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It's Wednesday. Coming up: New partners Anita and Brendan will | :00:08. | :00:12. | |
update us on their training and Robin's poorly foot. Chelsee "Samba | :00:12. | :00:16. | |
Spice" Healey and Pasha will be shimmying in for a chat. The eighth | :00:16. | :00:21. | |
wonder of Strictly, Ian Waite will be here with all the latest news | :00:21. | :00:31. | |
:00:31. | :00:59. | ||
Live from Television Centre, this is Strictly: It Takes Two. Please | :00:59. | :01:07. | |
welcome your host, Zoe Ball! APPLAUSE | :01:07. | :01:10. | |
Hello! Welcome to It Takes Two. This week, our seven remaining | :01:10. | :01:15. | |
couples are training harder than ever as we are over three weeks | :01:15. | :01:20. | |
away from the final! Can you believe it? As we know, Robin is | :01:20. | :01:25. | |
not well enough to dance this Saturday with Anita. Luckily, I | :01:25. | :01:31. | |
know, Brendan has been on hand to step in again. I will be chatting | :01:31. | :01:38. | |
to Strictly's new duo, right after this reminder of where Team Dobin | :01:38. | :01:42. | |
left off. Your shoulders were hunched all the way through that | :01:42. | :01:47. | |
and raised up. You were leaning a little bit too far forward. Bundles | :01:47. | :01:54. | |
of energy and full of personality. You created a party atmosphere. | :01:54. | :02:00. | |
come out every dance and you give it 100%. You really always work it | :02:00. | :02:05. | |
and play it for all it's worth. But there was so much fire up above, | :02:05. | :02:14. | |
you forgot the fire below! We were going for the party atmosphere. | :02:14. | :02:22. | |
That is what we had. So it worked. That is the samba. Robin said, | :02:22. | :02:26. | |
"Don't expect to get great marks because it is a hard dance" and I | :02:26. | :02:36. | |
:02:36. | :02:37. | ||
have found it hard! Please welcome Anita and Brendan. APPLAUSE Poor, | :02:37. | :02:42. | |
Robin. Get well soon. We are going to talk in length about Robin in a | :02:42. | :02:48. | |
moment. What a week it's been. I have to mention what did Brian | :02:48. | :02:56. | |
think of the Queen dance? I think he found it extremely weird being | :02:56. | :03:01. | |
backstage at Wembley Arena while his wife was in front of 6,500 | :03:01. | :03:04. | |
people dancing to his music. That must have been so weird. Are you | :03:04. | :03:09. | |
going to make a habit of that? knows! It could be the start of | :03:09. | :03:12. | |
something big. How did you feel when you heard the news that Robin | :03:12. | :03:16. | |
wasn't going to be able to dance this weekend? I was in the middle | :03:16. | :03:20. | |
of cooking dinner. I nearly burnt it I was so shocked. I didn't know | :03:20. | :03:26. | |
what to think. I didn't know what would happen and then I was told | :03:26. | :03:32. | |
that Brendan, kir Brendan, would be stepping in. -- Sir Brendan, would | :03:32. | :03:39. | |
be stepping in. Then you find out you have to dance with Brendan. | :03:39. | :03:44. | |
More panic! What was your first reaction? That's an opportunity to | :03:44. | :03:49. | |
dance with another dance partner and be taught in a different way. I | :03:49. | :03:54. | |
found it - I was looking forward to it. Not often I get that reaction! | :03:54. | :03:59. | |
I was. We have to say, Brendan, when it comes to saving a damsel in | :03:59. | :04:03. | |
distress, you have earnt your stripes. You have proved yourself, | :04:03. | :04:07. | |
hasn't he? APPLAUSE To be the man that they are all looking for. Take | :04:07. | :04:16. | |
a look at this. Thanks. When life deals you a hard blow, there are | :04:16. | :04:25. | |
unexpected blessings. My knight in shining armour! Luckily Brendan | :04:25. | :04:30. | |
came along. I hate to see a damsel in distress. I had no choice but to | :04:30. | :04:39. | |
come to the rescue. The person who is going to save the day for me is | :04:39. | :04:43. | |
