but it wasn't precise. we want more precision! Absolutely. | :18:17. | :18:24. | |
Chelsee and Pasha, what a gem she is and an amazing foxtrot. What | :18:24. | :18:28. | |
causes the hopping? She lost her centre. You can be thrown off | :18:28. | :18:31. | |
balance and lose your centre core with is your centre and that very | :18:31. | :18:36. | |
much keeps you on centre as the boy takes you around. I could | :18:36. | :18:40. | |
understand it if it was a celebrity man with a professional woman, do | :18:40. | :18:46. | |
you see what I'm saying, but Pasha should have been able to keep her | :18:46. | :18:49. | |
on centre but she was way off and that's why she had to hop around. | :18:50. | :18:55. | |
Orother than that... Ticking all my boxes, fabulous, loved it and then | :18:55. | :19:02. | |
I went "ewwww". Russell and plaf ya and their American smooth. -- | :19:02. | :19:07. | |
Flavia. You said astonishing last week, but this week? I don't want | :19:07. | :19:11. | |
to get too technical because I won't know where to stop. I was | :19:12. | :19:16. | |
thinking about this last section, the leap section West Side Story in | :19:16. | :19:21. | |
gold sequins that was. Very, very odd, but, you know, I like him, but | :19:21. | :19:26. | |
I can't mark him just for the entertainment. OK. I would probably | :19:26. | :19:30. | |
give him an extra one for entertainment. I'm looking for a | :19:30. | :19:34. | |
little more content. But he is a good dancer, he can actually dance. | :19:34. | :19:39. | |
Yes, he is. But it's weighing up the odds, isn't it, you know. | :19:39. | :19:43. | |
You've got to be political on this show to canvas for the votes, you | :19:43. | :19:47. | |
know, and he's begging people, as you can see, by the amount of high | :19:47. | :19:52. | |
jumping he does on the stair case darling when he gets through. | :19:52. | :19:59. | |
their way to Wembley this week! We can't wait for your post-Wembley | :19:59. | :20:03. | |
match chat next week. Craig Revel Horwood. Thank you! | :20:03. | :20:07. | |
As our couples prepare to rack up some of their highest scores to | :20:07. | :20:12. | |
date at the weekend, we had our cameras backstage to capture all | :20:12. | :20:21. | |
the action. Morning. Really want to get through | :20:21. | :20:24. | |
this week because next week is Wembley, it's very exciting. It's | :20:24. | :20:29. | |
frightening, the thought that getting to Wembley, but also | :20:29. | :20:34. | |
exhilarating and fabulous. I'm contkpuezed. It's going to be all | :20:34. | :20:41. | |
right on the night. Keep calm and carry on. -- confused. It's | :20:41. | :20:47. | |
marvellous being back. Bizarrely, I missed being from last week. | :20:48. | :20:57. | |
:20:58. | :21:34. | ||
Doesn't look like this really.... Don't Get That. It's A Different | :21:34. | :21:37. | |
Dance, We Are Getting Ready For Next Week. Get well soon Artem, but | :21:37. | :21:40. | |
for now, I'm going to have a good time. Bit Nervous Tonight. I've Got | :21:40. | :21:42. | |
Two Of Them To Let Down Now, The Pressure's On. Watch Out West End, | :21:42. | :21:45. | |
Here Comes The Russell Grant Show Coming To A Theatre Near You! | :21:45. | :21:55. | |
We are doing a cover for the Radio Times, just the Welsh ones. Our | :21:55. | :22:02. | |
work here is done. But our new work begins. Shimmy away there. Come on. | :22:02. | :22:12. | |
:22:12. | :22:15. | ||
I'm going this way! Good luck Robbie, you can do it! I just love | :22:15. | :22:24. | |
Brendan. Marry me! Harry, keep wrigen that bum! -- wriggling that | :22:24. | :22:29. | |
bum. Good luck, Jason. Thank you, guys. Made our dream come true | :22:29. | :22:33. | |
tonight. Strictly! Five, circumstances seven, eight... | :22:33. | :22:41. | |
calm before the storm because the show is going to start soon. | :22:41. | :22:47. | |
minutes and we'll head through fleez, folks. -- please, folks. | :22:47. | :22:56. | |
mum's in the front row. There's my girlfriend, there's my mum. I can't | :22:56. | :22:59. | |
believe somebody's actually not going to be at Wembley. I haven't a | :22:59. | :23:05. | |
clue who that is going to be. Fingers crossed, we'll do our very | :23:05. | :23:12. | |
best. Hello... This is remembrance weekend and | :23:12. | :23:19. | |
I've got a feeling it's going to be a Strictly to remember! | :23:19. | :23:25. | |
At last, top of the leaderboard, welcome Harry and Aliona! | :23:25. | :23:30. | |
Not bad, not bad at all. Look at that. Two 10s, a stand ogvaition. | :23:30. | :23:36. | |
How good did you feel on Saturday night, Harry Judd -- ovation. | :23:36. | :23:41. | |
good. Overexcited I think. Really? Yes. That is allowed though after | :23:41. | :23:46. | |
all that. Aliona, how gorgeous did you look. Harry didn't look so bad | :23:46. | :23:51. | |
but you did look so seriously hot. What did you make of Craig and | :23:51. | :23:57. | |
Len's little spat over passion or no passion? It was really funny to | :23:57. | :24:07. | |
watch. Very entertaining. I don't know, I loved that part. Craig just | :24:07. | :24:10. | |
talking about he wasn't sure what Len couldn't see there. Despite the | :24:10. | :24:20. | |
