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It's Thursday, coming up on tonight's show: He'd give you the | :00:10. | :00:14. | |
shirt off his back. Harry and Aliona are here live. They don't | :00:14. | :00:19. | |
want to go-go. I'll be chatting to Jason and Kristina about their | :00:19. | :00:24. | |
charleston. Nicola is here to give me the first sneak peek of the | :00:24. | :00:29. | |
couples' outfits for this weekend. And we have all the news from this | :00:29. | :00:39. | |
:00:39. | :01:03. | ||
week's training. This is It Takes Live from Television Centre, this | :01:03. | :01:13. | |
is Strictly It Takes Two. Please welcome your host, it's Zoe Ball! | :01:13. | :01:19. | |
Hello and welcome to It Takes Two! This weekend, our remaining couples | :01:19. | :01:23. | |
have everything to dance for with extra points up for grabs in the | :01:23. | :01:26. | |
strictly swingathon, the pressure is obvious for our Magnificent | :01:26. | :01:30. | |
Seven. They have to master not one but two | :01:30. | :01:34. | |
routines. In a minute, I'll be talking to Harry and Aliona live, | :01:34. | :01:37. | |
but before that, let's take a look at how the first group of | :01:37. | :01:43. | |
celebrities are getting on in training. | :01:43. | :01:47. | |
James and I are doing the charleston which is brilliant | :01:47. | :01:52. | |
because since we started on this show, it's the one dance I quite | :01:52. | :01:57. | |
fancied. Good girl... A totally different approach for me as a | :01:57. | :02:02. | |
teacher and Alex as a student. I want it to be quirky and fun. That | :02:02. | :02:06. | |
is Alex. You didn't put your hat back on. How do you know? I can see. | :02:06. | :02:10. | |
We managed to avoid the lift situation. Dangerous. He said to me, | :02:10. | :02:17. | |
you can basically land on your face. Yeah. Whoa... I'm not vain, but I | :02:17. | :02:23. | |
would like a face by the end of Strictly. | :02:23. | :02:28. | |
The steps look quite complicated. And eight and... OK, no, I know | :02:28. | :02:33. | |
what I've done wrong now, stop it. It's not looking so sharp at the | :02:33. | :02:42. | |
minute. So this week, I'm dancing the Argentine tango and I'm very, | :02:42. | :02:50. | |
very nervous about it. Really nervous though. Sorry. What am I | :02:50. | :02:57. | |
doing? This week we are going from bubbly, fun, party Samba, into | :02:57. | :03:01. | |
serious, dramatic, sexy Argentine tango. It's not a dance that I | :03:01. | :03:06. | |
think I'm going to find easy. I reckon I'll have a bit of trouble | :03:06. | :03:11. | |
with this one. Why you started screaming when I lifted you up? | :03:11. | :03:15. | |
tickles. Get over it. Argentine tango might be a bit challenging | :03:15. | :03:21. | |
for Chelsee, because my goal is to tap into that man/woman | :03:21. | :03:24. | |
relationship. Honey, I like you, would you dance with me. And when | :03:24. | :03:28. | |
we start talking about feelings in the dance, she always finds it | :03:28. | :03:34. | |
cheesy and she kind of in a way refuses to do anything. That's | :03:34. | :03:38. | |
really good. I feel daft. This dance cannot be done without | :03:38. | :03:46. | |
passion. It's not going to work. It's the Samba this week. The Samba | :03:46. | :03:52. | |
of doom! This dance has come at a time when I needed the ballroom | :03:52. | :03:56. | |
really. Struggling... One, two. What are you doing? | :03:56. | :04:01. | |
is very technical. If you don't have the technique, it can look | :04:01. | :04:06. | |
flat. To get the hip action, we've got to get the bounce action. | :04:06. | :04:11. | |
Bounce then back... You can't teach somebody to have natural rhythm. I | :04:11. | :04:17. | |
haven't. I'm the entertainment factor. No, no, down closed feet... | :04:17. | :04:21. | |
Ola is amazing, but sometimes even your partner can't hide your flaws. | :04:21. | :04:31. | |
:04:31. | :04:32. | ||
Then take the leg up. Which leg? The other leg. Oh. Like that... | :04:33. | :04:36. | |
I just hope that Robbie's going to enjoy it, because at the moment, | :04:36. | :04:46. | |
:04:46. | :04:48. | ||