Brendan. Brendan Cole steps into another man's shoes. Who will dance | :04:43. | :04:52. | |
with you if they drop me? Brendan! Brendan is amazing. Brendan is a | :04:52. | :04:58. | |
very strong dancer. I wonder if I could borrow Brendan. Thank God for | :04:58. | :05:08. | |
Brendan that he is here! You get well soon, Robin! Otherwise you | :05:08. | :05:14. | |
have lost me. Your best friend! guys, stop it! We want to know have | :05:14. | :05:19. | |
you got yourself a superhero nickname yet? He has! Tell me. | :05:19. | :05:27. | |
did do a VT for you lot five weeks' ago. Tell me now! It was something | :05:27. | :05:31. | |
like Captain Big Boy! LAUGHTER I don't want to know. Let's move on. | :05:31. | :05:35. | |
Let's talk about the cha-cha, which you are doing. This man has the top | :05:35. | :05:39. | |
score on Strictly for the cha-cha ever. 40 with Lisa Snowdon. How is | :05:39. | :05:47. | |
it in the training room? It's scary. It's really scary. This is a force | :05:47. | :05:53. | |
of nature. He's a fierce dancer and I'm not sure if I'm up to the mark. | :05:53. | :05:58. | |
Really? It must be weird to be taught differently. Robin and I are | :05:58. | :06:01. | |
different dancers and personalities. I am quite strong and forceful and | :06:01. | :06:08. | |
Robin is softer and more gentle. Yes. In a nice way! It must be very | :06:08. | :06:13. | |
strange. Yes. How do their teaching methods differ? Different. The | :06:13. | :06:17. | |
first day, he obliterated my mind. I couldn't think of anything else. | :06:17. | :06:21. | |
I didn't think I had been on Strictly. Woah! This is the first | :06:21. | :06:25. | |
day of dancing. Now, I can hear Robin's voice and his voice. Really, | :06:25. | :06:30. | |
they are both giving me the same comments. That's good. Put those | :06:30. | :06:38. | |
shoulders down. Get them back! Brian who? Let's listen to what you | :06:38. | :06:43. | |
will be dancing to. # Uptown Girl... # | :06:43. | :06:48. | |
Why did you choose this one? It is good when Anita can play a role. | :06:48. | :06:52. | |
Every time I have seen her dance where she is acting a part, she | :06:52. | :06:59. | |
comes across well. I can be the dude fixing the car and... I say | :06:59. | :07:04. | |
that with affection. Are you impressed with her ability? It's | :07:04. | :07:09. | |
great. She's such an enthusiastic student. She comes in, she is | :07:09. | :07:14. | |
excited about it. She soaks it up. I didn't expect that. Ten or 11 | :07:14. | :07:22. | |
weeks in, you start going crazy. Your mind is overload with dancing. | :07:22. | :07:27. | |
Enthusiastic, bang, bang, loving it. Which you need to be at this stage. | :07:27. | :07:32. | |
Do you have a team name? No. No. I don't know if we do. It seems like | :07:32. | :07:37. | |
other people give us team names which is lovely. I don't know what | :07:37. | :07:47. | |
:07:47. | :07:48. | ||
ours is. We have Coldob, or Brenita. I love that. After you said rent-a- | :07:48. | :07:57. | |
pro I'm trying to get this all week! You have to do a swing-a-thon | :07:57. | :08:01. | |
as well. Would you like to give a message to Robin with his foot up? | :08:01. | :08:06. | |
We miss you. Lots and lots. Get back to full strength and come back | :08:06. | :08:11. | |
and see us. I am looking after your girl, Robin! She is in good hands. | :08:11. | :08:17. | |
It must be so weird. Don't let him down. Good luck. Thank you so much. | :08:17. | :08:24. | |
APPLAUSE Thank you. Get well, Robin. We are used to seeing our dancers | :08:24. | :08:28. | |
in flamboyant outfits. Can you identify which professional is | :08:28. | :08:38. | |
:08:38. | :08:55. | ||
# That's right, I really love your tiger feet... # | :08:55. | :09:01. | |
Who is the dancer in disguise? Find out later in the show. | :09:01. | :09:11. | |
:09:11. | :09:11. | ||
Mmm, I wonder who it could be. Now, I have some very exciting news. Yes. | :09:11. | :09:16. | |
The Christmas Strictly line-up has been announced. CHEERING Taking | :09:16. | :09:24. | |
