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It is Wednesday. Coming up on tonight's show. They survived the | :00:11. | :00:21. | |
:00:21. | :00:29. | ||
bottom twice, how bullish are Artem and Holly? Erin is up next for the | :00:29. | :00:39. | |
:00:39. | :01:09. | ||
Pro Dance Challenge. This is It Live Live from television this is | :01:09. | :01:12. | |
It Takes Two. Please welcome your host, it's Zoe Ball. | :01:12. | :01:20. | |
CHEERING AND APPLAUSE Hello. Welcome to Wednesday's It | :01:20. | :01:23. | |
Takes Two. Yes, in case you are wondering what I was doing, it is | :01:23. | :01:27. | |
movie week and for our six remaining couples box office | :01:27. | :01:31. | |
success means a busy week in the training rooms. Holly and Artem | :01:31. | :01:36. | |
nearly missed out when they found themselves in the bottom two. Here | :01:36. | :01:46. | |
:01:46. | :01:49. | ||
Seductive, demure and alluring. Sexy, hot, everything I wanted from | :01:49. | :01:56. | |
you, that's the way to go. I would have much preferred it if | :01:56. | :02:00. | |
had been a traditional foxtrot. However, what I saw of the foxtrot, | :02:00. | :02:07. | |
I liked so well done. Yes! | :02:07. | :02:13. | |
Thank you so much. He He got me to do the foxtrot | :02:13. | :02:21. | |
which I wasn't really looking for - - forward to. It was really fun. I | :02:21. | :02:23. | |
- forward to. It was really fun. I loved it. | :02:23. | :02:30. | |
Please welcome Holly and Artem. CHEERING AND APPLAUSE | :02:30. | :02:33. | |
You looked dangerously foxy on Saturday night. You got a standing | :02:33. | :02:41. | |
ovation, a fantastic score and then bottom two. How infuriating for | :02:41. | :02:47. | |
you? Not that great great considering I hadn't botched it at | :02:47. | :02:51. | |
any point. Not a great score. Harry got tens. | :02:51. | :02:55. | |
It just means this week we are reliant on the public vote to help | :02:55. | :03:00. | |
us through. I want to stay in one more week and I'm doing paso doble | :03:00. | :03:05. | |
which I'm loving. Hopefully we will get a chance. This is the point | :03:05. | :03:12. | |
where you have to canvas. You have got to go out with a loud hailer at | :03:12. | :03:16. | |
shopping centres, "Vote for me too.". Artem. | :03:16. | :03:19. | |
Let's not do it. It worked for me! | :03:19. | :03:22. | |
Last time you were the bottom two, you said you were expecting it. | :03:22. | :03:26. | |
Surely not this time though. Did you think you were going to be OK? | :03:26. | :03:31. | |
I thought our routine was good. We did all the moves correctly and the | :03:31. | :03:39. | |
technique was OK. He will tell me. He is the first person to tell me. | :03:39. | :03:44. | |
For him to not complain I thought "we are going to do well." And we | :03:44. | :03:48. | |
didn't do very well. Frustrating, I can imagine. Karen | :03:48. | :03:53. | |
said she loved your choreography. That's sweet, thank you. | :03:53. | :03:58. | |
She knows good choreography. Len said, "I like what I saw." What did | :03:58. | :04:01. | |
you make of his comments about the amount of foxtrot and the music | :04:01. | :04:07. | |
choice? I actually think. This is for the first time I have done | :04:07. | :04:13. | |
close position for so long in any dances so I was shocked when Len | :04:13. | :04:20. | |
didn't like it. The music choice is traditional because it is so | :04:20. | :04:24. | |
energising and that's what the foxtrot came from. To me it wasn't | :04:24. | :04:28. | |
a contemporary song, I think it was a a traditional song. Just because | :04:28. | :04:33. | |
it was released recently it doesn't mean it is new. When I choreograph | :04:33. | :04:38. | |
to any music, I try to choreograph to the song so when he said that he | :04:38. | :04:42. | |