he's finding it very, very difficult. The quickstep is quick | :04:48. | :04:53. | |
and there's lots of steps. I knew nothing about it yesterday and here | :04:53. | :04:58. | |
I am charging around the dance studio desperately trying to learn | :04:58. | :05:02. | |
the routine. I do feel a bit like a horse | :05:02. | :05:07. | |
running around a yard. It's all about different rhythm patterns and | :05:07. | :05:10. | |
it's definitely one of the strengths that Harry has. | :05:10. | :05:13. | |
Come on, Harry, move those feet faster! | :05:13. | :05:18. | |
I asked Jason what it's like because he's done it and he said | :05:18. | :05:23. | |
"yeah, mate, it's quick". It's so quick that if you mess up once, I | :05:23. | :05:28. | |
think it's very hard to get back into it. Quick and quick, quick | :05:28. | :05:34. | |
quick, but no, other times it's quick, quick, quick and quick, | :05:34. | :05:39. | |
quick quick... Got to try my best and enjoy myself. | :05:39. | :05:46. | |
Quick and quick and quick. Please welcome Harry and Aliona. | :05:46. | :05:50. | |
It's so good watching you two watch the competition so closely because | :05:50. | :05:53. | |
I guess that's the first time you get to see how they all look | :05:53. | :05:57. | |
watching the VTs? I was really enjoying it. I love them all, they | :05:57. | :06:01. | |
are so sweet. They are though, it's great to watch them. You are a good | :06:01. | :06:05. | |
gang, there is a lot of camaraderie. Forget about them for a minute | :06:05. | :06:09. | |
though, performing at Wembley, you have been there before with McFly. | :06:09. | :06:16. | |
How different was it out there as a dancer? It was SO different, | :06:16. | :06:19. | |
petrifying. I was so nervous, I almost felt numb, it was ridiculous. | :06:19. | :06:23. | |
But we got through it, as you can see, and I did enjoy myself. | :06:23. | :06:27. | |
didn't just get through it, it was ace maizing. Not only did you have | :06:27. | :06:31. | |
to unwrap Aliona, you had to throw her in the air a couple of times. | :06:31. | :06:37. | |
How anxious were you before the performance? I was actually nervous | :06:37. | :06:43. | |
for him more. You seemed chilled. was nervous for him. What do you do | :06:43. | :06:48. | |
when you are stressed out? I panic, pace, my voice goes weird and I'd | :06:48. | :06:52. | |
make her just go over and over it again and she just laughs at me and | :06:52. | :06:55. | |
it makes me more stressed. That must help, her laughing in your | :06:55. | :06:59. | |
face at your fear! There was a lot of talk about hip action. Was there | :06:59. | :07:04. | |
any, was there not enough, what did you think? In my opinion, if he | :07:04. | :07:09. | |
would have done any more hips, he would have then danced like a girl | :07:09. | :07:15. | |
and that's the last thing I want. I think he's done enough. Perfect? | :07:16. | :07:20. | |
Just the perfect amount of hip action for a boy. And you are the | :07:20. | :07:26. | |
girl? Yes. Bruno said he'd like to have seen you wearing an outfit | :07:26. | :07:31. | |
like the one he wore in the Elton John video, I'm Still Standing? | :07:31. | :07:34. | |
We are worried because of your extreme youth that you may not | :07:34. | :07:38. | |
remember this? Can I tell you what's happening though, we were | :07:38. | :07:43. | |
looking at best of British songs and on the Internet, I came across | :07:43. | :07:48. | |
the Elton John song and I paused it and went, that's Bruno. So you have | :07:48. | :07:54. | |
seen it? This came out before Harry was born! We discovered that! Let's | :07:54. | :07:59. | |
have a reminder, because it's that time in the series when we dig out | :07:59. | :08:03. | |
the video of Bruno cavorting about in not very much frankly. Let's | :08:03. | :08:11. | |
have a look at this. That is amazing. Oh, my goodness many. He's | :08:11. | :08:20. | |
in a mankini. He's the main guy though... Nice chest. Weird dancers | :08:20. | :08:24. | |
and then, look at the pillar. Leaning against a pillar casually, | :08:24. | :08:34. | |
:08:34. | :08:34. | ||
there's our man. Here we go. Yes, Bruno. Here he is. Bruno. So saucy. | :08:34. | :08:38. | |
