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It's Wednesday. Coming up on tonight's show - Holly and Brendan | :00:10. | :00:13. | |
did Artem proud on Saturday night. All three of them are here with the | :00:13. | :00:16. | |
latest news. I'll be chatting to Russell and Flavia, who blinded us | :00:16. | :00:19. | |
with their sparkly American Smooth. And, Ian Waite gives us his dancing | :00:19. | :00:29. | |
:00:29. | :01:04. | ||
dos and don'ts in Waite's Wembley from Television Centre, this is | :01:04. | :01:07. | |
Strictly Come Dancing: It Takes Two. Please welcome your host, it's Zoe | :01:08. | :01:11. | |
Ball. APPLAUSE | :01:11. | :01:14. | |
Hello and welcome to It Takes Two. It's the Wednesday before Wembley | :01:14. | :01:18. | |
and Strictly has upped the stakes. The stage will be bigger, the | :01:18. | :01:20. | |
audience will be raucous and the routines will be more spectacular | :01:20. | :01:26. | |
than ever before. I cannot wait. Last Saturday night Holly and Artem | :01:26. | :01:29. | |
became Holly and Brendan as they tackled the dance of love, and | :01:29. | :01:33. | |
scored. I'll be talking to all three of them in just a second, but | :01:33. | :01:43. | |
:01:43. | :01:46. | ||
first let's take a look at what happened. I thought we got rid of | :01:46. | :01:54. | |
you, Brendan! I'm loving this new partnership. All the basic steps | :01:54. | :01:58. | |
were there with ease. I think there is so much more to come. I look | :01:58. | :02:03. | |
forward to seeing it. You are beautiful. Your body is so sensious. | :02:03. | :02:13. | |
:02:13. | :02:14. | ||
This routine was very, very good. Well done, you. Thank you so much. | :02:14. | :02:19. | |
Good job. He's been amazing. biggest problem this girl faces is | :02:19. | :02:22. | |
she doesn't quite believe in herself enough and that's one big | :02:22. | :02:27. | |
crime. It's true. It was an incredible week. Tricky dance. This | :02:27. | :02:35. | |
guy saved the day and made it the most wonderful experience. Please | :02:35. | :02:40. | |
welcome Holly, Brendan and Artem. APPLAUSE | :02:40. | :02:44. | |
Lovely little three-some you make there. First, Artem, how proud were | :02:44. | :02:49. | |
you of these two on Saturday? proud. They did the routine well | :02:49. | :02:52. | |
and got high scores. Very, very proud. Amazing. Was there a little | :02:52. | :02:58. | |
bit of you hurting, having to watch them dance it together? Was I | :02:58. | :03:03. | |
hurting? Physically? Yeah. Yes, I was. For more reasons than one. | :03:03. | :03:07. | |
Holly, how did it feel walking down the stairs with another man? | :03:07. | :03:11. | |
felt like I was cheating on my husband! No, obviously it's a | :03:12. | :03:14. | |
little strange after seven weeks, but we had a great week together. | :03:14. | :03:17. | |
We have been mates from the beginning, so we tried to work on | :03:17. | :03:20. | |
making it look as seamless as possible and that he had been | :03:20. | :03:24. | |
around forever. Well done on that. I thought you did well on that. | :03:24. | :03:28. | |
Extra pressure for you, Brendan, because not only did you have to | :03:28. | :03:33. | |
get it right, you also had that hanging over you of what if you had | :03:33. | :03:38. | |
gone out that week? It's probably the most pressure I've ever felt on | :03:38. | :03:43. | |
Strictly and I don't suffer from nerves a lot, so I had this | :03:43. | :03:45. | |
overwhelming feeling of nerves, thinking, do not ruin this, because | :03:46. | :03:49. | |
you could be going home. Sending them both home. It would have been | :03:49. | :03:53. | |
two weeks running which is not good for anyone. That has never happened | :03:53. | :03:57. | |
to anyone. That would have been embarrassing, frankly. Holly, how | :03:57. | :04:03. | |
good was it to hear the words "You are safe."? Such a big relief, | :04:03. | :04:07. | |
because I felt the same. I would have felt so guilty and this thing | :04:07. | :04:11. | |
ha happened it was difficult and tricky and no-one chose it and we | :04:11. | :04:15. | |
got on with it, but if we can gone out I would have felt guilty. | :04:16. | :04:20. | |