- what he hears, he doesn't see on the floor. That That didn't make | :04:42. | :04:50. | |
sense to me. Let's forget what what Len said. It is almost as if he is | :04:50. | :04:55. | |
expecting you to not do what he is expecting you to do. Thomas said | :04:55. | :05:00. | |
that you could be the dark horse of this competition, Holly. | :05:00. | :05:07. | |
I would love to play that role. I am going to do my best this week. | :05:07. | :05:11. | |
I I like it when you talk like that. It is movie week and you are doing | :05:11. | :05:14. | |
the paso doble which you have really looked forward to doing. | :05:14. | :05:19. | |
What is it you love about it and how is it going? It is fiery and | :05:19. | :05:23. | |
passionate and there is a dual between us and it was the one I | :05:24. | :05:27. | |
wanted to do, I would have been gutted if I didn't get a chance to | :05:27. | :05:36. | |
do it.. Fantastic music as well. It is the theme from Zorro. | :05:36. | :05:41. | |
Are you going to have a cape and and sword? I'm having a mask and | :05:41. | :05:45. | |
cape, I might have a sword, but that's something to look forward to. | :05:45. | :05:50. | |
Let's move on from that! Are you going to be embracing the costume | :05:50. | :05:55. | |
action as well, are you going Zeta Jones? I am not super familiar with | :05:55. | :06:02. | |
that version. I'm more focused on Zorro and I will sit there and | :06:02. | :06:07. | |
hopefully look cute. I'm going traditional then! | :06:07. | :06:13. | |
Take note, please. Be ware. We have as it has been movie week, | :06:13. | :06:20. | |
we have made you your own B Movie, oh yeah, it is called... What does | :06:20. | :06:30. | |
:06:30. | :06:31. | ||
that mean. It is called The Four Foot Pole. | :06:31. | :06:37. | |
This is what we do in Russia, we give them the stick and make them | :06:37. | :06:41. | |
walk for months. It is petrifying. | :06:41. | :06:51. | |
Here you go. Oh, yes. I'm going to vomit a little bit. | :06:51. | :06:53. | |
Step towards the pole. Towards the pole. | :06:53. | :06:58. | |
I'm scared of it. SCREAMING The pole out again. I | :06:58. | :07:02. | |
thought we were over this. Don't move the pole. | :07:02. | :07:12. | |
I don't think this is a good idea. SCREAMING The pole! | :07:12. | :07:13. | |
APPLAUSE I loved it. Today in training, I | :07:13. | :07:18. | |
thought he was going for it again and I was going, "Oh, come on." And | :07:18. | :07:23. | |
he went for something and I said, "Thank goodness because I couldn't | :07:23. | :07:30. | |
handle anymore of this pole." long as it works and it benefits | :07:30. | :07:32. | |
the dancing we will stick with the pole. | :07:32. | :07:35. | |
There are six of you left in the competition. What are you going to | :07:35. | :07:40. | |
do to make sure that the people at home vote for you, Holly? I think | :07:40. | :07:44. | |
I'm going to be aggressive because we've got nothing to lose and I | :07:44. | :07:49. | |
feel really strongly about this dance. I love the music. I love the | :07:49. | :07:54. | |
choreography, it is really fun and I hope that comes out and they're | :07:54. | :07:56. | |
entertained about it. I can't wait to see the cape and | :07:57. | :08:01. | |
the mask. Please give it up for Holly and Artem. | :08:01. | :08:11. | |
:08:11. | :08:13. | ||
CHEERING AND APPLAUSE Now we do like to hear your | :08:13. | :08:15. | |
comments on this show and it is time to check the It Takes Two | :08:15. | :08:18. | |
answer phone for more Points of You. I've just watched Monday's show and | :08:18. | :08:21. | |
I disagree with Craig's comments about Robbie's dance. He was | :08:21. | :08:29. | |
dancing to the Full Fonty so his costume was justified. | :08:29. | :08:35. | |