part in the extravaganza, boxing champ, Barry McGuigan. CHEERING Su | :09:24. | :09:31. | |
Pollard. CHEERING Blue's Simon Webbe. CHEERING Cheedian Debra | :09:31. | :09:38. | |
Stephenson. CHEERING. -- comedian, Debra Stephenson. And EastEnders | :09:38. | :09:41. | |
baddie, Charlie Brooks. You can catch the action on Christmas Day. | :09:41. | :09:44. | |
Now back to this week, it will be a tough one for our couples this week. | :09:44. | :09:49. | |
They have to master their individual performances and a group | :09:49. | :09:54. | |
swing-a-thon. Here to give us the latest from the training rooms is | :09:54. | :10:04. | |
:10:04. | :10:05. | ||
Ian Waite, everybody! APPLAUSE Hello, gorgeous! Before we start, I | :10:05. | :10:10. | |
wanted to show you something. It is my birthday today. Hello. It is | :10:10. | :10:15. | |
your birthday today! CHEERING Thank you. Don't ask how old! My boy made | :10:15. | :10:19. | |
a little model of the Strictly studio. That is amazing. Here we | :10:19. | :10:23. | |
are... Is that us? That's you with grey hair. The judges and then | :10:23. | :10:30. | |
there is Harry and Aliona and Anita and bobby. That is really good. | :10:30. | :10:35. | |
Wembley, epic, huge, did you enjoy it? It was so great. I was sat on | :10:35. | :10:40. | |
the third row and, yeah, note to producers, sat on the third row... | :10:40. | :10:47. | |
Bles you! But it was amazing. Bless you! But it was amazing. | :10:47. | :10:52. | |
Seeing Russell come out of that cannon, was amazing. We miss you | :10:52. | :10:56. | |
already! Let's start with Robbie and Ola. Their turn to tackle the | :10:56. | :11:01. | |
rather tricky samba. How is our boy getting on? It will be a tough week | :11:01. | :11:06. | |
for him. This is one of the most difficult dances. This bounce that | :11:06. | :11:09. | |
he is doing, that is fantastic! Already he has that bounce of samba | :11:09. | :11:14. | |
which is so important. You need bounce! I'm going to stop it here | :11:14. | :11:18. | |
on a promenade run. What I would like him to do is stretch his back | :11:18. | :11:24. | |
leg. The way he will do that is if he bends forward over, if I can do | :11:24. | :11:28. | |
a little, like that - oh! Machinery! Computer says no! | :11:28. | :11:32. | |
LAUGHTER If he bends more on to the front knee and pitches his weight | :11:32. | :11:36. | |
forward, he will be able to stretch that back leg. You demonstrate it | :11:36. | :11:44. | |
so well. So... I could watch him do that all night! Like that. Yes. A | :11:44. | :11:49. | |
lady has passed out! Alex and James, joint top this week. Can they be up | :11:50. | :11:54. | |
there again with this the Charleston? The Charleston is full | :11:54. | :12:00. | |
of fantastic character moves which, as we can see, it is quite comical, | :12:00. | :12:03. | |
the Charleston. And this is - they are doing the right steps here. | :12:03. | :12:08. | |
It's fun. It looks like fun. They have a great chemistry, these two. | :12:08. | :12:11. | |
I think that is what we are seeing now. That is why their marks are | :12:11. | :12:16. | |
getting better. Why I slowed this down, I wanted to show you the | :12:16. | :12:22. | |
individual uniqueness of this lift. As you can see, it's... Nice bit of | :12:22. | :12:25. | |
swimming! That is the whole point. The lift is individual and unique | :12:25. | :12:30. | |
and it's funny. That is what Charleston is about. It is tongue- | :12:30. | :12:35. | |
in-cheek. It will be good. Harry and Aliona are doing the quickstep | :12:35. | :12:39. | |
this week. I hear rumours it is looking quite hot! I want you to | :12:39. | :12:45. | |
watch this. Let's play it. Look at the speed. This is fantastic. Look | :12:45. | :12:54. | |
at the smoothness of it! Can we watch it again? Anybody want to see | :12:54. | :13:00. | |
that again? ALL: Yes! What I am amazing with is the movement across | :13:00. | :13:07. | |
the floor. How fast! Look at the speed. I am loving the sway that | :13:07. | :13:11. | |