Luckily, you are all still here. The interesting thing is, you are | :04:20. | :04:25. | |
all training together, but Holly, it would appear that you are the | :04:25. | :04:35. | |
:04:35. | :04:35. | ||
gooseberry in the training room. Check this out. | :04:35. | :04:39. | |
# I want to dance with somebody # I want to feel the heat with | :04:39. | :04:42. | |
somebody # Yeah, I want to dance with | :04:42. | :04:52. | |
:04:52. | :05:08. | ||
somebody LAUGHTER | :05:08. | :05:18. | |
:05:18. | :05:20. | ||
APPLAUSE Team Bratem. This is unfair | :05:20. | :05:24. | |
behaviour. We were not warned about this. It's a little true. They | :05:24. | :05:27. | |
speak the same language and I'm often off at the side trying to | :05:27. | :05:33. | |
work out what is going on. It's amazing to have two professionals, | :05:33. | :05:37. | |
but they often go off and do their thing and I nod and pretend. Yeah, | :05:37. | :05:43. | |
yeah. I have never felt so much embarrassment on a live television | :05:43. | :05:48. | |
show before. This is an all-time high. We are quite proud. Artem, | :05:48. | :05:53. | |
back to you. Now, what is the very latest on your back situation? | :05:53. | :05:56. | |
Definitely got better from last time I was here. I'm going to the | :05:56. | :06:00. | |
doctor right after here to find out the verdict if I'm dancing or not. | :06:00. | :06:05. | |
Are you all going to hospital together? I'm going to put a few | :06:05. | :06:12. | |
banana skins along the way. When will you make the final decision | :06:12. | :06:16. | |
about Saturday night for Wembley? I'm not sure. Maybe tomorrow. Or | :06:16. | :06:21. | |
Friday. You never know. It depends on what the doctor says. Good luck | :06:21. | :06:23. | |
there. We'll talk about what you are doing this week. You are | :06:23. | :06:28. | |
dancing the quickstep. How is it going? It's quick. It's properly | :06:28. | :06:32. | |
difficult. I always thought I was a bit better at at faster routines | :06:32. | :06:37. | |
than the slow and up until today I've been really struggling. | :06:37. | :06:43. | |
They've been very patient with me. Has she been struggling? Very. | :06:43. | :06:53. | |
:06:53. | :06:54. | ||
is what you are dancing to. Valerie. Amy Winehouse version here. A | :06:54. | :06:58. | |
slight little thing with the best of British I've been told. The | :06:58. | :07:02. | |
judges seem to think that you still have loads to give. Is Wembley the | :07:02. | :07:11. | |
week to give? Are you holding back on us? I'm hoping to give it. | :07:11. | :07:16. | |
Underlined three times?! When I've got a fast song and one I love and | :07:16. | :07:20. | |
a really great routine and then I can get into it more. The jive was | :07:20. | :07:24. | |
the best dance for me and this is not dissimilar this week, so I'm | :07:24. | :07:29. | |
hoping it will be pretty mega. We are using such a big stage to do it. | :07:29. | :07:33. | |
There is an extra dynamic, the massive stage, that none of us are | :07:33. | :07:37. | |
prepared for. It will be a massive challenge. The floor is about four | :07:37. | :07:43. | |
times the size? More. It's huge. What other things will she need to | :07:43. | :07:48. | |
do differently on Saturday night in front of 6,000 people? Be good. | :07:48. | :07:52. | |
have been good. You've been amazing. Is there anything particular that | :07:52. | :07:58. | |
she needs to work on? The big thing is the confidence. She doesn't | :07:58. | :08:01. | |
believe in herself enough and she as got the talent and ability and | :08:01. | :08:04. | |
now you have to put it in here and go out and show the world that you | :08:05. | :08:09. | |
are so good at this. Maybe if you stopped tarting around together and | :08:09. | :08:14. | |
gave her more attention. We are showing her. I'm so embarrassed, | :08:14. | :08:19. | |
Artem. Whoever gets to dance on Saturday at Wembley, good luck and | :08:19. | :08:22. | |
keep us posted, Artem. Good luck at the doctors. | :08:22. | :08:28. | |
APPLAUSE Artem, will you ring us on tomorrow | :08:28. | :08:33. | |
night's show and let us know what is happening? Absolutely. Promise. | :08:33. | :08:37. | |