I thought today's show was amazing. I loved it. Alex and James, you are | :08:35. | :08:38. | |
my favourite I hope next week it will be even better. Thank you, | :08:38. | :08:43. | |
bye-bye. Please, please, do your best to | :08:43. | :08:47. | |
encourage Miranda to do next year. She will be great. And she will be | :08:47. | :08:52. | |
good at it too. Bye. Theresa May for your messages | :08:53. | :09:02. | |
especially little Molly. On Monday, we launched our exciting Pro Dance | :09:02. | :09:12. | |
Challenge. Here to to find out how she did, our next contender, Erin | :09:12. | :09:20. | |
Boag. APPLAUSE | :09:20. | :09:23. | |
Welcome back to the show, Erin. We have missed you. You are known as a | :09:23. | :09:33. | |
:09:33. | :09:37. | ||
ballroom girl. How difficult is it to do to boag-a-fogos at speed? | :09:37. | :09:43. | |
really. We should have done who could do | :09:43. | :09:47. | |
the most amount of spins in 30 seconds because it would be good | :09:47. | :09:51. | |
when you showed the after shots. Are you saying you don't like this | :09:51. | :09:55. | |
section of the show? It was all right. Do you think this is because | :09:55. | :10:00. | |
she knows how she has done? I don't know how I've done. | :10:00. | :10:07. | |
Let's see how youer you Erin Boag got on. | :10:07. | :10:11. | |
The dancers gunning for this because we have the world record at | :10:11. | :10:19. | |
stake. The most botofogos in 30 seconds. | :10:19. | :10:23. | |
I will be joined by Richard, who is leading choreographer to the stars. | :10:24. | :10:29. | |
We also have the official world record adjudicator with us and we | :10:29. | :10:39. | |
:10:39. | :10:41. | ||
It would be fabulous to hold the Guinness Book Of Records for the | :10:41. | :10:47. | |
most. Only time will tell. Account next contender -- can the next | :10:47. | :10:52. | |
contender come to the floor? Hello Erin. How are you feeling about | :10:52. | :10:58. | |
this OK? I'm feeling OK. A little excited. | :10:58. | :11:01. | |
You're going to take to that floor like nobody's business. | :11:01. | :11:10. | |
Dancer ready? Yes. Adjudicator ready? Yes. | :11:10. | :11:20. | |
:11:20. | :11:53. | ||
For the record, three, two, one one Well done, Erin. How did that feel? | :11:53. | :11:59. | |
Good. Richard, any discrepe | :11:59. | :12:05. | |
discrepancies? There could have been one illegal botafogo in there. | :12:05. | :12:10. | |
I don't think I took a breath for 30 seconds. It went all right, I | :12:10. | :12:20. | |
think! APPLAUSE | :12:20. | :12:22. | |
I'm excited at the fact that Erin Boag may have done something | :12:22. | :12:23. | |
illegal. I know. | :12:23. | :12:27. | |
How do you think you did? I looked a little slow. Maybe I did about 50, | :12:27. | :12:29. | |
I'm guessing. That's your guess. Shall we find | :12:30. | :12:34. | |
out? OK. Your moves have been counted and verified, Erin, it is | :12:34. | :12:44. | |
:12:44. | :13:08. | ||
I can now confirm Erin Boag that you scored... 51le. | :13:09. | :13:10. | |
APPLAUSE Not bad at all, you said that you | :13:10. | :13:14. | |
would get 50, but you got 51. We can see that you are in third place. | :13:14. | :13:20. | |
Are you gutted slightly? Not really. Who do you think in a challenge | :13:21. | :13:24. | |
like this will be the most competitive? Who do you think will | :13:24. | :13:29. | |
be the best? James Jordan is pretty competitive. | :13:29. | :13:35. | |
Maybe Artem. Right, OK. What about the speed of the legs | :13:35. | :13:40. | |
though? The shorter you are, the better it is. Closer to the ground. | :13:40. | :13:44. | |
So maybe Vincent. But one of the boys. | :13:44. | :13:49. | |