:24:20. | :24:23. | ||
argument, you scored 37, which beats the last one. | :24:23. | :24:27. | |
Matt Baker, you beat him. He's on his rickshaw at the moment. Do you | :24:27. | :24:32. | |
think Harry is a finalist. ? I definitely think he's a | :24:32. | :24:40. | |
contender. He has all the pen rblg to be in that final, of course. | :24:40. | :24:44. | |
Holding her cards close to her chest there, it's safe to say. You | :24:44. | :24:48. | |
had quite a crew in the audience. Your mum was there, your girlfriend | :24:48. | :24:54. | |
was there, your lovely, beautiful girlfriend. My mum. Danny. Look. | :24:54. | :24:59. | |
And the band. Obviously not Danny because he's in the jungle. What | :24:59. | :25:04. | |
did they think of Dinkie's performance? Thank you for that! | :25:04. | :25:09. | |
They loved it. I was worried. It was the first time my mum came and | :25:09. | :25:13. | |
I thought I would better pull one out the bag and I thought if I | :25:13. | :25:17. | |
don't it will be because she came. Thankfully I think it was the best | :25:17. | :25:20. | |
performance so far. She was very proud and it was a great night and | :25:20. | :25:24. | |
we had the day together on the Sunday. Is it difficult being that | :25:24. | :25:27. | |
passionate and intense in front of your mum when your mum is sat | :25:27. | :25:31. | |
there? I think when you are there, you just have to give it your all | :25:31. | :25:35. | |
and fear nothing really because if you do, that comes across very | :25:35. | :25:40. | |
easily which I've learned, so you have to try and get into the... | :25:40. | :25:45. | |
Into the zone. Yes, definitely. Aliona compared you to a sloth a | :25:45. | :25:50. | |
few weeks ago. The sloth community have got in touch with the show and | :25:50. | :25:57. | |
their spokesman had something to say about your dancing. Sorry, mate, | :25:57. | :26:00. | |
didn't realise we were rolling. Whoops. I've been hanging around | :26:00. | :26:03. | |
all weekend waiting to do this. Do you know what, you weren't that bad | :26:03. | :26:07. | |
actually. Look, Len, I'm from the South American jungle. I know | :26:07. | :26:11. | |
what's hot and steamy, and let me tell you, mate, that lad nailed it. | :26:11. | :26:16. | |
All I can say is that routine was like a juicy Argentine steak. Meaty | :26:16. | :26:21. | |
and well done. Probably time for a little kip now, but from one sloth | :26:21. | :26:30. | |
to another, well done Harry and keep dancing! Quite special. Thank | :26:30. | :26:35. | |
you to Johnny Curtis, like a modern day Johnny Morris. Were you more | :26:35. | :26:40. | |
relaxed last week, did that help? don't think you were not relaxed. | :26:40. | :26:45. | |
So chilled as always. He was really into it. I think it really matched | :26:45. | :26:49. | |
his personality, this dance, and that's why he could go for it more. | :26:49. | :26:54. | |
So this week you've got the salsa. Are you worried about encountering | :26:54. | :26:57. | |
similar problems you did with the Samba? You've had a bit of practise | :26:57. | :27:05. | |
today, how is it looking so far? Really good. Sounded surprised. | :27:05. | :27:10. | |
Because we've done Samba, it's somewhat similar so he's doing much | :27:10. | :27:14. | |
better with salsa. Being prepared, you know, with Samba now. Anything | :27:14. | :27:18. | |
in particular he needs to work on this week? Everything. Well, | :27:18. | :27:25. | |
everything as usual, but... I was joking... To let go more, a bit | :27:25. | :27:29. | |
more body action. I try to let it go. So it's better than Samba and I | :27:29. | :27:39. | |
:27:39. | :27:40. | ||
think it will be. It's coming out. Wembley! We can't help ourselves. | :27:40. | :27:44. | |
You've played there obviously in your band McFly. How different will | :27:44. | :27:47. | |
the pressure be dancing there, do you think? I think it will be | :27:47. | :27:50. | |
completely different. It's in the middle, you are in the middle of | :27:50. | :27:53. | |
the arena as well, you know, not just at the back overlooking | :27:54. | :27:58. | |
everyone on the stage, you are in the middle. 6,000 people? 6,000 | :27:58. | :28:04. | |
people, yes. It will p intense - - p intense. I've got to go for it. | :28:04. | :28:09. | |
I'll only do it once so have some fun as well. Are you putting in any | :28:09. | :28:13. | |
secret little tricks to entertain the roud? Of course, it's 6,000 | :28:13. | :28:16. | |
people in the audience, yes -- the crowd. She's very brave. We | :28:16. | :28:21. | |
practise these lifts and things and she just chucks herself on me and | :28:21. | :28:27. | |
expects me to know to catch her. She's like just flip me. No crash | :28:27. | :28:32. | |
mats involved? No. Good luck, we can't wait to see you, if it's | :28:32. | :28:37. | |
anything like Saturday, you are going to fly. Well done, Harry and | :28:37. | :28:40. | |
Aliona. Wembley! That's all for tonight. Thanks to all my guests | :28:40. | :28:45. | |
and make sure you join me tomorrow at 6.30 when I'll chat to Anita and | :28:45. | :28:51. |