You've heard of the phrase a wolf in sheep's clothing. How about a | :08:37. | :08:42. | |
dancer in wolf's clothing? See if you can guess who this is dancing | :08:42. | :08:52. | |
:08:52. | :09:09. | ||
# Who's afraid of the big, bad wolf?... # My, my, what big paws | :09:09. | :09:13. | |
you have. We will reveal who that is dancing at the end of the show. | :09:13. | :09:16. | |
It's time now to find out how our eight remaining couples are getting | :09:16. | :09:21. | |
on in training and who better to give us some pre-match analysis | :09:21. | :09:31. | |
:09:31. | :09:33. | ||
than our very own dance pundit, Ian Waite. Please welcome the man with | :09:33. | :09:43. | |
:09:43. | :09:43. | ||
the magic machine, Mr Ian Waite. I like that. Warm-up. We should | :09:43. | :09:48. | |
stretch. Yes. Thank you very much for that! Now, it's a huge weekend. | :09:48. | :09:54. | |
They are all on their way to Wembley. Yeah. Where were you? Come | :09:54. | :10:00. | |
on, keep it up. What do the couples need to do at the weekend to | :10:00. | :10:05. | |
transfer their amazing routines to the huge scale of Wembley? | :10:05. | :10:12. | |
danced there on the tour. You know, we have to dance bigger. We are | :10:12. | :10:15. | |
quite tall, but the little ones especially, but gorgeous little | :10:15. | :10:20. | |
ones, are going to have to dance very big, up there out to the Gods. | :10:20. | :10:25. | |
They are going to have to make it show. You and I on the floor two | :10:25. | :10:28. | |
steps we are across. Russell and Flavia, a little more space. It is | :10:28. | :10:33. | |
huge that floor. It is. At the same time, they have to remember that | :10:33. | :10:38. | |
you guys, the guys at home, will be seeing the cameras, so they'll see | :10:38. | :10:42. | |
the facial expressions and all the techniques, so they've got to be | :10:42. | :10:46. | |
thinking about the technique also. The technical detail and the judges | :10:46. | :10:53. | |
will be watching all the time. We'll look at Anita and Robin. They | :10:53. | :10:55. | |
were in the bottom two at the weekend. I'm sure they don't want | :10:55. | :10:59. | |
to be there. How is it the samba looking? At the moment they are | :10:59. | :11:02. | |
just kind of walking through the steps at the moment and not really | :11:02. | :11:08. | |
doing the technique. They are very nice, but if you look at this | :11:08. | :11:13. | |
action, if we stop is here, what I would like to see more and what she | :11:13. | :11:21. | |
can do next to develop, is to get more bounce. You stand here. We are | :11:21. | :11:31. | |
:11:31. | :11:32. | ||
going and one, two, three and four. One, two, three, four. There you go. | :11:32. | :11:39. | |
Stop, stop, stop! We are going into it now. Also, she is wearing her | :11:39. | :11:44. | |
lucky red shoes. Good. Fingers crossed. I think it will be good. | :11:44. | :11:48. | |
She needs to work on the technique. With the shock of the bottom two, | :11:48. | :11:53. | |
anyone who loves her will vote this weekend. Robbie, we'll talk about | :11:53. | :11:58. | |
him. He's going back to Latin this week. Can he pull off the salsa? | :11:58. | :12:02. | |
Well, it's a very fast dance and I was thinking maybe Robbie would | :12:02. | :12:07. | |
struggle, but it's looking great. Very fast moves and look at this. | :12:07. | :12:14. | |
Around the neck. She is like a Bond girl. That is very spectacular and | :12:14. | :12:20. | |
groud pleasing. -- crowd pleasing. I wanted to highlight this area, | :12:20. | :12:24. | |
because I felt that everything was right, just he needs to work on the | :12:24. | :12:30. | |
finesse of his steps. They need to be a little more fluid and softer. | :12:30. | :12:34. | |
He's so good. He's a little flat- footed, and he needs to use the | :12:34. | :12:38. | |
feet more and get into the salsa rhythm. I would like to see more | :12:38. | :12:44. | |
body action too. I think the flow would - the salsa needs to be fluid. | :12:44. | :12:48. | |
Robbie wasn't feeling well and he went home early, so get well soon, | :12:48. | :12:53. | |
darling. Hope you are well again tomorrow. Alex and James have had | :12:53. | :12:58. | |