You have probably not won! Thank you very much anyway, Erin | :13:49. | :13:56. | |
Boag. Thank you, Erin. Tomorrow we will | :13:56. | :14:00. | |
find out how Ola got on. Back to this week's training for | :14:01. | :14:10. | |
:14:11. | :14:14. | ||
Movie Week, please welcome my Hello grgous! | :14:14. | :14:18. | |
-- hello gorgeous. Hello and welcome. | :14:18. | :14:21. | |
Looking dashing as ever. We're matching. | :14:21. | :14:25. | |
We are matching. Good feet, naughty feet. | :14:25. | :14:29. | |
On Monday Craig Craig said the judges gr now on -- from now on, | :14:29. | :14:34. | |
the judges are going to be pbgy. How much does people need to get it | :14:34. | :14:39. | |
right? First of all, they can't have any major mistakes because if | :14:39. | :14:42. | |
they have one mistake that will be a point dropped because if | :14:42. | :14:45. | |
everybody can see it then the judges can see it. Other than that, | :14:45. | :14:51. | |
they've just got to produce a fantastic spectacle and a dance | :14:51. | :14:55. | |
which is technically good, I think. Which quite a few of them did at | :14:55. | :15:00. | |
the weekend so it can only get better. Let's look at our friends | :15:00. | :15:05. | |
in training. We will start with Robbie and Ola. He survived the | :15:05. | :15:08. | |
samba and he is back in hold. How is his quickstep looking? Yeah, | :15:08. | :15:12. | |
well, he does a solo piece at the beginning which looks mechanical I | :15:12. | :15:16. | |
have to say. That's not good. Once he is into quickstep, his | :15:17. | :15:21. | |
movement is good across the floor. The rise and fall was a little bit | :15:21. | :15:27. | |
too abrupt for me, I would like it to have more finesse. That looks | :15:27. | :15:30. | |
good. And then what I want to point out, | :15:30. | :15:34. | |
when he does this rotation, I have when he does this rotation, I have | :15:34. | :15:38. | |
stopped him there because, I want you to see Look at his elbow here. | :15:38. | :15:42. | |
Oh dear. It is dropped and I would like to see it lifted so it creates | :15:42. | :15:46. | |
a line from one elbow to the other. The reason why I say that is | :15:46. | :15:52. | |
because I've had lots of smaller partners in the past. | :15:52. | :16:00. | |
On the dance floor. LAUGHTER | :16:00. | :16:03. | |
We keep the elbows at the same height and then you drop the hand | :16:03. | :16:05. | |
slightly. That's the secret. If your lady is shorter, you drop | :16:05. | :16:09. | |
the hand. But we tend to drop the hand rather | :16:09. | :16:13. | |
than the elbow and at the moment he is doing that for Ola and she is a | :16:13. | :16:18. | |
little bit smaller than him, but if he does that, it will be very good. | :16:18. | :16:22. | |
He has plenty of time to improve on that. Alex and James, James was | :16:22. | :16:27. | |
somewhat miffed about Craig's six on Saturday for their Charleston, | :16:27. | :16:31. | |
how are they going to get along with the American smooth? It will | :16:31. | :16:34. | |
be a good dance for them. They have been doing well in their ballroom | :16:34. | :16:41. | |
dances. Here we see them dancing pivots and every time they pivot, I | :16:41. | :16:46. | |
think Alex would benefit from dancing her her left side forward | :16:46. | :16:51. | |
around James and it would help the rotation. Here I've slowed it down. | :16:51. | :16:55. | |
Look at that lift. I like it. It is an unusual lift. | :16:55. | :16:59. | |
Does it have a name? Not really, I would say the twisted starfish. | :16:59. | :17:04. | |
If you can say say it! She looks like a twisted starfish and it is | :17:04. | :17:08. | |
unusual and actually I quite like OK, that's good. | :17:08. | :17:11. | |
It is nice. Chelsee and Pasha, they were second | :17:11. | :17:15. | |