I think we can forgive him, it was the '80s, we didn't know what we | :08:38. | :08:44. | |
were doing. Would you wear a leotard like that on the show? | :08:44. | :08:49. | |
Definitely, not sure I could pull it off as well as Bruno did. | :08:49. | :08:54. | |
wasn't expecting you to say that? Neither was I. We'll hold you to | :08:54. | :08:58. | |
that, even if it's on that podium on this programme, I tell you. It's | :08:59. | :09:04. | |
been a high scoring dance this week for couples, the quickstep, how are | :09:04. | :09:12. | |
you finding it? What is it, Jase? Quick. I was looking for some | :09:12. | :09:16. | |
advice and Jason said it was quick mate. I was dreading this but I'm | :09:16. | :09:20. | |
really enjoying it, I am. It's fast, energetic and a lot to remember, | :09:20. | :09:25. | |
but I'm enjoying it. Ian Waite was in yesterday and he said you were | :09:25. | :09:29. | |
almost as good as an amateur probecause you have such good sway | :09:29. | :09:33. | |
that.'s good. He has high hopes for you this weekend. This is what you | :09:33. | :09:43. | |
are dancing to. # Don't get me wrong | :09:43. | :09:52. | |
# Lots of stepping on toes this week? Yes. In your training footage, | :09:52. | :09:57. | |
we have seen there is a lot of talk of different rhythms. Has your | :09:57. | :10:02. | |
drumming expertise come in handy? think so. Definitely. The quickstep | :10:02. | :10:05. | |
takes it to another level though, the different counts and rhythms, | :10:05. | :10:14. | |
it's intense, but I'm hoping it helps. I've never seen anyone do so | :10:14. | :10:20. | |
well with rhythm patterns. Another big tick. A lot of giggling going | :10:20. | :10:24. | |
on, you giggling at Harry which makes us gugle and you said his | :10:24. | :10:28. | |
galloping is so sweet and then laughed in his face -- giggle. | :10:28. | :10:33. | |
Wasn't there a ban on giggling? was dreading this one. I thought I | :10:33. | :10:35. | |
would feel silly doing it, and as soon as we started, she was | :10:35. | :10:39. | |
laughing and I was like, please don't laugh this week because I'm | :10:39. | :10:43. | |
feeling silly enough as it is and she was like OK. Of course that | :10:43. | :10:48. | |
just made her laugh even more so I gave up on that one. I'm enjoying | :10:48. | :10:53. | |
it now though so she can laugh. talks about you being so sweet but | :10:53. | :11:03. | |
:11:03. | :11:32. | ||
we are not sure. We think Harry has Teaching to an obedient student. | :11:32. | :11:36. | |
You've got your teaching hat on today. I give you that power with | :11:36. | :11:40. | |
my energy force. Are you a Jedi? Yes. The calmer you are, the more | :11:40. | :11:44. | |
power you can give it, the more control you have. She sometimes | :11:44. | :11:51. | |
sounds like Yoda. Never they are locked. Never they are locked! | :11:51. | :11:57. | |
There's something dangerous lurking inside of him, a dark side. So frus | :11:57. | :12:02. | |
freighting. I don't know it. -- frustrating. I can feel my face | :12:02. | :12:12. | |
:12:12. | :12:15. | ||
slipping, frustrated, angry. the dark side comes out! So good! | :12:15. | :12:19. | |
Ali-Yoda! We like how you like to vent your Goodison Park side and | :12:19. | :12:26. | |
this is for you, Aliona, especially for you. This is so going to make | :12:26. | :12:36. | |
it takes two! Please make it to It Takes Two. It's impossible not to. | :12:36. | :12:41. | |
Celebrities do the funniest things! Marvellous. You are rehearsing in a | :12:41. | :12:44. | |
big studio tomorrow. Anything you need to finesse before the big | :12:45. | :12:49. | |
show? I think we are all set. Really? Yes, all set, got it! | :12:49. | :12:56. | |
Confidence! You had the official warning from Len, no lifts!Y. I've | :12:56. | :13:01. | |
been on such good form this season, I have been playing by the rules. | :13:01. | :13:04. | |
No lifts in your quickstep. even the begining or tend, just in | :13:04. | :13:08. | |
the frame. Len will be so pleased with you. This is good. Let's not | :13:08. | :13:12. | |
forget the swingathon, all the couples on the floor together, last | :13:12. | :13:16. | |