three great weeks in a row. Can they make it a fourth? It is | :12:58. | :13:02. | |
looking extremely good. It's looking fast. It's looking compact. | :13:02. | :13:06. | |
Everything you want to see in a tango. It's looking very good. They | :13:06. | :13:09. | |
are doing pivots here. Then they are going to do a standing spin. | :13:09. | :13:14. | |
Then what I would like to show you, I would stop it here in the | :13:14. | :13:19. | |
promenade, because what I feel as though she should do, is lower in | :13:19. | :13:24. | |
her knees a little more and go into the floor. So that you have that | :13:24. | :13:28. | |
sort of feeling. This sort of into the floor feeling and that happens | :13:28. | :13:31. | |
throughout the tango. You should never get out of that. Why is that | :13:31. | :13:35. | |
important for her? Why do you need to be in the knees? When you go up | :13:35. | :13:41. | |
it is more of a long, elegant feel. When you go down, it's more of a | :13:41. | :13:44. | |
compact into the ground feel. That is what it's all about. It's fast | :13:44. | :13:54. | |
:13:54. | :13:56. | ||
moves, turns and sharpening. that again! I love it! Chelsee and | :13:56. | :14:00. | |
Pasha are doing the samba and I can't help but think she will suit | :14:00. | :14:06. | |
this. Brazilian and party dance. This week, they've done more | :14:06. | :14:10. | |
practice than they normally would have by this time. She does really | :14:10. | :14:16. | |
well on very little, because she's had Waterloo Road too. Exactly. | :14:16. | :14:21. | |
Everything she does and all the moves are finished off. I want you | :14:21. | :14:27. | |
to see this. Look. She is just taking a step. Fantastic step there. | :14:27. | :14:32. | |
With the arm there. The arm is finished off every time. She never | :14:32. | :14:36. | |
ceases to amaze me. He is giving her a lot of content, but he seems | :14:36. | :14:41. | |
to remember it week after week, so it's a progression. She is getting | :14:41. | :14:48. | |
better. I will say that I did speak to - look at this - no shoes on | :14:48. | :14:53. | |
again. She does say on the show she has had poorly feet, but sometimes | :14:53. | :14:56. | |
at the end of the day she is in socks. I saw her on Saturday, so | :14:57. | :15:01. | |
she said the same to me. We just keep catching her out here. She | :15:01. | :15:07. | |
does wear them. This should be good. Harry and Aliona, great little spat | :15:07. | :15:12. | |
between Len and Craig on Saturday. Wasn't it passionate? We all | :15:12. | :15:18. | |
thought it was good. How is the salsa looking? This is a very | :15:18. | :15:24. | |
exposing dance and if you are not quite a great dancer it can show it | :15:24. | :15:28. | |
up. Straightaway. It can show weaknesses that you've got. I have | :15:28. | :15:33. | |
to say, I've slowed this town and look at Harry's hips. I don't know | :15:33. | :15:38. | |
whether you can see this, but he's really dancing into his hips and | :15:38. | :15:44. | |
releasing into every hip. Everybody, look at Harry's hips. They are | :15:44. | :15:51. | |
almost mesmerising. If he can continue that throughout, it will | :15:51. | :15:56. | |
be pretty spectacular. Jason and Kristina are doing the jive. A | :15:56. | :16:01. | |
different style for Jason. Yes. It's a very fast dance. It's very | :16:01. | :16:05. | |
flicky and kicky, but I have to say, it almost looks as though they are | :16:05. | :16:11. | |
on fast-forward. Look at that. at the flicks and kicks. Very | :16:11. | :16:18. | |
strong. Very light. I actually think this could be almost as good | :16:18. | :16:23. | |
as Jill Halfpenny's jive. I know it's controversial, but that's what | :16:23. | :16:29. | |
I think about this. Look at the legs. They are matching perfectly. | :16:29. | :16:37. | |
That wasn't very good?! His legs are perfect, but your drawing - | :16:37. | :16:41. | |
They are matching very well at such a high speed. How is the posture | :16:41. | :16:45. | |
looking? You know, jive is all about picking up from the centre | :16:45. | :16:49. | |
and dancing over your feet and that's what gets the knees up and | :16:49. | :16:52. | |