on the leaderboard last weekend. Chelsee seems to be getting better | :17:15. | :17:19. | |
and better and better. She is She is doing the jive. I can't help but | :17:19. | :17:23. | |
think she is going to be good at this? It will be a great dance for | :17:23. | :17:33. | |
her. It is looking tickety boo. Not really matching Pasha there yet. | :17:33. | :17:37. | |
How can you match that? There is more punch from his kicks and | :17:37. | :17:42. | |
flicks and there is a lot more strength. Later on, we're going to | :17:42. | :17:48. | |
see turns as well that she does and she is going into chassy. | :17:48. | :17:55. | |
She is wearing shoes. I am I'm pleased. She is going to | :17:55. | :17:58. | |
do a double turn and she is struggling to get under that turn | :17:58. | :18:00. | |
quick enough. What I would say with the turns, | :18:00. | :18:04. | |
when she she turns, she needs to let go so she doesn't want to | :18:04. | :18:09. | |
control it or doesn't want to turn and control it. She needs to go. | :18:09. | :18:17. | |
Look at that! And not wobble at the end. | :18:17. | :18:21. | |
rehearsal, I didn't wobble. And with the kicks, they need to be | :18:21. | :18:31. | |
stamped very strongly. Good. It is toes down, yeah? Yes. | :18:31. | :18:34. | |
Toes towards the floor. Think about that. | :18:34. | :18:43. | |
That's not good. Pointing down. I wonder if she has seen Shrek yet? | :18:43. | :18:48. | |
Harry and Aliona, you said that his sway was close to a professional. | :18:48. | :18:52. | |
Look at the scores he got, it was incredible, wasn't it? Fabulous. | :18:52. | :18:57. | |
He is doing the rumba this week. No male celebrities have ever got ten | :18:57. | :19:01. | |
in the rumba, ever? Never in the history of Strictly Come Dancing | :19:01. | :19:06. | |
has a male celebrity got a ten. So... Colin Jackson got nines, but | :19:06. | :19:10. | |
no one got a ten. Harry is looking great here. He is | :19:10. | :19:15. | |
doing a lot of the choreography here is basically him leading the | :19:15. | :19:19. | |
lady around him. Which is what they have to do in the rumba, isn't it? | :19:19. | :19:23. | |
In the rumba there is less steps for the man, but I think if he is | :19:23. | :19:28. | |
looking for tens the only way he is going to get tens if there is | :19:28. | :19:34. | |
content of rumba. That means rumba walks. | :19:34. | :19:40. | |
straightens his legs as well. That's the rum basmt so he has -- | :19:40. | :19:46. | |
rumba. It is not just hips, it is body as well, Zoe. He He can't just | :19:46. | :19:51. | |
have a hip action, you know. What I want to emphasise here is the | :19:51. | :19:55. | |
wonderful usage of line here and through the body, he is producing | :19:56. | :19:59. | |
good lines in all of his leading steps which are great. | :19:59. | :20:02. | |
Promising. Holly and Artem. They were here | :20:02. | :20:06. | |
earlier. They are doing the paso doble, they need to stay in the | :20:06. | :20:10. | |
competition. They have been bottom two twice, so they will be fighting | :20:10. | :20:14. | |
or it on Saturday. How Is it looking in the training room? | :20:14. | :20:18. | |
surprised if they are in the bottom to this week. Because it is a great | :20:18. | :20:24. | |
piece of music. They have a great dance. Artem is use -- has used | :20:24. | :20:32. | |
Holly's height and length and he is doing a lot of flamenco and as you | :20:32. | :20:34. | |
can see, there is a lot of usage of skirt. | :20:34. | :20:41. | |
That's like the cape. The flamenco dancers use their capes. If I play | :20:41. | :20:45. | |
it more, she is doing the heels. It could be good. | :20:45. | :20:51. | |
The stamping and the swish of the skirt. It is going to be tan tastic. | :20:51. | :20:55. | |