Harry's getting. Now this normally, you would never see this on | :13:11. | :13:15. | |
Strictly from a celebrity because it takes years and years to master | :13:15. | :13:22. | |
this. Pre-champ standard, amster standard, you start to see the sway. | :13:22. | :13:29. | |
Harry is looking like a pre-champ? Almost amateur. That is fantastic. | :13:29. | :13:33. | |
Not amateur amateur! Amateur is good. Come on, Harry! Jason and | :13:33. | :13:40. | |
Kristina are going to be doing the Charleston. Quite a character- | :13:40. | :13:44. | |
filled dance. Could this be perfect for Jason? This doesn't look as | :13:45. | :13:52. | |
natural as some of the other dances he's danced. A little bit unco- | :13:52. | :13:56. | |
ordinated in places. There are places like this where he's dancing | :13:56. | :14:02. | |
Charleston steps, with the kicks, which are more jivey! They are | :14:02. | :14:06. | |
really good. Here I have stopped it where they are going into this | :14:06. | :14:11. | |
because I am loving his energy and his - he goes for everything 100%. | :14:12. | :14:18. | |
What I would like to see is I would like to see the fact - I can't do | :14:18. | :14:26. | |
that - let's try this one. Circles. That's a bit big! LAUGHTER I would | :14:27. | :14:31. | |
like to see them match up a bit more. It's early stages. It is. I | :14:31. | :14:36. | |
love the fact that he puts 100% in. Do you think after going wrong on | :14:36. | :14:41. | |
Saturday, bless him, none of us wanted to see that happen, he | :14:41. | :14:44. | |
recovered well. Will he will worried about that? He will | :14:44. | :14:46. | |
probably be worried about it. Charleston is such an individual | :14:47. | :14:50. | |
dance and there are so many different moves in there. It is not | :14:50. | :14:56. | |
like jive where there are so many kicks and flicks. I think he will | :14:56. | :15:00. | |
be fine. Come on, Jason! He is in tomorrow. Holly and Artem hoping to | :15:01. | :15:05. | |
stay out of the bottom two this week. They are doing the foxtrot. | :15:05. | :15:09. | |
How are they looking? When they danced the American Smooth, it was | :15:09. | :15:12. | |
a great dance for them. There's lots of foxtrot in American Smooth | :15:13. | :15:19. | |
and, again, she has a fantastic poise. She is using her head lovely. | :15:19. | :15:24. | |
She has a great posture and great movement. What I want to highlight | :15:24. | :15:28. | |
is this area here because when she's dancing backwards on every | :15:28. | :15:32. | |
step in foxtrot she needs to release her toes. Release the toes! | :15:32. | :15:38. | |
What do you mean by that? Well, I mean release the toes! LAUGHTER OK. | :15:38. | :15:43. | |
The reason - it is not just because of the look of it. It's - there is | :15:43. | :15:48. | |
a physical reason. When you release your toes, you are releasing your | :15:48. | :15:51. | |
weight backwards. Rather than stepping back like that... If you | :15:51. | :15:56. | |
were to walk backwards, it keeps your weight forward. It makes the | :15:56. | :16:00. | |
movement better. It is very, very difficult! It is. That would help | :16:00. | :16:08. | |
her. OK. Brendan has stepped in, we love him, in place of Robin. He is | :16:08. | :16:12. | |
dancing with Anita. How is this going to affect the cha-cha? | :16:12. | :16:18. | |
think it will be very difficult for Anita. She's, you know, she's | :16:18. | :16:22. | |
developed such a great relationship with Robin and she's got that | :16:22. | :16:27. | |
comfort zone. Now with Brendan, she is out of her comfort zone. I am | :16:27. | :16:32. | |
hoping it will help her. And the only thing I really have to say is | :16:32. | :16:36. | |
sometimes she looks a bit muddled in the steps. Cha-cha is a fast | :16:36. | :16:39. | |
dance. I would like to see her straighten these knees. You have | :16:39. | :16:44. | |
said this before! It is difficult. But every step that you take in | :16:44. | :16:48. | |