year, it was the semi-finals, five couples, this year seven couples. | :13:16. | :13:21. | |
Are you willing to take people down? We've designed our lifts to | :13:21. | :13:26. | |
take anyone out within five metres. I've requested that Jason is next | :13:26. | :13:31. | |
to me. Perfect. You are going down, Jonathan, ples you! We cannot wait | :13:31. | :13:41. | |
:13:41. | :13:43. | ||
to see you pull it out of the bag - - bless you. Thank you, Ali-Yoda | :13:43. | :13:50. | |
and Harry Jedi. One person gets us now to the | :13:50. | :13:59. | |
nitty-gritty, our Widdy. Order. Answer the question. Question from | :13:59. | :14:03. | |
Laura today. If you had to spend 24 hours locked in a room, with one of | :14:03. | :14:10. | |
the pros, celebs, or presenters, who would it be? Yes? Look, we | :14:10. | :14:15. | |
haven't got all day. Yeah, yeah. Next. At the moment I'm going to | :14:15. | :14:20. | |
have to stay loyal and say my professional partner Artem because | :14:20. | :14:24. | |
I need every hour with him I can get, so we can spend the time | :14:24. | :14:27. | |
practising for whatever the next dance is. Terribly boring answer | :14:27. | :14:31. | |
but I need the help. Yes, you are right, it's a boring answer. | :14:31. | :14:37. | |
Gieming to have to pick Artem. He was my roommate and he left me for | :14:37. | :14:41. | |
Kara and I miss him so I could easily spend 24 hours watching | :14:41. | :14:47. | |
movies and kicking back a few beers. I actually would never want to be | :14:47. | :14:52. | |
locked up with any of them because they're crazy. How to make friends | :14:52. | :14:58. | |
and influence people! Bye! I have to say, I love Artem's | :14:58. | :15:04. | |
braces, niex look. One thing we cannot deny is how fabulous the | :15:04. | :15:10. | |
celebrities are looking week after week -- nice look. I went to find | :15:10. | :15:14. | |
out what is in their box of tricks for this weekend. I'm here with | :15:14. | :15:17. | |
wardrobe wonder Nicola for a few clues as to what everyone is | :15:17. | :15:21. | |
wearing at the weekend. Crucial stage in the competition. Are the | :15:21. | :15:24. | |
celebs getting more involved in what they are wearing? Yes, every | :15:24. | :15:28. | |
week everyone's always involved, at this stage no-one wants to go home, | :15:28. | :15:35. | |
no tears. There will be more tears no, I can guarantee it. Chelsee | :15:35. | :15:39. | |
looked fantastic last week. What have you got lined up for her tango | :15:39. | :15:43. | |
this week? It will be a contrast. Last week it was fun, flirting | :15:43. | :15:49. | |
bubble gum colours, this week different, really sophisticated and | :15:49. | :15:55. | |
elegant. She's doing the Arge tango. Here is her dress this week. She's | :15:55. | :16:00. | |
covered from head-to-toe, but these here are slits up to the thigh to | :16:00. | :16:07. | |
allow for the flicks and kicks for the movement. Saucy. A turquoise | :16:07. | :16:11. | |
lining underneath. Purple on the tops are strong, then the flash of | :16:11. | :16:15. | |
the turquoise underneath. Unusual colours to put together. That's | :16:15. | :16:19. | |
really effective, I like it? Just dramatic in a different way, | :16:19. | :16:23. | |
because she's fun and young, you want a fresh exist on it. Anita, | :16:23. | :16:29. | |
she's dancing with rent-a-pro Brendan this weekend. They are | :16:29. | :16:35. | |
doing the cha-cha, what is she going to be dressed in? She's going | :16:35. | :16:40. | |
to be in a nude coloured dress, flesh from the neck, sleeves in and | :16:40. | :16:44. | |
it goes down to a full skirt which is great for the movement. This is | :16:44. | :16:48. | |
her design. This is actually completely covered in crystals all | :16:48. | :16:53. | |
the way down. It's taken so long. The Elle bell lishment has taken | :16:53. | :17:00. | |
lots of hours to do -- embellishment. These are the jewels | :17:00. | :17:06. | |
and how they come. They're so tiny. You pick them up with sticky | :17:06. | :17:12. | |
fingers and glue them on one by one? Not quite sticky fingers... | :17:12. | :17:15. | |