you can do that. If you are too straight it's very difficult to get | :16:52. | :16:56. | |
your knees up. You can see he is slightly pitched over and it | :16:56. | :17:02. | |
creates that better jive. I hope you are all joining in. My teacher | :17:02. | :17:09. | |
used to grab me by the pants behind. Let's not talk about that! Holly is | :17:09. | :17:15. | |
dancing with who know this weekend? She is doing the quickstep and | :17:15. | :17:18. | |
training with Brendan, though. Talk me through it. How are they | :17:18. | :17:23. | |
looking? Well, for me, it is going to be a great dance. She is dancing | :17:23. | :17:27. | |
lots of different styles within his quickstep. As you can see, there is | :17:27. | :17:31. | |
the Charlston here. Is that normal? Well, not really, but there are | :17:31. | :17:37. | |
elements that you put in. You put lindy hop in too. They are | :17:37. | :17:41. | |
obviously using the stage here and she seems to be coping fine. There | :17:41. | :17:44. | |
is a lovely turn here that she makes, which is very difficult on | :17:44. | :17:49. | |
the stairs, because if you make the wrong move you will go flying. He | :17:49. | :17:55. | |
go off into a lock step, but I do think hopefully Artem will dance on | :17:55. | :18:00. | |
Saturday. It would be nice. Brendan will be gutted. The only person | :18:00. | :18:04. | |
will be gutted is Brendan. No, we'll all be gutted. It will be | :18:04. | :18:09. | |
nice to see them again. Again, she is looking really good. Artem | :18:09. | :18:14. | |
hopefully calling in tomorrow to tell us what the doctor said. | :18:14. | :18:18. | |
Russell and Flavia. They are doing the jive. I'm very excited about | :18:18. | :18:26. | |
this. How are the Grant's flicks and kicks? Looking amazing. For me, | :18:26. | :18:30. | |
this is one of his best dances. Look at the energy and the kicks | :18:30. | :18:34. | |
and punching. Who would know he has a bad knee? Jive, I would imagine, | :18:34. | :18:42. | |
would be tough on a bad knee. would never know. My own concern is | :18:42. | :18:46. | |
that Russell is tending to put his head forward and nod his head. It | :18:46. | :18:50. | |
is slightly irritating me at the moment. If you heard that Russell. | :18:50. | :18:54. | |
It's not, Russell, seriously. It's just that I think he's doing so | :18:54. | :18:59. | |
well I don't want anything to detract from the legs and kicks. | :18:59. | :19:04. | |
Watch your head. It has been announced today in the newspapers | :19:04. | :19:09. | |
very excitingly, that the newsreaders sues that Reid, sarn | :19:09. | :19:14. | |
Williams and Emily Maitlis and Sophie Raworth are doing a special | :19:14. | :19:22. | |
dance on Friday and you are involved. -- Sian Williams. I was | :19:22. | :19:32. | |
:19:32. | :19:34. | ||
well, jell when I saw that. Isn't Angela Ripon involved also? She is. | :19:34. | :19:43. | |
Sneak preview at training. Look at this. No-one has seen this yet. Are | :19:43. | :19:46. | |
they looking good? I think Cher absolutely good. Look how gorgeous | :19:46. | :19:50. | |
they are. It's unbelievable. I don't know why she sit behind the | :19:50. | :19:55. | |
desk all the time. You can see Karen Bruce doing the choreography | :19:55. | :20:01. | |
and I would say it's one not to miss. There are some iconic moments | :20:01. | :20:07. | |
in there. Gorgeous man. You look beautiful today. He always does. | :20:07. | :20:11. | |
Ian Waite. APPLAUSE | :20:11. | :20:18. | |
We'll see you next week. I'm going to Wembley. See you there. Lucky | :20:18. | :20:22. | |
you. I'm watching on the sofa. There has been plenty to talk about | :20:22. | :20:25. | |
this week, as we know and as ever, you've been keeping your finger on | :20:25. | :20:33. | |
the pulse of all things Strictly. Well done. This is Points of You. | :20:33. | :20:40. | |
Harry Judd, you are gorgeous. Go, Harry. All the way to the final, go. | :20:40. | :20:44. | |
We don't mind a little bit of Jason showing body hair in Dorset. We are | :20:44. | :20:50. | |
used to that sort of thing down here, so don't cover up. Let us all | :20:50. | :20:55. | |
have a look. I would like to say that we love little Russell on | :20:55. | :21:01. | |