cha-cha-cha is a straight leg. Straight leg. Show us! Straight, | :16:48. | :16:54. | |
straight, straight leg. Every time. Basically, I don't want to see her | :16:54. | :16:57. | |
stand on it and straighten it. You have to straighten it as you put | :16:57. | :17:01. | |
your weight on it. It is so confusing. Samba this... Then | :17:01. | :17:06. | |
straight. There's lots of different... She can do it! Yes. | :17:06. | :17:10. | |
Chelsee and Pasha, they are doing the Argentine tango. What do you | :17:10. | :17:16. | |
think so far? Well, we have managed to capture her without her shoes on | :17:16. | :17:21. | |
again. How have we done that? She wears them. I don't know when! | :17:21. | :17:30. | |
LAUGHTER She does. They are doing some fantastic ganchos! I wanted to | :17:30. | :17:37. | |
stop it here. I wanted to show you the posture. She's very upright | :17:37. | :17:41. | |
here. I would like to see her kind of come in from the waist. Let me | :17:41. | :17:47. | |
show you. Shall we do it? Yes. This is tango. We are connected at the | :17:47. | :17:53. | |
waist. This is my favourite bit of the week! Away. Now, Argentine | :17:53. | :17:57. | |
tango is you lean towards me. Hello! A bit more like that. | :17:57. | :18:02. | |
that right? It is more compact. Move backwards. On the right leg. | :18:02. | :18:10. | |
Then move forwards. That is it. APPLAUSE Leg up! No, not in this | :18:10. | :18:19. | |
skirt! LAUGHTER Lovely. Thank you very much. We never got to do that! | :18:19. | :18:26. | |
I know. Now, swing-a-thon they are doing this weekend as well. All the | :18:26. | :18:31. | |
couples will be on the floor together. Look, we can see Pam and | :18:31. | :18:34. | |
Matt from last year looking rather marvellous. They look amazing. | :18:34. | :18:38. | |
do they need to do the stand out for the judges? You have to get the | :18:39. | :18:43. | |
audience, so you have to do some very interesting stuff like those | :18:43. | :18:49. | |
lifts and you have to get the judges - you have to catch the | :18:49. | :18:53. | |
judges' eyes early on. I would say lots of energy from the start, and | :18:53. | :18:59. | |
they have to keep the stamina up. Also, they have got the added | :18:59. | :19:03. | |
problem of floor craft, there will be other couples on the floor... | :19:03. | :19:08. | |
How do you get rid of people if they are in your way? You can | :19:08. | :19:12. | |
corner somebody! Can you? Brilliant! You are gorgeous. Ian | :19:12. | :19:17. | |
Waite. Can't wait to see him next week. APPLAUSE Thank you. So that | :19:17. | :19:20. | |
is what Ian makes of the training. What did you make of Saturday's | :19:20. | :19:29. | |
show. Here are your Points of You. James and Brendan should be put on | :19:29. | :19:33. | |
the naughty step after the behaviour tonight behind Tess. It | :19:33. | :19:39. | |
was very naughty. Bye. Strictly, I didn't think you could do better | :19:39. | :19:48. | |
than last year but you have. Wembley was great! Russell, we will | :19:48. | :19:55. | |
miss you and the gorgeous Flavia. You were both brilliant. Hello, I'm | :19:55. | :20:01. | |
Jess. I'm nearly six. My favourite is Holly and Artem. Please say | :20:01. | :20:07. | |
hello to my friend who are coming to my Strictly birthday party this | :20:07. | :20:14. | |
week. Thank you for your message. Happy birthday. Can I come? If you | :20:14. | :20:19. | |
want to have your say about the weekend's shows, don't hold back. | :20:19. | :20:29. | |
:20:29. | :20:34. | ||
Our phone lines are open 24/7. You Now, Chelsee and Pasha were | :20:34. | :20:39. | |
certainly shakin' a tail-feather on Saturday. This was their amazing | :20:39. | :20:49. | |
:20:49. | :20:50. | ||
samba. Chelsee, you little ball of fire! I thought you were brave to | :20:51. | :20:57. | |
do that first section on your own. You missed a turn which threw your | :20:57. | :21:00. | |
timing off. Your finishes are excellent. You captured the spirit | :21:00. | :21:04. | |