Sorry, nice clean hands and gloves. It's a stick with wax on the end | :17:15. | :17:21. | |
which picks it up and places it on to the glue on the dress. Tiny, | :17:21. | :17:26. | |
consuming process? Yes. She will carry it off so well. She'll have | :17:26. | :17:31. | |
some colour as well, ribbons will decorate the hem. Nice and flirty. | :17:31. | :17:37. | |
Good for Anita! Now, Jason, going for a bit of a Gatsby feel to his | :17:37. | :17:42. | |
charleston? Yes, the great Gatsby is his inspiration this week. This | :17:42. | :17:48. | |
is the Robert Redford, the great Gatsby. He's going to look dapper | :17:48. | :17:54. | |
this week, very gentlemanly. This is his waistcoat for this week be | :17:54. | :18:03. | |
teamed with a shirt, trousers and shoes. I can't help but notice this. | :18:03. | :18:08. | |
I'm assuming it's for the head. Can I try it on, I've been dying to. | :18:08. | :18:12. | |
Look! What do you think? I think it's gorgeous. Just need some | :18:13. | :18:16. | |
charleston moves. And this goes with what is under there, I've | :18:17. | :18:22. | |
heard? Yes, this dress. Give us a flash. Let's see if we can dress | :18:22. | :18:28. | |
who is wearing this. Look how it glistens. I will return this, I | :18:28. | :18:32. | |
promise, can I just borrow it for the rest of the afternoon, please?! | :18:32. | :18:36. | |
Good luck this weekend, Stirling work, we love Nicola, thank you. | :18:36. | :18:41. | |
It's so cute, does it suit me. Who is that woman? Despite a few | :18:41. | :18:44. | |
missteps, Jason and Kristina rocked around-the-clock with their jive on | :18:44. | :18:48. | |
Saturday. They'll be with me in a moment, but first, time for an | :18:48. | :18:52. | |
update on how the rest of the celebs have been getting on in | :18:52. | :18:56. | |
training. This week, we are dancing the cha- | :18:56. | :19:03. | |
cha. Dear Robin is not well and I have a new dance partner. Oh, my | :19:03. | :19:11. | |
goodness. One, two... Sorry, I missed it completely. It's so quick. | :19:11. | :19:17. | |
She doesn't believe enough for the dance to come out from her body. It | :19:17. | :19:19. | |
starts looking like you are completely in control of what you | :19:19. | :19:23. | |
are doing, regardless of what you are thinking. My body can't | :19:23. | :19:27. | |
physically make the shapes, but Brendan doesn't accept that, he | :19:27. | :19:36. | |
says UK, I've watched you. He's working much more on my attitude. | :19:36. | :19:42. | |
There you go. Work, work, work, now you're talking. Feel me up here, | :19:42. | :19:47. | |
woman, it's your only chance. I would like her to come out with | :19:47. | :19:50. | |
this cha-cha and hit the audience right between the eyes. It's not | :19:50. | :19:56. | |
true what Robin says, you are not a dud! I'm probably coming into this | :19:56. | :20:02. | |
week to do my foxtrot a little hungryer, because I would like next | :20:02. | :20:06. | |
week not to have that scary feeling under the red light. I'm pushing | :20:06. | :20:11. | |
Holly, she's working harder this week. The for example trot, it has | :20:11. | :20:16. | |
to be so precise. That's not my strong point. Slow, quick quick | :20:16. | :20:20. | |
slow. The most difficult thing is to timing. Instead of slow, say | :20:20. | :20:26. | |
chocolate, because it's a longer word. Chocolate, quick quick .She | :20:26. | :20:34. | |
Wants to go quicker and it has to be slower. What a disaster. | :20:34. | :20:39. | |
judges have been saying Holly is holding back and not performing. | :20:39. | :20:46. | |
It's frustrating, I'm dancing full out and I watch the tape back and | :20:46. | :20:52. | |
it looks like I'm holding back. That was really good. Give me that | :20:52. | :20:59. | |
back, that would be brilliant. this weekend, obviously, we do the | :20:59. | :21:05. | |
charleston, which is very, very exciting, 19 '20s, character, you | :21:05. | :21:10. | |
know, quite quick and cheeky -- 1920s. I know it's a very | :21:10. | :21:14. | |
character-based sort of step routine. I would have to say the | :21:14. | :21:19. | |