Saturday night, because he looked like he was a shiny bauble and we | :21:01. | :21:06. | |
would love him on our Christmas tree. Phil from Stratford. Where | :21:06. | :21:14. | |
did Craig get those heels? I want some! Thank you Scott and Margey | :21:14. | :21:19. | |
and Alex. Phil, you wanted to know where the shoes were from, he got | :21:19. | :21:23. | |
them from 1982! Please, do keep calling us with your brilliant | :21:23. | :21:33. | |
:21:33. | :21:38. | ||
comments about the show. Lines are always open. Like Midas, everything | :21:38. | :21:43. | |
that Grant touches turns to goal. He and Flavia will be here in a | :21:43. | :21:49. | |
moment, but we'll remind ourselves of the action last weekend. | :21:49. | :21:59. | |
:21:59. | :21:59. | ||
came out from that screen and you were like a giant FerreroRocher. | :21:59. | :22:03. | |
was a mix of two parts. The second half was part of your imagination | :22:03. | :22:08. | |
and it looks like a great place to be. You really are your own special | :22:08. | :22:18. | |
:22:18. | :22:19. | ||
creation! Immofrtal, darling! immortal, darling! I had more | :22:19. | :22:26. | |
nerves tonight than normal. It was tricky and we had a difficult week | :22:26. | :22:34. | |
training. Can I go off and do a big leap again?! Please, give it up for | :22:34. | :22:36. | |
Russell and Flavia. APPLAUSE | :22:36. | :22:41. | |
I love it when you two come on. Russell Grant, I don't think I've | :22:41. | :22:45. | |
ever seen you quite so comfortable on the dancefloor. Was that your | :22:45. | :22:50. | |
favourite yet? I love every dance I do. But, I did like that one in | :22:50. | :22:54. | |
particular, because it was very showbiz and it was pretty fabulous | :22:54. | :22:57. | |
and Flavia's routine of creeping behind a closet and coming out the | :22:57. | :23:03. | |
other side in a new frock, genius. Where did you get the inspiration | :23:03. | :23:09. | |
for that concept? Here we are! I even ask! We are wondering if it | :23:09. | :23:14. | |
came to you in a dream. It always comes to me in a dream and it's | :23:14. | :23:17. | |
always up here, but I never know whether it will work on the floor | :23:17. | :23:22. | |
and it did. We tried it out on Friday. We did. I had to obviously | :23:23. | :23:28. | |
core graph it, not knowing how long it would take for the change. I was | :23:28. | :23:35. | |
pretty much spot on. It was so good. There was a little risk that we | :23:35. | :23:38. | |
wouldn't have long enough, but we played with it on Friday and had | :23:38. | :23:48. | |
:23:48. | :23:49. | ||
helpers around the back. Billy and Ezra. We owe you. Maybe some | :23:49. | :23:54. | |
certain chocolates, wrapped in glold. Craig used two words -- | :23:54. | :24:00. | |
wrapped in gold. Craig used two words, "Immortal, darling." What | :24:00. | :24:06. | |
did you make of that? It will live forever. TV gold. I can't think | :24:06. | :24:13. | |
what else it means. It will crop up. When I'm 80 or 90 and doing some | :24:13. | :24:17. | |
programme about old starlets, they will say here's an old one and I'll | :24:17. | :24:22. | |
pop up. When you present that show, will you still wear that gold suit? | :24:22. | :24:26. | |
I will. You must take it home. The reaction to you getting through to | :24:26. | :24:30. | |
Wembley was pretty amazing too. I was in hysterics. We'll play it | :24:30. | :24:37. | |
again. Here he goes. Down the stairs. I'm off. Did you know he | :24:37. | :24:42. | |
would do that? I never know what he's going to do, so I have to say | :24:42. | :24:46. | |
I did say, "If we are called out first, before anyone else, I want | :24:47. | :24:53. | |
you to jump on to the banister and slide down." That is next week. | :24:53. | :24:58. | |
was so thrilled to get to Wembley. My first Middlesex home was there. | :24:58. | :25:03. | |
I just didn't - I wanted to tell someone. Pasha was very funny, | :25:03. | :25:06. | |
because I rushed down to tell someone and went I got there, there | :25:06. | :25:13. | |
was no-one there. There was Flavia, going, "Come here. Stand there." | :25:13. | :25:23. | |
:25:23. | :25:24. | ||