of the samba. You had that natural bounce that we want to see. You are | :21:04. | :21:14. | |
:21:14. | :21:15. | ||
really coming into your own. Great job. You want to go for another | :21:15. | :21:21. | |
round? No! Wembley is amazing. I'm so lucky to be able to have | :21:21. | :21:28. | |
performed here. We were nearly perfect. So I think competition is | :21:28. | :21:32. | |
just starting! Competition is just starting! Please welcome Chelsee | :21:32. | :21:38. | |
and Pasha. APPLAUSE Well done on Saturday night. Amazing! How was | :21:38. | :21:45. | |
your first appearance at Wembley, for you? I was petrified. It was so | :21:45. | :21:50. | |
scary. My legs were like jelly. I was scared, nervous, but it was | :21:50. | :21:55. | |
such a surreal overwhelming feeling at the same time. It was something | :21:55. | :21:59. | |
else. You were there on your own. At which point did you start to | :21:59. | :22:05. | |
feel the love from the crowd? Since I first started, when I come | :22:05. | :22:09. | |
on the dancefloor, they clapped and everything, which was nice. I felt | :22:09. | :22:15. | |
the love since as soon as the music started. It was amazing. Joint top | :22:15. | :22:18. | |
of the leaderboard with Alex and James as well. How does that feel | :22:18. | :22:26. | |
to be up there? Again! Amazing. It is such a brilliant, fantastic | :22:26. | :22:34. | |
feeling. Isn't it? Absolutely. LAUGHTER She is always asking me! | :22:34. | :22:38. | |
Sue writes, "Chelsee, you are a fabulous dancer, believe it and | :22:38. | :22:43. | |
believe in yourself!" Good advice. When you hear compliments like that, | :22:43. | :22:48. | |
does it help boost your confidence? Yes, it does. It is amazing to hear | :22:48. | :22:53. | |
what people are thinking, when they are giving me like good comments | :22:53. | :22:57. | |
then it, yeah, I can't explain how nice it is. Warms the cockles of | :22:57. | :23:02. | |
your heart! Yes. We know you are a great huge hit on the dancefloor. | :23:02. | :23:07. | |
We also know that success doesn't come without the odd ache and pain. | :23:08. | :23:17. | |
Here you go. I got an injury! Medic! My legs are hurting already. | :23:17. | :23:25. | |
Just my feet are hurting. All right. It hurts! Stay there. I feel a bit | :23:25. | :23:31. | |
sick. Sick now? Oh my God, my arms feel floppy. My feet are aching. | :23:31. | :23:38. | |
They are getting exercise. I think what it is today, my neck's hurting. | :23:39. | :23:43. | |
When we do... Not sure it is a good idea while I'm ill. I feel sick | :23:43. | :23:49. | |
after that. The worst sort of pain when you bang your toe. Yeah. | :23:49. | :23:55. | |
in pain. Can I have a tablet? It's been more than two hours. Urgh! | :23:55. | :24:05. | |
:24:05. | :24:07. | ||
don't know! APPLAUSE Sorry, it is so good. Pasualty! I'm trying to | :24:07. | :24:10. | |
imagine you dressed as a doctor! Brilliant. How are you getting on | :24:10. | :24:16. | |
with the Argentine tango? It is completely different. I think our | :24:16. | :24:22. | |
main goal is to bring the passion out of Chelsee. OK. How are you | :24:22. | :24:26. | |
finding getting close up and passionate with Pasha? I will tell | :24:26. | :24:32. | |
them what I feel! Is he trying to prime you? Yes. Naughty, Pasha! | :24:32. | :24:36. | |
be honest, I feel comfortable with him so it's fine. When he does try | :24:36. | :24:45. | |
and kiss me, I have to like swerve! You try and kiss her? I say! | :24:45. | :24:51. | |
joking. He didn't really. Go on, try now! Actually, you tweeted | :24:51. | :24:55. | |
yesterday, "I love Pasha. Ha, what an amazing boy." Is there something | :24:56. | :25:01. | |
we need to know? No. Did you? I deleted it! You put it out there | :25:01. | :25:05. | |
and you take it back. What do you think are the biggest challenges | :25:05. | :25:10. | |
for Chelsee with the Argentine tango? Footwork is very difficult. | :25:10. | :25:15. | |