charleston is probably one of the harder dances that I've learned. | :21:19. | :21:23. | |
Orb, my gosh, that's full-on. We thought the jive was the quick one, | :21:23. | :21:28. | |
but this dance is literally killing both of us. You are really worried? | :21:28. | :21:34. | |
I am a bit. You really need to kick my thigh. Come on then. Yes it's | :21:34. | :21:37. | |
quick, character-based and therefore within that, it's a | :21:37. | :21:43. | |
little easier to sort of find a home. I think charleston suitnesss | :21:43. | :21:47. | |
him because there's lots of acting at the beginning. I think he likes | :21:47. | :21:50. | |
it and I think at this moment actually we are doing quite well. | :21:50. | :22:00. | |
Beautiful. That was absolutely great! Here they are, Jason and | :22:00. | :22:04. | |
Kristina! Thank you. Thank you. | :22:04. | :22:08. | |
So, let's go back to Wembley and Ian on the show last week was | :22:08. | :22:14. | |
looking at your dance training and saying, it's going to be tens, we | :22:14. | :22:22. | |
all thought that. What happened? First thing, my son Zac did tell me | :22:22. | :22:26. | |
that he'd seen the show and he'd said that Ian was saying some great | :22:26. | :22:31. | |
things. Look, I mean, it was just one of those moments, there it is, | :22:31. | :22:39. | |
where I just put the wrong foot, you know. You came back so quickly | :22:39. | :22:45. | |
though. You did, amazing. You know, it's a live show and we have been | :22:45. | :22:51. | |
through our routines backward and forward. I peen, you know, we work | :22:51. | :22:55. | |
extremely hard and try and have fun with it too. It was a fun dance, | :22:55. | :22:59. | |
just one of those moments and I've hit a few of those in my | :22:59. | :23:04. | |
professional clear, you know, it's not all about trying to be | :23:04. | :23:08. | |
absolutely spot-on -- in my professional career. An amazing | :23:08. | :23:11. | |
routine. I was going to say, how confident were you, Kristina, that | :23:11. | :23:16. | |
the crowd were going to love it anyway? I think it's a great song, | :23:16. | :23:20. | |
great venue and the jive was going so well and I was absolutely loving | :23:20. | :23:24. | |
it, I never thought he'd make a mistake, but you know what, hey | :23:24. | :23:27. | |
it's a live show, he's not a professional and I'm so proud | :23:27. | :23:31. | |
because he went back immediately and kind of carried on, it was | :23:31. | :23:41. | |
unbelievable. Still great scores. Exactly. But I can't say that I | :23:41. | :23:46. | |
wasn't disappointed. We felt it. I think we were all disappointed. | :23:46. | :23:50. | |
close! He was so down. In the results show, you were one of the | :23:50. | :23:55. | |
last people to be called out. know! What was going through your | :23:55. | :23:59. | |
mind at that point? I have a funny perspective on that, you know. Look, | :23:59. | :24:04. | |
we can go out at any single point, it's a public vote and, you know, | :24:04. | :24:11. | |
Kristina's obvious lib been through the process a lot more than I have | :24:12. | :24:17. | |
db - obviously been through the process a lot more than I have. | :24:17. | :24:22. | |
There's not a lot more that we can do. We've tried our best, had a | :24:22. | :24:26. | |
great journey and if the public think it's time for us to go, | :24:26. | :24:31. | |
that's... Don't say such things! Stop! I can't... You are doing the | :24:31. | :24:37. | |
charleston this week. Four days in, what do you think? Do you like? | :24:37. | :24:45. | |
like it. Me like too. Look at that. There's a bit of campness in there. | :24:45. | :24:48. | |
Strictly Come Dancing camp, never! This is the music you are dancing | :24:48. | :24:58. | |
:24:58. | :25:00. | ||
to. # No Sir that's my baby # Yes, Sir, that's my baby... # | :25:00. | :25:03. | |
How's the stamina at this point? It's quick, it's even killing me. | :25:04. | :25:08. | |
He was hoping for an easy week with the charleston. Never, no, not at | :25:08. | :25:13. | |
this stage in the competition. the toes, stepping on the toes. | :25:13. | :25:19. | |
Black-and-blue, bruised. It's the big toe scenario. Not getting | :25:19. | :25:22. | |