-- fantastic. Jason and Kristina, they are doing | :20:55. | :20:59. | |
the American smooth. How is it going to be? A great dance. They do | :20:59. | :21:02. | |
a fantastic lift at the beginning of this. They are doing a | :21:02. | :21:06. | |
combination of four different lines in this lift. It is fantastic. | :21:06. | :21:09. | |
Let's just show you. We have got one. Wow. | :21:09. | :21:14. | |
Two, three, four and then they are into this spin. | :21:14. | :21:18. | |
Beautiful. Beautiful. Come on, Donny. | :21:18. | :21:21. | |
It is not easy. Thank you very much. See you next | :21:21. | :21:28. | |
week. Who's looking at you kid? Jason and Kristina piled on the | :21:28. | :21:32. | |
slapstick on Saturday night. I will be chat to go them live over -- | :21:32. | :21:37. | |
chatting to them live after this reminder of their Charles ston. | :21:37. | :21:40. | |
I loved the energy, I loved the routine. | :21:40. | :21:45. | |
You kept it good, the professional expressions, nobody can eye kuse | :21:45. | :21:48. | |
you of use -- accuse you of using botox. | :21:48. | :21:55. | |
I was willing it to be perfect, but disastrous kick section. But that I | :21:55. | :22:05. | |
:22:05. | :22:05. | ||
have to say was a Charleston. Yeah! | :22:05. | :22:11. | |
# I am the one and only # this has given me more renewed | :22:11. | :22:15. | |
confidence. There was a couple of rough edges, but I'm really happy | :22:15. | :22:25. | |
:22:25. | :22:26. | ||
Please welcome, Jason and Kristina. CHEERING AND APPLAUSE | :22:26. | :22:28. | |
Hello guys. Welcome back to the show. Well done on Saturday night. | :22:28. | :22:35. | |
Thank you. Debbie online said, "Disastrous | :22:35. | :22:39. | |
kick section, I must have blinked and missed it.". I don't think the | :22:39. | :22:44. | |
cameras caught it. I think it was in a mid-shot. It was there. | :22:44. | :22:49. | |
There was there. How much went wrong? It was a split | :22:49. | :22:55. | |
second actually. It wasn't even a mistake. We got out of sync a | :22:55. | :23:00. | |
mistake. We got out of sync a little bit. | :23:00. | :23:07. | |
So we couldn't see? Craig did say, "Maybe they were | :23:07. | :23:11. | |
doing kicks side by side." Are you going to keep them out or challenge | :23:11. | :23:16. | |
going to keep them out or challenge Jason? Jason was doing them amazing | :23:16. | :23:19. | |
all the way through the week and the same with the jive. Anything | :23:19. | :23:24. | |
can happen in a live show and you know what, he has taken chances, he | :23:24. | :23:28. | |
is doing complicated choreography which you can only commend him for | :23:28. | :23:32. | |
and there are dances which are suitable for side by side sections | :23:32. | :23:37. | |
like jive and the Charleston and that's what he did, I must say I | :23:37. | :23:43. | |
feel the judges looking at Jason through a microscope lens, but you | :23:43. | :23:47. | |
know what he works as hard as everyone else and it doesn't come | :23:47. | :23:53. | |
easy to him and others do mistakes, but it seems like they get away | :23:53. | :23:55. | |
with it. Get away with it. There will be | :23:55. | :24:03. | |
letters, you say it Kristina. You are now the oldest competitor? | :24:03. | :24:07. | |
I am, Zoe. You are 43. | :24:07. | :24:14. | |
I'm hoping when I go up to Tessa's area people leave the seats so I | :24:14. | :24:16. | |
can sit down. I will be out of breath. | :24:17. | :24:22. | |
Despite your relatively young years, you are quite a deep thinker. | :24:22. | :24:32. | |
:24:32. | :24:38. | ||
With an interesting outlook on I'm not sure I understand. | :24:38. | :24:42. | |
I might be wrong, I don't know. I don't know what I'm doing. | :24:42. | :24:52. | |