Of course, we need to bring out the character. Judges are keen every | :25:15. | :25:19. | |
week with all the Argentine tango performances on passion and | :25:19. | :25:22. | |
character between the dancers, so that is our goal and main focus. | :25:22. | :25:28. | |
Can you pretend he is someone else? Erm... I'm going to have to! | :25:28. | :25:35. | |
LAUGHTER Who would you pretend he was? I haven't got a pin-up. I | :25:35. | :25:44. | |
like... Somebody else! OK. Let's hear... Ah, poor, Pasha! Let's have | :25:44. | :25:51. | |
a listen to what you are dancing to. How can you not feel passionate | :25:51. | :25:56. | |
when you feel this music. What do you think of it? Is it the kind of | :25:56. | :26:00. | |
thing you would listen to at home? No. I am trying my best to enjoy it. | :26:00. | :26:04. | |
Get into character. Yes. I think you will. All the couples are doing | :26:04. | :26:08. | |
the swing-a-thon this weekend as well. How do you feel about going | :26:08. | :26:12. | |
head-to-head out on the floor with Harry and Jason and Holly and Anita | :26:12. | :26:17. | |
and Robbie, how is that going to be, and Alex? Yes, I am more nervous | :26:17. | :26:21. | |
about the swing-a-thon to be honest. Just the thought of competing | :26:21. | :26:27. | |
against everyone on the floor scares me. Yeah. She is going to | :26:27. | :26:31. | |
start pushing people around! That is what you have to do. Out of my | :26:31. | :26:35. | |
way. No, I won't. How are you training for something like that? | :26:35. | :26:39. | |
You learn loads of different steps and some stunts? Yes, that is | :26:39. | :26:44. | |
basically what it is. You have a routine set up and a bunch of | :26:44. | :26:47. | |
different tricks. Hopefully, you will watch for the judges to look | :26:47. | :26:54. | |
at you and then go... Do the stunt! Is there any throwing, are you | :26:54. | :27:00. | |
going up in the air? I don't know yet. We are still working on that. | :27:00. | :27:06. | |
What is your nana thinking of your progress? She is really proud. They | :27:06. | :27:10. | |
can't tell me enough how proud they are, which is the best feeling, | :27:10. | :27:14. | |
knowing that I am making them proud as well. It is amazing. Can you see | :27:14. | :27:19. | |
the final in your sights? Semifinal? The final is there. We | :27:19. | :27:25. | |
are taking it one dance at a time. One week at a time. We are not | :27:25. | :27:28. | |
looking at it as if to say we want to be in that final. We are trying | :27:28. | :27:32. | |
our best. Listen, good luck with your Argentine tango. I know it | :27:32. | :27:36. | |
will be amazing and your swing-a- thon. Give it up for Chelsee and | :27:36. | :27:40. | |
Pasha! APPLAUSE Thank you. Thank you. So did you manage to work out | :27:40. | :27:44. | |
which of our dancers really loved those tiger feet? It is time to | :27:44. | :27:54. | |
:27:54. | :28:06. | ||
reveal what was dancing in disguise. Happy birthday, Zoe! Grrr! APPLAUSE | :28:06. | :28:10. | |
# Celebrations... # Thank you. You didn't think we | :28:10. | :28:15. | |
would let you get away without celebrating your birthday. From | :28:15. | :28:20. | |
everybody at It Takes Two, happy birthday. What did you think of | :28:20. | :28:26. | |
your dad's dancing? I thought it was going to be James. We have got | :28:26. | :28:32. | |
a little something. The presents don't finish there. We have you a | :28:32. | :28:34. | |
little surprise Strictly hunks calendar. Oh my Lord! That is | :28:34. | :28:44. | |
:28:44. | :28:46. | ||
amazing. Quick. Make a wish! Quick, blow it! APPLAUSE Brilliant. That | :28:46. | :28:51. | |
is incredible. That is it for today. I'm imagining. Thanks to all my | :28:51. | :28:57. | |
guests this evening. Oh my God, it is Harry! Make sure you tune in | :28:57. | :29:00. | |
tomorrow live at 6.30 when I will be chatting to Harry and Aliona, | :29:00. | :29:05. | |
Jason and Kristina and I will be looking around the costumes | :29:05. | :29:09. |