smelly? My toes have never been pleasant at the best of times, I | :25:22. | :25:27. | |
have to say. This week they are looking pretty ugly. It's time for | :25:27. | :25:33. | |
a pedicure. Any offers? One thing we have noticed about your training, | :25:33. | :25:37. | |
you are working really hard and we love that about you, but you do | :25:37. | :25:47. | |
:25:47. | :25:48. | ||
need to remember to breathe. Yes, Jason, breathe. Breathe. One, | :25:48. | :25:53. | |
two,... Without breathing, it's going to kill you. Breathe. Good. | :25:53. | :26:03. | |
:26:03. | :26:03. | ||
Breathe. Good. He's blue because he's not breathing. Argh... | :26:03. | :26:11. | |
You have to breathe out so it's easier for the body. Breathe out. | :26:11. | :26:21. | |
:26:21. | :26:28. | ||
Yeah. Breathe out. Breathe out. I live and breathe this show! | :26:28. | :26:34. | |
It's almost as though you're giving birth. I know. Well, I mean, my | :26:34. | :26:38. | |
breathing at the best of times is not particularly good. I do have a | :26:38. | :26:43. | |
slight sort of asthma problem, but you know, I think it's the one | :26:43. | :26:47. | |
thing about a professional stage craft, whether a singer, actor or | :26:47. | :26:50. | |
dancer, is when you breathe properly, you know, you can pupbgs | :26:50. | :26:56. | |
chew wait your moments a lot better and it's probably my least best | :26:57. | :27:04. | |
point -- punctuate your moments a lot better. We have got the | :27:04. | :27:07. | |
swingathon this weekend as well. Do you think this is going to bring | :27:07. | :27:11. | |
out a competitive edge in all our celebrities that we haven't seen | :27:11. | :27:18. | |
yet so far? Everybody eebs great friend, very lovely, it's the last | :27:18. | :27:22. | |
man standing, are you willing to take people down and what do you | :27:22. | :27:27. | |
have planned? What do we do for that, Jason? It's about having fun | :27:27. | :27:32. | |
first and foremost. I think the one thing about this swingathon... | :27:32. | :27:36. | |
sweatathon? Yes, I was thinking of going naked, it seems to be the way | :27:36. | :27:42. | |
to go these days. Maybe some small pants would help! It's all about | :27:42. | :27:47. | |
spatial awareness because it's easy to get... Yes, seen couples on the | :27:47. | :27:52. | |
floor. That's tough, making sure you are focused on your partner, | :27:52. | :27:57. | |
not getting starry eyed by everything else. Are you going up | :27:57. | :28:04. | |
down, under, over, round? Yes, everywhere. I think I might do a | :28:04. | :28:09. | |
karate lift in Harry Judd's direction and maybe Robbie Savage's | :28:09. | :28:15. | |
direction. It could get quite nasty, the gloves are on! Any special | :28:15. | :28:19. | |
trick, diamond moves? Karen's taught me the term? We have a few | :28:19. | :28:25. | |
actually and it's going to be a lot of fun, honestly. The Joe Calzaghe | :28:25. | :28:31. | |
move. Wait until you see it! not going there. Sounds dangerous. | :28:31. | :28:37. | |
It's not dangerous, but under a Len's Lens, figure it out. Figure | :28:37. | :28:41. | |
out which is the Joe Calzaghe in our swingathon. Little competition | :28:41. | :28:47. | |
for all of you, the first person to spot it wins a prize. Good luck | :28:47. | :28:52. | |
this weekend with the charleston and swingathon, it's going to be | :28:52. | :28:56. | |
great. Jason and Kristina. Thanks to all my guests tonight. Tune in | :28:56. | :29:00. | |
tomorrow on BBC Two and I'll be talking to Robbie and Ola and | :29:00. | :29:05. | |
having a nose around the Strictly studio to find out what is going on | :29:05. | :29:08. | |
in rehearsals. I'm excited about the Friday panel this week, not | :29:08. | :29:12. | |
only do we have Strictly superfan Miranda Hart on the sew farbgs | :29:12. | :29:17. | |
she'll be joined by her on screen mother, Patricia Hodge and love | :29:17. | :29:21. | |
interest Tom Ellis -- sofa. Before we go, there's something funny | :29:21. | :29:25. | |
going on in the training rooms. Oh yes, have a look at this. Good | :29:25. | :29:35. | |
:29:35. | :29:37. |