:24:52. | :25:00. | ||
It is about the journey and not necessarily about the destination. | :25:00. | :25:07. | |
Fail to prepare, prepare to fail. Mistakes are good things. Oh yes? | :25:07. | :25:13. | |
Sometimes perfection can be a little mundane. It makes no sense. | :25:14. | :25:17. | |
Sometimes things that you think are going to go wrong go perfectly | :25:17. | :25:22. | |
right. Does that make sense? Yes. It is not over, until it is over. | :25:22. | :25:24. | |
Look at how much I have learned. Awesome. | :25:25. | :25:32. | |
Bring on the tools, let's make this work. Dusz Does that make sense. | :25:32. | :25:37. | |
Sometimes when you jump, you fly. APPLAUSE | :25:37. | :25:43. | |
That was so nice. That is made to a T, I join these | :25:43. | :25:48. | |
para phrases together in my life and hope for the best. | :25:48. | :25:53. | |
You are doing the American smooth this week. How is it going? It is | :25:53. | :25:55. | |
going well. It is a wonderful song. So | :25:55. | :25:59. | |
beautiful. Yes, let's hear your music. | :25:59. | :26:04. | |
# I'm singing in the rain # Just singing in the rain | :26:04. | :26:14. | |
:26:14. | :26:14. | ||
# What a glorious feeling... # It is so iconic and we're not | :26:14. | :26:20. | |
trying to match Gene Kelly and Kristina's choreography is | :26:20. | :26:26. | |
excellent and I just hope that on the night with the umbrella and the | :26:26. | :26:33. | |
top hat, a bit of the rain, you know... Will there be a man with a | :26:33. | :26:41. | |
bucket? We will ask for it. Are you superstitious about opening | :26:41. | :26:44. | |
umbrellas idoors? Not at all. We have made the decision that it is | :26:44. | :26:49. | |
going to be too complicated to put the umbrella back into hold and | :26:49. | :26:54. | |
Velcro it up and think of the 550 steps that I have got to do, so we | :26:54. | :27:00. | |
have decided keep it closed. And no chance TV taking off. | :27:00. | :27:08. | |
At the end it might open up. We might turn into Mary Poppins. | :27:08. | :27:13. | |
Genius, could we ask for more? Bruno said he loves the facial | :27:13. | :27:21. | |
expressions. Will you be channelling Gene Kelly? The idea is | :27:21. | :27:25. | |
to have fun and the relationship between myself and Kristina and | :27:25. | :27:31. | |
that sort of care free type of singing in the rain. I think it is | :27:31. | :27:35. | |
going to be fun actually. Will there be a lamp post? We have | :27:35. | :27:40. | |
a lamp post. Don't tell them everything! | :27:40. | :27:44. | |
Just forget everything we have said. Kristina, at this point, this is | :27:44. | :27:53. | |
the furthest you have got in the competition? Yes, so now... | :27:53. | :27:54. | |
APPLAUSE It deserves an applause. | :27:54. | :27:58. | |
pressure is on. Yeah, the pressure is on. | :27:58. | :28:02. | |
How much do you want to get Jason to the final? It is a wonderful | :28:03. | :28:05. | |
opportunity. I will get all emotional. | :28:05. | :28:11. | |
Please get emotional. It has been the most rewarding | :28:11. | :28:14. | |
season for me. . Get the tissues. | :28:14. | :28:18. | |
I do hope we make it because I'm enjoying it so mump. | :28:18. | :28:23. | |
-- much. That's it. We're all welling up now. | :28:23. | :28:25. | |
You'll get me going. Are you looking forward to | :28:25. | :28:28. | |
Saturday? Saturday is going to be a challenge like all the weeks have | :28:28. | :28:33. | |
have been, but we have got a great story and a great character and | :28:33. | :28:38. | |
that's what I really get my teeth around. When I can see a journey | :28:38. | :28:44. | |
within the number then fantastic. Go with it. | :28:44. | :28:48. | |
Thank you. That's all for today. Thank you to | :28:48. | :28:52. |