Heel, the Grant. Bless you. On-line Donna says, "Us el's love of | :25:24. | :25:30. | |
dancing -- Russell's love of dancing shines brighter than his | :25:30. | :25:38. | |
suit.". How lovely. There seems to be, though, in training, a bit of | :25:38. | :25:42. | |
role reversal. Russell Grant, you are quite the core grapher, look at | :25:42. | :25:51. | |
this. Russell is emblelishing and adding, rather than taking away -- | :25:51. | :25:55. | |
embellishing and adding, rather than taking away. I need to stylise | :25:55. | :26:01. | |
it. Let's listen to it a bit more. Quick, quick, slow. Quick, quick, | :26:01. | :26:07. | |
slow. That was good. We'll carry on! I let him get on with it. | :26:07. | :26:12. | |
going to walk it through for continuity. Danger hold. That might | :26:12. | :26:19. | |
be better. That was ace. We'll do one more. Quick, quick, slow. Bum, | :26:19. | :26:27. | |
bum, bum. You were almost there. And then... Is that long enough? | :26:27. | :26:32. | |
Should be. That was better and I felt it. How do you feel? Yeah. | :26:32. | :26:40. | |
Fabulous! I think a possible career change. Maybe in West End shows?! | :26:40. | :26:48. | |
You need a little stick. I want to thank Michael Ball for lending me | :26:48. | :26:52. | |
his hair tonight? I felt really bad, because on the Friday panel with | :26:52. | :27:02. | |
:27:02. | :27:08. | ||
the tash and beer, I said he looked like one of the mush tiers. -- | :27:08. | :27:14. | |
Musketeers. You are doing the jive. How is it? I love it. But I do have | :27:14. | :27:18. | |
the nodding dog problem. I'm all right there. We know the bit. It's | :27:18. | :27:23. | |
because I need to keep my head up, but the speed of it, I love the | :27:23. | :27:31. | |
jive and I love the number. I love it. How is your knee? That's not so | :27:31. | :27:37. | |
bad. It is strapped up. You are dancing to this music. | :27:37. | :27:45. | |
# Reach for the stars, climb every mountain... # I'm so excited. | :27:45. | :27:51. | |
just the best number. I've also heard you are making a big entrance. | :27:51. | :27:54. | |
What a surprise! We have had the shell. We have had the bull. | :27:54. | :27:59. | |
Whatever can we expect this week? What can I say? You'll never guess. | :27:59. | :28:06. | |
What can I say? It's massive. It is mammouth. It's huge. It is the | :28:06. | :28:16. | |
:28:16. | :28:37. | ||
biggest thing that I've ever done. We apologise for the temporary loss | :28:37. | :28:47. | |
:28:47. | :28:48. | ||
of subtitles. We have a very special message from the Queen of | :28:48. | :28:55. | |
pop. Hi, Russell. Just put the jazz hands in there. Russell, you have | :28:55. | :29:02. | |
captivated the nation and also my heart. You are doing so, so well. I | :29:02. | :29:06. | |
was absolutely thrilled and delighted that you performed to one | :29:06. | :29:10. | |
of my tunes and I wish you all the very best with the rest of the | :29:10. | :29:15. | |
season. APPLAUSE | :29:15. | :29:20. | |
Are you welling up there? I am welling up. She might be watching | :29:20. | :29:25. | |
at home. Do you want to give her a message? Where is home? Australia, | :29:25. | :29:29. | |
London, Paris. Who knows? I love your numbers. One of the numbers we | :29:29. | :29:33. | |
danced to, but I found out I'm doing it on the radio, and I can | :29:33. | :29:37. | |
mention that, it's BBC, one of the numbers we are going to put in is | :29:37. | :29:45. | |
Step Back In Time. How do you do it on the radio? We dance around it. | :29:45. | :29:50. | |
Around the console. We wanted to do that, so we'll put more Kylie in. | :29:51. | :29:57. | |
Thank you, darling. You can never have too much. Good luck. I can't | :29:57. | :30:03. | |
wait. The Grant and Flavia. APPLAUSE | :30:03. | :30:07. | |
Just too good. Have you managed to guess which one of our dancers was | :30:07. | :30:17. | |
:30:17. | :30:24. | ||
It's our very own Erin. Thanks to all my guests this evening. Tune in | :30:24. | :30:29. | |
tomorrow live at 6.30, when I'll be joined by Robbie and Ola and | :30:29. | :30:33. | |
getting a peek at the outfits for Wembley. We also have a very | :30:34. | :30:38. |